Wednesday, September 13, 2017

Fred Hersch - Open Book

Styles: Piano Jazz
Year: 2017
File: MP3@320K/s
Time: 56:45
Size: 130,3 MB
Art: Front

( 6:26)  1. The Orb
( 6:27)  2. Whisper Not
( 7:58)  3. Zingaro
(19:35)  4. Through the Forest
( 4:41)  5. Plainsong
( 5:39)  6. Eronel
( 5:57)  7. And So It Goes

In the aftermath of his coma and very possible demise back in 2008, pianist Fred Hersch blossomed from a status as a first rate jazz pianist into the rarified air of one of the handful of top practitioners of that art form. A series of post-illness albums, from Whirl (2010), to Alone At The Vanguard (2011) to Floating (2014), Solo (2015) and Sunday Night At the Vanguard (2016), all on Palmetto Records, are all solo and trio outings that reveal a heightened artistic clarity and unabashed vulnerability, alongside a deeper emotive approach, this in comparison to his uniformly excellent, but perhaps more cerebral output before his struggle with serious health problems. Now we have Open Book, Hersch's eleventh solo piano outing. Intimacy is a hallmark of Hersch's music, and "The Orb," the set's opener, taken from Hersch's autobiographical music/theater piece, My Coma Dreams, is the tenderest, loveliest of love songs, a look at a paramour through, with justification it seems, rose-colored glasses. "Whisper Not," Benny Golson's classic tune, takes things into a turn of the playful, via crisp, prancing piano notes singing over a serious and  assertive left hand. Hersch  visits an old friend, Antonio Carlo Jobim, with "Zingaro," a sublime reverie.

The centerpiece, "Through The Forest," is something unheard of on record by Hersch. It's a nineteen minutes-plus, stream-of-consciousness, improvised in-the-moment masterpiece. An ebb and flow dreamscape of sorts the most fragile of delicacies and the most sacred and quiet moments slipped in beside emphatic percussive energy music as enchanting as anything the pianist has ever created. Then in walks Monk. Hersch includes a Thelonious Monk tune in most every set, most every recording. "Eronel" is a spritely interpretation by Hersch, who immerses himself the challenging music deeper than most anybody, peppering the stride-side  with sparkling, water-splashing-off-the-rocks sounds, rolling into jagged eddies, leading into the closer, Billy Joel's "And So It Goes," solemn, simple, honest, beautiful.  Honesty another hallmark of Hersch's art. This is a recording that makes it seem as though Fred Hersch is the finest jazz pianist in the world. That's an impossible assertion, of course. There are a dozen, maybe more pianists who have achieved this  level artistry. But for now, with Open Book, he can wear that title. ~ Dan McClenaghan https://www.allaboutjazz.com/open-book-fred-hersch-palmetto-records-review-by-dan-mcclenaghan.php   

Personnel: Fred Hersch: piano

Open Book

Tuesday, September 12, 2017

Harry Allen - How Long Has This Been Going On?

Bitrate: MP3@320K/s
Time: 54:14
Size: 124.2 MB
Styles: Saxophone jazz
Year: 1989/1994
Art: Front

[3:56] 1. I Hear A Rhapsody
[4:34] 2. Walkin' The Frog
[5:48] 3. How Long Has This Been Going On
[3:36] 4. All By Myself
[4:46] 5. (I Wonder) Where Our Love Has Gone
[3:36] 6. Moments Like This
[3:55] 7. (I Would Do) Anything For You
[6:37] 8. Beautiful Moons Ago
[5:35] 9. Blues For Genelle
[4:07] 10. Warm Valley
[3:23] 11. Blues My Naughty Sweetie Gives To Me
[4:14] 12. Moon Country (Is Home To Me)

Harry Allen's debut as a leader found the 21-year-old tenor saxophonist already sounding fairly original in the mainstream swing idiom. This CD matches Allen with pianist Keith Ingham (with whom he had never worked previously, but would soon become a frequent collaborator), bassist Major Holley, and drummer Oliver Jackson. Although influenced a bit by his early idol Scott Hamilton, Allen already had a rapidly emerging musical personality of his own. In addition to some swing standards (most notably "I Would Do Anything for You" and "Blues My Naught Sweetie Gives to Me"), Allen also performs such obscurities as Johnny Hodges' "Walkin' the Frog," "Moments Like This" and Nat Cole's "Beautiful Moons Ago." ~Scott Yanow

How Long Has This Been Going On 

Elizabeth Conant - A Collection Of Lesser Known Popular Songs

Bitrate: MP3@320K/s
Time: 28:15
Size: 64.7 MB
Styles: Jazz vocals
Year: 2000
Art: Front

[3:13] 1. Why Shouldn't I
[2:15] 2. Little White Lies
[4:06] 3. 'tis Autumn
[2:41] 4. Sky Fell Down
[2:41] 5. There's A Small Hotel
[3:11] 6. Slowpoke
[4:12] 7. I Didn't Know About You
[2:27] 8. The Day You Leave Me
[3:23] 9. It's Slumbertime Along The Swanee

Obviously, kudos to the song selection. The standards are varied to the point that it almost feels like a good mixed CD and the range of tunes is great. Her voice is really rich. Dark and smooth and there's a perfect restrain on overt vocal acrobatics. The band is good. Fareed is in touch with the stories of the songs as is evident in tunes like Slowpoke and Slumbertime. So, to hear how great chemistry is displayed in an amazing and intimate way, pick up this CD and enjoy one of Chicago's finest singers, IMHO. ~J. Shute

A Collection Of Lesser Known Popular Songs

Pat Boone - Howdy!

Bitrate: MP3@320K/s
Time: 30:55
Size: 70.8 MB
Styles: Pop/Rock
Year: 1956/2008
Art: Front

[3:19] 1. Begin The Beguine
[2:13] 2. Hummin' The Blues
[2:41] 3. Would You Like To Take A Walk
[2:07] 4. All I Do Is Dream Of You
[2:52] 5. That Lucky Old Sun
[2:05] 6. Beg Your Pardon
[2:27] 7. Chattanooga Shoeshine Boy
[3:02] 8. With You
[2:34] 9. Ev'ry Little Thing
[2:23] 10. Forgive Me
[2:13] 11. Sunday
[2:55] 12. Harbor Lights

Although this is actually Pat Boone's second album, it is, in essence, his debut album, since the first one contained only two new recordings, the others being all his early hits. And what a debut album it is. After more than a year of doing mostly R&B covers, along comes Howdy! to introduce us to and surprise us with a uniquely sensitive, gentle but full-bodied handling of some great standards. There is a youthful maturity here -- but without the sophistication. Boone's musical instincts are keenly evident to the senses: never too much when exercising his strong young voice on "Lucky Old Sun," never too little with the sweet subtlety of "Would You Like to Take a Walk?" "Begin the Beguine," the album's lead-off song, is a thrilling, captivating rendition, while along the way we are treated to a snappy and entertaining "Chattanooga Shoe Shine Boy" and two beautiful ballads, "With You" and "Forgive Me." The latter two introduce Boone's growing legion of fans to the type of song in which he would leave his strongest mark -- sweetly sentimental, but never syrupy, and always accompanied with orchestral arrangements that never need to accommodate any vocal limitations. Howdy! makes clear to us early on Pat Boone's unique versatility. ~Arthur Rowe

Howdy!

Stephen Bennett - Beatles Acoustic Guitar Solos

Bitrate: MP3@320K/s
Time: 40:45
Size: 93.3 MB
Styles: New Age, Folk
Year: 2005
Art: Front

[2:14] 1. Eight Days A Week
[2:28] 2. A Hard Day's Night
[3:04] 3. Hello Goodbye
[3:02] 4. In My Life
[2:58] 5. Maxwell's Silver Hammer
[2:05] 6. Blackbird
[2:13] 7. Yesterday
[2:51] 8. Here, There And Everywhere
[2:31] 9. Strawberry Fields Forever
[2:36] 10. Penny Lane
[3:10] 11. Something
[2:18] 12. If I Fell
[2:24] 13. All My Loving
[3:27] 14. Hey Jude
[3:18] 15. All You Need Is Love

I have loved the Beatles since I started playing guitar in the late '60s. Over the years I have put together solo arrangements of many of their tunes, those presented here and many others. For this recording however, I have gone back and reworked these 15 tunes so that they are as complete as I can make them. With some, I have tossed out my previous arrangments and started over from scratch. They are all in their original key, which sometimes presented a challenge, but I thought it was important that these tunes, which so many people around the globe know, be in the register the boys from Liverpool recorded them... sb

Beatles Acoustic Guitar Solos

Jackie Paris - Songs By Jackie Paris

Bitrate: MP3@320K/s
Time: 35:51
Size: 82.1 MB
Styles: Vocal
Year: 1956/2005
Art: Front

[2:36] 1. There Will Never Be Another You
[2:52] 2. Heaven Can Wait
[1:55] 3. Strange
[3:02] 4. That Ole Devil Called Love
[3:01] 5. Whispering Grass, Dont Tell The Trees
[2:02] 6. Heart Of Gold
[3:57] 7. I Can't Get Started
[2:10] 8. Indiana
[3:05] 9. Cloudy Morning
[2:30] 10. Wrap Your Trouble In Dreams
[3:26] 11. Goodnight, My Love
[2:36] 12. Don't Hurt The Girl
[2:34] 13. Tell Me Something Sweet

Despite his talents as a singer, Jackie Paris never made it big nor even had a regular recording career. Paris, who played guitar with Nick Jerret's band in the early '40s, was in the Army during 1944-1946 and then became known a bit in New York where he was part of the bop scene, including touring with Charlie Parker. Paris recorded four songs in 1947 as a leader (including "Skylark") and five others in 1949 (highlighted by the first vocal version of "'Round Midnight"). He was with Lionel Hampton's orchestra during 1949-1950 but no recordings or lasting fame occurred. Paris worked fairly regularly in the 1950s (sometimes with his wife, singer Anne Marie Moss), but remained more of a cult figure (despite being a fine jazz singer) than a legend. In addition to his early recordings (for MGM and EmArcy), Paris made records for Brunswick, Wing, East-West (1957-1958), Time (1960), Impulse! (1962), and Audiophile (1981); he also guested on sessions by Donald Byrd-Gigi Gryce and Charles Mingus (1974's "Duke Ellington's Sound of Love") and was active into the 2000s with his last album, Intimate Jackie Paris, being released in 2001. Jackie Paris passed away on June 17, 2004. He was 79. ~ Scott Yanow

Songs By Jackie Paris

Terell Stafford Quintet - Taking Chances: Live at the Dakota

Styles: Trumpet Jazz
Year: 2007
File: MP3@320K/s
Time: 77:15
Size: 177,3 MB
Art: Front

( 7:35)  1. A Nick Off the Mark
( 8:51)  2. Pegasus
(11:20)  3. Taking a Chance on Love
(10:37)  4. Jesus Loves Me
(11:12)  5. Blues for J.T.
( 8:17)  6. Old Folks
( 8:05)  7. Paper Trial
(11:16)  8. Shake It for Me

With his rich trumpet tone and delicate manner, Terell Stafford brought his quintet into Minneapolis' Dakota Bar and Grill in June, 2005 for this well-received concert performance. They got the sound just right, and the musicians provided their audience with an unforgettable experience. Stafford plays it cool. He's got no axe to grind, no pretense of machismo to blast forth, and no reason to imitate the newest tricks on the block. He's a conservative. The trumpeter has the chops to do whatever he wants to, but he prefers to keep it simple with this recommended album. Genuine melody and a pious desire for all things lyrical keep Stafford and his quintet on track for a timeless look at the beauty of jazz from the inside. Tradition, a love of the familiar, and a bit of the original give the trumpeter's program plenty of variety. He caresses a mellow ballad with the same sensuous manner that he employs on up-tempo romps. Surprisingly, he takes "Jesus Loves Me to heart with an outside approach that lights creative fires along the way. Stafford's bright trumpet picks this one up a few notches as he explores the potential of passion. It's a veritable suite of changing moods that puts everyone to work on a challenge. As is usually the case, audience reaction seems to push the quintet even harder. Blues for J.T. finds the band scoring high marks for its powerful groove and magnetic pull. Here, Stafford shows his best side as he loosens up and pours it out naturally. If ever there was a genuine guy, this is the one. He reaches deep down inside and comes up with a blues to move you soundly. The trumpeter's warm, golden sound resonates like magic. It's the kind of balm that brings warmth to the soul. The album certainly has its hot spots, and working a place like the Dakota Bar and Grill can do that for you. Glad to see such success for such a deserving artist and his quintet. Jim Santella https://www.allaboutjazz.com/taking-chances-live-at-the-dakota-terell-stafford-maxjazz-review-by-jim-santella.php

Personnel: Terell Stafford: trumpet; Tim Warfield: tenor and soprano saxophones; Bruce Barth: piano; Derrick Hodge: bass; Dana Hall: drums.

Taking Chances: Live at the Dakota

Christine Tassan & Les Imposteures - Pas Manouche, C'Est Louche

Styles: Vocal And Guitar Jazz
Year: 2009
File: MP3@320K/s
Time: 48:42
Size: 115,4 MB
Art: Front

(4:06) 1. Les Nuits De Montreal - Qu'est-Ce Qu'on Attend
(2:46)  2. Puttin On The Ritz
(3:41)  3. Les Chemins De Traverse
(3:09)  4. L'Ile Aux Lilas (Feat. Alain Quirion)
(2:36)  5. Dingo De Django
(3:29)  6. La Chic Rumba
(5:12)  7. Bord De Seine
(2:44)  8. Un Lit Moelleux A Limoilou (Feat. Alain Quirion, Eric Khayat)
(3:45)  9. Les Blondes (Feat. Francois Bourassa)
(3:28) 10. Blues For Fun (Feat. Alain Quirion)
(2:27) 11. La Charmante
(3:33) 12. Tango - Le Temps Des Gitans
(4:24) 13. Rimes
(3:15) 14. Minor Swing - Matawa

Christine Tassan et les Imposteures once again bundle their energy, humor, and creativity in this second album. Rich vocal harmonies, slick arrangements, their manouche jazz flows gleefully between surprising covers and new creations. Not unlike Gypsies, they will bring you on various shortcuts from Montreal to Limoilou, Paris to Eastern Europe. This album traces an exciting journey, a clear invitation to travel. All aboard ! ~ Editorial Reviews https://www.amazon.com/manouche-cest-louche-Christine-Tassan/dp/B002M81UC0

Personnel:  Christine Tassan: solo guitar, rhythm and voice;  Martine Gaumond: violin and voice;  Lise-Anne Ross: rhythm guitar and voice;  Blanche Baillargeon: double bass and voice. Guests: François Bourassa (piano), Alain Quirion (drums, vibraphone), Eric Khayat (Saxophone)

Thank You Mai Neime!!

Pas Manouche, C'Est Louche  

Bill Potts - The Jazz Soul of Porgy and Bess

Styles: Jazz, Post-Bop 
Year: 1959
File: MP3@256K/s
Time: 47:36
Size: 87,6 MB
Art: Front

(3:08)  1. Summertime
(2:23)  2. A Woman Is A Sometimes Thing
(4:10)  3. My Man's Gone Now
(2:45)  4. It Takes A Long Pull To Get There
(3:27)  5. I Got Plenty O' Nuttin'
(5:18)  6. Bess, You Is My Woman
(3:16)  7. It Ain't Necessarily So
(5:15)  8. Medley
(3:04)  9. I Loves You Porgy
(3:15) 10. Clara, Clara
(3:25) 11. There's A Boat Dat's Leavin' Soon For New York
(4:41) 12. Oh Bess, Oh Where's My Bess
(3:22) 13. Oh Lawd, I'm On My Way

Music that will endure, played with all the skill, passion and imagination that great jazz musicians can bring to bear on it. These are but two of the basic factors which make The Jazz Soul of Porgy and Bess one of the finest jazz albums ever made. Just as crucial was a third the superb work of arranger Bill Potts, which established him as a major figure in the field of arranging for jazz orchestra. Add to all that a score that includes the top songs written by George and Ira Gershwin for this classic musical. The result was itself a multifaceted classic, a faithful translation to the language of big band jazz of the emotional rollercoaster of love and tragedy set to music by the Gershwins, brought to dramatic life by one of the finest groups of jazz ever assembled under one roof for a recording session. ~ Editorial Reviews https://www.amazon.com/Porgy-Bess-Arranged-Conducted-Potts/dp/B005Y0QXD4

Personnel: BIll Potts (arr, cond), Charlie Shavers, Harry Edison, Art Farmer, Bernie Glow (tp), Bob Brookmeyer (v-tb), Jimmy Cleveland, Frank Rehak (tb), Phil Woods, Gene Quill, Zoot Sims, Al Cohn, Sol Schlinger (saxes), Bill Evans (p), Herbie Powell (g), George Duvivier (b), Charles Persip (d)

The Jazz Soul of Porgy and Bess

Jimmy Greene - Mission Statement

Styles: Saxophone Jazz
Year: 2009
File: MP3@320K/s
Time: 64:28
Size: 148,0 MB
Art: Front

(7:37)  1. Mission Statement
(6:49)  2. Fathers and Sons
(6:29)  3. Trials
(6:56)  4. Love In Action
(6:27)  5. Revelation
(4:46)  6. In Nelba's Eyes
(5:57)  7. YeahYouRight!
(5:55)  8. Mr. Octopus
(7:56)  9. Ana Grace
(5:31) 10. Give Thanks

Possessing a concise pithy tone on his tenor sax that at times can be reverential, Jimmy Greene also surprises with an ability to translate that same depth to soprano, when making the switch for the odd tune. Greene's quartet consists of pianist Xavier Davis, bassist Reuben Rogers and drummer Eric Harland, and, while this ensemble fits squarely in the world of precise modern jazz, the tunes due in equal measure to Greene's respect for melody and compositional skill stand on their own as interesting listens. This is not a shy rhythm section, and proves itself capable of laying in a very richly textured and supportive bottom and middle. It's joined on a majority of the album by guitarist Lage Lund, who possesses a tone as delicately beautiful as Greene's is juicy. This makes for some very fine moments, as Lund's web-like runs contrast with Greene's depth in a variety of stylistic settings, which occasionally benefit from Davis' funky fare on Rhodes.

The opening title cut begins with Greene strongly stating an intricate theme, followed by Lund's soothing restatement that enchants and surprises with its cool mature feel. Although the songs obviously differ in content the funkiness of "Yeah You Right"; the spirituality and Trane-signifiers of "Love in Action"; the rhythmic complexity of "Mr. Octopus" and tenderness of "In Nelba's Eyes" and "Ana Grace" it is the interplay that makes this a must-listen. Vibraphonist Stefon Harris also joins for a particularly strong performance of "Revelation" that artfully showcases his speed and improvising ability, alongside Greene's similar attributes on soprano. Mission Statement is a clear declaration that there is a whole lot of music in the horn and mind of Jimmy Greene.
~ Elliott Simon https://www.allaboutjazz.com/mission-statement-jimmy-greene-razdaz-recordz-review-by-elliott-simon.php

Personnel: Jimmy Greene: tenor and soprano saxophones; Lage Lund: guitar; Stefon Harris: vibraphone (Revelation); Xavier Davis: piano, Rhodes; Reuben Rogers: bass; Eric Harland: drums.

Mission Statement

Bill Charlap Trio - Uptown, Downtown

Styles: Piano Jazz
Year: 2017
File: MP3@320K/s
Time: 54:27
Size: 125,9 MB
Art: Front

(7:00)  1. Curtains
(7:54)  2. Spring Can Really Hang You Up The Most
(6:00)  3. Uptown, Downtown
(5:01)  4. The One I Love Belongs To Somebody Else
(7:28)  5. I'm All Smiles
(6:41)  6. There's A Small Hotel
(4:18)  7. Satellite
(6:46)  8. Bon ami
(3:16)  9. Sophisticated Lady

Bill Charlap is one of the strongest mainstream jazz pianists on the scene and one of the most gifted interpreters of standards. He grew up in a musical household, as the son of Broadway songwriter Moose Charlap and singer Sandy Stewart. Taking to the piano at a young age, he went on to study at New York's High School of Performing Arts. He then entered college, but rather than finishing, opted to practice and gig on his own. Pianist Bill Mays soon took up Charlap's cause, recommending the young man as his replacement in the Gerry Mulligan Quartet. During this time, Charlap also worked with Benny Carter, Clark Terry, and Frank Wess, and was sought after as an accompanist for singers such as Tony Bennett, Carol Sloane, and Sheila Jordan. In 1995, he secured one of the most coveted piano chairs in jazz, with the Phil Woods Quintet. All the while, Charlap showed steady development as a leader. His debut came in 1994 with Along with Me, followed by Souvenir in 1995 and Distant Star in 1996. His 1997 release, All Through the Night, was the first to feature his current trio, with the redoubtable (and unrelated) Washingtons, Peter and Kenny, on bass and drums respectively. In 2000, this lineup had its major-label breakthrough with the highly acclaimed Blue Note disc Written in the Stars. Two albums appeared in 2001: 2Gether with Warren Vaché and Contrasts with Jon Gordon. 'S Wonderful hit the shelves in 2002, as did Stardust, which began a series of albums that focused on a single composer. Stardust featured the music of Hoagy Carmichael, 2004's Somewhere was an all-Leonard Bernstein affair, while 2005's Plays George Gershwin featured ten songs by the man Charlap considers "the American soul." Also in 2005, he released an album with vocalist Sandy Stewart, Love Is Here to Stay. The concert album Live at the Village Vanguard appeared in 2007. In 2010, Charlap joined pianist Rene Rosnes for the duo effort, Double Portrait. Two years later, he reunited with Stewart for Something to Remember. In 2015 he collaborated with legendary vocalist Tony Bennett for Silver Lining: The Songs of Jerome Kern. ~ David R. Adler, Rovi  https://itunes.apple.com/us/album/uptown-downtown/id1265237243

Uptown, Downtown

Monday, September 11, 2017

Cleo Brown - Living In The Afterglow

Bitrate: MP3@320K/s
Time: 61:15
Size: 140.2 MB
Styles: Jazz-blues piano
Year: 1996/2015
Art: Front

[3:02] 1. I'm A Little Old Woman
[4:05] 2. Without A Song
[2:58] 3. Afterglow
[3:35] 4. Down By The Riverside
[2:26] 5. High Up On The Mountain
[3:20] 6. Silent Night
[2:21] 7. I'm Gonna Rise Up Singing
[4:20] 8. Amazing Grace
[4:06] 9. Medley The Old Rugged Cross Near The Cross
[3:21] 10. A Great Big Wonderful God
[4:40] 11. Marian's Mood
[2:37] 12. Walk All Over God's Heaven
[2:46] 13. Medley Fly Away Army Air Corps Song
[3:28] 14. Show Me A Rainbow
[4:10] 15. Just A Closer Walk With Thee
[2:35] 16. We're Running, Running, Running
[4:05] 17. I've Been 'buked And Scorned
[3:13] 18. I'm Gonna Tell God How You Treat Me

Cleo Brown was a singing boogie-woogie pianist active from the 1930s into the 1950s who was one of Dave Brubeck's early influences. She retired from music and she stuck to playing exclusively for her church in Denver as the jazz world lost track of her -- until Marian McPartland sought Brown for an appearance on her Piano Jazz series in the 1980s. This studio session followed the taping of the program, with McPartland as a guest on several tracks. Many of the numbers are original gospel compositions by Brown, some sung in a very friendly manner, such as her "I'm a Little Old Woman," the charming "Afterglow," and the very bluesy "I've Been 'Buked and Scorned." Brown's chops show no signs of slipping as she plays wonderful two-fisted piano on standards such as "Without a Song," and her stimulating duets with McPartland include the spiritual "Down by the Riverside," the surprising choice of "Silent Night," "Marian's Mood" (possibly worked out on the spot in the studio by the pianists), and the old hymn "Just a Closer Walk With Thee." Sadly, this was Cleo Brown's final recording prior to her death in 1995. ~Ken Dryden

Living In The Afterglow

Jesper Thilo - Jesper Thilo & The American Stars (2-Disc Set)

Album: Jesper Thilo & The American Stars (Disc 1)
Bitrate: MP3@320K/s
Time: 147:05
Size: 336.7 MB
Styles: Saxophone jazz
Year: 2011

[5:05] 1. Did You Call Her Today
[5:02] 2. My Romance
[6:24] 3. Just One Of Those Things
[6:07] 4. Save Your Love For Me
[6:22] 5. Cherokee
[6:23] 6. On The Trail
[9:08] 7. Like Someone In Love
[6:38] 8. Old Folks
[8:42] 9. Stelle By Starlight
[6:11] 10. God Bless The Child
[6:52] 11. On The Sunny Side Of The Street
[2:45] 12. Cotton Tail
[4:05] 13. Star Dust
[6:04] 14. Body And Soul
[5:32] 15. Rose Room
[6:33] 16. Wave
[3:54] 17. You Stepped Out Of A Dream
[3:40] 18. Blue And Sentimental
[3:21] 19. Sweets To My Sweet
[6:48] 20. Now And Then Blues
[5:00] 21. Cherokee
[7:10] 22. Seque In C
[7:15] 23. A Night In Tunisia
[5:06] 24. I'm Hungry Sabina
[6:48] 25. The Girl From Ipanema

This excellent sampler features the Zoot Sims-influenced Danish saxophonist Jesper Thilo on previously released performances taken from five LPs recorded during 1980-1987. Thilo is heard in a quintet with flügelhornist Clark Terry and pianist Kenny Drew (their version of Ben Webster's "Did You Call Her Today" is a delight), leading a quartet with Drew and drummer Billy Hart, jamming in a sextet with trumpeter Harry "Sweets" Edison, interacting with pianist Roland Hanna in a quartet, and co-leading a quintet with trombonist Al Grey. In each setting, Thilo holds his own with the better-known Americans, jamming music that falls between swing and bebop. Terry, Edison, and Grey are all fun to hear as usual, since they not only swing hard but are witty improvisers. It would be preferable to have the complete sessions and hopefully they will be reissued on CD eventually, but this sampler will suffice in the meantime, serving as an introduction to the playing of Jesper Thilo. ~Scott Yanow

Jesper Thilo & The American Stars (Disc 1)

Album: Jesper Thilo & The American Stars (Disc 2)
Bitrate: MP3@320K/s
Time: 75:41
Size: 173.3 MB
Styles: Saxophone jazz
Year: 2011
Art: Front

[4:11] 1. Sunday
[8:05] 2. Frog Eyes
[2:53] 3. Mumbles
[6:13] 4. This Time It's Real
[6:50] 5. Star Eyes
[5:16] 6. Body And Soul
[5:28] 7. Just Jazz
[7:10] 8. The Vanguard Groove
[5:09] 9. There Will Never Be Another You
[4:57] 10. Medley: Lover Man/Embraceable You
[5:34] 11. Satin Doll
[6:36] 12. Sophisticated Lady
[7:12] 13. Ballad For Jesper

Jesper Thilo, a swinging tenor saxophonist from Denmark, has Zoot Sims as his musical role model, although he also sounds a bit like Johnny Griffin on "Cherokee" and otherwise displays a bit of his own personality in his solos. Thilo recorded a series of albums for Storyville in the 1980s that teamed him with some notable American all-stars. This sampler has three songs apiece from four of the dates and two from a fifth project. The first three selections match Thilo with flügelhornist Clark Terry (who always sounds so jubilant) and a trio with pianist Kenny Drew. Thilo is quite warm on "Body and Soul" and Terry is wonderful on "Cotton Tail." The next three numbers have Thilo mostly in the spotlight, since it is a quartet session with Drew. There are also three numbers with trumpeter Harry "Sweets" Edison and the superior pianist Ole Kock Hansen, a trio of selections with the Sir Roland Hanna Trio, and finally a matchup with trombonist Al Grey. There are no throwaway tracks and the music is highly recommended to fans of the styles of Zoot Sims and Al Cohn. Hopefully, Storyville will reissue the complete contents of these five rewarding sessions at some point in the future. ~Scott Yanow

Jesper Thilo & The American Stars (Disc 2)

The Anita Kerr Singers - All You Need Is Love

Bitrate: MP3@320K/s
Time: 37:55
Size: 86.8 MB
Styles: Vocal pop, Easy Listening
Year: 1967/2015
Art: Front

[3:06] 1. All You Need Is Love
[3:33] 2. Holiday
[3:03] 3. [you Make Me Feel Like] A Natural Woman
[2:36] 4. Never My Love
[3:24] 5. Stay
[2:59] 6. How Can I Be Sure
[3:28] 7. Autumn Afternoon
[2:33] 8. No Salt On Her Tail
[3:33] 9. Look Of Love
[2:52] 10. In The Morning
[3:25] 11. I Make A Fool Of Myself
[3:18] 12. The Last Waltz

The multi-talented, Nashville-based Anita Kerr had been a studio arranger and behind-the-scenes mover and shaker in Music City USA for nearly two decades when she signed with Warner Brothers in the mid-'60s. Her fourth LP bore the optimistic title All You Need Is Love (1967). In addition to remaking the Beatles' Summer of Love anthem, Kerr (soprano/soloist) leads her ensemble -- which also consists of B.J. Baker (alto), Gene Merlino (tenor), and Bob Tebow (bass) -- through an assortment of contemporaneous light rock and pop. Some of the re-arrangements work better than others in a choral setting. For instance, the Bee Gees' languid "Holiday" is exquisite and moody with Kerr's voice hovering over the ensemble for an ethereal listening experience that is particularly recommended for those who like the original. The Addrisi Brothers-penned "Never My Love" bears the same harmonic earmarks and complexities as the Association's hit version with the buoyancy of Kerr's gliding vocals. From the Bacharach/David songbook comes arguably the most endearing inclusion of them all, Kerr's interpretation of "The Look of Love." It retains all of the mystique and subtle charm of Dusty Springfield or Dame Shirley Bassey without becoming too instrumentally watered down or vocally tarted up. While not quite on par with the previously mentioned tunes, for the remake of "How Can I Be Sure?," Kerr and company match the minor-chord noir, yet can't seem to believably pull off the blue-eyed soul ingrained within the Rascals' formidable grooves. And to the same point, Kerr perhaps would have been better served having shelved the utilitarian choral reading of "(You Make Me Feel) Like a Natural Woman." Clearly, Aretha she ain't! And for her next album Sounds (1968), the Anita Kerr Singers returned to delivering selections that are uniformly better suited to the combo's strengths. ~Lindsay Planer

All You Need Is Love

Kenny Davern, Bob Wilber - You Ain't Heard Nothin' Yet: Summit Reunion Plays Some Al Jolson Songs

Bitrate: MP3@320K/s
Time: 61:13
Size: 140.2 MB
Styles: Clarinet jazz, Swing
Year: 2000
Art: Front

[4:09] 1. Baby Face
[4:47] 2. Carolina In The Morning
[4:19] 3. Chinatown, My Chinatown
[4:12] 4. Rock-A-Bye Your Baby With A Dixie Melody
[3:40] 5. Swanee
[3:50] 6. After You've Gone
[6:02] 7. The Anniversary Song
[3:34] 8. When The Red, Red Robbin Comes Bob, Bob, Bobbin Along
[4:28] 9. You Made Me Love You
[3:56] 10. April Showers
[3:48] 11. Rose Of Washington Square
[6:49] 12. Avalon
[4:25] 13. Indiana
[3:07] 14. California, Here I Come

Described in The New York Times as "the finest clarinetist playing today" in the 1990s, that high praise wasn't far off the mark, as it applied to Kenny Davern in the autumn of his life, at the peak of his powers. Call him a jazz purist, even a snob, but Davern believed in playing standards, and that he did. Tunes by George Gershwin, Eubie Blake, Fats Waller, Irving Berlin; what are sometimes referred to as Great American Songbook tunes. He was often praised for the clarity and pureness of his tone, and often played outdoor festival gigs without amplification.

Throughout his long career, Bob Wilber has done a lot to keep classic jazz alive. A bit misplaced (most jazz players of his generation were much more interested in bop and hard bop), Wilber (along with Kenny Davern, Ralph Sutton, and Dick Wellstood) was one of the few in his age group to stick to pre-bop music. In high school he formed a band that included Wellstood, and as a teenager he sat in at Jimmy Ryan's club in New York. Early on he became Sidney Bechet's protégé and led his own young group, the Wildcats (with whom he made his recording debut). The close association with the dominant Bechet led to a bit of a personality crisis in the 1950s as Wilber sought to find his own voice. He studied with Lennie Tristano and formed the Six, a group that tried to modernize early jazz. When that ended, he played Dixieland with Eddie Condon, and in 1957 joined Bobby Hackett's band for a year. Wilber freelanced throughout the 1960s, in 1968 became a founding member of the World's Greatest Jazz Band, and in 1973 he formed Soprano Summit with Kenny Davern, one of the top swing-oriented groups of the decade.

Summit Reunion Plays Some Al Jolson Songs

Zoot Sims & Kenny Drew Trio - Flower Walts

Styles: Saxophone And Piano Jazz
Year: 1978
File: MP3@320K/s
Time: 51:24
Size: 118,5 MB
Art: Front

(8:05)  1. Flower Walts
(9:38)  2. Groovin' High
(4:45)  3. Come Rain Or Come Shine
(7:45)  4. Fled
(7:17)  5. I Wonder Where Our Has Gone
(5:13)  6. In A Mellow Tone
(2:14)  7. I Got It Bad
(6:23)  8. Caravan

This 1978 live date recorded in a unnamed Copenhagen nightclub finds Zoot Sims and the Kenny Drew Trio in great form; the outstanding bassist Niels Pedersen and drummer Ed Thigpen (both of whom worked with Oscar Peterson in separate time frames) round out the supporting cast. The first portion includes two unaccredited pieces, a lively bossa nova called "Flower Walts" and the rhythm & blues-flavored "Fled," featuring some of the tenor saxophonist's harder-edged blowing. Following a lyrical take of the infrequently recorded "I Wonder Where Our Love Has Gone," the quartet devotes themselves to strong interpretations of three classics from the Duke Ellington songbook: a swinging "In a Mellotone," an all too brief "I Got It Bad (And That Ain't Good)," and a romp through "Caravan," with Sims switching to soprano sax and a fine solo by Thigpen. This is an excellent CD, though the label was very sloppy with the text in several places within the booklet. Highly recommended, as are virtually all of Zoot Sims' releases. 
~ Ken Dryden http://www.allmusic.com/album/flower-walts-mw0001245707

Personnel:  Tenor Saxophone – Zoot Sims;  Piano – Kenny Drew;  Bass – Niels-Henning Ørsted Pedersen;  Drums – Alex Riel

Flower Walts

Lovisa Lindkvist - That Girl!

Styles: Vocal Jazz
Year: 2007
File: MP3@320K/s
Time: 56:36
Size: 130,8 MB
Art: Front

(3:46)  1. The Look Of Love
(3:19)  2. New At Last
(4:52)  3. When I Fall In Love
(3:56)  4. Time is a Healer
(4:51)  5. My One And Only Love
(3:26)  6. My Romance
(4:21)  7. I Fall In Love Easily
(4:07)  8. Skylark
(5:22)  9. Some Other Time
(3:13) 10. I'm All Smiles
(4:30) 11. He Was Too Good To Me
(3:57) 12. Line' Em Up
(4:08) 13. There Was A Room
(2:42) 14. That Girl

Jazz from Scandinavia is well tolerated, the presence of Swedish and Norwegian artists on world-wide festival platforms inevitably connected with quality and originality. The fact that Sweden has more than one piece of furniture for the world has turned around since singers such as Viktoria Tolstoy or Rigmor Gustafsson were brought into the limelight by their famous countryman, the trombonist Nils Landgren. Already in the 1960s it was the Stockholm actress and singer Monica Zetterlund, who was put into the public focus of the Jazzgemeinde by Quincy Jones and Bill Evans. And right there the circle closes to the most recent discovery from the almost inexhaustible reservoir of Scandinavian singers, the only 26  year old Lovisa Lindkvist, who was the first scholarship holder to be awarded the Monica Zetterlund Scholarship.

A voice that stands out in its purity and intonation security, a young artist, whose naturalness is refreshingly like a spring day. In her debut album, she was with the pianist and arranger Bengt Lindkvist as an old hare of the Swedish jazz scene, who acquired his craft in the 60s and 70s when the poles of the music world were somewhere between Burt Bacharach and John Coltrane. And so it is no wonder that the repertoire of Lovisa's first work is between timeless jazz standards like some Hoagy Carmichael's "Skylark" (in a very contemporary interpretation) or the Rodgers & Hart - Evergreen "He Was Too Good For Me" "The Look Of Love" by Burt Bacharach, but also small Pop miniatures such as the relatively new James Taylor song "Line` em Up "or" Time Is A Healer "from the unforgotten Eva Cassidy. All in all, a very personal and very youthful look at half a century of great songwriting. To the musicians of the album "That Girl!" belongs among others. the great Swedish trumpeter Jan Allan, who belongs to the first series of Swedish jazz musicians. The merit of having presented the young Stockholmian Lovisa for the first time outside of Sweden is due to Nils Landgren, who was already mentioned at the outset, who presented the young singer as part of a new generation in Bonn. In the meantime, successful performances even followed exotic places like the Dubai Jazz Festival. Translate by Google https://www.amazon.de/That-Girl-Lovisa/dp/B0015UGNDM

Statements from the Swedish press: "What is the meaning of this?" - "It's pleasant listening: pure and natural voice, clear and sensitive knowledge of both music and lyrics.

The German audience can already look forward to the Swede on 17 April, when she is part of the first Skip Labelnight Jazz is Now! in the Hamburg Kampnagelfabrik the album "That Girl!" will be presented.

That Girl!

Kaori Kobayashi - Spirit

Styles: Saxophone Jazz
Year: 2014
File: MP3@320K/s
Time: 59:19
Size: 136,0 MB
Art: Front

(4:07)  1. High Flyer
(4:43)  2. The Fighter
(4:33)  3. Sunny Orange
(3:56)  4. Light And Shadow
(6:34)  5. Azuchi-Momoyama
(5:01)  6. Edo-Mae
(6:01)  7. Dream
(5:11)  8. Now And Forever
(5:15)  9. Shooting Star
(5:33) 10. Looking Forward
(2:13) 11. See You
(6:05) 12. Place In The Sun

Saxophonist and flutist Musical composition and arrangement / producing.

Kaori Kobayashi was born in October of 1981 in Kanagawa Prefecture. She grew up in Tokyo and is a graduate of Senzokugakuen Music University’s Jazz Course. She has released eight albums, one Greatest Hits album, one DVD of her live performance, as well as a collection of her own sheet music. She performs at music venues and at jazz festivals all over Japan, and makes appearances on many TV and radio programs. She has also released her CDs and has performed in Taiwan, South Korea, China and Thailand. She became a household name after her YouTube video “Nothing’s Gonna Change My Love for You” gained more than 5 million views and was widely picked up by newspapers and TV. 2005 February: Released her debut album “Solar” from JVC;  2011 August: Fan clubs were created in both Thailand and Taiwan. A meet-and-greet she held at a music venue in Taiwan was so crowded many fans could not get inside. 2011 February: Released her self-produced album “SEVENth”, which included works she had composed and arranged herself in Japan, Taiwan, South Korea, Singapore, and Hong Kong. The album topped the Jazz Charts for two weeks in a row in Taiwan. She also toured around North East Japan, visiting Ishinomaki and other affected sites of the Great East Japan Earthquake of 2011.

2012 January: Received “Most Beautiful Saxophonist in Asia” from the Thailand Sax Society. 2012 November: Held a successful solo concert in Hong Kong’s STAR HALL. 2013 February: Released the R&B themed “Urban Stream”, her eighth studio album in Japan, Taiwan, Hong Kong, and Singapore.

Placed #1 in the Taiwanese Jazz Charts for the third year in a row. 2013 March: Performed at the Java Jazz Festival, the biggest jazz festival in Asia, held in Jakarta, Indonesia. There, her performance was met with high praise and she made the front page of the local newspaper, alongside musicians such as Basia. 2013 October: Performed at the Taichung Jazz Festival, held in Taichung, Taiwan, and received a stating ovation from a crowd of 60,000. 2014 March: Invited by the Japanese Embassy to the National Cherry Blossom Festival in Washington DC. The next day, she performed at Blues Alley in front a full audience, her first show in the USA. 2014 May: Released the 9th Self-produced J-pop themed album “SPIRIT” in Japan, Taiwan, Hong Kong, and Singapore. 2015 June: Released the 10th Anniversary album “STORY” in Japan and Asia. which includes 3 music numbers produced by Jamie Odell of the SHAKTAK Family. July perform in SAPPORO CITY JAZZ. September perform in TOKYO JAZZ. 2016 August : Released the11th  album “Melody”, covering the well known popular songs . Kaori is also participating as a sax player  in the band of such singers as Shigeru Izumiya and YukihideTakekawa, the artists representing Japan. http://kaorikobayashi.com/biographyeng

Spirit

Red Garland - Rojo

Styles: Piano Jazz
Year: 1958
File: MP3@320K/s
Time: 41:06
Size: 95,5 MB
Art: Front

(8:54)  1. Rojo
(6:47)  2. We Kiss In A Shadow
(5:14)  3. Darling Je Vous Aime Beaucoup
(6:43)  4. Ralph J. Gleason Blues
(5:12)  5. You Better Go Now
(8:14)  6. Mr. Wonderful

Pianist Red Garland recorded frequently with trios for Prestige during the second half of the 1950s. For this set (reissued on CD), Garland, bassist George Joyner and drummer Charlie Persip are joined by Ray Barretto on congas and the emphasis is on forceful swinging. Garland takes such ballads as "We Kiss in a Shadow" and "You Better Go Now" at faster-than-expected tempos. "Ralph J. Gleason Blues" and the Latin feel of "Rojo" are among the highlights of this enjoyable disc. ~ Scott Yanow http://www.allmusic.com/album/rojo-mw0000619557

Personnel: Red Garland (piano); Ray Barretto (congas); George Joyner (bass); Charlie Persip (drums).

Rojo

Bruce Barth - Don't Blame Me

Styles: Piano Jazz
Year: 1997
File: MP3@320K/s
Time: 59:41
Size: 137,0 MB
Art: Front

(5:08)  1. Don't Blame Me
(6:47)  2. Days of June
(6:33)  3. Evidence
(5:59)  4. Song for Alex
(7:37)  5. For Clara
(6:46)  6. Prospect Blues
(3:40)  7. Lazy Bird
(5:19)  8. The Way He Wore His Hat
(4:48)  9. Autumn in New York
(7:01) 10. Fascinating Rhythm

A rewarding trio session from Bruce Barth, one of the most underrated post-bop pianists. Joined by bassist Ed Howard and drummer Billy Drummond, Barth splits the program evenly between standards and originals, the latter including a lovely pair of dedications: "Song for Alex" and "For Clara." Barth's affinity for Monk comes through on "Evidence" and an intriguing original called "The Way He Wore His Hat," intended as a Monk tribute but based on a motif from "They Can't Take That Away From Me." With "Lazy Bird," "Fascinating Rhythm," and the title track, Barth and company display their flair for rhythmic surprises. ~ David R.Adler http://www.allmusic.com/album/dont-blame-me-mw0000030718

Personnel: Bruce Barth (piano); Ed Howard (bass); Billy Drummond (drums)

Don't Blame Me