Wednesday, January 17, 2018

Organissimo - B3tles (A Soulful Tribute To The Fab Four)

Bitrate: MP3@320K/s
Time: 67:45
Size: 155.1 MB
Styles: Acid jazz
Year: 2017
Art: Front

[5:08] 1. Taxman
[6:12] 2. Dig A Pony
[6:06] 3. And I Love Her
[5:40] 4. All You Need Is Love
[5:24] 5. Can't Buy Me Love
[5:20] 6. I Will
[6:56] 7. Dear Prudence
[4:37] 8. Come Together
[6:00] 9. The Long And Winding Road
[4:18] 10. If I Fell
[5:59] 11. While My Guitar Gently Weeps
[5:59] 12. Within You Without You

Jim Alfredson; Hammond organ, Wurlitzer Electric piano; synthesizers; Lawrence Barris: guitar; Randy Marsh: drums; Bill Vits: percussion (1, 3, 5, 9, 12); Mike List: tabla (12).

Guitarist Grant Green was one of the early birds on this: turning Beatles tunes into soulful jazz workouts, with his I Want to Hold Your Hand (Blue Note, 1965), featuring Hammond organ master Larry Young on the B3, recorded a little over a year after the Fab Four's musical invasion of America. But it was mostly a jazz standards/Great American Songbook outing, with only the opener/title tune nodding to the—ultimately—most influential of pop music groups.

Now, fifty years later, Organissimo goes all in, with B3tles, a CD full of Beatles tunes in a cool, soul jazz mode. Jim Alfredson hold down the B3 chair, and adds the Wurlitzer and some synthesizer sounds to arsenal. He is joined by guitarist Lawrence Barris and drummer Randy Marsh, on a set that reinterprets these familiar tunes, sometimes injecting them with soul, sometimes taking them in unexpected directions.

The CD's cover art harkens to the cover of the Beatles first great album, their artistic breakthrough, Revolver (Capitol Records, 1966). With that it mind, the music starts fittingly with the Organissimo's version of George Harrison's "Taxman," the song that opened Revolver. Funky it is. The same for "Dig A Pony," a tune that seems made for the organ trio treatment. "Come Together"—that probably should have Chuck Berry added to Lennon McCartney tag for a songwriting credit, so you know it's got some hard-edged, Chess Records soul to it—sounds like a song the previously-mentioned Grant Green/Larry Young teaming should have tackled on a second recorded nod to the Beatles. But they couldn't have done it better or with more of a bluesy funk than Organissimo does.

"The Long And Winding Road" is lighter, more pop-ish in feel, buoyant and effervescent. "While My Guitar Gently Weeps," the George Harrison gem, takes things away from the soul atmosphere, slowing down the original's tempo, giving the song a beautiful, aching-in-the-bones sadness, leading into the set's closer, "Within You Without You," George Harrison's first full-on foray into Indian music. Organissimo's take is propulsive over dense drones, dense rhythms, and it sounds marvelously modern, on this outstanding and dynamic re-investigation of some classic Beatles tunes. ~Dan McClenaghan

B3tles (A Soulful Tribute To The Fab Four) mc
B3tles (A Soulful Tribute To The Fab Four) zippy

Esquivel - Exploring New Sounds In Stereo

Bitrate: MP3@320K/s
Time: 27:07
Size: 62.1 MB
Styles: Easy Listening, Lounge
Year: 1959/2008
Art: Front

[2:52] 1. My Blue Heaven
[2:26] 2. Bella Mora
[3:01] 3. Boulevard Of Broken Dreams
[2:43] 4. Lazy Bones
[3:28] 5. Spellbound
[2:15] 6. All Of Me
[2:33] 7. Whatchamacallit
[2:26] 8. La Ronde
[2:56] 9. My Number One Love
[2:23] 10. Third Man Theme

Exploring New Sounds in Stereo is the first of the typical Esquivel albums from which the CD compilations draw heavily. There is a lot to recommend it. "Whatchamacallit" is probably his second best-loved tune (released also as a single backed with the non-LP track, "I Feel Merely Marvelous"). The track features the ondioline, an electronic-organ-like instrument often associated with the theremin. And on Exploring New Sounds in Stereo, there is indeed theremin in Esquivel's spacy treatment of "Spellbound" (from the movie of the same name). Other highlights include the exotic "Bella Mora," the cheesy "My Number One Love," and "The 3rd Man Theme." The album also has slightly different arrangements than the monaural Exploring New Sounds in Hi-Fi. ~Tony Wilds

Exploring New Sounds In Stereo mc
Exploring New Sounds In Stereo zippy

Michael Kaeshammer - Tell You How I Feel

Bitrate: MP3@320K/s
Time: 47:00
Size: 107.6 MB
Styles: Piano jazz, Boogie woogie
Year: 1998
Art: Front

[3:35] 1. Doodlin'
[2:39] 2. Move It On Over (Feat. Guido Basso)
[4:40] 3. Sweet Georgia Brown (Feat. Guido Basso)
[4:57] 4. I'll Always Love You
[4:43] 5. Sunny Side Of The Street (Feat. Danny B.)
[4:57] 6. John Brown's Body
[4:08] 7. Caravan
[4:13] 8. Jivin' With Dal (Feat. Guido Basso)
[5:36] 9. Basin Street Blues (Feat. Carol Welsman)
[3:01] 10. Airmail Special (Feat. Kevin Breit & Guido Basso)
[4:26] 11. Same Old Blues (Feat. Doug Riley & Joe Sealy)

What sort of strange, cross-cultural jazz hybrid do we have here? This twenty-one-year-old whiz kid was born in Germany, moved to Vancouver and tickles the ivories like old time stride/boogie-woogie legends Fats Waller, Pete Johnson and Meade "Lux" Lewis! The eleven tracks on Tell You How I Feel, Michael's second release, run the stylistic gamut from Horace Silver (Doodlin'), Duke Ellington (Caravan), Benny Goodman (Airmail Special), to country legend Hank Williams (Move It On Over). Michael has enlisted the aid of some top-notch sidemen for this project. Guido Basso (trumpet), Doug Riley (organ), Phil Dwyer (saxophone) and Carol Welsman (vocals) all contribute Class-A accompaniment throughout the set. A pair of Kaeshammer originals, I'll Always Love You and the barrelhouse swing of Jivin' With Dal, show that this lad is not only a fleet-fingered pianist, but a talented composer as well. Tell You How I Feel captures the sheer joy of a maturing artist gleefully st! rutting his stuff. This one is a lot of fun. ~John Sharpe

Tell You How I Feel mc
Tell You How I Feel zippy

LaVern Baker - Blues Ballads

Bitrate: MP3@320K/s
Time: 27:41
Size: 63.4 MB
Styles: Blues vocals
Year: 1960/2005
Art: Front

[2:33] 1. I Cried A Tear
[2:37] 2. If You Love Me
[2:14] 3. You're Teasing Me
[1:54] 4. Love Me Right
[1:50] 5. Dix-A-Billy
[2:04] 6. So High, So Low
[2:33] 7. I Waited Too Long
[2:25] 8. Why Baby Why
[2:33] 9. Humpty Dumpty Heat
[2:20] 10. It's So Fine
[2:08] 11. Whipper Snapper
[2:24] 12. St. Louis Blues

Before she became a successful rock & roll vocalist, Lavern Baker did straight jazz and gutbucket blues, and that's what she's singing here. These tunes didn't have any crossover appeal, but they're gritty, unpolished, and sung with the intensity and energy that made Baker's later material so memorable. ~Ron Wynn

Blues Ballads mc
Blues Ballads zippy

The Quintet, Ryan Kisor, Grant Stewart - A Night In Tunisia

Bitrate: MP3@320K/s
Time: 50:39
Size: 116.0 MB
Styles: Bop
Year: 2004
Art: Front

[5:34] 1. Quicksliver
[7:40] 2. A Night In Tunisia
[4:33] 3. Confirmation
[4:01] 4. If I Had You
[6:22] 5. Split Kick
[5:12] 6. Mayreh
[5:45] 7. Now's The Time
[6:23] 8. Once In A While
[5:06] 9. Wee-Dot

Night in Tunisia is the second import CD by the Quintet, a group of thirty-something jazz musicians on the rise with trumpeter Ryan Kisor getting top billing, plus veteran drummer Victor Lewis. Also on hand are tenor saxophonist Grant Stewart, pianist Sam Yahel (who, since this 2004 session, has been better known for his work on organ), and bassist James Genus. A quick glance at the play list indicates this group is focused on bop and hard bop; there are no originals or groundbreaking arrangements, just sincere performances of material that will be familiar to bop fans. Kisor and Stewart take solo honors for the session, though the choice of one or two obscure compositions from the bop era might have added a little more spice to the date. ~Ken Dryden

A Night In Tunisia mc
A Night In Tunisia zippy

Enrico Rava, Ran Blake - Duo En Noir

Bitrate: MP3@320K/s
Time: 38:19
Size: 87.7 MB
Styles: Trumpet jazz
Year: 2000/2009
Art: Front

[4:05] 1. Nature Boy
[5:09] 2. Vertigo Laura
[2:54] 3. The Spiral Staircase
[1:50] 4. Shake The Cage
[2:30] 5. Certi Angoli
[4:52] 6. There's No You
[3:45] 7. Let's Stay Together
[3:06] 8. I Should Care
[4:37] 9. Tea For Two
[5:26] 10. There's A Small Hotel

Trumpeter Enrico Rava has proven himself adept at virtually every style of jazz, from bop through the avant-garde. For this short recording, he teams up with third-stream pianist Ran Blake in a series of 12 emotionally drenched tunes emphasizing the kind of dark, foreboding atmosphere for which Blake is well-known. Highlights include wonderful interpretations of "Tea for Two," "I Should Care," "Let's Stay Together," a pairing of "Vertigo" and "Laura," and "Nature Boy." Rava does his best to adapt his usually brighter playing to the overall noir atmosphere, and he generally succeeds, making this a must-have for followers of both Blake's and Rava's work. A strong lyrical element permeates, as the two explore all of the nooks and crannies of each tune, often in slow motion. The results speak for themselves, and the enthusiastic live audience was clearly touched. ~Steve Loey

Duo En Noir mc
Duo En Noir zippy

Hoagy Carmichael - Hoagy Sings Carmichael

Bitrate: MP3@320K/s
Time: 38:46
Size: 88.8 MB
Styles: Vocal jazz
Year: 1956/2000
Art: Front

[3:57] 1. Georgia On My Mind
[4:13] 2. Winter Moon
[3:55] 3. New Orleans
[3:49] 4. Memphis In June
[4:03] 5. Skylark
[4:35] 6. Two Sleepy People
[3:54] 7. Baltimore Oriole
[2:34] 8. Rockin' Chair
[3:07] 9. Ballad In Blue
[2:48] 10. Lazy River
[1:46] 11. Georgia On My Mind (Instrumental)

This classic album was recorded by Hoagy for Pacific Jazz in 1956, and featured the old music master doing his own songs backed by Johnny Mandel's charts and a killer band of Art Pepper, Harry "Sweets" Edison, Don Fagerquist and Jimmy Rowles. It's sublime. Includes Georgia on My Mind; Winter Moon; New Orleans; Memphis in June; Skylark; Two Sleepy People; Baltimore Oriole; Rockin' Chair; Ballad in Blue; Lazy River , and, as a bonus, an instrumental version of Georgia on My Mind .

"In 1956, 57-year-old Hoagy Carmichael, a giant of American songsmiths, recorded this album for Hollywood's progressive Pacific Jazz label. Johnny Mandel's swinging, uncluttered arrangements placed Carmichael, a product of the 1920s Jazz Age, in an unadulterated modern-jazz setting true to both his past and the current scene. Representing the latter were several top exponents of the West Coast school that the label helped nurture, most notably the principal soloist: alto sax giant Art Pepper. Mandel's arrangements and Pepper's cool, rich eloquence clearly forced normally amiable, laid-back Carmichael to alter his usual approach somewhat. A subtle yet discernable edge permeated his interpretations of "Georgia on My Mind" and "Rockin' Chair" and rendered his vocal on the bluesy "Baltimore Oriole" unusually raw. Two lesser-known ballads, "Winter Moon" and "Ballad in Blue," are beautifully presented, and Mandel's joyously explosive, Basie-esque "Lazy River" unleashed Carmichael's playful side. While his songs are timeless, hearing a man then pushing 60 having a ball with musicians old enough to be his kids is always both exhilarating and inspirational." ~Rich Kienzle

Hoagy Sings Carmichael mc
Hoagy Sings Carmichael zippy

Andy Sheppard - Trio Libero

Bitrate: MP3@320K/s
Time: 51:05
Size: 117.0 MB
Styles: Saxophone jazz
Year: 2012
Art: Front

[3:34] 1. Libertino
[3:36] 2. Slip Duty
[4:12] 3. I'm Always Chasing Rainbows
[3:09] 4. Spacewalk (Pt. 1)
[4:17] 5. Dia Da Liberdade
[3:46] 6. Land Of Nod
[3:57] 7. The Unconditional Secret
[3:44] 8. Ishidatami
[6:09] 9. Skin Kaa
[3:43] 10. Spacewalk (Pt. 2)
[3:41] 11. Whereveryougoigotoo
[3:11] 12. Lots Of Stairs
[4:01] 13. When We Live On The Stars..

Andy Sheppard: tenor and soprano saxophones; Michel Benita: double bass; Sebastian Rochford: drums.

Sometimes unexpected connections yield the most wonderful results. Saxophonist Andy Sheppard, bassist Michel Benita and drummer Sebastian Rochford all have more than enough cred to suggest capability in any context, but none of their individual pursuits could presage a collaboration like Trio Libero, quite possibly the finest saxophone trio recordings of the new millennium, and one to rival previous ECM successes like bassist Dave Holland's Triplicate (1988) or saxophonist Jan Garbarek's Triptykon (1973). Trio Libero doesn't swing like Triplicate, nor does it possess the fiery free energy that so launched Garbarek's early career; instead, Trio Libero is an album of gentle freedom, spare but unfailing lyricism, and the kind of constant revelation that makes it a new experience with every listen.

With six of Trio Libero's thirteen tracks collectively credited, what's most special about the set is how it achieves that rarest of feats in free improvisation: true spontaneous composition—in-the-moment, yet possessed of a structure that belies inherent freedom and speaks to a deeper level of interaction. Sheppard's first release as a leader for ECM, 2009's Movements in Colour, was a more ambitious and preconceived affair; here, tracks such as the closing "When We Live On The Stars" possess immediate structure despite being credited to the trio, its folkloric melancholy coming from Sheppard's spare melodies, bolstered by Benita's utterly perfect choices and Rochford's deeply intuitive colors. There's no grandstanding here, only painstaking attention to the demands of the moment, though it's a certainty that in order to play music this selfless, all three players must possess tremendous command of their instruments.

Rochford, in particular, is a surprise and a delight. More extroverted in groups such as Acoustic Ladyland and Polar Bear, he's nevertheless proven himself contextually flexible. By no means imitative, but as a player more concerned with texture and implication, it's hard not to think of recent departee and ECM stalwart, drummer Paul Motian. If anything, Rochford is subtler still, his brushwork on a rubato look at Trio Libero's only cover, "I'm Always Chasing Rainbows," seeming tenuous at first—though never tentative—creating feather-light forward motion when connected with Sheppard's searching motifs and Benita's empathic foil. Sheppard's "Land of Nod" is more propulsive, opening with a drum solo as extroverted as Trio Libero gets, yet ever-gentle, even as Sheppard's melody line pulls on the waltz time to create delicate tension.

The two-part "Spacewalk" bookends five other tracks mid-way through the set, evoking a hovering stasis that develops almost imperceptibly, constructed over Benita's mix of arco and pizzicato, Rochford's cymbal swells and Sheppard's minimal tenor, which moves from low register to vibrato-laden high with unerring sense of purpose.

Rather than a demonstration of prowess, Trio Libero is proof that there's power in subtlety and drama in understatement—that tension can sometimes be found in the slightest of gestures. While time can only tell whether or not Trio Libero will actually achieve the status it deserves, Sheppard, Benita and Rochford have nevertheless created an album that stands apart from other saxophone trio recordings, a remarkable example of what happens when three masterful players check their egos at the door and surrender completely to the moment. ~John Kelman

Trio Libero mc
Trio Libero zippy

Claude Thornhill & His Orchestra - Play The Jazz Arrangements Of Gil Evans, Gerry Mulligan & Ralph Aldrich

Bitrate: MP3@320K/s
Time: 73:42
Size: 168.7 MB
Styles: Big band
Year: 2010
Art: Front

[2:52] 1. Buster's Last Stand
[3:04] 2. Under The Willow Tree
[4:22] 3. Arab Dance
[4:26] 4. La Paloma
[2:59] 5. Anthropology
[2:47] 6. Sorta Kinda
[3:15] 7. Robbins' Nest
[3:22] 8. Lover Man
[3:13] 9. Polka Dots And Moonbeams
[2:59] 10. Donna Lee
[3:17] 11. Yardbird Suite
[3:06] 12. Poor Little Rich Girl
[2:32] 13. Sometimes I'm Happy
[2:51] 14. Someone To Watch Over Me
[3:06] 15. Godchild
[2:58] 16. The Song Is You
[2:34] 17. To Each His Own
[2:51] 18. Elevation
[3:01] 19. Jeru
[2:54] 20. Rose Of The Rio Grande
[2:33] 21. Poor Little Rich Girl
[2:55] 22. Family Affair
[2:56] 23. Five Brothers
[2:41] 24. Mambo Nothing

This edition presents the historic 1942-1953 recordings of the lively sound of Claude Thornhill & His Orchestra at it's best.

For many years, Claude Thornhill's orchestra of the Forties and early Fifties was frequently referred to as a musicians orchestra, as it focused as much on the musicians as the music itself. Thornhill's music was clearly way ahead of its time, yet today his sumptuous, mellow jazz sound remains one of the biggest influences for many contemporary big band jazz arrangers. He worked to extend the range of a popular dance orchestra by continually adding new harmonies and voices. In the truest sense of the word, the Thornhill orchestra was an experimental group and this experimentation made mostly exciting and provocative listening. As the respected music critic George T. Simon stated: "One of the many charms of Claude Thornhill's music has always been his amazing ability to mingle seemingly opposite forms of dance music with one another, setting one against the other so delicately and so delightfully that each benefits by comparison, and yet never losing its own identity of that of a Thornhill orchestra." The richness of the Thornhill sound ranged from the delicate treatment of ballads to imaginative instrumentals that exploited the full sonorities of the group. The reed section was the most outstanding part of the band. This was more than just a five-man sax team, for a great deal of the material was written with two French horns, then scored right along with the reeds.

Claude, like very few other leaders, always displayed a rare talent for organizing and encouraging adventurous musicians, for uncovering budding talent and giving it the opportunity to grow. In this compilation we can hear the most outstanding jazz arrangements that Gil Evans and Gerry Mulligan penned for the orchestra right before these gifted musicians achieved fame as two of the most talented, creative and progressive arrangers in the modern jazz language. Both were major voices in forcing and shaping the sound of the historic 1949 recordings of the Miles Davis Nonet for the Capitol label. They added both form and depth to Thornhill's style and what is loosely termed as jazz feeling. What started out as the greatest sweet band in the land became one of the finest modern jazz aggregations of them all. In addition, it continued to play the prettiest, most mood-provoking ballads in the history of the dance band idiom.

Play The Jazz Arrangements Of Gil Evans, Gerry Mulligan & Ralph Aldrich

Tuesday, January 16, 2018

Stuff Smith - Cat On A Hot Fiddle

Bitrate: MP3@320K/s
Time: 38:21
Size: 87.8 MB
Styles: Violin jazz
Year: 1959/2004
Art: Front

[2:36] 1. Undecided
[3:42] 2. The Man I Love
[2:17] 3. Oh Lady Be Good
[4:01] 4. Nice Work If You Can Get It
[4:09] 5. Take The A Train
[3:02] 6. Blue Violin
[5:05] 7. They Can't Take That Away From Me
[3:38] 8. Somebody Loves Me
[3:41] 9. 's Wonderful
[3:13] 10. Nice And Warm
[2:52] 11. Strike Up The Band

Bass – Lewis Powers (tracks: 2 to 4, 7 to 9, 11), Red Mitchell (tracks: 1, 5, 6, 10); Drums – Harry Saunders (tracks: 2 to 4, 7 to 9, 11), Sid Bulkin (tracks: 1, 5, 6, 10); Piano – Paul Smith (5) (tracks: 1, 5, 6, 10), Shirley Horn (tracks: 2 to 4, 7 to 9, 11); Violin – Stuff Smith; Vocals – Stuff Smith (tracks: 3, 8). Tracks 1, 5, 6, 10 recorded October 22, 1959 at United Recorders, Hollywood. Tracks 2 to 4, 7 to 9, 11 recorded August 7, 1959 at Edgewood Recording Studios, Washington, DC.

Recorded on two dates in 1959, this full-length by Stuff Smith features a pair of rhythm sections. One contains the great Red Mitchell on bass, the other the magnificent Shirley Horn on piano. In 1959, Smith had been on the scene for over two decades. And while he was well-known by the public at large for his novelty persona and his singing -- as evidenced by his 1936 smash hit "I'se A-Muggin'," this long-player aptly displays his stunning virtuosity as a jazz violinist, from standard jazz repertoire such as Duke Ellington's "Take the 'A' Train" and "They Can't Take That Away from Me" to "Strike Up the Band." His bowing is dizzying and the band pushed hard to keep up with him. On "Nice Work if You Can Get It," the tempo middles along but Smith swings hard in his tasty way. And Smith's vocal skills are showcased on the classics "Oh, Lady Be Good" and "Somebody Loves Me," offering a well-rounded portrait of a man who many thought was past his prime. Not so. This date smokes and is a welcome addition to the jazz violin canon. ~Thom Jurek

Cat On A Hot Fiddle mc
Cat On A Hot Fiddle zippy

Eddy Louiss, Richard Galliano - Face To Face

Bitrate: MP3@320K/s
Time: 59:45
Size: 136.8 MB
Styles: Accordion & Hammond Organ jazz
Year: 2001
Art: Front

[5:06] 1. Sang Mêlé
[4:26] 2. Face To Face
[4:21] 3. Tribute To Joe Diorio
[4:40] 4. Beija-Flor
[6:21] 5. I Remember Clifford
[5:17] 6. Enlacés
[2:59] 7. Laurita
[5:13] 8. Berimbau Sermao
[4:30] 9. Amandine
[4:22] 10. Framboise
[5:06] 11. Sous Le Ciel De Paris
[4:34] 12. Azul Tango
[2:43] 13. Avec Le Temps

Richard Galliano – Victoria Accordion & Alfred Arnold Bandoneon; Eddy Louiss – Hammond Organ. The two legendary French jazz musicians unite for the first ever recorded collaboration. Louiss' B-3 and Galliano's accordion blend together in a sound that is unique and captivating.

Accordion player Richard Galliano and organist Eddy Louiss have created a stirring set of duets. Both have impressive pedigrees as players and composers, and this set, recorded over three days at a Paris studio in the spring of 2001, is a brilliant pairing. The sympathetically matched tones of their two instruments create beautifully interwoven lines that at times sound like a single complex and pulsing instrument. The classic Hammond sound of Louiss anchors the bottom end, with Galliano's melodies swooping in and around the organ's mid and upper registers. Besides a commonality in American jazz, they also embrace elements of musette, tango, waltz, and blues. The duo segues perfectly between the disc's 13 pieces. Benny Golson's classic "I Remember Clifford" intermingles naturally with a couple French songs, a Brazilian medley by Baden Powell, and a few other choice covers. Originals by both men straddle tradition and invention with subtle grace. Since the death of Astor Piazzolla, Galliano has become one of the primary composers for the accordion. His "Framboise" evokes his multinational background (he's a Frenchman of Italian descent), while "Azul Tango" would have made the late master proud. ~David Greenberger

Face To Face mc
Face To Face zippy

Dip Ferrell & The Truetones - Dip In The Road

Bitrate: MP3@320K/s
Time: 40:36
Size: 93.0 MB
Styles: Urban, R&B
Year: 2013
Art: Front

[3:46] 1. Where You Tryin' To Go
[4:17] 2. Lonely Girl
[3:08] 3. Dip In The Road
[4:42] 4. Where Do I Go From Here
[3:06] 5. Since Emptiness Filled My Heart
[3:42] 6. Must've Been A Fool
[4:34] 7. Some Say Hey
[3:20] 8. One True Truth
[2:43] 9. Love Is Gone
[3:41] 10. Way Of The Dinosaur
[3:32] 11. Devil In Your Soul

FLORENCE, S.C. -- Brothers Billy and Jackie Jeffords, longtime Florence businessmen, have been involved with music all their lives. Their passion for music and songwriting has brought accolades their way since their early teenage years. Together they have written more than 400 songs, more than 100 of which have been published. In 2005 Dip Ferrell (Billy) and the Truetones was formed primarily to record Billy and Jackie’s original songs. However, the brothers seemed to “stumble into beach music” as someone mentioned to Billy that one of their songs was getting a lot of air time and they didn’t know it until that song was nominated for song of the year.

“We never really considered ourselves to be beach music players -- we initially wrote James Taylor-like songs and rhythm and blues.” Billy Jeffords said. “We were trying to write and produce songs and hope that a big name would pick up a song or two. Most of our success, if you want to call it that, has been though the rhythm and blues section of beach music.”

Dip In The Road mc
Dip In The Road zippy

Art Hodes Quintet, Don Ewell Quartette - S/T

Bitrate: MP3@320K/s
Time: 71:14
Size: 163.1 MB
Styles: Piano jazz
Year: 2012
Art: Front

[3:33] 1. After You've Gone
[3:22] 2. Apex Blues
[4:42] 3. Ain't She Sweet
[3:12] 4. Libert Inn Drag
[2:50] 5. I've Found A New Baby
[4:07] 6. Dardanella
[3:52] 7. B-Flat Blues
[4:40] 8. Chimes Blues
[2:36] 9. Angry
[4:32] 10. Michigan Water Blues
[5:42] 11. Atanta Blues
[5:10] 12. Tishomingo Blues
[4:47] 13. Georgia Bo Bo
[4:08] 14. New Orleans Hop Scop Blues
[4:11] 15. Blues (My Naughty Sweetie Gives To Me)
[4:42] 16. Ole Miss
[4:57] 17. Yellow Dog Blues

This CD features two small group sessions recorded in the late 1950s featuring two of the finest traditional jazz pianists - Art Hodes and Don Ewell. (Tracks 1-9 - Art Hodes Quintet. Tracks 10-17 - Don Ewell Quartette.)

"The Hodes session is 'Some Legendary Art' and was recorded in Chicago on December 8, 1957. Musicians are Hodes on piano, Eddie Burleton on clarinet, Marty Grosz on guitar, Truck Parham on bass and Freddie Kohlman on drums. A beautiful session. The Ewell session may even be better. Also recorded in Chicago this session is from May 21, 1959 and has Ewell on piano, Nappy Trottier on trumpet, Marty Grosz again on guitar and Earl Murphy on bass.

The music on both of these sessions is very well recorded (by Ewing D. Nunn) and swings wonderfully. It's classic traditional jazz at its best. Anybody familiar with Art Hodes and Don Ewell will know exactly what to expect from this disc. This is legendary stuff and thanks must go to the wonderful folks at Jazzology/GHB Records for making this music available to all." ~Jazzman

Art Hodes Quintet, Don Ewell Quartette mc
Art Hodes Quintet, Don Ewell Quartette zippy

John Hicks - Beyond Expectations

Bitrate: MP3@320K/s
Time: 72:03
Size: 164.9 MB
Styles: Piano jazz
Year: 1994
Art: Front

[ 6:32] 1. Expectations
[ 8:05] 2. Once I Loved
[ 8:18] 3. Every Time We Say Boodbye
[ 8:44] 4. There Is No Greater Love
[10:08] 5. Up Jumped Spring
[ 6:03] 6. Peace
[ 8:21] 7. Stella By Starlight
[ 5:23] 8. Au Privave
[ 5:32] 9. Turn Out The Stars
[ 4:53] 10. Bouncing With Bud

Bass – Ray Drummond; Drums – Marvin "Smitty" Smith; Piano – John Hicks.

John Hicks was 51 when, in 1993, he recorded Beyond Expectations for the independent Reservoir label, and at that age no one was demanding that the veteran pianist reinvent the jazz wheel. However, it wasn't unreasonable to ask that he show some imagination when it came to choosing material. Some of Hicks' '90s albums placed too much emphasis on overdone warhorses, and that is true of Beyond Expectations. Leading an acoustic piano trio that employs Ray Drummond on bass and Marvin "Smitty" Smith on drums, Hicks doesn't offer a lot of surprises. Most of the songs that he embraces (which range from Horace Silver's "Peace" to "There Is No Greater Love" and "Every Time We Say Goodbye") have been recorded time and time again over the years. But while this CD isn't very adventurous, it is still solid and enjoyable. Yes, Hicks is too reliant on warhorses, and instead of yet another version of "Stella by Starlight," how about surprising listeners with some less-obvious choices? How about finding the hard bop/post-bop possibilities in Stevie Wonder and Marvin Gaye or unearthing some of Duke Ellington and Antonio Carlos Jobim's lesser-known jewels? No one is demanding that Hicks be a trendsetting innovator -- he should stick to hard bop and post-bop because that's what he does best -- but it would be nice to hear him make less-obvious choices when it comes to picking material. Nonetheless, Hicks is still a warm, soulful, expressive improviser and he certainly has a great sound -- one that is greatly influenced by McCoy Tyner yet is recognizably John Hicks. Contrary to what its title suggests, Beyond Expectations isn't the Hicks album to end all Hicks albums. But it's a pleasing, if conventional, document of the pianist at 51. ~Alex Henderson

Beyond Expectations mc
Beyond Expectations zippy

David Murray, Gwo Ka Masters - The Devil Tried To Kill Me (Feat. Taj Mahal)

Bitrate: MP3@320K/s
Time: 64:21
Size: 147.3 MB
Styles: Saxophone jazz, African rhythms
Year: 2009
Art: Front

[10:35] 1. Kiama For Obama
[ 8:06] 2. Africa
[ 8:17] 3. Southern Skies (Radio Edit) 2
[ 9:43] 4. The Devil Tried To Kill Me
[ 7:34] 5. Congo
[10:32] 6. Canto Oneguine
[ 4:44] 7. Southern Skies (Radio Edit)
[ 4:47] 8. Africa (Radio Edit)

David Murray: tenor saxophone, bass clarinet; Taj Mahal: vocals (2, 3); Sista Kee: vocals (3, 4); Jaribu Shahid: electric bass; Renzel Merrit: drums; Klod Kiavue: ka drums, vocals; Francois Ladrezeau: ka drums, vocals; Rasul Siddik: trumpet; Christian Laviso: guitar; Herve Samb: guitar.

This global block party, by saxophonist David Murray, blends ebullient African- rhythms with funk and jazz, brought by a fiery band that integrates two Gwo ka masters (Guadalupean drummers/vocalists), some sassy urban soul from pianist/vocalist Sista Kee, and the world renowned blues voice of Taj Mahal. The Devil Tried To Kill Me is Murray's third release with the Gwo ka Masters, following 2004's well received Gwotet (Justin Time), a recording that also featured avant-garde icon, saxophonist Pharoah Sanders.

Recorded in Pointe-a-Pitre, Guadalupe's largest city, the recording is an emphatic celebration of the island's proud past and compelling present—reminding of its history of slavery, struggle, and independence before integration into France (circa 1794). The music is fueled by the indigenous beats of Gwo ka drums, stirring vocals and lyrics that speak life—as Murray states in the CD's liner notes, ..."music that is aimed towards the future."

The heartbeat of the Gwo ka is undeniable, starting with "Kiama For Obama," its pulse growing feverishly by the drumming and voices of Klod Kiavue and Francois Ladrezeau as the other band members improvise over the contagious theme. The cadence slows on "Africa" as Taj Mahal sings poignant lyrics of love and healing to the beautiful continent and its people, with Murray echoing the sentiment via a warm baritone solo. The funk comes hard in the super-bad "Southern Skies," treated with a double-dose of bluesy lyrics by Taj Mahal and sassy spoken word from the multi-talented San Franciscan, Sista Kee. The band burns white hot; Murray's tenor flying free, followed by Christian Laviso and Herve Samb's super-heated guitars. The title track is another free funk jazz killer, with Sista Kee spinning a humorous tale (lyrics by Ishmael Reed) of an escape from American cyberspace. "Congo" and "Canto Oneguine" are Afropop-influenced tracks that continue the recording's upbeat spirit, as the Gwo ka masters provide fervent call and response verses to the band's incessant playing. Radio-edits of "Southern Skies" and "Africa" are thrown in for those who want shortened versions but are otherwise redundant. It would have been better to have more tunes, especially with Sista Kee and Taj Mahal. Regardless, David Murray and the Gwo ka masters have created another stupendous release that makes the trip to Guadalupe an extraordinary journey. ~Mark F. Turner

The Devil Tried To Kill Me (Feat. Taj Mahal) mc
The Devil Tried To Kill Me (Feat. Taj Mahal) zippy

Jane Bunnett & The Spirits Of Havana - Ritmo + Soul

Bitrate: MP3@320K/s
Time: 70:52
Size: 162.2 MB
Styles: Afro-Cuban rhythms
Year: 2000
Art: Front

[ 6:32] 1. Santos Saurez
[ 8:40] 2. Joyful Noise
[10:28] 3. El Rio
[ 3:55] 4. Osain
[10:02] 5. Drume Negrita
[ 5:59] 6. Journey Back
[ 5:21] 7. 3 Voices One Spirit
[ 7:00] 8. Hebioso
[12:52] 9. Fransisco's Dream

Merging a traditional Afro-Cuban spirit with the sound of acoustic mainstream jazz, Jane Bunnett and her Spirits of Havana have topped their previous projects. Since her 1992 Spirits Of Havana album on the Denon label, the saxophonist/flutist has brought more than 40 Cuban musicians on tour with her in Canada and in the United States. In addition, she and trumpeter Larry Cramer have established the Spirits of Music project to raise money for the repair of broken musical instruments in Cuba’s conservatories. They’ve produced a documentary film about Cuban music that will be presented this fall and winter at various film festivals around the world. In the film, Bunnett and Cramer perform with contemporary groups from all over Cuba, from son montuno groups, a 38-piece conga band, and even a 10-piece a cappella choir that sings in Creole.

With Ritmo + Soul, trumpet and soprano saxophone work together on "Santos Suárez," as two interwoven voices playing in harmony. Bunnett’s lively C flute and Cramer’s muted trumpet make "Joyful Noise" with a laid-back mood supported by the band. Composed by the husband-wife pair, these two songs and "Francisco’s Dream" offer a mellow adventure through consonant scenes, applying unisons and octaves liberally. Equal parts traditional Afro-Cuban and mainstream jazz, the band’s sound gets a big boost from pianist Hilario Duran and bassist Roberto Occhipinti. Their solo work stands out as both complex and comfortable. Recommended, the 71-minute program has an appeal across genre boundaries. ~Jim Santella

Ritmo + Soul mc
Ritmo + Soul zippy

Jeff Richman - Like That

Bitrate: MP3@320K/s
Time: 56:27
Size: 129.2 MB
Styles: Jazz-rock guitar
Year: 2010
Art: Front

[5:38] 1. Like That
[5:28] 2. In Spirited
[5:41] 3. Small Kid Time
[6:27] 4. Awful Pretty
[5:47] 5. The Endless Inbetween
[5:24] 6. Rock Tall
[4:45] 7. Tsuyako
[5:09] 8. Touch And Go
[6:45] 9. In Flux
[5:19] 10. Truffaz

Jeff Richman’s 15th solo release delivers ten hard-hitting, playful compositions with catchy melodies and a refreshingly modern sound. Richman continues to shine in his ability to write music with creative intricacy and sophistication, articulating his individual point of view. This time around, his guitar tone is deeper, more resonant, robust and alive. Richman’s style of playing complex changes fluidly over these infectious grooves will satisfy over many listenings.

Like a musical alchemist, Richman’s purposeful selection of accompanying musicians creates a unique magic and delivers pleasing surprises along the way. A Vinnie Colaiuta solo highlights the expansive, wild adventure on “In Spirited” and Will Kennedy puts his signature on title track “Like That” with a funky backbeat. Larry Golding’s solo on “Tsuyako” adds to its romantic flair, Mitchel Forman lays an all-out solo on “Rock Tall”, and Deron Johnson’s hypnotic acoustic piano on “Endless Inbetween” gives it depth and dimension. Alex Acuna’s vibrant percussion adds just the right amount of muscial spice.

Like That mc
Like That zippy

The Three Suns - A Swingin' Thing

Bitrate: MP3@320K/s
Time: 34:03
Size: 78.0 MB
Styles: Easy Listening, Lounge
Year: 1964/1989
Art: Front

[3:19] 1. Sweet Georgia Brown
[2:39] 2. Mean To Me
[2:16] 3. African Waltz
[2:47] 4. Georgia On My Mind
[3:14] 5. Honeysuckle Rose
[3:17] 6. A Taste Of Honey
[3:07] 7. Ain't Misbehavin'
[3:06] 8. Sleepy Time Gal
[2:52] 9. Nite Trix
[2:50] 10. Ja-Da (Jada, Jada, Jing, Jing Jing)
[2:14] 11. Painted Desert
[2:17] 12. Lazy River

Most of this record is cheesy and fun. The jacket blurb "tasteful music for every musical taste" and the album title in this case apply to jazz (if you can imagine The Three Suns doing jazz). Nowhere is their new style better demonstrated than on the two originals, "Nite Trix" and "Painted Desert." "Sleepy Time Gal" features amazing staccato organ. Old Three Suns chestnuts "Honeysuckle Rose" and "Ain't Misbehavin'" receive new treatments. ~Tony Wilds

A Swingin' Thing mc
A Swingin' Thing zippy

Eric Dolphy - The Illinois Concert

Bitrate: MP3@320K/s
Time: 69:06
Size: 158.2 MB
Styles: Saxophone jazz
Year: 1963/1999
Art: Front

[20:16] 1. Softly As In A Morning Sunrise
[ 1:29] 2. Something Sweet, Something Tender
[ 8:45] 3. God Bless The Child
[ 7:29] 4. South Street Exit
[10:58] 5. Iron Man
[12:26] 6. Red Planet
[ 7:40] 7. G.W.

Bass – Eddie Khan; Drums – J.C. Moses; Flute, Bass Clarinet, Alto Saxophone – Eric Dolphy; Piano – Herbie Hancock. Recorded live at the University of Illinois in Champaign, IL on March 10, 1963. The band is augmented by the University of Illinois Brass Ensemble (6 French horns, 2 baritone horns and 1 tuba) on track 6 and by the University of Illinois Big Band (6 trumpets, 4 trombones, 5 reed instruments) on track 7.

The 1999 discovery of a previously unknown 1963 concert by Eric Dolphy makes it one of the finds of the decade. Taped for broadcast at the University of Illinois at Champaign, it was mentioned in an Eric Dolphy Internet chat room and eventually relayed to producer Michael Cuscuna. The sound is very good, except for overly prominent drums throughout the concert and an under-miked flute on "South Street Exit." Dolphy's playing is consistently rewarding, including a lengthy workout of "Softly, As in a Morning Sunrise," a miniature of "Something Sweet, Something Tender," and his always superb solo feature of "God Bless the Child." He switches to alto sax for an adventurous new work, "Iron Man" (which he would record a few months later for Douglas International), also inserting a hilarious quote of "Comin' Through the Rye." A 23-year-old Herbie Hancock on piano, Eddie Locke on bass, and drummer J. C. Moses make up the solid rhythm section. The last two tracks, "Red Planet" and Dolphy's "G.W.," add the support of the University of Illinois Brass Ensemble, which included a young Cecil Bridgewater on trumpet. Highly recommended! ~Ken Dryden

The Illinois Concert mc
The Illinois Concert zippy

Monday, January 15, 2018

Eileen Howard - All Kinds Of Weather

Size: 100,6 MB
Time: 40:09
File: MP3 @ 320K/s
Released: 2003
Styles: Jazz Vocals
Art: Front

01. Come Rain Or Come Shine (4:39)
02. Summer Me, Winter Me (5:07)
03. It's Easy To Remember (5:08)
04. Orange Colored Sky (3:04)
05. How Deep Is The Ocean (3:35)
06. When The Sun Comes Out (5:17)
07. 'Round Midnight (5:13)
08. Blue Skies (4:15)
09. That's All (3:47)

Eileen Howard, a popular Columbus, Ohio actor and singer, debuts her first CD of jazz standards, recorded with the Erik Augis Trio, solidifying her 15-year reputation as an outstanding singer.

Howard recorded nine jazz standards on her CD "All Kinds of Weather" with Erik Augis on keys, Derek DiCenzo on bass and Matt Wagner on drums. Arrangements by Augis and Howard give the songs a fresh and unique feel.

Howard's sultry, smooth jazz vocals shine on laid-back ballads like 'Summer Me, Winter Me' and positively glow on the tune 'How Deep is the Ocean', arranged with deceptive simplicity for solo piano and voice. She swings with upbeat fun on 'Orange Colored Sky' and 'Come Rain or Come Shine'. Her passionate renditions of ''Round Midnight', 'It's Easy to Remember', and 'When the Sun Comes Out' evoke the memory of lost love. In short, an outstanding first release.

Fritz the Night Owl, Deejay on WJZA-WJZK Smooth Jazz Radio, featured the CD in March and April. He had this to say about "All Kinds of Weather":
"Backed by the always-swingin' Eric Augis Trio, Eileen breezes her way thru a varied selection of standards with ease. A terrific voice, fresh interpretations of well-known lyrics, and solid jazz sensibilites all contribute to this superb collection."

All Kinds Of Weather