Wednesday, December 30, 2015

Ellyn Rucker & Spike Robinson - Nice Work!

Styles: Vocal, Piano and Saxophone Jazz
Year: 1995
File: MP3@320K/s
Time: 58:47
Size: 135,0 MB
Art: Front

(3:27)  1. El Cajon
(8:16)  2. Ev'rything I Love
(7:39)  3. Lover Man
(5:15)  4. Nobody Else But Me
(6:14)  5. I Won't Believe My Eyes
(7:13)  6. Easy To Love
(4:43)  7. You Took Advantage Of Me
(5:20)  8. Gravy Waltz
(3:51)  9. As Long As I Live
(5:06) 10. I Fall In Love Too Easily
(1:37) 11. Nice Work If You Can Get It

Although she shares the billing on this session with tenor saxophonist Spike Robinson, this is very much an Ellyn Rucker album. A bop-based pianist so talented that she really does not have to sing, and a highly appealing jazz vocalist who would be quite notable if she did not play an instrument, Ellyn Rucker has long deserved to be famous in the jazz world. Based in Denver, Rucker combines her two skills at a level that has not been heard since Nat King Cole; when she accompanies her vocals, the piano playing is so stimulating that one would swear that there were two people involved. Spike Robinson, one of the last practitioners of the Four Brothers cool-toned Lester Young sound, is in excellent form and has swinging solos on most of the 11 standards. But it is for the playing and singing of Ellyn Rucker (heard at her best on such songs as "El Cajon," "Nobody Else but Me," "You Took Advantage of Me," and "As Long as I Live") that this CD (released in 1995 and also featuring the late bassist Monty Budwig and drummer Ralph Penland) is most highly recommended. ~ Scott Yanow  http://www.allmusic.com/album/nice-work!-mw0000434983

Personnel: Spike Robinson (tenor saxophone); Ellyn Rucker (vocals, piano); Ralph Penland (drums).

Nice Work!

The Art Farmer Quintet - Blame It on My Youth

Styles: Jazz, Mainstream Jazz
Year: 1988
File: MP3@320K/s
Time: 47:34
Size: 109,2 MB
Art: Front

(7:09)  1. Blame It on My Youth
(9:53)  2. Fairytale Countryside
(6:03)  3. The Smile of The Snake
(8:21)  4. Third Avenue
(6:21)  5. Summer Serenade
(4:35)  6. Progress Report
(5:09)  7. I'll Be Around

This is one of the better Art Farmer recordings of the 1980s, which is saying a great deal, for the flugelhornist is among the most consistent of all jazz musicians. The two ballads that open and close this set ("Blame It on My Youth" and "I'll Be Around") give Farmer an opportunity to display his warm and attractive sound (with fine support from pianist James Williams, bassist Rufus Reid and drummer Victor Lewis), while the other five pieces (Benny Carter's "Summer Serenade" and more obscure material) add the great tenor saxophonist (and so-so soprano player) Clifford Jordan to the group. It's an enjoyable and very successful outing. ~ Scott Yanow  http://www.allmusic.com/album/blame-it-on-my-youth-mw0000198252

Personnel: Art Farmer (flugelhorn); Clifford Jordan (tenor, soprano saxophone, tenor saxophone); Jack Williams, James Williams (piano); Rufus Reid (acoustic bass); Victor Lewis (drums).

Blame It on My Youth

Gail Jhonson - New Beginnings

Styles: Piano Jazz, Smooth Jazz
Year: 2015
File: MP3@320K/s
Time: 47:21
Size: 110,6 MB
Art: Front

(4:10)  1. New Beginnings
(4:08)  2. Uptown Philly
(4:12)  3. Soulful Strut
(4:33)  4. To Tamina
(3:38)  5. Here We Go Again
(4:40)  6. Gail's Groove
(4:20)  7. Magical Mystery
(4:45)  8. Hands Up
(4:33)  9. Vibe
(4:18) 10. And I Love Her
(3:58) 11. Mr. Calloway

Philadelphia native Gail Jhonson is the heart of the all star female ensemble, Jazz in Pink, and produced their debut CD, 1st Collection in 2014. She started her solo career with the album Keep The Music Playing (2004), followed by Pearls (2008) on nuGroove Records, HerStory on 111 East Music (2011) and this year New Beginnings on Philly the Kid Records. After the loss of her son, her daughter off to Berklee College of Music, an unexpected surgery the recordings of her new album were like a deeply liberating breath. Gail is supported by prolific musicians like multi­instrumentalist Hamilton Hardin, saxophonists  Marion Meadows and Mike Parlett, bassist Jimmy Haslip and many more. The album introduces into Gail's new creation with the title song. Tailored to win, this elegant tune is the ideal platform for Gail's keyboard talent extraordinaire. Uptown Philly is the first single of the album and Gail's tribute to her birth town. She touches our ears easily and fluffy with her divine style.

Soulful Strut is certainly the secret hymn of smooth jazz. Covered by a legion of musicians like George Benson (1977), Nick Colionne (1994), Grover Washington Jr. (1996), Paul Jackson Jr. (1996) or Rocco Ventrella (2006) the song hasn't lost its magic in Gail's hands. To Tamina is dedicated to Gail's lovely daughter Tamina, who is meanwhile 21 years old. The mellow peaceful ballad Here We Go Again is really soothing to the soul. This catchy song showcases Gail's vocal talent. Gail's Groove is tagged as tribute to Lonnie Liston Smith, the legendary funk, soul and jazz musician. Gail discreetly incorporates jazz elements into her piano playing. Magical Mystery takes us on a journey into the land of dreams with gentle sounds of vocals, sax and piano. The funky Hands Up is a critical contribution to the current tense situation of police violence.

Bassist Jimmy Haslip is shining on Vibe with the well­intoned sound of his fretless bass. Most of the elders will know the song by the Beatles And I Love Her, written mainly by Paul McCartney. Falsetto singer Rob MacDonald and pianist Jhonson have filtered out of this simple song its substantial essence and rebuilt it to a meaningful love ballad full of emotions. Mr. Calloway is inspired by Cabell "Cab" Calloway III, the late American jazz singer and bandleader. Best known by his appearance and his song Minnie the Moocher in the movie Blues Brothers. Gail comments: “If Big Band music would be Pop music now....it might sound like this! I like all the instruments and I see dancers swingin' away!!? Now imagine Fred Astaire dancing to funk music and you can follow her idea! With New Beginnings we experience Gail Jhonson 2.0. Composer and keyboardist in the best form of her life. http://www.smooth-jazz.de/firstview/Jhonson/NewBeginnings.htm

New Beginnings

Tuesday, December 29, 2015

The World's Greatest JazzBand Of Yank Lawson & Bob Haggart - What's New

Bitrate: MP3@320K/s
Time: 40:06
Size: 91.8 MB
Styles: Dixieland
Year: 1970/2007
Art: Front

[4:37] 1. Bourbon Street Parade
[3:17] 2. Smile
[2:58] 3. The Eel
[3:28] 4. What's New
[3:17] 5. Mercy, Mercy, Mercy
[3:24] 6. Root Dog
[3:51] 7. Walk Him Up The Stairs
[3:19] 8. Girl On The Beach
[4:25] 9. Dogtown Blues
[4:09] 10. Doodle Doo Doo
[3:17] 11. My Inspiration

This is one of the World's Greatest Jazz Band's better studio albums. The repertoire has standbys ("Bourbon Street Parade," "The Eel" and "What's New"), "Mercy Mercy Mercy" and some newer and lesser-known material. The all-star lineup (trumpeters Yank Lawson and Billy Butterfield, trombonists Vic Dickenson and Eddie Hubble, tenor saxophonist Bud Freeman, Bob Wilber on clarinet and soprano, pianist Ralph Sutton, bassist Bob Haggart and drummer Gus Johnson) is particularly strong and most of the players get features. Best are a Lawson-Haggart duet on "Smile," Freeman's "The Eel" and Butterfield's warm sound and lyrical style on "What's New." ~Scott Yanow

What's New

Earth, Wind & Fire - Greatest Hits

Bitrate: MP3@320K/s
Time: 70:27
Size: 161.3 MB
Styles: R&B
Year: 1998
Art: Front

[2:50] 1. Shining Star
[5:43] 2. That's The Way Of The World
[3:34] 3. September
[4:06] 4. Angie
[4:09] 5. Shining Star
[3:22] 6. Sing A Song
[3:27] 7. Gratitude
[3:50] 8. Serpentine Fire
[4:36] 9. Angie
[4:00] 10. Kalimba Story
[3:03] 11. Mighty Mighty
[4:57] 12. Reasons
[4:02] 13. Saturday Nite
[5:35] 14. Let's Groove
[4:48] 15. Boogie Wonderland
[4:24] 16. After The Love Has Gone
[3:55] 17. Getaway

For the first time ever-all of their biggest hits on a single CD! Seven of these are #1 R&B hits: Let's Groove; Serpentine Fire; Sing a Song; Getaway; Shining Star; September , and Got to Get You into My Life . Their best ballads, grooves, pop and R&B hits-17 EWF essentials in all, newly remastered to sound better than ever!

It's the most complete single-disc collection of EWF chart rockers, and Greatest Hits' splendid remastering makes one of the major exponents of '70s funk positivity sound sparkling. From the driving "Shining Star" to the syncopated mastery of "September" and "Boogie Wonderland" to the slow-jam heaven of "After the Love Is Gone," this is a reminder of what made the group so special. ~Rickey Wright

Greatest Hits

June Christy - The Misty Miss Christy

Bitrate: MP3@320K/s
Time: 37:16
Size: 85.3 MB
Styles: Vocal jazz
Year: 1956/1982/1992
Art: Front

[3:17] 1. That's All
[2:49] 2. I Didn't Know About You
[2:55] 3. Day Dream
[2:12] 4. Sing Something Simple
[2:47] 5. Maybe You'll Be There
[1:33] 6. Dearly Beloved
[3:54] 7. 'round Midnight
[2:20] 8. A Lovely Way To Spend An Evening
[3:44] 9. The Wind
[2:00] 10. This Year's Kisses
[2:46] 11. For All We Know
[2:08] 12. There's No You
[2:26] 13. You Took Advantage Of Me
[2:18] 14. Intrigue

Using Anita Day as starting point -- but eschewing many of her scat-song histrionics in favor of pure tonal power and melancholic shading -- June Christy honed her singing skills with Stan Kenton's band before going solo in the '50s. Christy's relatively accessible vocal approach and blonde good looks eventually helped her gain success with such classic long players as Something Cool and The Misty Miss Christy. Less swinging than Something Cool, The Misty Miss Christy mostly stays on auto-stroll with a wealth of subtle and sophisticated orchestral charts. The jazz-pop environs come courtesy of longtime arranger Pete Rugolo and optimally frame the singer on highlights like "That's All," "I Didn't Know About You," and "Dearly Beloved." With West Coast-style brass and reed accents gliding atop the lush strings, Christy also turns in fine renditions of Monk's "Round Midnight" and Russ Freeman's expressionistically torchy "The Wind." Balancing out the predominant autumnal lull, Christy shows her swinging savvy on breezy gems like "Sing Something Simple," "There's No You," and "A Lovely Way to Spend an Evening." Both an essential Christy title and one of the best vocal albums from the '50s. ~Stephen Cook

The Misty Miss Christy

Scott Hamilton Quintet - The Right Time

Styles: Saxophone Jazz
Year: 1986
File: MP3@320K/s
Time: 41:07
Size: 94,6 MB
Art: Front

(4:16)  1. Just in Time
(6:39)  2. If I Love Again
(4:13)  3. Sleep
(4:20)  4. Eventide
(4:44)  5. Dropsy
(7:00)  6. All Through the Night
(4:59)  7. Skylark
(4:55)  8. Stealing Port

The choice of some offbeat material uplifts this otherwise fairly typical offering by tenor saxophonist Scott Hamilton's mid-1980s quintet, a group also including pianist John Bunch, guitarist Chris Flory, bassist Phil Flanigan and drummer Chuck Riggs. "Sleep," "If I Love Again," Hoagy Carmichael's "Eventide" and even Cole Porter's "All Through the Night" are not performed all that often, and one does not mind hearing additional versions of "Just In Time" and "Skylark"; the date is rounded out by a pair of Hamilton's originals. Everyone swings as usual, and Hamilton (who has yet to make an inferior recording) is in fine form. ~ Scott Yanow  http://www.allmusic.com/album/the-right-time-mw0000196941

Personnel: Scott Hamilton (tenor saxophone); John Bunch (piano); Chris Flory (guitar); Phil Flanigan (bass); Chuck Riggs (drums).

The Right Time

Flip Phillips - Try A Little Tenderness

Styles: Clarinet And Saxophone Jazz
Year: 2002
File: MP3@320K/s
Time: 70:24
Size: 161,9 MB
Art: Front

(6:32)  1. Try A Little Tenderness
(6:10)  2. A Cottage For Sale
(5:59)  3. Violets For Your Furs
(6:27)  4. Im Glad There Is You
(5:39)  5. You Don't Know What Love Is
(6:15)  6. This Is All I Ask
(4:14)  7. Street Of Dreams
(4:30)  8. All The Way
(4:49)  9. Dream
(4:08) 10. What Are You Doing The Rest Of Your Life
(4:38) 11. As Time Goes By
(5:02) 12. Goodbye
(2:35) 13. Jazzspeak
(3:22) 14. If I Had A Penny

A bit of a disappointment, this date matches together veteran tenor saxophonist Flip Phillips with a fine rhythm section (pianist Dick Hyman, Howard Alden or Bucky Pizzarelli on guitar, bassist Bob Haggart and drummer Ronnie Traxler) and 13 strings. Phillips sings his own "If I Had a Penny" and doubles a bit on bass clarinet; he plays fine but mostly sticks close to the melodies. The lack of tempo or mood variation in Hyman's ballad arrangements makes this CD better heard in small doses rather than as a whole. The music is pleasing but sometimes bordering on sleepy. ~ Scott Yanow  http://www.allmusic.com/album/try-a-little-tenderness-mw0000100100

Personnel: Flip Phillips (vocals, bass clarinet, tenor saxophone); Howard Alden, Bucky Pizzarelli (guitar); Stan Kurtis, Anthony Posk, Yuval Waldman, Carmel Malin, Peter Dimitriades, Alvin Rogers , Anahid Ajemian, Regis Iandiorio (violin); Lamar Alsop, Julien Barber (viola); Jesse Levy, Charles McCracken (cello); Dick Hyman (piano); Ron Traxler (drums).

Try A Little Tenderness

Jo Stafford & Gordon MacRae - Golden Voices! Golden Memories!

Styles: Vocal
Year: 2001
File: MP3@320K/s
Time: 69:26
Size: 160,2 MB
Art: Front

(3:09)  1. Whispering Hope
(3:02)  2. No Other Love
(3:15)  3. Bluebird of Happiness
(2:26)  4. 'A' You're Adorable
(2:32)  5. Steppin' Out with My Baby
(2:14)  6. Bibbidi Bobbidi Boo
(2:11)  7. Where Are You Gonna Be When the Moon Shines
(3:16)  8. Our Very Own
(2:30)  9. Dearie
(3:11) 10. To Think You've Chosen Me
(2:28) 11. A Rosewood Spinet
(2:13) 12. Say Something Sweet to Your Sweetheart
(2:44) 13. Need You
(2:39) 14. Always True to You in My Fashion
(3:10) 15. I'll String Along with You
(2:29) 16. Down the Lane
(2:51) 17. The Little Old Church Near Leicester Square
(2:15) 18. Tea for Two
(2:58) 19. Neapolitan Nights
(2:58) 20. Why Can't You Behave
(3:16) 21. Girls Were Made to Take Care of Boys
(3:02) 22. Love's Old Sweet Song
(2:55) 23. Evelyn
(2:48) 24. Wunderbar
(2:43) 25. The Pagan Love Song

One of the most technically gifted and popular vocalists of the immediate postwar period, Jo Stafford effortlessly walked the line between breezy pop and the more serious art of post-big-band jazz singing. With the help of her husband, top-flight arranger and Capitol A&R director Paul Weston, Stafford recorded throughout the '40s and '50s for Capitol and Columbia. She also contributed (with Weston) to one of the best pop novelty acts of the period, a hilariously inept and off-key satire that saw the couple billed as Jonathan & Darlene Edwards.

Born near Fresno, CA, Stafford sang from an early age and was classically trained, though she later joined her sisters in a country-tinged act (associated for a time with Joe "Country" Washburne). At the age of just 17, she became the first female voice in the seven-man vocal act known as the Pied Pipers. Soon after the group joined the Tommy Dorsey Orchestra in 1939, however, it was pruned to a quartet (which also included Stafford's first husband, co-founder John Huddleston). The group appeared on several of the Dorsey band's hits of the early '40s, a few of which paired them with Frank Sinatra. Stafford gained her first solo spots on a pair of Dorsey band hits, "Yes, Indeed!" and "Manhattan Serenade." She finally left the Pied Pipers for a solo contract in 1944 (she was replaced by June Hutton), though the group provided backup for many of her initial solo hits.

Not only signed to Capitol but able to preview hit songs as the co-host of label founder Johnny Mercer's radio program, Stafford hit the charts with the mid-'40s songs "Long Ago (And Far Away)," "I Love You," and "Candy." The latter, a duet with Mercer and the Pied Pipers, became her first number one. In 1948, her duet with Gordon MacRae on "My Darling, My Darling" became her second. She later moved to Columbia and recorded the two biggest hits of her career, 1952's "You Belong to Me" and 1954's "Make Love to Me." Stafford gained her own television program during the mid-'50s, and also recorded the first LP by Jonathan & Darlene Edwards, American Popular Songs. (It wasn't the first time Stafford had used a pseudonym, however; in 1947, she billed herself as Cinderella G. Stump to record a cover of the cornpone single "Temptation [Tim-Tay-Shun].") Though she slipped from the charts in the late '50s and retired from performance, Stafford continued to record for many years and issued the LP Getting Sentimental Over Tommy Dorsey on Reprise in 1963. She also founded Corinthian Records, with Weston, to reissue the couple's various recordings. ~ John Bush  http://www.allmusic.com/artist/jo-stafford-mn0000112017/biography

With his handsome boy-next-door looks, deep baritone, and glorious smile, Gordon MacRae found success as a recording artist, film actor, and television and radio personality. He recorded for Capitol Records for more than two decades, and starred in two of the most popular musicals of the 1950s, the movie versions of Richard Rodgers' and Oscar Hammerstein's Oklahoma! and Carousel, both of which had appeared previously on Broadway. Beginning in 1947, MacRae's releases for Capitol were quite successful. Through 1954 he scored numerous hits, among them "Rambling Rose," "So in Love," "It's Magic," "I Still Get Jealous," "Hair of Gold, Eyes of Blue," and "At the Candlelight Café." Following an absence of four years from the charts, "The Secret" brought about his return.

MacRae's chart success was not limited to solo efforts. He also collaborated with Jo Stafford, who previously sang for Tommy Dorsey's outfit. MacRae and Stafford hit the top of U.S. charts with "My Darling, My Darling." The duo also released the singles "A  You're Adorable," "Say Something Sweet to Your Sweetheart," "Whispering Hope," "Bluebird of Happiness," "Dearie," and "Bibbidi-Bobbidi-Boo." MacRae also put out an album in collaboration with his first wife, Sheila MacRae, an actress and singer. The performer's full name at birth was Albert Gordon MacRae. Born in New Jersey, he grew up in Syracuse, NY. During his high school years he was a member of the drama club. In addition to singing, he also could hold his own on the saxophone, clarinet, and piano. During his late teens, a contest win took him to New York, where he performed for several weeks during the World's Fair. The engagement gave him the opportunity to sing with professionals such as Les Brown and Harry James. The following year, Horace Heidt hired MacRae as a vocalist for his band. The singer stayed with Heidt's outfit for a couple of years before enlisting in the armed forces, where he received training in navigation.

After his war service, MacRae debuted on Broadway, taking over for Tommy Arbuckle in Junior Miss. In 1946 he moved on to Three to Make Ready, Ray Bolger's Broadway revue. The production brought him to the attention of Capitol and led to his contract with the company. During the late '40s MacRae landed a starring role in the music-based program The Railroad Hour, where he remained through 1954 despite a change of networks. During this period Warner Brothers snapped him up for its motion pictures, giving MacRae a seven-year deal and launching him in The Big Punch. A number of movie roles followed, casting him opposite such actresses as Doris Day, June Haver, Shirley Jones, Jane Powell, and Kathryn Grayson. MacRae bowed out of the movies in the mid-'50s and concentrated on television work and live concerts. He hosted his own program, The Gordon MacRae Show, and frequently turned up on such popular television shows as The Colgate Comedy Hour. He began struggling with alcoholism by the end of the 1950s, but by the 1970s he claimed to have wrested control over the addiction. In 1982 MacRae was struck down by a stroke, but he endured until 1986, when he died of pneumonia. He also suffered from cancer. MacRae and his first wife divorced in 1967. The marriage produced four children, among them actresses Meredith MacRae and Heather MacRae. He wed Liz Schrafft in 1967, and the couple raised one child. ~ Linda Seida  http://www.allmusic.com/artist/gordon-macrae-mn0000018796/biography

Golden Voices! Golden Memories!

Jackie McLean - Right Now!

Styles: Saxophone Jazz
Year: 1965
File: MP3@320K/s
Time: 48:11
Size: 111,4 MB
Art: Front

( 6:08)  1. Eco
(10:12)  2. Poor Eric
(10:34)  3. Christel's Tune
( 9:29)  4. Right Now
(11:47)  5. Right Now (alt tk)

With the exception of a beautiful ballad version of Larry Willis' "Poor Eric," the music here (also available in Mosaic's four-disc Jackie McLean box set) is hard-charging, intense, and fairly free. The altoist was at the peak of his powers during this period and, inspired by the versatile rhythm section (pianist Larry Willis, bassist Bob Cranshaw, and drummer Clifford Jarvis), he plays explorative versions of his own "Eco," Willis' "Christel's Tune," and Charles Tolliver's "Right Now"; an alternate version of the latter is added on the reissue. This date offers a particularly strong example of McLean's unique inside/outside music of the 1960s. ~ Scott Yanow  http://www.allmusic.com/album/right-now!-mw0000675287

Personnel: Jackie McLean (alto saxophone); Larry Willis (piano); Bob Cranshaw (bass); Clifford Jarvis (drums).

Right Now!

Monday, December 28, 2015

Asylum Street Spankers - Mercurial

Bitrate: MP3@320K/s
Time: 59:01
Size: 135.1 MB
Styles: Jazz/Blues/Swing/R&B
Year: 2009
Art: Front

[4:09] 1. Digga Digga Doo
[3:35] 2. Paul Revere
[4:10] 3. D.R.I.N.K
[4:05] 4. Since I Met You Baby
[4:30] 5. Shine On Harvest Moon
[4:26] 6. Got My Mojo Workin'
[2:50] 7. Some Of These Days
[4:35] 8. Dance This Mess Around
[4:28] 9. Tv Party
[4:19] 10. Hick Hop
[3:33] 11. Tight Like That
[7:02] 12. Sugar In My Bowl
[3:21] 13. Going Up To The Country, Paint My Mailbox Blue
[3:53] 14. It's A Sin To Tell A Lie

The Asylum Street Spankers defy easy categorization. Sticking resolutely to acoustic instruments including clarinet, harmonica, banjo and at times even musical saw, the Spankers perform a bewildering array of songs in just about every popular style extant in America since the end of World War I. Though the band's lineup changes with each recording, the two leaders have remained constant: Christina Marrs, whose vocal tone and range remind me of Barbara Cook with touches of Aretha Franklin and Betty Boop, and Wammo, who is truly one of a kind. The Spankers' MO is to take absolutely nothing seriously except their musicianship (which is polished to the point of glowing) and to celebrate all forms of pleasure, not excluding those that are generally considered to be either immoral, illegal or fattening. (For their sake, I hope John Ashcroft never gets hold of a copy of "Spanker Madness.") Their new album, "Mercurial"--so named for Mercury Hall in their home town of Austin, where this CD was recorded--basically is a sampler of everything that makes the Spankers great. They perform everything from true old-time numbers such as "Shine On Harvest Moon" and "Digga Digga Doo" to a hilarious cover of the B-52's "Dance This Mess Around." Christina Marrs lights up the torches in such down-and-dirty blues numbers as "Got My Mojo Workin'" and "Sugar in My Bowl," but it's Wammo who is the album's standout in his wonderful original, "Hick Hop," best described as a rumble between the posses of Toby Keith and Snoop Dogg. Sadly, "Mercurial" probably marks the last appearances of Stanley Smith and Korey Simeone as regular Spankers--Smith quit the band because of ill health, Simeone to pursue an acting career--but the new touring group of Spankers is as tight an ensemble as ever, and bodes well for the band's survival as a living monument to the Pleasure Principle. ~Miles D Moore

Mercurial

Blue Mitchell - Plays For Lovers

Bitrate: MP3@320K/s
Time: 60:43
Size: 139.0 MB
Styles: Post bop, Trumpet jazz
Year: 2003
Art: Front

[3:21] 1. The Nearness Of You
[5:39] 2. When I Fall In Love
[5:24] 3. Why Do I Love You
[5:46] 4. Polka Dots And Moonbeams
[3:35] 5. But Beautiful
[3:45] 6. I Can't Get Started
[5:01] 7. There Will Never Be Another You
[6:40] 8. How Deep Is The Ocean
[3:35] 9. I'm A Fool To Want You
[4:59] 10. Turquoise
[5:39] 11. Missing You
[3:20] 12. For All We Know
[3:54] 13. Peace

In the '60s, Prestige launched its Plays for Lovers series with LPs by Miles Davis, John Coltrane, and others. The concept was jazz as romantic mood music -- collections of previously released material that are dominated by ballads and emphasize a player's more lyrical side. Fantasy has long since acquired the Prestige catalog, and in the 2000s, it helped keep the Plays for Lovers concept alive -- not only with Prestige recordings, but also with recordings from the Fantasy-owned catalogs of Riverside, Contemporary, and other labels. The Blue Mitchell Plays for Lovers collection, in fact, doesn't contain a single Prestige recording; all of the material originally came out on Riverside. In 2003, the late Mitchell was an obvious choice for a Plays for Lovers release because the Clifford Brown-influenced trumpeter was, quite simply, a superb ballad player. He had no problem swinging aggressively at a fast tempo, but he was equally skillful when it came to ballads -- a fact that is obvious on Blue Mitchell Plays for Lovers, which spans 1958-1962 and finds him playing quite soulfully on "I Can't Get Started," "Polka Dots and Moonbeams," and other famous Tin Pan Alley standards. Not everything on the 61-minute CD is a ballad; Cedar Walton's "Turquoise" is a moody, dusky post-bop offering that is played at a medium tempo. The tune's appealing melody bears a slight resemblance to the standard "You Don't Know What Love Is," and even though "Turquoise" is faster than any of the other selections, it doesn't really disrupt the overall mood and ambiance -- it's a momentary diversion but not an outright disruption. Besides, the Plays for Lovers series was meant to be ballad-heavy but not ballad-exclusive; being dominated by ballads isn't the same as excluding medium-tempo material altogether. And when all is said and done, Blue Mitchell Plays for Lovers lives up its title. ~Alex Henderson

Plays For Lovers

Chris Flory With Duke Robillard And Friends - Blues In My Heart

Styles: Guitar Jazz
Year: 2003
File: MP3@320K/s
Time: 47:12
Size: 108,5 MB
Art: Front

(6:46)  1. Scam
(7:20)  2. Willow Weep For Me
(4:49)  3. Bernie's Tune
(5:01)  4. I've Got A Right To Sing The Blues
(3:34)  5. Shine
(4:51)  6. Blue Bossa
(5:09)  7. Please Send Me Someone To Love
(4:27)  8. If Dreams Come True
(5:10)  9. Blues In My Heart

Celebrated jazz guitarist Chris Flory (formerly of the Scott Hamilton Quartet and longtime associate of pianist Judy Carmichael) is joined for his fifth album as a leader by members of the New England jump blues aristocracy: guitarist Duke Robillard (who produced the album and sings on its closing track), Roomful of Blues vocalist Sugar Ray Norcia, bassist Marty Ballou, and drummer Chuck Riggs. Flory's former boss, Scott Hamilton, sits in on two track as well. The result is a program of small-ensemble swing that comes across as genuinely joyful, but maybe just a bit too gentle. Flory's tone is warm and soft, and Robillard seems to be holding back just a bit in response. 

The rhythm section keeps things moving along nicely but doesn't drive the proceedings as hard as they perhaps should have. But that's not to say that the album isn't thoroughly lovely and genuinely enjoyable the group's rendition of "Shine" offers a perfect balance between light virtuosity and inexorable swing, Flory's graceful, tripping solos on "Bernie's Tune" are especially impressive, and Norcia's vocal appearances are all highlights on the program. It's just that if the players had let loose a bit more, this album could have been a real blast. As it is, it's just thoroughly lovely and genuinely enjoyable. ~ Rick Anderson  http://www.allmusic.com/album/blues-in-my-heart-mw0000598465

Personnel: Chris Flory (guitar);  Duke Robillard (vocals, guitar);  Sugar Ray Norcia (vocals);  Scott Hamilton (saxophone);  Chuck Riggs (drums);  Marty Ballou (bass).

Blues In My Heart

Stan Kenton - Cuban Fire!

Styles: Piano Jazz, Latin Jazz
Year: 1956
File: MP3@320K/s
Time: 54:06
Size: 125,0 MB
Art: Front

(6:02)  1. Fuego Cubano (Cuban Fire)
(5:53)  2. El Congo Valiente (Valiant Congo)
(5:01)  3. Recuerdos (Reminiscences)
(4:49)  4. Quien Sabe (Who Knows)
(5:09)  5. La Quera Baila (The Fair One Dances)
(4:20)  6. La Suerte De Los Tontos (Fortune Of Fools)
(2:59)  7. Tres Corazones (Three Hearts)
(3:51)  8. Malibu Moonlight
(4:34)  9. El Panzon
(5:22) 10. Carnival
(3:05) 11. Wagon
(2:56) 12. Early Hours (Lady Luck)

This CD contains one of the classic Stan Kenton albums, a six-part suite composed and arranged by Johnny Richards. The Kenton orchestra was expanded to 27 pieces for these dates including six percussionists, two French horns and six trumpets. With such soloists as tenor-great Lucky Thompson (on "Fuego Cubano,") trombonist Carl Fontana, altoist Lennie Niehaus, Bill Perkins on tenor and trumpeters Sam Noto and Vinnie Tanno, and plenty of raging ensembles, this is one of Stan Kenton's more memorable concept albums of the 1950s. ~ Scott Yanow  http://www.allmusic.com/album/cuban-fire!-mw0000264239

Personnel : Stan Kenton (piano);  Lennie Neihaus, Gene Baltazar (alto saxophone);  Bill Perkins, Lucky Thompson (tenor saxophone);  Billy Root, Marvin Holliday (baritone saxophone);  Ed Leddy, Sam Noto, Lee Katzman, Phil Gilbert, Al Mattaliano (trumpets); Vinnie Tano (trumpet, flugelhorn); Bob Fitzpatrick, Carl Fontana, Kent Larsen (trombone); Irving Rosenthal, Julius Watikins (French horn); Jay McAllister (tuba); Gene Roland (mellophonium); Ralph Blaze (guitar); Curtis Counce, Pete Chivily (bass); Art Anton, Mel Lewis (drums); Tommy Lopez, George Acevedo (congas); George Laguna (timbales); Roger Mozian (claves); Mario Alvarez (maracas).

Cuban Fire!

Sunday, December 27, 2015

Count Basie - Frankly Basie: Count Basie Plays The Hits Of Frank Sinatra

Bitrate: MP3@320K/s
Time: 47:20
Size: 108.4 MB
Styles: Big band, Swing
Year: 1963/2003
Art: Front

[4:31] 1. The Second Time Around
[2:46] 2. Hey! Jealous Lover
[3:30] 3. I'll Never Smile Again
[4:05] 4. Saturday Night (Is The Loneliest Night Of The Week)
[3:03] 5. This Love Of Mine
[2:53] 6. I Thought About You
[3:12] 7. In The Wee Small Hours Of The Morning
[2:41] 8. Come Fly With Me
[2:52] 9. On The Road To Mandalay
[3:13] 10. Only The Lonely
[3:51] 11. South Of The Border
[2:25] 12. All Of Me
[2:39] 13. My Kind Of Town
[2:51] 14. Come Rain Or Come Shine
[2:40] 15. Hey! Jealous Lover

Originally titled More Hits of the 50's and 60's, Frankly Basie: Count Basie Plays the Hits of Frank Sinatra, a salute to Frank Sinatra by the Count Basie Orchestra, is mostly closer to dance music than jazz. The original 12-song program featuring Billy Byers' arrangements is augmented by a "new" alternate take of "Hey! Jealous Lover" and two selections ("My Kind of Town" and "Come Rain or Come Shine") taken from the LP Basie Picks the Winners. "All of Me" is most memorable. ~Scott Yanow

Frankly Basie: Count Basie Plays The Hits Of Frank Sinatra

Kate Meehan - Can I Play Too?

Bitrate: MP3@320K/s
Time: 44:44
Size: 102.4 MB
Styles: Blues-jazz vocals
Year: 2004
Art: Front

[3:19] 1. I Ain't Got Nothing But The Blues
[3:44] 2. Wichita Lineman
[2:38] 3. Don't Go To Strangers
[5:03] 4. Aint Misbehavin
[4:29] 5. Body And Soul
[5:17] 6. You Don't Know What Love Is
[3:29] 7. Don't Touch Me
[4:48] 8. Don't Explain
[2:20] 9. All Of Me
[3:49] 10. The Gypsy
[1:59] 11. Paper Moon
[3:43] 12. Feel Like Going Home

Kate Meehan is an elegant, flaming, passionate singer, who shows herself as a woman with a special feeling for the blues, which is something enviable for women who live in the music business. The daughter of well known Hobart Jazz Trumpeter Clem Meehan, Kate was brought up with the sounds of Louis Armstrong and Ella Fitzgerald bouncing around the lounge room. The sound of standards is in clear evidence on this disc, and well-executed versions are the order of the day. At times, the spirit of Julie London invades and a smoky, after hours feeling comes to the fore. Kate can really "mellow-down" and get a growl going too.

Can I Play Too?

Johnny 'Hammond' Smith - Good 'Nuff

Bitrate: MP3@320K/s
Time: 71:35
Size: 163.9 MB
Styles: Hard bop, Soul-jazz
Year: 1962/2003
Art: Front

[6:28] 1. Good 'nuff
[7:10] 2. Nobody Knows The Trouble I've Seen
[3:30] 3. Sonja's Dreamland
[3:55] 4. Besame Mucho
[6:10] 5. Neck Bones
[4:15] 6. Delicious
[7:42] 7. Y'all
[6:42] 8. The Stinger
[5:29] 9. There Is No Greater Love
[3:57] 10. Brother John
[5:01] 11. Cleopatra And The African Knight 2
[6:57] 12. You Don't Know What Love Is
[4:13] 13. Bennie's Diggin'

Good 'Nuff combines two Smith '60s albums onto one CD: 1962's Johnny Hammond Smith Cooks With Gator Tail (co-billed to tenor saxophonist Willis Jackson) and 1965's The Stinger. "Good 'Nuff" is one of the tracks on Johnny Hammond Smith Cooks With Gator Tail, which is typical early-'60s Prestige soul-jazz, with all the good and bad that implies. The good? It hits a lockstep earthy groove, with funky organ by Smith, smoky sax from Jackson, and some smooth guitar from Eddie McFadden. The bad? Well, it's not bad, really, just predictable. The compositions usually have easygoing, unchallenging bluesy progressions, and the whole thing has the agreeable ambience of a good-time bar where the music fades more into the background the longer it continues. Smith wrote four of the seven songs, the program balanced by Jackson's "Y'All" and covers of "Besame Mucho" and the traditional "Nobody Knows the Trouble I've Seen." "Sonja's Dreamland" goes the furthest into ballad territory, while "Neckbones" swings the hardest. The Stinger, on which Houston Person and Earl Edwards assume the tenor sax duties, is more interesting, with a slightly more gutbucket soul feel, though the title track too strongly recalls Bill Doggett's huge mid-'50s hit "Honky Tonk." "Brother John" sounds like a Ray Charles track without a vocal, and "Cleopatra and the African Knight," as the title indicates, incorporates a convincing tinge of Arabia. ~Richie Unterberger

Good 'Nuff

Paul Young - Rock Swings

Bitrate: MP3@320K/s
Time: 51:01
Size: 116.8 MB
Styles: Pop/Rock,Swing vocals
Year: 2006
Art: Front

[3:23] 1. Tainted Love
[4:05] 2. Bennie And The Jets
[4:29] 3. Enter Sandman
[4:10] 4. Why Does It Always Rain On Me
[4:26] 5. Isn't It A Pity
[4:15] 6. The Boys Of Summer
[5:12] 7. Lose Yourself
[4:01] 8. Hungry Heart
[3:06] 9. I'd Better Get My Coat
[3:07] 10. In The Ghetto
[3:23] 11. The Jean Genie
[3:56] 12. Walk On The Wild Side
[3:21] 13. White Christmas

As the title of this collection suggests, English blue-eyed soul man Paul Young, takes pop songs and reworks them into big band, Sinatra-Buble stylings. He covers songs made famous by Elvis, Springsteen, Elton John, Don Henley, and even Soft Cell and Eminem. What makes the collection special is that he pulls it off and it works more often than not. It's such a shame this wasn't a big hit. It has a rockabilly feel, kinda like something the Stray Cats might have tried.

I highly recommend this release to anyone who wants to try something extremely new, but also interestingly familiar. ~Last.FM

Rock Swings

Kenny Davern & Flip Phillips - Spanish Eyes

Styles: Clarinet and Saxophone Jazz
Year: 1995
File: MP3@320K/s
Time: 75:35
Size: 173,4 MB
Art: Front

( 0:25)  1. Opening Remarks
( 9:27)  2. Elsa's Dream
(10:57)  3. Flip's Dido
(10:31)  4. Spanish Eyes
( 6:35)  5. Please Don't Talk About Me When I'm
( 7:57)  6. Royal Garden Blues
(10:42)  7. Miki's Dream
( 6:18)  8. All Of Me
(12:39)  9. Lover Come Back To Me

As Gene Lees makes clear in his notes, there is escape from bebop. There's none of it here, or just a soupcon on one track from Phil Woods, who can't really help it, even if Benny Carter and Johnny Hodges were his earlier influences. But Phillips and Davern are a fine, tough pair and swing happily together despite a twenty-year age difference, a fact that goes to prove something. Certainly, their combination of tenor and clarinet falls agreeably on the ear, just as that of tenor and trombone does. They're caught in action here on a 1995 Floating Jazz Festival, with generally sympathetic backing by Derek Smith, Howard Alden, Milt Hinton and Joe Ascione, although some of Smith's piano solos at up tempo sound spectacularly overcrowded. The well-chosen program includes two attractive Phillips originals, "Flip's Dido" and to match Davern's "Elsa's Dream," an intriguing "Miki's Dream." Mrs. Davern is Elsa, but the identity of Dido and Miki is not revealed. The last and longest track, "Lover, Come Back to Me," on which Woods appears, runs for twelve and a half minutes that many will presumably find climactically exciting. ~ Stanley Dance  http://jazztimes.com/articles/7798-spanish-eyes-kenny-davern-flip-phillips

Personnel: Flip Phillips (tenor saxophone); Howard Alden (guitar); Kenny Davern (clarinet); Phil Woods (alto saxophone); Derek Smith (piano); Joe Ascione (drums).

Spanish Eyes

Johanna Grussner - No More Blues

Styles: Jazz, Vocal
Year: 2004
File: MP3@320K/s
Time: 47:25
Size: 109,2 MB
Art: Front

(6:54)  1. Out Of This World
(4:16)  2. The Touch Of Your Lips
(5:03)  3. My Ship
(3:18)  4. No More Blues
(5:44)  5. The Very Thought Of You
(4:18)  6. I'm Old Fashioned
(3:28)  7. Help
(5:45)  8. The First Time Ever I Saw Your Face
(4:52)  9. Hallelujah I Just Love Him So
(3:43) 10. Desafinado

Honestly, I do not know what thrills me more, the fact that Johanna Grussner's No More Blues makes a great companion disc to Peter Cincotti's On the Moon or the fact that it is the first Naxos Jazz release in two years. Let's address the second fact first. Naxos Records began Naxos Jazz in the late 1990s with the hope of replicating the same phenomenal success that the label's classical side has experienced. The result was sixty plus releases that I have written on in the past. The label has lain dormant for the past two years and now reemerges with the hope that the independent market is more receptive than at that time. This reemergence takes the form of a new vocal release by the beautiful Finnish chanteuse Johanna Grussner. Ms. Grussner makes No More Blues a notable recording in her choice of repertoire and instrumentation. The selections on this recording are eclectic and well chosen, ranging from the well covered "The Touch of Your Lips" and "The Very Thought of You" to the less frequently recorded "My Ship" and "The First Time Ever I Saw Your Face." The big surprises lie in the pop covers, "Help" and "Hallelujah I Just Love Him So," which treat the pop icons well and will surprise and delight. In her choice of instrumentation, Grussner forgoes the standard piano trio or quartet for the guitar variety. 

This effectively brings out the bossa nova quality of the singer's intentions and adds a particular synergy to the title tune and "Desafinado." This theme extends to the untethered "The First Time Ever I Saw Your Face" and the rocking "Out of This World," which unconsciously mimics Cincotti's cover of "St. Louis Blues" on his On the Moon. Like Cincotti, Ms. Grussner covers a Ray Charles standard, "Hallelujah I Just Love Him So." She delivers the piece in a sultry fashion over the gutbucket guitar-bass-trio rhythm section. Her use of this ensemble is not unlike that of Cassandra Wilson, only more disciplined. Disciplined is how I would describe this recording, but not boring. This is a superb album deserving of anyone's year-end list. This is hyper-smart music that should satisfy the most critical among us. ~ C.Michael Bailey  http://www.allaboutjazz.com/no-more-blues-johanna-grussner-naxos-review-by-c-michael-bailey.php 
 
Personnel:  Johanna Grussner-Vocals;  Hans Glawishinig-Bass;  Antonio Sanchez-Drums;  Miles Okazaki-Guitar and  Paul Pesonen-Guitar

No More Blues