Mark Winkler - Till I Get It Right

Styles: Vocal
Year: 2009
File: MP3@320K/s
Time: 53:55
Size: 125,0 MB
Art: Front

(4:47)  1. Till I Get It Right
(3:43)  2. How Can That Make You Fat?
(4:25)  3. Cool
(3:54)  4. Spring Is Where You Are
(4:34)  5. Lowercase
(4:00)  6. Sissies
(5:34)  7. In A Lonely Place
(4:02)  8. Future Street
(4:57)  9. Evolution
(3:47) 10. How To Pack A Suitcase
(5:10) 11. In The Moment
(4:56) 12. You Might As Well

If Mark Murphy is the reigning king of vocal hipsterism, then Mark Winkler ranks directly behind Kurt Elling among heirs apparent. Though the title of Winkler’s ninth album echoes his longstanding predilection for self-effacement, better to consider it ironic. As the jazz cognoscenti are well aware, Winkler has been getting it right for years. As a singer, he mirrors Murphy’s arch sophistication while suggesting an amalgam of Curtis Stigers’ blithe ingenuousness and Matt Dennis’ breezy bonhomie. As a lyricist, he is as consummate a traveler in the world of Dave Frishberg drollness as he is in the land of Cole Porter urbanity. This time around, Winkler’s lyrical skills span 10 tunes (augmented by the sparse, budding beauty of Steve Allen’s “Spring Is Where You Are” and witty sagacity of Ivan Lins’ “Evolution”) of dexterous ingenuity. 

He shapes clever accolades to personal heroes Truman Capote (“Sissies”) and Barbra Streisand (“In the Moment”), swaps hepcat accolades with Cheryl Bentyne on “Cool,” serves up the deliciously Frishberg-ian “How Can That Make You Fat?” and proves a master of the sweet adieu with “How to Pack a Suitcase.” But it is on a pair of ballads that Winkler shines brightest, seeking silver linings in “You Might As Well Live” and, inspired by a classic slice of Humphrey Bogart film noir, fog-bound in the aftermath of a doomed romance in “In a Lonely Place. ~ Christopher Loudon   http://jazztimes.com/articles/24644-till-i-get-it-right-mark-winkler

Till I Get It Right

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Claire Colton - Cry Me A River

Size: 71,3 MB
Time: 30:37
File: MP3 @ 320K/s
Released: 2012
Styles: Jazz Vocals
Art: Front

01. Cry Me A River (3:54)
02. Besame Mucho (3:06)
03. Don't Blame Me (3:54)
04. Fly Me To The Moon (2:41)
05. Hey Good Lookin' (2:46)
06. Ain't Misbehavin' (3:53)
07. Sway (3:24)
08. Lady Is A Tramp (3:56)
09. Can't Buy Me Love (2:58)

Claire Colton is a versatile performer who loves music and loves being a vocalist. Whether working with a Big Band, a Dance Band, a Combo or a pianist, Claire gives of her best and her warmth and enthusiasm give her great audience appeal. She has a rich quality to her voice reminiscent of the Greats of yesteryear.

Cry Me A River

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Bobby Lyle - The Way I Feel

Size: 135,6 MB
Time: 58:26
File: MP3 @ 320K/s
Released: 2013
Styles: Jazz: Hammond B-3
Art: Front

01. The Cat (4:51)
02. Feelin Wes (6:49)
03. Baby It's Cold Outside (5:53)
04. Diddley Boom Boom (French Quarter Strut) (5:46)
05. B's Bop (5:11)
06. Horizon (6:16)
07. The Way I Feel (5:24)
08. On The Fly (5:15)
09. Hard Workin Man (5:56)
10. Walk On The Wild Side (7:01)

Pianist and composer Bobby Lyle's first encounter with the great Hammond B-3 player Jimmy Smith was in a Minneapolis nightclub called Big Al's, where the then-teenaged Lyle performed as the "local talent" on the downstairs stage. Upstairs, Smith was playing as the headliner and Lyle, after finishing his set as quickly as possible, raced upstairs to hear Smith and perhaps shake his hand.

"Jimmy was a black belt in karate," says Lyle of that first meeting. "So when he shook my hand, he almost broke my little fingers!"

Lyle would go on to teach himself the organ on the job by playing organs he came across in Minneapolis' nightclubs, including the occasional strip club. There are some things you just can't learn in a music conservatory.

The Way I Feel, is Lyle's tribute to Smith—who, shortly after that memorable first handshake, became a personal mentor and friend to the young organist/pianist. This recording, Lyle's first since 2006, may come as a surprise to those who know him only for his beautifully arranged and produced chart-topping albums of jazz, funk, fusion, and so-called smooth jazz, as it is the first album where Lyle plays Hammond B-3 organ on every track.

The CD is also a tribute to the great guitarist Wes Montgomery, who recorded several popular, genre-busting albums with Smith back in the sixties. Houston-based guitarist Brennen Nase steps up and steps into Montgomery's role and his playing is a joy to hear. Montgomery's sound and technique—not to mention right hand thumb—were truly one of a kind. Nase easily navigates what amounts to several decades of guitar history, channeling Montgomery on the standard "Baby It's Cold Outside" and the Lyle-penned tribute, "Feelin' Wes," bringing some inspired funk to Lyle's "Horizon," and stepping on the distortion pedal for "Hard Workin' Man," which includes some vocals from Lyle and the CD's featured drummer, Patrick Williams.

Not content to just recreate a 1965 Verve recording session, Lyle brings the Hammond B-3's legacy into the 21st century for a program that includes New Orleans second line, gospel, and even sixties-era go-go music. The playing on The Way I Feel is tight and inspired and Lyle's organ playing burns throughout.

Smith may arguably be responsible for making the Hammond B-3 a "viable lead jazz instrument," but with The Way I Feel, Lyle and his co-conspirators carry that legacy and kick it into a funky future. ~Review by Chris Becker

Personnel: Bobby Lyle: Hammond B-3 organ, acoustic piano, synthesizer; Brennen Nase: guitar; Patrick Williams: drums; Mark Simmons: drums; Mark Prince: drums; Keith Vivens: bass; Milton Comeaux: percussion.

The Way I Feel

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Laura Austin Wiley - They Say It's Wonderful

Size: 95,9 MB
Time: 40:49
File: MP3 @ 320K/s
Released: 2014
Styles: Jazz Vocals
Art: Front

01. Speak Low (4:12)
02. What A Difference A Day Makes (3:49)
03. I Should Care (4:49)
04. Hey There (4:39)
05. Where Or When (4:45)
06. They Say It's Wonderful (4:20)
07. I Remember You (4:03)
08. Fall, Leaves, Fall (2:37)
09. Lover, Come Back (3:32)
10. Two Sleepy People (3:59)

A compilation of vocal classics from the Great American Songbook performed by a jazz quartet. Laura Austin Wiley has sung and played flute in the San Francisco Bay Area for years. As a vocalist, she started out as a singer/actress doing musical theater, and then gravitated toward jazz. As a flute player, she is a trained classical flutist who eventually started playing jazz after realizing that jazz was the genre she listened to in her free time, instead of classical music. Laura plays and sings with her own quartet as well as with Resonance Jazz Ensemble.

Musicians:
Flute/vocals--Laura Wiley
Guitar--Bernie Bagshaw
Bass--Bruce Barrett
Drums--Glen Iwaoka

They Say It's Wonderful

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Daryl Lowery Instant!Groove - Let It Go

Size: 150,3 MB
Time: 64:56
File: MP3 @ 320K/s
Released: 2013
Styles: Smooth Jazz, Soul Jazz
Art: Front

01. S K O Stomp (6:02)
02. Prelude (1:10)
03. Shuffle Down (7:26)
04. Let It Go (7:13)
05. Blue Runner (4:02)
06. The Solace Of My Eyes (5:55)
07. Love Bug (5:41)
08. So Jah (6:43)
09. Jackson Groove (5:44)
10. Popeye (5:47)
11. Tyrannosaurus Jam (2:53)
12. S K Y Drummer (3:04)
13. S K O (Reprise) (3:09)

The the long awaited followup to the "SoulJazz" organ group's highly acclaimed self titled debut features the eclectic Rakalam Bob Moses on drums and the late T Lavitz on Hammond B3.

A Berklee College of Music faculty member since 1987, saxophonist Daryl Lowery was born and raised in the Metropolitan New York area. After coming to Boston to study at New England Conservatory he has recorded and/or performed with such notables as immortals Dizzy Gillespie and Jackie Byard, the eclectic Ran Blake and Boston’s funk legend Ellis Hall. He has been a member of Al Kooper’s band since 1999 and is featured on his latest releases "Black Coffee," and "White Chocolate." His group Instant!Groove released its highly successful first recording in 2004 of which Jazziz magazine wrote “[Daryl Lowery and Instant!Groove] specialize in the funky soul-jazz grooves commonly referred to as “acid-jazz.” …The rhythm section is elastic, mid-tempo patterns aid excellent solos…, resulting in a sound akin to guitarist John Scofield’s “A Go Go” CD, on which he was backed by organ trio Medeski, Martin and Wood.” The band's current release "Let It Go" features Ra-kalam Bob Moses on drums and the late T Lavitz on B3.

Keyboardist T Lavitz is best known for his work with the "rock, jazz, and everything else" instrumental band, the Dixie Dregs, which he joined in 1978. "Bring 'em Back Alive" and the subsequent "Full Circle" studio disc each garnered Grammy nominations (bringing the total to six), and earning T the coveted "Jazz Keyboardist of the Year" award in Keyboard Magazine's readers poll. In addition to being a member of Jazz Is Dead, , an instrumental exploration into the music of the Grateful Dead, Widespread Panic, and the Steve Morse Band, he has recorded with Jeff Berlin, Pat Benetar, Jefferson Starship, and many other artists.

Drummer Rakalam Bob Moses grew up surrounded by musicians such as Charlie Mingus, for whom his father was press agent. He appeared with Rahsaan Roland Kirk in the mid-60s and formed Free Spirits with Larry Coryell, one of the first jazz rock bands. After a short stay with Dave Liebman's Open Sky he joined Gary Burton. In the early 70s he formed Compost with Harold Vick and Jack DeJohnette and toured the UK with the Mike Gibbs Orchestra before returning to the groups of Gary Burton and Pat Metheny. In the 80s he played with the Steve Kuhn/Sheila Jordan Band (1979-82), George Gruntz Big Band and his own quintet. Moses makes personal use of a wide range of influences to create colorful, complex yet swinging music. Bob teaches at New England Conservatory of Music.

Rick Peckham is an internationally known jazz guitarist, composer, writer and clinician. He has performed with George Garzone, Jerry Bergonzi, Mike Gibbs and Tim Berne, and recorded the album Stray Dog as a member of the highly original jazz ensemble Um, led by trombonist Hal Crook and featuring organist John Medeski. Assistant chair of the guitar department, Peckham has been a Berklee faculty member since 1986. He is also a prolific and accomplished writer, and a frequent contributor to DownBeat and other music magazines.

Sought after bassist Bruno Råberg has performed/recorded with numerous internationally known jazz artists including Sam Rivers, Jerry Bergonzi, Billy Hart, Dave Mann, Rachel Z, Bob Moses, Mick Goodrick, Dick Oats, Bruce Barth and Bob Mintzer. After leading his own group for several years Råberg released his CD "Pentimento" in 1992 and "Orbis" in 1998. Originally from Sweden, Bruno currently lives in the Boston area where he teaches at Berklee College of Music.

Let It Go

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Marci Haus - Do It Again

Styles: Vocal
Year: 2006
File: MP3@320K/s
Time: 55:33
Size: 127,2 MB
Art: Front

(3:19)  1. I Love Being Here With You
(4:40)  2. East of the Sun
(5:26)  3. Let's Face the Music and Dance
(3:38)  4. Frim Fram Sauce
(3:01)  5. Do Nothing Till You Hear From Me
(4:13)  6. The Look of Love
(2:23)  7. I Can't Give You Anything but Love
(3:33)  8. Straighten Up and Fly Right
(3:21)  9. Deed I Do
(3:47) 10. Baby, Baby All the Time
(3:14) 11. Devil May Care
(4:08) 12. S'wonderful
(3:56) 13. Popsicle Toes
(2:42) 14. Pick Yourself Up
(4:03) 15. Do It Again

"Hearing Marci Haus sing for the first time on radio station WXEL was a pleasant surprise. At that time I thought, 'How refreshing to hear a singer with a new style all her own and not imitating any other singer I am familiar with.' As music director of the Big Band Hall of Fame Museum in West Palm Beach and band leader of the Big Band Hall Of Fame Orchestra, I can fully appreciate her warm style, her casual nuances and most important her passion for the lyrics. Catching her live recently reassured me she's for real." ~ Mr. Ben Grisafi   http://www.cdbaby.com/cd/marcihaus

Do It Again

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Barbara Fasano - Written In the Stars

Styles: Vocal Jazz
Year: 2006
File: MP3@320K/s
Time: 66:40
Size: 153,7 MB
Art: Front

(5:52)  1. It Was Written In the Stars
(3:35)  2. Let's Fall In Love
(2:19)  3. Here's What I'm Here For
(5:32)  4. Blues In the Night / I Wonder What Became of Me
(4:16)  5. Between the Devil and the Deep Blue Sea
(3:30)  6. Don't Like Goodbyes
(3:16)  7. As Long As I Live
(3:11)  8. I Had a Love Once
(5:48)  9. This Time the Dream's On Me
(3:42) 10. The Eagle and Me
(5:29) 11. When the Sun Comes Out
(4:34) 12. My Shining Hour
(3:58) 13. Last Night When We Were Young
(6:25) 14. Come Rain or Come Shine
(5:06) 15. One for My Baby

Singer Barbara Fasano is the real deal! In a perfect world, if this was forty years ago, Fasano could have been a world-class pop singer/star on par with Streisand. Does this sound far-fetched? It's not, if you consider that Streisand's eponymous album (in 1963) was comprised of tunes largely from Broadway and the Great American Songbook; and that The Second Barbra Streisand Album, released during that same year, consisted of the same pattern, with five of the eleven tracks by Harold Arlen. Consider what your own reaction was back then to the Streisand versions of "Right as the Rain," "Anyplace I Hang My Hat Is Home," "Down With Love" and "When The Sun Comes Out." Barbara Fasano's third album, Written In The Stars is, coincidentally, a tribute to the music of Harold Arlen, and it is just as important a work as the aforementioned 1963 recordings. I've recently seen Fasano's live performance of some of this same material within the framework of her Two For The Road cabaret concert with husband Eric Comstock. 

While the witty and urbane spoken word portion of that event is not included on this album, the beauty of the Arlen songs and the breathlessness of Fasano's beautiful singing comes fully through. While several of the Arlen songs are well known, like "Come Rain Or Come Shine," "One For My Baby" and "Blues In the Night," most of these fifteen selections range from the obscure to the underappreciated. Fasano is a natural romantic interpreter of the Great American Songbook, and her versions of such ballads as "Here's What I'm Here For," "Last Night When We Were Young," "I Wonder What's Become Of Me" and "Don't Like Goodbyes" are among her best. When she performs a downtempo version of "This Time The Dream's On Me," all of the yearning described within the Johnny Mercer lyrics, which presumedly comes from a 1940s environment, comes pouring out. Barbara Fasano's musical forte is cabaret music, yet the album is fashioned with a jazz sensibility. The ensemble is led by pianist/arranger John DiMartino, and it includes bassist Sean Smith (who was the third musician present at the above mentioned Fasano-Comstock Show), tenor and soprano player Joel Frahm, trumpet/flugelhorn player Tim Ouimette, guitarist John Hart and drummer Tim Horner. Eric Comstock joins Fasano on a light-hearted duet version of "As Long As I Live." 

The shading and solo opportunities from Di Martino, Frahm, Ouimette and Hart serve to make this a far more jazz-related album. Each musical genre has examples of albums that demand repeated listening and appreciation. In terms of the Great American Songbook, this is one of them! ~ Michael P.Gladstone  http://www.allaboutjazz.com/php/article.php?id=23179#.Uw9Jw4VZhhk
 

Personnel: Barbara Fasano: vocals; John Di Martino: piano and arrangements; Sean Smith: bass; Tim Horner: drums; Kahlil Kwame Bell: percussion; John Hart: guitars; Joel Frahm: tenor and soprano sax; Tim Ouimette: trumpet and flugelhorn; Eric Comstock: vocal (7).

Written In the Stars

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Bill Evans - Eloquence

Styles: Piano Jazz

Year: 1975

File: MP3@320K/s

Time: 40:53

Size: 95,7 MB

Art: Front

(5:33)  1. Gone With The Wind

(5:45)  2. Saudade Do Brasil

(6:09)  3. In A Sentimental Mood

(3:42)  4. But Beautiful

(4:58)  5. All Of You

(3:41)  6. Since We Met

(5:09)  7. Medley: But Not For Me/Isn't It Romantic/The Opener

(5:52)  8. Medley: When In Rome/It Amazes Me

This interesting album was originally released posthumously in 1982. Pianist Bill Evans is featured on four duets with his longtime bassist Eddie Gomez in 1974-75, exploring a quartet of superior standards. The second half of the program (which dates from 1973 and 1975) is not on the same level. Evans is heard playing two songs he was not all that familiar with late at night at a club, and he performs two other songs and a wandering medley while rehearsing in a recording studio. Being a musical perfectionist, it is a bit doubtful if he would have wanted this music to be released although longtime Bill Evans collectors will find the explorations to be intriguing. ~ Scott Yanow   http://www.allmusic.com/album/eloquence-mw0000201738

Personnel: Bill Evans (piano, electric piano); Eddie Gomez (acoustic bass).

Eloquence

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Thelonious Monk - The Unique

Styles: Piano Jazz
Year: 1956
File: MP3@320K/s
Time: 38:24
Size: 88,4 MB
Art: Front

(3:13)  1. Liza (All the Clouds'll Roll Away)
(4:17)  2. Memories of You
(5:34)  3. Honeysuckle Rose
(6:31)  4. Darn That Dream
(5:55)  5. Tea for Two
(4:56)  6. You Are Too Beautiful
(7:57)  7. Just You, Just Me

The seven-song Unique Thelonious Monk (1956) platter was the pianist's second during his remarkable five-year tenure on Riverside. His debut for the label was the aptly titled Plays Duke Ellington (1955) and once again, on this disc, Monk's song selection did not feature any original compositions. Rather, the well-chosen standards included exemplify and help further establish the pianist and bandleader within the context of familiar melodies at the head of a trio consisting of Oscar Pettiford (bass) and Art Blakey (drums). Regarding the personnel, while Pettiford had also accompanied Monk on the Ellington sides, Blakey replaces Kenny Clarke. 

The pairing of Monk and Blakey cannot be overstated. Immediately, evidence of their uncanny instrumental interaction is the rhythmic focal point of "Liza, All the Clouds'll Roll Away" as the two play musical cat-and-mouse. They cajole and wheedle atop Pettiford's undulating undercurrent as it sonically corals their skilled syncopation and otherwise inspired mile-a-minute interjections. This is starkly contrast to the haunting, lyrical piano solo on "Memories of You." Monk infuses the piece with such profound ingenuity and integrity that his re-evaluation and innovative arrangement are singularly and undeniably his own. Fats Waller's "Honeysuckle Rose" reels with a frolicking and ever-so-slightly inebriated gate. It is likewise highlighted by Monk's dreamlike single-note runs up and down the keyboard and the stride piano-style chord progressions that preserves a fluidity within the tune. The advanced score maintains a guise of almost goofy abandon within Monk's highly logical and well-sculpted musical structure. 

The juxtaposition of "Darn That Dream" is another study in the vacillating moods of The Unique Thelonious Monk. The sophisticated performance is understated, yet remains loose and limber and perfectly in keeping with the album's leitmotif of exploring Monk's skills as an arranger and musician. As if he were testing his audience, the manic and atonal opening to "Tea for Two" briefly featuring Pettiford on bowed upright bass rollicks with a youthful visage, rather than being a simple reworking of this well-established classic. This LP concludes with one of Monk's most memorable pieces on the fun and freewheeling "Just You, Just Me." The trio struts and glides as Monk's intricate fingering simultaneously displays his physical dexterity as well as his ability to play so deftly in the moment. Both attributes would resurface ten-fold once Monk began to animate his own compositions on the genre-defining Brilliant Corners (1956). ~ Lindsay Planer   http://www.allmusic.com/album/the-unique-thelonious-monk-mw0000192246

Personnel: Thelonious Monk (piano); Oscar Pettiford (bass); Art Blakey (drums).

The Unique

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Wendee Glick ( Feat. Ken Peplowski) - Baby, I'm Fine

Styles: Vocal Jazz
Year: 2002
File: MP3@320K/s
Time: 53:05
Size: 127,4 MB
Art: Front

(2:50)  1. I'm Gonna Sit Right Down And Write Myself A Letter
(4:16)  2. How Deep Is The Ocean
(4:14)  3. My Romance
(3:44)  4. Baby, I'm Fine
(3:27)  5. Centerpiece
(4:31)  6. What A Difference A Day Made
(3:50)  7. You Made Me Love You
(5:11)  8. Crazy He Calls Me
(3:43)  9. Let's Fall In Love
(3:19) 10. The More I See You
(4:02) 11. On A Clear Day (You Can See Forever)
(2:48) 12. You Do Something To Me
(3:58) 13. Come In From The Rain
(3:05) 14. You Can't Have Everything

"A sonorous compilation of standards" from the Great American Songbook, featuring Ken Peplowski on Clarinet/Tenor Sax. The first of Wendee's two recordings, both of which feature Ken Peplowski(see "True Colors", which also features Eddie Higgins/piano).

An experienced jazz vocalist, Wendee Glick is a singer with a strong stage presence, sense of humor, and ability to belt out a tune, even over a full big band orchestra. She can also sing a ballad with a “bell-like” quality that could make a person cry. She has graced the stages of many a New England jazz club, and large venues such as Boston’s Fleet Center and Hatch Shell, performing with top-notch musicians.
Legally named Wendy Dee, Wendee’s interest in music began at a young age, because her own mother was a singer. Wendee toured Europe with America’s Youth in Concert and went on to study music at the University of Lowell. Classically trained, she started performing musical theater and opera but soon came to love jazz, influenced by jazz legends such as Ella Fitzgerald, Sarah Vaughn, Anita O’Day, and June Christy.
Wendee has developed a substantial following in the New England area. She is equally at home singing with a small jazz group, or swinging with the Compaq Big Band. Annually, on The Jazz Cruise, she has jammed with and received praise from esteemed musicians such as Red Holloway, Eddie Higgins, Shelly Berg, Keter Betts, Nat Reeves, Chris Foreman, Duffy Jackson, Meredith d’Ambrosio and Wycliffe Gordon.  

http://www.cdbaby.com/cd/glick1

 

Thank You Mai Neime!
Baby, I'm Fine

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Leah Kline - Juzz Flirtin'

Styles: Vocal
Year: 2007
File: MP3@320K/s
Time: 60:20
Size: 139,3 MB
Art: Front

(5:10)  1. Get Away
(7:03)  2. Hey You
(6:29)  3. Orange Blossoms In Summertime
(3:05)  4. More Than Matter
(5:37)  5. The Wizard
(7:19)  6. Obsession
(4:33)  7. Call of the Muse
(5:33)  8. Minuano
(5:03)  9. Butterfly
(4:24) 10. Dig It!
(6:02) 11. The Voice

JuzzFlirtin is a brand new band with original compositions by Léah Kline and Dirk Balthaus. Their lyrical melodies flirt with different genres. JuzzFlirtin transforms a regular music concert into a synergetic explosion drawing from jazz, drama, funk, rock, Brazilian music and Latin styles. These five passionate musicians play and compose music with the goal to “move and groove” an audience. Their engaging performance energy onstage, combined with the music’s crossover sound, appeal to a wider and younger audience target group. Published in Jazzflits year 5, number 10 (2007) ~ Frank A. Huser

‘Juzz Flirtin’ is the exceptionally listenable result of a rendezvous between vocalist Léah Kline and pianist/composer Dirk Balthaus. A meeting that caused musical sparks. Her lyrics inspired his music and vice versa. It’s obvious to hear that the American Léah Kline, who lives in the Netherlands since 2000, has her roots in the theater (singing, dancing and cabaret). Her narrating qualities are impressive and inviting. The playing of the band (Dirk Balthaus piano, Cord Heineking doublebass, Sebastiaan Kaptein drums and Yuchi Cordoba percussion) perfectly supports this. Even in the musical accompaniment the “story telling” is emphasized. Ingenious arrangements, intentionally intense intermezzos and playful solos give the numbers extra cachet and support the lyrics in an all round excellent manner. Kline is a vocalist of scale. Out of many examples, the vulnerably sung “Minuano’ (music Pat Metheny, lyrics Kurt Elling), is proof of this fact. She possesses a good diction, a beautiful alto timbre, feel for dynamics and timing plus an excellent technique. The Cd consists of numbers in up-tempo and swing but also ballads and jazzy arranged, more or less theatrically colored titles with funk and Latin influences. A not to miss flirt! MUSICMAKER Magazine, June 2007 ~ Frank Huser   http://www.cdbaby.com/cd/leahkline2

Juzz Flirtin'

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Paula Atherton & Interplay - Let Me Inside Your Love

Styles: Smooth Jazz
Year: 2001
File: MP3@320K/s
Time: 53:57
Size: 123,7 MB
Art: Front

(4:37)  1. I Long For Your Love
(5:05)  2. The Long Road Home
(4:37)  3. One Last Goodbye
(5:07)  4. Fireflies
(4:31)  5. Let Me Inside Your Love (Vocal Version)
(4:43)  6. Silk Pajamas
(5:23)  7. If I Hold You In My Arms
(5:28)  8. Samba Azul
(5:16)  9. Tuesday Morning
(4:41) 10. Raining
(4:24) 11. Let Me Inside Your Love (Instrumental)

"It's not hard to compare her to Minnie Ripperton. Although similar, she remains unique adding tremendous power." ~  Joe Grandwilliams, Good Times Music Publication

"Very cool release. Reminds me of David Sanborn but smoother, Candy Dulpher, but funkier. Paula has her own great sound." ~ Rob Moore, Creative Director, Privatejazz.com

Paula Atherton is a "Double Threat" and "If this were a perfect world," she would already have reached national stardom. " ~  Fran Fried of the New Haven Register

Let Me Inside Your Love is a contemporary jazz record by Paula Atherton & Interplay. It is a mix of some funky tunes (vocal and instrumental), some powerful vocal ballads, some latin influenced tunes and even a world music piece. Most of the songs were written by Paula (two songs co-written by Lou Gimenez). There is a cover of Yes I'm Ready on the record by Barbara Mason. Paula plays alto and soprano sax, flute, and sings on the record. She is in good company with the likes of Darin Brown, Steve Briody, Schuyler Deale and Vinny Conigliaro. ~ Editorial Reviews   http://www.amazon.com/Let-Me-Inside-Your-Love/dp/B00008NF9U

Let Me Inside Your Love

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Ted Rosenthal - Out of This World

Styles: Piano Jazz
Year: 2011
File: MP3@320K/s
Time: 64:17
Size: 149,8 MB
Art: Front

(8:11)  1. Out of This World
(6:52)  2. So In Love
(4:45)  3. Have You Met Miss Jones
(8:24)  4. Prelude No. 2
(6:00)  5. Embraceable You
(5:56)  6. People Will Say We're In Love
(6:11)  7. Lotus Blossom
(6:57)  8. How Long Has This Been Going On
(4:35)  9. Cry Me a River
(6:23) 10. In the Wee Small Hours of the Morning

2011 has been productive year in the recording realm for pianist Ted Rosenthal. His contribution to The Westchester Jazz Orchestra's superb Maiden Voyage Suite (WJO Records) helped elevate the re-imaging of pianist Herbie Hancock's classic Maiden Voyage (Blue Note, 1965) to the highest level of big band artistry. With Out of this World, Rosenthal slips back to the more minimal piano trio, for his exquisite interpretations of some of The Great American Songbook's most beloved compositions. Covering classic tunes by some of the Songbook's best-known composers with a high sheen and Rosenthal's distinctive style and refined touch, the trio opens with the title tune, written by Harold Arlen and Johnny Mercer. The trio takes the tune on a rolling and fluid 9/8 groove that seems to float on the clouds, buoyed by bassist Noriko Ueda's succinct bounce and drummer Quincy Davis' odd-meter surprises. It wouldn't be a standards set without some Cole Porter. Rosenthal and the trio explore the beauty of the composer's "So in Love," beginning with a wistful elegance that slips from Latin groove to up-tempo swing. 

And if a standards set must have some Cole Porter, George Gershwin certainly can't be left out. There are three of Gershwin's works: "Prelude #2," taken into the deep blues; another odd-meter tryst with "Embraceable You;" and "How Long Has This Been Going On?," which gets the lightest of Rosenthal's touch wistful and pretty, full of inventive eddies. "Lotus Blossom," from the pen of Billy Strayhorn, is delicately lovely, and "In the Wee Small Hours of the Morning," which was covered so perfectly by vocalist Frank Sinatra on his 1955 Capitol Records album, In the Wee Small Hours, is the perfect closer here, a reverent treatment of the timeless ballad full of longing and, in the hands of Rosenthal and his trio, a glimmer, perhaps, of hope. ~ Dan Mcclenaghan   http://www.allaboutjazz.com/php/article.php?id=40854#.UwfxsIVZhls
 

Personnel: Ted Rosenthal: piano; Noriko Ueda: bass; Quincy Davis: drums.

Out of This World

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Chloe Brisson - Blame It On My Youth

Size: 130,5 MB
Time: 56:10
File: MP3 @ 320K/s
Released: 2012
Styles: Jazz Vocals
Art: Front

01. Send For Me (Feat. Ben Williams) (4:08)
02. Day By Day (Feat. Martin Wind) (4:34)
03. Blame It On My Youth (Feat. Fred Haas & Bill Mays) (7:12)
04. So Long, You Fool (Feat. Ben Williams & Matt Wilson) (5:10)
05. Dindi (Feat. Marvin Stamm) (6:08)
06. Just One Of Those Things (Feat. Bil Mays) (2:01)
07. I Fall In Love Too Easily (Feat. Fred Haas) (5:20)
08. What A Difference A Day Made (Feat. Matt Wilson) (3:35)
09. Deed I Do (Feat. Martin Wind) (4:26)
10. Aretha (Feat. Fred Haas) (3:31)
11. How Hgh The Moon - Ornithology (Feat. Martin Wind & Matt Wilson) (2:46)
12. Someone To Watch Over Me (Feat. Bill Mays) (4:03)
13. I'm Gonna Sit Right Down And Write Myself A Letter (Feat. Sheila Jordan) (3:10)

At eighteen, Chloe Brisson is a talented and energetic emerging Jazz vocalist who has thrilled audiences with her gift of song and savvy stage presence. Her new CD, entitled "BLAME IT ON MY YOUTH" was released in Jan. 2012 to much acclaim and places her as a jazz talent that is here to stay! The August studio session, at Manfred Knoop Recording Studio, brought in friends and heavy hitters such as Bill Mays, Martin Wind, Marvin Stamm, Matt Wilson, Fred Haas and Ben Williams. The CD also includes a guest vocal duet with Jazz Master Sheila Jordan! As we move into 2013, it is apparent that this will be a very busy year for the high school senior. During the past three years, Chloe has studied at Dartmouth College where she attends classes, studies jazz theory and piano, and performs extensively with the nationally acclaimed Dartmouth College Gospel Choir. Chloe's devotion to the roots of jazz and her drive to continue the genre forward, make her a special asset to the jazz community. Chloe has attended Interplay Jazz Camp each summer and has worked with Sheila Jordan, Dianne Reeves, Karrin Allyson and Dena DeRose. She also attended the five week summer program at Berklee College of Music. Her Debut CD entitled "RED DOOR SESSIONS" was recorded in December of 2007 at the age of 13.

Chloe has a natural gift for expressing emotion through music and has developed the ability to free flow with musicians of many talents. She truly embraces the art of Jazz where the connection with the band and the audience are palatable in her performances. Chloe has performed for packed audiences throughout the NH and VT region, including First Night Burlington and the Burlington Waterfront Festival. She also has donated many evenings of wonderful jazz entertainment to local charities and fundraisers. Chloe has recently been selected as a winner for YoungArts and has been selected as a member of the acclaimed GRAMMY Camp- Jazz Session, where she will perform in Los Angeles at various events surrounding and at the GRAMMYS. Chloe will travel to Yaroslavl, Russia in March and spend a week performing at the "Jazz Over The Volga" Jazz festival!

Blame It On My Youth

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Buckaloose - Live At Upstairs

Size: 179,7 MB
Time: 77:55
File: MP3 @ 320K/s
Released: 2013
Styles: Jazz: Hammond Organ
Art: Front

01. Mile End Stomp (9:02)
02. Tastes Like Burning (7:31)
03. Barney Big Nuts (8:55)
04. Bits And Pieces (9:55)
05. Statement (9:41)
06. Tell Me About It (12:00)
07. Man Down (10:59)
08. Man Of The World (9:47)

Buckaloose brings you hard-driving groove and soul reminiscent of the Hammond B3 jazz organ groups of the 1960s and 70s, with a modern and personal touch. This intensely high-energy yet deeply warm and expressive performance at Montreal's top jazz venue is yours to enjoy over and over again!!

Chris Gale - saxophones
Vanessa Rodrigues - Hammond B3 organ
Mike Rud - guitar
Davide DiRenzo - drums

Recorded November 11, 2010
Upstairs Jazz Bar
Montreal, Canada
Engineer: Christopher Murtagh
Cover photo: Katherine Moller

Since meeting in 2003, Vanessa Rodrigues (Montreal) and Chris Gale (Toronto) have been collaborating, recording and touring across Canada.

With the addition of Mike Rud (Montreal) and Davide DiRenzo (Toronto), a serious collective was formed with a live CD being the product of their intense musical bond (Gale/Rodrigues Group Live at the Rex - CGVR01; 2007)

The next chapter of the group's creative efforts came with the birth of Buckaloose, and along with the new name, their first studio album, recorded in 2010 for LeLab Records' “The 270 Sessions” jazz series.

Live At Upstairs

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Karen Taborn - Singin' A Sonny Song

Size: 79,0 MB
Time: 33:58
File: MP3 @ 320K/s
Released: 2014
Styles: Jazz Vocals, Brazilian Rhythms
Art: Front

01. Meu Bem Meu Mal (4:29)
02. Billy's Blues (5:03)
03. Chovendo Na Roseira (5:17)
04. Love Me Or Leave Me (3:00)
05. Singin' A Sonny Song (4:26)
06. Once I Loved (6:55)
07. Yesterdays (4:43)

What music journalist, Jeff Davis wrote about Karen Taborn in 1990 still holds true today. "Far from flamboyant, Taborn has an appealingly unaffected voice. She uses dynamics and a horn player's ear for phrasing to draw out the emotional depths of original material, Brazilian tunes and jazz standards. In other words, Taborn is a jazz singer, not a saloon shouter; her approach to performing is about taste and swing, not flash and brass."

Singin' A Sonny Song

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Brian Culbertson - Another Long Night Out

Size: 128,1 MB
Time: 55:06
File: MP3 @ 320K/s
Released: 2014
Styles: Smooth Jazz
Art: Front

01. City Lights (Feat. Lee Ritenour) (5:57)
02. Fullerton Ave. (Feat. Chuck Loeb) (5:57)
03. Beyond The Frontier (4:37)
04. Heroes Of The Dawn (Feat. Eric Marienthal & Rick Braun) (5:29)
05. Beautiful Liar (Feat. Steve Lukather) (4:17)
06. Double Exposure (Feat. Russ Freeman) (4:43)
07. Twilight (Feat. Eric Marienthal) (4:06)
08. Horizon (Feat. Patches Stewart) (4:26)
09. Alone With You (6:31)
10. Long Night Out (Feat. Candy Dulfer) (4:54)
11. Changing Tides (Feat. Jonathan Butler) (4:04)

My name is Brian Culbertson and I am a contemporary jazz multi-instrumentalist with 13 award-winning albums released over the last 20 years. I’ve been touring non-stop while continually writing and producing new music and am currently in the studio re-recording my very first album, Long Night Out, with many of the musicians that inspired me back in the day! The new version (which will be released on the 20th anniversary of the original in February of 2014) will aptly be named, Another Long Night Out.

I’ve had the idea to re-record this album for many years now and have been waiting for just the right time. Since I recorded the original while attending DePaul University in my college apartment (above a Costume Shop) with 3 roommates on a busy street in Chicago with very little money, I was extremely limited to say the least. Therefore, I had to make do with my resources at hand which meant programming most of the instruments to sound real using drum machines, synth bass and most dreadedly, sampled/synth piano. Since those days, I’ve been able to meet and work with many of the top names in the music industry so I thought coming up on the 20th anniversary of the original release would be the perfect time to re-record all of those songs with the artists and musicians that have been so influential to me since the beginning.

This record is a true passion for instrumental contemporary jazz and a real full circle for me as a recording artist...and YOU can help make it happen!

To record this album ‘the way I always wanted to make it’ is going to be a huge undertaking both financially and logistically. For starters, every song will feature a host of the biggest names in jazz, many with legendary status. I also have to hire recording and mix engineers, a few outside studios (other than my own), a mastering engineer and studio time there, plus I have an idea to use a real orchestra on four of the songs (this is not cheap). Here is a list of musicians currently confirmed to play on Another Long Night Out:

• Russ Freeman (Rippingtons) - guitar
• Eric Marienthal (Chick Corea Elektric Band, solo and others) - sax
• Chuck Loeb (Fourplay and solo) - guitar
• Candy Dulfer (solo & Prince) - alto sax
• Steve Lukather (Toto) - guitar
• Paul Jackson, Jr. (Tonight Show with Jay Leno and countless records) - guitar
• Will Kennedy (Yellowjackets) - drums
• Jimmy Haslip (Yellowjackets, Bruce Hornsby and others) - bass
• Nathan East (Fourplay, Toto, Eric Clapton and others) - bass
• Ricky Lawson (Michael Jackson, Phil Collins, Yellowjackets and others) - drums
• Michael Thompson (David Foster, Celine Dion and others) - guitar
• Lenny Castro (percussionist for everyone) - percussion
• Michael Bland (Prince and the New Power Generation) - drums

Another Long Night Out

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Linda Kosut - Long As You're Living

Styles: Vocal
Year: 2007
File: MP3@320K/s
Time: 47:45
Size: 113,2 MB
Art: Front

(2:49)  1. A Tree and Me
(3:02)  2. Mr. Kicks
(3:55)  3. Hazel's Hips
(3:24)  4. Summer in the City
(3:46)  5. A Column of Birds
(6:17)  6. 'Round Midnight & The Beach
(3:25)  7. Brother, Where Are You?
(1:39)  8. Bid 'Em In
(2:30)  9. The Call of the City
(2:15) 10. The Snake
(3:54) 11. Old Lovers' Song
(3:42) 12. Humdrum Blues
(3:36) 13. Tower of Time
(3:26) 14. Long As You're Living

Singer Linda Kosut has admired the music of Oscar Brown Jr. from the time she first heard it in the 60s. In 2006, she turned his songs into a tribute on stage. Long As You're Living - The Songs & Poetry of Oscar Brown Jr. has been performed in San Francisco, New York, Los Angeles and Chicago. Kosut has pulled some of the songs from Brown's repertoire for this CD. She has her own style, she never seeks to imitate or pay cloying tribute to him. She gives Brown's songs a fresh slant, which by and large makes this a pleasure to listen to. 

Kosut has selected a wide range of songs that showcase her vocal ability. She is bang in the groove on "Bid 'Em In evocating the charged atmosphere of a slave auction which she sings a capella. Brown's words focused not only on social issues but also on observations of everyday life. "Hazel's Hips gets its first undulation from Max Perkoff's piano. Kosut is slinky and sly in unraveling the blues. Perkoff returns for an appropriately greasy solo on the trombone. The slow burn of the blues and the saucy lyrics make this salivating.  A Tree and Me is awash in warmth. Kosut plumbs the depth of the emotion and comes up with a winning performance. "Mr. Kicks is quite a different bag. Upbeat and joyous, the song gives Kosut an opportunity to show her mettle as a jazz singer. ~ Jerry D’Souza   http://www.allaboutjazz.com/php/article.php?id=26833#.UwY-y4VQE9c

Personnel: Linda Kosut: vocals;  Max Perkoff: piano, trombone;  Tom Shader: bass;  Paul van Wageningen: percussion.

Long As You're Living

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Tim Armacost - The Wishing Well

Styles: Saxophone Jazz
Year: 2000
File: MP3@320K/s
Time: 65:41
Size: 150,6 MB
Art: Front

(10:04)  1. Body And Soul
( 7:58)  2. Sustenance
(17:15)  3. Crescent
(14:42)  4. Black Sand Beach
( 8:18)  5. The Wishing Well
( 7:22)  6. Special Delivery

In order to play true jazz, a musician needs to assimilate all that went before him, paying particular attention to those artists who charted the course and defined the vernacular for the specific instrument that he has set out to master. In music, nothing ever gets pulled out of thin air. You carry forth a linage, and hopefully along the way, through intense study and careful examination, you can extend that lineage by putting your own fingerprint on what you play; a sort of musical DNA that separates you from everyone else. On The Wishing Well , the latest CD from tenor saxophonist Tim Armacost, we hear Tim re-examining and re-assessing that linage, while carefully placing his own ideas under a microscope, crystalizing them, absorbing them, and preserving them, not unlike a scientist does with laboratory samples of organic DNA. A native of California, 37 year old Armacost is a young lion with a mature and toasty-warm sound, a lyrical approach, and a innate sense of swing. He plays through this program of originals (plus two standards) with the grace of an albatross; gliding effortlessly over the thermal convection provided by bandmates Bruce Barth, Ray Drummond, and Billy Hart. All the performances are on a very high level on this date, and the selection of tunes are nothing to sneer at either. 

Just when you thought "Body and Soul" had been played to death, Armacost gives us a version in waltz time, with a substitution in the bridge comprised of modulating two-fives, which greatly extends the harmonic interest of the piece. When listening to this disc you also will get a feeling that Armacost has been deeply moved by the music of John Coltrane(what saxophonist of the last forty years hasn't?), and his stirring rendition of Cresent shows that he is not afraid to let us know just that. The set closes with Armacost's Special Delivery; indeed special, for this up-tempo burner finds everyone inspired and in good spirits. Throughout The Wishing Well, Tim Armacost shows us that he is a voice and a talent to be reckoned with, thus earning the honorable distinction in jazz circles as being "one of the cats." Welcome aboard, Tim! ~ Aaj Staff   

http://www.allaboutjazz.com/php/article.php?id=5732#.Uw0-FYVZhhk

Personnel: Tim Armacost (tenor sax); Bruce Barth (piano); Ray Drummond (bass); Billy Hard (drums)

The Wishing Well

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Paula Lammers - Deep Purple Dreams

Size: 137,9 MB
Time: 59:21
File: MP3 @ 320K/s
Released: 2011
Styles: Jazz Vocals
Art: Front

01. In The Still Of The Night (5:30)
02. Moonfall (6:07)
03. You Must Believe In Spring (4:54)
04. How Can I Keep From Singing (5:46)
05. (Not That) South Of The Border (3:46)
06. And So It Goes (4:41)
07. Waltz For Debby - Not While I'm Around (4:12)
08. Deep Purple (3:42)
09. Now I've Seen You (5:14)
10. You And The Night And The Music (4:16)
11. I'm Just A Lucky So And So (4:36)
12. Two For The Road (4:10)
13. You Are There (2:21)

Unstrained, clear, distinguished, Paula Lammers’s voice soars above the relaxing jazz instrumentals on her album Deep Purple Dreams. Her voice is delicate but dominate, calm and controlled.

The Minnesotan jazz artist is full of talent. Her voice is undeniably gorgeous— it's a vocal beauty. Her voice demands attention and asks for no less. Honestly, I would be fine with an album without the instrumentals and entirely her voice. Lammers is a jazz gem and has been shining bright for the past few years on the local Minneapolis jazz scene. However, you can expect to hear much more from Paula Lammers.

Fortunately, all the tracks on Lammers’ album are different. I often find new jazz musicians very repetitive and monotonous. Lammers’ lyrics are entirely distinctive. I find some of the lyrics dark, but Lammers perfectly suits the mood with her talented voice. The lyrics are above and beyond others that I have heard, especially from other jazz artists.

There are thirteen tracks on Lammers’ album, “You Must Believe In Spring” being one of my favorites. The song is made of Lammers’ lighter lyrics. In this song, Lammers definitely paints a picture for her listeners with the lyrics used to evoke the perfect spring scene.

Lammers went to college to major in vocal music and became interested in improvisation and opera. When listening to her sing, Lammers still has a distinct opera-style to her vocal delivery. She sang largely classical music as her musical interests grew, obviously a great choice for her skilled voice. All of her influences shine in this album. This is a great album to be released after Paula Lammers’ first album over five years ago.

This album is thoroughly enjoyable for any music lover. Hopefully Paula Lammers does not take long breaks in between album releases because I am looking forward to hearing much more from this talented jazz artist. ~Review by Stephanie Trottier

Deep Purple Dreams

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