Thursday, November 7, 2013

Airto Moreira & Flora Purim - Live In Berkeley

Bitrate: 320K/s
Time: 72:30
Size: 166.0 MB
Styles: Fusion, Brazilian jazz
Year: 2012
Art: Front

[11:23] 1. Free (Feat. Helio Alves, Gary Brown)
[20:47] 2. La Fiesta (Feat. Helio Alves, Gary Brown)
[ 6:12] 3. Esquinas (Feat. Widor Santiago, Helio Alves, Gary Brown)
[14:16] 4. Light As A Feather (Feat. Widor Santiago, Helio Alves, Gary Brown)
[ 5:19] 5. Maria, Tres Filhos (Feat. Widor Santiago, Helio Alves, Gary Brown)
[ 7:29] 6. Anos Blue (Feat. Widor Santiago, Helio Alves, Gary Brown)
[ 7:00] 7. Airto's Pandeiro Solo - Improvisation 1

Live in Berkeley, recorded in 1990 in Berkeley, California is a robust and stimulating performance given by Airto Moreira on drums and percussion; Flora Purim on vocals; bassist, Gary Brown; pianist, keyboardist, Helio Alves and tenor and soprano saxophonist, Widor Santiago… [The performance was captured by] San Francisco radio personality, Bud Spangler – himself, a well known jazz musician, but was tucked away, not to be heard again for over twenty years. The recent rediscovery of this exquisite, majestic evening is now available for us to enjoy in these seven carefully selected tracks by Airto and Flora… Today, their music is still alive, fresh and filled with love.

For those who know Flora, an introduction is unnecessary. Her music has interwoven the life fabric of anyone with a passing interest in Latin and American jazz music for over 25 years. Her once-in-a-generation six-octave voice has earned her two Grammy nominations for Best Female Jazz Performance and Downbeat magazines Best Female Singer accolade on four occasions. Her musical partners have included Gil Evans, Stan Getz,

Chick Corea, Dizzy Gillespie and Airto Moreira, with whom she has collaborated on over 30 albums since moving with him from her native Rio to New York in 1967. Her musical genius was inbred thanks to a Russian émigré father who played violin and a mother who was a talented pianist in her own right. Before leaving Brazil to escape the repressive military regime of the time, she had mastered piano and guitar and liberated an exhilarating vocal talent. In New York, she and Airto became central to the period of musical expression and creativity, which produced the first commercially successful Electric Jazz groups of the 70s.

Live In Berkeley

Paul Kuhn - The L.A. Session

Bitrate: 320K/s
Time: 48:34
Size: 111.2 MB
Styles: Jazz piano
Year: 2013
Art: Front

[4:27] 1. Almost The Blues
[2:31] 2. Just In Time
[3:12] 3. Close Your Eyes
[3:04] 4. You've Changed
[6:24] 5. On A Clear Day You Can See Forever
[4:44] 6. Griff
[2:57] 7. Dinah
[3:10] 8. Speak Low
[4:21] 9. Emily
[2:57] 10. There Will Never Be Another You
[2:40] 11. My Heart Stood Still
[2:51] 12. Ornithology
[2:32] 13. People
[2:37] 14. As Time Goes By

'The L.A. Session' by the veteran German jazz pianist and vocalist Paul Kuhn was recorded at the legendary Capitol Studios in Los Angeles. Backed by an A-list rhythm section - drummer Jeff Hamilton and bassist John Clayton - he performs a set of classic jazz standards as well as two of his own compositions. With his unmistakable sense of rhythm and melody, Kuhn appears to absorb each individual note and transforms it into a very special art of timeless swing.

Recording information: Capitol Studios, Los Angeles (11/08/2011/11/09/2011).

Paul Kuhn (piano, vocals), John Clayton (bass), Jeff Hamilton (drums)

The L.A. Session

Sara Bareilles - Brave Enough: Live At The Variety Playhouse

Bitrate: 320K/s
Time: 63:38
Size: 145.7 MB
Styles: Rock
Year: 2013
Art: Front

[5:54] 1. Love On The Rocks/Bennie & The Jets
[4:09] 2. Uncharted
[4:15] 3. Love Song
[5:04] 4. (Sittin' On) The Dock Of The Bay
[4:49] 5. Manhattan
[3:47] 6. Let The Rain
[4:14] 7. I Just Want You
[6:40] 8. Come Round Soon
[6:22] 9. Once Upon Another Time
[3:41] 10. Brave
[4:54] 11. King Of Anything
[4:29] 12. Gravity
[5:13] 13. Goodbye Yellow Brick Road

Earlier this year, Sara Bareilles took on an entirely new challenge, touring the United States without the support of a band. Describing the tour as “the most terrifying thing” she could do, Sara began the month-long tour in Washington, DC and finished in her new home, New York.

The “Brave Enough” CD/DVD captures the intimacy and rawness of the entirely solo experience, filmed over the entirety of Sara’s show in Atlanta, Georgia at the Variety Playhouse. If you weren’t one of the lucky few to see the show live, this CD/DVD combo is surely the next best thing. Filmed live at the Variety Playhouse in Atlanta, GA during Sara’s "The Brave Enough Tour," which sold out nationally in three minutes, the DVD captures Sara’s entire May 20, 2013 performance. Celebrated by fans and media alike, the set features show highlight "Goodbye Yellow Brick Road," Sara’s never-before-released breathtaking version of Elton John’s classic song!

Brave Enough: Live At The Variety Playhouse

Carlos Do Carmo - Fado E Amor

Size: 86,8 MB
Time: 37:28
File: MP3 @ 320K/s
Released: 2013
Styles: Fado, Folk, World
Label: Universal Music
Art: Front

01. Por Morrer Uma Andorinha (With Camane) (4:05)
02. Julia Florista (With Mariza) (3:21)
03. Lisboa Oxala (With Carminho) (4:15)
04. Novo Fado Alegre (With Ana Moura) (2:49)
05. Pontas Soltas (With Ricardo Ribeiro) (3:58)
06. O Que Sobrou De Um Queixume (With Raquel Tavares) (3:13)
07. Calçada A Portuguesa (With Cristina Branco) (2:38)
08. Fado Do 112 (With Marco Rodrigues) (3:12)
09. Vou Contigo Coraçao (With Aldina Duarte) (3:52)
10. Nasceu Assim, Cresceu Assim (With Mafalda Arnauth) (2:50)
11. Loucura (With Lucilia Do Carmo) (3:09)

Carlos Carmo is a Portuguese fado singer whose career spans several decades, beginning in the early '60s and peaking during the '70s. Born Carlos Alberto Ascenção de Almeida on December 21, 1939, in Lisbon, Portugal, he is the son of fado legend Lucilia do Carmo. He made his recording debut in 1963 with a pair of four-song releases on Alvorada: Mário Simões e Seu Quarteto Apresentando Carlos do Carmo and Carlos do Carmo e Orquestra de Joaquim Luiz Gomes. A couple years later in 1965 he made some recordings with Decca: the four-song releases Fado Razão da Minha Vida and Fados do Meu Coração. Carmo's popularity grew with each passing year, and by 1969 he was releasing full-length albums on Alvorada, Decca, and Philips. He peaked in popularity during the '70s, when he released at least one, if not multiple, album(s) each year. Though Carmo's productivity steadily slowed over the years, he remained highly popular and toured internationally as a concert performer. In later years, his album releases often coincided with career milestones: for example, Ao Vivo no CCB: Os Sucessos de 35 Anos de Carreira (1999), Do Tempo do Vinil: 40 Anos de Carreira (2003), Ao Vivo no Coliseu dos Recreios de Lisboa: 40 Anos de Carreira (2004), and Fado Maestro: 45 Anos de Carreira (2008), the latter of which was especially successful, reaching the Top Five of the Portuguese album charts. Studio album such as À Noite (2007), on the other hand, were few and far between, though generally well received.

Fado E Amor

Wednesday, November 6, 2013

Leslie Beukelman - Here I Am

Styles: Vocal
Year: 2008
File: MP3@320K/s
Time: 43:43
Size: 100,1 MB
Art: Front

(5:21)  1. Pure Imagination
(4:42)  2. I'm Old Fashioned
(4:14)  3. Love Is Blue
(4:33)  4. Very Early
(6:07)  5. Smile
(4:08)  6. 14
(6:07)  7. Fall
(4:23)  8. Remembering The Rain
(4:04)  9. Here I Am

"This woman has such a natural way about her singing. Her pitch, her range, her sound, her interpretation is extraordinary.” ~Maria Schneider
(Grammy Award-Winning Artist)

“Exquisite vocalist Leslie Beukelman… has mastered genres as vast as soul, melodic jazz, scat, rock and atonal experimentation.”  ~Lucia Mauro (Chicago Tribune)

Leslie Beukelman's debut solo album, "Here I Am", features her arrangements and compositions, played in a quintet and duo setting. Crossing the lines between pop and jazz, this record is only the beginning of Leslie's musical exploration.

John Ellis - It's You I Like

Styles: Post-Bop
Year: 2012
File: MP3@320K/s
Time: 58:57
Size: 135,0 MB
Art: Front

(7:08)  1. What Do You Do?
(9:22)  2. Memory Lane
(5:28)  3. It's You I Like
(8:05)  4. Everything Means Nothing To Me
(7:57)  5. Let's Think Of Something To Do
(2:27)  6. Because We're Kids
(4:51)  7. You Are Special
(3:36)  8. Waltz # 1
(6:59)  9. It's Such A Good Feeling
(2:59) 10. Won't You Be My Neighbor

Melody and groove are the watchwords on John Ellis' masterful Criss Cross debut, which mixes optimistic songs composed by the iconic children's television host, Fred (a.k.a. 'Mister') Rogers, himself a fine jazz pianist, and dark ones by the late singer-songwriter Elliott Smith. Joined by New York A-listers Mike Moreno (guitar), Aaron Goldberg (piano), Matt Penman (bass, and Rodney Green (drums), Ellis - playing mostly tenor saxophone and a bit of bass clarinet - addresses the repertoire with a surefooted time feel, gorgeous tone,and abiding melodicism. ~ Editorial Reviews   http://www.amazon.com/Its-You-Like-John-Ellis/dp/B007GNMIK4

Sue Maskaleris - Bring Nothing But Your Heart

Size: 110,8 MB
Time: 47:57
File: MP3 @ 320K/s
Released: 2013
Styles: Brazilian Jazz, Samba, Bossa Nova
Label: Jazilian Records
Art: Front

01. Bring Nothing But Your Heart (Feat. 'Doc' Halliday) (3:56)
02. The Big Tiri (Feat. Horacio 'El Negro' Hernandez) (3:38)
03. Lush Life (Feat. William Galison) (5:07)
04. Two Ducklings (Dois Patinhos) (2:57)
05. So Sacred The Sand (4:46)
06. O.C.D. (Feat. Horacio 'El Negro' Hernandez) (4:28)
07. Ready To Love Again (4:03)
08. A Blast Of Joy (6:06)
09. Kisses From Ivan (Feat. Mark Egan) (4:04)
10. Baiao Da Aclimaçao (2:56)
11. The Meaning (Peace & Love) (4:19)
12. Two Ducklings (Reprise) (Feat. Steve Sacks) (1:31)

Dripping with Afro-Cuban crescendos and trussed in sexy samba baia(os, Bring Nothing But Your Heart from vocalist and multi-instrumentalist Sue Maskaleris is a rush of endorphin-induced romps. Produced by Sue and Stephen Maskaleris, Bring Nothing But Your Heart is a cornucopia of party tunes groomed with Latin accents.

The recording bursts open with the Latin grooves of the title track traversing into the funky tinted rhythms of "The Big Tiri" as Maskaleris joins in the party atmosphere with a combination of lyrical and scat verses. Smooth and balmy, Maskaleris' treatment of Billy Strayhorn's "Lush Life" displays her vocal chops as a moving singer while the harmonious harmonica solo creates a dreamy escape.

The album maintains its dreamy versing with the wispy ethers of "Two Ducklings" keeled by a soft samba rhythm, while "So Sacred the Sand" is seamed in a bossa nova stitching. Both tracks showcase the lithesome tone of Maskaleris' register, which add shimmer and warmth to the melodies. The blissful vibe emanating from the melodic cuts of "O.C.D." feature the lyrical flutters of Oriente Lopez's flute and the nimble movements of Horacio Hernandez on drums.

The fast paced "Ready to Love Again" has a Brazilian based rhythm which switches gears into the cruising samba beats of "A Blast of Joy" fomenting small eruptions in the horns and producing a gently froth brushing over the wavy percussions and ruminating harmonica. It's a tune made for sipping cocktails while engaged in an enjoyable conversation.

The balladry sway of "Kisses from Ivan" have a classic pop iridescence shingled in lightly sprinkled strings which are tossed into the festive sprints racking "Baião da Aclimacão" shrouded in frilly chimes and jaunty beats. Keeping up the upbeat atmosphere are the boppish grooves of "The Meaning (Peace and Love)" and the flighty sensations moving across "Two Ducklings" which Maskaleris reprises at the end of the album.

Maskaleris' affinity for Brazilian music is thoroughly explored on Bring Nothing But Your Heart. Her talent ranges from singer and songwriter to being a multi-instrumentalist demonstrating her diversity and willingness to dabble in every aspect of her music. She puts her heart, her soul, and her love of beautiful sounding music into her recording making for a positively charged album.

Sue Maskaleris - vocals, piano, keyboards, violins, guitar, bass, percussion, lyrics, arrangements, compositions, and production

Bring Nothing But Your Heart

Mark Growden & The New Orleans Heavies - In Velvet

Size: 102,8 MB
Time: 44:37
File: MP3 @ 320K/s
Released: 2013
Styles: New Orleans Jazz/Soul
Art: Front

01. Drivin' Into The Sunrise (3:16)
02. The Love Of It All (5:25)
03. Jumpin' Judy (3:08)
04. Something Within Me (5:00)
05. Old Lady From Brewster (3:00)
06. Paris, Texas (6:00)
07. Sunday Afternoon (3:54)
08. You Really Got A Hold On Me (5:12)
09. Old Dutch Davis (3:41)
10. That's All Right (3:41)
11. Here's To You (2:14)

Mark Growden is a singer, multi-instrumentalist, composer, record producer and visual artist. From a small mountain community in NE California, Growden has toured the the US extensively and has released several critically acclaimed albums, including Saint Judas, which was ranked in the 2010 Village Voice Critics Poll. His new CD "In Velvet" reflects his year long residency in New Orleans. His all star band, the New Orleans Heavies live up to the name pumping up Growden's original soulful music with a funky horn section lead by legendary trumpeter Wendell Brunious.

Personnel:
LaTosha Brown on voice
Wendell Brunious on trumpet
Loren Pickford on alto sax
Eric Traub on tenor sax
Larry Sieberth on piano
Myles Boisen on guitar
Peter Harris on upright bass
Charlie Kohlmeyer on drums
Mark Growden on voice and bari sax

In Velvet

David Murray & Dave Burrell - Windward Passages

Bitrate: 320K/s
Time: 68:31
Size: 156.9 MB
Styles: Saxophone/piano jazz
Year: 2007
Art: Front

[ 8:23] 1. Sorrow Song
[ 7:56] 2. It Hurts So Much To See
[11:29] 3. Naima
[ 5:21] 4. Cela Me Va
[ 6:02] 5. The Crave
[ 9:16] 6. Zanzibar Blue
[ 6:06] 7. Conversation With Our Mothers
[13:55] 8. Naima 2

Gifted reedman David Murray is a provocative improviser whose warmth, passion and facile technique coaxes the most from his instruments. On this 1993 date, he plays tenor sax (bass clarinet on one track) with pianist Dave Burrell, a long-time cohort with similar penchant for creating exciting leaps of virtuosity. Familiarity breeds better music, and contributes to make this intimate duo recording a compelling listen. Both players have separately shown abilities to wax lyrical, subtly mine the blues, and stretch beyond the outer edges of melody. Together, they're unmatchable. Murray's conversational style, expertly comped by Burrell, ranges from caressing to blistery and powerful. Burrell's improvisations, sometimes influenced by a Pullen-like percussive approach, add variety to the melodiousness of this outing comprising three standards and five originals. Some tracks are reminiscent of roiling duo explorations of the late Pullen and Adams, and it's enthralling to hear that tradition continue. While Burrell excels, it's Murray's instantly-recognizable, thrusting, and bristly style that prevails on this A-plus album. ~Nancy Ann Lee

Windward Passages

Marian McPartland & Steely Dan - Marian McPartland's Piano Jazz Radio Broadcast

Bitrate: 320K/s
Time: 51:09
Size: 117.1 MB
Styles: Jazz, Rock
Year: 2005
Art: Front

[1:39] 1. Conversation 1
[2:42] 2. Limbo Jazz
[5:07] 3. Conversation 2
[3:50] 4. Josie
[3:07] 5. Conversation 3
[3:07] 6. Mood Indigo
[0:13] 7. Conversation 4
[3:21] 8. Star Eyes
[3:38] 9. Conversation 5
[3:26] 10. Hesitation Blues
[5:17] 11. Conversation 6
[3:47] 12. Things Ain't What They Used To Be
[1:41] 13. Conversation 7
[4:44] 14. Chain Lightning
[1:51] 15. Conversation 8
[3:30] 16. Black Friday

It isn't hard to imagine how some jazz purists will react upon seeing the name Steely Dan on one of Marian McPartland's Piano Jazz releases; they're likely to ask, "What, in God's name, is a pop/rock group doing in McPartland's presence?" But even though Steely Dan isn't a jazz act per se, they have always had jazz influences -- and it would be a mistake to think of this CD as strictly a pop/rock disc. Actually, the original material of Steely Dan leaders Donald Fagen (vocals, acoustic piano) and Walter Becker (electric guitar) takes somewhat of a back seat to instrumental straight-ahead jazz when they join forces with pianist McPartland, bassist Jay Leonhart and drummer Keith Carlock. Some longtime Steely Dan enthusiasts might be disappointed to know that only three Fagen/Becker songs are performed: "Josie," "Black Friday" and "Chain Lightning" -- you won't hear "Peg," "Do It Again," "Rikki, Don't Lost That Number," "Deacon Blues," "Hey Nineteen" or "Reeling in the Years." Nonetheless, there are many enjoyable moments, and McPartland has no problem finding common ground with Fagen and Becker -- common ground that includes a healthy appreciation of Duke Ellington's repertoire. Between three songs associated with the Duke ("Mood Indigo," Mercer Ellington's "Things Ain't What They Used to Be" and the lesser known "Limbo Jazz"), W.C. Handy's "Hesitation Blues" and the standard "Star Eyes," Steely Dan's encounter with McPartland is dominated by straight-ahead jazz -- not the jazz-influenced, soul-minded pop/rock that made Steely Dan famous during their '70s heyday. This intriguing CD may not have as many Steely Dan classics as some of their die-hard fans would like, but their appearance on Piano Jazz is full of pleasant surprises and reminds us just how much jazz means to '70s pop/rock icons. ~ Alex Henderson

Marian McPartland (piano); Donald Fagen (vocals, piano); Walter Becker (guitar); Jay Leonhart (bass guitar); Keith Carlock (drums).

Marian McPartland's Piano Jazz Radio Broadcast

Steve Lawrence - Here's Steve Lawrence

Bitrate: 320K/s
Time: 27:20
Size: 62.6 MB
Styles: Vocal
Year: 2008/2013
Art: Front

[3:09] 1. Come Rain Or Come Shine
[3:07] 2. Like Someone In Love
[3:08] 3. My Romance
[2:30] 4. Fraulein
[1:34] 5. Sunny Side Up
[2:29] 6. This Heart Of Mine
[3:36] 7. Makin' Whoopee
[2:26] 8. Then I'll Be Tired Of You
[2:57] 9. If I Had You
[2:20] 10. Put 'em In A Box, Tie 'em With A Ribbon

As a solo artist and in a duo with his wife Eydie Gorme, Steve Lawrence enjoyed a successful singing career that stretched well past half a century. He placed hits in the best-seller charts for over 25 years and used that as the basis for becoming a nightclub and concert headliner. Starting out in the post-swing, pre-rock & roll era of the early '50s, he maintained his support for traditional pop, which found him bucking popular musical trends for much of his career. But in his maturity he could claim to be the handpicked successor to Frank Sinatra as the music's standard-bearer. Along the way, he also found time to write songs, act in films, star in Broadway musicals, and produce Emmy-winning television specials as well as hosting a few TV series.

Here's Steve Lawrence

Tuesday, November 5, 2013

Abbey Lincoln - Abbey Sings Billie (2-disc set)

Finally, the two halves of Abbey Lincoln's two-day, Billie Holiday tribute recording sessions are complete in one set. Originally issued separately, the November 1987 dates features Ms. Lincoln accompanied by drummer Mark Johnson, bassist Tarik Shah, Harold Vick on tenor, and pianist James Weidman. These are two of the singer's finest recordings and, if not groundbreaking, are certainly soul-stirring and aesthetically definitive. ~Thom Jurek

Recorded at the Universal Jazz Coalition, New York, New York on November 6 & 7, 1987.

Abbey Lincoln (vocals); Harold Vick (tenor saxophone); James Weidman (piano); Tarik Shah (bass); Mark Johnson (drums).

Album: Abbey Sings Billie (Disc 1)
Bitrate: 320K/s
Time: 57:06
Size: 130.7 MB
Styles: Vocal jazz
Year: 1987/2001

[ 3:18] 1. What A Little Moonlight Can Do
[ 2:51] 2. I Only Have Eyes For You
[ 5:09] 3. Gloomy Sunday
[ 4:27] 4. Crazy He Calls Me
[ 6:16] 5. Strange Fruit
[ 5:42] 6. Lover Man
[ 4:41] 7. These Foolish Things
[ 5:20] 8. I'll Be Seeing You
[10:18] 9. Soul Eyes
[ 9:01] 10. Ill Wind

Abbey Sings Billie (Disc 1)

Album: Abbey Sings Billie (Disc 2)
Bitrate: 320K/s
Time: 40:12
Size: 92.0 MB
Styles: Vocal jazz
Year: 1987/2001
Art: Front

[7:02] 1. Gimme A Pigfoot
[6:58] 2. No More
[5:22] 3. God Bless The Child
[6:22] 4. Don't Explain
[5:28] 5. For Heaven's Sake
[3:20] 6. Please Don't Talk About Me (When I'm Gone)
[5:36] 7. For All We Know

Abbey Sings Billie (Disc 2)

Chad Eby - Broken Shadows

Bitrate: 320K/s
Time: 63:41
Size: 145.8 MB
Styles: Saxophone jazz
Year: 2010
Art: Front

[5:08] 1. Tip Toe
[2:32] 2. Mira
[6:01] 3. Epitaph I Doo-Wee-Inn
[6:44] 4. Orange Was The Color Of Her Dress, Then Blue Silk
[3:18] 5. Little You
[4:03] 6. Epitaph II Line For Lackritz
[7:05] 7. I'm Still Here
[5:02] 8. Sentinel
[4:19] 9. Broken Shadows
[5:22] 10. Sunset And The Mockingbird
[3:55] 11. Epitaph III J-Mac
[5:45] 12. Epitaph IV The Kid From Albany
[4:23] 13. The Single Petal Of A Rose

This trio session, with bassist Steve Haines and drummer Jason Marsalis packs Eby's music aspirations from varying musical inspirations. Opening with Thad Jones' "Tip Top," Eby sports a soprano saxophone sound acquired from John Coltrane circa 1961. That unadorned sound, seemingly simple to the ear, reveals Eby's mastery of the very difficult straight horn. He returns to the soprano on his original "Little You," altering his tone, rejuvenating the sixties sound into a modern chamber feel and then morphing once again on his tribute to Steve Lacy on "Epitaph II: Line For Lackritz" with a more acerbic tone.

The "Epitaph Suite," four commissioned compositions, allows Eby to pay homage to Dewey Redman, Ray Charles, Jackie McLean and Lacy. Each piece displays a little of the honoree, but is more telling of Eby's sound. They can dribble an enticing blues for Charles, slowly defrosting a sexy tenor sound or cleanly snap off notes in praise to McLean without sounding derivative or clichéd.

Saxophonist Branford Marsalis joins Eby's trio on two tracks. The two tenors reprise Marsalis' duel with Joe Lovano on "The Sentinel," from The Dark Keys (Columbia, 1996); the two also interlock horns on the Redman tribute, "Epitaph I: Doo-We-Inn." Like Marsalis, Eby's tenor tone can be boundless, blues-inflected, and wholly satisfying. These two players are indeed simpatico. ~Mark Corroto

Recording information: The Rubber Room, Chapel Hill, NC.

Chad Eby (saxophone, tenor saxophone); Doug Wamble (guitar); Jason Marsalis (drums).

Broken Shadows

Karen Robinson - Karen Robinson With: Mike Cowie, Larry Bjornson, David Burton & Holly Arsenault

Size: 100,1 MB
Time: 43:27
File: MP3 @ 320K/s
Released: 2013
Styles: Vocal Jazz
Art: Front

01. Cats And Crows (5:07)
02. Play It Softly (3:43)
03. Raven's Wing (4:53)
04. When I Sing The Blues (5:06)
05. She's A Keeper (2:57)
06. Know When To Fly (3:11)
07. Pen In Hand (4:20)
08. Whispers (4:35)
09. Cold Anger On (4:28)
10. Blues Bird (5:04)

Karen's first CD of original jazz is "Karen Robinson WITH". The launch event sold out within a few days!

The CD was produced by Mike Cowie, a gifted musician, arranger and producer, and features Karen's vocals, Mike on muted trumpet, Larry Bjornson on upright bass, Dave Burton on drums, Holly Arsenault on piano, Chris Mitchell on flute and alto sax, Danny Martin on trombone, Jeff Reilly on bass clarinet, Doris Mason and Lisa MacDougall doing back-up vocals, and Kevin Breit on guitar.

Producer Mike Cowie said, “I don’t produce albums for other singers any more, but these are terrific songs! I had to do this. Everyone who came to the project agreed. It all comes down to the songs, and these are all great songs. Some are way beyond great. Like late Joni Mitchell. Great melodies, great performances. Is it jazz or folk rock? It’s somewhere in the middle. The album is very alive and musical, more dynamic than most we hear today, and with all the faults and curves. It is real, honest music. Every song is different. We used minimal compression, only what was needed to stay in the game without losing the reality, and I am thrilled. It all starts with the songs ... and Karen’s songs are brilliant. Karen delivers every song exquisitely!”

Karen Robinson With

Jessica Riippa - Calm My Nerves

Size: 70,0 MB
Time: 30:27
File: MP3 @ 320K/s
Released: 2013
Styles: Jazzy Blues
Art: Front

01. I Can't Remember (4:18)
02. The Lake (3:11)
03. Just Alone (3:27)
04. I Said Yes (3:54)
05. Dreamer (5:04)
06. Ja Veit (3:51)
07. Calm My Nerves (2:42)
08. Complicated (3:57)

The album "Calm my nerves" is singer/songwriter Jessica Riippas debut album. Being her first album, it is filled with music both old and new, and varying in musical style. Jessica moves from bluesy jazz to songs she originally composed for theatre, but later finding their way into her own musical interpretation, to her own story.

Calm My Nerves

The Canadian Brass - Swingtime!

Bitrate: 320K/s
Time: 58:20
Size: 133.5 MB
Styles: Big band
Year: 1996
Art: Front

[5:03] 1. Artistry In Rhythm
[4:28] 2. Blue Rondo A La Turk
[3:11] 3. (Back Home Again In) Indiana
[2:59] 4. Night And Day
[5:02] 5. 'round About Midnight
[3:19] 6. At The Woodchopper's Ball
[3:43] 7. The Lady Is A Tramp
[2:46] 8. Sugar Blues
[3:32] 9. The Man I Love
[2:46] 10. Whatever Happened To The Dream
[9:10] 11. Concierto De Aranjez
[3:33] 12. I Found Love
[4:02] 13. Ellington Medley
[4:39] 14. One O'clock Jump

This is an odd if mostly intriguing set by the Canadian Brass, which is comprised of two trumpets, trombone, French horn, and tuba. On most of the selections, they are joined by a full band that includes keyboardist Warren Bernhardt, guitarist Gene Bertoncini, up to 11 additional horns (arranged by Don Sebesky), and even occasionally six-strings. The inventive arrangements make such songs as "Blue Rondo a la Turk," "Indiana," "At the Woodchopper's Ball," and "One O'Clock Jump" quite colorful and full of surprises. It is particularly odd that there are three selections that have the Canadian Brass adding their parts to historic recordings: Zoot Sims in 1950 playing "Night and Day," the 1954 Gerry Mulligan Quartet on "The Lady Is a Tramp," and Roy Eldridge The Zoot Sims Quartet, Gerry Mulligan Quartet and Roy Eldridge recordings used on SWINGTIME! date from the 1950s. Canadian Brass created new arrangements by overdubbing parts onto existing recordings of "Night And Day" by Zoot Sims (recorded in 1950), "The Lady Is A Tramp" by Gerry Mulligan (June 3, 1954) and "The Man I Love" by Roy Eldridge (June 9, 1950).

Recording information: Clinton Studio A, New York, NY (04/10/1995-04/26/1995); Soundtrack Studio A, New York, NY (04/10/1995-04/26/1995).

Frederic Mills, Ronald Romm (trumpet); David Ohanian (French horn); Eugene Watts (trombone); Charles Daellenbach (tuba). Zoot Sims Quartet: Zoot Sims (tenor saxophone); Gerry Wiggins (piano); Pierre Michelot (bass); Kenny Clarke (drums). Gerry Mulligan Quartet: Gerry Mulligan (baritone saxophone); Bob Brookmeyer (valve trombone); Red Mitchell (bass); Frank Isola (drums). Additional personnel: Gene Bertoncini, Joe Taylor (guitar); Belinda Whitney-Barratt, Natalie Cenovia Cummins, Karen Karlsrud, Evan Johnson (violin); Crystal Garner (viola); Maria Kitsopoulos (cello); Lawrence Feldman (flute, piccolo, clarinet, alto saxophone); Chuck Wilson (flute, clarinet, alto saxophone); Dave Tofani (flute, clarinet, tenor saxophone); Roger Rosenberg (flute, bass clarinet, baritone saxophone); Richard Stoltzman (clarinet); Ken Hitchcock (clarinet, bass clarinet, tenor saxophone); Zoot Sims (tenor saxophone); Rick Baptiste, Tony Kadleck, Neal Balm, Roy Eldridge (trumpet); Jeff Lang, Peter Gordon, Bob Carlise (French horn); Keith O'Quinn, Larry Farrell (trombone); Paul Faulise (bass trombone); Dick Hyman (piano); Warren Bernhardt (piano, keyboards); John Miller, Pierre Michelot (bass); Ronnie Zito, Ed Shaughnessy (drums); Gordon Gottlieb, Joe Passaro (percussion).

Swingtime!

Carla Helmbrecht & Akio Sasajima - Quiet Intentions

Bitrate: 320K/s
Time: 57:26
Size: 131.5 MB
Styles: Vocal jazz
Year: 2013
Art: Front

[5:16] 1. Skylark
[3:54] 2. You Don't Know What Love Is
[4:42] 3. Girl Crazy: Embraceable You
[5:54] 4. How Insensitive
[4:30] 5. Bewitched Bothered And Bewildered
[5:14] 6. Angel Eyes
[3:45] 7. Stardust
[5:19] 8. Cry Me A River
[4:12] 9. A Nightingale Sang In Berkeley Square
[4:57] 10. That's All
[3:46] 11. My One And Only Love
[5:51] 12. Two For The Road

Grammy-nominated vocalist and song-writer, Carla Helmbrecht, began her love affair with music at the age of eight. A native of Wisconsin, Carla was raised in a large music-loving family and had an inherent desire for music. It was her father who introduced her to jazz, and it was not uncommon for the entire family to spend endless evenings making music. By age 13, she was singing professionally and continued her musical studies through high school and college. Her earliest jazz influences included Ella Fitzgerald, Sarah Vaughan, Julie London, Count Basie, and Dave Brubeck. Later influences included Shirley Horn, Nancy Wilson, and Miles Davis.

While studying Speech-Language Pathology at Texas Tech University, Carla sang with the TTU Jazz Ensemble I under direction of Alan Shinn. There, she had the opportunity to perform with and open for jazz notables, such as Tuck and Patti, the Yellowjackets, Louie Bellson, and Tony Campizi. In 1993 she was awarded "best vocal performance" by IAGE.

Carla’s experience in Speech-Language Pathologist specializing in the area of voice has given her a unique understanding of the A&P of vocal use. She has frequently worked with professional singers in helping them to rehabilitate their voice, to achieve balance between vocal efficiency and expression, and to have longevity with this beautiful but fragile instrument – the voice.

Carla recently completed a new duo project with guitarist Akio Sasajima. The project, QUIET INTENTIONS, is a guitar + vocal duo.

Quiet Intentions

Oliver Nelson - Booze Blues Baby

Bitrate: 320K/s
Time: 36:20
Size: 83.2 MB
Styles: Hard bop, Saxophone jazz
Year: 2013
Art: Front

[6:31] 1. Booze Blues Baby
[6:50] 2. What's New
[5:28] 3. Ostinato
[3:41] 4. Don't Stand Up
[6:48] 5. Passion Flower
[7:00] 6. Jams And Jellies

Oliver Nelson was a distinctive soloist on alto, tenor, and even soprano, but his writing eventually overshadowed his playing skills. He became a professional early on in 1947, playing with the Jeter-Pillars Orchestra and with St. Louis big bands headed by George Hudson and Nat Towles. In 1951, he arranged and played second alto for Louis Jordan's big band, and followed with a period in the Navy and four years at a university. After moving to New York, Nelson worked briefly with Erskine Hawkins, Wild Bill Davis, and Louie Bellson (the latter on the West Coast). In addition to playing with Quincy Jones' orchestra (1960-1961), between 1959-1961 Nelson recorded six small-group albums and a big band date; those gave him a lot of recognition and respect in the jazz world. Blues and the Abstract Truth (from 1961) is considered a classic and helped to popularize a song that Nelson had included on a slightly earlier Eddie "Lockjaw" Davis session, "Stolen Moments." He also fearlessly matched wits effectively with the explosive Eric Dolphy on a pair of quintet sessions. But good as his playing was, Nelson was in greater demand as an arranger, writing for big band dates of Jimmy Smith, Wes Montgomery, and Billy Taylor, among others. By 1967, when he moved to Los Angeles, Nelson was working hard in the studios, writing for television and movies. He occasionally appeared with a big band, wrote a few ambitious works, and recorded jazz on an infrequent basis, but Oliver Nelson was largely lost to jazz a few years before his unexpected death at age 43 from a heart attack. ~bio by Scott Yanow

Booze Blues Baby

Erin Boheme - What A Life

Styles: Jazz Contemporary
Year: 2013
File: MP3@320K/s
Time: 36:50
Size: 84,4 MB
Art: Front

(3:21)  1. Everyone But Me
(3:27)  2. I Missed You Today
(3:09)  3. In My Place
(3:34)  4. In My Shoes
(4:09)  5. The Last Time
(4:33)  6. I Do I Do
(3:18)  7. He Isn't You
(3:44)  8. One More Try
(3:54)  9. What A Life
(3:39) 10. I'd Love To Be Your Last

When teenaged Wisconsinite Erin Boheme made her recording debut in 2006, she opted for a too-mature style that suggested Marilyn Monroe by way of Billie Holiday. Now, at age 25, Boheme has settled into a far more age-appropriate groove that seems composed of equal parts Sophie Milman and Taylor Swift. Last time out, Boheme also favored several tunes geared toward an older, more seasoned performer. Here, Boheme’s largely original material (among the 10 tracks there are only two covers, one from David Foster and another from Miranda Lambert) is better suited to her age and demeanor.

The album’s producer is Michael Bublé, marking the crooner’s first venture on the opposite side of the mic. Bublé was, as is widely documented, a protégé of Foster’s. So it’s hardly surprising that he favors Foster-esque arrangements throughout. Every track is, it seems, another opportunity to transform a simple, pretty love song into a slice of steamrolling pop. Bublé also lent Boheme his touring band—pianist Alan Chang, guitarist Dino Meheghin, bassist Craig Polasko and drummer Robb Perkins—an able foursome, surely well versed in the nuts and bolts of Foster-esque overproduction, complete with waves of syrupy strings.

There are some solid tunes buried in the excess, particularly the forthright “In My Shoes,” the gently swinging “He Isn’t You” and the tender, Henry Mancini-inspired title track. Boheme also duets with her producer on Lambert’s “I’d Love to Be Your Last.” Surprisingly, though, given that Bublé’s pulling the strings, he sounds oddly detached throughout.~ Christopher Loudon(http://jazztimes.com/articles/58997-what-a-life-erin-boheme).

Personnel: Erin Boheme (vocals); Dino Meheghin (guitar); Nancy Dinovo, Mary Sokol Brown (violin); Hal Foxton Beckett (viola); Ari Barnes (cello); Alan Chang (piano); Robert Perkins (drums).

Nancy Kelly - Born To Swing

Styles: Vocal
Year: 2006
File: MP3@320K/s
Time: 56:57
Size: 131,1 MB
Scans: Front

(5:01)  1. I've Got the World on a String
(3:44)  2. Like Someone In Love
(5:15)  3. You'd Be So Nice To Come Home To
(5:37)  4. More Than You Know
(3:14)  5. Falling In Love With Love
(4:38)  6. Let Me Off Uptown
(6:15)  7. Didn't We
(3:18)  8. Come Rain or Come Shine
(5:12)  9. I'll Be Seeing You
(3:54) 10. Watch What Happens
(6:10) 11. New York State of Mind
(4:33) 12. Let's Talk Business

Nancy Kelly is a jazz vocalist who has recorded three albums since 1988 on the Amherst label. Born in Rochester, Kelly lives on Lake Ontario between Syracuse and Rochester in upstate New York. Her new album has the decided advantage of presenting her with a fine quartet: Houston Person (tenor sax), Dino Losito (keyboards), Neal Miner (bass) and Mark Taylor (drums). Their music, and especially the obbligatos and solo work by Person, lift this album up a notch. The presence of Nancy Kelly suggests the sympatico relationship that the tenor saxophonist shared with signer Etta Jones for so long. I'm not saying that Nancy Kelly's recording persona is anything like that of Etta Jones, but this disc hints at enough of a suggestion of the shared musical moments between Person and Kelly.

The songs are all serviceable and Kelly does breathe some life into such familiar jazz vehicles as "I've Got The World On A String," "Come Rain Or Come Shine" and "Like Someone in Love." After providing several soulful moments on the opening, Houston Person steps out "for a cup of coffee" and only reappears on the midway mark of the album. Thank goodness, for the very solid playing of pianist Dino Losito, another regular from New York's Southern Tier, who provides some two-fisted support for Kelly, as well as efforts by Miner and Taylor. When Person returns on "Come Rain Or Come Shine," the listener can settle back into a full comfort mode.

Coincidentally, Nancy Kelly opened for a jazz act in suburban Long Island that I had planned to attend and I did get a bonus opportunity to hear and meet the singer under working conditions. Her backing trio of Sarah Jane Cion (piano), Jerry Bruno (bass) and Joe Cocuzzo (drums) cooked, and Kelly showed her skills at both scatting and singing, taking a lot more freedom with the melodies. In addition, Kelly shared showed great ease with her musicians and exuded a hipness with both the audience and her trio.

Personnel: Nancy Kelly: vocals: Houston Person: tenor saxophone; Dino Losito: piano, Fender Rhodes; Neal Miner: bass; Mark Taylor: drums. (By Michael P. Gladstone) http://www.allaboutjazz.com/php/article.php?id=22270#.Unfme-IufKc


Born To Swing