Wednesday, January 25, 2017

Joey Locascio - Joey Locascio Meets The Legend (Feat. Joey DeFrancesco)

Size: 166,6 MB
Time: 71:45
File: MP3 @ 320K/s
Released: 2016
Styles: Jazz/Pop Vocals
Art: Front

01. Joey's A Tramp (7:05)
02. I Who Have Nothing (5:57)
03. Fly Me To The Moon (5:53)
04. Never Gonna Fall In Love Again (6:21)
05. That's Life (5:02)
06. What A Wonderful World (5:59)
07. Mack The Knife (3:13)
08. Georgia (5:28)
09. We Gotta Get Out Of This Place (5:59)
10. A Song For You (6:35)
11. Over The Rainbow (6:31)
12. You Don't Know Me (7:39)

Joe's 'charismatic persona' combined with his silkily smooth 'dynamic vocal personality' will captivate and mesmerizes an audience every time.

His Music is Eclectic and very versatile.
- 1950's through the 1970's.

Joe 'specializes in Tributes' to the following Legendary artists:
Buddy Holly, Elvis, Bobby Darin, Tony Bennett, Sam Cook, Louis Armstrong, Beatles, Ray Charles, Joe Cocker, Jerry Butler, Jim Croche, Willie Nelson, Little Anthony, Beach Boys, Johnny Cash, Johnny Mathis, James Taylor, Hank Williams, Ricky Nelson, Dino (Dean Martain) & Frank Sinatra, Everly Brothers, Jay and the Americans, Bee Gees, Gerry and the PacemakersJimmy Buffett, the Drifters, the Platers, Roger Miller, and many more.

Joey Locascio Meets The Legend

Joan Chamorro - Joan Chamorro Presenta La Magia De La Veu & Jazz Ensemble

Size: 117,3 MB
Time: 49:53
File: MP3 @ 320K/s
Released: 2017
Styles: Jazz Vocals
Art: Front

01. Laugh, Clown, Laugh (4:37)
02. Stardust (5:08)
03. Baiao De Quatro Toques (4:19)
04. I Got Rhythm (4:03)
05. Por Toda A Minha Vida (4:02)
06. I Cried For You (3:14)
07. Skylark (4:27)
08. Triste (3:56)
09. I Like To Hear It Sometimes (2:52)
10. My Funny Valentine (3:55)
11. Sister Sadie (5:02)
12. Mood Indigo (4:11)

This time, Joan Chamorro retakes La Màgia de la Veu (The Magic of Voice), adding the voices and instruments of Alba Armengou (sax, trumpet), Alba Esteban (saxs, clarinet), Elia Bastida (violin and tenor sax) and Abril Saurí (trumpet).

With Andrea Motis, Rita Payés, Joan Mar Sauqué, Joan Codina, Joan Martí, Josep Traver, Ignasi Terraza, Esteve Pi, and Chamorro himself, they will play last century’s standards with special arrangements for “small big band” written by Joan Monné.

Joan Chamorro Presenta La Magia De La Veu & Jazz Ensemble

Wynton Marsalis, Willie Nelson - Two Men With The Blues

Bitrate: MP3@320K/s
Time: 53:34
Size: 122.6 MB
Styles: Country, Jazz
Year: 2008
Art: Front

[5:19] 1. Bright Lights Big City
[5:43] 2. Night Life
[3:26] 3. Caldonia
[5:09] 4. Stardust
[4:56] 5. Basin Street Blues
[4:40] 6. Georgia On My Mind
[5:44] 7. Rainy Day Blues
[4:57] 8. My Bucket's Got A Hole In It
[7:28] 9. Ain't Nobody's Business
[6:08] 10. That's All

The event was simply billed as “Willie Nelson Sings the Blues,” but the historic two-night stand on January 12 and 13, 2007 at Jazz at Lincoln Center was far more than that. Call it a summit meeting between two American icons, Willie Nelson & Wynton Marsalis, two of the most significant figures in modern-day country and jazz, who discovered common ground in their love for jazz standards and the blues. Their performance stirred the sounds of New Orleans, Nashville, Austin and New York City into a brilliantly programmed mix that was equal parts down-home and cosmopolitan, with plenty of swing and just a touch of melancholy. To say that these shows were a hot ticket would be an understatement. Luckily, the tapes were rolling and the results of this unique collaboration now constitute the Blue Note album Two Men With The Blues for everyone who couldn’t cram into The Allen Room. 

Two Men With The Blues               

The Don Friedman Trio - I'd Like To Tell You

Bitrate: MP3@320K/s
Time: 54:38
Size: 125.1 MB
Styles: Piano jazz
Year: 2010
Art: Front

[8:49] 1. Delayed Gratification
[4:33] 2. I'd Like To Tell You
[7:49] 3. Song For Abdullah
[4:47] 4. It Could Happen To You
[8:21] 5. Summer's End
[5:59] 6. You Go To My Head
[6:34] 7. Donsong
[7:42] 8. All Or Nothing At All

An excellent if underrated pianist, Don Friedman started off playing on the West Coast in 1956 with Dexter Gordon, Shorty Rogers, Buddy Collette, Buddy DeFranco (1956-1957), Chet Baker, and even the then-unknown altoist Ornette Coleman. After moving to New York in 1958, Friedman played in many settings, including with his own trio, Pepper Adams, Booker Little (recording with him in 1961), the Jimmy Giuffre Three (1964), a quartet with Attila Zoller, Chuck Wayne's trio (1966-1967), and, by the end of the decade, Clark Terry's big band. He continued working in New York as both a jazz educator and a pianist with wide musical interests, and was featured on Concord's Maybeck Recital Hall series (1993). Friedman also recorded for Riverside, Prestige, Progressive, Owl, Empathy, and several Japanese labels, and continued doing sessions in New York throughout the '90s and 2000s. Friedman died on June 30, 2016. He was 81 years old. ~bio by Scott Yanow

I'd Like To Tell You 

Alexis Cole with One For All - You'd Be So Nice To Come Home To

Bitrate: MP3@320K/s
Time: 56:10
Size: 128.6 MB
Styles: Jazz vocals
Year: 2011
Art: Front

[4:17] 1. Golden Earrings
[5:31] 2. I Will Wait For You
[5:31] 3. Moon River
[6:06] 4. Delilah
[5:18] 5. Cry Me A River
[5:38] 6. Alone Together
[5:20] 7. A Beautiful Friendship
[3:47] 8. All The Things You Are
[4:44] 9. So In Love
[5:15] 10. You've Changed
[4:36] 11. You'd Be So Nice To Come Home To

Bass – John Webber; Drums – Joe Farnsworth; Piano – David Hazeltine; Tenor Saxophone – Eric Alexander; Trombone – Steve Davis; Trumpet – Jim Rotondi; Vocals – Alexis Cole. Recorded at Avatar Studios in New York on April 28 & 29, 2010.

Alexis Cole, born into a musical family in Queens, New York, began her professional career after obtaining a master's degree from the Aaron Copland School of Music at Queens College. She has performed with Slide Hampton, Rufus Reid and Harry Pickens among others, and so far released four CDs on independent labels. Following her superb debut from the Japanese Venus Records (Someday My Prince Will Come, available on HQCD and vinyl LP), her eagerly awaited second album is something of a coup - she recorded the entire album with the all-star hard bop group One For All! As far as I know, the supergroup that includes Eric Alexander and David Hazeltine has never accompanied a singer for an entire album!

The familar standards are tastefully and intelligently arranged, and Cole's attractive voice and the ability to swing are in full display. Her voice is rich and strong. She has impeccable technique and control, and a confident jazz style that hints an influence from Carmen McRae. And, as expected, the ensemble and solo work of the band is simply phenomenal! A rare album that satisfies fans of vocal jazz and fans of serious hardbop, instrumental jazz!

You'd Be So Nice To Come Home To

Gregg Karukas - Soul Secrets

Bitrate: MP3@320K/s
Time: 70:43
Size: 161.9 MB
Styles: Piano jazz
Year: 2014
Art: Front

[5:13] 1. Do Watcha Love
[4:17] 2. Soul Secrets
[5:03] 3. Gk's Funky Joint
[3:50] 4. Elegant Nights
[4:44] 5. Only You
[4:53] 6. Rio Drive
[5:09] 7. Snack Shack
[5:10] 8. Cafe Agogo
[6:23] 9. Secret Smile
[5:25] 10. Above The Clouds
[5:16] 11. Walking On Air
[5:07] 12. Told You Twice
[4:58] 13. Time Alone (For Ty Malone)
[5:08] 14. Randy Heads Uptown

"Along with the privilege of being a musical artist and composer comes the realization that music is a mysterious and powerful force that can reach deep into our Souls and bring happiness. We all have unspoken Secrets there, and every song I write is my attempt to make that connection. The whole process, the journey, the wonderful feedback I get from listeners is what keeps me coming back to the piano. Revealing SOUL SECRETS".

2013 Grammy winner Gregg Karukas is back with a new collection of all-original songs featuring his signature piano touch, pristine production, and melodies that are both soulful and sophisticated. Organic, funky, and melodic is how Gregg describes his latest, long awaited 12th solo project, "Soul Secrets", due in early Fall 2014. Gregg's elegant grand piano and deep grooves are everywhere, and this time around he digs into his roots and also features the classic Fender Rhodes, Wurlie, Minimoog and Hammond B3 keyboards he grew up with quite a bit. With guest appearances along the way by friends Rick Braun, Euge Groove, Ricardo Silveira, Eric Valentine, Nate Phillips, Michael O'Neill, James Harrah, Adam Hawley, violinist Charlie Bisharat, Luis Conte, Shelby Flint, Ron Boustead and 21 year old rising sax star Vincent Ingala.

Karukas has been so consistently acclaimed for his melodic keyboard magic for so long that it might be superfluous to call “Soul Secrets” his best album ever – but there’s no doubt it’s one of contemporary jazz’s best albums of 2014.

Soul Secrets

The Kingston Trio - Collectors Series

Bitrate: MP3@320K/s
Time: 54:43
Size: 125.3 MB
Styles: Folk-pop
Year: 1990
Art: Front

[2:17] 1. Scarlet Ribbons (For Her Hair)
[3:05] 2. Tom Dooley
[2:07] 3. Raspberries, Strawberries
[2:48] 4. The Tijuana Jail
[3:14] 5. M.T.A.
[3:26] 6. A Worried Man
[2:17] 7. Coo Coo-U
[2:25] 8. El Matador
[2:36] 9. Bad Man's Blunder
[2:19] 10. Everglades
[3:02] 11. Where Have All The Flowers Gone
[2:34] 12. Scotch And Soda
[2:50] 13. Jane, Jane, Jane
[2:57] 14. One More Town
[2:49] 15. Greenback Dollar
[3:13] 16. Reverend Mr. Black
[2:47] 17. Desert Pete
[2:04] 18. Ally Ally Oxen Free
[2:53] 19. The Patriot Game
[2:52] 20. Seasons In The Sun

The first serious compilation of the Kingston Trio's work is broader than any of the various "best of" albums that ever showed up on LP, although it also lacks some important tracks that were on those 12" discs ("Take Her Out of Pity" is especially missed). The Dave Guard era is especially well represented and at the time of this disc's release, the sound was better than anything heard from the group up to that time. However, the emphasis on singles -- albeit all hits -- limits the range of the music represented, and also creates an impression of the group that is somewhat skewed from most fans' memories. After 1960, the Kingston Trio was one of the relatively few pop acts of the period (Frank Sinatra was another, curiously also on Capitol) who sold albums more easily than singles, and this became more true as the John Stewart years progressed. As a result, Kingston Trio fans (and one assumes that those are the people who would buy this collection) often took in the group's songs 12 at a time rather than one or two at a time. It's for that reason that the four-CD set The Capitol Years can be recommended more highly to those who really want to understand the group's appeal and music, or just to remember the stuff they heard back when. This disc is a good introduction to one side of the Kingston Trio's work, but it shouldn't be the last compilation that one buys on the group. ~Bruce Eder

Collectors Series

Houston Person - A Little Houston On The Side

Bitrate: MP3@320K/s
Time: 70:17
Size: 160.9 MB
Styles: Bop, Saxophone jazz
Year: 2009
Art: Front

[8:07] 1. Walking The Dog
[7:06] 2. Late Night Lullaby
[5:20] 3. My Romance
[3:51] 4. Laughing At Life
[7:54] 5. Equinox: For John Coltrane
[6:54] 6. Broadway
[7:31] 7. I Remember Clifford
[6:08] 8. Don't Misunderstand
[7:05] 9. Blue Seven
[4:33] 10. Sweet Slumber
[5:43] 11. When Sonny Gets Blue

This budget disc from the 32 Jazz label is aptly titled A Little Houston on the Side. It highlights the jazz-soul of tenor saxophonist Houston Person: a leader, sideman, and producer. The material on this compilation comes from Person's stint with the now-defunct Muse label, and was recorded in the '70s, '80s, and early '90s. A Little Houston on the Side emphasizes the stripped-down raucous blues of Hammond B-3 heroes Joey DeFrancesco, Sonny Phillips, and Groove Holmes, although a highlight has to be Jack McDuff's "Walking the Dog," featuring the battling tenors of Person and Ron Bridgewater. The tenor-organ combo bases are beautifully covered here. Also represented are the soulful vocals of Etta Jones, pianist Charles Brown, and a duet with bassist Ron Carter. Person's haunting, breathy tone is used to great effect on the ballads "My Romance" and "I Remember Clifford," but this reissue also reminds us he can blow in a hard bop tenor style influenced by greats like John Coltrane and Dexter Gordon. Person's versions of "Equinox" and "Broadway" are classic examples of the hard bop influence on his playing. Recommended. ~Al Campbell

A Little Houston On The Side

Kenny Burrell - Tender Gender

Styles: Guitar Jazz
Year: 1966
File: MP3@320K/s
Time: 40:59
Size: 166,7 MB
Art: Front

(4:42)  1. Mother-In-Law
(4:40)  2. Hot Bossa
(2:44)  3. People
(5:00)  4. Isabella
(3:13)  5. Girl Talk
(4:45)  6. Suzy
(4:58)  7. The Tender Gender
(3:42)  8. La Petite Mambo
(3:20)  9. If Someone Had Told Me
(3:55) 10. I'm Confessin' (That I Love You)

Digitally remastered edition of this 1966 album from the Jazz legend. On this album, Kenny's guitar is embellished beautifully by Richard Wyands, piano; Martin Rivera, bass; and Oliver Jackson, drums. It is an album that is indicative of all that is good about Mr. Burrell. The word 'versatile' is over-used in describing musicians and entertainers but Kenny's playing is both distinctive and varied. He has a beautiful lyrics sense-dig the unaccompanied "People", but he also has an aggressive style of playing that makes his sound easily recognizable. The outstanding characteristics of his playing-his best-known trait-is an honest and soulful blues feeling…a feeling so fresh and distinctive that the Kenny Burrell sound could almost be patented. ~ Editorial Reviews https://www.amazon.com/Tender-Gender-Kenny-Quartet-Burrell/dp/B008VTXTGE

Personnel:  Bass – Martin Rivera;  Drums – Oliver Jackson;  Guitar – Kenny Burrell;  Piano – Richard Wyands

Tender Gender

Monty Alexander - Sunday Night

Styles: Piano Jazz
Year: 1985
File: MP3@320K/s
Time: 62:33
Size: 145,3 MB
Art: Front

( 9:54)  1. Old Devil Moon
( 6:57)  2. You'd Be So Nice To Come Home To
( 5:07)  3. More Or Wes
( 9:17)  4. Who Cares
(14:50)  5. Renewal
(10:31)  6. Joyspring
( 5:57)  7. African Bee

A nice little set from Monty Alexander – a Sunday Night session recorded with the same group, on the same weekend as his Saturday Night album! Monty Alexander's always great in a trio, but we really love the pianist when he's trying to add a little something extra to the mix as he does here in a quartet performance that features some nice added percussion from Robert Thomas! The tracks have that warm glow and open flow that Alexander first started bringing to his music in the 70s with sensitive rhythm work here from Reggie Johnson on bass and Ed Thigpen on drums – but the added percussion really helps things swing at a slightly higher level, giving a gentle kick to some cuts, while Monty's still able to open up with some warmly lyrical lines over the top. Titles include "Old Devil Moon", "Who Cares", "Renewal", "African Bee", "Joyspring", and "More Or Wes". © 1996-2017, Dusty Groove, Inc.https://www.dustygroove.com/item/793603?s=Monty+Alexander&incl_oos=1&incl_cs=1&kwfilter=Monty+Alexander&sort_order=artist

Personnel: Monty Alexander – piano;  Reggie Johnson – bass;  Ed Thigpen – drums;  Robert Thomas Jr. – hand drums

Sunday Night

Harold Danko - Next Age

Styles: Piano Jazz
Year: 1993
File: MP3@224K/s
Time: 69:09
Size: 110,9 MB
Art: Front

(13:43)  1. Waiting Time
( 7:31)  2. For Bud
( 8:35)  3. Ice Mirror
( 8:26)  4. Gregarious Solitude
( 9:46)  5. Silk Lady
( 4:00)  6. Next Age
( 5:06)  7. Rhythm's Child
( 2:55)  8. Luz Caverna
( 9:03)  9. Subindo

The Harold Danko Quartet of 1993 (which features tenor saxophonist Rich Perry, bassist Scott Colley, drummer Jeff Hirshfield, and the pianist/leader) performs nine of Danko's originals on this stimulating set. Some of the tunes are based (although sometimes in an abstract fashion) on standards, while others are more original. The music swings most of the time, Perry's dry tone works well with Danko's modern mainstream piano, and the group is tight yet sounds quite spontaneous. This CD is worth several listens. ~ Scott Yanow http://www.allmusic.com/album/next-age-mw0000436009

Personnel:  Harold Danko (piano); Scott Colley (bass);  Jeff Hirshfield (drums);  Rich Perry (tenor sax)

Next Age

Charlie Christian - The Wholly Cats

Styles:  Guitar Jazz
Year: 2011
File: MP3@320K/s
Time: 50:09
Size: 115,6 MB
Art: Front

(2:44)  1. Seven Come Eleven
(2:28)  2. Soft Winds
(2:45)  3. AC-DC Current
(3:00)  4. Till Tom Special
(3:22)  5. Gone with 'What' Wind
(3:17)  6. Six Appeal
(2:34)  7. Gilly
(5:03)  8. Waiting for Benny
(1:42)  9. Blues in B
(3:03) 10. Wholly Cats
(3:16) 11. A Smo-o-o-oth One
(2:47) 12. Poor Butterfly
(2:39) 13. Gone with What Draft
(4:30) 14. Air Mail Special
(4:04) 15. Breakfast Feud
(2:46) 16. Solo Flight

It can be said without exaggeration that virtually every jazz guitarist that emerged during 1940-65 sounded like a relative of Charlie Christian. The first important electric guitarist, Christian played his instrument with the fluidity, confidence, and swing of a saxophonist. Although technically a swing stylist, his musical vocabulary was studied and emulated by the bop players, and when one listens to players ranging from Tiny Grimes, Barney Kessel, and Herb Ellis, to Wes Montgomery and George Benson, the dominant influence of Christian is obvious. Charlie Christian's time in the spotlight was terribly brief. He played piano locally in Oklahoma, and began to utilize an amplified guitar in 1937, after becoming a student of Eddie Durham, a jazz guitarist who invented the amplified guitar. John Hammond, the masterful talent scout and producer, heard about Christian (possibly from Mary Lou Williams), was impressed by what he saw, and arranged for the guitarist to travel to Los Angeles in August 1939 and try out with Benny Goodman. Although the clarinetist was initially put off by Christian's primitive wardrobe, as soon as they started jamming on "Rose Room," Christian's talents were obvious. For the next two years, he would be well-featured with Benny Goodman's Sextet; there were two solos (including the showcase "Solo Flight") with the full orchestra; and the guitarist had the opportunity to jam at Minton's Playhouse with such up-and-coming players as Thelonious Monk, Kenny Clarke, and Dizzy Gillespie. All of the guitarist's recordings (including guest spots and radio broadcasts) are currently available on CD. Tragically, he contracted tuberculosis in 1941, and died at the age of 25 on March 2, 1942. It would be 25 years before jazz guitarists finally moved beyond Charlie Christian. ~ Scott Yanow https://itunes.apple.com/us/artist/charlie-christian/id520915#fullText

The Wholly Cats

Sarah McKenzie - Paris In The Rain

Styles: Vocal Jazz
Year: 2017
File: MP3@320K/s
Time: 52:35
Size: 121,2 MB
Art: Front

(4:06)  1. Tea For Two
(3:47)  2. Paris In The Rain
(4:15)  3. One Jealous Moon
(3:51)  4. Little Girl Blue
(4:44)  5. I'm Old Fashioned
(3:15)  6. When In Rome
(3:55)  7. Triste
(4:35)  8. Embraceable You
(4:17)  9. In The Name Of Love
(3:59) 10. Don't Be A Fool
(3:27) 11. Onwards And Upwards
(4:21) 12. Day In Day Out
(3:56) 13. Road Chops

After enchanting jazz fans with her 2015 Impulse! Records debut, We Could Be Lovers, Sarah McKenzie returns with the sensational follow-up, Paris in the Rain. Like before, the 28-year-old, Melbourne, Australia-born singer, pianist, composer and arranger teams with the acclaimed Brian Bacchus who has produced classics for such stars as Norah Jones, Lizz Wright, and Gregory Porter to deliver a gripping program of jazz classics and originals all of which present McKenzie’s incredible musicality in glamorous glory. McKenzie moved to Paris last year after graduating from Boston’s Berklee College of Music. The album’s snazzy title track is her love letter to the City of Light. The fanciful lyrics find her alternating effortlessly between French and English as she rejoices in the city’s opulent offerings. “I’m really in love with Paris. It’s a really amazing city. It’s so beautiful with so much to offer in terms of culture, food and style. I wanted to write a song that captures all of Paris’ beauty, magic and spirit.” Overall, the album’s theme centers on McKenzie’s journey from Australia to America and her trips throughout Europe as a performing artist. She exemplifies the loose theme with the telling choices of songs such as Cy Coleman and Carolyn Leigh’s “When in Rome,” (her visit to Italy) Antonio Carlos Jobim’s “Triste” (for her time in Portugal),” Vincent Youmans and Irving Caesar’s “Tea for Two” (for London).” The travelogue theme rings the loudest on album’s closer, “Road Chops,” an ebullient original that evokes the brisling giddiness of exploring the globe; the instrumental also showcases McKenzie command at the piano.

McKenzie praises Paris in the Rain as a more “stylish” album. “It shows greater depth of my arrangements,” she says before explaining that she’s fashioning her own vision within the jazz tradition. For this album, that meant exploring more textures with which she does gorgeously by expanding the sonic palette. The album boasts a superlative lineup that includes vibraphonist Warren Wolf (who played on We Could Be Lovers), guitarist Mark Whitfield, bassist Reuben Rogers, drummer Gregory Hutchinson, trumpeter Dominick Farinacci, flutist Jamie Baum, alto saxophonist Scott Robinson, tenor saxophonist Ralph Moore, and guitarist Romero Lubambo. Sophisticated originals steeped in the Great American Songbook tradition energize much of Paris in the Rain. In addition to the title track and “Road Chops,” she penned three other superb originals. The bluesy “One Jealous Moon” demonstrates her meticulous word play as she sublimely uses the numbers: 1,2,3,4 throughout in the song’s poetic lyrics; the song also features a stellar tenor saxophone solo from Moore. McKenzie’s haunting ballad “Don’t Be a Fool” conveys a melancholic allure as she slowly sings of treacherous romance and seduction; Warren Wolf’s striking vibraphone chords in unison with the piano accentuate the composition’s suspense. Later in the song, he delivers a rueful solo.

With “Onward and Upward,” McKenzie pays tribute to Nat King Cole with a spry original teeming with optimistic lyrics about embarking on new adventures; she also tickles a spiffy blues-laden piano solo while Baum and Farinacci too yield effervescent asides. As an arranger, McKenzie cites George Shearing as one her most significant lodestars. She’s particularly fond of his usage of piano block chords against guitars. “I want things to sound quirky and a little rough but still very charming and elegant,” she says. McKenzie employs the same ambitions of being a distinguishable stylist in her piano playing too. “Being an incredibly virtuosic pianist is cool if that that’s what you do. But I really identify with coming up with a style and really trying the make the songs speak with my own unique sound.” Sarah McKenzie hails from Melbourne, Australia; she earned a bachelor’s degree in jazz at Perth’s West Australian Academy of Performing Arts. With two critically acclaimed discs underneath her belt Don’t Tempt Me and Close Your Eyes (2012 Best Jazz Album ARIA Winner)– she began attracting the attention of many international jazz stars visiting Melbourne. With her eyes set on attending the Berklee College of Music in Boston, she participated in one of the college’s off-site jazz camps at the Umbria Jazz Festival in 2012, where she won both a full scholarship at the prestigious music school and an opportunity to perform at the festival. She graduated from Berklee in May 2015 with a degree in jazz performance. Sarah McKenzie has performed at jazz´s iconic places, the festivals in Monterey, Juan-les-Pins, Marciac and Perugia, Dizzy´s and Minton´s in New York, as well as the top clubs in Paris, London, Vienna, Munich and Sydney. Together with the Boston Pops Orchestra she premiered one of her compositions at Boston´s Symphony Hall. Last but not least, the Australian version of “We Could Be Lovers” won the Bell Award for Best Australian Vocal Album. Impulse! Label has released “We Could Be Lovers” worldwide in Spring 2015. http://www.sarahmckenzie.info/#story

Paris In The Rain

Tuesday, January 24, 2017

Marjorie Barnes - Once You've Been In Love

Bitrate: MP3@320K/s
Time: 49:29
Size: 113.3 MB
Styles: Jazz vocals
Year: 1993/2009
Art: Front

[3:26] 1. Watch What Happens
[3:40] 2. Fascinating Rhythm
[3:43] 3. Once You've Been In Love
[5:55] 4. The Surrey With The Fringe On Top
[4:21] 5. He's My Guy
[4:15] 6. Isn't It A Pity
[4:33] 7. I've Got The World On A String
[4:57] 8. The Beauty And The Beast
[4:38] 9. A Little Tear
[3:30] 10. I Can't Believe That You're In Love With Me
[4:07] 11. No More Blues
[2:20] 12. Never Will I Marry

Once You've Been In Love is a wonderful easy listening / smooth jazz album by Marjorie Barnes (USA). Her great looks, great voice and professionalism make her a performer of international standing. Her collaboration on this album together with Dolf de Vries Trio, Toots Thielemans and Bob Schimscheimer guarantees beauty and success. Recommended!

Once You've Been In Love

Tommy Emmanuel with The Australian Philharmonic Orchestra - Classical Gas

Bitrate: MP3@320K/s
Time: 52:22
Size: 119.9 MB
Styles: Guitar jazz
Year: 1995
Art: Front

[5:02] 1. Classical Gas
[5:20] 2. The Journey
[3:55] 3. Run A Good Race
[4:41] 4. Concierto De Aranjuez
[3:34] 5. She Never Knew
[2:39] 6. Gollywogs Cake Walk English Country Garden
[5:52] 7. Who Dares Wins
[5:23] 8. Initiation
[3:57] 9. The Hunt
[3:42] 10. Countrywide
[3:55] 11. Pan Man
[4:17] 12. Padre

Two-time Grammy nominee Tommy Emmanuel is one of Australia's most respected musicians. The legendary guitarist has a professional career that spans almost five decades and continues to intersect with some of the finest musicians throughout the world. A household name in his native Australia, Tommy has garnered hundreds of thousands of loyal fans worldwide. Tommy's unique style - he calls it simply "finger style" - is akin to playing guitar the way a pianist plays piano, using all ten fingers. Rather than using a whole band for melody, rhythm, bass, and drum parts, Tommy plays all that - and more - on one guitar. Guitar legend Chet Atkins was one of the first to inspire Emmanuel to try this "fingerpicker" style as a child. Decades later, Atkins himself became one of Emmanuel's biggest fans.

Classical Gas

Trijntje Oosterhuis - The Look Of Love: Burt Bacharach Songbook

Bitrate: MP3@320K/s
Time: 56:36
Size: 129.6 MB
Styles: Jazz-pop vocals
Year: 2006
Art: Front

[3:13] 1. Do You Know The Way To San Jose
[3:52] 2. A House Is Not A Home
[4:31] 3. The Look Of Love
[2:48] 4. I Say A Little Prayer
[4:24] 5. Waiting For Charlie (To Come Home)
[4:08] 6. Falling Out Of Love
[3:05] 7. I'll Never Fall In Love Again
[3:06] 8. Walk On By
[4:31] 9. Alfie
[5:24] 10. Anyone Who Had A Heart
[5:14] 11. This House Is Empty Now
[3:43] 12. (They Long To Be) Close To You
[4:40] 13. The Windows Of The World
[3:50] 14. That's What Friends Are For

2006 album from the Dutch vocalist, a collaboration with songwriting legend Burt Bacharach. The Look Of Love: Burt Bacharach Songbook is a tribute to Bacharach featuring the man himself on piano. The Look Of Love is her second album for Blue Note, the follow-up to her 2004 double platinum effort Strange Fruit.

The Look Of Love: Burt Bacharach Songbook

The Red Garland Trio - It's A Blue World

Bitrate: MP3@320K/s
Time: 39:10
Size: 89.7 MB
Styles: Bop, Piano jazz
Year: 1958/1999
Art: Front

[ 8:27] 1. This Can't Be Love
[12:39] 2. Since I Fell For You
[ 3:26] 3. Crazy Rhythm
[ 9:02] 4. Teach Me Tonight
[ 5:34] 5. It's A Blue World

Double Bass – Paul Chambers; Drums – Art Taylor; Piano – Red Garland.

Of the miles of Red Garland sessions recorded in the late '50s, some of the tapes didn't see the light of day until many years later. This session, except for "Crazy Rhythm," first appeared in the early '70s, and is typical of Garland's trio work of the '50s, evoking a mid-century nightclub atmosphere from Rudy Van Gelder's studio with the perfectly gauged help of bassist Paul Chambers and drummer Art Taylor. "Since I Fell for You" and "Teach Me Tonight" are taken at relaxed tempos, and after Garland's trademark block chords in the left hand and octaves in the right hand take care of the themes, they ride easily and winningly. "Crazy Rhythm" zips along at the usual steeplechase pace, with a fluid bebop solo from Garland and some agile bowing from Chambers (Chambers also gets an unusually lengthy bowed solo on "This Can't Be Love"), and the title track closes the CD reissue on a jaunty note. Garland fans -- and for that matter, fans of Vince Guaraldi, whose chord voicings very much resemble those of Garland -- need not hesitate. ~Richard S. Ginnell

It's A Blue World

New York Trio - Essential Best

Bitrate: MP3@320K/s
Time: 71:43
Size: 164.2 MB
Styles: Mainstream jazz
Year: 2009
Art: Front

[6:35] 1. I Could Have Danced All Night
[5:05] 2. Blue Skies
[5:44] 3. As Time Goes By
[7:45] 4. How High The Moon
[4:32] 5. Star Crossed Lovers
[6:13] 6. Lover Come Back To Me
[6:34] 7. Lullaby Of The Leaves
[6:13] 8. My Heart Belongs To Daddy
[8:03] 9. You'd Be So Nice To Come Home To
[5:18] 10. I Didn't Know What Time It Was
[5:41] 11. Cheek To Cheek
[3:57] 12. They Say It's Wonderful

Also known as the New York Jazz Trio, this combo is a studio-only group who specialize in recording classic standards in a straightforward, post-bop style. The New York Trio features three gifted musicians who are firmly established on the East Coast jazz scene. Pianist Bill Charlap is a member of the Phil Woods Quintet, has accompanied the likes of Tony Bennett, Benny Carter, and Gerry Mulligan, and has recorded a handful of well-received albums for Blue Note as a bandleader. Bassist Jay Leonhart has recorded as a headliner since 1983, while also making a name for himself as a vocalist and songwriter as well as backing up Marian McPartland, Louie Bellson, Lee Konitz, and many others. And drummer Bill Stewart had handled demanding gigs with a variety of musicians, including jazz guitarist John Scofield, funky sax man Maceo Parker and R&B legend James Brown. In 2001, Charlap, Leonhart, and Stewart teamed up in the studio to cut the album Blues in the Night for the Venus Jazz label; featuring leisurely but heartfelt interpretations of eight classic melodies, the album was well-received by fans of classic jazz. Seven similar collections have been recorded by the trio for Japanese jazz labels. ~ bio by Mark Deming

Essential Best

Rob Parton's Jazztech Big Band - Two Different Days

Styles: Jazz, Big Band
Year: 2004
File: MP3@320K/s
Time: 73:05
Size: 172,1 MB
Art: Front

(3:36)  1. Soon
(7:11)  2. On A Misty Night
(3:50)  3. Speak Low
(8:13)  4. How Deep Is The Ocean
(5:27)  5. Take The 'A' Train
(3:56)  6. I'm Getting Sentimental Over You
(6:43)  7. Blue Daniel
(5:41)  8. Never Will I Marry
(5:41)  9. My One And Only Love
(6:39) 10. Bernie's Tune
(4:46) 11. Blue Getz Blues
(6:06) 12. Two Different Days
(5:09) 13. She's Gone

Two Different Days and one terrific band. This is the sixth album recorded by trumpeter Rob Parton's cyclonic ensemble from the Windy City, and while every one of them has been spectacular in its own way, this one may well earn the blue ribbon as best in show. Simply put, this is a band that has everything scrupulous section work, stalwart soloists and a superb rhythm section spearheaded by Chicago's premier big band drummer, Bob Rummage. But even though the competition is fierce, what sets Days apart from Parton's earlier albums, in this reviewer's opinion, is his splendid choice of material, which leaves absolutely nothing to be desired. It's almost as if Parton said to his sidemen, "Let's get together in a studio and record some songs that Jack Bowers would really appreciate." That didn't happen, of course, but it may as well have, as the outcome is the same. Any album that opens with a mind-blowing arrangement of George Gershwin's "Soon," as this one does, has laid a hammerlock on my heart from the outset. That's the first of five markedly impressive charts by ace writer Don Schamber, complementing two apiece by Thomas Matta, Chris Madsen and Kirk Garrison, trombonist Tom Garling's dynamic "Two Different Days" and Cliff Colnot's ethereal orchestration (with string section) of Chuck Mangione's soulful "She's Gone." Parton, one of that rare breed of trumpeters who plays jazz as well as he plays lead and that's about as well as anyone can is showcased on "Speak Low," "My One and Only Love" and "She's Gone," tenor saxophonist Mark Colby on the debonair "Blue Getz Blues," Garling on bass trombonist Matta's fast-paced treatment of the venerable Tommy Dorsey theme "I'm Getting Sentimental Over You." 

Matta also arranged Tadd Dameron's bop classic "On a Misty Night," which houses handsome solos by pianist Don Stille, flugel Ron Ruvio and guest alto Mike Smith. Trumpeter Garrison shares the solo spotlight with Colby on Frank Rosolino's "Blue Daniel," and with Colby, lead alto Bob Frankich and trombonist Tim Coffman on Bernie Miller's "Bernie's Tune," both of which he arranged. Stille and Parton are unerring on Madsen's arrangement of "Never Will I Marry," Garling and guitarist Chris Siebold the same on Irving Berlin's "How Deep Is the Ocean," another Schamber chart, as is Billy Strayhorn's "Take the 'A' Train" (solos by Stille, tenor Brian Budzik, trombonist Brian Jacobi, baritone Ted Hogarth). Coffman, Colby and trumpeter Mike McGrath present well-crafted statements on "Soon," Garling and trumpeter Ruvio on "Two Different Days." Parton, who has been presiding over the JazzTech Big Band for more than two decades, says the ensemble has found its identity "as a straight-ahead, swingin', hometown Chicago band performing because we love to play creative and original big-band Jazz." That's more than mere philosophy; it's an undeniable fact, one that Two Different Days, one of the year's most impressive big band albums, readily underscores and emphatically affirms. ~ Jack Bowers https://www.allaboutjazz.com/two-different-days-rob-parton-sea-breeze-jazz-review-by-jack-bowers.php

Personnel: Rob Parton, leader, trumpet, flugelhorn;  Scott Wagstaff, Kirk Garrison, Mike McGrath, August Haas (7, 10), Fred Powell (3, 4, 9, 10),  Marty Tilton (1, 5), trumpet;  Bob Frankich, Ken Partyka (6, 8), alto sax;  Bob Reszutko, alto sax, flute;  Mark Colby, Brian Budzik, tenor sax;  Ted Hogarth, baritone sax;  Tom Garling, Tim Coffman (2-4, 9), Andy Baker (1, 5, 7, 10), Brian Jacobi (1-5, 7, 9, 10-12), Dan Johnson (6, 8), Bryan Tipps (1, 3-9), trombone; Thomas Matta, bass trombone; Don Stille, piano; Chris Siebold, guitar; Tim Fox, bass; Bob Rummage, drums. Guest artist -- Mike Smith (2), alto sax.

Two Different Days

Diane Blue - Here I Am

Styles: Vocal, R&B
Year: 2006
File: MP3@320K/s
Time: 47:32
Size: 109,5 MB
Art: Front

(3:41)  1. Muddy Water
(4:47)  2. Since I Fell For You
(5:04)  3. Restless
(4:59)  4. Piece Of My Heart
(3:58)  5. Good Times
(4:08)  6. There I Was ... Here I Am
(3:44)  7. Walking The Dog
(5:12)  8. God Bless The Child
(3:54)  9. Love Makes A Woman
(4:21) 10. My Daily Prayer
(3:38) 11. Gypsy Child

On this, her first full-length CD project, Ms. Diane Blue belts out a funky soul tune, then she’ll sing a sweet ballad, just before she blows you away on the blues harp. Ms. Diane Blue is soulful and sassy. On “Here I am”, Ms. Blue presents a collection of jazzy, bluesy, funky, groovy cover songs and three of her own original songs. With the finest professional musicians in the NorthEast, the performance of this collection of songs is top-notch. Marty Ballou on bass, Vinny Pagano on drums, Sax Gordon Beadle, Mike Duke and Chris Stovall Brown on guitar, Steve Burke on keyboard and organ, Johnny Juxo and Mark Taber on piano. Ms. Blue's performance is reminiscent of her influences: Aretha Franklin, Gladys Knight and Janis Joplin. She has shared the stage with Luther Guitar Junior Johnson, Sherman Robertson, and members of Roomful of Blues and Dave Howard & the High Rollers, to name a few. “When she gets her harp & mic going, the language is hard hitting blues. Strong, confident and tasteful” says Domenic Forcella of Blues Beat. http://www.cdbaby.com/cd/dianeblue

Here I Am