Tuesday, January 16, 2018

Eric Dolphy - The Illinois Concert

Bitrate: MP3@320K/s
Time: 69:06
Size: 158.2 MB
Styles: Saxophone jazz
Year: 1963/1999
Art: Front

[20:16] 1. Softly As In A Morning Sunrise
[ 1:29] 2. Something Sweet, Something Tender
[ 8:45] 3. God Bless The Child
[ 7:29] 4. South Street Exit
[10:58] 5. Iron Man
[12:26] 6. Red Planet
[ 7:40] 7. G.W.

Bass – Eddie Khan; Drums – J.C. Moses; Flute, Bass Clarinet, Alto Saxophone – Eric Dolphy; Piano – Herbie Hancock. Recorded live at the University of Illinois in Champaign, IL on March 10, 1963. The band is augmented by the University of Illinois Brass Ensemble (6 French horns, 2 baritone horns and 1 tuba) on track 6 and by the University of Illinois Big Band (6 trumpets, 4 trombones, 5 reed instruments) on track 7.

The 1999 discovery of a previously unknown 1963 concert by Eric Dolphy makes it one of the finds of the decade. Taped for broadcast at the University of Illinois at Champaign, it was mentioned in an Eric Dolphy Internet chat room and eventually relayed to producer Michael Cuscuna. The sound is very good, except for overly prominent drums throughout the concert and an under-miked flute on "South Street Exit." Dolphy's playing is consistently rewarding, including a lengthy workout of "Softly, As in a Morning Sunrise," a miniature of "Something Sweet, Something Tender," and his always superb solo feature of "God Bless the Child." He switches to alto sax for an adventurous new work, "Iron Man" (which he would record a few months later for Douglas International), also inserting a hilarious quote of "Comin' Through the Rye." A 23-year-old Herbie Hancock on piano, Eddie Locke on bass, and drummer J. C. Moses make up the solid rhythm section. The last two tracks, "Red Planet" and Dolphy's "G.W.," add the support of the University of Illinois Brass Ensemble, which included a young Cecil Bridgewater on trumpet. Highly recommended! ~Ken Dryden

The Illinois Concert mc
The Illinois Concert zippy

Monday, January 15, 2018

Eileen Howard - All Kinds Of Weather

Size: 100,6 MB
Time: 40:09
File: MP3 @ 320K/s
Released: 2003
Styles: Jazz Vocals
Art: Front

01. Come Rain Or Come Shine (4:39)
02. Summer Me, Winter Me (5:07)
03. It's Easy To Remember (5:08)
04. Orange Colored Sky (3:04)
05. How Deep Is The Ocean (3:35)
06. When The Sun Comes Out (5:17)
07. 'Round Midnight (5:13)
08. Blue Skies (4:15)
09. That's All (3:47)

Eileen Howard, a popular Columbus, Ohio actor and singer, debuts her first CD of jazz standards, recorded with the Erik Augis Trio, solidifying her 15-year reputation as an outstanding singer.

Howard recorded nine jazz standards on her CD "All Kinds of Weather" with Erik Augis on keys, Derek DiCenzo on bass and Matt Wagner on drums. Arrangements by Augis and Howard give the songs a fresh and unique feel.

Howard's sultry, smooth jazz vocals shine on laid-back ballads like 'Summer Me, Winter Me' and positively glow on the tune 'How Deep is the Ocean', arranged with deceptive simplicity for solo piano and voice. She swings with upbeat fun on 'Orange Colored Sky' and 'Come Rain or Come Shine'. Her passionate renditions of ''Round Midnight', 'It's Easy to Remember', and 'When the Sun Comes Out' evoke the memory of lost love. In short, an outstanding first release.

Fritz the Night Owl, Deejay on WJZA-WJZK Smooth Jazz Radio, featured the CD in March and April. He had this to say about "All Kinds of Weather":
"Backed by the always-swingin' Eric Augis Trio, Eileen breezes her way thru a varied selection of standards with ease. A terrific voice, fresh interpretations of well-known lyrics, and solid jazz sensibilites all contribute to this superb collection."

All Kinds Of Weather

Denis Solee & The Beegie Adair Trio - Gershwin On Sax

Size: 120,7 MB
Time: 51:17
File: MP3 @ 320K/s
Released: 2018
Styles: Jazz
Art: Front

01. But Not For Me (3:37)
02. They Can't Take That Away From Me (4:27)
03. Embraceable You (5:07)
04. Love Is Here To Stay (3:08)
05. Summertime (4:55)
06. 's Wonderful (3:31)
07. The Man I Love (4:19)
08. How Long Has This Been Going On (5:06)
09. Fascinating Rhythm (3:03)
10. It Ain't Necessarily So (4:46)
11. Nice Work If You Can Get It (4:36)
12. Someone To Watch Over Me (4:35)

Multi-reed player/saxophonist Denis Solee has lived in Nashville since 1974. Interested and skilled in all types of music, he has played in military bands, symphony orchestras, Broadway shows, big bands, and small groups. He has appeared on radio, TV, films, and recordings for artists from Ray Stevens to Ray Charles; Mel Tillis to Mel Torme; Louis Bellson, Sammy Davis, Jr., Sarah Vaughn, Amy Grant, Liberace, Aretha Franklin…. and the list goes on. While he makes a living playing virtually all types of music, Denis in the last few years has focused more on his major interest: big bands and small jazz ensembles. Denis has 4 of his own albums on the Green Hills Music label and just recently released his newest CD - "Sinatra on Sax" for Village Square Music. Denis teaches ensembles at The Nashville Jazz Workshop, and is responsible for the transcriptions and arrangements performed by these ensembles.

Gershwin On Sax

Jan Marie & The Mean Reds - Released

Size: 100,2 MB
Time: 39:17
File: MP3 @ 320K/s
Released: 2014/2017
Styles: Jazz/Blues Vocals
Art: Front

01. Polly Wolly Doodle All The Day (3:10)
02. Ain't Nobody's Business (3:35)
03. Mama Goose Cut Loose (3:19)
04. Down By The Riverside (4:02)
05. Wade In The Water (3:00)
06. I've Been Workin' On The Railroad (4:58)
07. Everybody Loves My Baby (4:30)
08. Swing Low, Sweet Chariot (4:38)
09. St. James Infirmary (3:25)
10. Amazing Grace (4:35)

Personnel:
Jan Marie: vocals
Scott Aruda: trumpet
Rusty Scott: piano, Hammond B3 organ
Phil McGowan: drums
Justin Meyer: bass

Since her induction to the jazz world seven short years ago, Jan Marie has made a name for herself as a regular crowd-seducing chanteuse. Jan Marie has been compared to late, great jazz pioneers such as Anita O'Day, Nina Simone, Etta James, and even modern jazz marvels as Eva Cassidy and Amy Winehouse.

The Mean Reds is a 5-piece band playing a variety of vintage and "new vintage" music, including swing, blues, jazz, gospel, r&b, and soul. Comprised of highly skilled long-time jazz/blues musicians, and led by powerhouse frontwoman Jan Marie on lead vocals, The Mean Reds mix genres with plentiful ease, coaxing even the most left-footed of folks to take the dancefloor.

The Mean Reds sound is unique. Combining growling trumpet, upright bass, drums/washboard, piano and sometimes even Hammond B3 organ with Jan Marie's black coffee voice makes for a uniquely gritty yet saccharine tincture.

Released

Alma Swing - Rythme Futur: French-American Swing & Gypsy Jazz

Size: 113,5 MB
Time: 48:00
File: MP3 @ 320K/s
Released: 2017
Styles: Jazz: Gipsy Jazz
Art: Front

01. Bossa Dorado (5:35)
02. Je Ne Sais Pas (3:18)
03. Minor Swing (3:14)
04. Nuits De Saint Germain Des Pres (2:52)
05. Manoir De Mes Reves (4:50)
06. Rythme Futur (2:40)
07. Tango Saffico (4:17)
08. Nuages (4:43)
09. Douce Ambiance (3:28)
10. It Don't Mean A Thing (3:23)
11. Limehouse Blues (Old Feeling Version) (3:22)
12. Bossa Dorado (Live) (6:13)

Personnel:
Lino Brotto - Lead Guitar
Mattia Martorano - Violin
Diego Rossato - Rhythm Guitar
Beppe Pilotto - Double Bass

Remarkable experience of musical research, Alma Swing follows a typical european tradition, which was (between the Thirties and the Forties, as still today) hot jazz. This genre was contaminated by the manouche culture of the North Europe gypsies, as well as by the parisian popular fashion and the afro-american swing craze. Apart from the US events, Alma Swing holds in the aesthetic bases of a string jazz with direct reference to Django Reinhardt's guitar style and Stéphane Grappelli's finesse. Those were certainly among the main heroes of french jazz. Thanks to a variety of program and show proposals, Alma Swing opens to the current time the most peculiar contents of this music, from the repertory and the executive procedures, carried out by means of the typical set of instruments and the melting pot of jazz and gypsy idioms. According to a rétro orchestra silhouette and to an acoustic line up, where the typical manouche guitars and the fiddle are protagonists, Alma Swing plays with personality the suggestions of an age impressed in the vinyl and in the grammophons voices, remarking the contemporary wide success of music.

Alma Swing - Rythme Futur 

Ray Anthony - The New Ray Anthony Show

Size: 181,1 MB
Time: 76:21
File: MP3 @ 320K/s
Released: 1960/2017
Styles: Jazz/Pop Vocals, Big Band
Art: Front & Back

01. Peter Gunn Opening Theme (Live) (0:25)
02. Just In Time (Live) (2:34)
03. Night Train (Live) (2:16)
04. Almost Like Being In Love (Feat. Diane Hall) (Live) (2:15)
05. Tres Chic (Live) (2:33)
06. Come Back To Sorrento (Live) (3:04)
07. Baby You've Got What It Takes (Feat. Annita Ray) (Live) (2:38)
08. Mr. Anthony's Boogie (Live) (1:23)
09. One O'clock Jump (Live) (2:10)
10. Too Marvelous For Words (Live) (2:47)
11. Why Don't You Do Right (Feat. Annita Ray) (Live) (2:14)
12. Alright, Okay, You Win (Live) (2:31)
13. TV Themes Medley Dragnet - The Man With The Golden Arm - M Squad Theme - Colonel Bogie March - Peter Gunn Theme (Live) (4:36)
14. Mack The Knife (Live) (3:02)
15. Let's Call The Whole Thing Off (Feat. Diane Hall) (Live) (2:30)
16. When The Saints Go Marching In (Live) (2:19)
17. Peter Gunn Closing Credits (Live) (0:16)
18. Haul Off And Rock (Live) (2:03)
19. Kisses Sweeter Than Wine (Live) (2:11)
20. Be-Bop Baby (Live) (2:03)
21. Jailhouse Rock (Live) (2:16)
22. Rock Around The Rock Pile (Feat. Med Flory) (Live) (1:55)
23. Big Band Boogie (Live) (2:21)
24. Ev'rytime (Feat. Sue Raney) (Live) (2:45)
25. The Girl Can't Help It (Feat. Med Flory) (Live) (1:58)
26. Pete Kelly's Blues (Live) (2:49)
27. Sound Off (Live) (2:33)
28. Dragnet (Live) (2:49)
29. Gunsmoke (Live) (2:20)
30. Peter Gunn (Live) (1:49)
31. Fallout (Live) (2:07)
32. Walkin' To Mother's (Live) (2:12)
33. Dreamsville (Live) (2:22)

Recorded live in Las Vegas, Ray Anthony has dropped his big band and come up with a small instrumental group featuring Anthony as both trumpet player and singer, plus thrushes Diane Hall and Annita Ray. It's an exciting combination, and the result makes for an exciting disk. Anthony and ensemble comes through solidly on Night Train, Peter Gunn Theme, Just in Time and other familiar songs. Bonus tracks include a plethora of tracks from Ray Anthony's EP output including the original Peter Gunn, Walkin' to Mother's, Pete Kelly's Blues and songs from the film The Girl Can't Help It.

The New Ray Anthony Show

Nat King Cole - St. Louis Blues

Bitrate: MP3@320K/s
Time: 32:35
Size: 74.6 MB
Styles: Jazz-blues vocals
Year: 1958/2011
Art: Front

[3:06] 1. Overture (Medley) A) Love Theme B) Hesitating Blues
[1:49] 2. Harlem Blues
[2:34] 3. Chantez Les Bas
[3:14] 4. Friendless Blues
[2:36] 5. Stay
[2:39] 6. Joe Turner Blues
[2:55] 7. Beale Street Blues
[2:43] 8. Careless Love
[2:10] 9. Morning Star
[3:04] 10. Memphis Blues
[3:15] 11. Yellow Dog Blues
[2:25] 12. St. Louis Blues

Hall of Fame innovative singer & jazz pianist Nat King Cole was a distinctive vocalist whose smooth baritone stylings generated his big-selling career popular music success for Capitol records: the distinctive Capitols records building in Hollywood is know as the ‘building Nat Cole built’ through his many hits. But it was as a jazz and soul song stylist that Cole created his early success with songs such as “Get Your Kicks on Route 66”. On Cole’s acting debut as legendary blues man W. C. Handy in the movie “St Louis Blues”, he also joins forces with arranger/conductor Nelson Riddle and his orchestra to produce these winsome tunes based on the music from the soundtrack.

The 'best of the best' begins with a lovely, soaring “Overture (Medley) Love Theme” which is a beautiful brass & reed-driven, string-laden theme that gives way to Cole singing the lovely, “Hesitating Blues” with great lyrics, all wrapped within the same track. Songs from St Louis Blues contains some marvelous blues and popular music that could have been lost in time, but have made the jump to MP3 as a tribute to W. C. Handy based on the musical prowess of Nat King Cole, Nelson Riddle, and a bevy of talented musicians in the orchestra with strings. Cole’s persuasive, gentle “Stay” pleads for someone who is leaving. “Memphis Blues”, the awesome 'song within a song' “Yellow Dog Blues”, and the famous “St. Louis Blues” are outstanding examples of Cole’s smooth blues 'with an edge' delivery. My Highest Recommendation. ~RBSProds.

St. Louis Blues mc
St. Louis Blues zippy

Elza Soares, Marku Ribas, Banda Luar De Prata - Chega De Saudade OST

Bitrate: MP3@320K/s
Time: 46:47
Size: 107.1 MB
Styles: Soundtrack
Year: 2008/2016
Art: Front

[4:46] 1. Não Deixe O Samba Morrer
[3:26] 2. De Noite Na Cama
[2:30] 3. Um Calo De Estimação
[3:43] 4. Você Não Vale Nada
[3:01] 5. Tequila
[2:27] 6. Bebete Vãobora
[4:26] 7. Lama
[3:56] 8. Sonata Ao Luar
[3:38] 9. Mulheres
[3:22] 10. Bambino
[3:07] 11. Cha Cha Cha
[3:14] 12. Como Uma Onda (Zen Surfismo)
[2:37] 13. Mon Amour, Meu Bem, Ma Femme
[2:27] 14. Chega De Saudade

Elza Soares was born on June 23, 1937 in Rio de Janeiro, Rio de Janeiro, Brazil as Elza da Conceição Soares. The Brazilian response to Sarah Vaughn. She is considered the gretest singer of samba alive.

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Dick Meldonian, Sonny Igoa - The Jersey Swing Concerts 1980-1982

Bitrate: MP3@320K/s
Time: 51:00
Size: 116.8 MB
Styles: Classic big band, Swing
Year: 1996
Art: Front

[4:36] 1. Jump The Blues Away
[3:39] 2. You Gotta Try Harder
[5:45] 3. In A Mellow Tone
[4:26] 4. Love For Sale
[2:52] 5. Close As Pages In A Book
[3:44] 6. Road Stop
[4:15] 7. No Sweat
[2:32] 8. It Had To Be You
[3:31] 9. When You Done Went
[3:17] 10. Three Little Words
[3:28] 11. Jeep's Blues
[2:38] 12. I'll Never Say Never Again Again
[3:26] 13. Spring Is Here
[2:45] 14. Chicago

Dick Meldonian is a fine swing-based soloist who has never gained that much fame but has always impressed his fellow musicians. He started playing clarinet when he was eight and tenor at 11. Meldonian led his first group in 1944 and officially became a professional in 1949. Early associations included tours with Freddie Slack, Charlie Barnet (1950-1951), and Stan Kenton (1952). He also worked with Shorty Rogers, Nat Pierce, Elliot Lawrence, and Bill Russo, among others. Meldonian became a New York studio and session musician and has appeared in many settings, including with Erroll Garner (1957) and Gerry Mulligan (1960). He is best known for his work as the leader of the Jersey Swingers quartet in the late '70s and for the big band that he co-led with drummer Sonny Igoe starting in the early '80s. Meldonian recorded as a leader (both with combos and with big bands) for Progressive and Statiras. ~bio by Scott Yanow

The Jersey Swing Concerts 1980-1982 mc
The Jersey Swing Concerts 1980-1982 zippy

Howard Paul, Jody Espina - The Presidents

Bitrate: MP3@320K/s
Time: 61:45
Size: 141.3 MB
Styles: Straight ahead jazz
Year: 2017
Art: Front

[6:08] 1. Mercy Mercy Mercy
[8:30] 2. If You Never Come To Me
[6:39] 3. When Sonny Gets Blue
[6:16] 4. All The Things You Are
[6:26] 5. In Your Own Sweet Way
[7:07] 6. Girl From Ipanema
[5:16] 7. Comin' Home Baby
[5:03] 8. The Americanization Of Emily
[4:02] 9. The Foolish Things
[6:13] 10. Softly, As In The Morning Sunrise

The Presidents is a collaboration bringing Paul and Espina together on stage and incorporating top players they’ve both worked with in the past. Mark Peterson (bass), Karl Latham (drums) and special guest Andres Forero (percussion) bring their own world class sensibility to the quartet. Straight ahead and American Songbook standards performed on the finest instruments by the hardest working guys in jazz!

The Presidents mc
The Presidents zippy

Coleman Hawkins All Stars - Swingville

Bitrate: MP3@320K/s
Time: 42:19
Size: 96.9 MB
Styles: Bop, Saxophone jazz
Year: 1960/1997
Art: Front

[ 5:56] 1. You Blew Out The Flame
[ 8:59] 2. More Bounce To The Vonce
[ 6:54] 3. I'm Beginning To See The Light
[ 8:08] 4. Cool Blue
[12:19] 5. Some Stretching

Ostensibly a jam session with ABA head-solos-tail formatting, Hawkins proves again and again why his sound is not only the epitome of jazz, but forever timeless. Trumpeter Joe Thomas and trombonist Vic Dickenson are by no means showboats, and they cannot steal the spotlight from Bean. But Tommy Flanagan threatens to on occasion, as he asserts himself on solos with a fervor that goes beyond Hawkins. Bubbling under all this virtuosity, bassist Wendell Marshall and drummer Osie Johnson do their swinging thing with open ears and instruments always at the ready to fire. They start with "You Blew Out the Flame In My Heart," and it seems a bit of a breeze for these jazz experts. Hawkins plays the melody by himself the first time through, then Thomas and Dickenson join in on invitation. The deep blue, slightly vibratoed, soulful resonance of the leader is unmistakable as always, and Flanagan is his usual tasteful and precise self. They switch up on the end melody, with the brass fronting the line while Hawkins improvises, then takes back the tuneful departing chorus. Johnson wrote "More Bounce to the Vonce," a peppy gospel-soul tune reminiscent of "Travel On." Flanagan is featured with no horns, then they join with phrases similar to "Lil' Liza Jane." All save bass and drums get a solo over nine minutes. Hawkins leads the melody of "I'm Beginning to See the Light" with staccato brass punctuations of harmony, and Dickenson's solo displaying that he not only plays notes, but also embodies pure rhythmic swing. The easy swing of "Cool Blue" has growling trombone, squeaky-clean trumpet and moaning tenor. Thomas and the underappreciated Emmett Berry are good case studies for comparison; here Thomas exemplifes the virtue of unrushed construction of a solo. Hawkins and Johnson claim co-writing credit on the 12-minute-plus "Some Stretching," a good old soulfully swinging jam over just a couple of tonal notes. The trio uses double stops for Hawkins' leadoff solo, and then he digs in for an elongated full count extended by numerous not-so-foul tips. Hanging with every pitch and waiting in the wings is Flanagan, whose masterful pianistics are worth the wait while the others hit singles. It's Flanagan who delivers the grand salami. The demonstrative yet subtle Hawkins is in full flight here, with the equally elegant Thomas and naturally subdued Dickenson in lock step. What a joy they must have been to hear together at a club or concert date, if in fact it happened in this small-group setting. ~Michael G. Nastos

Swingville mc
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Sunday, January 14, 2018

Gordon Lightfoot - Gord's Gold

Bitrate: MP3@320K/s
Time: 74:41
Size: 171.0 MB
Styles: Folk rock
Year: 1975/2015
Art: Front

[3:03] 1. I'm Not Sayin' Ribbon Of Darkness
[2:59] 2. Song For A Winter's Night
[7:01] 3. Canadian Railroad Trilogy
[2:36] 4. Softly
[3:26] 5. For Lovin' Me Did She Mention My Name
[3:48] 6. Affair On 8th Avenue
[2:46] 7. Steel Rail Blues
[2:43] 8. Wherefore And Why
[2:42] 9. Bitter Green
[3:13] 10. Early Morning Rain
[3:25] 11. Minstrel Of The Dawn
[3:32] 12. Sundown
[3:20] 13. Beautiful
[4:01] 14. Summer Side Of Life
[2:46] 15. Rainy Day People (Album Verision)
[3:22] 16. Cotton Jenny
[3:37] 17. Don Quixote
[2:45] 18. Circle Of Steel
[3:02] 19. Old Dan's Records
[3:47] 20. If You Could Read My Mind
[2:58] 21. Cold On The Shoulder (Album Verision)
[3:39] 22. Carefree Highway

A national treasure in his native Canada and a timeless star Stateside and worldwide, legendary singer-songwriter Gordon Lightfoot first rose to fame in the mid-'60s when his compositions became hits for Peter, Paul and Mary ("Early Morning Rain") and Marty Robbins ("Ribbon of Darkness"). Both songs are featured on Rhino's newly remastered CD version of the artist's hits compilation Gord's Gold-a Top 40 Album-originally released in 1975 as a 2-LP set currently out of print. This in-depth overview of troubadour Lightfoot's famed Warner Bros. years provides an insightful portrait of an exemplary talent.

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Al Sears - Goin' Uptown (Parts 1 & 2)

It is ironic that tenor saxophonist Al Sears' one hit, "Castle Rock," was recorded under Johnny Hodges' name (the altoist is virtually absent on the record), denying Sears his one chance at fame. Sears had actually had his first important job in 1928 replacing Hodges with the Chick Webb band. However, despite associations with Elmer Snowden (1931-1932), Andy Kirk (1941-1942), Lionel Hampton (1943-1944), and with his own groups (most of 1933-1941), it was not until Sears joined Duke Ellington's Orchestra in 1944 that he began to get much attention. His distinctive tone, R&B-ish phrasing, and ability to build up exciting solos made him one of Ellington's most colorful soloists during the next five years, although his period was overshadowed by both his predecessor (Ben Webster) and his successor (Paul Gonsalves). Among Sears' many recordings with Ellington are notable versions of "I Ain't Got Nothing but the Blues" and a 1945 remake of "It Don't Mean a Thing." Sears worked with Johnny Hodges' group during 1951-1952, recorded a variety of R&B-oriented material in the 1950s, and cut two excellent albums for Swingville in 1960 before going into semi-retirement. ~bio by Scott Yanow

Album: Goin' Uptown (Part 1)
Bitrate: MP3@320K/s
Time: 53:31
Size: 122.5 MB
Styles: Saxophone jazz
Year: 2018

[2:45] 1. Love Call
[5:04] 2. Already Alright
[2:21] 3. Come And Dance With Me
[4:26] 4. Moving Out
[4:01] 5. The Thrill Is Gone
[2:22] 6. Here's The Beat
[2:45] 7. In The Good Old Summertime
[5:28] 8. In A Mellow Tone
[2:44] 9. Easy Ernie
[3:38] 10. Take Off Road
[3:01] 11. Out Of Nowhere
[2:46] 12. 125th Street, New York
[2:53] 13. Tina's Canteen
[6:30] 14. Ain't No Use
[2:40] 15. Huffin' And Puffin'

Goin' Uptown (Part 1) mc
Goin' Uptown (Part 1) zippy

Album: Goin' Uptown (Part 2)
Bitrate: MP3@320K/s
Time: 40:42
Size: 93.2 MB
Styles: Saxophone jazz
Year: 2018
Art: Front

[3:05] 1. Tan Skin Lad
[2:18] 2. Rock And Roll Ball
[4:30] 3. Record Hop
[2:22] 4. Great Googa Mooga
[2:59] 5. Brown Boy
[2:43] 6. Tom, Dick 'n' Harry
[2:30] 7. Mag's Alley
[2:26] 8. Shake Hands
[2:04] 9. Midnight Wail
[2:47] 10. Ivory Cliffs
[2:53] 11. Fo-Yah
[2:24] 12. Come A-Runnin'
[2:16] 13. Sear-Iously
[2:42] 14. Goin' Uptown
[2:35] 15. Vo-Sa

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Finn Ziegler - Fiddlin' In Rhythm

Bitrate: MP3@320K/s
Time: 62:34
Size: 143.2 MB
Styles: Violin Pop/Jazz
Year: 2013
Art: Front

[5:04] 1. S'posin'
[4:47] 2. La Mer
[3:31] 3. Look For The Silver Lining
[6:43] 4. Just One Of Those Things
[7:04] 5. The Nearness Of You
[5:36] 6. The Way You Look Tonight
[4:29] 7. April In Paris
[3:48] 8. Waltz For You
[4:36] 9. Just In Time
[4:14] 10. Samba Patricia
[6:27] 11. My Secret Love
[6:11] 12. Caveau De La Huchette Blues

Ziegler received a classical-academic education in violin at the Kongelige Danske Musikkonservatorium. Inspired by Svend Asmussen, he quickly found jazz.

Ziegler joined Ben Webster, Buddy Tate, Milt Jackson and Svend Asmussen / Stuff Smith as well as Karin Krog, Kenny Barron and Niels-Henning Ørsted Pedersen. He led his own groups; his music was also performed by the London Symphony Orchestra and Michala Petri. In addition, he has appeared in numerous other groups since the mid-1950s, first with Finn Savery, Erik Moseholm and Ib Glindemann. In the 1960s he also worked with the radio jazz groups, in the following decade with the Kansas City Stompers. In the 1990s he played with Jan Kaspersen, the Jazzkapelmesterens Kapel and Klüvers Big Band and continued to appear frequently on radio and television. As a studio musician he has contributed to numerous recordings; Tom Lord lists 57 recordings in the field of jazz between 1955 and 2004.

Ziegler received the 1993 Ben Webster Prize. In 2003 he was awarded the Django d'Or as the "Master of Jazz". He died after undergoing surgery for cancer of the jaw. (Translated from German.)

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Nina Simone - Wild Is The Wind

Bitrate: MP3@320K/s
Time: 38:38
Size: 88.5 MB
Styles: Jazz vocals
Year: 1966/2006
Art: Front

[2:34] 1. I Love Your Lovin' Ways
[4:25] 2. Four Women
[2:48] 3. What More Can I Say
[4:13] 4. Lilac Wine
[2:27] 5. That's All I Ask
[2:36] 6. Break Down And Let It All Out
[2:33] 7. Why Keep On Breaking My Heart
[6:56] 8. Wild Is The Wind
[3:24] 9. Black Is The Color Of My True Love's Hair
[3:56] 10. If I Should Lose You
[2:42] 11. Either Way I Lose

This album was apparently a bit of a pastiche of leftovers from sessions for Nina Simone's four previous albums on Philips. But you'd never guess from listening; the material is certainly as strong and consistent as it is on her other mid-'60s LPs. As is the case with most of her albums of the time, the selections are almost unnervingly diverse, ranging from jazz ballads to traditional folk tunes ("Black Is the Color of My True Love's Hair") to the near calypso of "Why Keep on Breaking My Heart" to the somber, almost chilling title track. Highlights are two outstanding pop-soul numbers written by the pre-disco Van McCoy ("Either Way I Lose," "Break Down and Let It All Out") and "Four Women," a string of searing vignettes about the hardships of four African-American women that ranks as one of Simone's finest compositions. ~Richie Unterberger

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Joe Coughlin - Third Accession

Bitrate: MP3@320K/s
Time: 60:23
Size: 138.2 MB
Styles: Standards, Vocal jazz
Year: 1997/2012
Art: Front

[4:48] 1. Summertime
[3:50] 2. I Concentrate On You
[3:56] 3. Folks That Live On The Hill
[3:30] 4. Waltz For Debby
[3:26] 5. Route 66
[5:04] 6. Skylark
[4:26] 7. Invitation
[3:39] 8. I've Got A Crush On You
[3:12] 9. You Do Something To Me
[5:14] 10. New York State Of Mind
[4:43] 11. South To A Warmer Place
[4:57] 12. But Not For Me
[5:17] 13. My Funny Valentine
[4:15] 14. One For My Baby

Joe Couglin is an excellent jazz-oriented singer who swings and uplifts a variety of songs from the great American songbook. On this, his third recording, Couglin mostly sticks with well-known warhorses with the exception of Billy Joel's "New York State Of Mind" and Alec Wilder's "South To A Warmer Place." His appealing voice and straightforward delivery mostly stick to the melodies and lyrics, but his phrasing makes most of the songs seem a bit fresh. Coughlin is joined by such fellow Canadians as saxophonist Alex Dean, trumpeter Mike Malone, guitarist Lorne Lofsky and pianist Mark Eisenman on this pleasing middle-of-the-road set. ~Scott Yanow

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David Sanborn - Closer

Bitrate: MP3@320K/s
Time: 52:46
Size: 120.8 MB
Styles: Saxophone jazz, Smooth jazz
Year: 2005
Art: Front

[6:17] 1. Tin Tin Deo
[5:07] 2. Senor Blues
[6:06] 3. Don't Let Me Be Lonely Tonight (With Lizz Wright)
[3:50] 4. Smile
[4:26] 5. Enchantment
[3:58] 6. The Ballad Of The Sad Young Men
[6:03] 7. Another Time, Another Place
[3:22] 8. Capetown Fringe
[6:01] 9. Poinciana
[3:49] 10. You Must Believe In Spring
[3:44] 11. Sofia

David Sanborn has never sounded better - once again he redefines the sound of the saxophone in contemporary music as he did in the pop world in the 70's and contemporary jazz in the 80's. Closer is the brilliant follow-up to the legendary saxophonist's Verve debut timeagain which scanned over 100,000 units and had the #1 smooth jazz track of the year with 'Comin' Home Baby'. The eclectic selection of songs runs the gamut of modern jazz and popular music, from Horace Silver's 'Senor Blues' to Charlie Chaplin's 'Smile', the first smooth jazz radio focus track 'Tin Tin Deo', James Taylor's 'Don't Let Me Be Lonely Tonight' featuring Verve artist Lizz Wright, plus Sanborn's own 'Sofia' and 'Another Time, Another Place'.

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Ida Cox - The Uncrowned Queen Of The Blues

Bitrate: MP3@320K/s
Time: 59:25
Size: 136.0 MB
Styles: Classic Female blues
Year: 1996
Art: Front

[3:39] 1. Any Women's Blues
[2:55] 2. Graveyard Dream Blues
[2:46] 3. Weary Way Blues
[2:50] 4. Ida Cox's Lawdy, Lawdy Blues
[2:42] 5. Moanin' Groanin' Blues
[2:48] 6. Come Right In
[2:52] 7. I've Got The Blues For Rampart Street
[2:52] 8. Graveyard Dream Blues
[3:04] 9. Mama Doo Shee Blues
[3:16] 10. Worried Mama Blues
[2:59] 11. So Soon This Morning Blues
[3:01] 12. Mailman Blues
[2:58] 13. Confidential Blues
[2:50] 14. Bear-Mash Blues
[2:54] 15. Last Time Blues
[2:59] 16. Worried Any How Blues
[2:51] 17. Chicago Monkey Man Blues
[2:58] 18. Mean Papa Turn Your Key
[3:09] 19. Blues Ain't Nothin' Else But!
[2:53] 20. Worried In Mind Blues

Ida Cox was one of the most talented of the classic blues singers of the 1920s. This Black Swan CD has 20 of her first 32 recordings and, although one regrets that it is not a "complete" series (hopefully the dozen other titles will be reissued by Black Swan eventually), the music is consistently enjoyable and timeless. In fact, quite a few of the lyrics (many of which were written by Cox) were later permanently "borrowed" by Jimmy Rushing and Joe Williams; the first stanza of "Goin' to Chicago" was taken from "Chicago Monkey Man Blues" and "Bear-Mash Blues" has a couple of Williams' best lines. When one considers that the music on this CD is taken from 1923-24, it can certainly be considered ahead of its time! Most of the musicians backing Ida Cox are excellent, particularly pianist Lovie Austin and (on five numbers) cornetist Tommy Ladnier and clarinetist Jimmy O'Bryant. The recording quality (even with some surface noise) has been greatly cleaned up for this reissue and Cox's singing is very easy to understand. Although uncrowned, Ida Cox (who after retiring in 1945 came back for a final recording in 1961) can still communicate to today's listeners, something than can be said about very few other singers from 1923. ~Scott Yanow

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Lenny Breau, Richard Cotten - Pickin' Cotten

Bitrate: MP3@320K/s
Time: 66:21
Size: 151.9 MB
Styles: Bop, Guitar jazz
Year: 2001/2014
Art: Front

[ 7:59] 1. On Green Dolphin St
[ 8:14] 2. I Love You
[ 5:41] 3. Emily
[ 6:41] 4. Scrapple From The Apple
[ 8:24] 5. Autumn Leaves
[ 7:01] 6. La Funkallero
[ 3:06] 7. Stella By Starlight
[12:18] 8. Lenny Tuning His Guitar The Two Lonely People Nardis
[ 6:53] 9. Lenny And Richard Remembered

Lenny Breau is a jazz enigma. He never really caught on with the public, yet was recognized by his peers as a major guitar innovator. Add to this a mysterious and still unsolved death in a Los Angeles swimming pool at the too-young age of 43. This is the way a cult figure is born. Former student Randy Bachman has been meticulously and methodically issuing Breau material through his Guitarchives label. This one is a 1977 live session at a Nashville, TN, club where Breau teams up with Richard Cotten, with whom he played frequently when visiting the capital of country music. Country music and Nashville notwithstanding, the album play list is a mix of classic and jazz standards. One of the classic standards is a moving, flowing, highly lyrical "Stella By Starlight." "On Green Dolphin Street" has Breau starting off quiet and unassuming before he leaps off into a series of scintillating improvisational runs, during which you never hear anything played the same way twice. He pays tribute to one of his influences, Bill Evans, with the Evans pieces "The Two Lonely People" and "La Funkallero." Breau made no bones about it that his unique single-string voicings were due in no little part to his transformation of Evans' piano technique to the guitar. Cotten is a fine guitarist, although here he pretty much plays rhythm to Breau's melody. One of the more engaging moments comes with the coda, where for almost seven minutes Cotten's daughter Darci Cotten shares personal recollections, peeling away some more of the mystery surrounding this fine guitar innovator. Indications are that this CD is the first of Breau's Nashville performances that Bachman intends to get to market. One hopes that this is more than a rumor. Recommended. ~Dave Nathan

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Bill Medley - Blue Eyed Singer

Bitrate: MP3@320K/s
Time: 38:20
Size: 87.8 MB
Styles: Blue eyed soul
Year: 1991
Art: Front

[3:09] 1. Red Dress
[2:50] 2. Don't
[3:18] 3. Heart Don't Fail Me Now
[3:10] 4. Don't Let Go
[2:59] 5. (Since You've) Gone
[3:21] 6. Blue Eyed Singer
[2:57] 7. Hero Turned And Ran
[4:07] 8. I'll Dry Your Eyes
[3:35] 9. Endlessly
[4:06] 10. Don't You Love Me Anymore
[4:44] 11. Bridge Over Troubled Water

William Thomas "Bill" Medley (born September 19, 1940) is an American singer and songwriter, best known as one half of The Righteous Brothers. He is noted for his bass-baritone voice, exemplified in songs such as "You've Lost That Lovin' Feelin'". Medley produced a number of the duo's songs, including "Unchained Melody" and "Soul and Inspiration". Medley has also enjoyed a career as a solo artist, and his million-selling #1 duet with Jennifer Warnes "(I've Had) The Time of My Life" won a number of awards.

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