Tuesday, February 14, 2017

Diahann Carroll & The Andre Previn Trio - Porgy And Bess

Bitrate: MP3@320K/s
Time: 33:40
Size: 77.1 MB
Styles: Jazz vocals
Year: 1959/2006
Art: Front

[2:43] 1. Summertime
[4:05] 2. My Man's Gone Now
[2:51] 3. I Got Plenty Of Nuttin'
[4:38] 4. Bess, You Is My Woman
[3:05] 5. Oh, I Can't Sit Down
[3:17] 6. It Ain't Necessarily So
[3:13] 7. What You Want Wild Bess
[3:16] 8. I Love You Porgy
[3:04] 9. There's Somebody Knockin'
[3:25] 10. There's A Boat That's Leavin' Soon For New York

Bass – Joe Mondragon, Keith Mitchell; Drums – Frank Capp, Larry Bunker; Piano – André Previn.

The second recording (1952) by this radiant star of stage and screen-and you'll be amazed how mature and expressive her voice already is. Previn's bold arrangements and Diahann's uncanny rhythmic sense brought new freshness to Summertime; It Ain't Necessarily So , and the rest of these Gershwin classics.

Porgy And Bess

Tony Monaco Trio, Joey DeFrancesco Trio - A New Generation Paesanos On The New B3

Bitrate: MP3@320K/s
Time: 50:07
Size: 114.8 MB
Styles: B3 Organ jazz
Year: 2003
Art: Front

[6:25] 1. Pasta Faggioli
[6:22] 2. Homily
[5:56] 3. Katarina's Prayer
[6:11] 4. Flat Tire
[5:32] 5. Mona Lisa
[6:50] 6. Mozzarella
[4:01] 7. Aglio E Olio
[5:00] 8. Oh Marie
[2:19] 9. Waltz Of The Angels
[1:27] 10. Bonus Interview

Tony Monaco - "New B3" organ and accordion; Joey DeFrancesco - "New B3" organ and trumpet; Robert Kraut - guitar; Craig Ebner - guitar; Louis Tsamous - drums; Byron Landham - drums.

Is there a secret spice in spaghetti sauce that makes a man's fingers burn the 88s? One listen to Paesanos On The New B3 and you would be apt to think so. A sizzling showdown between the dueling organs of B3 grand master Joey DeFrancesco and up-and-coming master Tony Monaco, Paesanos shows that the unique sound of the Hammond B-3 can still ignite the kind of sparks it did during its heyday in the '60s. Though cheerfully wrapped in a checkerboard tablecloth motif and sporting song titles like "Pasta Faggioli," this recording is actually a solid tribute to the classic organ battles between Jimmy McGriff and Richard "Groove" Holmes. The "new" generation refers to a new model of Hammond-Suzuki organ that Monaco and DeFrancesco employ and with their respective trios in support the two organists serve up nine tracks ranging from greasy blues to sanctified gospel to Neapolitan pop.

The opening track, "Pasta Faggioli," is an irresistible butt-shaker with a stop-time soul groove and straight-ahead blues phrasing by both Monaco and DeFrancesco. On this track and many others, it's difficult to tell who is playing but, suffice to say, the two paesanos are brilliant. The trios provide excellent support with crisp, melodic lines from guitarists Robert Kraut and Craig Ebner and fatback drums from Louis Tsamous and Byron Landham. Considering the sameness of many B3 recordings over the years, it is to the credit of Monaco and DeFrancesco that they change things up with each track. On "Homily" and "Katerina's Prayer," they trade off sweet gospel choruses, heightening the emotional resonance with the slightest change in pitch. Their high-speed unison playing on "Flat Tire" is a real thrill and it is matched by fleet-fingered guitar solos of Kraut and/or Ebner. The cheesy, squelched tones of the Hammond B3 on the romantic "Mona Lisa" are perfect for a whirl around the skating rink; and the call-and-response of "Mozzarella" features some interesting elongated tones, the kind of which can only come from the B3. And for extra spice, the breakneck "Aglio e Olio" features some fine bop phrasing by Joey on muted trumpet as he trades eights with the trios. Shifting the meatball schmaltz into high gear, Tony and Joey perform some fun melodic choruses and blocked chord attacks on Louis Prima's jaunty "Oh Marie" and Monaco plays wonderful accordion on "Waltz Of The Angels." But while these songs are enjoyable, one wishes they were prelude a more exciting finish than the disposable live interview that closes the disc. ~Ken Hohman

A New Generation Paesanos On The New B3

The Hot Club Of Cowtown - The Best Of The Hot Club Of Cowtown

Bitrate: MP3@320K/s
Time: 62:13
Size: 142.4 MB
Styles: Retro Swing
Year: 2008
Art: Front

[3:04] 1. Ida Red
[3:21] 2. I Can't Believe You're In Love With Me
[3:17] 3. Forget Me Nots
[4:21] 4. It Stops With Me
[3:12] 5. Chip Away The Stone
[4:16] 6. Star Dust
[2:50] 7. Secret Of Mine
[3:37] 8. Deed I Do
[3:04] 9. Sleep
[1:15] 10. Way Down Yonder In The Cornfield
[3:28] 11. Always And Always
[2:57] 12. Fuli Tschai ( Bad Girl )
[2:19] 13. I'd Understand Why
[2:15] 14. Cherokee Shuffle
[2:52] 15. I Had Someone Else
[2:40] 16. Emily
[3:21] 17. Tchavolo Swing
[2:35] 18. Exactly Like You
[3:25] 19. When I Lost You
[3:55] 20. Orange Blossom Special

Fiddler Elana James (née Fremerman) and guitar whiz Whit Smith are the formidable front line of the Hot Club of Cowtown, who have been mixing Western Swing and 1920s hot jazz since the mid-1990s. This collection features some of the finest moments from the band's first decade or so, as Smith's Jimmy Bryant-meets-Django Reinhardt guitar and Fremerman's Stephane Grappelli-jams-with-Bob Wills fiddle dig into both original tunes and old country and jazz gems with equal aplomb. ~Jim Allen

The Best Of The Hot Club Of Cowtown

Charlie Parker - Newly Discovered Sides By The Immortal Charlie Parker

Bitrate: MP3@320K/s
Time: 46:15
Size: 105.9 MB
Styles: Saxophone jazz
Year: 1993/2009
Art: Front

[5:22] 1. 52nd Street Theme
[4:44] 2. A Night In Tunisia
[3:56] 3. Slow Boat To China
[5:00] 4. Groovin' High
[4:42] 5. Big Foot
[4:23] 6. Hot House
[3:18] 7. Out Of Nowhere
[5:05] 8. Oop-Bop-Sh'bam
[4:38] 9. East Of The Sun
[5:02] 10. Jumpin' With Symphony Sid Be-Bop

Alto Saxophone – Charlie Parker; Bass – Tommy Porter; Drums – Max Roach; Tenor Saxophone – Lucky Thompson; Trumpet – Kenny Dorham, Miles Davis; Vibraphone – Milt Jackson.

These are radio show transcriptions from 1948-49, when Parker ruled at Manhattan's Royal Roost joint. Although the recording quality isn't superb, some of the tracks come off really well. Charlie plays with a very young Miles Davis on trumpet. Max Roach is the drummer on some tunes, Tadd Dameron is on piano and Milt Jackson makes a guest appearance.

Charlie was born in KC in 1920, got his professional start there as a teen, and was buried there 34 years later after shaking up jazz in a major way. ~William E. Adams

Newly Discovered Sides By The Immortal Charlie Parker

Ricky Ford - Manhattan Blues

Styles: Saxophone Jazz
Year: 1989
File: MP3@320K/s
Time: 60:39
Size: 140,5 MB
Art: Front

(8:10)  1. In Walked Bud
(7:47)  2. Misty
(5:46)  3. Ode To Crispus Attucks
(8:05)  4. Portrait Of Mingus
(4:36)  5. Bop Nouveau
(6:02)  6. My Little Strayhorn
(6:28)  7. Manhattan Blues
(7:40)  8. Land Preserved
(6:01)  9. Half Nelson

This CD is a particularly well-rounded program, with tenor saxophonist Ricky Ford digging into three jazz standards ("In Walked Bud," "Misty" and "Half Nelson"), plus six originals that include tributes to Charles Mingus and Billy Strayhorn. In addition to the versatile pianist Jaki Byard (an underrated great) and drummer Ben Riley, Ford is joined by veteran bassist Milt Hinton, who is quite effective on this modern material. Stimulating music. ~ Scott Yanow http://www.allmusic.com/album/manhattan-blues-mw0000308182

Personnel: Ricky Ford (tenor sax), Jaki Byrd (piano), Milt Hinton (bass) and Ben Riley (drums).

Manhattan Blues

Rosemary Clooney - Rosie Solves the Swingin' Riddle!

Styles: Jazz, Vocal
Year: 1961
File: MP3@320K/s
Time: 30:50
Size: 72,4 MB
Art: Front

(2:14)  1. Get Me To The Church On Time
(2:25)  2. Angry
(2:44)  3. I Get Along Without You Very Well
(2:51)  4. How Am I To Know?
(2:59)  5. You Took Advantage Of Me
(2:40)  6. April In Paris
(2:54)  7. I Ain't Got Nobody (And Nobody Cares For Me)
(2:16)  8. Some Of These Days
(2:30)  9. By Myself
(2:20) 10. Shine On Harvest Moon
(2:35) 11. Cabin In The Sky
(2:16) 12. Limehouse Blues

Rosemary Clooney declared her love affair with Nelson Riddle "the best blending of my job and my personal life that I've ever had." While it ended their respective marriages, it also resulted in some excellent music. Riddle will be familiar to most as the guy who orchestrated the great Sinatra records for Capitol; that is, if he's familiar at all. Suffice it to say that he was one of the greatest arrangers of all time, creating backgrounds for several different artists that all managed to present that particular person in the best light. Rosie Solves The Swingin' Riddle , from 1961, is no different. Riddle has a large arsenal of musicians at his disposal who are able to create all kinds of textures, from the resonant bells of "Get Me To The Church On Time" to the brassy swagger of "I Ain't Got Nobody." But Riddle was also capable of straddling the line between bombast and beauty, and "I Get Along Without You Very Well" features the same bouncy, ocean bottom groove that anchored Sinatra's "I've Got You Under My Skin." The orchestration never overwhelms Clooney, since Riddle expertly creates backing that gives support rather than shelter.

Clooney is in fine form as well, investing the songs with the bold innocence that figured on her previous releases. She's capable of delivering the youthful gaiety of "Get Me To The Church On Time" as well as the wounded independence of "By Myself." Of course the song selection is part of the trick, and there's a nice balance between familiar songs and lesser known, yet catchy melodies. Riddle and Clooney are even capable of a few surprises; "April In Paris" features a strong Latin groove that takes a while for the brain to organize into a discernable pattern. If the riddle was, "How can you create a great vocal album that will stand up forty years later?" Rosie and Riddle did indeed solve it. Bluebird released a Rosemary Clooney compilation a few years ago that was only mediocre; they should have released this album instead. Rosie Solves the Swingin' Riddle is a terrific collaboration, and a classic vocal album. When Rosie's singing isn't grabbing you, it's a sure bet the orchestrations will. ~ David Rickert https://www.allaboutjazz.com/rosie-solves-the-swingin-riddle-rosemary-clooney-bluebird-review-by-david-rickert.php
 
Personnel: Rosemary Clooney (vocals) arranged and conducted by Nelson Riddle.

Rosie Solves the Swingin' Riddle!

Harold Danko & Ron McClure - Wonderland

Styles: Piano Jazz
Year: 2006
File: MP3@224K/s
Time: 60:48
Size: 99,0 MB
Art: Front

(7:40)  1. Wonderland
(5:33)  2. I Made You Laugh
(4:56)  3. Nardis
(6:22)  4. To Start Again
(5:10)  5. Liz Ann
(3:26)  6. Freezin'
(6:40)  7. Midnight Grazer's Dilemma
(5:24)  8. I Do It Better At Night
(3:58)  9. Stella By Starlight
(6:50) 10. Beautiful Friendship
(4:44) 11. Nitequest

Although not particularly well known, bassist Ron McClure has been one of those utility musicians that everyone seems to have played with at one time or another in the past 40 years. He first came to the attention of the public at large in Charles Lloyd's popular quartet with Keith Jarrett and Jack DeJohnette and in the late '60s he was a member of the fine early fusion band The Fourth Way. Since then he's been bassist for such players as Joe Henderson, Chet Baker, Paul Bley, Dave Liebman and many others as well as leading his own sessions for a variety of labels. Pianist Harold Danko and McClure have traveled in the same circles for years yet never recorded together. Wonderland rectifies this oversight. They are very simpatico players, both strong on melody and with a keen sense of the history of this music. There's a lot of give and take in these duets with each voice gracefully trading leads as the other slips into accompaniment. The program consists of five originals (four by McClure and one by Danko) rounded out by several lesser-known compositions by jazz masters including the title track, a later Benny Carter composition, and a jaunty Earl Hines creation, "I Do It Better At Night." By choosing this format, both reach a little out of their comfort zones and are forced not to rely on cliches. This lifts this music out of the obvious and both fly along the changes with creative verve.

McClure is reunited with his former Charles Lloyd rhythm section partner Jack DeJohnette on Hungarian pianist Kalman Olah's disc Always. Olah has made his mark at European festivals with a two-fisted style drawn not only from jazz but also from classical and folk music. He's always imbued his music with a strong sense of swing but here with McClure and DeJohnette in his corner, he rises above the occasion, attacking the music with what at times seems like an almost manic energy. The first half of the disc focuses on Olah's compositions. The title track, an energetic opener, won the 2006 Thelonious Monk Institute's best composition prize. But it's "Polymodal Blues" with its shifting tonalities and "Hungarian Sketch No. 1"'s dissonant splashes and roiling drums that really catch the ear. Elsewhere, a lengthy unaccompanied intro to "Stella By Starlight" shows Olah's individuality. McClure and DeJohnette sound invigorated by this material, providing a stellar accompaniment to Olah's unique excursions.

The Fourth Way (with keyboardist Mike Nock, violinist Michael White and drummer Eddie Marshall) was an early fusion quartet that released three fine albums between 1969-71, none of which has been reissued on CD. Between Or Beyond was an album released in 1970 by the German MPS label and credited to the Mike Nock Underground, basically the Fourth Way minus White. Given its time and place (recorded in Germany in June of 1970), sonically, it's very much of its time. But it's a corker of an album that is the equal to any of the Fourth Way discs as well as a lot of other better-known electric jazz experiments of the time. McClure plays electric bass and it's mixed to the foreground so it functions as much as a frontline instrument as in the rhythm section. While some of this disc dwells in the area of adventurous acoustic piano trio jazz ("Hobgoblin" and McClure's "Denim Dance"), most of it is electric piano based jazz/rock. Nock sounds like he's having a lot of fun making his piano do a lot of things the old acoustic couldn't do. A point of reference might be Canterbury bands' forays into jazz improv. Nock's disc is a good demonstration that before it devolved into formulaic demonstrations of soulless technique, some highly enjoyable recordings were released under the fusion banner. Good to see this one back in print, although it may be hard to come by since it's a Japanese reissue. ~ Robert Iannapollo https://www.allaboutjazz.com/ron-mcclure-wonderland-always-and-between-or-beyond-by-robert-iannapollo.php
 
Personnel: Harold Danko: piano; Ron McClure: bass.

Wonderland

Peter Erskine - Dr. Um

Styles: Jazz, Fusion
Year: 2016
File: MP3@320K/s
Time: 59:21
Size: 138,0 MB
Art: Front

(0:28)  1. You're Next
(4:47)  2. Lost Page
(5:46)  3. Hawaii Bathing Suit
(6:33)  4. Bourges Buenos Aires
(5:11)  5. Little Fun K
(6:32)  6. Mahler
(3:41)  7. Sage Hands
(5:52)  8. Okraphilia
(6:11)  9. Speechless
(4:24) 10. Sprite
(9:35) 11. Northern Cross
(0:17) 12. You Awake

It would appear that this project has awakened the Peter Erskine of yore, the drummer who became legend while cresting the waves of fusion with Weather Report and Steps Ahead. In recent years Erskine's drumming has been spare, elegant, open, and, in enough instances, lightly swinging. If one word would come to mind to describe that playing, it would be "tasteful." But does that automatically mean that joining forces with some plugged-in players and laying down some funk and fusion numbers is the antithesis of that ideal? Absolutely not. Erskine doesn't have a tasteless bone in his body. Musicality is of the utmost importance in his every groove, solo, fill, and mini-gesture, and he always plays for the situation at hand. In this case, the situation requires Erskine to don the mask of Dr. Um, the man who knows how to point you toward whatever rhythmic prescription you seek. Looking for a soulful jam situation? You'll find it on keyboardist John Beasley's irresistible "Okraphilia." Hoping to find a direct nod to Weather Report? It's here in the form of a wonderful, sonically-updated "Speechless." Need a party piece? Look no further than Erskine's own "Hawaii Bathing Suit," a dance-friendly fusion-calypso hybrid that's non-stop fun. Is slick, understated funk more your bag? Then "Lost Page" or "Little Fun K" should fit the bill. Any and every musical question has its right answer, and every track gets the perfect feel from Erskine not too economical, not too busy, and right on the money when it comes to style. Most who were never smitten with fusion aren't likely to be won over by this date, but those in that group who were turned off mostly by its aggressive advances may take to this music. Erskine, keyboardist John Beasley, bassist Janek Gwizdala and several other notables, like saxophonist Bob Sheppard, demonstrate that fusion isn't really about muscle. It's about a readiness and willingness to bring different elements together, and Erskine does so beautifully on this album. ~ Dan Bilawsky https://www.allaboutjazz.com/dr-um-peter-erskine-fuzzy-music-review-by-dan-bilawsky.php

Personnel: Peter Erskine: drums; John Beasley: keyboards; Janek Gwizdala: electric bass; Bob Sheppard: tenor saxophone; Jeff Parker: guitar; Larry Koonse: guitar (10); Aaron Serfaty: congas, bongos, cowbell (2); Jack Fletcher: spoken word vocals.

Dr. Um

Monday, February 13, 2017

Johnny Rivers - Totally Live At The Whiskey A Go Go

Bitrate: MP3@320K/s
Time: 75:25
Size: 172.7 MB
Styles: AM Pop, Contemporary pop-rock
Year: 1995
Art: Front

[2:44] 1. Memphis
[3:30] 2. It Wouldn't Happen With Me
[2:38] 3. Oh Lonesome Me
[3:01] 4. Lawdy, Miss Clawdy
[3:57] 5. Whisky A Go-Go
[3:51] 6. Walkin' The Dog
[2:36] 7. Brown Eyed Handsome Man
[3:20] 8. You Can Have Her (I Don't Want Her)
[2:51] 9. Multiplication
[6:23] 10. La Bamba Twist And Shout (Medley)
[2:17] 11. Maybelline
[2:34] 12. Dang Me
[2:30] 13. Hello Josephine
[3:52] 14. Hi-Heel Sneakers
[2:40] 15. Can't Buy Me Love
[6:22] 16. I Got A Woman
[5:54] 17. Baby What You Want Me To Do
[2:31] 18. Midnight Special
[2:59] 19. Roll Over Beethoven
[2:37] 20. Walk Myself On Home
[2:56] 21. Johnny B. Goode
[3:12] 22. Whole Lotta Shakin' Going On

The "totally live" appellation is a bit of a reach (translation: there are obvious after-the-fact overdubs), but nevertheless this is a pretty faithful representation of what a good mid-'60s rock & roll club band sounded like. Rivers was (and remains) a flexible, expressive singer, equally at home covering R&B, rockabilly, country, and the Beatles, and as a guitarist, while no virtuoso, he was occasionally capable of the sort of stinging, bluesman's attack associated with original '60s axe heroes like Lonnie Mack (as on the hit version here of Chuck Berry's "Memphis"). In retrospect, this is all a bit shagadelic, but it's fun nonetheless. ~AllMusic

Totally Live At The Whiskey A Go Go

Jimmy Smith - The Sounds Of Jimmy Smith

Bitrate: MP3@320K/s
Time: 61:34
Size: 141.0 MB
Styles: Hard bop, Soul-jazz
Year: 2005
Art: Front

[5:31] 1. There Will Never Be Another You
[5:02] 2. The Fight
[8:40] 3. Blue Moon
[5:33] 4. All The Things You Are
[8:33] 5. Zing Went The Strings Of My Heart
[5:15] 6. Somebody Loves Me
[8:06] 7. First Night Blues
[8:08] 8. Cherokee
[6:42] 9. The Third Day

Drums – Art Blakey, Donald Bailey; Guitar – Eddie McFadden; Organ – Jimmy Smith.

This LP, which has been included as part of a Mosaic Jimmy Smith three-CD box set, features the organist taking a pair of rare unaccompanied solos on "All the Things You Are" and a fairly free "The Fight" and jamming several songs ("Zing Went the Strings of My Heart," "Somebody Loves Me" and "Blue Moon") with his trio. Art Blakey fills in for drummer Donald Bailey on "Zing" while guitarist Eddie McFadden is heard throughout the three selections. Excellent straightahead jazz from the innovative organist. ~Scott Yanow

The Sounds Of Jimmy Smith

Michelle Simonal - The Best Of

Bitrate: MP3@320K/s
Time: 29:23
Size: 67.3 MB
Styles: Bossa Nova, Lounge
Year: 2014
Art: Front

[3:32] 1. (I Can't Get No) Satisfaction
[3:41] 2. With Or Without You
[3:42] 3. Time
[3:40] 4. Stir It Up
[4:11] 5. Mixed Emotions
[2:40] 6. Diamonds Are Forever
[3:30] 7. I Want To Hold Your Hand
[4:25] 8. (I Can't Get No) Satisfaction (Choral Mix)

couldnt find any review for the album or artist's bio. will appreciate any info you can provide. thanks!

The Best Of

The Naden Band Of The Royal Canadian Navy - Ride The Waves

Bitrate: MP3@320K/s
Time: 70:59
Size: 162.5 MB
Styles: Contemporary jazz
Year: 2014
Art: Front

[6:37] 1. Caravan
[5:37] 2. Yes And No
[6:13] 3. Gloria's Step
[4:55] 4. Miguelito's Blues
[4:07] 5. Cotton Tail
[5:53] 6. Blackbird
[4:37] 7. St. Thomas
[4:32] 8. Ride The Wave
[6:27] 9. A Night In Tunisia
[6:35] 10. Bolivia
[6:39] 11. Sophisticated Lady
[4:16] 12. When You're Smiling
[4:25] 13. La Suerte De Los Tontos (Fortune Of Fools)

This dynamic group of jazz musicians, all accomplished soloists and improvisers, enjoy performing jazz, latin, rock, pop and R&B music. The ensemble comprised of saxophone, trumpet, piano, bass and drums, is also featured on the Naden Band’s latest jazz recording Ride the Wave.

Ride The Waves

Adrienne Hindmarsh - Jazz Moods (2 Parts)

Singer and jazz organist Adrienne Hindmarsh is a truly unique talent on today's music scene. With today's musicians learning jazz within the classroom, it has become an exception rather than the rule for a musician develop and learn "on the road", playing clubs and festivals and touring. This album keeps the legacy of soul jazz/hard bop organists alive while also offering something new.

Album: Jazz Moods (Part 1)
Bitrate: MP3@320K/s
Time: 55:53
Size: 128.0 MB
Styles: Vocal jazz
Year: 2012

[3:31] 1. Besame Mucho
[4:19] 2. Fly Me To The Moon
[2:32] 3. My Baby Just Cares For Me
[4:07] 4. You Can't Take That Away From Me
[2:36] 5. Girl From Ipanema
[2:14] 6. Sway
[2:15] 7. Perhaps Perhaps Perhaps
[4:20] 8. Sunny
[3:02] 9. You Make Me Feel So Young
[3:25] 10. Making Whoopee
[3:33] 11. Route 66
[4:13] 12. Do Nothing Till You Hear From Me
[3:24] 13. Night And Day
[6:32] 14. Just Squeeze Me
[5:44] 15. I Let A Song Go Out Of My Heart

Jazz Moods (Part 1)

Album: Jazz Moods (Part 2)
Bitrate: MP3@320K/s
Time: 58:53
Size: 134.8 MB
Styles: Vocal jazz
Year: 2012
Art: Front

[4:59] 1. Bye Bye Blackbird
[4:00] 2. There Is No Greater Love
[4:45] 3. Pennies From Heaven
[6:32] 4. September In The Rain
[3:38] 5. Blue Skies
[3:31] 6. Wave
[3:37] 7. Rainy Day Blues
[3:48] 8. Agua De Beber
[2:18] 9. Deed I Do
[4:14] 10. Corcovado
[3:48] 11. Caravan
[6:05] 12. In A Mellow Tone
[4:02] 13. Don't Know Why
[3:30] 14. Love Me Or Leave Me

Jazz Moods (Part 2)

Joe Henderson - Joe 'Piano' Henderson

Bitrate: MP3@320K/s
Time: 26:03
Size: 59.7 MB
Styles: Piano jazz, Easy Listening
Year: 1959/2008
Art: Front

[2:31] 1. Cheek To Cheek
[2:47] 2. Isn't This A Lovely Day
[3:03] 3. I Won't Dance
[2:37] 4. They Can't Take That Away From Me
[2:53] 5. Let's Call The Whole Thing Off
[2:55] 6. Let's Face The Mucsic
[2:23] 7. Lovely To Look At
[2:23] 8. They All Laughed
[2:22] 9. The Way You Look Tonight
[2:06] 10. Top Hat

b. 2 May 1920, Glasgow, Scotland, d. 4 May 1980, London, England. A pianist and composer, Henderson formed his own band to play at school dances before turning professional at the age of 13. In the early 50s he served as accompanist for former child actress and singer Petula Clark, who featured frequently in the UK charts, and subsequently recorded several of her ex-pianist’s compositions. Henderson himself became extremely popular on the UK variety circuit, alongside other solo piano acts, such as Winifred Atwell, Russ Conway and - much later - Bobby Crush. He survived the radical changes in popular music that began to take place in the 50s, and still retained an audience. He also featured in Bumper Bundle on Radio Luxembourg, and had his own television series Sing Along With Joe and Mr. Piano Plays. Henderson’s first hits came in 1955 with ‘Sing It With Joe’ and ‘Sing It Again With Joe’. These consisted of short piano medleys of jolly standards, such as ‘Margie’ and ‘Somebody Stole My Gal’. In 1958 he had another UK Top 20 hit with ‘Trudie’, accompanied by the Beryl Stott Chorus. It was the best-known of his mostly bright, catchy compositions, and won an Ivor Novello Award for The Year’s Best Selling And Most Performed Item. He earned another Ivor the following year for the movie title song ‘Jazzboat’, The Year’s Most Outstanding Composition In The ‘Jazz’ Or ‘Beat’ Idiom. Jazzboat was one of three films that Henderson scored that starred Anthony Newley. The others were Idle On Parade, the film that launched Newley’s singing career (he co-wrote some of the songs) and Let’s Get Married. Henderson’s other compositions, published by his own company, included ‘Why Don’t They Understand?’ (a US and UK chart hit for country singer George Hamilton IV), ‘Chick’, ‘Treble Chance’ (his last Top 30 entry, in 1959), ‘Dear Daddy’ (with lyrics by Jack Fishman, featured on Ruby Murray Successes), ‘Matchbox Samba’, ‘Coffee Bar Jive’, ‘What A Day We’ll Have’, ‘I’d Have A Long Way To Go’, ‘When You’re Away’, ‘Dream Of Paradise’, ‘First Theme’, ‘I Need You’, ‘Somebody’ and ‘Crinoline Waltz’. His other recordings included Charles Chaplin’s ‘Smile’, Leroy Anderson’s ‘Forgotten Dreams’, ‘The Theme From the Threepenny Opera (Moritat)’ and a lively version of the novelty ‘Don’t Ring-A Da Bell’. On the latter he played harpsichord, while the vocal was by the British actress Shani Wallis, who went on to play Nancy in the movie of Lionel Bart’s Oliver! A very likeable and genial personality, Henderson continued to entertain for many years after the hits dried up, particularly in the seaside summer season, at top venues such as Blackpool and Bournemouth. ~bio from AllMusic

Joe 'Piano' Henderson

Al Jarreau - Ain't No Sunshinne

Styles: Vocal Jazz
Year: 2003
File: MP3@320K/s
Time: 28:33
Size: 78,8 MB
Art: Front

(2:06)  1. Ain't No Sunshinne
(4:23)  2. Lean On Me
(3:41)  3. Use Me
(3:49)  4. Kissing My Love
(2:06)  5. Grandma's Hands
(5:20)  6. You
(3:41)  7. Lonely Town Lonely Street
(3:23)  8. Same That Made Me Laugh

The only vocalist in history to net Grammy Awards in three different categories (jazz, pop, and R&B, respectively), Al Jarreau was born in Milwaukee, Wisconsin, on March 12, 1940. The son of a vicar, he earned his first performing experience singing in the church choir. After receiving his master's degree in psychology, Jarreau pursued a career as a social worker, but eventually he decided to relocate to Los Angeles and try his hand in show business, playing small clubs throughout the West Coast.  He recorded an LP in the mid-'60s, but largely remained an unknown, not reentering the studio for another decade. Upon signing to Reprise, Jarreau resurfaced in 1975 with We Got By, earning acclaim for his sophisticated brand of vocalese and winning positive comparison to the likes of Billy Eckstine and Johnny Mathis. After 1976's Glow, Jarreau issued the following year's Look to the Rainbow, a two-disc live set that reached the Top 50 on the U.S. album charts. With 1981's Breakin' Away, he entered the Top Ten, scoring a pair of hits with "We're in This Love Together" and the title track. After recording 1986's L Is for Lover with producer Nile Rodgers, Jarreau scored a hit with the theme to the popular television program Moonlighting, but his mainstream pop success was on the wane, and subsequent efforts like 1992's Heaven and Earth and 1994's Tenderness found greater success with adult contemporary audiences.  A string of budget compilations and original albums hit the shelves at the end of the decade, but into the turn of the century his original output slowed down. That was until he signed with the Verve/GRP label in 1998 and reunited with producer Tommy LiPuma. LiPuma had produced Jarreau's ostensible 1975 debut, We Got By, and the pairing seemed to reinvigorate Jarreau, who went on to release three stellar albums under LiPuma's guidance, including 2000's Tomorrow Today, 2002's All I Got, and 2004's Accentuate the Positive. Givin' It Up, recorded with George Benson and released in 2006, was nominated for three Grammy Awards each one for a different song. Jarreau returned with his first ever full-length holiday-themed album, Christmas, in 2008. Four years later he offered a live recording, Al Jarreau and the Metropole Orkest: Live, performing alongside the Dutch ensemble. ~ Jason Ankeny http://www.allmusic.com/artist/al-jarreau-mn0000606283/biography

R.I.P.
Born: March 12, 1940, Milwaukee, Wisconsin, United States
Died: February 12, 2017, Los Angeles, California, United States

Ain't No Sunshinne

Barney Kessel Trio - Live in Los Angeles at P.J.'s Club

Styles: Guitar Jazz
Year: 2012
File: MP3@320K/s
Time: 62:55
Size: 145,1 MB
Art: Front

(8:20)  1. Slow Burn
(4:03)  2. Just In Time
(3:25)  3. The Shadow Of Your Smile
(4:53)  4. Recado Bossa Nova
(3:30)  5. Sweet Baby
(2:24)  6. Who Can I Turn To
(8:10)  7. One Mint Julep
(4:29)  8. Medley: Manhã de Carnival: Samba de Orfeu
(5:05)  9. Blues
(7:06) 10. Basie's Blues
(3:49) 11. The Shadow Of Your Smile
(7:35) 12. Blue Mist

CD from the Jazz great containing the complete 1965 album on Fire plus five bonus tracks from 1969 and 1973. Features musical assistance from, among others, bassist Larry Ridley, drummer Don Lamond and guest stars Kenny Burrell and Grant Green on guitar. This issue offers the first time that Barney Kessel was ever recorded live while playing in a night club. As a bonus track this CD concludes 'Blue Mist', a Kessel original, which is the springboard for stunning "conversations" among three guitar giants Barney Kessel, Kenny Burrell, and Grant Green captured at Ronnie Scott's in London in 1969. a must for collectors. Gambit. ~ Editorial Reviews https://www.amazon.com/Live-Los-Angeles-PJs-Club/dp/B000CFYCMU

Live in Los Angeles at P.J.'s Club

Harold Danko - Oatts & Perry III

Styles: Piano Jazz
Year: 2013
File: MP3@320K/s
Time: 73:46
Size: 171,0 MB
Art: Front

( 8:08)  1. Epistophy
( 6:45)  2. Chelsea Bridge
(11:03)  3. Well You Needn't
( 9:09)  4. High Priest
( 9:14)  5. Contemplation
( 6:41)  6. Dance of the Infidels
( 8:57)  7. Straight No Chaser
( 6:08)  8. Quietude
( 7:37)  9. Dis Here

“ This album is a true sleeper. the date is beautifully planned and recorded …”, commented Thomas Conrad of JazzTimes on the first “Oatts & Perry” (SCCD 31588) released in 2006. Following the equally highly acclaimed sequel “Oatts & Perry II” (SCCD 31689) of 2010 this latest addition to Harold Danko’s favorite project proves again the pianist/leader Danko’s endless ideas to keep the perfect conversation going between Dick Oatts (alto) and Rich Perry (tenor), arguably the two best on the scene today.

Personnel: Harold Danko (piano), Dick Oatts (alto saxophone), Rich Perry (tenor saxophone), Michael Formanek (bass), Jeff Hirshfield (drums)

Oatts & Perry III

Thelonious Monk - The Finest In Jazz

Styles: Piano Jazz
Year: 2007
File: MP3@320K/s
Time: 31:36
Size: 73,1 MB
Art: Front

(2:59)  1. Well You Needn't
(3:11)  2. 'Round Midnight
(2:58)  3. Straight No Chaser
(2:56)  4. In Walked Bud
(3:07)  5. Epistrophy
(7:02)  6. Reflections
(9:20)  7. Misterioso

With his angular piano lines, odd spaces and pauses, dissonant resolves, and quirky compositional sense, Thelonious Monk was a maverick among mavericks in the bop world, an enigma whose body of work is instantly recognizable, stubbornly consistent, and as insular and mysterious as it was when he first began recording as a bandleader some 60 years ago. Those first recordings, six sessions recorded for Alfred Lion's Blue Note Records between 1947 and 1948 and 1951 and 1952, show a fully formed Monk unfurling the stylistic template that he would follow for the rest of his life. This brief set picks highlights from those first sessions, along with two sides recorded with Sonny Rollins ("Reflections" and "Misterioso") for Blue Note in 1957. Included are the original recorded versions of "Well, You Needn't," "In Walked Bud," "Straight, No Chaser," and "'Round Midnight," featuring such players as drummers Art Blakey and Max Roach, vibraphonist Milt Jackson, pianist Horace Silver, and alto saxophonist Lou Donaldson, among others. There are many different ways to get this material, since it has been reissued countless times over the years, and this sampler certainly doesn't tell the whole story, but as an introduction to the strange world of Monk for the uninitiated, this one does as good a job as any. Consider it a gateway sampler to a world of intricate and fascinating oddness. ~ Steve Leggett http://www.allmusic.com/album/finest-in-jazz-mw0000584391

The Finest In Jazz

Sunday, February 12, 2017

Barney Kessel - The Barney Kessel Sound

Bitrate: MP3@320K/s
Time: 76:28
Size: 175.0 MB
Styles: Guitar jazz
Year: 2009
Art: Front

[ 7:03] 1. There Will Never Be Another You
[ 5:13] 2. Up Blues
[ 4:56] 3. Just In Time
[ 5:45] 4. Love Is Just Around The Corner
[ 4:20] 5. Volare
[ 6:31] 6. Mean To Me
[ 3:05] 7. Nagasaki
[ 3:22] 8. Minor Mood
[ 4:37] 9. Don't Worry About Me
[ 3:31] 10. Jordu
[ 6:43] 11. Yardbird Suite
[ 4:19] 12. Time Remembered
[ 5:39] 13. Sweet Sue
[11:17] 14. Let's Cook

One of the finest guitarists to emerge after the death of Charlie Christian, Barney Kessel was a reliable bop soloist throughout his career. He played with a big band fronted by Chico Marx (1943), was fortunate enough to appear in the classic jazz short Jammin' the Blues (1944), and then worked with the big bands of Charlie Barnet (1944-1945) and Artie Shaw (1945); he also recorded with Shaw's Gramercy Five. Kessel became a busy studio musician in Los Angeles, but was always in demand for jazz records. He toured with the Oscar Peterson Trio for one year (1952-1953) and then, starting in 1953, led an impressive series of records for Contemporary that lasted until 1961 (including several with Ray Brown and Shelly Manne in a trio accurately called the Poll Winners). After touring Europe with George Wein's Newport All-Stars (1968), Kessel lived in London for a time (1969-1970). In 1973, he began touring and recording with the Great Guitars, a group also including Herb Ellis and Charlie Byrd. A serious stroke in 1992 put Barney Kessel permanently out of action, but many of his records (which include dates for Onyx, Black Lion, Sonet, and Concord, in addition to many of the Contemporaries) are available, along with several video collections put out by Vestapol. Kessel was diagnosed with inoperable cancer in 2001, which eventually took his life in May of 2004. He was 80 years old. ~ bio by Scott Yanow

The Barney Kessel Sound

Helen Merrill, Ron Carter - Duets

Bitrate: MP3@320K/s
Time: 48:37
Size: 111.3 MB
Styles: Bop, Vocal jazz
Year: 1989/2006
Art: Front

[3:08] 1. I Fall In Love Too Easily
[5:31] 2. A Child Is Born
[2:27] 3. Come Home Again
[4:17] 4. Little Waltz
[2:18] 5. You And The Night And The Music
[2:44] 6. Autumn Leaves
[2:30] 7. Come Rain Or Come Shine
[2:46] 8. In A Mellow Tone
[3:23] 9. The Summer Knows
[4:02] 10. There Is No Greater Love
[4:59] 11. Lover Man
[4:13] 12. My Funny Valentine
[6:12] 13. I Don't Stand A Ghost Of A Chance With You

Double Bass, Arranged By, Producer – Ron Carter; Percussion – Victor See-Yuen; Vocals – Helen Merrill.

Singer Helen Merrill and bassist Ron Carter explore 11 standards and an original apiece on this intimate and generally enjoyable set. There is not a great deal of variety, and Merrill's voice has sounded stronger elsewhere, but their versions of "I Fall in Love Too Easily," "A Child Is Born," "Autumn Leaves," and "There Is No Greater Love" are memorable. One certainly has to admire Merrill's constant desire to take chances in her recordings. ~Scott Yanow

Duets