Courtney Pine - Journey To The Urge Within

Styles: Saxophone Jazz
Year: 1986
File: MP3@320K/s
Time: 50:14
Size: 116,3 MB
Art: Front

(4:19) 1. Miss-Interpret
(4:42) 2. I Believe
(5:24) 3. Peace
(3:31) 4. Dolores
(3:24) 5. As We Would Say
(7:06) 6. Children Of The Ghetto
(5:25) 7. When, Where, How And Why
(3:30) 8. C.G.C.
(4:33) 9. Seen
(1:28) 10. Sunday Song
(3:45) 11. E.F.P. (Bonus Track)
(3:00) 12. Big Nick (Bonus Track)

This early Courtney Pine recording (the tenor saxophonist was 22 at the time) features some of the most promising black English jazz musicians of the time, including Pine (who also plays some bass clarinet and soprano), singer Cleveland Watkiss (who often is reminiscent of Bobby McFerrin), vibraphonist Orphy Robinson, and pianist Julian Joseph.

While most of these players have not yet lived up to their potential (Pine remains an expert Coltrane imitator), this disc has its share of strong music. The emphasis is on Courtney Pine's originals which cover a wide span of emotions and grooves.By Scott Yanow https://www.allmusic.com/album/journey-to-the-urge-within-mw0000652798

Chie Ayado & Junior Mance - Chie Ayado Meets Junior Mance Trio Live

Size: 102,9 MB
Time: 44:26
File: MP3 @ 320K/s
Released: 2010
Styles: Jazz/Pop/Blues Vocals, Standards
Art: Front

01. Stormy Monday (Live) (6:54)
02. I'm Walkin' (Live) (3:53)
03. Gee Baby, Ain't I Good To You (Live) (4:48)
04. Sunny (Live) (3:58)
05. Summertime (Live) (5:04)
06. Autumn Leaves (Live) (4:06)
07. Route 66 (Live) (5:28)
08. It Don't Mean A Thing (Live) (3:22)
09. Georgia On My Mind (Live) (5:51)
10. Happy Birthday (Live) (0:57)

Influenced by her parents' hobbies, Chie has been surrounded by jazz and Hollywood movies from an early age. She first studied classical piano but soon began to swing, and grew up as a kid that always preferred gospel to psalms. When she was 17 years old, she scraped together all money she had saved with part-time jobs, and left for the land of dreams: the US West Coast.

After moving her bases to NYC, Chie was invited by a record store owner to "visit a church and listen to some gospel". She agreed, and became a member of church's choir on the spot. She married a fellow choir member and gave a birth to a baby , but later she got divorced.

In 1991, the mother and the son returned to Japan, she began to sing in a jazz club in Osaka, and thanks to the quickly spreading rumors of her vocal performance she soon made a name for herself in the local jazz scene.

The June 1998 release "For All We Know" marked Chie's debut as a professional jazz musician at the age of 40. Since then Chie has been touring regularly across Japan in fall and winter, and with the help of fans spreading the word via the Internet
managed to establish a reputation as an outstanding female singer. Soon her concerts were sold out as soon as they were announced. Also her third album "Life" made a big hit in 1999, this her 'standard' album has been sold over 250,000 copies.

In March 2001 Chie received the 51st Ministry of Education and Science Cultural Promotional Award. Harboring an aversion against settling for one thing, Chie has been exploring territories outside the realm of jazz. Her repertory extends 20's swing
jazz to the rock, pop standards.

Chie has released 14 albums, 2 compiled "BEST" albums and 5 DVD-Videos. The number of total sale reaches almost 2,000,000 copies.

Chie Ayado Meets Junior Mance Trio Live    

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Sophie Alour - Le Temps Virtuose

Styles: Avant-garde Jazz
Year: 2023
File: MP3@320K/s
Time: 44:01
Size: 103,0 MB
Art: Front

(4:31) 1. Des lendemains qui chantent
(5:04) 2. Musique pour Messieurs
(5:06) 3. Sous tous les toits du monde
(3:56) 4. Musique pour Dames
(2:55) 5. Roulotte
(3:11) 6. Haunted
(4:26) 7. Tout nu
(4:05) 8. Vent debout
(3:19) 9. Ici et maintenant
(5:05) 10. Petite anatomie d'un présent qui passe
(2:17) 11. Le temps cannibale

For years, we have been trying to obtain Sophie Alour’s albums without success, due to distribution quirks. This time, however, this album was offered to us, allowing us to introduce you to this excellent saxophonist and composer. In addition to her successful solo career, she is also a part of the outstanding team of musicians surrounding the elegant Rhoda Scott and her Lady All Starr, who impress just about everyone.

“Le Temps virtuose” is a delightful and poetic blend that transports you through folk, jazz, and a rich tapestry of classical music influences. There’s an evident aesthetic pursuit here, where the beauty of art and intelligence interweave. The gentle sounds, sumptuous arrangements, and the opportunity for attentive listening make this album shine, without any artifice. It’s as if a storyteller is whispering the most beautiful adventures into your ear.

This is a delicate, sensitive, and touching musical universe that will surely appeal to our American readers. Each piece on this album is like a postcard from a city or a place, much like the way magazines depict the landscapes of France. It’s quite different from our friend, the composer and saxophonist Céline Bonacina, as it possesses a distinct culture. Here, you’ll be treated to beautiful moments with the flute, cello, guitar, and many other captivating elements, much like a museum to explore.

Yes, one can’t help but be charmed by an album like this, which carries the clear intentions of its creator. It plays with balance, offering its sensitivities, a touch of Africanness, and hints of Celtic influences that reinforce the melodic mysteries. You’ll have fun trying to decipher the origins of these images, and you’ll willingly lose yourself in them, much like exploring a city in an unknown country. If Sophie keeps winning awards, it’s no accident. She belongs to the small circle of remarkable artists in Europe, genuine and inspiring, with an impressive discography, and this album is particularly endearing.

If you’re in search of an authentic album, the editors of Bayou Blue and Paris-Move were immediately captivated by this work, bestowing upon it the “Indispensables” label. So, why not you? If your sensibilities lean toward romanticism, poetry, and travel, “Le Temps virtuose” will be your destiny…By Thierry De Clemensat https://www.paris-move.com/reviews/sophie-alour-le-temps-virtuose-eng-review/

Personnel: Sophie Alour. saxophone, Pierre Perchaud. guitar, Guillaume Latil. cello, Fabrice Moreau. drums.

Le temps virtuose

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Art Themen - Hanky Panky

Styles: Jazz Contemporary
Year: 2022
File: MP3@320K/s
Time: 52:17
Size: 120,1 MB
Art: Front

(6:20) 1. The Night Has a Thousand Eyes
(7:19) 2. Hanky Panky
(4:38) 3. Black Narcissus
(6:55) 4. Prelude to a Kiss
(6:24) 5. I Mean You
(6:26) 6. Without a Song
(8:19) 7. Invitation
(5:54) 8. Solid

Barry says a session was cancelled so instead he corralled Themen, Williams and Green, all of whom were available at short notice. And thank heaven, for this is a very classy affair indeed. ‘The Night Has A Thousand Eyes’ opens as a free-flowing tenor exposé, Themen shuffling his ideas as only he can, Barry laying down a tidal wave of drum effects. Williams, as ever, is not to be outdone, his improvisations like a cascade of unexpected twists and turns, Themen back in to finish.

Dexter Gordon's title track with its parade ground strut is immediately engaging, Green's purposeful walk allowing Williams to fly, occasional funky figures punctuating the flow, before Themen casts his spell, sinuous and mystical, with Rollins like an unseen guest, Green and Barry playing games.

‘Black Narcissus’ is a soprano feature, the tone a tad peevish, Williams thoughtful and pertinent, a mood that continues with ‘Prelude To A Kiss’, Themen back on tenor, almost reverential as he explores its time-honoured outline, Williams markedly un-Duke-like, as Green takes over. Themen's final solo is of the highest quality; Paul Gonsalves would have approved, I'm sure. Monk's ‘I Mean You’ is a stompier affair and all the more welcome for it.

‘Without A Song’ has Williams in imperious form, Themen tip-toeing around the melody, Green powerful in solo and support, Williams taking the chordal route home. Rollins’ ‘Solid’ is the toe-tapping closer to an impromptu four-star collaboration but its five-stars to label boss Andy Cleyndert for his production, design and photography. A shiny digipack to savour: good to look at and great to play. https://www.jazzwise.com/review/art-themen-dave-barry-quartet-hanky-panky

Hanky Panky

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Gerry Beaudoin Trio - Minor Swing

Bitrate: MP3@320K/s
Time: 46:14
Size: 105.9 MB
Styles: Guitar jazz
Year: 1992/2013
Art: Front

[5:17] 1. Swing With Dr Jake
[5:29] 2. Annouman
[3:50] 3. Baby Boy Blues
[3:36] 4. Ain't No Sunshine
[5:54] 5. Django's Castle
[3:24] 6. Minor Swing
[4:08] 7. In A Mellow Tone
[3:54] 8. So Long Ebony
[3:46] 9. Airola
[6:51] 10. Jackie's Serenade

“… Gerry Beaudoin is a fine guitarist, composer and arranger. I am looking forward to more musical adventures with Gerry and his trio in the future.” - David Grisman

The all acoustic, no amps allowed, recordings by the Gerry Beaudoin Trio were a watershed mark in Gerry’s’ career. His special guest, mandolinist David Grisman, had a huge impact on on the way Gerry looked at music and the setting he presented it in. ” When I first heard the David Grisman Quintet I was very aware after a few songs that David was not just a jazz player but had allowed all of his experiences in music and all the genres he played or listened to to come out in his music. I also noticed, like all great jazz musicians, he used the Quintet as an instrument. One other thing that wasn’t lost on me was that instead of playing jazz standards he was presenting his original compositions and crossing genres and grooves effortlessly. This had a huge impact on me. I started writing more of my own material that wasn’t solely based on the jazz lexicon and listening to a broader spectrum of music.” One other important fact wasn’t lost on Gerry,” I learned from seeing The David Grisman Quintet that all acoustic instruments performing with out amplification is such a great, pure musical sound. Each instrument has it’s own unique voice acoustically that has to be brought out by the player. His technique and control of the instrument helps create the sound not amplification which can change the sound drastically. ” After jamming in the dressing room with David one night at Cambridge Massachusetts now defunct club, Night Stage, Gerry knew what he wanted to do for his next recording. He invited David in as his guest with his new band that included two or three acoustic guitars, Gerry, Larry Baione and Duke Robillard, his regular rhythm section of Bob Nieske on acoustic bass, Chuck Laire on drums and Matt Glaser on fiddle. The result was his fourth recording as a leader, the all acoustic Minor Swing. The rapport between David and Gerry was instant as well as the rest of the band. The ten song CD, running the gamut from Django Rheinhart, Bill Withers, Duke Ellington and five Beaudoin originals has been hailed as one of Gerry’s finest recordings. David’s appearance on seven songs is stunning in it’s virtuosity. ”Through out the session David was into it like it was his own project and his wealth of experience in the recording studio as well as in performing totally acoustic music contributed immensely to the success of the recording. ”Gerry knew when he walked out of the studio he had recorded a winner. ” It was one of the best times I ever had in the studio. Everyone contributed to make the music the best we could. Stand out memories are Bob’s solo on Jackie’s Serenade and Dukes solo break on Swing with Dr. Jake and of course playing with David. Everyone was hot and playing in the pocket.” says Gerry almost twenty years later.

Minor Swing

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The Cedar Walton Sextet - Bambino: Plays the Music of Art Blakey

Styles: Hard Bop
Year: 1993
File: MP3@320K/s
Time: 49:47
Size: 114,4 MB
Art: Front

(10:09) 1. Arabia
( 8:12) 2. Wee Dot
( 7:20) 3. If I Had You
(16:06) 4. Blues March
( 7:58) 5. Along Came Betty

Cedar Walton's sextet recorded this session before an appreciative audience at Sweet Basil in New York in 1993. Joining the pianist for this date were trumpeter Philip Harper, tenor saxophonist Javon Jackson, trombonist Steve Turre, bassist David Williams and drummer Billy Higgins. The recording was taped during two August nights at the club; alto saxophonist Lou Donaldson appears on "Wee Dot" and "If I Had You."

Four of the sextet are alumni of Art Blakey's Jazz Messengers; moreover, Lou Donaldson's work experience with Blakey predates the founding of his Jazz Messengers. Horace Silver was with the ensemble at that time (the early 1950s) and likes to refer to The Jazz Messengers as "the Art Blakey College of Musical Education." Blakey's working unit remained at the vanguard of hard bop for 36 years, and included well-known jazz artists such as Benny Golson, Jackie McLean, Curtis Fuller, Lee Morgan, Cedar Walton, Freddie Hubbard, Keith Jarrett, Wayne Shorter, Chick Corea, and Wynton Marsalis (Blakey, who passed away in October 1990, used to introduce himself to audiences as "Mrs. Blakey's bambino, Arturo").

Curtis Fuller's "Arabia" features Turre's expressive trombone. J.J. Johnson's "Wee Dot" includes Walton's exciting hard bop piano work and fours from the ever-tasteful Billy Higgins. "If I Had You" is a gentle ballad that features Donaldson. Benny Golson's "Blues March" and "Along Came Betty" provide the most excitement, as each soloist pushes the envelope. Harper and Jackson are particularly creative in their solo spots, weaving quiet mouse-like lines together and building them into uproarious shouts. Art Blakey taught them well.By Jim Santella
https://www.allaboutjazz.com/bambino-cedar-walton-evidence-music-review-by-jim-santella

Personnel: Piano – Cedar Walton; Alto Saxophone, Guest – Lou Donaldson (tracks: 2, 3); Bass – David Williams (2); Drums – Billy Higgins; Tenor Saxophone – Javon Jackson; Trombone – Steve Turre; Trumpet – Philip Harper

Bambino: Plays the Music of Art Blakey

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Kayla Waters - Coevolve

Styles: Smooth Jazz
Year: 2018
File: MP3@320K/s
Time: 54:39
Size: 125,1 MB
Art: Front

(4:53) 1. Zephyr
(4:21) 2. Black Cove
(5:01) 3. Lil' Mustard Seed
(4:07) 4. Obsidian Rain
(5:06) 5. Heaven Said So
(4:46) 6. Eden's Gold
(4:29) 7. Cocoa Earth
(6:02) 8. Sweet Agape
(3:14) 9. Signs and Wonders
(4:55) 10. Kiss Away
(4:09) 11. Full Bloom
(3:30) 12. Coevolve

With Apogee pianist and composer Kayla Waters, introduced by her famous dad saxophonist Kim Waters, had her first surprise success. This year we can admire her following album Coevolve.

As on the previous album Kayla was supported by her father. Further artists on the new album are guitarists Freddie Fox and Nick Colionne, bassist Mel Brown, and vocalist Shacara Rogers

Kayla's perfectly developed sense for fine harmonies finds its expression in the starting tune Zephyr. It's the name of the Greek god of the west winds. The lightness of the wind can be discovered in Kayla's emotional keystrokes.

Those who have associated Black Cove with rum or pirates will achieve with this tune an attractive and elegant alternative. Lil' Mustard Seed has in the small sharpness and taste. This is a true musical equivalent.

With Obsidian Rain we approaches the lovely shores of New Age. Heaven Said So reflects a multitude of Kayla's qualities like outstanding mastery of the instruments, compositional skill and perfect arrangement, but also an enchanting voice, which she uses superiorly.

Eden's Gold allures with a compelling peaceful piano melody embedded in rich keyboard harmonies. Cocoa Earth brings the flute into the forefront with timeless grace accompanied by Kayla's radiant keyboard chords.

Agape is considered to be the love originating from God or Christ for mankind. With Sweet Agape Kayla is hollering this divine relationship. Further treasures of this exquisite album are Signs and Wonders, Kiss Away, Full Bloom and Coevolve.

Kayla Waters arrives with a rich and expensive collection of catchy melodies and harmonies and makes it clear that the future of smooth jazz belongs to the young generation. http://www.smooth-jazz.de/starportrait/Waters/Coevolve.htm

Coevolve

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Kenny Burrell - 12-15-78: Live At The Village Vanguard/In New York (Double CD)

Live At The Village Vanguard

Styles: Mainstream Jazz
Year: 1999
Time: 49:01
File: MP3 @ 320K/s
Size: 112,7 MB
Art: Front

( 6:10) 1. Second Balcony Jump
( 6:44) 2. Willow Weep For Me
( 4:27) 3. Work Song
( 7:03) 4. Woodyn' You
( 0:55) 5. The Introduction
(10:11) 6. In The Still Of The Night
( 6:49) 7. Medley: Don't You Know I Care/Love You Madly
( 6:38) 8. It's Getting Dark

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Kenny Burrell In New York

Styles: Mainstream Jazz
Year: 1999
Time: 36:48
File: MP3 @ 320K/s
Size: 84,6 MB
Art: Front

(9:02) 1. Pent Up House
(5:20) 2. But Beautiful
(3:50) 3. Bags' Groove
(7:20) 4. Makin' Whoopee
(3:30) 5. Come Rain Or Come Shine
(7:44) 6. Love, Your Magic Spell Is Everywhere

12/15/78 Live At The Village Vanguard/In New York CD 1 & CD 2

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The Kenny Burrell Trio recorded Live At The Village Vanguard and Kenny Burrell In New York on December 15, 1978; hence, the title for this two-disc reissue. It doesn’t get much better for those who appreciate a guitar trio performing mainstream jazz. Burrell combines a great respect for the lyrical with harmonic chorded lines and a sweet tone in his work. It was in 1978 that the guitarist began teaching a course at UCLA on the life and music of Duke Ellington. Quite popular with students, the course still has a long waiting line for admission, after all these years. Burrell includes a few Ellington numbers on this program and works in a quote from "It Don’t Mean a Thing" on his upbeat arrangement of "Love, Your Magic Spell is Everywhere."

Bass and drums solo infrequently on this session. Drummer Sherman Ferguson takes a few extended solos and fours that express his penchant for space and a variety of textures. Ferguson’s drums are tuned loosely at different pitches; this, in support of a lyrical outing. Although he stays way in the background for most of the club date, Larry Gales’ big fat round tones jump out on "Makin’ Whoopee," as he has a lot to say and all of it tied to the melody. Ballads "Willow Weep for Me," "Come Rain or Come Shine," "Don’t You Know I Care?" and "But Beautiful" drive home the message that Burrell’s unmistakable singing guitar style comes naturally and falls on ears that appreciate the reissue of this long out of print material.

https://www.allaboutjazz.com/12-15-78-kenny-burrell-32-records-review-by-jim-santella

Personnelfor both sessions:

Kenny Burrell- guitar; Larry Gales- acoustic bass; Sherman Ferguson- drums.

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Scott Henderson - Karnevel!

Styles: Guitar Jazz
Year: 2024
File: MP3@320K/s
Time: 66:42
Size: 153,9 MB
Art: Front

( 0:47) 1. Step Right Up
( 8:40) 2. Karnevel!
( 6:58) 3. Haunted Ballroom
( 5:37) 4. Covid Vaccination
( 6:57) 5. Puerto Madero
( 6:28) 6. Sea Around Us
(10:00) 7. Sky Coaster
( 4:42) 8. Greene Mansion
( 8:03) 9. Bilge Rat
( 4:59) 10. Acacia
( 3:25) 11. Carnies’ Time

Scott Henderson will be releasing his highly anticipated new album Karnevel! on February 2, 2024! Scott’s previous album People Mover was voted best fusion album of 2019 by Jazz Times magazine, and he won both Best Guitarist and Best Electric/Jazz-Rock/Contemporary Group in JazzTimes Readers Poll.

Karnevel! features a diverse set of beautiful compositions, and demonstrates Scott's striking ability to combine elements of jazz, rock, funk and blues in an authentic, seamless and musical way. After 35 years as a bandleader, Scott is a musician who's playing and composing continues to grow.

The album was recorded live in the studio with Romain Labaye on bass and Archibald Ligonnière on drums, the same musicians on People Mover. After the live session, Scott spent quite a bit of time layering additional guitar tracks. “I’m happy I was able to come up with quite a few sounds I’ve never used before” said Scott in a recent interview. “The variety and pacing are very important aspects of a record to me, and this one covers a lot of territory, from heavy rock moments to very harmonic jazz, and there’s a solo guitar piece which is something I haven’t done on an album before”.

Scott replied about the album concept, “It comes from being a fan of the LA Fair and carnivals in general, not so much as a kid, but from being a dad. Disneyland is fun, but the fair is way more quirky, ridiculous, and always hilarious. It’s a crazy atmosphere filled with variety, like my music.”

Born in 1954, Scott Henderson emerged in the 1980s with his legendary band Tribal Tech and has since become one of the top guitar players/composers in jazz fusion. Scott has toured and recorded with Chick Corea, Weather Report’s Joe Zawinul, Jean-Luc Ponty, and many others. As a bandleader, Scott has toured in over 70 countries and released over 20 albums. Throughout his career, he’s won numerous Best Guitarist awards in Guitar Player and Guitar World magazines, and been on the cover of many international guitar magazines.

“Few players have joined the spirit of jazz and rock as successfully as Scott Henderson, who consistently cranks out masterpieces of harmonic sophistication, overdriven energy, and tonal beauty. He is fully steeped in both jazz and rock tradition, and he’s woven them together to create one of the most powerful voices in fusion guitar.” By Guitar Player Magazine WILLIAM JAMES https://www.allaboutjazz.com/news/guitar-legend-scott-henderson-to-release-new-album-karnevel-announces-forthcoming-european-tour/

Karnevel!

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Dick Patterson Trio - The Lost Chicago Tapes

The Lost Chicago Tapes Set 1

Styles: Jazz Instrumental
Year: 2023
Time: 54:05
File: MP3 @ 320K/s
Size: 125,3 MB
Art: Front

(5:44) 1. Like Someone in Love (Live)
(6:20) 2. If I Had You (Live)
(5:01) 3. A Night in Tunisia (Live)
(6:55) 4. Lover Man (Live)
(6:04) 5. On Green Dolphin Street (Take 1) [Live]
(4:01) 6. Billie's Bounce (Live)
(3:41) 7. Twisted (Live)
(2:17) 8. Perdido (Live)
(7:04) 9. Everything Happens to Me (Take 1) [Live]
(3:31) 10. The Lonesome Road (Live)
(1:36) 11. I've Grown Accustomed to Her Face (Live)
(1:45) 12. Get Me to the Church on Time (Live)

The Lost Chicago Tapes Set 1

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The Lost Chicago Tapes Set 2

Styles: Jazz Instrumental
Year: 2023
Time: 90:44
File: MP3 @ 320K/s
Size: 209,9 MB
Art: Front

(9:56) 1. I Got Rhythm (Live)
(7:45) 2. Blues in G (Live)
(4:49) 3. Dancing on the Ceiling (Live)
(6:10) 4. Everything Happens to Me (Take 2) [Live]
(6:16) 5. I'm Beginning to See the Light (Live)
(4:58) 6. Pennies from Heaven (Live)
(4:48) 7. The Nearness of You (Live)
(5:30) 8. I'm Getting Sentimental over You (Live)
(6:30) 9. Satin Doll (Take 1) [Live]
(5:01) 10. Doodlin' (Live)
(4:37) 11. The Transition (Live)
(0:55) 12. Sweet Georgia Brown (Live)
(0:50) 13. Slow Boat to China (Live)
(1:43) 14. Exactly Like You (Live)
(1:09) 15. The Whiffenpoof Song (Live)
(5:11) 16. A Foggy Day (Live)
(4:45) 17. Bewitched (Live)
(5:28) 18. Jordu (Live)
(4:13) 19. Witchcraft (Live)

The Lost Chicago Tapes Set 2

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The Lost Chicago Tapes Set 3

Styles: Jazz Instrumental
Year: 2023
Time: 47:15
File: MP3 @ 320K/s
Size: 109,2 MB
Art: Front

(11:16) 1. Blues in Bb, G, C, and F (Live)
( 6:39) 2. Blue Moon (Live)
( 5:12) 3. Battle Hymn of the Republic (Live)
( 6:28) 4. Night and Day (Live)
( 6:34) 5. On Green Dolphin Street (Take 2) [Live]
( 6:48) 6. I'll Remember April (Live)
( 2:35) 7. Amor Amor Amor (Live)
( 1:41) 8. Aquellos Ojos Verdes (Live)

The Lost Chicago Tapes Set 3

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The Lost Chicago Tapes Set 4

Styles: Jazz Instrumental
Year: 2023
Time: 48:43
File: MP3 @ 320K/s
Size: 112,8 MB
Art: Front

(7:21) 1. Robbin's Nest (Live)
(7:34) 2. My Romance (Live)
(2:57) 3. Don't Blame Me (Live)
(2:55) 4. The Nearness of You (Live)
(2:56) 5. When I Fall in Love (Live)
(5:46) 6. East of the Sun (West of the Moon) [Live]
(1:14) 7. Old MacDonald Swang a Farm (Live)
(6:09) 8. Satin Doll (Take 2) [Live]
(5:03) 9. Round Midnight (Live)
(6:44) 10. The Theme (Live)

The Lost Chicago Tapes Set 4

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In late 2022, a collection of previously undiscovered live jazz recordings was found by Mark and Craig Patterson. These recordings all have a common thread – they feature Dick Patterson, the father of Mark and Craig, playing bass alongside various artists. Until now, these recordings had never been made public, remaining unheard since their original performances.

The initial release in this series is The Lost Chicago Tapes, a compilation of recordings from four nights of performances by the Dick Patterson Trio. These recordings provide a unique window into the musical talents of the three musicians, as they perform classic songs by artists like Monk, Davis, Parker, Ellington, Strayhorn, Carmichael, Lerner & Loewe, Gershwin, Rodgers & Hart and many others.

Containing a total of 48 tunes, including multiple takes from different nights, The Lost Chicago Tapes offers a glimpse into the vibrant Chicago jazz scene of the 1960s. Produced by Mark Patterson, a well-respected figure in the jazz world, and mastered by Craig Patterson, owner of PME Records, this project is a family endeavour. One aspect the Patterson brothers regret is the lack of information about the pianist and drummer who played alongside Dick Patterson during these recordings. The tape labels simply read “Trio – Chicago,” with one tape featuring the notation “November 24, 1962 – Highwood.” Highwood is a suburb on the north side of Chicago, but he venue is unknown.

The Pattersons are eager to acknowledge the other two musicians and are seeking the assistance of aficionados with knowledge of early 1960s Chicago jazz musicians. They have created a video on YouTube to explain their situation, and the four-album set is now available on various streaming platforms, including Bandcamp.

By the late 1950s, Dick Patterson had become a prominent figure on the Chicago club scene. In 1963, he relocated to Colorado with his young family, embarking on a new phase of his career. This time around, he played with renowned artists like Clark Terry, The Pointer Sisters, Johnny Smith, Peanuts Hucko, Jerry Lewis, Spike Robinson, Neil Bridge, Stew Jackson, Dean Bushnell, Bob Montgomery, Claude Thornhill, George Gobel, and Dave and Don Grusin, among many others. The 1960s marked a golden era for jazz in Denver, and Dick Patterson played a important role, performing up to six nights a week for several decades while supporting fellow musicians on their journeys to success.

However, his own artistry was often overshadowed by his dedication to others. More tapes from his career are set to be released soon, inviting audiences to join in this exploration of musical history.

https://jazzjournal.co.uk/2023/10/29/the-dick-patterson-trio-a-real-life-jazz-mystery/

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Kenny Burrell - Live at the Village Vanguard

Styles: Guitar Jazz
Year: 1980
File: MP3@320K/s
Time: 49:03
Size: 113,0 MB
Art: Front

( 6:10) 1. Second Balcony Jump
( 6:44) 2. Willow Weep For Me
( 4:27) 3. Work Song
( 7:03) 4. Woodyn' You
( 0:55) 5. The Introduction by Kenny Burrell of Max Gordon, Village Vanguard
(10:11) 6. In The Still Of The Night
( 6:49) 7. Don't You Know I Care - Love You Madly
( 6:41) 8. It's Getting Dark

Kenny Burrell's storied career as perhaps the premier modern jazz guitarist has been documented by many efforts in the studio, but here's a nightclub date that may well be highly ranked as one of his very best efforts. The spontaneity and freshness of Burrell's lyric lines and deft chords is further enhanced by perhaps the most advanced musicians he has ever played with bassist Richard Davis and drummer Roy Haynes.

For music done in 1959, this is heady, seat-of-the-pants, brilliantly executed jazz that is mostly based in standards, but stretched to exacting tolerances that bend, but are not close to breaking. Davis provides strong support without going as outward as he did later in life, while Haynes might sound subdued to his fans, yet has an elastic presence that allows the other two a lot of freedom to fully articulate this modern mainstream language as a prelude heading into the turbulent '60s.

On this straight reissue that originally sported the title "Man at Work," the trio plays all standards save the lively blues groove, more pronounced than the studio version of Burrell's "All Night Long," and the Erroll Garner tune "Trio," where Burrell's proves expert at combining singles lines and chords in balance. Most of the material is very upbeat and energetic as on the fast and quick "Will You Still Be Mine," and the bop swing of "Broadway" mixed up a little melodically by Burrell.

The love of Duke Ellington's music is always with the guitarist as rendered during "Just A-Sittin' and A-Rockin'," where the genius of Burrell is extant in his ability to provide his own counterpoint. Burrell's other precious component is his ability to relax and consistently swing as on Thelonious Monk's "Well, You Needn't," Benny Goodman's poignant and simple "Soft Winds," and dipping deep into the tenderness quotient on the ballad "I'm a Fool to Want You" aside the tango-flavored bass of Davis. A solid effort top to bottom, and a recording most highly recommended, this is Burrell and his extraordinary trio very close to, if not truly in their prime, and their element. By Michael G. Nastos https://www.allmusic.com/album/a-night-at-the-vanguard-mw0000203946#review

Live at the Village Vanguard

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David Hazeltine - Ballads and Blues Volume I

Styles: Piano Jazz
Year: 2024
Time: 23:33
File: MP3 @ 320K/s
Size: 54,3 MB
Art: Front

(5:25) 1. Felicia’s Blues
(5:32) 2. Just Things
(6:16) 3. When I Fall In Love
(6:19) 4. Blues De Troye

David Hazeltine is one of a handful of contemporary pianists who has mastered all of the major musical skills, from improvisation and technique, to accompaniment, arranging, and composition. Even more impressive, David is the rare artist able to innovate in each category. Thus it’s no surprise that he’s the most recorded contemporary jazz pianist of our time, having recorded thirty five cd’s as a leader and hundreds more as a sideman, on various major labels globally. A Milwaukee native, David was playing the clubs as a preteen, and before he’d even come of age he was already grabbing the attention and respect of jazz legends like Sonny Stitt, and Chet Baker. They urged him to make the move to New York City, which he did in 1992.

Beautifully complex and memorable:

The mark of a true artist, David’s style appeals to a wide range of musical tastes and levels of sophistication. His melodies and harmonies are beautifully complex and memorable. As a composer and instrumentalist, he has developed a signature style that is readily recognizable. His cooperative group “One For All” featuring tenor great Eric Alexander, has attained critical acclaim with their impressive 16 cd discography, and live concerts worldwide including appearances at the North Sea Jazz Festival and the Newport Jazz Festival.

Hazeltine is one of the most sought after pianists today. He has worked with some of the world’s most respected jazz legends including James Moody, Eddie Harris, Jon Faddis, Joe Henderson, Pepper Adams, Jon Hendricks, and Marlena Shaw. David is known for taking a familiar or unexpected song and making it new, making it his own. He effortlessly transfers this skill from song to stage. Whether he’s composing or interpreting, accompanying or leading, you are certain to end the set remembering the sounds of David Hazeltine.

Carrying the art forward:

A brilliant teacher, David is also determined to carry the art forward to the next generation. Formerly an Associate Professor at Berklee, he currently teaches at SUNY-Purchase in New York. David is also a highly skilled clinician, and has served on the Jamey Aebersold Summer Jazz Camp faculty for the past 15 years. His teaching has had a major impact on many of today’s young professional pianists including Ben Markley, who published his doctorate “The David Hazeltine Method” based on his lessons with Mr. Hazeltine. Hal Leonard has published the new “Real Book - Enhanced Edition”, featuring David’s own re-harmonizations of 200 well known standards. Lessons from David are also available on his online workshops; check out his sessions on harmony at www.jazzpianomastery.com, and on the essentials of bebop at www.mymusicmasterclass.com.
https://www.davidhazeltine.com/biography

Personnel: David Hazeltine - piano; Neal Miner - bass; Pete Van Nostrand - drums

Ballads and Blues Volume I

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Lorez Alexandria - In A Different Bag

Styles: Vocal
Year: 1969
File: MP3@320K/s
Time: 34:43
Size: 79,8 MB
Art: Front

(5:17) 1. Hey Jude
(3:24) 2. Confessin' The Blues
(2:01) 3. Deacon Jones Daughter
(3:20) 4. I Don't Want To Hear It Anymore
(3:21) 5. I'll Never Be Free
(3:00) 6. Just One More Chance
(3:40) 7. Trust In Me
(2:35) 8. Vibrations
(2:59) 9. I've Got A Right To Cry
(5:04) 10. My Way

Given the deep gospel roots that inform her pure, powerful vocals, Lorez Alexandria was always as much a soul singer as a jazz singer, regardless of where record stores racked her albums. In a Different Bag emphasizes and expands her pop possibilities, borrowing songs and sounds from the mainstream to create a richly nuanced session that's wonderfully accessible yet true to Alexandria's immense talents.

Produced by Pzazz owner Paul Gayten and arranged by Jack Scott, the album boasts an organic intimacy that underscores its R&B-inspired approach. Alexandria excels on unlikely covers like the Beatles' "Hey Jude" and Randy Newman's "I Don't Want to Hear It Anymore," wrapping this daring and unconventional album on a perfectly poetic note with a reading of "My Way." [Long out-of-print, In a Different Bag was finally reissued in 2001 alongside its 1968 predecessor Didn't We via the two-fer The 60's Pzazz Sessions.] By Jason Ankeny https://www.allmusic.com/album/in-a-different-bag-mw0001249470

In A Different Bag

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Nat King Cole - From The Capitol Vaults (Vol. 4)

Styles: Vocal
Year: 2023
File: MP3@320K/s
Time: 37:50
Size: 87,6 MB
Art: Front

(3:01) 1. Little Child
(2:49) 2. You Will Never Grow Old
(2:27) 3. You Are My Sunshine
(3:09) 4. True Blue Lou
(2:50) 5. We Are Americans Too
(3:03) 6. This Holy Love
(2:54) 7. Peace Of Mind
(2:19) 8. Steady
(2:28) 9. The First Baseball Game
(2:47) 10. Goodnight, Little Leaguer
(2:53) 11. The Right Thing To Say
(2:04) 12. Nothing Goes Up (Without Coming Down)
(2:28) 13. More And More Of Your Amor
(2:31) 14. Wanderlust

Continuing Capitol/UMe's ongoing roll-out of rare tracks by Nat King Cole comes the highly anticipated From The Capitol Vaults (Vol. 4) out June 16, 2023, just in time for Father's Day and Juneteenth. This fourth digital-only collection features 14 timeless tracks, 12 of which are available for the first time on streaming platforms.

From The Capitol Vaults (Vol. 4) highlights Cole's velvety smooth voice that is perfectly suited to some of the greatest love songs ever written, capturing him at his most engaging. From the dramatic and lilting "Little Child" (1951) to the charming romantic waltz of "You Will Never Grow Old" (1952), to the whimsical "The First Baseball Game" (1961), the fourth volume of From the Capitol Vaults shows a playful side of Cole's music. The bossa nova and samba of "More and More of Your Amor" (1964) perfectly captures the steamy tropical vibes as we enter the dog days of summer. His jazzy take on "You Are My Sunshine" puts a big band spin on the 1940 American standard by Jimmie Davis and Charles Mitchell.

His focus on harmony in music and in life allowed him to effortlessly inject a poignant and important Civil Rights message in the track "We Are Americans Too" (1956), featured on this compilation. Echoing the sentiments celebrated by the Juneteenth holiday toward emancipation, he conveys the well-documented struggle for equality in the eyes of his fellow Americans ("By the pick and the plow and the sweat of our brow / We are Americans too / We have given up our blood and bone / Helped to lay the Nation's cornerstone").

While he is best known as an iconic vocal legend, Nat King Cole is also remembered as being a loving father to his five children. His daughter Casey Cole told People.com in 2021, "We are so proud that our father touched the soul with his voice and was a quiet leader in the arts. He believed that he could bring harmony among people with his music. We want to continue that dream in a time when we really need it."

Cole's effervescent swing and moonlit balladry propelled him to the forefront of the most iconic performers ever to emerge from the jazz/pop sphere. An icon from the bygone Swing Era and Jazz Age, this volume is a great way to revisit and enjoy the Cole tracks that permeate our culture. But when it comes to American geniuses like him, digging a little deeper now and again is always an excellent idea.https://www.prnewswire.com/news-releases/capitolume-releases-from-the-capitol-vaults-vol-4-by-nat-king-cole-digitally-today-301852790.html

From The Capitol Vaults (Vol. 4)

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Papik Present: Sea Breeze - West Coast Rendez Vous

Styles: Smooth Jazz
Year: 2023
File: MP3@320K/s
Time: 60:02
Size: 138,8 MB
Art: Front

(3:19) 1. Chains Of Our Love
(3:51) 2. How Long
(4:08) 3. A Blur In A Morning Dew
(4:08) 4. I Shouldn't Say
(4:54) 5. Biggest Part Of Me
(3:50) 6. Bottom Line
(3:42) 7. I'm Counting On You
(4:36) 8. Movin' On
(3:26) 9. The Many Things I've Lost Along The Way
(3:52) 10. Wait Another Day
(4:03) 11. Never Too Late
(4:21) 12. Right Or Wrong
(3:34) 13. Walking By My Side
(4:31) 14. Miss Sun
(3:41) 15. My Favourite Song (Feat. Kenneth Bailey)

The Roman musician, composer, arranger and producer Nerio “Papik” Poggi is featured here regularly, and is one of my favourites.

I was therefore very excited when I saw that he had realized a new project, and that is this Sea Breeze. The “yacht rock” from the west coast of the USA is central to this.

Papik helped write most of the songs, and also recorded some covers. The opener 'Chains of our Love' was sung by Filippo Perbellini, and immediately sets the tone for this beautiful album, which was released by the Italian label Irma Records Group.

The relaxed atmosphere creates a real holiday feeling. This is followed by the well-known cover 'How Long' by Paul Carrack, now sung by Lo Van Gorp. The ballad 'A Blur in a Morning Dew' has vocals from Dario Daneluz, after which the relaxed mid-tempo of 'I Shouldn't Stay' was sung by Alan Scaffardi. ‘Biggest Part of Me’ is a song written by David Pack when he was a member of the band Ambrosia. Mario Rosini sang it.

This is followed by the original track 'Bottom Line', again with vocals by Lo Van Gorp. The ballad 'I'm Counting on You' is the next track with vocals by Dario Daneluz and sax by Carlo Maria Micheli. 'Movin' on' sounds a bit more funky, with vocals by Filippo Perbellini, followed by the ballad 'The Many Things I've Lost along the Way', which was sung by Alessandro Pitoni.

'Wait Another Day' is another relaxed track, with vocals by Lo Van Gorp. 'Never too Late' is a bit more mid-tempo with vocals by Dario Daneluz, after which 'Right or Wrong' was sung by Andrea “Satomi” Bertorelli. Alfredo Malabello then sings 'Walkin' by My Side', followed by the David Paich cover 'Miss Sun', which was recorded by both Boz Scaggs and Toto. Here David Florio takes care of the vocals. As a bonus track you will receive 'My Favorite Song' as a gift on this CD. Kenneth Bailey provides the vocals on this somewhat funky track.

Again a really cool CD, with relaxed West Coast music. If you like the music of Toto, Boz Scaggs, and smooth soul, this one is for you. Highly recommended!http://www.smooth-jazz.de/Patrick/Papik/WestCoastRendevous.htm

West Coast Rendez Vous

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Lin Rountree - The Message

Styles: Smooth Jazz
Year: 2023
File: MP3@320K/s
Time: 54:35
Size: 125,9 MB
Art: Front

(4:00) 1. Justified
(4:26) 2. Solid
(4:19) 3. It's You
(4:37) 4. A Little Closer
(3:36) 5. One You
(4:28) 6. To The Top
(6:05) 7. Can't
(7:12) 8. The Message
(3:51) 9. Nite Of Passion
(4:29) 10. Magic Hour
(3:57) 11. Back In The Day
(3:32) 12. Tree's Groove

We have to say that Lin Rountree‘s Fluid album was one of the best Smooth Jazz album in the past few years. Now he is back with a new one for 2023. It is called The Message, and you get 12 tracks with the trumpet as the lead instrument. Guests include Chris ‘Big Dog’ Davis, Ryan La Vallete, Algebra Blessett, Gary Johnson, and Greg Manning.

The set starts off with Justified. You will notice the New Jack Swing beat, which gives the track that extra bounce. This song is all about Rountree’s horns, the lead the hook and the change is horn heavy, and we are not mad at that!

Solid is up next. Ryan La Vallete if featured, and this is another groovy song with a funky beat. Rountree’s trumpet is bouncing off that beat, and La Vallete can really strum that guitar. This is a track that will put a smile on your face.

It’s You, in our opinion, is the best song that Lin has recorded. The change (the part right before the hook) and the hook arrangements are outstanding. The bass adds that extra layer of goodness, and you may have to play this twice to soak it all in.

We pick up the pace with A Little Closer. This is a Greg Manning produced track, and it is alright if you just want to get up and dance. Once again the trumpet arrangement is stellar, with some great ad libs toward the end.

Algebra Blessett is the featured vocalist on One You. Some people have been saying that R&B is dead. Actually, it is not, as it is living in the Smooth Jazz Genre. Tracks like this prove that point. If this was released as a single, it would chart on the R&B side.

To listen to the track To The Top is like being on a rollercoaster. There are several twists and turns here, and we are all about it. It starts out mellow, then on to a mid-tempo feel, with Ryan La Vallete adding some inspiring guitar play. After the song builds up a little, they break it all the way down. After that, they bring the energy, only to break it down again. They bring back the mid-tempo groove to close it out.

You know how artists like to add those interlude breaks between songs? Well, Can’t Wait is like a six minute interlude. That is until those guitar licks wake you up at the end.

The title track, The Message, is next. Gary Johnson is featured on guitar, and this is a slow jam that has a little bounce to it. Coming in at seven minutes, it gives the musicians time to do their thing. This track solidifies Rountree’s place as the top trumpet player on the scene right now.

Nite Of Passion is a Chris ‘Big Dog’ Davis production, and it has some interesting sounds throughout. Rountree is on point with the horn play, and the bassline really sets the tone as this track will be one of the standout pieces on the album.

It seems every Jazz album has at least one ‘jam session’ track, one where all of the musicians get to shine. Magic Hour is that track. Everything just comes together, leaving us with a versatile song that can be played at any occasion.

If you are ready for a little funk, then Back In The Day will do it for you. We are loving the horn arrangements, and do not sleep on the keys, as they are sort of in the background, but they really complete the song.

The album concludes with Tree’s Groove. This is a track has an R&B base, and it just shows of Rountree’s range as an artist. Something with a little different feel than the rest of the tracks on the album.

The Message is another winner for Lin Rountree. You can stream it in its entirety through your favorite service. https://simplyjazztalk.blog/review-the-message-by-lin-rountree/

The Message

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Stepanka Balcarova - Emotions

Styles: Trumpet Jazz
Year: 2023
File: MP3@320K/s
Time: 46:35
Size: 107,1 MB
Art: Front

(5:56) 1. Trust
(2:18) 2. Anticipation
(8:21) 3. Surprise
(7:15) 4. Anger
(7:14) 5. Fear
(7:22) 6. Disgust
(3:01) 7. Joy
(5:03) 8. Sadness

The newly formed quartet (cz/pl) of the Czech trumpeter Štěpánka Balcarová performs with the programme Emotions. It is a group of eight compositions. Each composition is inspired by one of the basic human emotions (joy, trust, fear, disgust, surprise, sadness, anger, expectation).


In the summer of 2023 this programme will be released on CD by the Czech label Animal Music. In addition to the author of the project, Štěpánka Balcarová, the quartet consists of two jazz players from Poland and Czech double bassist Jaromír Honzák.https://www.praha-vysehrad.cz/en/event/stepanka-balcarova-quartet-emotions-cz-pl

Personnel: Stepanka Balcarova - trumpet, flugelhorn; Nikola Kolodziejczyk - piano; Jaromir Honzák - double bass; Grzegorz Masłowski - drums

Emotions

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Manuel Valera Quintet - Vessel

Styles: Piano Jazz
Year: 2023
File: MP3@320K/s
Time: 69:26
Size: 159,8 MB
Art: Front

(7:21) 1. Blues For Kenny K
(8:20) 2. First Day
(7:39) 3. Pablo
(6:43) 4. Sunset
(7:17) 5. Garzonian
(5:16) 6. Alma
(8:42) 7. Crisis
(5:08) 8. Remembrance
(5:30) 9. Chance
(7:24) 10. Mr. Henderson

Cuban born and raised, pianist and composer Manuel Valera moved to the US in 1994, attending high school in Florida before moving to New York City in 2000 to study at the New School. His classmates included Robert Glasper, Mike Moreno, Michael Rodriguez, Marcus Strickland and E.J. Strickland. Fast company.

Valera's career as a leader moved up a notch when his band The New Cuban Express received a Grammy nomination in 2013 for Best Latin Jazz Album for their eponymous debut. Since then, Valera has continued to explore Latin and in particular Cuban-informed jazz with small and large ensembles, while also recording in non-Latin situations.

As a composer, Valera has made a feature of through-composition. But Vessel marks a departure from that. Recorded with tenor saxophonist John Ellis, trumpeter Alex Norris, bassist Hamish Smith and drummer Mark Whitfield Jr., Valera conceived the album rather like an old school Blue Note artefact, where the tunes and their changes, rather than the arrangements, are the platforms for improvisation. As Valera puts it in the sleeve notes: "You play the tune, you blow over the tune, then you play the tune again the improvisation is as important as the composition."

There is enough energy running through the ten tracks on Vessel to excite jazz fans from newbies to seasoned professionals. But the more one knows of jazz history, the more one is likely to get out of the disc. Valera wrote each of his nine originals (a tenth track is a cover of Kenny Kirkland's "Chance") in honour of a jazz musician he admires. Only one tune, "First Day," is a borderline pastiche of its inspiration, which is Wayne Shorter circa his role as a composer in the Miles Davis quintet of the mid 1960s. (Check the YouTube below: "First Day" sounds rather like something Shorter might have written the same day as "Masqualero"). The remaining tracks contain more subtle hints of their inspirations, Joe Henderson, Thelonious Monk, McCoy Tyner and post-Weather Report Shorter, among other heroes.

Primary soloists Valera, Ellis and Norris get plenty of space in which to stretch out and their work is consistently high caliber. Along with Valera, Ellis, whose soulful sound has been something to savour ever since his time with Charlie Hunter in the early aughties, is a particular joy. Norris' gutsy work is the business, too. And Smith and Whitfield are as tight as you like. By Chris May
https://www.allaboutjazz.com/vessel-manuel-valera-criss-cross

Personnel: Manuel Valera – piano.; Mark Whitfield Jr. – drums.; John Ellis – tenor saxophone, bass clarinet, flute.; Alex Norris – trumpet, flugelhorn.; Hamish Smith – cdouble bass.Sep 30, 2023

Vessel

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Kitty White - A New Voice In Jazz

Styles: Vocal Jazz
Year: 2007
File: MP3@320K/s
Time: 74:15
Size: 171,2 MB
Art: Front

(4:51)  1. Skylark
(3:42)  2. Among My Souvenirs
(4:20)  3. If You Were Mine
(4:02)  4. So Many Beautiful Men
(4:25)  5. With The Wind And The Rain In Your Hair
(4:11)  6. With Every Breath I Take
(2:35)  7. Let's Go Around Together
(3:50)  8. Softly
(2:52)  9. Porgy
(3:33) 10. See Saw
(2:53) 11. Out Of This World
(3:29) 12. Talk Me Some Sweet Talk
(3:17) 13. Please Be Pacient
(2:13) 14. When The Wind Was Green
(2:25) 15. Of Thee I Sing
(2:53) 16. Where Or When
(3:09) 17. Forever Young
(3:01) 18. So Help Me
(2:24) 19. I Know That You Know
(3:21) 20. Lazy Afternoon
(2:25) 21. Dat's Love
(2:38) 22. It Was So Beautiful
(1:36) 23. Alone Together

Kitty White for years has been a nightclub favorite among audiences in Los Angeles, frequently singing sophisticated songs with well-traveled lyrics. Colorful, precise and imaginative, she has a remarkable voice that owes allegiance to no particular style. Aside from occasional side trips to San Francisco, Las Vegas, Chicago, and New York, Kitty has always stayed pretty much on home base, so it's not strange to find her here surrounded by groups featuring some outstanding West Coast jazz musicians. Impeccable in diction, phrasing and control, her work with them is a study in perfection.   http://www.jazzloft.com/p-46675-a-new-voice-in-jazz.aspx

Personnel:  Kitty White (vocals); Georgie Auld, Ted Nash (tenor sax, flute); Harry Sweets Edison (trumpet); Gerald Wiggins (piano); Benny Carter (alto sax); Larry Bunker (vibes, conga); Carlos Vidal (bongo, congas); Alvin Stoller (drums); Red Callender (bass)

A New Voice In Jazz

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John Jorgenson - After You've Gone

Bitrate: 320K/s
Time: 40:21
Size: 92.4 MB
Styles: Progressive bluegrass, Swing
Year: 1988/1992
Art: Front

[3:32] 1. You're Nobodys Sweetheart Now
[3:56] 2. Mabel
[5:44] 3. Mirror In Blue
[2:34] 4. Red Shoelaces
[4:53] 5. I've Found A New Baby
[3:20] 6. Crazy 'nout My Baby
[3:48] 7. Oh Baby!
[3:27] 8. Don' The Uptwon Lowdown
[4:46] 9. After You've Gone
[4:16] 10. Dr. Jazz

This release is a blend of the Django Reinhardt-Stephane Grappelli quintet of the Hot Club of France and David Grisman's Dawg music, the latter being no surprise since Grisman adds his distinctive mandolin to the CD. Jorgenson is a talented guitarist known for his tenure with Chris Hillman's short-lived Desert Rose Band, but he's also right at home with swing era gems like "You're Nobody's Sweetheart Now" and Reinhardt's "Mabel," and his own compositions "Red Shoelaces" and "Mirror In Blue" fit in beautifully. Violinist Daryl Anger, a veteran of Grisman's group and the Turtle Island String Quartet, is also no stranger to classic swing and performs well. Jorgenson's chops on clarinet may be news to some folks but he proves up to the task on a superb take of "I'm Crazy "Bout My Baby." ~Ken Dryden

After You've Gone

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