Julie London - Sings The Choicest Of Cole Porter

Bitrate: MP3@320K/s

Time: 48:44

Size: 111.6 MB

Styles: Jazz vocals

Year: 1991/2010

Art: Front

[4:33] 1. All Through The Night

[1:44] 2. What Is This Thing Called Love

[2:57] 3. Get Out Of Town

[2:40] 4. My Heart Belongs To Daddy

[4:07] 5. So In Love

[2:13] 6. You'd Be So Nice To Come Home To

[2:39] 7. In The Still Of The Night

[3:27] 8. At Long Last Love

[1:48] 9. I Love You

[3:02] 10. I've Got You Under My Skin

[2:37] 11. Love For Sale

[2:29] 12. Easy To Love

[2:28] 13. Make It Another Old-Fashioned, Please

[2:16] 14. You Do Something To Me

[2:46] 15. My Heart Belongs To Daddy

[2:29] 16. Always True To You In My Fashion

[4:22] 17. Ev'ry Time We Say Goodbye

Julie London (vocals), Bud Shank (alto saxophone, flute), Barney Kessel, Al Viola, Joe Pass, Howard Roberts (guitar), Jimmy Rowles, Russ Freeman (piano), Emil Richards (vibraphone), Ray Leatherwood, Don Bagley, Red Mitchell, Monty Budwig (bass), Earl Palmer, Colin Bailey (drums).

In celebration of what would have been Cole Porter's 100th year, EMI collected all of Julie London's studio recordings of the master's work onto one compact disc. Ten of the 17 tracks come from 1965's exceptional All Through the Night, which finds the sultry vocalist proving her cool jazz mettle once again with a quintet led by Bud Shank. The other seven songs are culled from London's sessions with Barney Kessel, Jimmy Rowles, and various studio orchestras. If anyone doubts that London was a jazz-based singer at heart (and there are many doubters out there), listen to the two versions of "My Heart Belongs to Daddy" that are included here. London sticks to the melody in each but offers completely different emotional and musical interpretations that relate to the type of backing band. This was EMI's first Julie London CD reissue and it remains one of the best out. ~ Nick Dedina

Sings The Choicest Of Cole Porter

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Doc Cheatham - Swinging Down In New Orleans

Bitrate: MP3@320K/s

Time: 69:54

Size: 160.0 MB

Styles: Dixieland, Trumpet jazz

Year: 1994

Art: Front

[4:11] 1. Swinging Down In New Orleans

[4:51] 2. When I Grow Too Old To Dream

[6:18] 3. I Want A Little Girl

[3:27] 4. You're Lucky To Me

[3:06] 5. Never Swat A Fly

[3:32] 6. I Can't Believe That You're In Love With Me

[2:55] 7. Memories Of You

[2:42] 8. Avalon

[2:54] 9. Love Will Find A Way

[3:12] 10. What Can I Say After I Say I'm Sorry

[4:59] 11. Mandy

[4:51] 12. I Would Do Anything For You

[3:16] 13. My Ideal

[3:29] 14. World On A String

[3:28] 15. Swing That Music

[8:30] 16. Orignial Jelly Roll Blues

[4:04] 17. Strutting With Some Barbecue

Although it has not gotten the publicity that his Columbia and Verve CDs received, this is one of the finest of all Doc Cheatham albums. Age 88 at the time, Cheatham had not lost a thing and plays miraculously well. He is teamed up with clarinetist Brian O'Connell, pianist Butch Thompson, Les Muscutt (doubling on guitar and banjo), Bill Huntington (on bass and guitar), bassist Peter Badie and drummer Ernest Elly. Cheatham plays melodic, swinging and frequently exciting solos, taking personable and whispery vocals on such likeable numbers as "When I Grow Too Old to Dream," "You're Lucky to Me," "Never Swat a Fly," "I Would Do Anything for You" and "I've Got the World on a String." This somewhat overlooked CD is highly recommended. ~Scott Yanow

Swinging Down In New Orleans

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Harry Allen, Randy Sandke - Turnstile: Music of the Trumpet Kings with the RIAS Big Band

Styles: Saxophone And Trumpet Jazz, Big Band
Year: 2007
File: MP3@320K/s
Time: 59:14
Size: 136,6 MB
Art: Front

(5:13)  1. I Love Louis
(5:21)  2. Cloudy
(4:22)  3. Echoes of Harlem
(3:28)  4. Little Jazz Boogie
(4:31)  5. I Can't Get Started
(3:43)  6. Melancholy Rhapsody
(2:31)  7. Randy's Rolls Royce
(5:28)  8. Shaw'Nuff
(6:12)  9. All Blues
(3:08) 10. Turnstile
(6:17) 11. Relaxin' At Clifford's
(4:07) 12. The Moontrane
(4:47) 13. Birdlike

Most of the recordings put out by the German Nagel Heyer label are pre-bop, ranging from Dixieland to mainstream. This outing stretches the boundaries a little, for trumpeter Randy Sandke (who is joined by tenor saxophonist Harry Allen and a big band led by Jiggs Whigham) pays tribute to a variety of great trumpeters ranging from Louis Armstrong to Woody Shaw ("The Moontrane") and Freddie Hubbard ("Bird Like"). Sandke contributed a pair of originals, arranged all 13 pieces, and helped bring a forgotten (and only partly composed) Bix Beiderbecke composition ("Cloudy") to life. In addition to those mentioned, Sandke pays tribute to Cootie Williams, Roy Eldridge, Bunny Berigan, Harry James, Buck Clayton, Dizzy Gillespie, Miles Davis, Chet Baker, and Clifford Brown. He hints at their styles without actually copying them, and has a flexible enough approach to sound comfortable in all of the idioms. Recommended. ~ Scott Yanow  http://www.allmusic.com/album/the-music-of-the-trumpet-kings-mw0000732284

Personnel: Randy Sandke - (trumpet), Harry Allen - (tenor sax) with the RIAS Big Band Berlin led by Jiggs Whigham

Turnstile: Music of the Trumpet Kings with the RIAS Big Band

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Donald Harrison & Christian Scott - Two Of A Kind

Styles: Saxophone And Trumpet Jazz
Year: 2010
File: MP3@320K/s
Time: 63:50
Size: 147,2 MB
Art: Front

(9:25)  1. Summertime
(6:08)  2. A Night In Tunisia
(8:40)  3. Twerk It
(5:38)  4. I'm Barred
(9:05)  5. The Hook Up
(5:17)  6. Cool Breeze
(4:02)  7. Two Of A Kind
(7:51)  8. Oriental Folk Song
(7:38)  9. Nouveau Swing

Donald Harrison, Jr. (who is also known as Big Chief Donald Harrison of Congo Nation) is a celebrated jazz saxophonist, composer, and educator who resides both in New Orleans and New York City. Born in New Orleans on June 23, 1960, Harrison is the son of the late Donald Harrison, Sr., a legendary New Orleans folklorist and, during his lifetime, the Big Chief of four different NOLA tribes. The younger Harrison began his education at the prestigious New Orleans Center for the Creative Arts and studied with Ellis Marsalis. After graduation, he attended the Berklee College of Music. Though he began playing as a professional while in high school, Harrison gained recognition for his tone and acumen on both alto and tenor horns, playing in the bands of Roy Haynes, Jack McDuff, and most famously, Art Blakey's Jazz Messengers; along with trumpeter and future musical partner, Terence Blanchard; they succeeded Wynton and Branford Marsalis. The pair left Blakey's band and began recording as the Terence Blanchard/Donald Harrison Quintet. Between 1983-1988, they issued five albums, including New York Second Line (1984) and Discernment (1986), both for Concord, and Nascence (1986), Crystal Stair (1987), and Black Pearl (1988) for Columbia. While with the unit, Harrison also took part in recording sessions in the jazz vanguard: in 1985, he played on the avant The Sixth Sense (Black Saint) with Bobby Battle, Olu Dara, and Fred Hopkins, and in 1986, recorded with Don Pullen. The Quintet split in 1989.

As a bandleader in his own right, Harrison issued the hard bop Blakey tribute album entitled For Art's Sake on Candid in 1991 and followed it with the historic Indian Blues. It was the first time that Harrison actively engaged his New Orleans musical heritage on a large scale. It wedded Mardis Gras Indian tunes and chanting (courtesy of the Guardians of the Flame Mardi Gras Indians with his father on vocals), to funky Crescent City rhythm & blues and modern jazz. The session featured Dr. John, Cyrus Chestnut, Carl Allen, Phil Bowler, Bruce Cox, and Howard Smiley Ricks. Harrison also recorded the smooth jazz date The Power of Cool, which was released in Germany in 1991, but not until 1994 in the States.In 1993, he signed to GRP/Impulse. His first album for that label was Nouveau Swing, the album and concept that gave Harrison his nickname "the King of Nouveau Swing." That set employed straight-ahead jazz concepts on half the set, and Caribbean rhythms on the remainder. His follow-up went even more afield, further establishing the nouveau swing concept by including Latin rhythms, more rhythm & blues, smooth jazz, and even hip-hop. In 1999, Harrison officially became a Big Chief and founded the Congo Nation Mardi Gras Indians to honor his father and further New Orleans African roots culture. To close out the century, he recorded The New Sounds of Mardi Gras, which merged New Orleans traditional music with hip-hop.

In 2000, Harrison issued the landmark Spirits of Congo Square album, recorded with his New Orleans Legacy Ensemble. The album featured parade rhythms and hard bop solos whether the tune was a traditional NOLA number or a jazz standard by a modern composer. In 2002, he issued his first collaboration with nephew, Christian Scott, in a quintet setting of newly arranged jazz standards called Kind of New. In 2003, he recorded a pair of albums for Nagel Heyer Records. The first, Free Style, may have been a thorough jazz date, but it was entirely inspired by hip-hop rhythms. The second, Heroes, with Ron Carter and Billy Cobham, was more conventionally post-bop, but offered extremely inspired playing by each of the trio's members. In 2004, Harrison also issued Paradise Found, his second quintet offering with his nephew. After Hurricane Katrina in 2005, Harrison began to immerse himself in New Orleans' life as an educator as well as a musician and Big Chief. He began employing high school students in his bands, and getting them dates with other professional musicians in order to foster the New Orleans musical heritage and give the younger players more professional exposure. Many musicians had left the city due to Katrina's aftermath, and Harrison saw it as his duty to keep the flame alive.

In 2006, he issued Survivor, a straight-ahead jazz date with Mulgrew Miller and others. He also released the first volume of a projected three-album series entitled 3D (one volume to showcase each of his playing styles). This first entry focused on the commercially viable side of Harrison's musical identity in smooth jazz, urban rhythm & blues, and funk. (Volumes Two and Three will be dedicated to straight-ahead jazz and hip-hop, respectively.) In 2008, he released The Chosen in Europe only. In 2009, he released three titles on Nagel Heyer: The Ballads, The Burners, and Two of a Kind with Christian Scott. In 2010, Harrison became an occasional member of the cast of the HBO television series Treme, playing himself. He reunited with Carter and Cobham for a live date entitled This Is Jazz: Live at the Blue Note, playing a program of originals and standards. It included a new Harrison composition entitled "Treme Swagger." ~ Thom Jurek, Rovi  http://www.billboard.com/artist/301152/donald-harrison/biography

Personnel:  Donald Harrison - alto sax;  Christian Scott – trumpet;  Mulgrew Miller – piano;  Eric Reed – piano;  Luques Curtis – bass;  John Lamkin - drums

Two Of A Kind

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Jazzanova - Funkhouse Studio Sessions

Styles: Pop/Rock
Year: 2012
File: MP3@320K/s
Time: 76:35
Size: 176,3 MB
Art: Front

(6:12)  1. Let Me Show Ya
(4:30)  2. Theme From Belle Et Fou
(5:05)  3. I Human
(3:38)  4. Look What You're Doin' To Me
(4:39)  5. Lucky Girl
(5:00)  6. No Use
(2:48)  7. No Use, Pt. 2
(6:47)  8. Flashback
(6:17)  9. Believer
(6:38) 10. Little Bird
(5:26) 11. I Can See
(6:23) 12. Boom Clicky Boom Klack
(6:54) 13. Fedime's Flight
(6:10) 14. Let It Go

Berlin's Jazzanova collective have been actively building on their pioneering nu-jazz brand for nearly two decades. They've pursued it as a production team and with their Sonar Kollectiv label as well. In recent years, they've formed a live group for the purpose of touring. Funkhaus Studio Sessions showcases their road band a septet in a studio collaboration with Detroit vocalist Paul Randolph (aka Randolph of Lonely Eden fame). The program is a fine mix of redone classic tunes such as "The Fedime's Flight," and more recent fare such as 2008's "Look What You're Doin to Me," as well as new songs. The groove-consciousness in these 14 tracks is undeniable. Though this set doesn't pack the body punch that some of their live dates have, it's not meant to. With Randolph's wide range of vocal styles and expressions, the smoother approach is welcome. "I Human," with its old-school synth, popping funky bassline, and electric piano, touches on smooth, late-'70s-era, funky jazzy-soul (à la Norman Connors and Roy Ayers), all the while pushing the frame to include contemporary jazz tropes. 

"Believer" is a solid stepper with its rumbling samples and keyboards in the intro, while Randolph near scats in his phrasing as the groove builds to include breaking hi-hats, fat, warm, bubbling bass, and washes of ambient sound. The redone instrumental "La Belle et Fou," with its syncopated horn chart and hand percussion, touches on Latin as well as jazz funk. The mid-register trombone solo soars above the handclaps, silvery guitars, and keys. Randolph is the perfect foil for Jazzanova. He croons, growls, hovers, swoons, and gets gritty as the music dictates, becoming an instrument in the mix rather than just a frontman. Funkhaus Studio Sessions may not break much new ground, but who cares when the music is this well-played and presented? ~ Thom Jurek  http://www.allmusic.com/album/funkhaus-studio-sessions-mw0002328641

Personnel: Arne Jansen (electric guitar, 12-string guitar, nylon-string guitar); Sebastian Borkowski (flute, alto saxophone, tenor saxophone, baritone saxophone); Sebastian Studnitzky (trumpet, grand piano, electric piano, Fender Rhodes piano, Wurlitzer piano, harmonium, synthesizer); Stefan Ulrich (trombone); Paul Kleber (upright bass, electric bass, percussion); Carl-Michael Grabinger (drums); Stefan Leisering (congas, bongos, percussion); Axel Reinemer (percussion).

Funkhouse Studio Sessions

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Lorraine Feather - Flirting With Disaster

Styles: Vocal
Year: 2015
File: MP3@320K/s
Time: 60:02
Size: 139,1 MB
Art: Front

(5:33)  1. Flirting with Disaster
(4:46)  2. Feels Like Snow
(5:55)  3. I'd Be Down with That
(6:44)  4. Off-Center
(5:16)  5. Be My Muse
(5:04)  6. Later
(4:01)  7. The Last Wave
(4:27)  8. Disastrous Consequences
(6:26)  9. Big-Time
(5:26) 10. Wait for It
(6:18) 11. The Staircase

The release of a new Lorraine Feather recording consistently brings a sense of excitement and delicious anticipation. What does this gifted singer-lyricist who, like a figure-ground illustration simultaneously brilliant at both, have in store for us? More than likely, if she's true to her own Muse, I'd suppose it's going to be a sublime rendering of relationship-themed, thoughtfully poetic, yet sparkling verbiage that's delivered paired with highly stylized and impeccably-performed music. In the case of Flirting with Disaster the supposition is dead-on. Working once again with ace composers-collaborators Eddie Arkin, Russell Ferrante, Dave Grusin, Shelly Berg and a terrific rhythm section, Feather settles into eleven emotion-stimulating original renderings. There's no falling back on the faux security of GAS material for this high-wire artist. Like a Wallenda (would you believe she actually incorporates that surname in one line?), she works sans net, fearless and supremely confident about what she's offering, risks be damned.

Although there's an adequate mix, the fare is predominantly slower, thoughtful, and for the most part, artful and Impressionistic ("Feels Like Snow," "The Last Wave," "Wait for It"). The compositional elements are melodically unique and provide Feather ample opportunity to demo her extraordinary ability to color her lyrics. She has superior vocal chops, impeccable diction, and an innate poetic sense of phrasing. Even the hip-hoppity "I'd Be Down with That" demos her versatility. Her overdubbing is exact ("Be My Muse") and is incorporated judiciously. As lyricist, Feather is pure emotion and wit, splattering tons of "touches," "hands," "hearts" and more across her offerings. She can milk a phrase with a sly glee that tickles interest and provides a tease of what might be coming next. Her lines never disappoint. The team supporting this Feather are heavyweights indeed and in deed. Their playing is complementary perfection. Flirting with Disaster is no surprise in the most positive sense. It's Lorraine Feather at her best. I think that even Mr. Wallenda would even relish the fact that his surname might eventually become a noun as a result of this grand flirtation. ~ Nicholas F.Mondello  http://www.allaboutjazz.com/flirting-with-disaster-lorraine-feather-jazzed-media-review-by-nicholas-f-mondello.php
 

Personnel: Russell Ferrante: piano (1,2,3,4,6,7,8), arranger (2,3,8); Shelly Berg: piano (5,11), arranger (5,11); Dave Grusin: piano (9,10), arranger (9,10); Michael Valerio: bass (1,3,4,5,6,9,10); Grant Geissman: (1,9,10); Eddie Arkin: guitar (4,6), arranger (1,4,6,7); Michael Shapiro: drums/percussion (1,2,6,9,10); Gregg Field: drums (4,5); Carlos Del Rosario: percussion (10); Charles Bisharat: violin (1,4,5,8,11); Yutaka Yokokura: additional vocals (2).

Flirting With Disaster

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Calvin Newborn - New Born

Size: 122,4 MB

Time: 52:44

File: MP3 @ 320K/s

Released: 2005

Styles: Jazz Blues

Art: Front

01. When Kingdom Comes/Sho' Nuff (5:16)

02. The Streetwalker's Stroll (7:09)

03. Newborn Blues (8:37)

04. Spirit Trane/Omnifarious (6:06)

05. Lush Life (5:05)

06. Restorations (5:13)

07. After Hours Blues (8:19)

08. Blues & Beyond (6:55)

It’s fitting that Calvin Newborn recorded his latest album at the same Sam Phillips studio in Memphis where he did his first recording in 1950, backing B.B. King along with his talented father and brother, Finas and Phineas Newborn. In fact, it was B.B. who helped the young Calvin pick out his first guitar.

Now in his seventies, Calvin Newborn’s new disk features a seamless blend of eight jazz and blues originals, with his superlative guitar work shining through, especially on the third track, “Newborn Blues.”

Although the disk is basically jazz, there are enough bluesy riffs, and one song - the above-mentioned “Newborn Blues” - to make it work for all but the most ardent blues purist.

Accompanied by greats such as Donald Brown on piano, Herman Green on saxophone and flute, Charlie Wood on organ, and Scott Thompson on trumpet, and backed by London Branch on bass and Renardo Ward on drums, Newborn tries to give equal treatment to his dual lifework of blues and jazz. He is also joined by Ekpe Obioto a Memphis civil rights activist who channels ancient spirits with his “talking drums.”

Songs like “The Streetwalker’s Stroll,” and his mellow interpretation of the jazz standard “Lush Life,” reflect his pre-drug rehab days, while “Newborn Blues” and “After Hours Blues” show off the bluesy side of the Memphis scene.

His jazz lineage is also showcased in “Blues and Beyond” and “Spirit Trane/Omnifarious” - the latter an up-tempo shuffle with some wailing horns.

The new disk, appropriately called New Born, comes more than a decade after Calvin beat a drug habit that was spinning out of control, and after the 1989 death of his brother, a jazz legend in his own right who was eventually diagnosed with mental illness and ended his days living in a halfway house and a veterans’ hospital.

Their father, a drummer, dropped dead of a heart attack in 1965 after sitting in with Calvin’s band at a Los Angeles nightclub.

Calvin himself finally checked into a mental health facility in Memphis, got treatment for his drug problem, and then proceeded to write a book about his brother and cut his first record on his own Omnifarious label.

On this record, the songs “Restorations” and “When Kingdom Comes/Sho’ Nuff” seem to have emerged from his reformed outlook on life.

Besides the disk, which was recorded last year, Newborn is also working on a book about his friendship with Elvis Presley, and a documentary film about his fascinating family’s history.

Check out his outstanding work. It’s about time this unsung hero of Memphis blues and jazz got some recognition. ~by Karen Nugent

Thanks to Marc.

New Born  

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Kim Hoorweg - The Boulevard Of Broken Dreams

Size: 102,8 MB
Time: 37:27
File: MP3 @ 320K/s
Released: 2015
Styles: Jazz/Pop Vocals, Gipsy Jazz
Art: Front

01. Mood Indigo (2:56)
02. The Boulevard Of Broken Dreams (2:55)
03. If I Didn't Care (4:13)
04. Quiet Whiskey (Feat. Benjamin Herman) (2:54)
05. When You're Smiling (Feat. Sjoerd Dijkhuisen) (3:17)
06. Si Tu Vois Ma Mere (3:00)
07. Les Yeux Noirs (2:18)
08. I Ain't Got Nothing But The Blues (Feat. Benjamin Herman) (4:26)
09. It's A Sin To Tell A Lie (Feat. Benjamin Herman) (2:34)
10. Granada (3:22)
11. When You're Lover Has Gone (Feat. Benjamin Herman) (3:00)
12. Solitude (2:26)

Dutch jazz vocalist Kim Hoorweg (22) has adopted New York as her second home. She is known for her clever originals, her clear, warm and pleasant timbre and charming way of reinterpreting old forgotten songs.

She worked with top-notch musicians Trijntje Oosterhuis, Gino Vannelli, Candy Dulfer, Chance Howard (Prince) and Benjamin Herman. Signed with American record label Verve when she was only 14, frequently on Dutch television, performed twice at the North Sea Jazz Festival, worked with the famous Metropole Orchestra and was nominated for the most prestigious Dutch Music Award: the Edison. Now in 2015, she is working on a new record, in the USA with Raul Midón (collaborated with Stevie Wonder, Herbie Hancock and many more), widely known as an amazing songwriter, skilled vocalist and guitar virtuoso. Kim is also recording with gypsy-guitarist Robin Nolan to accompany their upcoming tour. You would almost forget that she is only 22 years old!

The Boulevard Of Broken Dreams

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Johnny O'Neal - In Good Hands

Size: 135,8 MB
Time: 58:25
File: MP3 @ 320K/s
Released: 2002
Styles: Jazz: Piano Jazz
Art: Front

01. In Good Hands (2:44)
02. Born To Be Blue (6:54)
03. What Is There To Say (4:55)
04. Tricotism (4:51)
05. Ghost Of A Chance (3:34)
06. Mornin' (5:09)
07. In A Mellow Tone (8:09)
08. My Ship (7:09)
09. Half Breed (5:50)
10. Alfie (4:32)
11. Next Spring (4:32)

A fine pianist influenced by Oscar Peterson, Johnny O'Neal actually started his career playing gospel piano in church while a teenager. Inspired by Peterson, Art Tatum, and Bud Powell, O'Neal started exploring jazz in 1976 and after impressing Ray Brown, found his way into Milt Jackson's group. Other important jobs followed (with Sonny Stitt, Eddie "Lockjaw" Davis, and Buddy DeFranco), and in 1982, O'Neal moved to New York and soon recorded his debut with Concord. After playing regularly with Clark Terry, he was a member of Art Blakey's Jazz Messengers (1982-1983) and has mostly led his own groups ever since. Johnny O'Neal has recorded as a leader for Concord, Parkwood, and Justin Time (1995), taking three effective vocals on the latter set. ~Scott Yanow

In Good Hands

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Monica Borrfors - Hello Young Lovers

Size: 165,4 MB
Time: 71:05
File: MP3 @ 320K/s
Released: 2015
Styles: Jazz Vocals
Art: Front

01. It's Easy To Remember (2:35)
02. The Night Has A Thousand Eyes (5:22)
03. Nature Boy (3:35)
04. It Never Entered My Mind (4:59)
05. Whisper Not (3:33)
06. Darn That Dream (4:52)
07. Paint Your Pretty Picture (4:37)
08. 'Round Midnight (6:22)
09. I'm Glad There Is You (5:14)
10. Doxy (5:32)
11. The Boy Next Door (3:41)
12. I Didn't Know What Time It Was (4:46)
13. If You Could See Me Know (6:31)
14. Mr. Ugly (3:04)
15. Hello Young Lovers (4:59)
16. Epilogue After The Storm (1:15)

Personnel: Gosta Nilsson on piano, Filip Augustson on bass and Jesper Kviberg at the drums.
Guests: Trumpeter Anders Bergcrantz from Malmo and saxophonist Fredrik Lindborg.

Novelist Barry Eisler states, "Swedish vocalist I first heard in Bar Satoh in Osaka, the worlds best whiskey bar. Slowfox is a collection of songs in English, all rendered in Borrfor's warm, slightly husky, beautiful voice."

Monica was born May 14, 1954 in Brännkyrka Assembly, Stockholm. She came as number two in a family of five. Sister Elisabeth was then three years old. The family had just moved out from Wollmar Yxkullsgatan in Stockholm to the newly built south suburb Högdalen where they lived between 1954 and 1959, and where even the little brother Peter was born in 1955. My father was self-employed and the mother a housewife.

In high school, she had music as an optional subject and her teachers during the last two years was Gosta Nilsson. Monica was interested in singing and was for 20 years a member of Gosta Nilsson's youth choir and later the Chamber of Trångsunds and Skogås parish where he was organist and choirmaster in 1966.

Monica trained in health care with a view on a midwife and worked in the maternity care at Danderyd Hospital between 1973-1983.

Monica has worked alongside his quintet and as a soloist in many other contexts. With big bands in both Sweden and abroad, with choirs and small groups.

Hello Young Lovers

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Pepper Adams - Any Day Now

Size: 178,6 MB
Time: 77:00
File: MP3 @ 320K/s
Released: 2015
Styles: Jazz
Art: Front

01. Unforgettable (6:20)
02. Blackout Blues (4:55)
03. Freddie Froo (6:00)
04. Your Host (5:17)
05. You Turned The Table On Me (4:42)
06. High Step (8:38)
07. Cottontail (5:33)
08. Yourna (6:27)
09. Alone Together (5:47)
10. Baubles, Bangles And Beads (8:25)
11. My One And Only Love (3:50)
12. Afternoon In Paris (5:53)
13. You're My Thrill (5:06)

Pepper Adams was one of the all-time great baritonists, ranking at the top with Harry Carney, Serge Chaloff and Gerry Mulligan. But Mulligan overshadowed Adams throughout virtually his entire career, which is a little strange because Pepper had a much different sound (heavier and more intense) than the light-toned and playful Mulligan.Adams grew up in Rochester, NY, and when he was 16 he moved to Detroit where he became an important part of the very fertile local jazz scene. Other than a period in the military (1951-53), Adams was a major fixture in Detroit, playing with such up-and-coming musicians as Donald Byrd, Kenny Burrell, Tommy Flanagan, Barry Harris and Elvin Jones. Adams had opportunities to tour with Stan Kenton, Maynard Ferguson and Chet Baker and he moved to New York in 1958. In addition to recording both as a leader and a sideman, Adams played with Benny Goodman (1958-59) and Charles Mingus (off and on between 1959-63) and co-led a quintet with Donald Byrd (1958-62). He was a longtime member of the Thad Jones/Mel Lewis Orchestra (1965-78) and a major stylist up until his death. ~Scott Yanow

Any Day Now

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Maira Freitas - Piano E Batucada

Size: 106,1 MB
Time: 45:32
File: MP3 @ 320K/s
Released: 2015
Styles: MPB
Art: Front

01. Eta (2:58)
02. Lembra De Que (2:57)
03. Gargalhada (3:42)
04. Cuidado Moça (2:58)
05. Pousa (4:21)
06. Volta (3:49)
07. Estranha Loucura (3:41)
08. Desavisado (3:25)
09. Danilo Dormindo (3:51)
10. Feeling Good (3:40)
11. Minha Festa (3:02)
12. Nua (4:06)
13. Nao Sei, Sei La (2:57)

Critically acclaimed, singer and pianist Maíra Freitas can’t remember not playing the piano. Daughter of legendary samba and MPB star Martinho da Vila, Maíra received her first instrument at age 6 – pink and adorned with Hello Kitty stickers the little piano was the first step towards a solid education as an instrumentalist and composer. After her classical training, Maira developed a strong taste for Brazilian popular music – MPB. She loves the music of Chico Buarque, Gonzaguinha, Nana Caymmi, Paulinho da Viola and, of course, her father Martinho da Vila, among many. Maira refined her popular piano skills with well-known masters such as Cristovão Bastos, Leandro Braga, Marcos Nimrichter and Sheila Zagury. For her self-titled maiden project, produced by her sister Mart’nália (famed singer/songwriter on her own), the young singer from Rio has surrounded herself with top-notch musicians building a personal and well thought-out repertoire of songs that reflect her personality. Maíra arrives with a veteran’s security, immediately imprinting her own personal Brazilian style which is both classic and popular, and experimenting new technologies on stage like samplers, loops, electronic.

Piano E Batucada

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George Cables - Shared Secrets

Bitrate: MP3@320K/s
Time: 56:45
Size: 129.9 MB
Styles: Post bop, Piano jazz
Year: 2001
Art: Front

[6:04] 1. 5 Will Get Ya 10
[5:17] 2. Blackfoot
[5:06] 3. S.F.C.B
[6:31] 4. Secrets Of Love
[5:02] 5. Spookarella
[5:55] 6. Beyond Forever
[5:58] 7. Phantom Of The City
[5:02] 8. Just Suppose
[5:34] 9. Why Not
[6:12] 10. Go Down Moses

This intriguing set for pianist George Cables is in some ways a throwback to the 1970s. Although he has often played hard bop in recent times, in the '70s he was more eclectic, so he is heard on both acoustic and electric pianos. The music (all his originals except for the spiritual "Go Down Moses") is soulful and sometimes funky, hinting at 1970s fusion and pop in spots while still swinging. Cables is heard with two different rhythm sections (either bassist Abraham Laboriel and drummer Peter Erskine or bassist Alphonso Johnson and drummer Vinny Coliauta) with guest appearances from Bennie Maupin on bass clarinet and altoist Gary Bartz. This small label release is worth searching for. ~Scott Yanow

Shared Secrets

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The Four Tops - Essential Collection

Bitrate: MP3@320K/s
Time: 74:54
Size: 171.5 MB
Styles: Soul, Motown, R&B
Year: 2000
Art: Front

[2:46] 1. Baby I Need Your Loving
[2:44] 2. Ask The Lonely
[2:42] 3. I Can't Help Myself (Sugar Pie, Honey Bunch)
[2:43] 4. It's The Same Old Song
[2:59] 5. Reach Out (I'll Be There)
[2:35] 6. Standing In The Shadows Of Love
[2:40] 7. Shake Me, Wake Me (When It's Over)
[2:59] 8. Bernadette
[2:43] 9. Walk Away Renee
[2:47] 10. You Keep Running Away
[2:48] 11. If I Were A Carpenter
[3:10] 12. Still Water (Love)
[2:49] 13. It's All In The Game
[3:36] 14. (It's The Way) Nature Planned It
[3:02] 15. Ain't No Woman (Like The One I've Got)
[2:56] 16. Keeper Of The Castle
[3:25] 17. Are You Man Enough
[2:58] 18. Sweet Understanding Love
[3:25] 19. One Chain (Don't Make No Prison)
[3:30] 20. Midnight Flower
[3:45] 21. Catfish
[3:21] 22. When She Was My Girl
[4:20] 23. I Just Can't Walk Away
[3:59] 24. I Believe In You And Me

Essential because along with the Motown hits you get on every Tops anthology, you also get their hits from the Dunhill, ABC and Casablanca labels, 19 years (1964-1983) of some of the greatest soul ever waxed! Includes Baby, I Need Your Loving; I Can't Help Myself (Sugar Pie, Honey Bunch); Reach Out I'll Be There; When She Was My Girl; Are You Man Enough; Ain't No Woman (Like the One I've Got); It's All in the Game; Standing in the Shadows of Love; It's the Same Old Song; Bernadette , and more. 24 Top 40 R&B hits!

Essential Collection

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Marian McPartland - Twilight World

Bitrate: MP3@320K/s
Time: 58:59
Size: 135.0 MB
Styles: Piano jazz
Year: 2008
Art: Front

[5:41] 1. Twilight World
[5:34] 2. In The Days Of Our Love
[6:12] 3. Turn Around
[5:37] 4. Close Enough For Love
[5:42] 5. How Deep Is The Ocean
[6:07] 6. Alfie
[4:29] 7. Lonely Woman
[5:12] 8. Blue In Green
[5:37] 9. Afternoon In Paris
[4:30] 10. Strangers In A Dream
[4:13] 11. Blackberry Winter

Marian McPartland can be described on one word: gracious. Listeners have been treated to weekly installments of Marian McPartland's Piano Jazz, on US National Public Radio, for the past twenty-nine years, experiencing firsthand her graciousness in her light but stubborn Berkshire accent, her unmatched interview style, and, above all, her gin-crystalline pianism. That would be impressive enough if one were not to consider the fact that McPartland is the living corporate memory of jazz.

Marian McPartland celebrates her ninetieth birthday on March 20, 2008. She has been performing since age fifteen, professionally since age twenty-five. In 1944, she met and married cornetist Jimmy McPartland, allowing her to touch the New Orleans/Chicago jazz of the 1920s (in 1924, Jimmy McPartland replaced Bix Beiderbecke in the Wolverines) while still vibrant, still performing it today. Between 1952 and 1960, McPartland led a trio at New York City's famous Hickory House, then located at 144 W. 52nd St during the heyday of be bop, Dizzy Gillespie, Charlie Parker, Art Tatum, Bud Powell, and the rest of jazz history. There McPartland was able to see and associate with the royalty of American jazz while becoming a member herself.

Twilight World, released just prior to McPartland's ninetieth birthday, is her twenty-ninth recording for Concord Music Group. The disc has McPartland in her most familiar territory, the piano trio, with longtime collaborators bassist Gary Masaroppi and drummer Glen Davis. The repertoire is rife with ballads, with the trifecta of "Close Enough For Love," "How Deep Is The Ocean," and "Alfie" more than enough to certify her ballad bona fides. To these well-known ballads, McPartland adds paths less taken with the title track and "Blackberry Winter." She transforms Bill Evans' "Blue in Green" into a completely accessible, impressionistic blues. Her playing has changed little and resembles that of Errol Garner in passing. But make no mistake, there is but one Marian McPartland and we should be grateful she remains a part of our life soundtrack. ~C. Michael Bailey

Marian McPartland: piano; Gary Masaroppi: bass; Glen Davis: drums.

Twilight World

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Giacomo Gates - Luminosity

Styles: Vocal
Year: 2008
File: MP3@320K/s
Time: 50:59
Size: 117,1 MB
Art: Front

(4:50)  1. Comes Love
(3:30)  2. Me, Spelled M-E, Me
(5:43)  3. Melodious Funk
(6:20)  4. The Beginning of the End
(5:44)  5. Hungry Man
(4:31)  6. The Blues Are Out of Town
(5:32)  7. Romancin' the Blues
(4:01)  8. Someone's Rocking My Dreamboat
(7:32)  9. P.S. I Love You
(3:13) 10. Full of Myself

"Begin at the beginning," the King told the White Rabbit, "and go on until you come to the end. Then stop." Normally, that's good advice, except in the case of Luminosity, a sparkling CD/DVD package that proves Giacomo Gates is all about commitment to his listeners, to his fellow musicians (past and present), and to jazz and its history.

The DVD features a four-song excerpt from Gates' 2005 appearance at San Francisco's legendary club Jazz at Pearl's. But following that mini-set is the real prize of this package: "Influences, Concepts and Ruminations," a bonus feature that shows Gates discoursing about the songs and artists that have inspired him ever since he got his first taste of jazz from Dave Brubeck's Time Out (Columbia, 1959). Mind you, it's not necessary to watch this interview in order to enjoy Luminosity; Gates is always a treat to listen to whether he's on disc or in concert, and that's the way it is here. However, the insights and context "Influences" offers really puts Gates' overall performance in perspective.

First there are the artists, of whom Gates feels as passionately about today as he did when he first heard them: "Peace of Mind (Let's Cool One)" has Gates dispensing soothing advice over the startling music of Thelonious Monk; "What Am I Here For" combines Duke Ellington's music and Jon Hendricks' lyrics, doubling Gates' obvious pleasure; "Someone's Rocking My Dreamboat" lets Gates give shout-outs to Bugs Bunny and the Ink Spots; and Gates scores a three-fer with "Lady be Good/Disappointed" a merry mashup of the Gershwins' music, the solo from Charlie Parker's take on "Lady," and the Eddie Jefferson lyric inspired by Parker's solo. Then there are the lyrics, which gives Gates the stories he loves to tell: In a spoken-word intro to Bobby Troup's "Hungry Man" (one of several spoken intros on the studio set), Gates links Troup's love of travel he wrote "Route 66" with his love of fine food; Gates frames Dickie Thompson's "Me, Spelled M-E, Me" as a late-night infomercial for romance; and Gates shapes the questions Jimi Hendrix' alien protagonist asks during "Up From The Skies" into a snapshot-fast blast about global warming.

Gates is up-front about not having "an act": He knows what he's going to do in a general sense, but a lot of it is left up to the moment. That puts Gates and his band out on the wire, possibly without a net below. But the result is an unparalleled level of trust and respect, which raises all the performances to a higher level on both the studio side and the live side.As Gates himself says, "There's gotta be a connection. Otherwise, I might as well stay home and sing." That connection would have been solid if Luminosity had only been a studio disc. But with the DVD, the listener not only makes the visual connection, but also connects with why Gates does what he does and ultimately sees why he does it so well. ~ J Hunter  http://www.allaboutjazz.com/luminosity-giacomo-gates-doubledave-music-review-by-j-hunter.php

Personnel: CD: Giacomo Gates: vocal; John diMartino: piano; Ray Drummond: bass; Greg bandy: drums; Bob Kindred: tenor sax; Tony Lombardozzi: guitar.

Luminosity

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Elis Pethke - Fly With Me

Styles: Saxophone Jazz
Year: 2015
File: MP3@320K/s
Time: 28:40
Size: 65,8 MB
Art: Front

(5:07)  1. Face to Face
(4:29)  2. Rosangela
(3:27)  3. Walk Together
(3:47)  4. All of Time
(2:59)  5. Mein Liebe
(3:49)  6. Fly With Me
(4:57)  7. Get Up

First Brazilian saxophonist to launch a copyright disc fusion jazz and smooth jazz in Germany.The songs are sophisticated and very quality harmonica based on the influences of bossa nova, the songs were born of situations in my daily life. http://www.cdbaby.com/cd/elispethke2

Fly With Me

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Harry Allen - A Night at Birdland Vol. 1 And Vol. 2

Styles: Saxophone Jazz

Year: 1994

File: MP3@320K/s

Time: 77:20

Size: 177,5 MB

Art: Front

( 9:10)  1. My Heart Stood Still

(10:53)  2. On a Slow Boat to China

( 7:49)  3. Tickle Toe

( 7:37)  4. You Took Advantage of Me

( 7:46)  5. Stardust

( 7:39)  6. Sometimes I'm Happy

(10:04)  7. How Deep Is the Ocean

( 5:14)  8. I Got It Bad (And That Ain't Good)

(11:05)  9. The Man I Love

A glance at this CD's cover might cause collectors to have a double take for it looks similar to the original A Night at Birdland album by Horace Silver and the Jazz Messengers from the mid-'50s. The Birdland in this case is a jazz club in Hamburg, Germany and the music is not hard bop but hard-driving swing. The excellent young tenor Harry Allen is heard leading a quintet that also includes trumpeter Randy Sandke, pianist Brian Dee, bassist Len Skeat and (in one of his final sessions) drummer Oliver Jackson. Allen has an attractive and passionate tone and is heard in excellent form throughout the nine standards; he and Sandke make for a very effective team. A rewarding release (as is the second volume) from the German Nagel-Heyer label. ~ Scott Yanow  http://www.allmusic.com/album/a-night-at-birdland-vol-1-mw0002026229

Harry Allen Quartet: Harry Allen (tenor saxophone); Randy Sandke (trumpet); Brian Dee (piano); Len Skeat (bass); Oliver Jackson (drums)

A Night at Birdland  Vol. 1

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Styles: Saxophone Jazz

Year: 1995

File: MP3@320K/s

Time: 78:23

Size: 180,0 MB

Art: Front

(6:24)  1. Isn't This a Lovely Day

(8:04)  2. From This Moment On

(6:26)  3. My Foolish Heart

(8:48)  4. The Song Is You

(8:42)  5. Blues My Naughty Sweetie Gives To Me

(5:46)  6. Sweet Lorraine

(6:55)  7. All Good Chillun Got Rhythm

(5:48)  8. Stardust

(7:29)  9. Now Is The Time

(6:06) 10. Sophisticated Lady

(7:49) 11. Lover Come Back to Me

Harry Allen leads a fine quintet on the second of two volumes recorded over a pair of nights in 1993 at Hamburg's Birdland nightclub. The tenor saxophonist was quite familiar with bandmates trumpeter Randy Sandke and drummer Oliver Jackson, having worked with them extensively on recordings and in all-star lineups assembled by George Wein. The band is rounded out by two veterans of the British jazz scene, pianist Brian Dee and bassist Len Skeat. Obviously, the familiarity keeps the group from sounding like a pickup effort with little or no rehearsal. Allen's melodic solos are steeped in the tradition of Coleman Hawkins and Ben Webster, especially in rich ballads like "My Foolish Heart" and the deliberate "Sweet Lorraine." For a little bit of variety from the swing era, the quintet offers a stimulating bop number and the early jazz chestnut "Blues My Naughty Sweetie Gives to Me." ~ Ken Dryden  http://www.allmusic.com/album/a-night-at-birdland-vol-2-mw0002026235

Personnel:  Harry Allen – Tenor Sax;  Randy Sandke – Trumpet;  Brian Dee – Piano;  Len Skeat – Bass;  Oliver Jackson – Drums.

A Night At Birdland  Vol 2

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Gerald Wilson Orchestra - In My Time

Styles: Jazz, Big Band
Year: 2005
File: MP3@320K/s
Time: 75:14
Size: 172,6 MB
Art: Front

(10:22)  1. Sax Chase
( 7:27)  2. Dorian (The Diminished Triangle)
( 4:25)  3. Ray's Vision At The U 

( 8:47)  4. Blues For Manhattan
( 7:45)  5. Lomelin
(10:26)  6. A.E.N.
( 5:48)  7. Musette
(11:09)  8. So What
( 5:06)  9. Love For Sale
( 3:54) 10. Jeri

While the question of who's our finest contemporary big band composer/arranger could be debated for days on end without any resolution, there's no doubt about who's the dean. Gerald Wilson, who celebrated his 87th birthday in September, wrote his first chart ("Yard Dog Mazurka ) for the Jimmie Lunceford Orchestra circa 1940. In case you're keeping score, that's 65 years ago. That's remarkable enough; what's even more so is that the compositions and arrangements on In My Time, Wilson's second album with his "New York Orchestra for Mack Avenue Records, are as sharp and invigorating as almost anything he has written to date, and that's no hype or exaggeration. Wilson's no late bloomer, but somehow his phenomenal creative powers have remained unimpaired for more than six decades. 

The album's centerpiece is the three-part Diminished Triangle suite, commissioned by the California Institute for the Preservation of Jazz in '04 and premiered last April. The first and third movements embody all the hallmarks of Wilson's brassy, swinging style, while the slow-paced second movement's theme borrows liberally from Duke Ellington's "In a Sentimental Mood, which isn't a criticism, merely an observation. When one has heard as many tunes as Wilson has, such correspondence is presumably subconscious. "Sax Chase is, as the name implies, a snappy showcase for the saxophones, individually and collectively, while the atmospheric "Lomelin, featuring lead trumpeter Jon Faddis and tenor Ron Blake, invokes Wilson's love of Spain in general and the bull ring in particular (as did his masterpiece of many years ago, "Viva Tirado ).

The able rhythm section, guided by the splendid Canadian pianist Renee Rosnes, has the first two minutes of the fiery "A.E.N. to itself, and guitarist Russell Malone is the main man on the mellow "Bluesette. Wilson next turns his attention to standards, both jazz and popular, with dapper arrangements of Miles Davis' "So What and Cole Porter's "Love for Sale before bringing down the curtain with another of his lively compositions, "Jeri," named for his first-born daughter. Besides Faddis, Blake, Rosnes and Malone, Wilson's teeming stable of top-notch soloists includes trumpeters Jimmy Owens, Jeremy Pelt and Sean Jones; saxophonists Kamasi Washington, Dustin Cicero, Steve Wilson (especially charming on soprano) and Gary Smulyan; bassist Peter Washington; and trombonists Dennis Wilson and Luis Bonilla.

On In My Time, Gerald Wilson proves again that he is a musical marvel, able not only to maintain an artistic edge at age 87, but also to keep pace with composers and arrangers half a century or more younger. Simply put, he's one of the great writers of our time or any time, which you can easily verify for yourself. ~ Jack Bowers  http://www.allaboutjazz.com/in-my-time-gerald-wilson-mack-avenue-records-review-by-jack-bowers.php

Personnel: Gerald Wilson: composer, conductor, arranger; Jon Faddis, Frank Greene, Jimmy Owens, Jeremy Pelt (1,6,7,10), Eddie Henderson (1-5,8,9), Mike Rodriguez (6,7,10), Sean Jones (2 -5,8,9): trumpet; Jerry Dodgion: alto, soprano saxophone, flute; Steve Wilson: alto saxophone, flute; Dustin Cicero: alto saxophone; Ron Blake: tenor saxophone, flute; Kamasi Washington: tenor saxophone; Gary Smulyan: baritone saxophone; Benny Powell, Dennis Wilson, Luis Bonilla: trombone; Douglas Purviance: bass trombone; Renee Rosnes: piano; Russell Malone: guitar; Peter Washington: bass; Lewis Nash: drums.

In My Time

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Virginie Teychené - Encore

Styles: Vocal Jazz
Year: 2015
File: MP3@320K/s
Time: 52:38
Size: 121,9 MB
Art: Front

(2:13)  1. Jolie Môme
(4:14)  2. Elle ou moi
(4:36)  3. Madame rêve
(3:30)  4. Eu sei que vou te amar
(3:47)  5. Allée des brouillards
(3:53)  6. Before the Dawn
(2:40)  7. Doralice
(6:04)  8. Both Sides Now
(4:59)  9. C'était bien
(3:39) 10. A bout de souffle
(4:13) 11. But Not For Me
(4:22) 12. Encore
(4:22) 13. Septembre

On Encore, French jazz singer Virginie Teychene stands on the edges of collective memory and draws us into an unexpected encounter with our own emotions. 

Partnered with a quintet, she takes us by the hand and urges us to dance, over and over again, on this loving tribute to chanson singers Claude Nougaro, Barbara and Alain Bashung. ~ Editorial Reviews  http://www.amazon.com/Encore-Virginie-Teychen%C3%A9/dp/B011JKXRZY

Encore

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