Thursday, July 10, 2014

The Christian Jacob Trio - Styne & Mine

Bitrate: 320K/s
Time: 64:03
Size: 146.6 MB
Styles: Piano jazz
Year: 2004
Art: Front

[4:38] 1. Just In Time
[4:55] 2. It's You Or No One
[4:39] 3. Guess I'll Hang My Tears Out To Dry
[5:08] 4. Never Never Land
[4:43] 5. Lydia's Crush
[6:45] 6. Piece One
[4:50] 7. Piece Two
[4:41] 8. Piece Three
[6:17] 9. People
[4:14] 10. As Long As There's Music
[4:46] 11. I Fall In Love Too Easily
[5:20] 12. Time After Time
[3:00] 13. The Party's Over

At Ken Poston's all-star tribute to trumpeter Maynard Ferguson in Los Angeles last October (2004), the pianist for most groups, large or small, was Maynard's son-in-law, Christian Jacob, who didn't land the gig because of family connections. When Tierney Sutton, who has worked with Jacob for nearly a dozen years and is the guest vocalist on "Guess I'll Hang My Tears Out to Dry" and "I Fall in Love Too Easily," introduces Christian as "one of the greatest living jazz pianists," she isn't saying that just to be nice. A number of astute observers agree, including Bill Holman, Benny Golson and the man whose idea it was to have Jacob perform the music of the great Broadway/Hollywood composer Jule Styne, legendary English bandleader/impresario Vic Lewis.

Even with their support and well-wishes, the album almost never happened, as no label expressed an interest in producing it. Enter Christian's wife, Wilder Jacob, who learned how to move it from drawing board to finished product practically by herself, hence the label WilderJazz. That, I surmise, is what is meant by the term "helpmate."

The album's title, Styne & Mine, refers to the fact that nine of its thirteen numbers were co-written by Styne (with various lyricists), the others by Jacob. While Styne's melodies are more familiar, Jacob's have an insistent charm of their own and might respond well to the solicitude of an accomplished lyricist (even though he has prosaically named three of them "Piece 1," "Piece 2" and "Piece 3"). Jacob also wrote "Lydia's Crush" and left the rest in Styne's capable hands.

Jacob is an excellent pianist whose formidable technique is tempered by his marvelous touch, cheerful temperament and impressive capacity to bring out the best in any song. While "one of the greatest" is clearly in the ear of the beholder, Jacob reminds me of such other renowned young pianists as Bill Charlap, Jan Lundgren, Eric Reed and Benny Green, and perhaps that is praise enough. One has to save some applause for Henry and Brinker, each of whom plays his part admirably. Henry is one of the most sought-after bassists in southern California, and it's easy to hear why. He's always at the top of his game. Like many drummers, Brinker has a natural tendency to roar, but softens his approach when necessary to help make this a trio in the best sense of the word. ~Jack Bowers

Styne & Mine

Joe Jackson - Greatest Hits

Bitrate: 320K/s
Time: 75:36
Size: 173.1 MB
Styles: New Wave
Year: 1996
Art: Front

[3:34] 1. Is She Really Going Out With Him
[3:20] 2. Look Sharp!
[4:18] 3. Sunday Papers
[3:58] 4. I'm The Man
[3:42] 5. It's Different For Girls
[4:16] 6. Beat Crazy
[2:40] 7. Jumpin' Jive
[4:50] 8. Breaking Us In Two
[4:15] 9. Steppin' Out
[7:58] 10. A Slow Song
[5:20] 11. Memphis
[4:51] 12. You Can't Get What You Want (Till You Know What You Want)
[4:19] 13. Be My Number Two
[4:34] 14. Right And Wrong
[3:10] 15. Home Town
[4:40] 16. Down To London
[5:44] 17. Nineteen Forever

A&M's 1996 collection Greatest Hits contains many of the basics in Joe Jackson's catalog, and that may be enough for some fans -- after all, it has "Is She Really Going Out With Him?," "Look Sharp!," "Sunday Papers," "I'm the Man," "You Can't Get What You Want (Til You Know What You Want)," "Breaking Us in Two," "Steppin' Out," and "Nineteen Forever." The problem with the record is what lies around them. What's there isn't particularly bad, although inclusions like a live version of "Memphis" are fairly puzzling, but it isn't representative of Jackson's best, and it doesn't result in a great listen. It may satisfy those looking for just a handful of hits on one disc, but there are better Jackson compilations on the market. ~Stephen Thomas Erlewine

Greatest Hits

Melissa Stott - Why Now

Styles: Jazz, Vocal
Year: 2005
File: MP3@320K/s
Time: 52:33
Size: 120,7 MB
Art: Front

(3:30)  1. Mami's Kitchen
(1:45)  2. Why Now
(3:36)  3. Don't You Get It
(2:34)  4. You're Through
(4:41)  5. An Imaginary Girl
(4:02)  6. Suspicion
(4:36)  7. Ella
(4:58)  8. I Think Of You
(4:54)  9. Dreaming
(6:22) 10. You Don't Love Me
(4:17) 11. Anyone Can See That I'm In Love
(5:26) 12. A Long, Long Way
(1:46) 13. Why Now

Melissa Stott, jazz songwriter and vocalist, was born in Manchester (UK), daughter of a Singaporean-Chinese mother and an English father who was a jazz pianist and church organist. Being the only student on the advanced music course at high school, Melissa received one-to-one tuition in harmony and counterpoint from Lorna Wareham. A classical pianist and dancer, she spent the late eighties and early nineties living and working in London, Canterbury, Singapore, Italy, Sweden and Denmark, obtaining a degree in Drama and touring with a theatre company. After vocal and instrumental studies with Barry Harris, Stjepko (Steve) Gut, Vince Benedetti, Dennis Jeter, Andy Farber and LaVerne Jackson, Melissa, already an established jazz vocalist, started writing down the songs that had been in her head for a while. 

For her 2005 debut, Why Now, she was hailed by Chris Parker (Vortex, London) as “a witty, accomplished songwriter with the ability to deliver her material with beguiling, informal intimacy…”, who also went on to predict that “her ability to write clever but affecting original songs that sound like standards in the making should see her establish herself in the top flight of vocalists in short order”. Her new 2007 release The Picture for Leo Feigin’s Feetfirst Records (a division of the avant-garde Leo Records), sees that promise about to be fulfilled. All of the thirteen songs on The Picture were penned by Melissa, proving that her talent for writing catchy tunes with interesting harmonies and witty, touching lyrics continues to blossom. From the up- tempo dismissal of a lover in “Romance Addio”, to the haunting Evans-esque “The Picture”, or the aching, melancholic “Wish It Wasn’t True”, each and every one of Stott’s original songs casts a spell which is hard to forget. Tongue firmly in cheek, she imparts a cautionary tale about learning (or not) from your mistakes in “Hindsight” and dreams poignantly of better tomorrows in “A Little Contented Place”. Melissa Stott is “conversational, mature and engaging...far more than just a singer.”~ (Jazz Review, UK)

As a vocalist, her style is natural and understated, yet “an almost conversational intimacy combines with subtle power” to produce feelings that it’s hard to put your finger on. She also has, in her “precise diction, fluidity of her phrasing and perfect intonation, some of the best strings to her bow”~ (All About Jazz).

She currently performs in clubs and festivals (S.Elpidio Jazz Festival, Toscana Jazz, Appennino Music Festival, Cork Jazz Festival, etc.) all around Italy and in Europe. Melissa is currently living in Italy. http://musicians.allaboutjazz.com/melissastott

Antti Sarpila - We'd Like New York...in June!

Styles: Saxophone Jazz
Year: 2008
File: MP3@320K/s
Time: 71:44
Size: 165,7 MB
Art: Front

(5:13)  1. How About You
(3:09)  2. From This Moment On
(5:09)  3. Everything Happens to Me
(5:05)  4. Moonlight on Germont
(4:40)  5. Lesterity
(3:41)  6. When It's Sleepy Time Down South
(2:46)  7. Whispers in the Dark
(2:19)  8. Revolutionary Jump
(3:29)  9. Unforgettable
(4:17) 10. 'Deed I Do
(5:31) 11. I'm Beginning to See the Light
(4:00) 12. Swing ala Chopin
(5:31) 13. Summer Night
(4:03) 14. Just One of Those Things
(3:54) 15. Cheek to Cheek
(5:45) 16. Love Walked In
(3:04) 17. Dearest (You're the Nearset to My Heart)

Finnish multi-reed player Antti Sarpila has developed a strong following within a few short years following his 2001 debut CD as a leader. Equally talented on tenor sax, clarinet, and soprano sax, Sarpila gives this set a truly international flavor, with Italian pianist Rossano Sportiello, Australian bassist Nicki Parrott, and American drummer Ed Metz, Jr.. Opening on tenor in a easygoing take of "How About You?" he showcases each player in turn. The "I Got Rhythm"-derived "Lesterity" is an obvious salute to Lester Young and would be perfect for any jam session. He revisits the long forgotten "Whispers in the Dark" delving in playful exchanges with Sportiello with Metz whispering with his brushwork. His engaging "'Deed I Do" showcases Parrott playing both pizzicato and arco solos. Sarpila's upbeat "Swing à la Chopin" is based on one of Fryderyk Chopin's best-loved waltzes. Fans of mainstream jazz will be delighted with this enjoyable CD. ~ Ken Dryden  http://www.allmusic.com/album/wed-like-new-york-in-june!-mw0000809517.

Personnel: Antti Sarpila (clarinet, soprano saxophone, tenor saxophone); Antti Sarpila (saxophone); Rossano Sportiello (piano); Nicki Parrott (bass guitar); Ed Metz, Jr. (drums).

Pink Martini - Dream A Little Dream

Styles: Vocal
Year: 2014
File: MP3@320K/s
Time: 47:39
Size: 109,7 MB
Art: Front

(2:55)  1. Storm
(2:44)  2. Kuroneko No Tango
(3:51)  3. Dream A Little Dream
(3:50)  4. Fernando
(2:52)  5. Hayaldah Hachi Yafah Bagan
(4:13)  6. Friend
(2:44)  7. Die Dorfmusik
(2:00)  8. In Stiller Nacht
(3:11)  9. Le Premier Bonheur Du Jour
(3:19) 10. Rwanda Nziza
(2:25) 11. Gongxi
(3:16) 12. Hushablye Mountain
(2:38) 13. Lonely Goatherd
(2:48) 14. Edelweiss
(4:48) 15. Thunder

Sofia, Melanie, Amanda, and August von Trapp are the actual great grandchildren of Baron & Maria Von Trapp, made famous by the 1965 film The Sound of Music. These siblings (ages 18 25) have been singing together for 12 years, and have toured all over the world in concert. Drawn into the magical orbit of Thomas Lauderdale, they now live together in a house in Portland, Oregon and have been frequent guest performers with Pink Martini for the past two years. This delightful new collaboration features Pink Martini s beloved little orchestra fronted by the beautiful crystalline four-part harmonies of the singing siblings, traveling through a wonderland of Lauderdale s brilliant arrangements. Pink Martini presents the first major international release by the four sensational singing greatgrandchildren of Baron & Maria von Trapp, the real-life subjects of The Sound of Music. 

Fifteen songs from all over the world, from Japan, Sweden and Rwanda to France and Ireland. World-famous Irish supergroup The Chieftains appears on August von Trapp's original song Thunder. The legendary Wayne Newton leads a rousing version of Lonely Goatherd with help from Columbus Zoo Director and regular late-night talk show guest Jack Hanna!

In a duet that crosses the threshold of fantasy and reality, Charmian Carr (the actress who played Liesl in The Sound of Music) sings a touching version of Edelweiss.~ Editorial Reviews  http://www.amazon.com/Dream-Little-Pink-Martini/dp/B00HUQC4WE.

Personnel: August Von Trapp (vocals, ukulele); Amanda von Trapp, Sofie von Trapp, Melanie von Trapp (vocals); Dan Faehnle (guitar); Maureen Love (harp); Nicholas Crosa (violin); Pansy Chang (cello); Gavin Bondy (trumpet); Robert Taylor (trombone); Thomas Lauderdale (piano); Phil Baker (upright bass); Anthony Jones (drums, percussion); Derek Rieth, Brian Davis (congas, percussion); Timothy Nishimoto (percussion).

Dream A Little Dream

Mark Dorricott & Vocalatti - Into The Night

Styles: Jazz
Year: 2014
File: MP3@320K/s
Time: 52:03
Size: 119,5 MB
Art: Front

(3:16)  1. Just Cruisin'
(3:56)  2. Desert Time
(3:03)  3. You Take Me There
(3:22)  4. End Of Time
(2:58)  5. Into The Night
(3:20)  6. Deep Desert
(6:24)  7. Dreamsville
(4:23)  8. Midnight Mood
(3:27)  9. Too Much Time
(5:28) 10. Sands Of Time
(4:50) 11. Back To Nature
(3:26) 12. Sea Of Tranquillity
(4:06) 13. Fragment

Here’s a first collaborative album ‘Into the night‘ with original songs by Vocalatti (songwriter/vocals) and Mark Dorricott (songwriter/instrumentals). The album takes you into the night and beyond, with smooth electric fender rhodes keys (Mark Dorricott)and late night sultry vocals (Vocalatti) ,washing over you, calming even the most tense mind, leaving you chilled and relaxed.

For all you night time lovers, this is the album for you. Put the lights down low… and sit back and relax.  http://www.loungemasters.org/frw/2014/07/02/into-the-night-by-mark-dorricott-vocalatti/

Wednesday, July 9, 2014

Terry Gibbs Big Band - Live At The Summit In Hollywood

Bitrate: 320K/s
Time: 79:32
Size: 182.1 MB
Styles: Big band, Swing
Year: 2012
Art: Front

[3:04] 1. Day In, Day Out
[3:42] 2. Summit Blues
[2:43] 3. Limerick Waltz
[5:17] 4. You Don't Know What Love Is
[2:49] 5. Sweet Georgia Brown
[2:50] 6. Nose Cone
[4:00] 7. Too Close For Comfort
[4:32] 8. Main Stem
[4:33] 9. Ja-Da
[5:40] 10. T And D
[3:02] 11. Tico Tico
[3:41] 12. Big Bad Bob
[4:26] 13. The Big Cat
[5:12] 14. Soft Eyes
[3:52] 15. Billie's Bounce
[2:49] 16. Pretty Blue Eyes
[3:34] 17. I'll Take Romance
[2:53] 18. Do You Wanna Jump, Children
[4:16] 19. Nature Boy
[3:36] 20. Jump The Blues Away
[2:52] 21. Sleep

Big-band jazz gains a dimension when it is energized by a brilliant central virtuoso like Terry Gibbs, and he self-evidently sparked these live sessions, wailing in front of a fine band with the kind of men and arrangements that suited him perfectly. What registers so vividly is that, although this splendid band had only worked together sporadically, it had a pervasive group feeling and a cohesion and excitement that were communicated with vitality and fervor by the superb ensemble playing and consistently high quality blowing by Bill Perkins, Joe Maini, Conte Candoli, Richie Kamuca, Frank Rosolino, and Pat Moran.

What also made their sound so infectious was their swinging arrangements, deftly wrought by top writers like Bill Holman, Al Cohn, Manny Albam, and Shorty Rogers. This is a true picture of how this band really sounded, thanks to the work of the great sound engineer, Wally Heider, which so vibrantly brought it to life in its transfer from The Summit night club on Sunset Blvd., where it was recorded in excellent stereo sound. It is indisputably one of the best big band efforts in Terry Gibbs’ illustrious history as a top jazzman and band leader.

Al Porcino, Conte Candoli, Ray Triscari, Frank Huggins, Stu Williamson (tp), Frank Rosolino, Vern Friley, Bob Edmondson (tb), Joe Maini, Charlie Kennedy, Bill Perkins, Richie Kamuca (saxes), Terry Gibbs (vib), Pat Moran (p), Buddy Clark (b), Mel Lewis (d)

Live At The Summit In Hollywood

Birgitte Lyregaard - Blue Anemone

Bitrate: 320K/s
Time: 48:14
Size: 110.4 MB
Styles: Vocal jazz
Year: 2010
Art: Front

[5:22] 1. Forgetful
[0:50] 2. Do It Again
[4:19] 3. Den Blå Anemone
[7:33] 4. But Beautiful
[5:37] 5. Nantes
[6:31] 6. Monk's Mood
[2:37] 7. Being Green
[7:40] 8. I Thought About You
[4:12] 9. I've Grown Accustomed To His Face
[3:28] 10. Somewhere Over The Rainbow

Birgitte Lyregaard, (born in England 1973) Is a versatile vocalist as well as a composer, lyricist and storyteller and is equally at home in the world of jazz, impro, deep pop and concert tales.

She was made at sea, born in London, grew up in Denmark and studied at the Conservatories in The Hague and Rotterdam in Holland obtaining her Jazz Vocal Master in 2004. Birgitte has returned to Denmark in spring 2011 after having lived and worked for three years in Paris, France.

Blue Anemone, the title song of the cd ”and in Danish "Den blå anemone”, is a Danish song about maintaining hope through times of darkness. Planting a seed in unfamiliar ground and thinking that the roughness and incompatibility of the surrounding elements will be the end of this fragile existance. But come spring, surprise and joy, a spot of sky blue breaks through the soil. Even stronger from resistance this beautiful flower reminds us that there is always a way up and out, no matter how impossible things may seem and that flowers can survive to spread hope and joy in even the most unlikely places.

Though today she is also active with musical projects of different genres (impro, deep pop, poetry rock) her intial love - the jazz standard - has never seized to fascinate and occupy her. So with this trio Birgitte Lyregaard (w. Alain Jean-Marie, piano and Alexandra Grimal, saxophones) gets lost in the American Book of Standards, the bare, re-defined essentials of the soul of the jazz ballads.

Recording information: Herman Van Hove's Place, Kapellen, BE (05/01/2010).

Blue Anemone

Sal Salvador - Frivolous Sal

Bitrate: 320K/s
Time: 35:38
Size: 81.6 MB
Styles: Bop, Guitar jazz
Year: 1956/2008
Art: Front

[3:11] 1. Frivolous Sal
[3:04] 2. Tangerine
[3:36] 3. I Cover The Waterfront
[3:23] 4. You Stepped Out Of A Dream
[2:34] 5. You Could Swing For That
[4:00] 6. All The Things You Are
[4:14] 7. Salaman
[3:35] 8. A Handful Of Stars
[3:08] 9. I Love You
[4:49] 10. I Remember April

A versatile guitarist and onetime head of the guitar department at the University of Bridgeport, Sal Salvador was a capable soloist and accompanist whose single-string style, shaped by his early interest in the music of Charlie Christian, was augmented by extensive studies of guitar technique. Salvador's years of research, playing, and analysis eventually led to his writing guitar methodology books, among them Sal Salvador's Chord Method for Guitar and Sal Salvador's Single String Studies for Guitar in the '50s and '60s. He became interested in jazz during his teens, and began playing professionally in Springfield, MA, in 1945. He worked with Terry Gibbs and Mundell Lowe in New York at the end of the '40s, then joined Stan Kenton's orchestra in 1952. Salvador worked with Kenton until the end of 1953, and appeared on the New Concepts of Artistry in Rhythm album. He led bebop bands featuring Eddie Costa and Phil Woods. Salvador was featured in the film Jazz on a Summer's Day and headed a big band in the late '50s and early '60s. He worked in a guitar duo with Alan Hanlon in the early '70s, and began recording again as a leader later in the decade. He re-formed his big band in the '80s, and was named to his position at the University of Bridgeport. Salvador led recordings for Blue Note (1953), Capitol, Bethlehem, Decca, Jazz Unlimited, Dauntless (1963), Bee Hive, GP, and Stash; he died September 22, 1999, at the age of 73. ~bio by Ron Wynn

Frivolous Sal

Lisa Bassenge - Won't Be Home Tonight....

Styles: Latin Jazz, Vocal
Year: 2008
File: MP3@320K/s
Time: 64:12
Size: 147,5 MB
Art: Front

(4:38)  1. Won't Be Home Tonight..
(3:50)  2. It's Raining
(3:38)  3. Sleep
(6:24)  4. In Between Days
(6:17)  5. Overload
(5:06)  6. The Thrill Is Gone
(2:28)  7. Crazy
(4:48)  8. Little Lover
(4:53)  9. I'd Never Have to Go
(4:36) 10. There Must Be an Angel Playing With My Heart
(3:56) 11. Junimond
(5:21) 12. My Heart Belongs to Daddy
(2:59) 13. Ohne Dich
(5:12) 14. Adeus

Lisa Bassenge is a 30 years old versatile singer. The Lisa Bassenge Trio is the “band” used to release jazz songs where you can also hear Paul Kleber on upright bass. In 2004 they recorded their third critically acclaimed album “three”. Lisa is also singing with the german bands “Micatone” and “Nylon”. Paul Kleber plays bass, percussion; he studied classical and jazz doublebass but he likes playing jazz much more. Besides the Lisa Bassenge Trio he also recorded two CDs with Nylon and two with Jazz Indeed. During Micatone shows you can see him also playing triangle and drums on a second drum set together with Tim Kroker (another member of the Micatone project). The Lisa Bassenge Trio has build himself a solid reputation in Berlin’s clubs, thanks to a “playlist” that takes inspiration from the biggest names in jazz and pop, filtering them through the really unique and emotional voice of Lisa and the musical taste of her collaborators. Bio ~ http://www.last.fm/music/Lisa+Bassenge+Trio/+wiki

Lee Gibson - The Nearness Of You

Styles: Vocal Jazz
Year: 1996
File: MP3@320K/s
Time: 55:13
Size: 126,6 MB
Art: Front

(3:36)  1. Time After Time
(4:07)  2. Never Let Me Go
(5:43)  3. They Can't Take That Away from Me
(4:46)  4. Good Morning Heartache
(4:21)  5. Here's That Rainy Day
(5:06)  6. Nice 'n' Easy
(3:09)  7. The Lady Is a Tramp
(5:40)  8. A Foggy Day
(4:01)  9. Please Don't Talk About Me When I'm Gone
(5:36) 10. The Nearness of You
(4:23) 11. Teach Me Tonight
(4:42) 12. I Only Have Eyes for You

'Lee Gibson is a nationally and internationally acclaimed jazz singer who has delighted critics and fans alike with her wonderful voice; innate sense of swing and dynamic stage presence. She is justly renowned for her musicality and the originality of her interpretations. Lee has appeared at all the major jazz venues and festivals throughout the UK also headlining festivals in Australia and performing throughout Europe. As well as working with her own trio and quartet; Lee is a highly respected and accomplished big band vocalist and has worked with all the major bands in the UK and Europe. When performing with the Danish Radio Big Band, their conductor, the late Thad Jones described her as a "truly marvellous jazz singer".' ~ Bio http://www.jazzcds.co.uk/artist_id_72/biography_id_72

The Modern Jazz Quartet - Concorde

Styles: Cool Jazz
Year: 1955
File: MP3@320K/s
Time: 36:33
Size: 83,9 MB
Art: Front

(7:11)  1. Ralph's New Blues
(4:31)  2. All of You
(5:10)  3. I'll Remember April
(7:59)  4. Gershwin Medley
(7:58)  5. Softly, as in a Morning Sunrise
(3:41)  6. Concorde

After issuing 10" EPs for several years, Concorde (1955) marked two significant touchstones in the five-plus-decade career of the Modern Jazz Quartet (MJQ). One of those was the replacement of co-founder Kenny Clarke (drums) with former Lester Young quintet member Connie Kay (drums), who joined in time for the other hallmark -- this, the MJQ's very first full-length long-player. Kay remained with the combo for the better part of four decades, until his passing in 1994. The transition between percussionists is both smooth as well as sensible. Kay's understated rhythms and solid timekeeping are perfectly suited to the clever arrangements and sophisticated sound of Milt Jackson (vibraphone), John Lewis (piano) and Percy Heath (bass). 

One MJQ constant is the blend of classic covers and stunning original compositions that comprise their releases. Concorde is certainly no exception as the effort kicks off with a mid-tempo Jackson's "Ralph's New Blues." Immediately, Kay's contributions are ample yet discrete, as he interacts with a consistent backbeat, supporting the tasty vibe runs and improvisations from the tune's author. The title track "Concorde" is the other tune to be derived from within the band. Lewis' effervescent syncopation drives through the heart of the melody, with the pianist laying down essential interplay. Once again Kay impresses with well-placed ringing interjections that never overpower the soloist.

Most notable among the reworked popular standards are the slightly brooding opulence of Cole Porter's "All of You" and the fugal, if not slightly Third Stream approach taken on "Softly, As in a Morning Sunrise" from the short-lived collaborations of Sigmund Romberg and Oscar Hammerstein II. However, the centerpiece is undoubtedly the four selections within the "Gershwin Medley." The interpretations of "Soon," "For You, For Me Forevermore," "Love Walked In" and "Our Love Is Here to Stay" are nothing short of definitive. They collectively provide keen insight into the inner-workings of the MJQ and their collective abilities to improvise with purpose, rather than simply combining aimless solos. All manner of post-bop jazz listeners will find much to enjoy throughout Concorde. ~ Lindsay Planer  http://www.allmusic.com/album/concorde-mw0000192242

The Modern Jazz Quartet: John Lewis (piano); Milt Jackson (vibraphone); Percy Heath (bass); Connie Kay (drums).

Jacob Fischer Trio - My Romance ~ Tribute To Bill Evans

Styles: Guitar Jazz
Year: 2013
File: MP3@320K/s
Time: 64:31
Size: 148,2 MB
Art: Front

(5:25)  1. You And The Night And The Music
(4:26)  2. Haunted Heart
(5:24)  3. Nardis
(3:43)  4. I Fall In Love Too Easily
(3:36)  5. Show Type Tune
(7:02)  6. My Foolish Heart
(3:54)  7. Interplay
(4:43)  8. My Romance
(6:37)  9. Time Remembered
(6:37) 10. Waltz For Debby
(4:29) 11. How My Heart Sings
(5:49) 12. Come Rain Or Come Shine
(2:40) 13. Polkadots And Moonbeams

Danish native Jacob Fischer is a rising star and one of the most in-demand jazz guitarists in Scandinavia and Europe. Born in 1967, the self-taught guitarist began working as a professional when he was 17 years old, and since then has participated in over 200 recordings. His fifth album as a leader, and his debut from the Japanese label Venus Records, is an ambitious project: A tribute to Bill Evans with a simple trio with Martin Wind on bass and Tim Horner on drums. Their efforts are a success on many levels. On some tracks, they succeed because they use completely different approaches from those used by Evans in his well-known recorded performances. Examples of these include the unsentimental, hard-boiled approach of the opening track and the imaginative collective improvisations on "Nardis." On a few other tracks including "My Foolish Heart," they succeed to recreate the mood and atmosphere of the legendary Bill Evans trio with Scott LaFaro and Paul Motian despite the difference in the leading instrument. http://www.elusivedisc.com/Jacob-Fischer-Trio-My-Romance-Tribute-To-Bill-Evans-180g-LP/productinfo/VENLP0077/.

Personnel: Jacob Fischer, guitar; Martin Wind, bass; Tim Horner, drums

My Romance ~ Tribute To Bill Evans

Tuesday, July 8, 2014

Julie Kelly - Stories To Tell

Size: 112,3 MB
Time: 48:10
File: MP3 @ 320K/s
Released: 1994
Styles: Jazz Vocals
Art: Front

01. The Surrey With The Fringe On Top (2:54)
02. Long Ago And Far Away (3:36)
03. Tomorrow (4:56)
04. My Man's Gone Now (5:37)
05. When In Rome (4:54)
06. Inside A Silent Tear (3:54)
07. Royal Garden Blues (4:17)
08. A Sleepin' Bee (4:17)
09. Billie's Bounce (3:35)
10. The Day It Rained (4:33)
11. Only Trust Your Heart (5:33)

This CD finds singer Julie Kelly in prime form. With the assistance of Bill Cunliffe on piano and synth, either Tom Warrington or John Clayton on bass, drummer Joe LaBarbera and several guests (guitarist Larry Koonse, tenorman Bob Sheppard, trumpeter Clay Jenkins and percussionist Brian Kilgore), Kelly creates fresh interpretations of such songs as "The Surrey with the Fringe on Top," "Long Ago and Far Away," "A Sleepin' Bee" and a boppish "Royal Garden Blues." Most unusual is her transformation of "Tomorrow" (from Annie) into jazz. An excellent showcase for the talented singer, who both scats well and interprets lyrics with sensitivity. ~Review by Scott Yanow

Stories To Tell

Organ Trio East - Chemistry

Size: 156,3 MB
Time: 67:06
File: MP3 @ 320K/s
Released: 2014
Styles: Modern Creative Jazz
Art: Front

01. Lost In The Schade (8:01)
02. New Horizons (7:54)
03. Quietly (9:44)
04. Waiting For Spring (6:26)
05. Jaybird (8:13)
06. In The Moment (6:35)
07. A Place To Call Home (6:12)
08. Wandering (7:13)
09. What The Frack (6:45)

Organ Trio East (Vonada, Steve Adams on organ and Jim Schade on drums), recently released a CD, “Chemistry.”

The tunes on “Chemistry” are all original compositions by Vonada and Adams. The CD was recorded at Adams’ home in Danville on Jan. 8 and Feb. 24. Over past several years, the trio had been playing these tunes at gigs and then decided they needed to document what they had been doing.

“As a musician, you are only as good as the people you play with, and these gentlemen are top-notch musicians who I am honored to be making music with,” Vonada said. “They have played with cats such as Dave Liebman and Larry McKenna. Their artistry on this recording is amazing, and I thank them for their hard work and creativity.”

In addition to Organ Trio East, Vonada plays in Organ Trio West, and a quartet combination of trombone, guitar, bass and drums. He also is involved in duos of trombone and guitar or trombone and keyboard called Swing-Nova.

“Personally, I put pressure on myself when I record, which can be good and bad,” he said. “This is my fourth record, so I think I’ve gotten better and I think this is the best I’ve sounded at this point in my career.”

“This region needs to experience more jazz, and I want to help out and continue to grow our audience and bring this music to the State College region and beyond,” he said. “The audience member is the most important part of what we do; without them, we are just practicing in our house. The arts need to play a role in our lives and in public schools, and there needs to be an appreciation so that we have an audience in the future.”

Chemistry

Ann Malcolm & Florian Favre Duo - Essence

Size: 81,7 MB
Time: 35:10
File: MP3 @ 320K/s
Released: 2014
Styles: Jazz Vocals
Art: Front

01. How Deep Is The Ocean (3:20)
02. I'm Blue (2:57)
03. Unintended (4:01)
04. A Child Is Born (3:30)
05. Jitterbug Waltz (2:54)
06. In The Wee Small Hours Of The Morning (3:31)
07. Something Worth Waiting For (Con Alma) (3:13)
08. St. Louis Blues (4:59)
09. My Ship (2:59)
10. Cycle (3:41)

Ann Malcolm can look back on an impressive, colourful career as a singer and saxophonist. Her roots are in Iowa USA, but for many years she has been living and working in Europe, where she maintains close contact with the up-and-coming names in the jazz scene through her teaching activities.

The Swiss pianist and composer Florian Favre is one of those talents who has drawn the attention of the artist Ann Malcolm. Florian Favre seems to be almost obsessed by piano; always on the quest for new tones, he finds his adventures between the notes of the keyboard. And at the same time, he also pursued a career as a professional footballer (with very good results) right up until his graduation.

Essence

Floriano Inacio Jr. - Attitude

Size: 143,1 MB
Time: 61:51
File: MP3 @ 320K/s
Released: 2014
Styles: Brazilian Jazz & Rhythms
Art: Front

01. Vila Fachini (4:35)
02. Cote D'azur (5:13)
03. Ja Sei Que E (3:58)
04. Attitude (5:50)
05. Sera Que E Sambista (6:23)
06. Pino De Gente (5:37)
07. Algarve (5:50)
08. Santa Cecilia (4:30)
09. Mythen (4:28)
10. Joaozinho (6:03)
11. Maestro Alba (4:13)
12. A Flor Da Pele (5:07)

At the age of six, in the decade of 80, in São Paulo, the boy Floriano Inácio Júnior gains of the father two unusual toys: a small accordion and a tambourine. The boy put aside them to, six years after, have a new contact with the cavaquinho and discover the music as vocation. Today, with 27 years old, the piano keeps company with the cavaquinho as his two work instruments in Switzerland, where he lives since 1999.

At the age of 12, the paulistano starts to play and accompany singers in the city. With a keyboardist colleague of a samba group, he realizes that he had a way with the keyboard. He starts to play every night in Santana, quarter of São Paulo´s capital. In this interval he meets the musicians Luís Cláudio e Denden, two lovers of choro. In São Paulo, he starts to play at RG Samba and travels all over Brazil with groups like Soweto (Belo), Gamação and Moleque Travesso. He begins to interest oneself in jazz, when he knows the maestro Louis Alba, on of his mentors.

In 1999, he receives an invitation to present in Switzerland. Back to Brazil he is invited to play again in the country and decides to study there. In his academic resumé appear the Geneva Conservatory of Music, in the professional class of jazz, and the Musikhochschule Luzern. In Switzerland, Floriano played with musicians of the caliber of Ademir Cândido, Rodrigo Botter-Maio, Diana Miranda, Rubens Jacob, Rafael Lima, Rogério Botter-Maio and Realce band. And he played in places like the pubs Bird"s Eye (Basel) and Moods (Zürich) and the Luzern Theater. He still participated of festivals like Montreux, Bellinzona, Le Locle, Flims, Verona, Barcelona, Coubur and Trier.

Attitude

Jacqueline Tabor - The Jazz In You: Live At The Seattle Vespers

Size: 122,3 MB
Time: 52:30
File: MP3 @ 320K/s
Released: 2014
Styles: Jazz Vocals
Art: Front

01. Perhaps, Perhaps, Perhaps (Live) (3:33)
02. Close Your Eyes (Live) (3:31)
03. April In Paris (Live) (4:57)
04. Speak Low (Live) (4:56)
05. The Jazz In You (Live) (6:57)
06. One Note Samba (Live) (3:44)
07. Fly Me To The Moon (Live) (3:54)
08. Autumn Leaves (Live) (6:10)
09. Under The Spell Of The Blues (Live) (2:40)
10. Nature Boy (Live) (4:09)
11. No More Blues (Live) (4:14)
12. You've Changed (Live) (3:39)

On January 5th of 2014 at the Jazz Vespers concert series Jacqueline Tabor, Alexey Nikolaev, Randy Halberstadt, Mark Ivester and Clipper Anderson performed for a live audience in the beautiful First Baptist Church in Seattle, Washington. Without much preparation we created some pretty good music. With the help of Jim Wilke this concert was recorded live! The sound quality is so good that now it could be turned into a CD Project that was funded via Kickstarter and a lot of help from my friends and family. This will be my second album and right now I am calling it The Jazz in You” Project which is dedicated to all of the wonderful women in my life both past and present: Patricia J. Young, Dorothy Pounds, Edmonia Jarrett, Carol Tabor, and Shirley Cline.

The Jazz In You

Jackie McLean - Makin' The Changes

Bitrate: 320K/s
Time: 35:38
Size: 81.6 MB
Styles: Hard bop, Saxophone jazz
Year: 1957/2006
Art: Front

[8:30] 1. Bean And The Boys
[7:06] 2. What's New
[2:56] 3. I Never Knew
[5:05] 4. I Hear A Rhapsody
[5:25] 5. Jackie's Ghost
[6:34] 6. Chasin' The Bird

Makin' the Changes features altoist Jackie McLean in two different settings. On three selections -- a rollicking "Bean and the Boys," an up-tempo "I Never Knew" and "I Hear a Rhapsody" -- McLean teams up with pianist Mal Waldron in a quartet with bassist Arthur Phipps and drummer Art Taylor. The other three numbers ("What's New," " "Chasin' the Bird" and McLean's original "Jackie's Ghost") have more of a jam session feel, and feature McLean in a sextet with trumpeter Webster Young, trombonist Curtis Fuller, pianist Gil Coggins, bassist Paul Chambers and drummer Louis Hayes. In general, the hard bop music is swinging and fairly advanced, a step above the usual jam sessions of the time. ~Scott Yanow

Makin' The Changes

Alexia Gardner And Offbeat Trio - Chasing Hope

Bitrate: 320K/s
Time: 57:23
Size: 131.4 MB
Styles: Vocal jazz
Year: 2009
Art: Front

[4:43] 1. Forbidden Fruit
[2:55] 2. Dont Get Around Much Anymore
[4:36] 3. Island In The Sun
[4:51] 4. Love For Sale
[5:55] 5. Nearness Of You
[4:13] 6. Fool On The Hill
[3:08] 7. Blue Moon
[4:19] 8. Chasing Hope
[4:25] 9. Everyday I Have The Blues
[4:52] 10. Love's Devine
[5:37] 11. Alvaneu
[2:36] 12. Moon River
[2:29] 13. Railroad Track
[2:35] 14. Mo Betta Blues

Alexia Gardner's new album - Chasing Hope - was recorded over two, warm, sunny days in the offBeat Studios of Switzerland’s St Gallen region. This is a gentle departure from Alexia’s first two albums. These were recorded in front of a live audience whilst living and touring Asia . With the new album, Alexia has had the luxury of selecting her musicians and musical standards – old and new – and presenting them in a studio setting. Chasing Hope moves from straight ahead Jazz to smooth Pop Ballads; from Cole Porter’s, 'Love For Sale' to Seal’s, 'Love Divine', from Rodgers and Hart’s timeless 'Blue Moon', performed in a Latin style, to the smooth rendition of Hoagy Carmichael’s, 'The Nearness Of You'. There is also a touch of Gospel and a sprinkling of the Blues!

'Chasing Hope' is the title track and one of the four original tunes featured on the recording. Alexia wrote this tune. It's all about a spunky 8-year old girl called Hope. She wrote this tune with gifted New Yorker, Oliver Von Essen, whilst living and touring in Shanghai, China. Have a read about this fascinating little girl called Hope at www.alexiagardner.com

Alexia is joined by the offBeat Trio on this recording, musicians she has been performing with throughout Switzerland (and neighbouring countries) since her move to this country with her husband in late 2006. They are Marcel Schefer on Piano, Kalli Gerhards on Bass and Beat Fraefel-Haering on drums. Special guests featured on the album are Pius Baumgartner on Tenor Saxophone. He perfroms on Forbidden Fruit, the opening funky, origianal track written by London based, songwriter and pianist, Alex Webb. Pius Baumgartner is also featured on the tracks - 'The Nearness Of You' and Branford Marsalis' 'Mo Betta Blues'. Alexia wrote some lyrics to go hand in hand with this moody, bluesy instrumental classic. Paula Gardner and Alexia Hope are guest Backing Vocalists on the tune 'Island In The Sun'. This is a tribute to Alexia's Jamaican heritage. Fittingly, these guests are also of Jamaican origin. Paula is Alexia's gifted, younger sister and Alexia Hope is the very same 'Hope' that is the inspiration for the title track 'Chasing Hope'. Alexia's spunky 8 year old niece!

Enjoy every moment! This is truely a smoking cd! It's as warm, sunny and fun as the two warm, sunny days that it took to record this album over in Switzerland's western countryside!

Chasing Hope