Monday, April 16, 2018

Russell Malone - S/T

Bitrate: MP3@320K/s
Time: 59:32
Size: 136.3 MB
Styles: Guitar jazz
Year: 1992/2004
Art: Front

[7:11] 1. Wives And Lovers
[6:14] 2. Invisible Colors
[3:13] 3. When I Take My Sugar To Tea
[3:14] 4. It's The Talk Of The Town
[4:48] 5. St. Louis Blues
[3:45] 6. I Don't Know Enough About You
[3:23] 7. Close Your Eyes
[7:09] 8. London By Night
[6:18] 9. I Can't Believe That You're In Love With Me
[8:37] 10. Moonlight Serenade
[2:53] 11. Flowers For Emmett Till
[2:40] 12. Precious Lord

Russell Malone's debut as a leader is a charming effort that ranges from swing to numbers in which Malone shows off his Wes Montgomery influence. Malone is not only heard with a fairly modern quartet comprised of pianist Donald Brown, bassist Robert Hurst III and drummer Yoron Israel, but also in a trio with the great veteran bassist Milt Hinton and drummer Shannon Powell (Malone and Hinton take "St. Louis Blues" as a duet). There are also two duets with pianist Harry Connick, Jr., including a surprising (and effective) vocal by Malone on "I Don't Know Enough About You." A very enjoyable effort with several other surprises along the way. ~Scott Yanow

Russell Malone mc
Russell Malone zippy

Helen Carr - Why Do I Love You (Remastered)

Bitrate: MP3@320K/s
Time: 31:23
Size: 71.9 MB
Styles: Vocal, Easy Listening
Year: 1955/2014
Art: Front

[1:53] 1. Be Careful, It's My Heart
[3:52] 2. My Kind Of Trouble Is You
[2:21] 3. Lonely Street
[2:20] 4. Symphony
[3:31] 5. You're Getting To Be A Habit With Me
[2:27] 6. Bye Bye Baby
[2:18] 7. Then You've Never Been Blue
[1:57] 8. Summer Night
[3:39] 9. Got A Date With An Angel
[2:33] 10. Can't Help Lovin' Dat Man/Why Do I Love You
[2:24] 11. Do I Worry
[2:02] 12. I've Got A Feelin' You're Foolin'

Acoustic Bass – Red Mitchell; Guitar – Howard Roberts; Lead Vocals – Helen Carr; Trumpet – Cappy Lewis.

Standards and pre-rock singer who recorded in mid-'50s for Bethlehem. What might have been some interesting late '50s material for Atlantic with King Curtis, Al Casey and the Cumming Sisters never was released. ~ Ron Wynn

Why Do I Love You

Barney Kessel - Midnight Sun

Bitrate: MP3@320K/s
Time: 114:02
Size: 261.0 MB
Styles: Guitar jazz
Year: 2018
Art: Front

[3:58] 1. If You Dig Me
[4:06] 2. Contemporary Blues
[3:10] 3. Indiana
[6:32] 4. My Man's Gone Now
[4:55] 5. Free As A Bird
[4:22] 6. Wall Street
[2:47] 7. You Came A Long Way From St. Louis
[2:10] 8. Summertime
[4:25] 9. Begin The Blues
[3:07] 10. Midnight Sun
[2:29] 11. It Ain't Necessarily So
[6:40] 12. Joy Spring
[5:03] 13. Opus 711
[2:46] 14. String Of Pearls
[3:55] 15. The Gypsy's Hip
[2:54] 16. Don't Blame Me
[2:55] 17. 12th Street Rag
[3:07] 18. Tumbling Tumbleweeds
[3:14] 19. Stairway To The Stars
[2:21] 20. Muskrat Ramble
[3:10] 21. By The Beautiful Sea
[3:20] 22. Embraceable You
[2:11] 23. Heartaches
[3:42] 24. How Deep Is The Ocean, How High Is The Sky
[3:43] 25. Sweet Georgia Brown
[4:44] 26. My Funny Valentine
[2:21] 27. Bye Bye Blues
[3:38] 28. I Wanna Be Loved By You
[4:37] 29. Lover Man
[2:39] 30. They Can't Take That Away From Me
[4:44] 31. The Blessing

One of the finest guitarists to emerge after the death of Charlie Christian, Barney Kessel was a reliable bop soloist throughout his career. He played with a big band fronted by Chico Marx (1943), was fortunate enough to appear in the classic jazz short Jammin' the Blues (1944), and then worked with the big bands of Charlie Barnet (1944-1945) and Artie Shaw (1945); he also recorded with Shaw's Gramercy Five. Kessel became a busy studio musician in Los Angeles, but was always in demand for jazz records. He toured with the Oscar Peterson Trio for one year (1952-1953) and then, starting in 1953, led an impressive series of records for Contemporary that lasted until 1961 (including several with Ray Brown and Shelly Manne in a trio accurately called the Poll Winners). After touring Europe with George Wein's Newport All-Stars (1968), Kessel lived in London for a time (1969-1970). In 1973, he began touring and recording with the Great Guitars, a group also including Herb Ellis and Charlie Byrd. A serious stroke in 1992 put Barney Kessel permanently out of action, but many of his records (which include dates for Onyx, Black Lion, Sonet, and Concord, in addition to many of the Contemporaries) are available, along with several video collections put out by Vestapol. Kessel was diagnosed with inoperable cancer in 2001, which eventually took his life in May of 2004. He was 80 years old. ~ Scott Yanow

Midnight Sun mc
Midnight Sun zippy

Gordon Webster and Hetty Kate - Gordon Webster Meets Hetty Kate

Styles: Vocal And Piano Jazz
Year: 2014
File: MP3@320K/s
Time: 49:09
Size: 113,1 MB
Art: Front

(3:15)  1. Button Up Your Overcoat
(2:57)  2. Blitzkrieg Baby
(3:50)  3. Peek-a-boo
(3:22)  4. Shoo Fly Pie & Apple Pan Dowdy
(2:40)  5. How D'ya Like to Love Me?
(4:16)  6. Eight, Nine & Ten
(3:06)  7. There's Frost On The Moon
(2:55)  8. Busy Line
(3:30)  9. Sweet Lover No More
(4:45) 10. I Wanna Be Around
(3:30) 11. Hard Hearted Hannah
(5:43) 12. Besame Mucho
(5:15) 13. I Lost My Sugar In Salt Lake City

Celebrated ‘King of Swing’, New York pianist Gordon Webster, met Melbourne’s Hetty Kate on the bandstand at the swing dance event Jumptown Jam 2013.. amidst a crowded dance hall full of fast footwork, twirling skirts and dapper gentlemen. After this fateful meeting, and thanks to Swing Patrol Australia, Jumptown Swing and Australia's exuberant supportive dancers, Gordon and Hetty successfully fundraised and recorded an album in New York (Sept 2013). Well Gordon barely needs any introduction as he’s lauded as the number one pianist and bandleader for dancers, Gordon Webster regularly tours around the world, often invited to Europe and Asia as well as touring regularly across the USA. Drawing on influences as diverse as Fats Waller, Count Basie, Oscar Peterson and Gene Harris, Gordon passionately serves up a smorgasbord of styles unified by one characteristic.. irresistible danceability! Gordon has many albums on CDBaby, so make sure to search his name and check out all his music. Pure of tone, sweet sounding and dangerously infectious, Melbourne jazz vocalist Hetty Kate has built quite a career for herself and can often be seen singing for packed dance floors at lindy-hop and blues events around Australia. Born in England, raised in Australia and now based out of Paris Hetty performs as a jazz vocalist at clubs and festivals, and has released 9 albums of her own. "Like Peggy Lee on a Vespa" Marc Myers Jazzwax USA. Hetty also has a few other albums on CDBaby, so please check them out and visit her on facebook whilst you're here! Both Gordon and Hetty would like to thank all the generous supporters, and the welcoming swing community, it's a pleasure to play for you, and keep on dancing. We hope you like the album! https://store.cdbaby.com/cd/gordonmeetshetty

Personnel:  Gordon Webster (piano) and Hetty Kate (voice)

Gordon Webster Meets Hetty Kate

Red Garland - Halleloo-Y'-All

Styles: Piano Jazz
Year: 1960
File: MP3@320K/s
Time: 35:50
Size: 82,1 MB
Art: Front

( 6:59)  1. Back Slidin'
( 6:13)  2. Revelation Blues
( 4:50)  3. Everytime I Feel the Spirit
( 6:38)  4. Halleloo-Y'-All
(11:08)  5. I'll Never Be Free

Except for Count Basie, few pianists in the post-war years could swing the blues like Red Garland. Certainly, Garland could give standards a handsome spin with dramatic lyricism, plenty of space and clusters of block chords. But the blues were in Garland's blood system, and his trio album Halleloo-Y'-All from 1960 remains for me one of the finest examples of his blues trio playing. Garland grew up in Dallas, began his music education on reed instruments, joined the Army in 1941and began playing piano while stationed in Arizona. After being discharged from the service in '44, Garland gigged around Texas and soon joined Oran “Hot Lips" Page's orchestra. When the band hit New York, Garland quit to remain in the city, which turned out to be a shrewd career move.

In New York, Garland played and recorded with many of the greats of the late 1940s. When Miles Davis was unable to persuade Ahmad Jamal and his trio to back him in the early 1950s, Davis turned to Garland, looking to the pianist for an emulation of Jamal's elegant and bright melodic style. Garland delivered (in comes cases on the exact same songs) but with a more pronounced and bluesy style than Jamal. By 1956, Prestige was recording Garland as the leader of a trio when he wasn't playing as a member of Davis's and John Coltrane's rhythm sections. [Photo above of Red Garland and Miles Davis]

Virtually all of Garland's leadership dates had a blues pull. Like a posh musical bartender, Garland was masterful at perfectly blending church and club to produce music that was neither and both. Like B.B. King and Ray Charles, every song Garland touched was saturated in the blues. "Garland recorded several blues-centric albums, including Alone With the Blues and P.C. Blues. But perhaps his best was Halleloo-Y'-All. Recorded in April 1960, the album featured my favorite Garland trio Sam Jones on bass and Art Taylor on drums. Both musicians have been vastly overlooked as industrial and inventive trio players. And this Red Garland Trio ranks up there with the best of the decade. Halleloo-Y'-All features a full menu of five blues. As Dan Morganstern wrote in his original album liner notes, “the program consists of three Garland originals, a rhythm-and-blues hit of fairly recent vintage [I'll Never Be Free] and an old traditional gospel hymn. The emphasis is on relaxed tempos and a bluesy groove, but there is none of the pseudo funk which is marketed in such quantity these days under titles similar to some of the 'churcy' ones found here. Red Garland is a stylist not a gimmick-merchant and everything he plays is musical and unforced. He isn't trying to prove anything and what comes out is uncontrived and happy jazz." The album also features Garland's playing organ on the title track, a play on hallelujah. Garland could swing and extract the Hammond's full gospel flavor using a tender touch. With the sharp fierceness of Taylor and fleshy bass lines of Jones, this is a perfect Red Garland Trio album. ~ Marc Myers  https://news.allaboutjazz.com/red-garland-halleloo-y-and-39-all.php

Personnel:  Red Garland – piano, organ;  Sam Jones – bass;  Art Taylor – drums

Halleloo-Y'-All

Al Casey - Jivin' Around

Styles: Saxophone Jazz
Year: 1995
File: MP3@320K/s
Time: 57:19
Size: 132,6 MB
Art: Front

(2:11)  1. Surfin' Hootenanny
(2:02)  2. El Aguila (The Eagle)
(2:42)  3. Thunder Beach
(2:18)  4. Baja
(2:42)  5. Surfin' the Blues, Pt. 1
(2:12)  6. The Lonely Surfer
(2:05)  7. Guitars, Guitars, Guitars
(2:03)  8. The Hearse
(2:01)  9. Ramrod
(1:51) 10. Caravan
(2:55) 11. Surfin' Blues, Pt. 2
(1:50) 12. Surfs You Right
(2:18) 13. Cookin'
(2:08) 14. Indian Love Call
(2:17) 15. Hot Foot
(2:28) 16. Jivin' Around
(1:36) 17. Doin' the Shotfish
(2:12) 18. Doin' It
(2:21) 19. The Hucklebuck
(2:28) 20. Full House
(2:24) 21. Laughin'
(2:00) 22. Monte Carlo
(1:51) 23. Theme from 'Huckleberry Hound'
(2:11) 24. Chicken Feathers
(2:01) 25. Easy Pickin'
(2:00) 26. What Are We Gonn Do in '64?

Casey made these 26 tracks most of which are instrumentals (the K-C-Ettes, actually the Blossoms, add vocals on three of the selections) for the Stacy label in the early '60s, a stint which represented his greatest success as a singles artist. Casey is a very good rock and surf guitarist, but the material is often average or boring period instrumental rock, and not so elevated by Casey's guitar licks and arrangements that they demand repeated listening. The most exciting cuts are the surf ones produced (and often written) by Lee Hazlewood, including "Surfin' Hootenanny," Casey's biggest hit. The more obscure "El Aguila (The Eagle)" and "The Hearse" show Casey's skill at dipping his axe in reverb to ride the surf wave, while "Thunder Beach" and "Baja" borrow, as a lot of surf did, from Latin melodies and rhythms. Casey also does his own version of "Ramrod," a Casey composition that colleague Duane Eddy had taken into the Top 30 a few years previously. Surf-heads should know, though, that much of this disc is not surf music, but bluesy early-'60s R&B-rock, on which the organ is sometimes as or more prominent than Casey's guitar. In fact, "Cookin'" and "Jivin' Around," which both lurched into the bottom of the Top 100, are a lot closer to Jimmy Smith than Dick Dale; those songs and "Doin' It" are actually pretty respectable as far as that genre goes. Two of the songs on the CD were previously unreleased. ~ Richie Unterberger https://www.allmusic.com/album/jivin-around-mw0000604331

Jivin' Around

Martha Wainwright - Goodnight City

Styles: Vocal, Folk
Year: 2016
File: MP3@320K/s
Time: 50:04
Size: 116,1 MB
Art: Front

(3:50)  1. Around The Bend
(3:40)  2. Franci
(3:43)  3. Traveller
(4:22)  4. Look Into My Eyes
(3:23)  5. Before The Children Came Along
(4:09)  6. Window
(2:12)  7. Piano Music
(4:14)  8. Alexandria
(4:35)  9. So Down
(3:46) 10. One of Us
(4:00) 11. Take The Reins
(4:06) 12. Francis
(3:57) 13. Somehow

You could never accuse the Wainwrights of being shy about their family difficulties. Rufus Wainwright‘s Dinner At Eight, Loudon Wainwright III‘s Hitting You, and of course Martha Wainwright‘s own delightfully titled paean to her father, Bloody Mother Fucking Asshole have all been so intensely personal that it’s sometimes felt like the listener is sitting in on a huge therapy session. Martha Wainwright’s last album, Come Home To Mama, continued the tradition by writing songs so bleak about her marriage that husband Brad Albetta wore a full monks outfit and black face mask throughout the tour to promote the album. Thankfully, four years on from that last album, Wainwright and Albetta are still together and Goodnight City seems to signal something of a fresh start for the Canadian. It’s her most collaborative album, for a start. While Wainwright is no stranger to the odd cover version  indeed, she recorded a whole album of Edith Piaf standards a few years ago  Goodnight City sees songs written for her by the likes of her brother Rufus, Beth Orton, and tUnE-yArDs‘ Merrill Garbus. That’s not to say that the old Wainwright style is completely out of the window of course: opening track Round The Bend is reminiscent of her debut album, a dark tale of a woman who “used to do a lot of blow” who has “seen and done things I wouldn’t wish on anyone”. In a typical Wainwright twist though, none of this may be what it seems: “watch out for my white lies” runs the killer kiss-off. There are also two songs dedicated to Wainwright’s youngest son Francis  one of her own entitled Franci which turns an open letter to her son (“I wanted to name you Valentine, but Dad convinced me to change my mind”) into a gloriously surging anthemic pop song, while Uncle Rufus’ contribution Francis is as sublime as you’d expect: a swooning piano ballad redolent of his Want One and Want Two albums.

Look Into My Eyes is another collaborative family effort, co-written with aunt Kate McGarrigle and cousin Lily Lanken, and is one of the most startling things that Wainwright has recorded a dramatic, atmospheric ballad featuring flutes, synths, a saxophone and lyrics that flit between English and French. Garbus’ contribution, Take The Reins, is also surprising, not being as remotely frantic as you may expect. In fact, it’s a slinky, slightly jazzy ballad that manages to combine the very best elements of Garbus and Wainwright. Throughout, Wainwright is vocally on top form  whether she be beautifully restrained on the gorgeously poignant One Of Us, or swooping and hollering on Traveller, a song which sounds like it could be a tribute to her late mother. but is in fact about an old friend of Wainwrights who died of cancer aged 40. Admittedly, some tracks don’t work so well, with Piano Music (with lyrics by The English Patient author Michael Ondaatje) is a meandering, formless mess and Before The Children Came Along is a forgettable diversion compared to the rest of the album. Yet the experimental edge that Wainwright has introduced with this album bodes well for the future while she may not be writing operas like her brother, she remains one of the most intriguing, honest songwriters around today. ~ John Murphy https://www.musicomh.com/reviews/albums/martha-wainwright-goodnight-city

Goodnight City

Sunday, April 15, 2018

Aldo Romano, Remi Vignolo, Baptiste Trotignon - Flower Power

Bitrate: MP3@320K/s
Time: 56:04
Size: 128.4 MB
Styles: Contemporary jazz
Year: 2006
Art: Front

[4:06] 1. Love Me, Please Love Me
[4:28] 2. Say It Ain't So
[6:03] 3. Valse De Melody/Je T'aime Moi Non Plus
[6:55] 4. Sea Song/Crying Song
[3:57] 5. Black Dog
[3:39] 6. Don't Let Me Be Lonely
[4:44] 7. Mr Tambourine Man
[5:46] 8. Bridge Over Troubled Water
[4:15] 9. C'est Extra
[4:45] 10. Your Song
[7:20] 11. The End

Bass – Rémi Vignolo; Drums – Aldo Romano; Piano – Baptiste Trotignon. Recorded at Studio Meudon, France, April 26, 2006.

Although born in Italy, Aldo Romano moved to France with his family at a young age. He was already playing guitar and drums professionally in Paris in the '50s when he heard Donald Byrd's group with drummer Arthur Taylor. Since then, he has dedicated himself to the drums and contemporary jazz. In Paris jazz clubs like le Chat Qui Pêche and the Caméléon, Romano has accompanied visiting Americans like Jackie McLean, Bud Powell, Lucky Thompson, J.J. Johnson, and Woody Shaw while also exploring free music with Don Cherry and Gato Barbieri, Frank Wright and Bobby Few, Michel Portal, François Tusques, Jean-Louis Chautemps, and Steve Lacy.

Rémi Vignolo is he drummer, or bassist? Composer?! We did not know ... How could we have known elsewhere? Nougaro, Lagrene, Terrasson, Galliano, Romano, Werner, Bergonzi, Aznavour, Luke, Di Battista, Legrand, Trotignon, Grossman, El Malek, Pierranunzi, Z (Bojan's) ... It's as if the guy had melted into the landscape, as if he had taken advantage of the light of all these great "Names" to better hide his own. A more exhaustive list of his collaborations or the details of the eighty albums already recorded for others behind his double bass or his drums would not illuminate further the motivations, the choices, the doubts ... The course can be confusing, remains the certainty of being faced with an unusual personality, a rare bird on which decency and fashions have, obviously, little grip. (Translated from French.)

Baptiste Trotignon (born in 1974) began playing the piano at the age of six. He discovered and taught himself jazz and improvisation as a teenager. In 1994 he played both the piano and a role in Alain Corneau's film "Le Nouveau Monde", and one year later he decided to move to Paris. Over the years that followed he developed a number of eclectic encounters, while also continuing to play music that was resolutely open-minded and imaginative. This included performing alongside top-quality improvisers like Tom Harrell and Brad Mehldau and classical pianists such as Nicholas Angelich and Alexandre Tharaud, and he was also artistic director for tribute evenings to Edith Piaf and Claude Nougaro at Montreux, composed film music for Claude Goretta's "Sartre", and did some Hammond B3 organ tours with Stefano Di Battista's "Trouble Shootin'". Baptiste's first "American" album, "Share", was recorded in New York and came out in early 2009. He made it with Eric Harland and invited Tom Harrell (a living and inimitable jazz legend) and Mark Turner along. The album was a hit and was followed by a highly charged live album recorded in London ("Suite…" 2010). In the next few months he wrote a version featuring a string and wind orchestra that was performed for the first time at the Jazz in Marciac Festival.

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Flower Power zippy

Miwa Watanabe - Natural Voice (2 albums: I & II)

Miwa Watanabe is a vocalist, composer/arranger, and flute player from Japan. Miwa began formal voice training at the age of twelve, and performed her first act on musical theater when she was fourteen years old. She continued to act on musical theaters and worked as an actress in NHK (Japanese Broadcasting Corporation), which is Japan’s national public broadcasting organization.

Since 2004, she studied music in the United States, Gramercy Park School of Music in New York City and Berklee College of Music in Boston. She performed a solo with St. John’s United Methodist Church’s Choir (New York), December in 2005. She studied under Joe Coleman(The Platters), Jayon Anthony, Beverly Crosby, Amina Claudine Myers, and Ella Garrett in New York, and Sharon Brown, Lisa Thorson, Mili Bermejo, Ernest Diaz, and Kris Adams at the Berklee College of Music in Boston. Currently, She is studying with Tony Nominee, Vivian Reed. She graduated from Berklee College of Music and received her BM degree in Vocal Performance major. All year accomplishments earned her a place on Berklee’s Dean’s List. She sing at Boston Park Plaza Hotel, Asian Cafe in Boston, Blue Owl, Moco, Jules, Cleopatra's needle and many Jazz Clubs, bars and Restaurants in New York.

She released three CD albums which are called new acoustic project "Duo","DUOII" and "DUO III". 1st album from Japan “Natural Voice” was released in 2013. Also “Natural Voice II” (2014) got the best recording award from Stereo Disc Collection and Best Album Top 5 on music magazine”Stereo.” In 2014, As a lyricist, She prized Best Single Hit Award from Crown Records.

Album: Natural Voice
Bitrate: MP3@320K/s
Time: 42:43
Size: 97.8 MB
Styles: Jazz vocals
Year: 2013
Art: Front

[3:12] 1. The Girl From Ipanema
[3:54] 2. Outra Vez
[4:31] 3. Don't Let Me Be Lonely Tonight
[5:15] 4. Corcovado
[3:50] 5. Morning
[2:47] 6. Doralice
[4:40] 7. Speak Low
[4:41] 8. Dindi
[5:02] 9. Spring 2010
[4:47] 10. Saiko No Yakusoku

Natural Voice mc
Natural Voice zippy

Album: Natural Voice II
Bitrate: MP3@320K/s
Time: 43:39
Size: 99.9 MB
Styles: Jazz vocals
Year: 2014
Art: Front

[3:24] 1. It's All Right With Me
[3:27] 2. A Child Is Born
[3:22] 3. East Of The Sun
[4:55] 4. My One And Only Love
[4:32] 5. Is You Is Or Is You Ain't My Baby
[4:28] 6. Dream A Little Dream Of Me
[5:18] 7. Bewitched, Bothered & Bewildered
[3:56] 8. Softly As In A Morning Sunrise
[4:56] 9. Stormy Weather
[5:16] 10. Embraceable You

Natural Voice II mc
Natural Voice II zippy

Will Bernard 4-Tet - Medicine Hat

Bitrate: MP3@320K/s
Time: 53:37
Size: 122.8 MB
Styles: Jazz/Funk
Year: 1998
Art: Front

[5:35] 1. Close Shave (Part 1)
[4:08] 2. Boomtown
[5:24] 3. Medicine Hat
[5:47] 4. Prankster
[4:49] 5. 3-Ply
[3:42] 6. Koko A Poko
[4:08] 7. Trap Door Spider
[4:13] 8. Nobody's Looking
[6:08] 9. Tank Top
[5:56] 10. Pollyanna
[3:42] 11. Do Not Bend

On Medicine Hat, their first release, the Will Bernard 4-tet came to groove. The disc kicks off with "Close Shave (Pt. 1)," a James Brown inspired romp that introduces these fine San Francisco-based players. Will Bernard is a hot guitarist who was heard with T. J. Kirk, which included the now well-known Charlie Hunter and drummer Scott Amendola, also heard here laying down his rock solid rhythms with typical finesse. The 4-tet is rounded out with newcomers Rob Burger on Hammond B-3 organ and John Shifflett on bass.

The second track, "Boomtown", sounds like a spicy recipe for chasing away the mid-winter blues. The guitar / organ-fueled jams are inspired and fun. But this isn’t just about partying. The compositions, all by Bernard, are interesting as well as danceable. The twisted tango groove of "Trap Door Spider" is enticing and the 4-tet ventures into Bill Frisell-ish territory on "Nobody’s Looking". Bernard and Burger switch to acoustic guitar and accordion for this beautifully moody track. "Tank Top" turns the tables again with a funky New Orleans groove, one of Scott Amendola’s specialties. Bernard lays down some smokin’ slide guitar on this cooker. "Pollyanna" features some wonderfully slippery guitar improvisations and they take us home with "Do Not Bend", a final funk excursion. Recommended to fans of guitar, organ, and fat, funky grooves. ~Rick Bruner

Medicine Hat mc
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Gary Smith - Timeless

Bitrate: MP3@320K/s
Time: 42:20
Size: 96.9 MB
Styles: Guitar jazz
Year: 2017
Art: Front

[3:28] 1. Chinatown My Chinatown
[4:05] 2. Ain't She Sweet
[3:44] 3. Dahil Sa You
[3:39] 4. The Days Of Idyllwild
[4:24] 5. I Remember Bert
[3:23] 6. Frankie And Johnny
[3:19] 7. Melancholy Baby
[4:33] 8. Paul's Bossa
[4:39] 9. You Made Me Love You
[4:06] 10. Jazz Baby
[2:55] 11. Bossa De Wierdo

Gary Smith is an avant-garde guitarist, improviser and composer from the United Kingdom. He is known for developing dense extended techniques on electric guitar. Gary Smith has released close to twenty albums in solo, group and live settings with Shoji Hano, Rhys Chatham, John Stevens, Hugh Hopper, Masayoshi Urabe, Chie Mukai, Aufgehoben No Process, and Bill Fay.

Timeless

Cedar Walton, David Williams - Duo

Bitrate: MP3@320K/s
Time: 77:30
Size: 177.4 MB
Styles: Piano jazz
Year: 1991/2010
Art: Front

[ 5:33] 1. I Mean You
[ 5:51] 2. Pannonica
[ 6:25] 3. Stablemates
[ 9:54] 4. Lament
[ 6:19] 5. N. P. S
[ 6:59] 6. My Old Flame
[ 5:47] 7. St. Thomas
[10:47] 8. Hagy
[ 6:43] 9. Blues For Alberto
[ 5:16] 10. I've Grown Accustumed To Your Face
[ 7:52] 11. Ruby My Dear

One of Cedar Walton's best recordings, this album pairs him with his long-time colleague, bassist David Williams. The communication between Walton and Williams is superb. "Pannonica" is a beautiful Thelonious Monk ballad, on which both players sound confident. Walton is a modest player, playing only what makes sense. On trombonist J. J. Johnson's "Lament," a lovely orchestral sweep on the piano is followed by some sumptuous chords leading into some upper-register tinkling, before a brilliantly quick run brings us back to lushly textured playing. David Williams' bass solo features spare use of vibrato, perfect intonation, and deep feeling. "Hagy" is an interesting, sad original with a deep rock groove. Walton's playing is modal and atmospheric over Williams's pedal points, and the pianist plays the strings inside the piano to excellent effect. Also unusual is Williams bass solo (which sounds like a bagpipe!), played over a ruminative pedaled piano passage.

Duo mc
Duo zippy

Jesper Thilo - Strike Ap The Band

Styles: Saxophone Jazz
Year: 2000
File: MP3@320K/s
Time: 66:22
Size: 152,4 MB
Art: Front

(5:13)  1. Spotlite
(6:16)  2. Old Folks
(8:13)  3. Oh, Lady Be Good
(7:20)  4. There's No You
(7:42)  5. Get Happy
(7:18)  6. Someday You'll Be Sorry
(5:06)  7. Willow Weep For Me
(4:45)  8. After You've Gone
(7:35)  9. Topsy
(6:49) 10. Strike Up The Band

The title of this album is a bit off the mark, implying that the session will be pretty much devoted to up-tempo traditional jazz. Not so. While there are barnburners, they are balanced with very good melodic ballad renderings. Even the up-tempo material has character and substance, not at all like the mindless blowing that one finds too often in CD bins these days. Jesper Thilo is Denmark's most famous sax man, and one of its most prominent jazz players irrespective of instrument. Living in Denmark, he's had the opportunity to perform with many top-flight jazz musicians. With its traditional support of jazz, that country has always been a favorite spot for top American musicians to visit and, for several, to settle in. Basically, Thilo is from the same Lester Young school for tenors as Brew Moore, who was a resident of Copenhagen during the last years of his life. But Thilo's playing also acknowledges the influences of Eddie "Lockjaw" Davis, Ben Webster, and Johnny Hodges. His Hodges-like rendition of "Old Folks" is one of Strike Up the Band's highlights. Thilo's work on this album is masterful and inventive throughout. His "Willow Weep for Me" is tender and expressive as he blows new life into Ann Ronell's classic.

Thilo is fortunate to have the services of equally outstanding and experienced players who possess more than their share of improvisational talent. The group has a lot of fun with the melody line of "Strike Up the Band." The blues tune "Topsy" is played at medium tempo, recalling the version by Ike Quebec's Swing Seven in 1945. Australian Bob Barnard shows that he is as skillful on cornet as on trumpet, as amply demonstrated on "After You've Gone" and "Someday You'll Be Sorry." The inestimable Swiss piano player Henri Chaix provides some special solo moments and also sets the pace for the ensemble.

His intro to "There's No You" shows how much can be said in a scant few bars. This session must have been one of Chaix' last prior to his death in 1999. The other two members of the rhythm section, Stephen Kurmann on bass and Romano Cavicchiolo on drums, perform their duties with distinction. Encouraged by an enthusiastic and delighted audience in Baden, Switzerland, the players extend themselves with a program of solid straight-ahead jazz done with feeling and humor. The tradition of those great tenor sax players who understood the importance of swing and melody is alive and well with Jesper Thilo. Recommended. ~ Dave Nathan https://www.allmusic.com/album/strike-up-the-band-mw0000065095               

Personnel: Jesper Thilo (tenor saxophone); Bob Barnard (cornet); Henri Chaix (piano); Stephan Kurmann (bass); Romano Cavicchiolo (drums).

Strike Ap The Band

Lori Carsillo - Cole Porter: Old Love, New Love, True Love

Styles: Vocal Jazz 
Year: 2004
File: MP3@320K/s
Time: 41:30
Size: 95,3 MB
Art: Front

(3:32)  1. I Love Paris
(4:02)  2. So in Love
(4:36)  3. I've Got You Under My Skin
(3:26)  4. You Do Something to Me
(4:04)  5. What Is This Thing Called Love
(3:25) 6. Miss Otis Regrets (She's Unable to Lunch Today)
(5:43)  7. At Long Last Love
(5:09)  8. Ev'ry Time We Say Goodbye
(3:37)  9. I Concentrate on You
(3:53) 10. Love for Sale

"Lori Carsillo…is in excellent form on Cole Porter…Old Love, New Love, True Love, singing ten Cole Porter songs with the backing of a pianoless trio."~ Scott Yanow, "The Jazz Singers: The Ultimate Guide" https://store.cdbaby.com/cd/loricarsillo2

Cole Porter: Old Love, New Love, True Love

Otros Aires - Otros Aires

Styles: Tango
Year: 2005
File: MP3@320K/s
Time: 43:18
Size: 100,1 MB
Art: Front

(3:53)  1. Sin Rumbo
(5:00)  2. Percanta
(5:43)  3. La Pampa Seca
(4:41)  4. Barrio de Tango
(3:56)  5. Milonga Sentimental
(3:58)  6. Aquel Muchacho Bueno
(3:53)  7. Rotos en el Raval
(3:48)  8. De puro Curda
(4:10)  9. Amor que se Baila
(4:11) 10. En Dirección a mi Casa

Otros Aires is an Argentine XXI century Tango music project, founded in 2003 in Barcelona by Argentine musician/architect Miguel Di Genova.Otros Aires mixes the first tangos and milongas structures from the beginning of the last century (Gardel, Razzano, D'Arienzo, etc.) with electronic sequences, melodies and lyrics of the 21st century.This project counts with many collaborators like: Diego Ramos (Piano & arragements), Chloë Pfeiffer (Piano), Lalo zanelli (Piano), Martin Bruhn (Drums), Martin Paladino (Drums), Manu Mayol (Drums & production) Pablo Potenzoni (Drums), Javier Saume Mazzei (Drums), Christian Maturano (Drums), Carlos Ocorso (Percussion), Hugo Satorre (Bandoneon), Lisandre Donoso (bandoneon), Herve Esquis (bandoneon), Emmanuel Trifilio (bandoneon), Simone Van Der Veerden (bandoneon), Joe Power (Harmonica), Nick Wadlew (Cover Drawings), Pablo Meketa (Cover Drawings), Marcelo Sofia (Cover Arts), Charly Fiorentino (Cover Arts) Miru Trigo (Photography) and Santiago Saponi (Video Director) between others.

On December 11, 2004, known as "Tango day", Otros Aires presented its first CD at the Carlos Gardel's House Museum, commemorating the birthday of the singer.

With about 40 tours around, including more that 200 cities of Europe, North America and South America, Otros Aires was presented in some of the most important venues and world music festivals of the world like: Lincoln Center (NYC), Dublin National Concert Hall, Bardentreffen Festival (Nuremberg), Amsterdam Roots Festival, Greensound Festival (Bucharest), Pirineos Sur Festival (Spain), between others and also at the most relevant tango festivals of the planet including Buenos Aires Tango Festival several times. Otros Aires songs are featured in TV shows like ¨Dancing with the Starts¨ and ¨America´s got talent¨ in US and ¨Strictly Come Dancing¨ in UK. https://en.wikipedia.org/wiki/Otros_Aires

Otros Aires

European Jazz Trio - West Village

Styles: Jazz, Post Bop
Year: 2018
File: MP3@320K/s
Time: 53:37
Size: 143,4 MB
Art: Front

(4:55)  1. When Autumn Comes
(4:09)  2. Blue In You
(6:15)  3. Sad Tune
(4:54)  4. 30 Something
(5:29)  5. The Korean
(6:09)  6. Gloomy Letter
(4:37)  7. Gwanghwamun Love Song
(4:13)  8. Regrets
(5:12)  9. When I Got You On My Mind
(4:16) 10. A Doll's Dream
(3:23) 11. As Everyone Does

The European Jazz Trio, comprising Marc van Roon on Piano, Frans van der Hoeven on bass and Roy Dackus on drums has been recording and performing since 1995, when it released a CD of Beatles' songs in fresh arrangements. On each album, the trio has taken songs in every style, shape and color, and has given them a jazz interpretation. For the trio 'Jazz' means to have the freedom to combine and mix styles, melodies, sounds and rhythms to create something fresh and surprising. Van Roon: "A Specialty of the trio is to try and find some unusual material unusual in a jazz setting and to arrange it for the trio. It works both ways: You can take the sound of a jazz trio and give it a fresh voice, a new approach; likewise, you can take the music that everybody knows pop tunes and classical tunes and give people a chance to hear them in a different way." The European Jazz Trio pushes the envelope of jazz music by adding to it its own sound and rhythm, a result of the music that has influenced the trio's members.  "We grew up in the seventies and eighties with pop, rock, classical, rap and lots of fusion music. It wasn't only jazz anymore. Being musicians, we try to absorb everything like a sponge and use it somehow. The classical music we perform we really admire, it's very close to us to our European side."

With every song the trio records the main focus is on the essence and the inner beauty of the composition. "You cannot approach each song in the same way. And it doesn't have so much to do with what we as a trio want to do. It's contained within the song, it's already there. So it's more about what we can leave out, what we don't have to play. This makes each performance unique and special." https://www.last.fm/music/European+Jazz+Trio/+wiki

The European Jazz Trio has recorded with featured artists Art Farmer (1), (2), Charlie Mariano (1), Jesse van Ruller (1), and the Metropole string chamber orchestra (1). Swing Journal awarded many album with their Gold Disc Award.

West Village

Peter Erskine & The Dr. Um Band - On Call

Styles: Jazz, Post Bop
Year: 2018
File: MP3@320K/s
Time: 79:04
Size: 181,8 MB
Art: Front

( 4:52)  1. For The Time Being
( 5:25)  2. Might As Well Be
( 6:09)  3. If So Then
( 6:26)  4. Uncle Don
( 6:59)  5. Silver Linings
( 4:26)  6. Two Paths
( 7:03)  7. Hipnotherapy 
( 6:58)  8. Hawaii Bathing Suit
( 9:18)  9. Dreamsville
(11:12) 10. Eleven Eleven
(10:12) 11. Northern Cross

Consummate drummer Peter Erskine, a former Weather Report member, has always shown an inclination for electric jazz fusion. Commanding The Dr. Um Band with metrical depth and angular vision, he releases On Call, a new double album on his own music label, Fuzzy Music.The disc one includes brand new material recorded in the studio whereas disc two encapsulates previously recorded tunes performed live in Occhiobello, Italy. All the members of the quartet - saxophonist Bob Sheppard, keyboardist John Beasley, and electric bassist Benjamin Shepherd penned compositions for the studio session, which opens with Erskine’s “For The Time Being”. Initially enigmatic, the piece veers to a daring, dark-toned jazz funk, with the band keeping the groovy pose on Sheppard’s “Might As Well Be”, a crossover fantasy that salutes saxophonist Jerry Bergonzi. The versatility of Beasley is perceptible through attractive attacks and strange sounds. The keyboardist contributes to the song lineup with a pair of compositions - “If So Then”, inspired by the Miles Davis Quintet, is boosted by an adventurous piano solo and exceptional collective interplay; “Silver Linings” is a respectful homage to Horace Silver whose borrowed moods adapt to the band’s style.

Penned by the bandleader, “Uncle Don” displays a ceremonious organ as the introduction and a scratching backbeat in an early stage. Afterward, the band places cool harmonic progressions on top of rock-steeped rhythms, having funky bass lines running along.The live session, filled with enthusiasm and excitement, opens with a couple of tunes by Erskine: the cerebral, blues-based “Hipnotherapy” and the funk-inflected “Hawaii Bathing Suit”. The former thrives with woody bass grooves decorated with wha-wha effects and concordant drumming, while the latter is a playful avant fusion that captivates through gorgeous unisons, apt improvisations, and an effusive drumming with strong Latin accents. After the soaringly atmospheric first section, Henry Mancini’s “Dreamville” combines bossa nova rhythms with balladic tones, whose silky textures result from mixing light funk, smooth jazz, and malleable R&B elements. The tune was retrieved from the album Second Opinion (Fuzzy Music, 2016), just like “Eleven Eleven”, a frenetic steeplechase with rock-solid rhythmic passages and powerful wha-wha bass lines. Although not too temperamental, the soloists opt for dazzling, straightforward approaches to express their lines of thought. Erskine’s mutable “Northern Cross” is not a softer either, displaying influences of American music while bridging the worlds of funk, jazz, and rock. This could be a possible outcome of having Joshua Redman playing with Return To Forever. With the live recording surpassing the studio session, On Call sparks with tremendous rhythmic engagement as it shows Erskine’s productive modus operandi.

Personnel:  Peter Erskine: drums; Bob Sheppard: saxophone; John Beasley: keyboards; Benjamin Shepherd: electric bass;

On Call

Saturday, April 14, 2018

Gerry Mulligan - Lonesome Boulevard

Bitrate: MP3@320K/s
Time: 48:52
Size: 111.9 MB
Styles: Bop, West Coast jazz
Year: 1990/2009
Art: Front

[3:33] 1. Rico Apollo
[5:16] 2. I Heard The Shadows Dancing
[4:16] 3. Lonesome Boulevard
[8:02] 4. Curtains
[4:26] 5. Ring Around A Bright Star
[4:46] 6. Splendor In The Grass
[4:58] 7. Good Neighbor Thelonius
[5:31] 8. Wallflower
[5:28] 9. The Flying Scotsman
[2:30] 10. Etude For Franca

Gerry Mulligan's quartet recorded this studio date about seven years before his death, and it's a beautiful statement of where the refined, seasoned veteran of cool jazz was at in the later years of his life. A young Bill Charlap on the piano (rare unto itself in that Mulligan often excluded a keyboardist) was essentially introduced to the jazz world with this album, and proved to be a perfect foil for the baritone saxophonist's leaner notions. Charlap is also quite substantive, never grabbing the spotlight for himself, but tastefully adding chord progressions and comping to Mulligan's world-class musings. Only David Amram's patient California-styled "Splendor in the Grass" is not penned by Mulligan, with the rest of the set spilt between Brazilian songs, a little bop, and mostly the laid-back easygoing jazz that the leader specialized in. Always the epitome of cool even in his advanced years, Mulligan chills on the serene "Curtains" with some classical overtones, is even more Baroque in style during "Etude for Franca," and merges into a Billy Strayhorn/Duke Ellington indigo mood for the ballad "Wallflower." Heated up in hot samba territory, the quartet steams through a deep-throated "Rico Apollo," and works more in the upper register of the baritone range for "Ring Around a Bright Star." The sleek and clean easy swinger "I Heard the Shadows Dancing" is played close to the vest and the heart in a singsong style, while an only slightly angular stance is taken on "Good Neighbor Thelonious." Mulligan has not forgotten his bop roots, as literally proven on "The Flying Scotsman," using ascending and descending scales before cutting loose on an urgent but basic line. This solid, unspectacular, thoroughly professional mainstream jazz recording is finally available on CD with no extra tracks, but full of the good feelings Gerry Mulligan always had for finely crafted jazz. ~Michael G. Nastos

Lonesome Boulevard mc
Lonesome Boulevard zippy

Annette Sanders, Bob Florence - You Will Be My Music

Bitrate: MP3@320K/s
Time: 54:45
Size: 125.3 MB
Styles: Vocal jazz
Year: 2007
Art: Front

[4:33] 1. You Will Be My Music
[5:15] 2. You Fascinate Me So
[5:02] 3. Never Let Me Go
[4:00] 4. Nobody Else But Me
[8:39] 5. Come Fly With Me The Island
[4:44] 6. You Must Believe In Spring
[3:23] 7. Kissing Bug
[5:47] 8. How Deep Is The Ocean
[5:22] 9. You Are There
[7:55] 10. Goodbye Medley

One day, pianist-arranger Bob Florence heard Annette Sanders' voice on the radio and decided that he wanted to work with her. He tracked her down on the internet and this CD is the result. The collaboration between the Los Angeles pianist and the New York studio singer was recorded with only a small amount of preparation which mostly consisted of picking out songs and keys. Nearly all of the performances are first takes. Emphasizing ballads with just an occasional medium-tempo piece (such as "Kissing Bug"), the performances have Sanders singing the melodies and lyrics very straight although with plenty of feeling, inspired by Florence's accompaniment and concise piano solos. The heartfelt interpretations fall between jazz and cabaret and set a thoughtful and often-melancholy mood. While few chances are taken, this intimate recital succeeds on its own terms. ~Scott Yanow

You Will Be My Music

Steve Brown, Ulf Bandgren - In To Norway

Bitrate: MP3@320K/s
Time: 59:33
Size: 136.3 MB
Styles: Guitar jazz
Year: 2015
Art: Front

[4:04] 1. You Stepped Out Of A Dream
[5:37] 2. Voce Vai Ver (You Will See)
[4:50] 3. Con Alma
[4:11] 4. In To Norway
[4:58] 5. Angel Eyes
[5:29] 6. Have You Met Miss Jones
[5:39] 7. So Danco Samba
[6:02] 8. Five Roses
[4:21] 9. Just Friends
[5:07] 10. Black Eyes
[4:14] 11. Nascimento
[4:54] 12. Spring Ahead

This CD is the third in a series of Jazz Guitar Duo recordings that I have made on the Brown Cats Productions label. The first was with Portland, Oregon based John Stowell and is called “Cross Roads” (BC9503). The second was with my Argentinian friend now living in Madrid, Spain, Gullermo Bazzola and is called “Una Pequena Alegria” (BC 9508). Even though the format for all three CDs involves just two guitars, they are never the less quite different, due in many ways to the individuality of each player and the repertoire chosen to record. All the CDs were recorded “live” in the studio and did not include overdubs. We recorded as though we were playing a concert.

I first met Ulf Bandgren in Ithaca, New York, when he accompanied Hilde Brekke on one of her many visits from The University of Gothenburg to do advanced study in nutrition at Cornell University. During that visit and subsequent others, Ulf and I performed together as a duo and with various other sized groups. He invited me to Gothenburg where he teaches jazz guitar, to play concerts, even organizing a big band concert of my music with the students from the University. We also did a little tour of six concerts and traveled “into Norway” for a short visit.

The photo on the cover by Barbara Katz-Brown, was taken at Frognerparken, Oslo, Norway, and the sculptures were all part of the Vigeland installation. Gustav Vigeland lived between 1869 and 1943 and all of the pieces in the park were installed there between 1920 and 1943. It’s a must see when visiting Oslo! ~S. Brown

In To Norway mc
In To Norway zippy