Deanna Reuben - The Look Of Love

Size: 127,0 MB
Time: 54:33
File: MP3 @ 320K/s
Released: 2005
Styles: Jazz Vocals
Art: Front

01. How Do You Keep The Music Playing (5:08)
02. Body And Soul (4:59)
03. Lazy Afternoon, Summertime (5:40)
04. Here's That Rainy Day (5:17)
05. The Look Of Love (4:12)
06. My Funny Valentine (3:23)
07. I Concentrate On You (3:09)
08. More Than You Know (4:01)
09. This Masquerade (4:58)
10. Bewitched (5:19)
11. If I Never Met You (3:52)
12. I'll Be Seeing You (4:30)

Deanna Reuben captures the essence of romance through her heartfelt interpretation of our favorite songs. The Look of Love sends a message clearer than flowers or a box of candy or dinner and a movie. With this session, you get clarion vocals with a stellar jazz quintet that sparkles brightly through sensual ballads and upbeat rhythms. Tenor saxophonist Larry McKenna serves as Reuben's musical partner, adding rapturous melodies to her resonant vocal themes.

With a fluid delivery, she shapes each song like clay. The rhythm from bass and drums gives each piece a heartbeat, while Marty Mellinger's keyboards surround the session with synth strings and wallpaper of velvet. Reuben's attack moves with emotional force as she sends a passionate message through her charming interpretations. With "Summertime," for example, she explodes with the power of Shirley Bassey and creates lightning sparks along the way.

Most of the program, however, mellows out with soothing ballads that allow Reuben to wear her heart on her shirtsleeve. McKenna partners with her to add melodic grace. "The Look of Love" stands out for its floating quality as the singer caresses the familiar melody with a hug and a kiss. "I Concentrate on You" puts Reuben and McKenna together in one of those simpatico relationships that bring out the best from all parties. In her upper register, the singer wears thin when the volume diminishes, causing some of her sheen to fade. She's at her best when projecting forcefully up high and when crooning sweetly in the lower registers with that natural romantic spirit. ~Jim Santella

Personnel: Deanna Reuben: vocals; Marty Mellinger: keyboards; Larry McKenna: tenor saxophone; Keith Mohler: bass; Dave Santana: drums.

The Look Of Love

---

Maurizio Geri Swingtet - Tito Tariero (Feat. Nicola Vernuccio)

Size: 117,7 MB
Time: 50:16
File: MP3 @ 320K/s
Released: 2012
Styles: Jazz: Gipsy Jazz, Swing Jazz
Art: Front

01. Ali's Wing (4:19)
02. Gingillone (5:19)
03. Melancolia (3:46)
04. Melodie Au Crepuscule (3:29)
05. Cette Nuit La (4:31)
06. Presente Archeologico (4:25)
07. Rapido Per Algeri (3:28)
08. Algeri (3:00)
09. Foresta (5:05)
10. Hunn O Pani Naschella (4:45)
11. Piccolo Valzer (3:42)
12. Mito (4:21)

Gipsy-jazz and world music and songwriting. Guitarist pistoiese at third test on cd. 12 tracks of original tunes and standard manouche. Presentation at the Festival international Django Reinhardt.

The historical group of the manouche style in Italy the Maurizio Geri Swingtet comes out with its new disc, "Titus Tariero". Like the earlier work "Manouche e dintorni" (1996) and "open sky" (2002), this disc contains heterogeneous ideas that take inspiration from classic gipsy-jazz French, but also from the Italian tradition, from world music and songwriting.

The recording live in the studio retains the freshness of sound and of solo. Numerous original compositions ("little Waltz", "forest", "Gingillone", "quick to Algiers," "Algiers", "myth", "Ali's wing", "present" archaeological) that spread to an original and elegant reworking of some standard ("Melodie au crepuscule", "Bertossa or naschella tablets", "Melancholy", "Cette nuit là"), has always characterized the research work of the Tuscan formation. The drive to the historic Tuscan label Sound Materials.

Only Italian group to have participated in the festival Django Reinhardt in Samois (Paris), the Maurizio Geri Swingtet is still for many fans of the genre, and for those who seek an original approach and "Italian" swing manouche style.

Tito Tariero

---

Myles Hayes - You Were Mine

Size: 101,1 MB
Time: 40:51
File: MP3 @ 320K/s
Released: 2014
Styles: Jazz Vocals
Art: Front

01. Comin' Up Soon (3:04)
02. Skylark (3:43)
03. Danger Of Sleep (3:50)
04. Pure Imagination (3:50)
05. Sweet Life (2:43)
06. How Little We Know (2:42)
07. My Sweetest Dream (3:42)
08. Moon River (3:04)
09. But Not For Me (2:52)
10. Makin' It Your Way (3:50)
11. Happiness Is In Your Reach (3:25)
12. You Were Mine (4:01)

Originally from Mequon, Wisconsin, Myles Hayes studied vocal performance at Texas Christian University . Beginning his career performing in venues throughout the Midwest, Myles focused on such influences as Frank Sinatra, Dean Martin, Bobby Darren, Tony Bennett and Nat King Cole.
He recorded his first album entitled “Empty Tables” in 2005 and his second album entitled “Night & Day” in 2007, both by Grammy Award Winning Producer, Jordan Richardson at Fort Worth Sound.
Now based in Chicago, for the past seven years he has performed professionally in dozens of venues not only throughout the city, but also across the country. He can be found singing weekly at The Ritz Carlton Chicago, and is regularly featured as the pregame entertainment, or performing the National Anthem, for the Milwaukee Brewers, Chicago Bulls, White Sox and Cubs. Myles has recently appeared on National & International Television in commercial advertisements for companies such as Mistubishi & BNI Bank as well.
For his latest studio album, Myles teamed up with producer Anthony Gravino and four of the finest jazz musicians Chicago has to offer, to record both a new take on five jazz standards, and seven new originals destined to become classics. Through this album and his enthusiastic stage presence, his care-free charisma personify the legacy of his jazz predecessors. Wherever you may find him, Myles Hayes “brings new life to the standards of the Sinatra and Nat King Cole era by invoking his own unique style representative of a new generation of progressive jazz” -Fort Worth Star Telegram

You Were Mine

---

Jimmy McGriff - At The Apollo (Original Album Plus Bonus Tracks)

Size: 100,7 MB
Time: 43:01
File: MP3 @ 320K/s
Released: 1963/2013
Styles: Jazz: Soul Jazz, Blues Jazz
Art: Front

01. There'll Never Be Another You (6:17)
02. The Deacon (6:50)
03. Frame For The Blues (5:45)
04. Red Sails In The Sunset (4:40)
05. A Thing For Jug (5:42)
06. We Four (5:47)
07. Blip Time (Bonus Track) (3:21)
08. One Of Mine (Bonus Track) (4:37)

There's no question; organist Jimmy McGriff and company cook up some steaming blues grooves on this live date. Beyond that, though, there is little that distinguishes this set from countless others in the same mold. McGriff and his band are a dynamo when they unite in churning, bluesy bluster. As individual players, however, no one here generates much in the way of a memorable performance. Next to the roar of the leader's Hammond, guitarist Larry Frazier's fills and rhythm work sound slight. He's better when he steps forward to solo in a frenetic Chicago blues style. Saxophonist Rudolph Johnson honks and barks with a spirited, but limited, vocabulary of licks. Drummer Willie Jenkins clatters away with vigorous abandon, but never at the expense of the groove. To McGriff's credit, he pulls these talents together so they total something more than the sum of the parts. The band shines brightest on the McGriff originals "The Deacon" and "A Thing for Jug." This is where Frazier, Johnson, and Jenkins most effectively combine forces with the leader's meat-and-potatoes music and groove-bound B-3 to do what they do best -- play the blues. Amen. ~Review by Jim Todd

At The Apollo

---

Linda Kosut - Easy Come, Easy Go: The Music Of Johnny Green

Size: 145,1 MB
Time: 61:45
File: MP3 @ 320K/s
Released: 2014
Styles: Jazz Vocals
Art: Front

01. The Turntable Song (2:00)
02. Hello My Lover, Goodbye (3:38)
03. I Cover The Waterfront (5:21)
04. Foolish Baby (3:34)
05. There's A Ring Around The Moon (4:00)
06. Betty Boop (2:32)
07. Am I In Another World (4:41)
08. I Wanna Be Loved (3:44)
09. You Wanna Keep Your Baby Looking Right (3:51)
10. I'm Yours (3:49)
11. Easy Come, Easy Go (4:33)
12. I Love A Mystery (2:30)
13. Candlelight (2:15)
14. Derry Down Dilly (3:40)
15. Body And Soul (5:06)
16. Gonna Fall In Love With You (3:22)
17. Never 'til Now/The Song Of Raintree County (3:01)

Award winning jazz and cabaret performer Linda Kosut’s new release “Easy Come, Easy Go: The Music of Johnny Green,” is a tribute to the great composer and music director.”

Kosut’s appearance coincides with the release of her third CD, “Easy Come, Easy Go: The Music of Johnny Green,” on the LML Music Label. Produced and arranged by Mike Greensill, the CD represents a 3 year research project into the life and music of John W. Green, composer of the number one song on the Jazz Standards charts, “Body and Soul.” Performed by singers from Gertrude Lawrence to Tony Bennet & Amy Winehouse, “Body and Soul” has remained as the most recorded jazz song for over 50 years. Linda will be accompanied by Greensill on piano, Tom Shader on bass, Alan Hall on drums, and Jeremy Cohen on violin.

Linda Kosut, Backstage Magazine’s Bistro/BMI award winner, has been performing to steady acclaim on the cabaret and jazz scenes of New York and the San Francisco Bay Area for many years. The Los Angeles Times wrote of her Oscar Brown tribute: “She deserved a far longer run….there was versatility in her interpretations … her warm, dark sound and articulate theatrically trained phrasing…an illuminating view into the complex byways of Brown’s imagination.”

A native New Yorker, Kosut has been living in San Francisco for more than twenty years. She is a graduate of CCNY and studied musical theater and cabaret. She has appeared in clubs in New York, Los Angeles and Chicago; and in San Francisco Bay Area jazz & cabaret venues. She has played at the Jazz Bakery in Los Angeles, Davenport’s in Chicago, in San Francisco at the Empire Plush Room, The Purple Onion, the Octavia Lounge, Anna’s Jazz Island, and the Rrazz Room, as well as The Metropolitan Room, The Triad and Don’t Tell Mama in New York.

Now Kosut brings “Easy Come, Easy Go,” her tribute to the great composer Johnny Green, to Feinstein’s. Green was an inspirational and influential composer, Hollywood musical arranger and conductor who died in 1989. He won five Oscars for his soundtracks for movies. “I was so happy to discover Johnny’s music,” says Kosut. “My goal for this project was to bring more attention to his larger body of work. His ballads, and jazz standards like “I Cover the Waterfront” are still sung today and I wanted to introduce his other great songs to new audiences.”

Easy Come, Easy Go

---

Isha Love - Jars Of Waters

Size: 148,7 MB
Time: 63:30
File: MP3 @ 320K/s
Released: 2014
Styles: Jazz: Piano Jazz
Art: Front

01. Jars Of Waters (Intro) (0:52)
02. Crucifixion (4:07)
03. Nothing But The Blood (4:20)
04. Rain On Me (4:44)
05. I've Got Peace Like A River (5:02)
06. Draw Me Nearer (5:05)
07. Living Water (5:38)
08. Heaven In Me (5:08)
09. The Road (3:51)
10. Without You Where Would I Be (4:14)
11. Where You Lead Me (3:56)
12. When He Comes (2:57)
13. There Is No Place Like Home (5:07)
14. There Is A Fountain (Bonus Track) (4:58)
15. Jars Of Waters (Bonus Track) (3:25)

When the fingers of Isha Love glide across the piano, a dazzling cascade of melody rushes forth spraying the atmosphere like the mist from a waterfall. Whether she is surfing across the keys, like a boogie board bouncing above the ocean or rafting quietly down the river’s bank, tickling the ivories like a paddle propelling the current, her compositions shower light and shimmer with the presence of love. “Jars of Water,” her debut offering, is a fluid tapestry of 14 luscious piano solos that pour sweet liquid libations for the soul. With ten gospel tinged jazz originals and four unique interpretations of traditional spiritual hymns, Isha Love’s “Jars of Water” is a tall refreshing glass to drink from.

A classically trained pianist, Isha Love emerges on the music scene as a source of “living water.” She embodies the scripture passage from the Book of Ephesians: “Speak to one another with psalms, hymns and spiritual songs. Sing and make music in your heart to the Lord.” With “Jars of Water,” Isha hopes to share and spread her ever-abundant love of God. The inspirational solo performances on the CD transcend genres though, riding the waves of jazz, gospel, worship and pop.

Isha reveals that she only composes when she feels led by the Spirit. In fact, each track from “Jars of Water” emerged from a series of compelling visions she believes God used to guide her musical journey. Song titles like “Rain On Me,” “I’ve Got Peace Like A River,” “There is a Fountain,” “Living Water,” and the title track “Jars of Water” reveal her personal plunge to sacred depths.

“One day as I was praying,” Isha reveals, “I saw a large field with hundreds upon hundreds of empty jars. God stood at the beginning of the long line and was holding a pitcher. It contained water and God was pouring the water into the jars. He explained that the many jars represented the songs that I have within me, that are waiting to be filled – and told me that the water that fills the jars are His Spirit. During the vision, God explained that when the jars are filled with Living Water, each becomes a completed song anointed by Him. Each song is one of these ‘jars of water.”

Jars Of Waters

---

Renée Fleming - Christmas In New York

Size: 148,0 MB
Time: 63:07
File: MP3 @ 320K/s
Released: 2014
Styles: Jazz/Pop Vocals, Holiday
Art: Front

01. Winter Wonderland (With Wynton Marsalis) (3:49)
02. Have Yourself A Merry Little Christmas (With Gregory Porter) (3:32)
03. Silver Bells (With Kelli O'Hara ) (3:03)
04. Merry Christmas, Darling (With Chris Botti) (5:36)
05. The Christmas Waltz (3:15)
06. Who Knows Where The Time Goes (With Brad Mehldau) (4:23)
07. Sleigh Ride (With Wynton Marsalis) (5:14)
08. Snowbound (With Kurt Elling) (6:24)
09. In The Bleak Midwinter (With Rufus Wainwright) (3:42)
10. Central Park Serenade (With Gregory Porter) (4:12)
11. The Man With The Bag (2:36)
12. Love And Hard Times (With Brad Mehldau) (4:43)
13. Still, Still, Still (With Kurt Elling) (5:14)
14. New York Tendaberry (With Yo-Yo Ma) (7:18)

American soprano Renee Fleming's first-ever holiday album celebrates the beloved and iconic Christmas season in New York City. From the holiday windows lining 5th Avenue to the red and green-lit spire of the Empire State Building, the essence of the city at the most wonderful time of year is captured on Christmas in New York. Pop, Broadway and jazz greats Chris Botti, Kurt Elling, Wynton Marsalis, Brad Mehldau, Kelli O Hara, Gregory Porter and Rufus Wainwright join Renée as she lends her sublime voice to hits like "Have Yourself a Merry Little Christmas," "Silver Bells" and other gems, including "Central Park Serenade" a brand new duet by songwriting legend Diane Warren. In total, Renee Fleming and her guests have won 16 Grammy awards across multiple categories.

Renee Fleming's lush vocals, elegant persona, and intimate delivery of holiday classics make this album the perfect soundtrack for holiday parties, and a gift that will delight anyone who loves music.

An exclusive recording artist with Decca since 1995, Renee Fleming is known around the globe as a classical singer with a voice as warm and rich as a fine single malt, (The Times, London), and a career that has ranged from the stages of world's greatest opera houses to concerts and recordings of jazz, the American songbook, movie soundtracks and indie rock. In February 2014, Renee Fleming became the first classical singer in history to perform the National Anthem at the Super Bowl, which was enjoyed by more than 111.5 million viewers in the US.

Christmas In New York

---

Benny Green - Too Marvelous For Words: A Tribute To Johnny Mercer

Bitrate: 320K/s
Time: 59:20
Size: 135.8 MB
Styles: Easy Listening, Standards
Year: 1997
Art: Front

[3:04] 1. Too Marvelous For Words
[2:55] 2. Strip Polka
[2:25] 3. When A Woman Loves A Man
[3:00] 4. Something Tells Me
[2:22] 5. Swing Is The Thing
[2:39] 6. Jeepers Creepers
[3:04] 7. Arthur Murray Taught Me Dancing In A Hurry
[2:42] 8. Mister Meadowlark
[3:09] 9. I'll Dream Tonight
[2:36] 10. Tangerine
[3:04] 11. Fools Rush In
[3:02] 12. Say It With A Kiss
[3:01] 13. That Old Black Magic
[2:59] 14. If I Had A Million Dollars
[3:07] 15. Blues In The Night
[2:30] 16. On Behalf Of The Visiting Firemen
[2:48] 17. I'm Old Fashioned
[2:40] 18. I Thought About You
[2:37] 19. Dearly Beloved
[2:34] 20. Goody Goody
[2:53] 21. I'd Know You Anywhere

Although not yet an innovator himself, Benny Green has managed to combine the styles of Bobby Timmons, Wynton Kelly, Gene Harris, and especially Oscar Peterson in his playing; his fast octave runs are often wondrous. He grew up in Berkeley and played as a teenager with Joe Henderson and Woody Shaw. After moving to New York, he spent important periods with Betty Carter (1983-1987) and Art Blakey's Jazz Messengers (1987-1989), becoming quite well-known during the latter association. In addition to working with Freddie Hubbard, Green popped up in many bop-oriented settings for a few years before joining Ray Brown's Trio in 1992. At the same time, he has worked with his own trio, which originally included Christian McBride and Carl Allen. When Oscar Peterson was asked in 1992 to name his protégé for a concert, Green was his choice. Benny Green has recorded for Criss Cross and Blue Note in addition to his work with Ray Brown on Telarc and his earlier Blakey dates. ~bio by Scott Yanow

Too Marvelous For Words: A Tribute To Johnny Mercer

---

Nora Germain - Little Dipper

Bitrate: 320K/s
Time: 36:20
Size: 83.2 MB
Styles: Violin jazz, Vocal jazz
Year: 2014
Art: Front

[3:28] 1. Swing Is Fun
[2:25] 2. How About You
[6:27] 3. Someone To Watch Over Me
[6:22] 4. How About You (Instrumental)
[2:51] 5. Little Girl Blue
[2:56] 6. Salty Dogs
[1:47] 7. Violin Is Now
[5:01] 8. A Flower Is A Lovesome Thing
[3:29] 9. Thou Swell
[1:29] 10. Tommy

Jazz fiddlers are not exactly household renowned. Joe Venuti, Ray Nance, Stephane Grappelli, Michal Urbaniak, Svend Asmussen, Jean-Luc Ponty and Regina Carter pop to the forefront, but then the list falls off quickly. Presently there emerges one Nora Germain (a name made to be in lights if there ever was one) who not only fiddles but also sings. She might be considered a more mainstream jazz Natalie Cressman, a singer/composer who doubles on trombone. Her voice is all jaunty NYC (perhaps due to time she spent at the New School) despite her originating on the Left Coast.

For her recording Little Dipper, Germain opts for a sturdy piano trio rhythm section led by pianist Ed Kornhauser. Germain's arrangements are straight-ahead mainstream right out of the chute with the original "Swing is Fun," based on the sacred "I Got Rhythm" changes. Her tone and articulation are a beautiful throwback to when tone and articulation were valued along with improvisatory aplomb. Germain is superb on ballads: "Someone to Watch Over Me" shimmers from the beginning obbligato to the falling water coda.

Germain provides two performances of "How About You:" one vocal and one instrumental. They sit well in the programming. She sings again on a strutting "Salty Dogs," the song propelled by bassist Will Pierce and gingerly accented by drummer Ryan Shaw. By the time the brief piece reaches a breakneck 4/4, the temperature has risen markedly. Germain adds another original, "Violin is Now" to "A Flower is a Lovesome Thing" and "Thou Swell." Her big surprise is the hoedown "Tommy," demonstrating that she is not only a prim jazz flower but also a rough-and-tumble country girl. A fine recording by a fine musician. ~C. Michael Bailey

Nora Germain: violin, vocals; Ed Kornhauser: piano; Will Pierce: bass; Ryan Shaw: drums.

Little Dipper

---

Anita O'Day - Anita Meets The Rhythm Sections

Bitrate: 320K/s
Time: 72:39
Size: 166.3 MB
Styles: Vocal jazz
Year: 2011
Art: Front

[2:31] 1. No Soap, No Hope Blues
[2:33] 2. Speak Low
[2:37] 3. The Lady Is a Tramp
[3:05] 4. Strawberry Moon
[2:30] 5. Sing Sing Sing
[2:38] 6. Just One of Those Things
[4:10] 7. The Man I Love
[3:34] 8. Frankie and Johnny
[3:23] 9. Anita's Blues
[3:43] 10. I Cover the Waterfront
[3:40] 11. I Didn't Know What Time It Was
[2:23] 12. Let's Fall in Love
[2:42] 13. You're Getting to Be a Habit with Me
[3:09] 14. From This Moment On
[2:53] 15. You Don't Know What Love Is
[3:12] 16. Medley: There Will Never Be Another You/Just Friends
[3:12] 17. Who Cares
[2:24] 18. Fine and Dandy
[3:37] 19. As Long as I Live
[2:36] 20. Beautiful Love
[2:31] 21. Don't Be That Way
[3:14] 22. Let's Face the Music and Dance
[3:03] 23. Pick Yourself Up
[3:06] 24. I Used to Be Color Blind

Anita locks horns with Barney Kessel, Jimmy Rowles, Tal Farlow and other aces on these 1952-56 sessions.

Few vocalists merited the compliment of singer's singer as thoroughly as Anita O Day. This is Miss O Day at her best. On these sides she sings accompanied by some of the finest rhythm sections, with her hotly wailing beat and an intensely personal, jazz-driven phrasing that is an exciting delight. Above all, there is the warm, husky O Day sound, a happiness, a sensual zest in the pleasures of blowing with the voice, that combine into one of the most infectious delights of jazz listening. She is just as convincing on ballads as on up-tempos, proving to be one of the greatest jazz singers of all times. These recordings are gems of jazz singing.

Anita Meets The Rhythm Sections

---

John Swana - Bright Moments

Styles: Trumpet Jazz
Year: 2008
File: MP3@320K/s
Time: 72:05
Size: 165,5 MB
Art: Front

(4:42)  1. Wilbert
(6:21)  2. Chillin' Out
(6:45)  3. Road Trippin'
(7:44)  4. Ferris Wheel
(5:24)  5. Shrack's Corner II
(8:10)  6. Bright Moments
(8:06)  7. Inevitable Encounter
(6:47)  8. Everything I Have Is Yours
(7:04)  9. KD
(6:27) 10. Open Highway
(4:31) 11. Shrack's Corner I

Trumpeter John Swana's Philadelphia hard bop roots are clearly evident on this set of originals that takes definite cues from the distinctive sound of Art Blakey's Jazz Messengers in bygone days. The title is not a reference to Rahsaan Roland Kirk's classic album, but a concept suggested to the leader by organist Trudy Pitts. With a solid, burnished, and clear tone, Swana and his sextet featuring twin tenor saxes in Eric Alexander and Grant Stewart swing strongly through original mainstream jazz that is lyrically tuneful and harmonically rich. Where tracks like "Wilbert" (for ex-Philadelphia Eagles NFL running back Wilbert Montgomery) and "Road Trippin'" reflect that fleet-foot hard bop image, others tend to be effortlessly bluesy or soulful. This simple but direct approach is a rarity in contrast with modern mainstream, complex jazz, but Swana is not so much looking back as he is keeping the straight-ahead home fires burning. ~ Michael G.Nastos  http://www.allmusic.com/album/bright-moments-mw0000752017

Personnel: John Swana (trumpet, flugelhorn); Eric Alexander, Grant Stewart (tenor saxophone); David Hazeltine (piano); Peter Washington (bass instrument); Kenny Washington (drums).

Bright Moments

---

Latin Giants Of Jazz - The Latin Giants Play The Music Of The Palladium Tito Lives

Styles: Latin, Big Band
Year: 2002
File: MP3@320K/s
Time: 51:00
Size: 117,3 MB
Art: Front

(7:11)  1. Bobby & Mario
(5:05)  2. Medo Al Cha Cha Cha
(4:00)  3. Llora Timbero
(2:43)  4. Fue En Santiago
(6:38)  5. La Orquesta
(3:05)  6. Frenzy
(3:32)  7. Lagrimas Negras
(4:55)  8. Blen Blen Medley
(3:58)  9. Tenderly
(5:05) 10. Congo Mulence
(4:43) 11. A Sunny Ray

The Latin Giants of Jazz is one of the most exciting, colorful and authentic orchestras currently on the music scene. It is no surprise that blazing trumpets, swinging saxophones, blaring trombones, melodic vocals and an exciting percussion section comes from the alumni of Tito Puente's orchestra. Led by long time Puente band members John Rodriguez, Jose Madera and CEO Stew Jackson, The Latin Giants of Jazz offer the best of Afro-Cuban and Latin American music. Having toured the world with the late & great Tito Puente for 35 years, these all-star musicians have unparalleled history and experience. Currently having three CD’s released: “The Latin Giants Play the Music of the Palladium…Tito Lives”, “Trip to Mamboland” and "Ven Baila Conmigo". All three recordings underscore why these musicians are recognized as some of the best in their field. They bring swinging perfection to stage with their tremendous sound that lures you from your seat to the dance floor.  http://www.cdbaby.com/cd/latingiantsofjazz

The Latin Giants Play The Music Of The Palladium Tito Lives

---

Esther Phillips - Performance

Styles: Vocal, Jazz Pop
Year: 1974
File: MP3@320K/s
Time: 35:32
Size: 83,3 MB
Art: Front

(8:27)  1. I Feel The Same
(5:28)  2. Performance
(3:36)  3. Doing Our Thing
(5:21)  4. Disposable Society
(5:19)  5. Living Alone
(3:24)  6. Such A Night
(3:54)  7. Can't Trust Your Neighbor With Your Baby

The decades-long battle with drug addiction, which ultimately led to her untimely demise, contributed to vocalist Esther Phillips' status as a tragic second-tier figure in the larger annals of popular music history, but her music itself was often a triumph of soul-stirring ecstasy. By the time Phillips arrived at CTI's sister label, Kudu Records, her early career hits made under the name "Little Esther" were a distant memory. A string of albums for Atlantic Records in the late '60s helped bring her back into the spotlight, but she truly found her home under the auspices of the venerable Creed Taylor. Her first album on Kudu, From A Whisper To A Scream (1972), contained a semi-autobiographical performance of Gil Scott-Heron's "Home Is Where The Hatred Is," which earned Phillips her second of four Grammy nominations and the respect of her peers, but it also signaled the start of her most prolific period of recording. While at Kudu, the singer recorded eight albums, cementing her reputation as a vocalist par excellence and establishing her as the Kudu queen of blues, soul and R&B. Any one of Phillips' albums would have been a nice addition to CTI Masterworks' fortieth anniversary feast, but the powers-that-be decided to honor her by reissuing her fourth album on the label 1974's underrated Performance. 

While the personnel list presents an imposing roster of jazz heavyweights, the jazz influences themselves are suppressed in favor of a soul-heavy sound. Notable solos still find their way into the mix, including tenor saxophonist Michael Brecker's extended run on "Disposable Society" and guitarist Jon Sholle's solo spot on "I Feel The Same," but they're rare. Instead, the music is used as it should: to showcase Phillips' voice. Phillips knew how to establish herself when placed in a funky musical environment, whether gritty and urban ("Disposable Society") or friendlier and fun ("Doing Our Thing"), but goes beyond this area on tracks like "Performance," an R&B number with a gospel feel that's augmented by some countrified steel guitar from Eric Weissberg, and "Such A Night," which features some tack piano work from Richard Tee. While the CTI Masterworks reissue campaign is largely a celebration of albums that have always been celebrated, the final wave along with Performance, including efforts from saxophonist Hank Crawford, and organists Lonnie Smith and Johnny Hammond is all about admiring the wrongfully overlooked and giving kudos to Kudu. ~ Dan Bilawsky  http://www.allaboutjazz.com/performance-esther-phillips-cti-masterworks-review-by-dan-bilawsky.php#.VDrnYxawTP8

Personnel: Esther Phillips: vocal; Jerry Dodgion: alto saxophone; Mike Brecker: tenor saxophone; Pepper Adams: baritone saxophone; Jon Faddis: trumpet, flugelhorn; John Gatchell: trumpet, flugelhorn; Marvin Stamm: trumpet, flugelhorn; Urbie Green: trombone; Hubert Laws: flute; Bob James: electric piano (4), piano (5); Richard Tee: piano (3, 7), organ (5), tack piano (6); Richard Wyands: piano; Charlie Brown: guitar; Richie Resnicoff: guitar (4, 5); Jon Sholle: guitar (1, 7); Eric Weissberg: steel guitar (2); Gary King: bass; Gordon Edwards: bass (3); Bernard Purdie: drums; Steve Gadd: drums (4, 5); Ralph McDonald: percussion; Pee Wee Ellis: chimes; Patti Austin: background vocals (2, 6); Lani Groves: background vocals (2, 6); J. Denise Williams: background vocals (2, 6); Carl Caldwell: background vocals (3, 5); Robin Clark: background vocals (3, 5); Tasha Thomas: background vocals (3, 5); Max Ellen: violin; Paul Gershman: violin; Emmanuel Green: violin; Charles Libove: violin; Harry Lookofsky: violin; David Nadien: violin; Matthew Raimondi: violin; Manny Vardi: violin, viola; Al Brown: viola; Harold Coletta: viola; Charles McCracken: cello; George Ricci: cello.

Performance

---

Michael Franks - Barefoot on the Beach

Styles: Vocal, Jazz Pop
Year: 1999
File: MP3@320K/s
Time: 62:33
Size: 155,3 MB
Art: Front + Back

(5:04)  1. Barefoot On The Beach
(4:48)  2. Heart Like An Open Book
(6:13)  3. Now Love Has No End
(5:52)  4. The Fountain of Youth
(5:04)  5. When You Smiled At Me
(6:12)  6. Double Talk
(7:24)  7. Every Time She Whispers
(4:27)  8. Why Spring Ain't Here
(6:21)  9. A Walk In The Rain
(4:40) 10. Mr. Smooth
(6:23) 11. Like Moon Behind A Cloud

Countless musical trends have steamrolled by since this wry singer songwriter with the cool and collected, wistful onionskin voice first graced the adult music world in the mid-'70s with The Art of Tea and its cryptic hit, "Popsicle Toes." Yet Franks has stood his ground, growing as an observational lyricist while his relaxed demeanor stays pretty much the same, and charmingly so. While varying his backing instrumental tracks to fall somewhere between classic, subtle brassy Steely Dan ("The Fountain of Youth" features Yellowjacket saxman Bob Mintzer kicking it up with trumpeter Larry Lunetta) and colorful smooth jazz vibes (Bob James, Dave Samuels, and Chuck Loeb crackle behind the bemused frustration story "Double Talk"), the joy of his writing approach is found in his song structure. Franks just doesn't buy into the Top 40 school of "hook or forget it" songwriting. He's more interested in weaving quirky, even esoteric images over solid grooves. "You could jump a DC-8 and probably be here by eight" sets the tone for the frolic of the title track. Everything is fair game from references to Ingrid Bergman and Rhett Butler looks on "Heart Like an Open Book" to congratulating Ponce De Leon for the youthful drive of his lover on "The Fountain of Youth." He's quite the humorist, too, telling a cheating mate on "Double Talk" that "each time you lie your profile grows/it looks just like Pinocchio's." "Mr. Smooth" is a crisp commentary on a stuck-up man who thinks he's a god somehow. So that even when Franks is expressing displeasure, his heart is light. He covers all the aspects of love from the supreme joy of "Now Love Has No End" to "Why Spring Ain't here" but the minute he starts to boil over, he's back to the beach, having a blast. It's the kind of spring in your step music Franks fashioned his career out of.~ Jonathan Widran  http://www.allmusic.com/album/barefoot-on-the-beach-mw0000239499

Personnel: Michael Franks, vocals; Jay Azzolina, guitar; Jim Beard, string synth; Charles Blenzig, keyboards and drum/percussion programming; Michael Brecker, sax; Randy Brecker, trumpet; David Charles, percussion; Brian Dunne, drums; Steve Gadd, drums; Wolfgang Haffner, cymbals; Jimmy Haslip, bass and keyboards; Chris Hunter, alto sax and flute; Jim Hynes, flugelhorn; Bob James, keyboards; Bashiri Johnson, percussion; Birch Johnson, trombone; Steve Khan, guitar; Will Lee, bass and background vocals; Chuck Loeb, guitar; Larry Lunetta, trumpet; David Mann, flute; Bob Mintzer, saxophone; Jeff Mironov, guitar; Chris Palmaro, keyboards; John Patitucci, bass; Shawn Pelton, drums; Mike Ricchiuti, keyboards; Dave Samuels, vibraphone; Valerie Simpson, vocal (duet on "Now Love Has No End"); Andy Snitzer, saxophone; Tawatha Agee, Carmen Cuesta, Lani Groves, backgroung vocals.

Barefoot on the Beach

---

Jimmy Cobb Trio - Taking A Chance On Love

Size: 153,4 MB
Time: 65:51
File: MP3 @ 320K/s
Released: 2006
Styles: Jazz: Hard Bop
Art: Front

01. Taking A Chance On Love (4:11)
02. My Ideal (5:03)
03. Relax (7:04)
04. A Nightingale In Berkeley Square (5:29)
05. When The Saints Go Marchin' (5:34)
06. For Minors Only (4:47)
07. You Say You Care (5:22)
08. Polkadots And Moonbeams (4:52)
09. I've Got The World On A String (7:05)
10. Three Little Words (4:58)
11. Autumn Leaves (6:56)
12. All The Things You Are (4:26)

Jimmy Wilbur Cobb (born January 20, 1929, in Washington, D.C.) is an American jazz drummer.
Probably his most famous work is on Miles Davis’ Kind of Blue (1959), considered by many to be the quintessential jazz record. Cobb is the last surviving player from the session. He also played on other famous Davis albums, including Sketches of Spain, Someday My Prince Will Come, Miles Davis at Carnegie Hall, In Person Friday and Saturday Nights at the Blackhawk, Complete, and briefly on Porgy and Bess and Sorcerer.

Jimmy Cobb has worked extensively with a wide range of artists, including Dinah Washington, Pearl Bailey, Clark Terry, Cannonball Adderley, Dizzy Gillespie, John Coltrane, Sarah Vaughan, Billie Holiday, Wynton Kelly, Stan Getz, Wes Montgomery, Gil Evans, Miles Davis, Paul Chambers, Kenny Burrell, J. J. Johnson, Sonny Stitt, Nat Adderley, Hank Jones, Ron Carter, George Coleman, Fathead Newman, Geri Allen, Earl Bostic, Leo Parker, Charlie Rouse, Ernie Royal, Philly Joe Jones, Bobby Timmons, Walter Booker, Jerome Richardson, Keter Betts, Jimmy Cleveland, Sam Jones, Red Garland, Joe Henderson, Eddie Gomez, Bill Evans, Stefan Karlsson, Jeremy Steig, Richard Wyands, Peter Bernstein, Richie Cole, Nancy Wilson, Ricky Ford, David Amram, and many more.
As of 2011, Cobb leads the Jimmy Cobb “So What” Band, a tribute to 50 years of Kind of Blue and the music of Miles Davis.

Taking A Chance On Love

---

Igor Butman Big Band - Moscow @ 3 A.M. (Feat. Wynton Marsalis)

Size: 177,8 MB
Time: 76:31
File: MP3 @ 320K/s
Released: 2009
Styles: Jazz: Big Band
Art: Front

01. Russian Passion (9:43)
02. That's All (6:20)
03. Dirty Dozen (9:16)
04. Nevalyashki (8:09)
05. Take The A Train (6:56)
06. The Bells Rung In Novgorod (9:48)
07. Mirage (5:50)
08. We'll Be Back (8:24)
09. Moscow At 3 A.M (8:38)
10. Little Finale (3:23)

Casting a welcome spotlight on the underexposed Russian jazz scene, star saxophonist Igor Butman reunites with a longtime friend and collaborator, composer/arranger Nick Levinovsky, to co-lead a bright, swinging 16-piece ensemble on Moscow @ 3 A.M. Both men are important figures in their nation’s jazz history: In the 1980s, Butman and Levinovsky formed the core of the band Allegro, among the best-known carriers of the jazz banner in what was still the Soviet Union. In the intervening years, Butman has bounced between Moscow and New York, building an impressive résumé of work with top international artists. (He’s recruited Wynton Marsalis as a guest soloist here.)

The music, blazingly rendered for a full 77 minutes, is pretty much all Levinovsky. Smoothly gliding and tightly focused, Levinovsky’s lush orchestrations are always on the move, built from hard-swinging, repeated riff melodies that recall Gerald Wilson’s big-band style but also carry the occasional whiff of folk melody. Solos are spread around the group, and Butman’s presence, while strong and assured, is far from dominant. Still, he turns in some ambitious playing, stretching out from positions of calm repose to insistent, impassioned jabs, buoyed by the ensemble as in the sweeping, odd-metered cycle of “Dirty Dozen.”

The set is especially flattering to soprano saxophones. Tag-teaming in the sassy “Nevalyashki,” soprano players Dmitry Mospan and Oleg Grymov chase each other in circles, an elusive hummingbird’s flight juxtaposed with sure-footed analysis. And Marsalis adds his distinctive trumpet touch to three tracks, settling gently into Levinovsky’s enveloping swing like a pearl on a velvet cushion. ~By Forrest Dylan Bryant

Moscow @ 3 A.M.

---

Mark Carroll - Moments Like This

Size: 132,3 MB
Time: 56:47
File: MP3 @ 320K/s
Released: 2014
Styles: Jazz Vocals
Art: Front

01. Night And Day (4:38)
02. Let's Eat Home (2:12)
03. It Only Happens When I Dance With You Come Dance With Me (3:47)
04. A Love Like Ours (2:32)
05. Meet Me At The Mansion Bar (5:16)
06. It's Like Reaching For The Moon (4:06)
07. Ninety Nine Miles From L.A (4:15)
08. Embraceable You (2:49)
09. Moments Like This (3:21)
10. Someone To Light Up My Life (3:16)
11. Gypsies, Jugglers, And Clowns (2:36)
12. Again Where Or When (4:02)
13. Mountain Greenery (3:06)
14. Everything Happens To Me (5:00)
15. I Never Left Your Arms (2:21)
16. The Lady Is In Love With You (3:22)

Jazz singer/pianist of "The Great American Songbook". He has absorbed the lessons of the great masters from Nat Cole through Mabel Mercer to become a master himself. His piano playing and his singing is a kind of class you do not find much anymore.

"Mark Carroll sings, plays and swings with great taste, perfect musical timing, and the kind of class you don't find anymore. It's a rare treat to hear him."--- Rex Reed, New York Post columnist

"Mark Carroll is one of my favorite artist. He has taste, he has wit, he has whimsy, he has depth. He has absorbed the lessons of the great masters---from Nat Cole through Mabel Mercer---to become a master himself. His piano playing is as sparkling as his singing, and his singing is a complete joy."--- David Ritz, biographer of Ray Charles, Marvin Gaye, Aretha Franklin, Smokey Robinson, and many more . . .

"In the arena of singer pianist, Mark Carroll is the Best. No one else compares and this CD proves it."---Julie Wilson, Broadway and cabaret star

Mark Carroll is a legendary pianist who is also known as a magnificent singer. For many years, Mr. Carroll has played for the likes of Tony Bennett, Phyllis Diller, Van Cliburn, Bill and Hillary Clinton, Al Gore, Don Henley, Frank Sinatra, Carmen McRae and Linda Ronstadt. Mr. Carroll was also associated with Peggy Lee.

Mr. Carroll has played engagements all over the country, including the Plaza Hotel in New York, The Fairmount Hotel in Dallas, Harrah's in Reno and Lake Tahoe, Caesar's Palace in Las Vegas, Leagues Club Hotel in Sydney, Australia, Princess South Hampton in Bermuda, as well as a record-breaking nine year engagement at The Mansion on Turtle Creek.

Taking Moments Like This

---

Lou Beckerman - Into The Blue

Size: 119,9 MB
Time: 51:34
File: MP3 @ 320K/s
Released: 2014
Styles: Jazz Vocals
Art: Front

01. Nature Boy (4:46)
02. Seven Sisters (4:33)
03. Skylark (4:56)
04. Cool Water (5:44)
05. V' Hi She' Am' Da (6:26)
06. Baltimore Oriole (4:24)
07. Into The Blue (4:48)
08. Song To A Seagull (4:57)
09. Round Midnight (6:06)
10. Vocalise (4:51)

With her improvisational style, instrumental approach to the voice and a soulfulness to her sound Lou has come home to her roots in jazz, falling in love all over again with this endlessly beautiful musical form. Whether scat swing singing or lingering over a leisurely love ballad, the heart of her work has always been a love of music, her passion for jazz and her delight in performing for audiences.

Lou says:
'I have had the honour and pleasure to work with a dream team of brilliant instrumentalists who have contributed in so many ways to the growth of this project. Thanks especially to Terry Pack (bass), Wayne McConnell (piano), Dan Hayman (drums/ percussion) and Simon D'souza (saxes) for their commitment, creativity, support, unstoppable talent and for being such fun to work with throughout this process. Being joined along the way by James McMillan (trumpet/ flugelhorn) then, later, Merlin Shepherd (clarinet) and Ben Sarfas (violin), further developed and enriched this album. Several cauldrons of soup later, and the songs having grown organically, here it is…'

'The songs speak of the elements; of fragility, earth and erosion; and of flight, in an echo of our emotional landscapes. It’s all about space, texture and feeling and letting the performances breathe.'

'I wanted to create a meaningful body of work that would sit together well, and have integrity both in significance and interpretation of the songs. Included are my own compositions and original lyrics penned to a gorgeous piece, Seven Sisters, by bassist Terry Pack. Alongside our band’s collaborative arrangements of standards and my own compositions, there’s a song in Hebrew and one by Rachmaninov (which I’ve sung in the past as a classical piece). There’s a poem by Shelley (To a Skylark) exquisitely interpreted by Simon D’souza on soprano sax and an enduring Joni Mitchell number (Song to a Seagull) that I once sang with my guitar as a teenager. I believe a beautifully composed piece of music can transcend the style in which it is written and I think bringing these songs into the jazz arena has worked.’

‘I really enjoy integrating the pure sounds of some world instruments in my work. Tamboura and singing bowl have added their own evocative flavour to the overall sound.’

‘Lovely originals alongside much loved classics make this a classy, sensitive and thoughtful collection of songs
with world-class playing throughout.’ Claire Martin OBE

‘Intimacy, depth, subtly offbeat songwriting. Lovely clarity and resonance vocally and ensemble feel to the arrangements. Music to live with.’ ~Andy Bungay, Wandsworth Radio

‘An enjoyable album filled with different textures. Lou Beckerman’s voice is full of clear articulation, rich tones and confident phrasing. Beautiful singing, unique arrangements and lots of creative, melodic soloing.’ ~Sussex Jazz Mag

Into The Blue

---

Gabriele Mirabassi & Roberto Taufic - Um Brasil Diferente

Size: 121,4 MB
Time: 52:20
File: MP3 @ 320K/s
Released: 2014
Styles: Brazilian jazz
Art: Front

01. Jongo De Compadres (3:05)
02. O Mar Nos Teus Olhos (4:43)
03. Maxixando (1:58)
04. As Rosas Nao Falam (4:56)
05. Quem Te Viu, Quem Te Ve (4:52)
06. Valsinha Pra Duda (3:17)
07. Desalento (5:00)
08. Violao Vadio (4:29)
09. Tempo Feliz (3:25)
10. Desprezado (5:43)
11. Arrivederci E Grazie (4:35)
12. Noite (2:31)
13. Suburbano Coraçao (3:40)

"Um Brasil diferente" is the title of the new project by clarinettist Gabriele Mirabassi and guitarist Roberto Taufic, produced by the label Dodicilune Salento and distributed in Italy and abroad by IRD.

"Um Brasil diferente" Two travels in the opposite direction, a round and a return that cross halfway: so you might define the encounter between the two musicians. Mirabassi discovers Brazil a decade ago and since then he attended with such earnestness that it become a central reference point of his human and musical experience. Taufic started from Natal, in the northeast of Brazil, as a boy to Italy, where somehow has made the reverse path, letting the European attitude towards his atavistic jazz fecondasse musical language. Hence was born "Um Brasil diferente," rereading of a repertoire of songs and instrumental pieces from various eras which have in common the fact of having been the sound of generations of Brazilians (Jongo de compadres, As Rosas Não Falam, Quem te viu quem te vê, Desalento, Violão, Vadio, Tempo feliz, Desprezado, Noite e Coração Suburban), to which they add their own compositions (or mar nos teus olhos, Maxixando and pra Valsinha Duda of Taufic and goodbye and thank you for always linked to Mirabassi) double strand to the idea of the gaze from afar, trying the perspective and the clarity of vision that you earn just away from the watched. A deep identity Brazil object of respect and affection, seen from a peculiar angle, that the two protagonists have discovered have in common at this point in the first leg and back of the other.
"Born in Honduras to Palestinian parents, was raised in Brazil between samba, Elvis Presley, Arab cuisine, rodas de Choro, rock and Luiz Gonzaga and landed in Italy in the early 90, when still playing bella musica popular Brasileira in and when I started having the possibility of collaborating with musicians and artists from different countries, and the way I play the Brasil could only be Diferente", points out in his introduction to Robert Taufic disk. "It was very nice and inspiring encounter at some point Gabriel, that having a path contrary to mine, it is totally immersed in Brazil of great composers with the attitude of a child they know new friends. Our disk becomes the meeting point of the two instruments, the Brazilian guitar and clarinet jazz and classic ".
"Despite being born and raised and still lived in the hills of Umbria, the clarinet that I have found very early in her hands was immediately an extraordinary opportunity to reach out to the world," explains Gabriele Mirabassi. "Not only continues to bring me around to all continents, but mostly gives me the priceless privilege of making extraordinary ncontri. This our planet indeed hides (but only to those who do not want to even make the effort to be with eyes and ears open) an infinite treasure of wonderful music. And behind every music there is equally wonderful people who cares, who playing, singing or dancing, anyone who "simply" listening ".

Um Brasil Diferente

---

Camille - I Sing Stevie: The Stevie Wonder Songbook

Size: 123,1 MB
Time: 52:49
File: MP3 @ 320K/s
Released: 2014
Styles: Jazz/R&B/Soul Vocals
Art: Front

01. Power Flower (7:01)
02. As (5:47)
03. The Secret Life Of Plants (Duet With Will Lee) (6:18)
04. Free (5:03)
05. They Won't Go When I Go (4:55)
06. Bird Of Beauty (4:01)
07. Visions (6:06)
08. Ngiculela (Es Una Historia) I Am Singing) (5:34)
09. Can You See Her Never Dreamed You'd Leave In Summer (5:59)
10. Free (Remix Edit) (1:08)
11. Outtake (0:52)

Stevie Wonder is a living legend of music. His music is known and loved worldwide and he has performed it flawlessly to a level that sets the bar very high. That said, taking on the task of doing an album performing his work, is a challenge of gigantic proportions! Vocalist Camille has really stepped up to the plate to engage this incredible project.

Such an endeavor requires an extraordinary team to make it all happen. This album was co-produced by Rick Suchow (who also brought his arranging and bass playing skills to the table) and Tommy Uzzo. There is a stellar lineup of supporting musicians including bassist Will Lee, who both holds down the bass line and sings the duet in, “Secret Life Of Plants”.

Camille has serious vocal skills and a wealth of experience that makes her the perfect performer to attempt this musical ‘Mount Everest’. Her selections of songs are perfectly fitted to her soulful vocal quality and range. Some of the tracks are Stevie’s lesser-known pieces, and this makes discovering them in Camille’s own special interpretation, all the more exciting.

Lets take a closer look at some of the tracks…

The opening track, “Power Flower” comes out swinging with a total Stevie-feel, including piano and harmonica riffs. I get the feeling that this one is for Stevie himself and we are fortunate to be here to hear it. The arrangement is tight and full and allows us to get an idea of what is in store on the rest of the CD. Solid bass work drives this piece right home!

“As” is an energized, ‘Latinized’ version of Stevie’s 1976 release from, Songs in the Key of Life. You can only have this kind of driving Latin music with a powerful drum foundation, and it is Horacio “El Negro” Hernandez who is the nuclear reactor propelling this piece. This track is right up my alley with a great salsa beat that will get you right up on your feet to dance along. Lots of sweet syncopated percussion, horn riffs and piano work are complimented by a deep bass growl. The background vocals in Spanish are a nice touch to put a fine polish on this tune.

“The Secret Life of Plants” (by the 1979 album of the same title), is a majestic piece of work. The key changes alone are iconic of Stevie’s intrinsic grasp and understanding of music. This track paints a complex musical picture for the listener that transports you to a beautiful, green living place. The dramatic bass work and vocal support that Will Lee brings to this piece is simply perfect.

“They Won’t Go When I Go” is a dramatic, somber piece that gives us a chance to appreciate Camille’s voice with a lone piano. This track is the combination of a classical sounding piece, blended with a gospel-vocal overlay and deep, dark lyrics. (Note: The inspiration for this song is said to have come as a consequence of Stevie’s 1973 car accident.)

“Bird of Beauty” is a lovely Brazilian piece that Stevie released in 1974, with Portuguese lyrics by Sergio Mendez. Camille’s version is more upbeat and has some excellent guitar work that adorns it. The feel is bright and festive and the arrangement is superb.

“Visions” is from the 1973 album, Innervisions. Camille’s vocal performance on this cut is flawless and is the perfect opportunity for Rick to cut loose with a sweet bass solo. Nicely done man!

All in all, Camille does an outstanding job at ‘Singing Stevie’ and delivers a wonderful rendition with her selected songs from this master of music.

If you enjoy Stevie Wonder, you need to hear this CD, as it is definitely a special treat!

I Sing Stevie

---