Michael Brecker - Michael Brecker

Styles: Saxophone Jazz
Year: 1987
File: MP3@320K/s
Time: 54:29
Size: 125,3 MB
Art: Front

(5:51)  1. Sea Glass
(9:45)  2. Syzygy
(8:07)  3. Choices
(5:31)  4. Nothing Personal
(7:49)  5. The Cost of Living
(9:06)  6. Original Rays
(8:17)  7. My One and Only Love

Although he had been a major tenor saxophonist in the studios for nearly 20 years and was quite popular for his work with the Brecker Brothers, this MCA/Impulse set was Michael Brecker's first as a leader. Playing in a quintet with guitarist Pat Metheny, keyboardist Kenny Kirkland, bassist Charlie Haden, and drummer Jack DeJohnette, Brecker performs three of his originals, two by producer Don Grolnick, and Mike Stern's "Choices." The music in general is straight-ahead but far from predictable; the tricky material really challenges the musicians and Michael Brecker is in consistently brilliant form, constantly stretching himself. Highly recommended. ~ Scott Yanow  http://www.allmusic.com/album/michael-brecker-mw0000187767

Personnel: Michael Brecker (tenor saxophone ); Kenny Kirkland (keyboards); Pat Metheny (guitar); Charlie Haden (bass); Jack DeJohnette (drums); Robby Kilgore (programming).

Michael Brecker

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Maria Mendes - Innocentia

Styles: Vocal
Year: 2015
File: MP3@320K/s
Time: 51:25
Size: 118,5 MB
Art: Front

(3:28)  1. Smile
(3:51)  2. Innocentia
(3:58)  3. When You Wish Upon a Star
(4:03)  4. O Ovo
(4:52)  5. Inverso
(4:01)  6. Handful of Soul
(4:02)  7. Innocent Travels
(3:33)  8. Sonatina Coreografica: IV. Baiao
(6:08)  9. The Summer Knows
(6:51) 10. Bachianas Brasileiras: V. Aria Cantilena
(3:42) 11. Fragile
(2:50) 12. Agua de Beber (Bonus Track)

The first thing that strikes you about Maria Mendes is the purity of her tone and her graceful, lyrical phrasing. She glides over her band, adding emphasis here, lingering there, scatting in unexpected directions and occasionally soaring to a heady high when the mood takes her. Clearly, she has spent time on her craft. Born in Portugal and classically trained from the age of 12, it was at Codarts University (in her adopted home of Rotterdam) that the long-time classical music enthusiast decided to explore her connection to Brazil through jazz improvisation. There she would join the dots between Western standards by the likes of Ella Fitzgerald, Charlie Parker and Betty Carter, and the freer, percussive styles of Brazil  artists such as Hermeto Pascoal, for instance. Listen closely and you will also hear Shirley Horn’s deft use of silence, and the precision and spoken melodies of Carmen McRae. Periods of study and training followed in Brussels, New York and Rio. Then came a series of commanding performances and prizes in several international competitions such as Montreux Jazz Vocal competition. In 2012, debut album Along the Road (Dot Time records) announced her arrival on the world stage as a vocalist with a unique touch. Original composition ‘Saia Preta’, inspired by a saudade-soaked taxi ride through Rio de Janeiro, revealed Mendes’ potential as a songwriter, not to mention the deep affection that she has for her mother’s homeland. Musicians and critics were lining up to praise her … even legends. Quincy Jones had this to say about Mendes: “I see a promising, shining future for this young talented singer.”

Backing her every step of the way from the recording studio to the Blue Note in New York – is her highly attuned band of Dutch all-stars: Karel Boehlee on piano (Toots Thielemans Band, Hein van de Gein Trio); Clemens van der Feen on acoustic bass (Franz van Chossy Trio, Jesse van Ruller Trio) and Jasper van Hulten on drums (Eric Vloeimans, Tuto Puoane Band). Thankfully, Mendes has kept faith with the same team and together with her close collaborator Martin Fondse, the highly acclaimed composer and pianist, they have conceived follow-up album Innocentia for your pleasure. More exhilarating and emotionally complex than its predecessor think lazy summer days in the throes of childhood or the finding hope in moments of despair Innocentia also features virtuoso clarinet player Anat Cohen from Israel. There are many high points to savour. A rendition of ‘When You Wish Upon a Star’ sets the standard free from its occasionally mawkish confines as Boehlee ups the tempo and embarks on a Glasper-esque excursion.

Then there’s Mendes dueling with drummer van Hulten on Hermeto’s ‘O Ovo’ before a mischievous Cohen muscles in and almost steals the show. Elsewhere Mendes demonstrates that she’s a highly capable scat singer a la Ella on ‘Água de Beber’. And let’s not forget their version of Portuguese composer Heitor Villa-Lobos’ ‘Bachianas Brasileiras Nr 5 (Cantilena)’, featuring some lovely lyrical interplay between Mendes and Cohen. The album also features imaginative readings of songs by the likes of Sting and Jimmy Woode not your typical bedfellows. That is another hallmark of Mendes. She is open and inquisitive when it comes to her music, yet able to put her stamp on a tune, whether it is sung in English or Portuguese. ‘Fragile’ is typical of the mood of this album wistful, rooted in innocence and vulnerability. Innocentia is a marked progression in the career of Mendes. Under the guidance of composer and close collaborator Martin Fondse, she has obviously grown as a composer and bandleader, and not just a vocalist. But it is as a performer that she truly excels, moving the listener … stirring the soul. Press play, catch her in concert and prepare to be quietly stunned by her depth of emotion. http://maria-mendes.com/jazz-innocentia-about/

Personnel:  Maria Mendes: vocals;  Anat Cohen: clarinet on tracks n. 4, 5, 8,10;  Karel Boehlee: piano;  Clemens van der Feen: acoustic bass;  Jasper van Hulten: drums

Innocentia

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Bob Baldwin - Mellowonder: Songs In The Key Of Stevie

Styles: Jazz Contemporary
Year: 2015
File: MP3@320K/s
Time: 75:38
Size: 173,6 MB
Art: Front

(5:30)  1. The Real Thing/Keeping It Real
(5:19)  2. Creepin'
(5:13)  3. Don't You Worry 'bout A Thing
(5:57)  4. That Girl
(5:52)  5. Lately/No More Tears
(6:13)  6. Love's Light In Flight/Love Trippin'
(4:39)  7. The Stevie Wonder Mashup
(3:36)  8. Wonder Wander
(6:00)  9. Stevie
(6:14) 10. You And I/The Wedding Suite
(5:57) 11. Rocket Love/Back To Earth
(6:10) 12. Superwoman
(3:57) 13. Looking For Another Pure Love
(4:54) 14. Love's In Need Of Love Today

The title certainly gets it right as the great keyboardist Bob Baldwin turns over some sweet mellow takes on the classic music of Stevie Wonder! Bob's the mainman at the helm for most of the record working on Fender Rhodes, piano, and other keyboards and even vocalizing just a bit and there's also sweet instrumental contributions on the album from U-Nam and Chieli Minucci on guitars, Marion Meadows and Ryan Kilgore on saxes, and Ragan Whiteside on flute all players who know just how to get into the right sort of 70s vibe that Baldwin's going for on the record! The focus on Stevie's tunes makes the album a bit hipper than some of Bob's other recent albums although we also like those quite a bit  and titles include "Don't You Worry Bout A Thing", "Creepin", "The Real Thing/Keepin It Real", "Superwoman/Where Were You When I Needed You Most", and "Love's In Need Of Love Today" plus the Baldwin originals "Stevie" and "Wonder Wander". https://www.dustygroove.com/item/750604

Personnel :
Bob Baldwin - Arranger, Bass, Composer, Drums, Fender Rhodes, Keyboards, Melodica, Moog Bass, Percussion, Piano, Strings, Vocals
Ragan Whiteside - Flute
Ryan Kilgore, Marion Meadows - Saxophone
Chieli Minucci, Derek Scott, U-Nam - Guitar
Erma Dionne Davis, Renita Pope - Viola, Violin
Dave Anderson, Tres' Gilbert - Bass
Tony Lewis, Jorel "J-Fly" Flynn - Drums
Jorel Flynn - Cymbals
Dennis Johnson - Drum Loop, Drum Programming
Toni Redd, Stanley Thompson - Vocals

Mellowonder:  Songs In The Key Of Stevie

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Various - Kansas City

Bitrate: MP3@320K/s
Time: 50:11
Size: 114.9 MB
Styles: Blues/Jazz/R&B
Year: 2005
Art: Front

[4:12] 1. Big Joe Turner - You're Driving Me Crazy (What Did I Do )
[6:11] 2. Vic Dickenson - The Lamp Is Low
[4:28] 3. Jay McShann - Hootie Blues
[6:50] 4. Buster Smith - E-Flat Boogie
[4:42] 5. Jay McShann - Confessin' The Blues
[4:36] 6. Jay McShann - Jumpin' At The Woodside
[3:27] 7. Big Joe Turner - Until The Real Thing Comes Along
[4:42] 8. Vic Dickenson - Undecided
[2:37] 9. T-Bone Walker - Evenin'
[3:32] 10. Buster Smith - Buster's Tune
[4:50] 11. Big Joe Turner - Piney Brown Blues

The Kansas City sound brought earthy yet lithe energy to both jazz and R&B: From the impulsive swing of Bennie Moten and Count Basie to Big Joe Turner's genre-straddling work, K.C.'s impact on music can be heard in rock, soul, and even funk. As part of its mammoth jazz box set, Atlantic spotlights such key K.C. figures as Jay McShann, alto saxophonist Buster Smith, and Turner himself. As a sort of potent aside, the disc also features some fine combo swing commandeered by Basie alum Vic Dickenson and Buck Clayton. And while the inclusion of T-Bone Walker is something of a mystery (a Texas native who worked out of L.A. for a good stretch), the inclusion of his cut of the classic "Evenin'" fits right into the flow here. Get out the whiskey and clear the dancefloor. ~Stephen Cook

Kansas City

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Karrin Allyson - Imagina: Songs Of Brasil

Bitrate: MP3@320K/s

Time: 60:10

Size: 137.8 MB

Styles: Vocal jazz, Brazilian jazz

Year: 2008

Art: Front

[4:19] 1. A Felicidade

[2:25] 2. Correnteza

[3:44] 3. Só Tinha De Ser Com Você

[3:40] 4. Medo De Amar

[5:16] 5. O Morro Não Tem Vez (Favela)

[4:47] 6. Estrada Branca

[5:01] 7. Outono

[5:31] 8. Double Rainbow

[2:53] 9. Imagina

[5:11] 10. Desafinado

[4:44] 11. Pra Dizer Adeus

[4:47] 12. Vivo Sonhando

[3:05] 13. Estrada Do Sol

[4:40] 14. É Com Esse Que Eu Vou

Karrin Allyson has sung Brazilian tunes before, notably on 1999's From Paris to Rio, but this time she's dedicated an entire album to the swaying rhythms of bossa nova and samba, and she's never sounded lovelier. Allyson has always been a gifted interpreter, and while her material in the past has drawn from any number of sources, her prime focus here is on the music of Antonio Carlos Jobim. While choosing oft-covered tunes like "Desafinado" and "A Felicidade" may not be the riskiest thing Allyson could have done, nor the most original, she is so clearly in love with these compositions that she's easily forgiven for adding her name to the list of artists who have lent their voices to them. Allyson's vocal instrument is somewhat coarser and more world-weary than the majority of singers who gravitate toward Jobim's material, and here she favors stripped-down arrangements that accentuate the vulnerabilities and lived-in qualities of that voice.

It works to great effect, as on "Double Rainbow," a ballad that begins sparsely, Allyson singing in Portuguese before switching over to English, a tactic she employs throughout much of the record. Accompanying herself on piano, Allyson phrases Gene Lees' Tin Pan Alley-esque lyrics, a meditation on the wonders of nature, carefully and thoughtfully, before handing the tune over to bassist David Finck, who turns in a solo that's creative but not showy. Not all of the songs here come courtesy of Jobim, and Allyson does equal justice to the moody "Pra Dizer Adeus" (Time to Say Goodbye), co-penned by Edú Lobo, Torquato Neto, and Chris Caswell, and the closing "É Com Esse Que Eu Vou," by Pedro Caetano, which pushes the beat somewhat harder than the more ballad-oriented music that populates most of the record. But in the end it's those Jobim songs that stick: Steve Nelson's vibes and marimba work lends a sensuality to "O Morro Não Tem Vez (Favela)," by Jobim and Vinícius de Moraes, and Gil Goldstein's accordion injects a bit of France into the Brazilian mood on the title track. Through it all, Karrin Allyson reminds listeners why she has consistently received praise over the years for her inherent ability to make any song her own. ~Jeff Tamarkin

Imagina: Songs Of Brasil

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Si Zentner & His Orchestra - My Cup Of Tea

Bitrate: MP3@320K/s
Time: 31:49
Size: 72.9 MB
Styles: Big band
Year: 1965/2015
Art: Front

[2:14] 1. Wishin' And Hopin'
[2:51] 2. Don't Let The Sun Catch You Crying
[2:12] 3. And I Love Her
[3:01] 4. A Hard Day's Night
[4:37] 5. Forget Him
[2:35] 6. All Cried Out
[1:35] 7. The House Of The Rising Sun
[3:29] 8. Ringo's Theme (This Boy)
[2:12] 9. Twist And Shout
[2:06] 10. How Do You Do It
[2:33] 11. I Want To Hold Your Hand
[2:19] 12. My Cup Of Tea

While big bands seemed to be fading fast during the late '50s and early '60s, bandleader Si Zentner was one of the few to front a successful big band -- enjoying both critical and commercial acclaim. Born Simon H. Zentner on June 13, 1917 in New York City, the future bandleader picked up a violin at the age of four before switching over to trombone, and earned a music college scholarship. Originally studying to be a classical musician, Zentner became interested in more commercial styles of music after lending his skills to a recording session with composer/bandleader Andre Kostelanetz. Throughout the '40s, Zentner learned the tricks of the trade by playing in bands led by such notables as Les Brown, Harry James, and Jimmy Dorsey.

Zentner then relocated to Los Angeles, where he worked regularly as a studio musician -- and from 1949 through 1955, was on the MGM staff (working on such hit movies as Singing in the Rain and A Star Is Born). But Zentner's desire to front his own big band peaked at this time. Signing a recording contract with Liberty Records in 1959, Zentner assembled a large swing outfit, and toured steadily (he once claimed that his band played 178 consecutive one-night stands). While several popular releases came out around this time (1959's Thinking Man's Band, 1960s Suddenly It's Swing, 1963's Waltz in Jazz Time), Zentner's band won a staggering 13 straight Downbeat polls for 'Best Big Band,' as Zentner himself was recognized as 'Best Trombonist' in Playboy's Jazz Reader's Poll. Zentner's band scored their biggest hit in 1961, with a Bob Florence-arranged twist version of Hoagy Carmichael's "Up a Lazy River," which managed to cross over into the Top 40 of the pop charts.

Eventually however, the public's interest in big bands had dwindled to the point that even Zentner's fine band found it increasingly hard to attract a substantial audience on tour. Zentner landed back on his feet in 1965, when he moved to Las Vegas and opened the Tropicana Hotel's lounge, the Blue Room, accompanying Mel Tormé. Three years later, Zentner was named musical director for one of Las Vegas' longest-running floor shows, Folies Bergere. But once more, Zentner couldn't turn his back completely on taking a big band on the road, as he assembled another touring group. The '90s saw such new releases as Road Band, Country Blues, and Blue Eyes Plays Ol' Blue Eyes, but later in the decade, Zentner was diagnosed with leukemia. Admirably, Zentner kept performing up until six months prior to his passing, on January 31, 2000 in Las Vegas. ~bio by Greg Prato

My Cup Of Tea

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Coleman Hawkins - Greatest Hits

Bitrate: MP3@320K/s
Time: 52:37
Size: 120.5 MB
Styles: Bop, Swing, Saxophone jazz
Year: 1996
Art: Front

[3:00] 1. Body And Soul
[2:43] 2. Dinah
[3:05] 3. April In Paris
[2:56] 4. There Will Never Be Another You
[3:03] 5. Sugar Foot Stomp
[5:35] 6. I've Got The World On A String
[2:44] 7. Under Paris Skies
[3:11] 8. Angel Face
[2:12] 9. When Lights Are Low
[3:14] 10. She's Funny That Way
[2:46] 11. My Blue Heaven
[2:52] 12. Say It Isn't So
[3:29] 13. I Love Paris
[5:33] 14. Sweet Lorraine
[3:01] 15. How Strange
[3:05] 16. Spotlite

Greatest Hits contains a good cross-section of Coleman Hawkins' best-known RCA numbers, including "Body And Soul", "April in Paris," "My Blue Heaven," "I've Got the World On A String," and "Sweet Lorraine." Although it doesn't offer anything of interest to jazz purists or completists, Greatest Hits is a nice sampler for newcomers and casual fans. ~Thom Owens

Greatest Hits

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The Everly Brothers - The Golden Hits Of The Everly Brothers

Bitrate: MP3@320K/s
Time: 27:41
Size: 63.4 MB
Styles: Pop/Rock/Country
Year: 1962/1990/2013
Art: Front

[2:19] 1. That's Old Fashioned (That's The Way Love Should Be)
[1:47] 2. How Can I Meet Her
[1:58] 3. Crying In The Rain
[1:59] 4. I'm Not Angry
[2:24] 5. Don't Blame Me
[3:04] 6. Ebony Eyes
[2:22] 7. Cathy's Clown
[2:16] 8. Walk Right Back
[2:28] 9. Lucille
[2:32] 10. So Sad (To Watch Good Love Go Bad)
[2:17] 11. Muskrat
[2:11] 12. Temptation

Don and Phil Everly, certainly two of the most important figures ever in popular music history, joined the Warner Bros. label in the late fifties, where their marquee value was just beginning to skyrocket. Their greatest hits LP in 1962, filled with a dozen of their biggest hits was another homerun for the duo. It rode the charts for months during its initial release was discontinued decades ago…that is until now! Remastered from the original tapes at Capitol studios.

The Golden Hits Of The Everly Brothers

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The Ralph Sharon Trio - Do I Hear A Waltz?

Styles: Piano Jazz
Year: 1965
File: MP3@320K/s
Time: 32:45
Size: 76,2 MB
Art: Front

(1:54)  1. Do I Hear A Waltz?
(2:04)  2. Here We Are Again
(4:07)  3. Moon In My Window
(4:00)  4. A Perfectly Lovely Couple
(2:14)  5. Thinking
(2:42)  6. What Do We Do? We Fly!
(2:30)  7. Take The Moment
(2:43)  8. Stay
(3:05)  9. Someone Like You
(2:06) 10. Thank You So Much
(2:34) 11. No Understand
(2:41) 12. Finale: Take The Moment / A Perfectly Lovely Couple / Do I Hear A Waltz?

Ralph Sharon made his professional debut with Ted Heath in 1946, then moved on to Frank Weir's orchestra before leading his own sextet. He moved to the U.S. in 1953, where he initially worked as an accompanist to Chris Connor. In 1957, he became musical director and pianist for Tony Bennett. He acquired American citizenship in 1958. In 1965, he and Bennett split up, but they got back together in 1979 and played together in the following years. Sharon also led various groups and made many recordings as a leader.

He died in March 2015 at his home in Boulder, Colorado at the age of 91. ~ William Ruhlmann  http://www.allmusic.com/artist/ralph-sharon-mn0000863940/biography

Do I Hear A Waltz?

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Dave Pike & Charles McPherson - Bluebird

Styles: Vibraphone And Saxophone Jazz
Year: 1988
File: MP3@320K/s
Time: 54:28
Size: 125,2 MB
Art: Front

(7:31)  1. Scrapple From The Apple
(6:25)  2. Embraceable You
(6:09)  3. Visa
(9:23)  4. Old Folks
(4:51)  5. Bluebird
(8:13)  6. Anthropology
(5:08)  7. Ornithology
(6:45)  8. Bluebird (alt take)

Jazz experts love to speculate on the types of music that Charlie Parker might have embraced had he not died in 1955. Had Bird lived to see the 1960s and 1970s, would he have embraced modal jazz, avant-garde jazz, soul-jazz, or fusion? Would he have played on Miles Davis' Bitches Brew if, in 1969, such an offer had been made? One can only speculate. What can be said for sure is that Bird's innovations have continued to inspire a wide variety of jazz musicians long after his death. Recorded in Monster, Holland, in 1988, Bluebird is among the numerous Parker tributes that has surfaced over the years.

This bebop date was co-led by two American improvisers, vibist Dave Pike and alto saxophonist Charles McPherson, who are joined by a Dutch rhythm section that consists of pianist Rein de Graaff, bassist Koos Serierse, and drummer Eric Ineke. Not all of the musicians play on all of the tunes; McPherson is absent on "Ornithology," "Old Folks," and the first take of "Bluebird," and only the Dutch musicians are present on a second take of "Bluebird." The tracks that do feature McPherson speak well of him. McPherson has always been a Bird disciple, but being a disciple isn't the same as being a clone, and on this Dutch release, the altoist celebrates Bird's influence without trying to sound exactly like him. Nonetheless, few surprises occur on Bluebird; performances of well-known bop standards like "Scrapple From the Apple" and "Anthropology" are solid but conventional. No one will accuse either Pike or McPherson of trying to reinvent the wheel on this enjoyable, if predictable, CD. ~ Alex Henderson  http://www.allmusic.com/album/bluebird-mw0000310856

Personnel: Dave Pike (vibraphone); Charles McPherson (alto saxophone); Rein de Graaff (piano); Eric Ineke (drums).

Bluebird

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Jon Hendricks & Company - Love

Styles: Jazz, Vocal
Year: 1982
File: MP3@256K/s
Time: 42:20
Size: 78,0 MB
Art: Front

(3:06)  1. Royal Garden Blues
(3:38)  2. Bright Moments
(4:32)  3. Willie's Tune
(3:28)  4. Good Ol' Lady
(4:22)  5. Lil' Darlin'
(2:03)  6. I'll Die Happy
(4:37)  7. Love (Berkshire Blues)
(3:36)  8. Tell Me The Truth
(5:29)  9. The Swinging Groove Merchant (Groove Merchant)
(4:30) 10. Angel Eyes
(2:54) 11. In A Harlem Airshaft (Harlem Airshaft)

The first recording to document "Hendricks & Company," athis underrated album finds vocalese genius Jon Hendricks sharing the vocal duties with Judith Hendricks, Michele Hendricks, Bob Gurland and sometimes Leslie Dorsey while joined by three different rhythm sections, guest trumpeter Harry "Sweets" Edison, and the tenor of Jerome Richardson. The emphasis throughout is on Hendricks' witty and inventive lyrics to such numbers as "Royal Garden Blues," "Lil' Darlin'," "Tell Me the Truth," "The Swinging Groove Merchant" and "In a Harlem Airshaft," among others. Superior bebop singing on a very enjoyable set that has fortunately been reissued on CD. ~ Scott Yanow  http://www.allmusic.com/album/love-mw0000309328

Personnel: Jon Hendricks (vocals); Bob Gurland (vocals, trumpet); Leslie Dorsey, Judith Hendricks, Michele Hendricks (vocals); Jerome Richardson (tenor saxophone); Harry "Sweets" Edison (trumpet); David Hazeltine, Jimmy Smith (piano); Marvin "Smitty" Smith (drums).

Love

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Kate Rusby - While Mortals Sleep

Styles: Folk, Holiday
Year: 2011
File: MP3@320K/s
Time: 50:45
Size: 116,8 MB
Art: Front

(3:47)  1. Cranbrook
(3:47)  2. Home
(4:09)  3. Kris Kringle
(5:33)  4. Little Town of Bethlehem
(3:17)  5. Joy to the World
(4:16)  6. Holmfirth Album
(3:48)  7. Seven Good Joys
(3:51)  8. Rocking Carol
(4:45)  9. Shepherds Arise
(5:44) 10. First Tree in the Greenwood
(4:22) 11. Diadem
(3:21) 12. The Wren

Picking up where 2008's Sweet Bells left off, Barnsley's finest folk singer/songwriter Kate Rusby's eleventh studio album, While Mortals Sleep, continues her quest to revive the traditional carols of her beloved South Yorkshire. Like its predecessor, there are a few universally known hymns, such as a gorgeously contemplative rendition of "Little Town of Bethlehem," an appropriately dreamy take on the Czech lullaby "Rocking Carol," and a breezy accordion-led interpretation of "Seven Good Joys," while there are also exquisite performances of songs that derive from the likes of Cornwall ("First Tree in the Greenwood"), Dorset ("Shepherds Arise"), and Wales (New Year's anthem "The Wren"). 

But the songs synonymous with her Northern roots are where her delicate and wistful tones are at their most affectionate, whether it's the joyously uplifting opener of Yorkshire's unofficial national anthem "Cranbrook," the slightly melancholic village carol "Diadem," or the jaunty folk of Sheffield's "Kris Kringle." While its slightly sluggish pace occasionally evokes the feeling of having scoffed too many mince pies, its suitably wintry acoustic style, provided by her regular three-piece backing band, and the wonderfully nostalgic accompaniment from the Brass Quintet Boys ensure that While Mortals Sleep should warm the cockles of even the most miserly of Scrooges. ~ Jon O´Brien  http://www.allmusic.com/album/while-mortals-sleep-mw0002243846

While Mortals Sleep

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Bob Wilber - A Man & His Music

Bitrate: MP3@320K/s
Time: 57:39
Size: 132.0 MB
Styles: Mainstream jazz, Clarinet jazz
Year: 1996
Art: Front

[3:52] 1. The World Is Waiting For The Sunrise
[3:29] 2. Stalkin' The Bean
[4:49] 3. Do I Love You
[4:10] 4. That Old Gang Of Mine
[5:28] 5. Django
[4:04] 6. I Want To Be Happy
[3:54] 7. Chu
[3:08] 8. Freeman's Way
[2:26] 9. Lazy Afternoon
[5:08] 10. JJ Jump
[3:40] 11. Accent On Youth
[4:49] 12. Lullaby In Rhythm
[4:30] 13. Smoke Rings
[4:04] 14. Bossa Losada

The most unusual aspect of this Bob Wilber CD is that, in addition to his usual clarinet and sopranos (both curved and straight), he also plays a bit of alto and tenor. Wilber's tenor (heard on four of the 14 numbers) is a bit of a revelation, for his thick tone is reminiscent of Coleman Hawkins. Joined by pianist Mick Pyne, guitarist Dave Cliff, bassist Dave Green and drummer Bobby Worth, Wilber performs five originals, a couple of surprisingly modern pieces ('Django" and "Lazy Afternoon"), and seven swing standards. An excellent set of mainstream jazz. ~Scott Yanow

A Man & His Music

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Denys Lable - Archtop Electrique

Bitrate: MP3@320K/s
Time: 42:04
Size: 96.3 MB
Styles: Blues-jazz guitar
Year: 2015
Art: Front

[4:27] 1. NYCB
[4:20] 2. Reflets
[3:28] 3. Routes Des Ecoles
[3:53] 4. L'echidne
[2:40] 5. Matinal
[5:12] 6. Monk's Mood
[2:43] 7. Midi Le Juste
[3:13] 8. Elisa
[3:44] 9. Sans Regrets
[3:43] 10. That's All Right
[2:44] 11. Ballade Confidentielle
[1:51] 12. Un Soir...

De ses débuts avec le groupe psychédélique français "Trust",(celui des années 70/71 avec Jean Schultheis et Charles Benarroch) jusqu'à ce nouvel album, Denys Lable a marqué la guitare française….

Archtop Electrique

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Solveig Slettahjell - Silver

Bitrate: MP3@320K/s
Time: 46:20
Size: 106.1 MB
Styles: Jazz vocals
Year: 2004
Art: Front

[4:35] 1. Take It With Me
[5:12] 2. Second Time Around
[5:38] 3. What Is This Thing Called Love
[4:19] 4. D. Parkers Wisdom
[2:28] 5. What If
[6:06] 6. You Won't Forget Me
[3:27] 7. Nobody's Fault But Mine
[1:57] 8. Moon River
[4:14] 9. Time After Time
[2:58] 10. 12th Of Never
[3:42] 11. The More I See You
[1:39] 12. Look For The Silver Lining

Norwegian jazz vocalist Solveig Slettahjell is a musical thinker who in tandem with her group, the Slow Motion Quintet, has developed a highly personal approach to her art. Not only does she open up a song and explore it from within, she is able to invest it with a meaning and gravitas that even the songwriters themselves probably never knew existed. It's a precious gift that only the great singers possess. Certainly this girl can make time stand still - just play 'You Won't Forget Me' or 'Take it With Me' for evidence of her inimitable talent. Riveting. ~Stuart Nicholson

Silver 

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Vince Guaraldi - The Very Best Of Vince Guaraldi

Bitrate: MP3@320K/s
Time: 58:44
Size: 134.5 MB
Styles: West Coast jazz, Piano jazz
Year: 2012
Art: Front

[3:04] 1. Cast Your Fate To The Wind
[4:32] 2. El Matador
[3:27] 3. Softly, As In A Morning Sunrise
[5:24] 4. Ginza
[2:59] 5. Treat Street
[4:57] 6. Django
[3:06] 7. Linus And Lucy
[3:54] 8. The Lady's In Love With You
[4:45] 9. Star Song
[2:53] 10. Outra Vez
[5:50] 11. Manha De Carnaval
[4:19] 12. Charlie Brown Theme
[3:25] 13. Christmas Is Coming
[6:02] 14. Christmas Time Is Here

As part of Concord Jazz's Very Best of series, pianist and composer Vince Guaraldi is spotlighted on 14 tracks recorded in the '60s. This set is aimed at the casual listener, highlighting Guaraldi's renditions of standards such as "Softly, As in a Morning Sunrise," and "The Lady's in Love with You." Two bossa nova-influenced cuts are taken from Guaraldi's album Jazz Impressions of Black Orpheus featuring the Luiz Bonfá and Antonio Carlos Jobim composition "Manhã de Carnaval," and the surprise hit off the album, "Cast Your Fate to the Wind," which was written by Guaraldi and initially used to fill out the album to make it the appropriate length for the medium. It would be impossible to have a Guaraldi compilation without the mandatory inclusion of music he created for the animated Charlie Brown TV specials. In this case, the Peanuts gang is represented by four tracks: "Linus & Lucy," "Charlie Brown Theme," "Christmas Is Coming," and "Christmas Time Is Here." Throughout, Guaraldi is backed by his standard rhythm section of the era, drummer Colin Bailey and bassist Monty Budwig, while Brazilian guitarist extraordinaire Bola Sete is featured on "El Matador." This is a decent budget-line collection, but the better choice is the double-disc, 31-track compilation The Definitive Vince Guaraldi on Fantasy. ~Al Campbell

The Very Best Of Vince Guaraldi

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Tommy Flanagan, Hank Jones - Our Delights

Styles: Piano Jazz
Year: 1978
File: MP3@320K/s
Time: 38:54
Size: 91,8 MB
Art: Front

(5:11)  1. Our Delight
(5:42)  2. Autumn Leaves
(7:21)  3. Robbins Nest
(5:04)  4. Jordu
(5:19)  5. Confirmation
(6:21)  6. A Child Is Born
(3:54)  7. Lady Bird

Piano duets have the potential danger of getting overcrowded and a bit incoherent, but neither happens on this rather delightful set. Hank Jones and Tommy Flanagan, two of the four great jazz pianists (along with Barry Harris and Roland Hanna) to emerge from Detroit in the '40s and '50s, have similar styles and their mutual respect is obvious. Their renditions of seven superior bop standards (including "Jordu," "Confirmation" and Thad Jones' "A Child Is Born") plus an alternate take of "Robbins Nest" on this CD reissue are tasteful, consistently swinging and inventive within the tradition. ~ Scott Yanow  http://www.allmusic.com/album/our-delights-mw0000649515

Personnel: Tommy Flanagan, Hank Jones (piano).

Our Delights

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Carmen Lundy - Old Devil Moon

Styles: Vocal Jazz
Year: 1997
File: MP3@320K/s
Time: 49:32
Size: 113,9 MB
Art: Front

(4:44)  1. Star Eyes
(4:47)  2. When Your Lover Has Gone
(4:39)  3. Just One More Chance
(5:22)  4. You're Not In Love
(3:24)  5. I Didn't Know What Time It Was
(4:17)  6. Flying Easy
(3:32)  7. I'm Worried About You Baby
(3:13)  8. Old Devil Moon
(4:28)  9. At the End Of My Rope
(6:32) 10. In A Sentimental Mood
(4:28) 11. Love Me Forever

The deep voice of Carmen Lundy is well showcased on this varied set. With assistance from an impressive backup crew (pianist Billy Childs, flugelhornist Randy Brecker, Frank Foster or Bob Mintzer on tenor, and a pair of rhythm sections), Lundy performs six standards, four of her stimulating originals, and Donny Hathaway's "Flying Easy." The music ranges from fairly straight-ahead to more R&B-oriented, with Carmen Lundy's appealing voice being the main star. ~ Scott Yanow  http://www.allmusic.com/album/old-devil-moon-mw0000027856

Personnel: Carmen Lundy (vocals); Frank Foster, Bob Mintzer (tenor saxophone); Randy Brecker (trumpet, flugelhorn); Harry Whitaker (piano, synthesizer); Billy Childs (piano); Santi Debriano (acoustic bass); Victor Bailey (electric bass); Winston Clifford, Omar Hakim (drums); Mayra Casales (congas, shekere, bongos, tambourine, percussion); Ralph Irizarry (timbales); Lani Groves, Gwen Guthrie, Tawatha Agee, Dennis Collins (background vocals).

Old Devil Moon

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The Pete Jolly Trio - Yeah!

Styles: Piano Jazz
Year: 1995
File: MP3@320K/s
Time: 64:21
Size: 147,7 MB
Art: Front

(4:55)  1. Yeah!
(5:11)  2. Variations
(6:21)  3. The Man I Love
(7:00)  4. Ah-Moore
(4:47)  5. Lullaby of the Leaves
(3:57)  6. Crazeology
(5:39)  7. Dream Dancing
(4:21)  8. The Red Door
(6:39)  9. Ill Wind
(4:31) 10. Never Never Land
(5:17) 11. Wonder Why
(5:39) 12. Diablo's Dance

Pete Jolly and his sidemen (bassist Chuck Berghofer and drummer Nick Martinis) celebrated their 21st year as a regularly working trio with this fine V.S.O.P. CD. The musicians sound quite enthusiastic and creative within the boundaries of straight-ahead jazz, showing that they had not run out of ideas yet. Jolly alternates hot pieces with ballads, standards with obscurities. 

It is a particular pleasure to hear the powerful pianist interpret such rarely performed songs as George Wallington's "Variations," "Crazeology," Al Cohn's brooding ballad "Ah-Moore" and Shorty Rogers' "Diablo's Dance." Other highlights of the enjoyable set include Horace Silver's "Yeah," "Lullaby of the Leaves" and Zoot Sims' "The Red Door." All those years of playing together have definitely paid off. ~ Scott Yanow  http://www.allmusic.com/album/yeah!-mw0000073454

Personnel: Pete Jolly (piano); Nick Martinis (drums); Chuck Berghofer (bass).

Yeah!

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Wallace Roney - Intuition

Styles: Trumpet Jazz

Year: 1988

File: MP3@320K/s

Time: 48:03

Size: 110,2 MB

Art: Front

(5:48)  1. Intuition

(5:45)  2. Opus One Point Five

(7:59)  3. Ahead

(5:54)  4. Taberah

(5:40)  5. Sometimes My Heart Cries

(8:28)  6. For Duke

(8:27)  7. Willow Weep for Me

For this somewhat adventurous but still mostly straight-ahead date, trumpeter Wallace Roney explores three of his originals (including "For Duke," which is slightly reminiscent of "Upper Manhattan Medical Group"), two by drummer and underrated composer Cindy Blackman, and one by bassist Ron Carter. Roney, Blackman and Carter are joined by pianist Mulgrew Miller, tenor saxophonist Gary Thomas and altoist Kenny Garrett (quite an all-star group), and the music is as strong as one would expect, reflecting Roney's long stint with the Tony Williams Quintet. ~ Scott Yanow  http://www.allmusic.com/album/intuition-mw0000652207

Personnel: Wallace Roney (trumpet), Kenny Garrett (alto saxophone), Gary Thomas (tenor saxophone), Mulgrew Miller (piano), Ron Carter (bass), Cindy Blackman (drums).

Intuition

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