Thursday, October 2, 2025

Isrea Butler - Congo Lament

Styles: Trombone Jazz
Year: 2024
Time: 40:05
File: MP3 @ 128K/s
Size: 37,2 MB
Art: Front

(5:40) 1. Congo Lament
(5:11) 2. I.Q. Shuffle
(6:39) 3. Easy Living
(5:36) 4. B.G.'s Groove
(5:01) 5. Pennies from Heaven
(4:56) 6. Que's Pills
(6:58) 7. See See Rider

Well, this is the kind of recording that will start a war over who hears whom and what, all that jazz police kind of thing. Worry not. Whether you think this is a bop recording, rooted in swing, with more than a little of Al Grey's plunger mute on the trombone, or something entirely different, the progeny of Ike Quebec, it really does not matter. Anyone who, say, puts him or herself to rest with the music from Robert Altman's "Kansas City" (1996) will simply fall in love at first hearing. Even if a listener's taste in trombone runs more to Curtis Fuller, Isrea Butler's fine recording, Congo Lament, is going to be a hit. Plus, Douglas Lawrence can hold his own on tenor sax with anyone, reaching well back into the rolls of distinguished predecessors. At one point, thinking Dexter Gordon never got further behind the beat, especially on "B.G.'s Groove Two," is simply an observation and not a criticism. With all the Count Basie alumni in this band, it probably is not a surprise that echoes of his great bands, any vintage, are to be found here. Butler and Lawrence trade tasty choruses Even an oldie but goody like "Pennies from Heaven" will send a fan back to a keyboard wondering why those changes do not grace more contemporary recordings.

It would be all too easy to neglect a spit-and-polish rhythm section that does nothing but swing hard, neither rushing nor dragging, just laying a solid groove. Listen to "Que's Pills" for a relevant example. Seriously locked in Dave Loeb, Steve Flora and Robert "Bob" Chmel are. Their names may not be terribly familiar, because they are Nevada guys, sometimes easy to miss simply because they define a species of professionalism that does not grab attention, even when just ending together on a tonic. In the mood for some really filthy blues? Try the closing track, Ma Rainey's "See See Rider." Yes, indeed, as Sy Oliver wrote, "Makes you wanna holler."

Dr. Butler is the Director of UNLV's School of Music. He was trained at the Eastman School of Music and Rutgers University. And then played with Duke Ellington, Cab Calloway, Lionel Hampton, Mingus Big Band, Chico O'Farrill, and the Jimmy Heath. Sometimes a resume is only a list, but this one speaks for itself. And if that is not enough, Butler has played orchestral trombone as well, both with the Rochester Symphony and Buffalo Philharmonic. Lots of technique to accompany all that bluesy shouting, just in case someone wonders where all the classical references come from. By Richard J Salvucci https://www.allaboutjazz.com/congo-lament-isrea-butler-vegas-records

Personnel: Isrea Butler - trombone; Douglas Lawrence - tenor saxophone; David Loeb - piano; Steve Flora - bass; Bob Chmel - drums

Congo Lament

Tony Williams Lifetime feat John McLaughlin - Live In New York 1969

Styles: Jazz, Post Bop
Year: 2017
File: MP3@320K/s
Time: 38:32
Size: 88,5 MB
Art: Front

( 6:56) 1. To Whom It May Concern
(12:24) 2. Emergency
( 7:01) 3. Unknown Title
( 6:43) 4. A Famous Blues
( 5:27) 5. Something Spiritual

Having fearlessly merged rock rhythms with jazz during a close association with Miles Davis, in 1969 the great Tony Williams founded Lifetime, featuring John McLaughlin at his innovative best, and the mighty organist Larry Young. The trio instantly won acclaim for their fiery, uncompromising improvisations, which are typified on this amazing performance. Recorded for radio broadcast in New York at the close of the year, the FM entire broadcast is presented here, digitally remastered, with background notes and images. https://www.directaudio.net/products/tony-williams-lifetime-featuring-john-mclaughlin-live-in-new-york-1969-vinyl-lp

Musicians: Tony Williams, drums; John McLaughlin, guitar; Larry Young, organ

Live In New York 1969

Greg Foat & Art Themen - Off-Piste

Styles: Soul Jazz, Jazz Fusion
Year: 2023
File: MP3@320K/s
Time: 43:08
Size: 99,1 MB
Art: Front

(10:39) 1. Fresh Snow
( 3:54) 2. La Partida
( 7:44) 3. Off Piste
( 4:48) 4. Yrsno
( 8:15) 5. Sis No Hyp
( 7:46) 6. Apres Ski

Pianist Greg Foat, who has been who has been at the forefront of the UK jazz scene for the past decade, has teamed up with 83 year-old London saxophone great Art Themen on a superb new album for the Athens Of The North label, titled Off-Piste.

Admirers of each other’s work, the two were interested in recording an album together for a number of years, however the pandemic put a delay on the session for a while. Once things opened up again, they headed to highly acclaimed Edinburgh-based Chamber Studio with an exciting group of UK musicians that included guitarist Gavin Sutherland, harpist Amanda Whitingm electric bassist Philip Achille, and drummer/percussionist Nadav Schneerson.

This remarkable 6-track recording features a solid dose of breezy instrumental cosmic jazz featuring warm analog tones, meditative grooves, hypnotic effects, atmospheric textures and cinematic soundscapes. The session truly sounds like the album’s peaceful cover photo. https://www.jazzmessengers.com/en/96650/greg-foat/off-piste-s-art-themen-limited-edition

Personnel: Tenor Saxophone, Soprano Saxophone – Art Themen; Bass – Philip Achille; Drums, Percussion – Nadav Schneerson; Electric Piano [Fender Rhodes], Synthesizer [Prophet 10, Roland SH-101,MK-80,Sequential OB-6] – Greg Foat; Guitar – Gavin Sutherland; Harp – Amanda Whiting

Off-Piste

Christian McBride Big Band - For Jimmy, Wes and Oliver

Styles: Jazz, Post Bop
Year: 2020
File: MP3@320K/s
Time: 71:53
Size: 166,8 MB
Art: Front

(5:21) 1. Night Train
(6:39) 2. Road Song
(8:12) 3. Up Jumped Spring
(3:47) 4. Milestones
(8:33) 5. The Very Thought of You
(8:20) 6. Down by the Riverside
(7:18) 7. I Want to Talk About You
(6:32) 8. Don Is
(7:13) 9. Medgar Evers'Blues
(9:53) 10. Pie Blues

JazzTimes may earn a small commission if you buy something using one of the retail links in our articles. JazzTimes does not accept money for any editorial recommendations. Read more about our policy here. Thanks for supporting JazzTimes. hristian McBride’s first two big-band albums won Grammys. The new one is grounded in specific history. Jimmy Smith and Wes Montgomery recorded two LPs in 1966, The Dynamic Duo and Further Adventures of Jimmy and Wes. McBride says he and his classmate Joey DeFrancesco “wore out the grooves” of these records when they were in high school in Philadelphia. DeFrancesco fills Smith’s organ role on McBride’s new release.

The Smith/Montgomery recordings had pieces for big band arranged by Oliver Nelson and also quartet tracks. So does For Jimmy, Wes and Oliver. But McBride’s tribute is more spiritual than one-for-one. He repeats only four tunes from the 1966 albums. All are big-band tracks. It is fun to hear “Night Train” again, powering headlong over the rails, and to hear McBride’s tight large ensemble crack “Milestones” like a whip.

The quartet here is DeFrancesco, Mark Whitfield, McBride, and drummer Quincy Phillips. The first three take almost all the solos. Given this chance to stretch out, DeFrancesco reveals the enormous range of his B-3 chops, and Whitfield reveals that he should be mentioned more often on lists of the top jazz guitarists.

On this swinging, hard-driving album, two rapt quartet ballads stand out. On “I Want to Talk About You,” Whitfield creates gentle tension by continuously postponing melodic closure. On “The Very Thought of You,” DeFrancesco makes his boisterous instrument whisper in your ear. McBride also solos, pizzicato and arco respectively, on these two love songs. In his hands, an acoustic bass can shamelessly expose the human heart.

This is not an album for adventurous listeners who require risk in their jazz. But this conservative, impeccably executed music is full of joie de vivre. In times like these, who can’t use more of that?~ Thomas Conrad https://jazztimes.com/reviews/albums/christian-mcbride-big-band-for-jimmy-wes-and-oliver-mack-avenue/

For Jimmy, Wes and Oliver

Artemis - Arboresque

Styles: Jazz, Post Bop
Year: 2025
Time: 43:08
File: MP3 @ 320K/s
Size: 99,6 MB
Art: Front

(5:27) 1. The Smile of the Snake
(5:41) 2. Komorebi
(4:30) 3. Sights Unseen
(5:39) 4. Petrichor
(5:33) 5. Footprints
(5:31) 6. Olive Branch
(5:38) 7. What The World Needs Now Is Love
(5:06) 8. Little Cranberry

The acclaimed international jazz group ARTEMIS, led by pianist and music director Renee Rosnes, arrives in Porto to present his latest album, Arboresque (2025). The line-up, composed exclusively of prominent women in the jazz scene Ingrid Jensen (trumpet), Nicole Glover (tenor saxophone), Noriko Ueda (bass) and Allison Miller (drums) has won audiences and criticism for its fusion of lyricism, creativity and virtuosity.

Following the debut at the Newport Jazz Festival and the signing with Blue Note Records, ARTEMIS has consolidated itself as one of the most relevant bands in contemporary jazz. Elected Group of the Year by the readers of DownBeat magazine in 2023 and 2024, the quintet now brings to Porto a concert that celebrates the artistic maturity and diversity of musical voices that make up the project.https://agendaculturalporto.org/eventos/artemis-apresentam-arboresque/

Arboresque