Styles: Vocal
Year: 2001
File: MP3@320K/s
Time: 69:26
Size: 160,2 MB
Art: Front
(3:09) 1. Whispering Hope
(3:02) 2. No Other Love
(3:15) 3. Bluebird of Happiness
(2:26) 4. 'A' You're Adorable
(2:32) 5. Steppin' Out with My Baby
(2:14) 6. Bibbidi Bobbidi Boo
(2:11) 7. Where Are You Gonna Be When the Moon Shines
(3:16) 8. Our Very Own
(2:30) 9. Dearie
(3:11) 10. To Think You've Chosen Me
(2:28) 11. A Rosewood Spinet
(2:13) 12. Say Something Sweet to Your Sweetheart
(2:44) 13. Need You
(2:39) 14. Always True to You in My Fashion
(3:10) 15. I'll String Along with You
(2:29) 16. Down the Lane
(2:51) 17. The Little Old Church Near Leicester Square
(2:15) 18. Tea for Two
(2:58) 19. Neapolitan Nights
(2:58) 20. Why Can't You Behave
(3:16) 21. Girls Were Made to Take Care of Boys
(3:02) 22. Love's Old Sweet Song
(2:55) 23. Evelyn
(2:48) 24. Wunderbar
(2:43) 25. The Pagan Love Song
Golden Voices! Golden Memories!
Year: 2001
File: MP3@320K/s
Time: 69:26
Size: 160,2 MB
Art: Front
(3:09) 1. Whispering Hope
(3:02) 2. No Other Love
(3:15) 3. Bluebird of Happiness
(2:26) 4. 'A' You're Adorable
(2:32) 5. Steppin' Out with My Baby
(2:14) 6. Bibbidi Bobbidi Boo
(2:11) 7. Where Are You Gonna Be When the Moon Shines
(3:16) 8. Our Very Own
(2:30) 9. Dearie
(3:11) 10. To Think You've Chosen Me
(2:28) 11. A Rosewood Spinet
(2:13) 12. Say Something Sweet to Your Sweetheart
(2:44) 13. Need You
(2:39) 14. Always True to You in My Fashion
(3:10) 15. I'll String Along with You
(2:29) 16. Down the Lane
(2:51) 17. The Little Old Church Near Leicester Square
(2:15) 18. Tea for Two
(2:58) 19. Neapolitan Nights
(2:58) 20. Why Can't You Behave
(3:16) 21. Girls Were Made to Take Care of Boys
(3:02) 22. Love's Old Sweet Song
(2:55) 23. Evelyn
(2:48) 24. Wunderbar
(2:43) 25. The Pagan Love Song
One of the most technically gifted and popular vocalists of the immediate postwar period, Jo Stafford effortlessly walked the line between breezy pop and the more serious art of post-big-band jazz singing. With the help of her husband, top-flight arranger and Capitol A&R director Paul Weston, Stafford recorded throughout the '40s and '50s for Capitol and Columbia. She also contributed (with Weston) to one of the best pop novelty acts of the period, a hilariously inept and off-key satire that saw the couple billed as Jonathan & Darlene Edwards.
Born near Fresno, CA, Stafford sang from an early age and was classically trained, though she later joined her sisters in a country-tinged act (associated for a time with Joe "Country" Washburne). At the age of just 17, she became the first female voice in the seven-man vocal act known as the Pied Pipers. Soon after the group joined the Tommy Dorsey Orchestra in 1939, however, it was pruned to a quartet (which also included Stafford's first husband, co-founder John Huddleston). The group appeared on several of the Dorsey band's hits of the early '40s, a few of which paired them with Frank Sinatra. Stafford gained her first solo spots on a pair of Dorsey band hits, "Yes, Indeed!" and "Manhattan Serenade." She finally left the Pied Pipers for a solo contract in 1944 (she was replaced by June Hutton), though the group provided backup for many of her initial solo hits.
Not only signed to Capitol but able to preview hit songs as the co-host of label founder Johnny Mercer's radio program, Stafford hit the charts with the mid-'40s songs "Long Ago (And Far Away)," "I Love You," and "Candy." The latter, a duet with Mercer and the Pied Pipers, became her first number one. In 1948, her duet with Gordon MacRae on "My Darling, My Darling" became her second. She later moved to Columbia and recorded the two biggest hits of her career, 1952's "You Belong to Me" and 1954's "Make Love to Me." Stafford gained her own television program during the mid-'50s, and also recorded the first LP by Jonathan & Darlene Edwards, American Popular Songs. (It wasn't the first time Stafford had used a pseudonym, however; in 1947, she billed herself as Cinderella G. Stump to record a cover of the cornpone single "Temptation [Tim-Tay-Shun].") Though she slipped from the charts in the late '50s and retired from performance, Stafford continued to record for many years and issued the LP Getting Sentimental Over Tommy Dorsey on Reprise in 1963. She also founded Corinthian Records, with Weston, to reissue the couple's various recordings. ~ John Bush http://www.allmusic.com/artist/jo-stafford-mn0000112017/biography
With his handsome boy-next-door looks, deep baritone, and glorious smile, Gordon MacRae found success as a recording artist, film actor, and television and radio personality. He recorded for Capitol Records for more than two decades, and starred in two of the most popular musicals of the 1950s, the movie versions of Richard Rodgers' and Oscar Hammerstein's Oklahoma! and Carousel, both of which had appeared previously on Broadway. Beginning in 1947, MacRae's releases for Capitol were quite successful. Through 1954 he scored numerous hits, among them "Rambling Rose," "So in Love," "It's Magic," "I Still Get Jealous," "Hair of Gold, Eyes of Blue," and "At the Candlelight Café." Following an absence of four years from the charts, "The Secret" brought about his return.
MacRae's chart success was not limited to solo efforts. He also collaborated with Jo Stafford, who previously sang for Tommy Dorsey's outfit. MacRae and Stafford hit the top of U.S. charts with "My Darling, My Darling." The duo also released the singles "A You're Adorable," "Say Something Sweet to Your Sweetheart," "Whispering Hope," "Bluebird of Happiness," "Dearie," and "Bibbidi-Bobbidi-Boo." MacRae also put out an album in collaboration with his first wife, Sheila MacRae, an actress and singer. The performer's full name at birth was Albert Gordon MacRae. Born in New Jersey, he grew up in Syracuse, NY. During his high school years he was a member of the drama club. In addition to singing, he also could hold his own on the saxophone, clarinet, and piano. During his late teens, a contest win took him to New York, where he performed for several weeks during the World's Fair. The engagement gave him the opportunity to sing with professionals such as Les Brown and Harry James. The following year, Horace Heidt hired MacRae as a vocalist for his band. The singer stayed with Heidt's outfit for a couple of years before enlisting in the armed forces, where he received training in navigation.
After his war service, MacRae debuted on Broadway, taking over for Tommy Arbuckle in Junior Miss. In 1946 he moved on to Three to Make Ready, Ray Bolger's Broadway revue. The production brought him to the attention of Capitol and led to his contract with the company. During the late '40s MacRae landed a starring role in the music-based program The Railroad Hour, where he remained through 1954 despite a change of networks. During this period Warner Brothers snapped him up for its motion pictures, giving MacRae a seven-year deal and launching him in The Big Punch. A number of movie roles followed, casting him opposite such actresses as Doris Day, June Haver, Shirley Jones, Jane Powell, and Kathryn Grayson. MacRae bowed out of the movies in the mid-'50s and concentrated on television work and live concerts. He hosted his own program, The Gordon MacRae Show, and frequently turned up on such popular television shows as The Colgate Comedy Hour. He began struggling with alcoholism by the end of the 1950s, but by the 1970s he claimed to have wrested control over the addiction. In 1982 MacRae was struck down by a stroke, but he endured until 1986, when he died of pneumonia. He also suffered from cancer. MacRae and his first wife divorced in 1967. The marriage produced four children, among them actresses Meredith MacRae and Heather MacRae. He wed Liz Schrafft in 1967, and the couple raised one child. ~ Linda Seida http://www.allmusic.com/artist/gordon-macrae-mn0000018796/biography
Born near Fresno, CA, Stafford sang from an early age and was classically trained, though she later joined her sisters in a country-tinged act (associated for a time with Joe "Country" Washburne). At the age of just 17, she became the first female voice in the seven-man vocal act known as the Pied Pipers. Soon after the group joined the Tommy Dorsey Orchestra in 1939, however, it was pruned to a quartet (which also included Stafford's first husband, co-founder John Huddleston). The group appeared on several of the Dorsey band's hits of the early '40s, a few of which paired them with Frank Sinatra. Stafford gained her first solo spots on a pair of Dorsey band hits, "Yes, Indeed!" and "Manhattan Serenade." She finally left the Pied Pipers for a solo contract in 1944 (she was replaced by June Hutton), though the group provided backup for many of her initial solo hits.
Not only signed to Capitol but able to preview hit songs as the co-host of label founder Johnny Mercer's radio program, Stafford hit the charts with the mid-'40s songs "Long Ago (And Far Away)," "I Love You," and "Candy." The latter, a duet with Mercer and the Pied Pipers, became her first number one. In 1948, her duet with Gordon MacRae on "My Darling, My Darling" became her second. She later moved to Columbia and recorded the two biggest hits of her career, 1952's "You Belong to Me" and 1954's "Make Love to Me." Stafford gained her own television program during the mid-'50s, and also recorded the first LP by Jonathan & Darlene Edwards, American Popular Songs. (It wasn't the first time Stafford had used a pseudonym, however; in 1947, she billed herself as Cinderella G. Stump to record a cover of the cornpone single "Temptation [Tim-Tay-Shun].") Though she slipped from the charts in the late '50s and retired from performance, Stafford continued to record for many years and issued the LP Getting Sentimental Over Tommy Dorsey on Reprise in 1963. She also founded Corinthian Records, with Weston, to reissue the couple's various recordings. ~ John Bush http://www.allmusic.com/artist/jo-stafford-mn0000112017/biography
With his handsome boy-next-door looks, deep baritone, and glorious smile, Gordon MacRae found success as a recording artist, film actor, and television and radio personality. He recorded for Capitol Records for more than two decades, and starred in two of the most popular musicals of the 1950s, the movie versions of Richard Rodgers' and Oscar Hammerstein's Oklahoma! and Carousel, both of which had appeared previously on Broadway. Beginning in 1947, MacRae's releases for Capitol were quite successful. Through 1954 he scored numerous hits, among them "Rambling Rose," "So in Love," "It's Magic," "I Still Get Jealous," "Hair of Gold, Eyes of Blue," and "At the Candlelight Café." Following an absence of four years from the charts, "The Secret" brought about his return.
MacRae's chart success was not limited to solo efforts. He also collaborated with Jo Stafford, who previously sang for Tommy Dorsey's outfit. MacRae and Stafford hit the top of U.S. charts with "My Darling, My Darling." The duo also released the singles "A You're Adorable," "Say Something Sweet to Your Sweetheart," "Whispering Hope," "Bluebird of Happiness," "Dearie," and "Bibbidi-Bobbidi-Boo." MacRae also put out an album in collaboration with his first wife, Sheila MacRae, an actress and singer. The performer's full name at birth was Albert Gordon MacRae. Born in New Jersey, he grew up in Syracuse, NY. During his high school years he was a member of the drama club. In addition to singing, he also could hold his own on the saxophone, clarinet, and piano. During his late teens, a contest win took him to New York, where he performed for several weeks during the World's Fair. The engagement gave him the opportunity to sing with professionals such as Les Brown and Harry James. The following year, Horace Heidt hired MacRae as a vocalist for his band. The singer stayed with Heidt's outfit for a couple of years before enlisting in the armed forces, where he received training in navigation.
After his war service, MacRae debuted on Broadway, taking over for Tommy Arbuckle in Junior Miss. In 1946 he moved on to Three to Make Ready, Ray Bolger's Broadway revue. The production brought him to the attention of Capitol and led to his contract with the company. During the late '40s MacRae landed a starring role in the music-based program The Railroad Hour, where he remained through 1954 despite a change of networks. During this period Warner Brothers snapped him up for its motion pictures, giving MacRae a seven-year deal and launching him in The Big Punch. A number of movie roles followed, casting him opposite such actresses as Doris Day, June Haver, Shirley Jones, Jane Powell, and Kathryn Grayson. MacRae bowed out of the movies in the mid-'50s and concentrated on television work and live concerts. He hosted his own program, The Gordon MacRae Show, and frequently turned up on such popular television shows as The Colgate Comedy Hour. He began struggling with alcoholism by the end of the 1950s, but by the 1970s he claimed to have wrested control over the addiction. In 1982 MacRae was struck down by a stroke, but he endured until 1986, when he died of pneumonia. He also suffered from cancer. MacRae and his first wife divorced in 1967. The marriage produced four children, among them actresses Meredith MacRae and Heather MacRae. He wed Liz Schrafft in 1967, and the couple raised one child. ~ Linda Seida http://www.allmusic.com/artist/gordon-macrae-mn0000018796/biography
Golden Voices! Golden Memories!
