Monday, September 18, 2017

Baby Face Willette - Mo-Roc

Bitrate: MP3@320K/s
Time: 38:15
Size: 87.6 MB
Styles: Bop, Soul-jazz
Year: 1964/2004
Art: Front

[4:46] 1. Mo-Roc
[5:15] 2. Bantu Penda
[5:25] 3. Dad's Theme
[4:08] 4. But Not For Me
[3:55] 5. Misty
[4:16] 6. Unseen And Unknown
[5:17] 7. Zip Five
[5:08] 8. Sight In Darkness

After recording a handful of sessions for Blue Note in the early '60s (including two albums as a leader), organist Baby Face Willette abruptly left the label and soon resurfaced on Argo. Mo-Roc (titled Mo' Rock on the front cover only) is the first of Willette's two 1964 albums for Argo, and it's further proof that if Willette hadn't been so underexposed, he certainly wouldn't be quite so underrated. Mo-Roc is recorded in a trio format with guitarist Ben White and drummer Eugene Bass, who may not be up to the caliber of Blue Note players like Grant Green and Ben Dixon, but are competent and swinging nonetheless. Willette shines brightest on the hard-driving up-tempo cuts, swinging like a madman and displaying more melodic imagination on his instrument than straight blues players. Highlights in this vein include the charging title cut -- dedicated to Chicago's Moroccan Village neighborhood, where Willette played frequently -- and "Zip Five," where the busy melody lines produce some explosive displays of chops from both Willette and White. Not all of the compositions make much of an impression -- some are basically just swinging, mid-tempo grooves -- but it's hard to miss the mysterious, atmospheric "Unseen and Unknown," Willette's tribute to an African witch doctor, which is punctuated by comically manic screams and dissonant, horror-film chords. Overall, Mo' Rock isn't quite up to the level of Willette's Blue Note sessions, but it's still a very respectable outing, and given the unfortunate skimpiness of his discography, his fans should find it rewarding enough to seek out the Japanese CD reissue. ~Steve Huey

Mo-Roc

Steve Howell & Jason Weinheimer - A Hundred Years From Today

Bitrate: MP3@320K/s
Time: 35:18
Size: 80.8 MB
Styles: Blues-jazz guitar
Year: 2017
Art: Front

[2:39] 1. Lulu's Back In Town
[3:05] 2. Kansas City Blues
[3:43] 3. Going Back To Florida
[3:17] 4. Louis Collins
[4:23] 5. A Hundred Years From Today
[3:09] 6. I've Got The Blues, Can't Be Satisfied
[3:27] 7. Basin Street Blues
[2:53] 8. Limehouse Blues – After You've Gone
[4:02] 9. Who's Been Here
[4:35] 10. Rocking Chair

A few years ago, in 2015, Steve Howell pushed out an excellent acoustic blues release, ‘Friend Like Me’, which merely hinted at just how talented he truly is, an album that had a sparkling immediacy and gained plaudits across the blues and roots music world. With this ten-track follow-up, Howell again shows just how well he understands the music and its significance.

Originally from Texas, Howell has moved around a fair bit with spells in Loiusiana, Pennsylvania and the UK all adding to his background and back-history. Here, joined by veteran, bad-ass bassist Jason Weinheimer, Howell has again produced the blues-goods with a masterful album that includes covers of his own major influence, Mississippi John Hurt, and additions from Bo Carter, before moving effortlessly through some mighty fine jazz standards from the likes of Jack Teagarden’s title track, and smoky hints of Wes Montgomery, classic Louis Armstrong and Duke Ellington all drifting through the mix.

Try his delightful take on the old classic Fats Waller signature tune, Lulu’s Back In Town for starters, a perfectly pitched display of raw ability and tasteful picking. Overall, this is an album of top-quality, sensitively styled and delivered acoustic blues and southern jazz music. A wonderful addition to Howell’s growing body of work. ~Iain Patience

A Hundred Years From Today

Terrie Richards Alden, Howard Alden - Love

Bitrate: MP3@320K/s
Time: 50:11
Size: 114.9 MB
Styles: Swing, Vocal jazz
Year: 2001
Art: Front

[2:58] 1. The Lady Is In Love With You
[5:17] 2. Gone With The Wind
[2:58] 3. Miss Otis Regrets
[3:44] 4. Skylark
[3:54] 5. Just In Time
[4:24] 6. I Gotta Right To Sing The Blues
[4:17] 7. I Can't Give You Anything But Love
[4:13] 8. What A Little Moonlight Can Do
[4:16] 9. How Deep Is The Ocean
[2:45] 10. Trav'lin' Light
[3:26] 11. Everything I Have Is Yours
[4:10] 12. Almost Like Being In Love
[3:42] 13. Love Is The Thing

The lightly swinging singer Terrie Richards Alden's second CD is a series of intimate duets with her husband, the phenomenal guitarist Howard Alden. She savors each lyric with clear intonation, and has a knack for emphasizing the essence of each melody. Howard Alden, one of the greatest guitarists of his generation, tends to play the precise accompaniment to back his wife without trying to steal the spotlight for himself on most tracks, though he does allow himself a flashy chorus on "What a Little Moonlight Can Do." The singer restores the amusing but often omitted verse to "Just in Time" and takes her time with the sentimental "I Can't Give You Anything but Love, Baby." This enjoyable duo date should be considered an essential purchase by swing fans. ~Ken Dryden

Love

Bobby Short - Heebie Jeebies (2 parts)

Nightclub entertainer Bobby Short performed from the 1930s to the 2000s, primarily singing the songs of the masters of pre-rock popular song, especially Cole Porter, George Gershwin, Noël Coward, and Rodgers & Hart, while accompanying himself on piano. The quintessential cabaret artist, the dapper Short, who often made best-dressed lists, perfectly articulated the lyrics in a husky baritone, delighting his well-heeled customers, particularly at the ritzy Cafe Carlyle of the Carlyle Hotel on the Upper East Side of Manhattan, where he was in residence from 1968 to 2004. Live performance was his métier, but he also made a series of recordings for Atlantic Records, Telarc, and other labels, along with occasional forays into film and television acting as well as the musical theater.

The ninth of ten children born to Rodman Jacob Short, a coal miner, and Myrtle (Render) Short, a domestic, in Danville, IL, Robert Waltrip Short, nicknamed Bobby, took an early interest in the family piano and, despite a few lessons, was essentially self-taught. He began playing professionally in local roadhouses at the age of eight or nine. Soon, he was performing at society parties in a white tuxedo. In July 1936, when he was 11, he attracted the attention of booking agents who, with his mother's permission, took him to Chicago to perform in vaudeville and on radio. In June 1937, after finishing grade school, he traveled to dates in Cleveland and Toledo, then moved to New York City, where he appeared at the Frolics Cafe in October and at La Grande Pomme, as well as at other clubs and theaters around the country. He returned to Danville in the summer of 1938 to attend to high school and performed only in local venues over the next several years. But after graduating in 1942 he went back to show business permanently, opening at the Capitol Lounge in Chicago that July, followed by engagements in Cleveland, Omaha, and Los Angeles, where he settled in 1943. By the following year, however, he was working in Milwaukee and St. Louis, and in the spring of 1945 he was an opening act at the Blue Angel in New York City for four weeks. He then returned to California, by way of an appearance in Phoenix, where he performed at the Haig and the Café Gala over the next few years. While he was at the Haig, in the late '40s or early '50s, he made a record that was sold at the club. He also appeared without credit in the film musical Call Me Mister, released in January 1951, singing "Going Home Train."

Over the years, Short came to represent the elegance and sophistication of New York with his tuxedoed appearance and repertoire of standards. As a result, he became attractive to advertisers, who frequently featured him in television commercials and print ads for such products as perfume and designer jeans. He also got other opportunities to perform. In February 1979, he acted in the ABC television mini-series Roots: The Next Generations, and in May 1980 he was a producer and participant in the Broadway revue Black Broadway, which had a brief run at Town Hall. His other TV guest appearances included the series The Love Boat, Tattingers, In the Heat of the Night, Central Park West, Frasier, and 7th Heaven. There were also films. He was seen and heard as himself, performing Cole Porter's "I'm in Love Again" at the Cafe Carlyle in Woody Allen's Hannah and Her Sisters in 1989, and his recording of Porter's "I Happen to Like New York" was heard over the titles of Allen's Manhattan Murder Mystery in 1993. (Other soundtrack-only appearances included Savages [1972] and Love Affair [1994].) He also appeared in the films For Love or Money (1993) and Man of the Century (1999), and in the TV movies Hardhat and Legs (1980), A Night on the Town (1983), and Blue Ice (1992). He published a second memoir, Bobby Short: The Life and Times of a Saloon Singer, written with Robert Mackintosh, in 1995. He died of leukemia at the age of 80 on March 21, 2005. ~bio by William Ruhlmann

Album: Heebie Jeebies Part 1
Bitrate: MP3@320K/s
Time: 53:27
Size: 122.4 MB
Styles: Vocal jazz
Year: 2016

[3:23] 1. You've Got That Thing
[2:40] 2. Heebie Jeebies
[2:24] 3. I'm In Love Again
[1:41] 4. The Younger Generation
[2:26] 5. Nagasaki
[2:53] 6. Don't Bring Lulu
[3:02] 7. Changes
[2:07] 8. At The Animals Ball
[3:05] 9. I've Got You On My Mind
[2:19] 10. I Love You Samantha
[2:44] 11. Hooray For Love
[2:12] 12. Down In Mexico
[2:47] 13. This Is What I Call Love
[2:22] 14. Be My Host
[3:45] 15. Delia's Gone
[2:51] 16. Bojangles Of Harlem
[3:37] 17. Something To Live For
[1:33] 18. Losing My Mind
[2:41] 19. Love Is Here To Stay
[2:46] 20. I Like The Likes Of You

Heebie Jeebies Part 1

Album: Heebie Jeebies Part 2
Bitrate: MP3@320K/s
Time: 58:40
Size: 134.3 MB
Styles: Vocal jazz
Year: 2016
Art: Front

[3:50] 1. Now
[2:26] 2. Island In The West Indies
[2:02] 3. You Are Not My First Love
[2:33] 4. Over And Over Again
[3:01] 5. Sweet Bye And Bye
[2:39] 6. From Now On
[3:44] 7. Dinah
[1:50] 8. You Make Me Feel So Young
[4:19] 9. Manhattan
[2:27] 10. I Can't Get Started
[3:34] 11. Autumn In New York
[2:10] 12. Gimme A Pigfoot
[3:44] 13. The Best Is Yet To Come
[2:23] 14. Witchcraft
[4:00] 15. I've Got Your Number
[2:30] 16. It Amazes Me
[2:38] 17. On The Other Side Of The Tracks
[2:51] 18. My Personal Property
[3:43] 19. Hey Look Me Over
[2:05] 20. I Walk A Little Faster

Heebie Jeebies Part 2

George Benson - Songs And Stories

Bitrate: MP3@320K/s
Time: 62:11
Size: 142.4 MB
Styles: Guitar & Vocal jazz
Year: 2009
Art: Front

[3:48] 1. Don’t Let Me Be Lonely Tonight
[4:18] 2. Family Reunion
[4:17] 3. Show Me The Love
[5:54] 4. A Telephone Call Away
[6:20] 5. Someday We’ll All Be Free
[5:29] 6. Nuthin’ But A Party
[4:30] 7. Come In From The Cold
[5:28] 8. Exotica
[4:50] 9. Rainy Night In Georgia
[4:41] 10. One Like You
[7:14] 11. Living In High Definition
[5:16] 12. Sailing

George Benson is truly a legend; a guitarist of unparalleled chops and a vocalist with great emotional range and sophistication, and this 2009 release finds him at his very best! Songs and Stories is a collection of tunes penned by some of the most prolific and enduring songwriters of the last half-century. The combined talents of these writers and musicians make for a series of unforgettable tales, and Benson himself is the narrator who weaves it all together. Many of the songs were written specifically for this new recording, while others were hand-picked by Benson for their ability to convey simple but universal truths about the human experience. Features new material from songwriting legends Bill Withers, Lamont Dozier and Smokey Robinson and includes performances by special guests David Paich, Gerald Albright, Lalah Hathaway, Lee Ritenour, Norman Brown, Patti Austiin, Steve Lukather, Tom Scott and many others.

Songs And Stories

Charles McPherson - From This Moment On!

Styles: Saxophone Jazz
Year: 1968
File: MP3@320K/s
Time: 36:46
Size: 84,4 MB
Art: Front

(4:18)  1. Little Sugar Baby
(5:14)  2. Once in a Lifetime
(6:44)  3. The Good Life
(3:22)  4. Like the Way You Shake That Thing
(3:35)  5. From This Moment On
(7:13)  6. Without You
(6:16)  7. You've Changed

Some of the songs on this set by bop-influenced altoist Charles McPherson (reissued on CD in 1997) use boogaloo and pop rhythms. The repertoire ranges from a couple of OK originals ("Little Sugar Baby" and "Like the Way You Shake That Thing") to a recent show tune ("Once in a Lifetime") and a few standards. Pianist Cedar Walton, the young guitarist Pat Martino, bassist Peck Morrison and drummer Lennie McBrowne form the strong supporting cast. Not one of McPherson's most essential releases, as the material and arrangements are just not that strong; nevertheless, the altoist still plays well, and his fans will want to pick up this reissue. ~ Scott Yanow http://www.allmusic.com/album/from-this-moment-on%21-mw0000031617

Personnel: Charles McPherson (alto saxophone); Cedar Walton (piano); Pat Martino (guitar); Peck Morrison (bass); Lenny McBrowne (drums).

From This Moment On!

Rondi Charleston - Love Is The Thing

Styles: Vocal Jazz
Year: 2004
File: MP3@320K/s
Time: 48:16
Size: 111,5 MB
Art: Front

(3:08)  1. If I Were A Bell
(4:49)  2. You Fascinate Me So
(5:22)  3. Wouldn't It Be Loverly
(3:30)  4. I've Got Just About Everything
(5:17)  5. It Might As Well Be Spring
(3:32)  6. Talk To Me Baby
(3:41)  7. This Is Always
(4:01)  8. Love Is The Thing
(3:15)  9. Easy To Love
(5:28) 10. Something To Live For
(2:01) 11. Nobody Else But Me
(4:07) 12. A Time For Love

Love Is The Thing is a superlative collection of jazz and American popular standards, all united by an emerging musical star. Rondi Charleston proves herself as a jazz singer - she can swing in any tempo and puts a glorious sense of space, soul and simplicity in her ballads. Love Is The Thing features an all-star lineup of some of the world's finest jazzmen. https://www.amazon.com/Love-Thing-Rondi-Charleston/dp/B0002IQNCO

"A magnificent album...we haven't heard anything like this in years. Rondi Charleston is dynamite!" ~ WRTI (NPR)

"Even though Rondi Charleston has the pipes of an angel, she never shows off...utterly honest..." ~ New York Voices

"One of the most romantic albums in recent memory...one rich delicacy after another." ~ Cabaret Scenes

"Utterly delightful...she works her way into her listener's hearts...a joy to hear." ~ New York Times

Personnel: Rondi Charleston (vocals); Rondi Charleston; David Finck (bass instrument); Adam Rogers (guitar); Joel Frahm (alto saxophone); Glenn Drewes (trumpet); Peter Eldridge, Tedd Firth (piano); Erik Charleston (vibraphone); Lewis Nash (drums)

Love Is The Thing

Chris Standring - Velvet

Styles: Guitar Jazz
Year: 1998
File: MP3@320K/s
Time: 55:06
Size: 126,4 MB
Art: Front

(4:34)  1. Silhouette
(4:34)  2. Sneaky
(4:38)  3. Coll Shades
(4:32)  4. West Coast Changes
(5:44)  5. Velvet
(4:38)  6. Steven
(4:26)  7. Shake
(4:53)  8. Solitaire
(5:31)  9. 'Nuff Said
(4:47) 10. Victoria Road
(6:42) 11. The Beautiful Woman of Scant Virture

It wouldn't be a surprise to find the glorious retro-soul CD Maxwell's Urban Hang Suite a fixture in Chris Standring's disc changer. Velvet, the guitarist's first solo effort after the blazing funk effort by Solar System (led by Standring and this album's keyboardist/producer Rodney Lee), is full of glittery synth-created Hammond B-3 and Fender Rhodes flavors, hypnotic synth washes and gentle shuffling grooves, punchy wah-wah harmonies and dreamy, otherworldly effects. If Maxwell could improvise like George Benson, this is what the hybrid might be. Standring waits till the tenth track, "Victoria Road," before giving us a truly infectious electric guitar melody that stands apart from its rhythmic base and doesn't seep into the next song. 

But the disc seems more about Standring's Benson-like precision and technique, and brilliant vibe-intensive production than just tunes. On standout tracks like "Silhouette" and the sax accented "Sneaky," Standring and Lee effortlessly swirl the electric guitar melody with subtle acoustic harmonies, effective wah-wah kicks and some Crusaders flavored key improvisations. ~ Jonathan Widran http://www.allmusic.com/album/velvet-mw0000035454

Personnel: Chris Standring (guitar); Dino Soldo (tenor saxophone, flute, harmonica, keyboards, programming); Kirk Whalum (tenor saxophone); Rick Braun (flugelhorn); Rodney Lee (keyboards, programming); Andre Berry (bass).

Velvet

Arne Domnérus & Bernt Rosengren - Face To Face

Styles: Saxophone Jazz
Year: 1999
File: MP3@256K/s
Time: 67:37
Size: 127,5 MB
Art: Front

(6:00)  1. Out Of Nowhere
(4:56)  2. Body And Soul
(5:47)  3. But Not For Me
(5:48)  4. Star Dust
(3:11)  5. That Tired Old Routine Called Love
(4:40)  6. St Louis Blues
(4:02)  7. My Old Flame
(6:39)  8. I Cover The Waterfront
(4:43)  9. Lover Man
(5:17) 10. Just Friends
(5:36) 11. Just One Of Those Things
(4:41) 12. What Kind Of Fool Am I
(6:09) 13. It Don't Mean A Thing

Swedish-born saxophonist Arne Domnérus looms large in the annals of European jazz his breakthrough performance at the Paris Jazz Fair of 1949 is widely cited as the tipping point of the Scandinavian bop movement. Born in Stockholm on December 20, 1924, Domnérus studied clarinet as a child and made his professional debut during the early '40s, playing alto sax in popular dance bands led by Lulle Ellboj and Simon Brehm. By 1942 he led his own group and made his recorded debut in 1945, honing an urbane, sophisticated style that nevertheless possessed an urgency often absent from the cool, remote tone often associated with Swedish jazz. American icons Charlie Parker and Dizzy Gillespie were both in attendance for Domnérus 1949 Paris festival gig, a performance which served notice that players of European descent could offer their own authoritative interpretations of music largely considered an African-American phenomenon Parker was so impressed that he signed Domnérus for the Scandinavian tour he mounted a year later. Throughout the '50s Domnérus headlined the Stockholm jazz club Nalen, often appearing alongside trumpeter Rolf Ericson and baritone saxophonist Lars Gullin (who both turn up in the 1952 short film Arne Domnérus Spelar). Domnérus also joined Stockholm locals including pianist Bengt Hallberg for a landmark 1953 Swedish tour in support of American trumpeters Clifford Brown and Quincy Jones. From 1956 to 1965 Domnérus served as a member of Harry Arnold's Swedish Radio Big Band, continuing on with its successor Radiojazzgruppen through 1978 concurrently he wrote for television and films, most notably scoring 1966's Nattlek, a film produced by Mai Zetterling and based on her own novel. Domnérus' 1977 LP Jazz at the Pawnshop proved an unprecedented hit, selling more than half a million copies upon its original release a year later, he returned with Duets for Duke, a collaboration with Hallberg that captures both men at the zenith of their artistry. While remaining true to his bop roots, Domnérus cited traditional Scandinavian folk music as a growing influence throughout the later chapters of his career, and from the '70s on he regularly performed live in churches, inspired by Duke Ellington's own sacred concerts. He also toured the U.S. and Japan, and recorded with American notables including Clark Terry, James Moody and Jimmy Rowles. After several years in poor health, Domnérus died in Stockholm on September 2, 2008 at the age of 83. ~ Jason Ankeny http://www.allmusic.com/artist/arne-domn%C3%A9rus-mn0000075504/biography

Greatly influenced by Sonny Rollins, Bernt Rosengren has been one of Sweden's most respected tenor saxmen since the 1950s. The big-toned, hard-blowing improviser was 19 when he started to make a name for himself in Scandinavia as a member of the quintet Jazz Club 57, and at 21, he was hired to represent Sweden in the Newport Jazz Band in the U.S. In 1961, his tenor was heard in American director Roman Polanski's debut film, Knife in the Water. Over the years, several of Rosengren's albums topped Swedish jazz polls, including Stockholm Dues in 1965, Improvisations in 1969, and Notes From the Underground in 1974. It was during the mid-'60s that Rosengren played alongside trumpeter Thad Jones in a sextet led by American pianist George Russell, who was living in Europe at the time. Although he started out playing hard bop and never gave it up, he got more into post-bop experimentation in the late '60s, when trumpeter Don Cherry was in his quartet, and the early to mid-'70s, when he combined jazz with Turkish and Middle Eastern folk as part of the group Sevda. In 1975, he played regularly with Swedish baritone saxman Lars Gullin and formed his own big band. The 1980s found Rosengren working with American hard boppers ranging from guitarist Doug Raney to pianist Horace Parlan. And in the 1990s, his activities included a jazz salute to the music from Porgy & Bess (The Bernt Rosengren Octet Plays George Gershwin's Porgy & Bess) and being featured prominently on the great Swedish trumpeter Rolf Ericson's final recording before his death, I Love You So (1995, Amigo). Turning 60 in 1997, Rosengren still played with the energy and stamina of a young man. ~ Alex Henderson http://www.allmusic.com/artist/bernt-rosengren-mn0000048240

Personnel:  Alto Saxophone – Arne Domnérus (tracks: 1,3,4,7-10,13);  Bass – Hans Backenroth;  Clarinet – Arne Domnérus (tracks: 2,12);  Drums – Aage Tanggaard;  Flute – Bernt Rosengren (tracks: 2);  Piano – Jan Lundgren;  Tenor Saxophone – Bernt Rosengren (tracks: 1,3,6-11,13)

Face To Face

Jimmy Barnes - Soul Deep

Styles: Vocal, Rock
Year: 1991
File: MP3@320K/s
Time: 58:05
Size: 138,0 MB
Art: Front

(3:28)   1. I Gotcha
(3:04)  2. (Your Love Keeps Lifting Me) Higher And Higher
(4:55)  3. When Something Is Wrong With My Baby (Duet with John Farnham)
(3:27)  4. Show Me
(3:06)  5. Many Rivers To Cross
(3:05)  6. Reflections
(2:23)  7. Ain't No Mountain High Enough
(3:05)  8. I Found A Love
(2:52)  9. Signed Sealed Delivered (I'm Yours)
(3:21) 10. Bring It On Home To Me (Duet with Diesel)
(3:50) 11. Here I Am (Come And Take Me)
(3:38) 12. River Deep Mountain High
(2:40) 13. Respect (Live)
(3:40) 14. Reach Out I'll Be There (Live)
(4:24) 15. Try A Little Tenderness (Live)
(3:16) 16. Stagger Lee (Live)
(3:44) 17. Sweet Soul Music (Live)

Jimmy Barnes did a funny thing when he released Soul Deep. Gone was the long hair and leather jacket. Barnes was now a soul crooner, complete with '50s suits and slicked hair. He performed soul standards like Jackie Wilson's "(Your Love Keeps Lifting Me) Higher and Higher," Sam and Dave's "When Something Is Wrong With My Baby," and Ike and Tina Turner's "River Deep, Mountain High." But the change is only a superficial one: Barnes is not a soul singer, and instead chooses to belt out these classics as if they were "Working Class Man." In other words, depending on your viewpoint, this album is either an abomination or a refreshing new take on some classic Motown songs. Purists will hate Barnes' gravelly delivery of these songs (which does descend into pointless screaming far too often), but Barnes has assembled a surprisingly cohesive tribute to '60s soul. It's typical Barnes, but with a twist, making this a brave, yet rewarding, step away from his stale blue-collar commercial rock. ~ Jonathan Lewis http://www.allmusic.com/album/soul-deep-mw0000470056

Personnel:  Jimmy Barnes – vocals;  Tony Brock - drums, percussion;  Diesel - guitar, vocals on track 10;  Jeff Neill – guitar;  Rick Will – guitar;  Michael Hegerty – bass;  Jimmy Haslip – bass;  Mal Logan – keyboards;  Phil Shenale – keyboards;  John Farnham - vocals on track 3;  Jimmy Barnes, Diesel, Marcy Levy, Wendy Fraser, Jessica Williams, Jeff Neill - backing vocals;  John Courtney – trombone;  Kevin Dubber – trumpet;  Mark Dennison - baritone saxophone;  Marty Hill - tenor saxophone.

Soul Deep

Sunday, September 17, 2017

Stevie Wonder - With A Song In My Heart

Bitrate: MP3@320K/s
Time: 32:36
Size: 74.6 MB
Styles: Soul, Motown
Year: 1963/2008
Art: Front

[3:11] 1. With A Song In My Heart
[3:00] 2. When You Wish Upon A Star
[3:20] 3. Smile
[5:04] 4. Make Someone Happy
[2:41] 5. Dream
[2:37] 6. Put On A Happy Face
[3:55] 7. On The Sunny Side Of The Street
[2:13] 8. Get Happy
[2:17] 9. Give Your Heart A Chance
[4:13] 10. Without A Song

Having tried to turn Little Stevie Wonder into Big Ray Charles, then broken him through with "Fingertips, Pt. 2," Motown then gave us "Steve Wonder, Lounge Lizard." At least, that's what you'd think listening to this string-filled crooning session, in which the 13-year-old earnestly makes his way through the likes of Johnny Mercer's "Dream," "Get Happy," "Without A Song," and other supper club standards. Berry Gordy's wish for all his artists may have been to play the Copacabana, but this one was far below the legal drinking age, and, although Wonder brought his usual willingness to the project, it was years beyond his abilities. ~William Ruhlmann

With A Song In My Heart

Inger Marie Gundersen - By Myself

Bitrate: MP3@320K/s
Time: 44:16
Size: 101.3 MB
Styles: Jazz vocals
Year: 2007
Art: Front

[4:19] 1. I Don't Want To Talk About It
[3:16] 2. By Myself
[3:57] 3. A Taste Of Honey
[4:14] 4. Sad Song
[5:36] 5. One
[3:16] 6. Don't Let Me Be Lonely Tonight
[2:29] 7. I'm So Lonesome I Could Cry
[4:19] 8. Where Were You
[3:40] 9. If You Go Away
[5:01] 10. Don't Explain
[4:06] 11. You Don't Know What Love Is

On her second album, ”By Myself”, Inger Marie chose to work with the renowned Danish producer Søren Sigumfeldt. They recorded the album in Gothenburg, Sweden, still with Inger Marie’s hand picked local Arendal musicans, but also inviting the Swedish guitar virtuoso Ulf Wakenius to the studio. Other guest performers include Gunnar Halle (trumpet) and Niclas Knudsen (electric guitar). The record has been released in most European countries by the Danish company Sundance, on the Stunt label.

By Myself  

BWB - Groovin'

Bitrate: MP3@320K/s
Time: 60:49
Size: 139.2 MB
Styles: R&B, Smooth jazz
Year: 2002
Art: Front

[4:47] 1. Groovin'
[4:51] 2. Brown Sugar
[5:46] 3. Ruby Baby
[5:44] 4. A Woman's Worth
[7:27] 5. Hip Hug Her
[6:41] 6. Mercy Mercy Mercy
[7:21] 7. Let's Do It Again (Featuring Dee Dee Bridgewater)
[4:52] 8. It's Your Thing
[7:27] 9. Povo
[5:49] 10. Up For The Down Stroke

This concept sounds like the set-up for a joke: What do you get when you cross three smooth-jazzers with topnotch straight-ahead players? Turns out Norman Brown, Kirk Whalum, and Rick Braun have the last laugh and a damn good time. While they may be three of the most distinct stylists in smooth jazz, they had to turn up the pots to cook with bassist Christian McBride and drummer Gregory Hutchinson. Keyboardist Ricky Peterson, maybe the funkiest organist in contemporary jazz outside of Larry Goldings, plays a producing role and is probably the MVP of BWB. The players aren't the only stars. The impeccable choice of 10 well-known cover tunes adds to an unapologetically fun record that allows B, W, and B to stretch out much more than they do on other recordings. Braun quotes Freddie Hubbard on "Povo," while Whalum explores Cannonball Adderley on "Mercy, Mercy, Mercy," and Brown pays back Wes Montgomery throughout the proceedings. From the sexually charged "Let's Do It Again," featuring a purring Dee Dee Bridgewater and a scatting Brown, to the inspired arrangements of Alicia Keys's "A Woman's Worth" and D'Angelo's "Brown Sugar," there are no holes in any of these grooves. ~Mark Ruffin

Groovin'

Gabriel Espinosa - Songs Of Bacharach And Manzanero

Bitrate: MP3@320K/s
Time: 49:55
Size: 114.3 MB
Styles: Vocal jazz, Latin jazz
Year: 2016
Art: Front

[5:09] 1. Adoro
[5:06] 2. (They Long To Be) Close To You (Feat. Tierney Sutton)
[5:02] 3. Como Yo Te Ame
[3:18] 4. The Look Of Love (Feat. Tierney Sutton)
[5:00] 5. Esta Tarde Vi Llover
[4:46] 6. What The World Needs Now (Feat. Tierney Sutton)
[4:04] 7. Somos Novios
[6:16] 8. Raindrops Keep Falling On My Head (Feat. Tierney Sutton)
[4:40] 9. Cuando Estoy Contigo
[6:29] 10. Alfie (Feat. Tierney Sutton)

Bassist-composer-arranger Gabriel Espinosa explores the common ground between two prolific and influential popular composers who came to prominence during the ‘60s in their respective countries -- Burt Bacharach in the United States and Armando Manzanero in Mexico. With five-time Grammy Award-nominated vocalist Tierney Sutton handling the five familiar Bacharach tracks and Espinosa himself singing the Spanish lyrics of five tunes by his fellow countryman and native of Yucatan, this alluring concept album is brimming with the kind of sophisticated harmonies, unexpected chord progressions and changing meters that mark both acclaimed composers’ work, while also being unabashedly romantic at his core.

As Espinosa states, “I’m not a jazz musician, I’m not a Brazilian musician or Afro-Cuban musician or bolero musician. I’m a little bit of everything, so I put a little bit of everything in these songs.” What do the famed American pop composer and beloved Mexican bolero composer have in common? Espinosa rattles off a list of qualities: “Beautiful melodies, beautiful harmonies, beautiful lyrics. Friendly songs. Songs that people can relate to. Songs that people can sing along to. They’re beautiful songs. To me, they are like the new American Songbook writers. Bacharach is a magic composer. Nobody was writing popular music like that in the ‘60s. And Manzanero is the equivalent of Jobim, but in the Mexican bolero music tradition. He is one of the idol composers in Mexico.” ~Grady Harp

The ensemble is Gabriel Espinosa, vocals, Tierney Sutton, vocals, Misha Tsiganov, piano and fender Rhodes, Mauricio Zottarelli, drums, percussion. Jim Seeley, trumpet, flugelhorn, Hendrik Meurkins, harmonica, Gustavo Amarante, electric bass, Joe Martin, acoustic bass, Gabriel Espinosa, eclectic bass, Rubens De La Corte, acoustic guitar, Itai Kriss, flute, and Johathan Gomez, bongos.

Songs Of Bacharach And Manzanero

Stan Kenton - Kenton In Hi-Fi

Bitrate: MP3@320K/s
Time: 59:29
Size: 136.2 MB
Styles: Big band
Year: 1956/1992
Art: Front

[2:34] 1. Artistry Jumps
[3:01] 2. Interlude
[4:15] 3. Intermission Riff
[3:02] 4. Minor Riff
[2:58] 5. Minor Riff (Alternate Take)
[2:35] 6. Collaboration
[3:03] 7. Painted Rhythm
[3:05] 8. Southern Scandal (1945 Version)
[4:33] 9. The Peanut Vendor
[3:20] 10. Eager Beaver
[7:03] 11. Concerto To End All Concertos
[2:38] 12. Artistry In Boogie
[2:30] 13. Lover
[3:10] 14. Unison Riff
[4:05] 15. Opus In Pastels
[2:52] 16. Machito
[4:36] 17. Artistry In Rhythm

After years of big band experimentation, Stan Kenton seemed to settle into a more grounded groove on 1956's In Hi-Fi. To his credit, Kenton did keep things swinging before, even in the midst of high brow bombast like the string-laden, 39 piece Innovations in Modern Music orchestra and numerous jazz meets Stravinsky projects. This uncanny balance of flow and brains came out of Kenton's own tempered direction and fine contributions by the likes of arranger Pete Rugolo, trumpeter Shorty Rogers, alto saxophonist Art Pepper, and singers Anita O'Day and June Christy. Thanks to a seamless mix of dazzling charts and liberal doses of Lunceford and Ellington-inspired swing, the marriage certainly works on Kenton in Hi-Fi. Old hits like "Eager Beaver" and "Artistry In Boogie" sparkle in the warm glow of '50s stereo technology, while fiery renditions of "Lover" and "The Peanut Vendor" show the famous muscle of the Kenton band. With the stellar playing of tenor saxophonist Vido Musso, trumpeter Pete Candoli, and drummer Mel Lewis to look forward to, one can see why this album was not only one of Kenton's most popular releases, but a critical success as well. ~Stephen Cook

Kenton In Hi-Fi

Art Taylor's Wailers - Wailin' At The Vanguard

Styles: Hard Bop, Post Bop
Year: 1993
File: MP3@320K/s
Time: 62:31
Size: 143,3 MB
Art: Front

( 0:14)  1. Street Intro
( 1:24)  2. A.T.'s Shout
( 0:25)  3. Bridge Theme
( 0:49)  4. Band Introductions
( 8:24)  5. Dear Old Stockholm
( 8:25)  6. Stressed Out
( 4:50)  7. So Sorry Please
( 0:20)  8. Bridge Theme
( 8:59)  9. Mr A.T. Revisted
( 0:36) 10. Interchat
( 5:07) 11. Sophisticated Lady
( 5:34) 12. In A Sentimental Mood
( 6:24) 13. Chelsea Bridge
(10:13) 14. Harlem Mardi Gras
( 0:40) 15. Bridge Theme-Salt Peanuts

Following the successful Mr. A.T., drummer Art Taylor found himself to be a modern-day Art Blakey by leading a youthful group known as Taylor's Wailers. Pianist Jacky Terrason is a versatile player with a distinct voice, who along with Taylor is the heart and soul of this band. Going back to the '50s, the leader fancied the dynamics of two saxophonists playing off of each other, which Abraham Burton and Willie Williams do exceedingly well here. Walter Bolden's compositions make for the most interesting moments here, in particular the "Bridge Theme" which is restated throughout. This is excellent hard bop played by a true master, and it's a shame that "Mr. A.T." passed away shortly after this recording was made. ~ Robert Taylor http://www.allmusic.com/album/wailin-at-the-vanguard-mw0000102016

Personnel: Arthur Taylor (drums), Abraham Burton (alto saxophone), Willie Williams (tenor saxophone), Jacky Terrasson (piano), Tyler Mitchell (acoustic bass).

Wailin' At The Vanguard

Patricia O'Callaghan - Naked Beauty

Styles: Vocal
Year: 2004
File: MP3@320K/s
Time: 48:11
Size: 110,7 MB
Art: Front

(2:25)  1. Dayton, Ohio-1903
(2:46)  2. Naked Beauty
(6:12)  3. The Smokey Life
(4:07)  4. Cry Me A River
(4:15)  5. I Believe In You
(2:58)  6. Yo M'enamori D'un Aire
(2:38)  7. Tonight We Fly
(2:22)  8. The Book Of Love
(5:00)  9. The Ballad Of Lucy Jordan
(3:19) 10. Noches, Noches
(3:29) 11. Sad Boy
(4:31) 12. True Love Leaves No Traces
(4:03) 13. Lost In The Stars

Patricia O’Callaghan is something of a wandering minstrel. Her fifteen-year career has taken her across genres, continents, and a range of disciplines and passions.Her recording career spans six solo CDs and many interesting guest collaborations. A speaker of French, Spanish, and German, her early recordings focused on European cabaret, and she is considered a specialist in the music of Kurt Weill. Patricia has performed his Threepenny Opera, Seven Deadly Sins, and Kleine Mahagonny with Soulpepper Theatre Company, Edmonton Opera, and Vancouver Opera, to name a few. http://www.patricia-ocallaghan.com/about.html

"This Toronto soprano can sing a 100-year-old German tune so lustily that you almost don't need a translation to know that someone's about to get his throat cut or get laid or both." ~ The National Post

One of Patricia’s most unique talents is the ability blend a variety of languages and musical genres seamlessly together in her concerts, and completely embody whatever style she is singing at any given moment.

"O'Callaghan sings her diverse material as if it was always meant to go side-by-side and by the end of the evening, it's easy to believe her." ~ Chart Attack Magazine

She has sung with some of the world's great ensembles and artists (Orpheus Chamber Orchestra, Don Byron Quartet, Bryn Terfel), and has performed in venues that range from London's Royal Opera House to New York's Noho cabaret Le Poisson Rouge. Patricia also writes and co-writes songs and has had the honor of premiering many new compositions, from both the classical and pop worlds. It has been her great privilege to work with such creators as R. Murray Schafer, Dennis Lee, Christos Hatzis, George Aperghis, Steve Reich, and Steven Page, to name a few. Patricia's film, theatre and television credits include her own Bravo! special, The CBC produced Ken Finkleman series Foolish Heart, and the semi autobiographical Rhombus / Westwind film Youkali Hotel, which has won several prizes, including a Golden Sheaf Award to Patricia for best female performance. Ms. O'Callaghan has also received other awards, such as a Chalmer's Grant from the Ontario Arts Council and a Fleck Fellowship from The Banff Centre for the Arts.  She just completed a six year stint as a Resident Artist at Toronto's Soulpepper Theatre Company. Her responsibilities there included conducting, teaching, mentoring young artists, producing, curating and performing in festivals, and developing new work. Recent projects are Broken Hearts and Madmen; a collaboration with The Gryphon Trio, which blends classical music with traditional songs from Latin America and pop songs from around the world...

"Broken Hearts and Madmen is an exquisite piece of work. The result is absolutely breathtaking in its attention to detail, with every note carved from their love of the songs..." ~ Vivoscene

And Matador: The Songs of Leonard Cohen

"A truly exceptional blend of natural expressiveness and masterful coloration, her tender versions of Cohen's "Take this Waltz" and "Hallelujah" are revelatory." ~ Billboard Magazine

And brand new is her first Christmas CD, Deepest December. It’s not a typical holiday album, covering Renaissance to modern, and hurdy gurdy to lap steel guitar. Its beautiful carols, haunting arrangements, and unusual juxtapositions will make you feel at once the icy frost of winter and the warmth of the hearth.

"She's one of the best singers ever to come out of Canada."~ Vivascene, 2012

Naked Beauty

Kenny Burrell - Blue Lights Volume 1 And Volume 2

Album: Blue Lights Volume 1

Styles: Guitar Jazz
Year: 1958
File: MP3@320K/s
Time: 34:56
Size: 80,7 MB
Art: Front

(11:10)  1. Yes Baby
( 8:00)  2. Scotch Blues
( 5:48)  3. Autumn In New York
( 9:56)  4. Caravan

Album: Blue Lights Volume 2

Time: 40:11
Size: 92,7 MB

(11:22)  1. Rock Salt
( 6:47)  2. The Man I Love
(12:13)  3. Chuckin'
( 9:47)  4. Phinupi

The music on this 1997 two-CD set was originally on two LPs and already previously reissued as a pair of CDs. Guitarist Kenny Burrell leads a very coherent jam session in the studio with a particularly strong cast that also includes trumpeter Louis Smith, both Junior Cook and Tina Brooks on tenors, either Duke Jordan or Bobby Timmons on piano, bassist Sam Jones, and drummer Art Blakey. The material consists of basic originals and standards and has excellent playing all around; six of the nine tunes are over nine minutes long. At that point in time, Cook and Brooks had similar sounds, but, fortunately, the soloists are identified in the liner notes for each song. The solo star is often trumpeter Louis Smith, who fell into obscurity after a few notable appearances on Blue Note during the period (including his own brilliant date, Here Comes Louis Smith). He was one of the finest of the Clifford Brown-influenced players of the period and deserves much greater recognition. This is a recommended reissue for hard bop collectors who do not already have the two individual CDs. ~ Scott Yanow http://www.allmusic.com/album/blue-lights-vols-1-2-mw0000024842

Personnel:  Kenny Burrell – guitar;  Louis Smith – trumpet;  Tina Brooks (Volume 1 tracks 2, 3 & 5, Volume 2 tracks 1-3), Junior Cook (Volume 1 tracks 1-3 & 5, Volume 2 tracks 1-3) - tenor saxophone;  Duke Jordan (Volume 1), Bobby Timmons (Volume 2) – piano;  Sam Jones – bass;  Art Blakey - drums

Blue Lights Volume 1 And Volume 2

Charlie Palmieri & Latin Music Legends - Mambo Show

Styles: Piano, Latin Jazz
Year: 1990
File: MP3@320K/s
Time: 44:06
Size: 102,4 MB
Art: Front

(6:41)  1. Mambo Show
(5:18)  2. Latin Beat
(5:17)  3. Boogason
(7:11)  4. Si Tu Puedes Bailar
(7:20)  5. Mambo For Henry
(4:15)  6. Barrabas
(7:59)  7. Cristine

The older brother of Eddie Palmieri, Charlie Palmieri was every bit as gifted a pianist as his sibling, very percussive and responsive to rhythm while also flashing florid passages that were clearly the product of a classical education. His piano studies began at seven and he attended the Juilliard School of Music, turning pro at 16. He started the group El Conjunto Pin Pin in 1948, and then played in a series of ensembles including those of Tito Puente, Tito Rodriguez, and Pupi Campo before forming his own Charanga Duboney group in 1958. As music director of the Alegre All Stars while recording for the Alegre label in the 1960s, Palmieri stimulated competition among Latin labels like Tico and Fania, which formed their own all-star bands in response. Like many Latin jazz artists of the time, Palmieri flirted with the popular Latin boogaloo style in the 1960s and made some records for major labels like RCA Victor and Atlantic. He endured a near mental breakdown in 1969, but rebounded to work again for Puente on his El Mambo de Tito Puente television program, and he also found a second career as a historian and teacher of Latin music and history at various New York colleges in the 1970s. Palmieri moved briefly to Puerto Rico from 1980 to 1983, and after suffering a severe heart attack and stroke upon his return to New York, he recovered to lead various Latin combos, including Combo Gigante. One of his last recordings was a galvanizing cameo appearance on Mongo Santamaria's "Mayeya" in 1987 (now on Mongo's Afro Blue: The Picante Collection for Concord Picante), and he appeared in England for the first time in 1988 shortly before his death. Almost all of Palmieri's work is hard to find through domestic channels, but Messidor's A Giant Step is available on CD. ~ Richard S.Ginell http://www.allmusic.com/artist/charlie-palmieri-mn0000212129/biography

Personnel:  Bass – Ray Martinez (7);  Bongos, Cowbell – Johnny Rodriguez;  Congas – Mongo Santamaria;  Piano, Producer – Charlie Palmieri;  Saxophone – Chombo Silva;  Timbales, Percussion – Nicky Marrero;  Trombone – Barry Rogers;  Trumpet – David "Piro" Rodríguez;  Vocals – Adalberto Santiago, Ray De La Paz, Yayo "El Indio" Pequero

Mambo Show

Tim Bowman - Into The Blue

Styles: Jazz, Smooth Jazz 
Year: 2017
File: MP3@320K/s
Time: 55:34
Size: 128,6 MB
Art: Front

(4:13)  1. City Lights
(4:24)  2. All I Need Is Love (feat. Stokley)
(4:29)  3. Into The Blue
(0:41)  4. Hello
(4:16)  5. Tan Hermosa (So Beautiful)
(5:16)  6. Amazing Grace Party (feat. Jonathan DuBose, Jr. & Tim Bowman, Jr.)
(4:32)  7. Detroit Funk (feat. TMC)
(3:16)  8. My Heart to You (feat. Angela Johnson)
(4:27)  9. Boss
(4:50) 10. Love Forever More
(1:15) 11. Madrid
(4:35) 12. Travelin' Road
(4:14) 13. You Are (feat. Elan Trotman)
(3:56) 14. Seaside Drive
(1:02) 15. Goodbye

Detroit based jazz guitarist Tim Bowman always followed his own way to musically express his feelings and ideas. Since his debut album Love, Joy, Peace in 1995 he constantly makes his contribution to the smooth jazz world. With his albums Paradise (1998), Smile (2000), This Is What I Hear (2004), Tim Bowman (2008) and The Collection (2010) he delivered gratefully accepted gifts to his fan community. After a longer hiatus he returns this year with Into The Blue on I.M. Records / Purpose Jazz, scheduled for release September 8th, 2017. The album is brimming with greater and catchier songs as if Tim would compensate his fans for the long absence. The Darren Rahn produced City Lights is the first single of the album presenting Tim on guitar in an exhilarated mood. His passion for melody finds its aptly expression in Benson-esque guitar chords. The awesome song All I Need Is Love features vocalist Stokley Williams, best known as the lead singer and studio drummer of the band Mint Condition. He already graced with his vocal appearances Boney James' Either Way (Futuresoul) and U-Nam's Nature Boy (Weekend in L.A.). On Into The Blue Tim Bowman enunciates each note with absolute perfection. A third force to Peter White and Marc Antoine.

The interlude Hello is a musical greeting on acoustic guitar. Tan Hermosa (So Beautiful) is a melodic gem created in cooperation with producer and keyboardist Dana Davis, who already left a sparkling trace on several of Tim's earlier albums. Amazing Grace Party is a boosting medley of the popular Gospel songs Amazing Grace and Wade in the Water featuring beside his band especially the voice of Tim Bowman Jr. in all its youthful freshness. Detroit Funk is a collaboration of TMC that includes Bowman, former Pleasure guitarist Marlon McClain, and Cordell Walton, musical director for Charlie Wilson. A heavy dose of funk in the traditional sense. On the love ballade My Heart To You Tim picks up again his nylon string guitar, which perfectly fits to the romantic atmosphere of Angela Johnson's lovely voice. “It’s just more of a melodic, romantic instrument to me because of the tone of it,” Tim admits. Of course, this does not mean the romantic features are missing in an electric guitar, as he proves on the funky Boss. Heartfelt love ballads run right through the album like a red thread. Love Forever More is another red rose on acoustic guitar dedicated to his wonderful wife.

The second interlude Madrid combines sounds of the Spanish capital city with a Latin flavored guitar. Since his album Serenity we waited for a life sign of saxophonist and producer Randy Scott. On Travelin' Road he and Tim glisten with great eloquence and proficiency. The horn arrangement is absolutely stunning. You Are was a hit by Charles Kent "Charlie" Wilson, the former lead singer of the Gap Band. The song was released in 2010 on his Grammy nominated solo album Just Charlie. Tim presents his personal in Rainbow colors swinging rendition with Elan Trotman as featured saxophonist. Seaside Drive allures with an enchanting anthem for all West Coast car drivers. Goodbye is Bowman's acoustic farewell. On Tim Bowman's Into The Blue good vibes are guaranteed. His musical creativity and guitar mastery will blow you away. http://www.smooth-jazz.de/firstview/Bowman/IntoTheBlue.htm

Into The Blue