Styles: Vocal
Year: 2021
Time: 40:32
File: MP3 @ 320K/s
Size: 93,5 MB
Art: Front
(3:12) 1. We´ve Only Just Begun
(3:47) 2. Yesterday Once More
(3:27) 3. Goodbye To Love
(3:49) 4. Close To You
(6:28) 5. This Masquerade
(3:11) 6. Rainy Days And Monday´s
(3:19) 7. Superstar
(3:39) 8. Top Of The World
(3:24) 9. Hurting Each Other
(3:05) 10. It´s Going To Take Some Time
(3:07) 11. For All We Know
Friday, November 8, 2024
Alexander Claffy - Memento
Styles: Jazz
Year: 2024
Time: 49:26
File: MP3 @ 320K/s
Size: 113,6 MB
Art: Front
(10:06) 1. Brother
( 8:32) 2. Tokyo
( 7:22) 3. Tassia
( 7:22) 4. Jinriksha
( 8:55) 5. This Nearly Was Mine
( 7:07) 6. Power Station
Memento
Year: 2024
Time: 49:26
File: MP3 @ 320K/s
Size: 113,6 MB
Art: Front
(10:06) 1. Brother
( 8:32) 2. Tokyo
( 7:22) 3. Tassia
( 7:22) 4. Jinriksha
( 8:55) 5. This Nearly Was Mine
( 7:07) 6. Power Station
I’d like to open by thanking everyone who helped to make this album possible. You know exactly who you are and I couldn’t have made it without you.
“Memento”, derived from the concept of “Memento Mori” is my 10th leader effort. By the time this album has been released I’ll be 32 years old. In an age where releasing 50 minutes of consecutive music may seem archaic, I’m just doing my best to document a place and time in my growth and development. When the stars align and I see a group of musicians that can come together and document a sign of the times, I jump at the chance. Even if I myself am not in the exact shape I want to be to record, I’ll take that risk.
This document serves as a reminder of what high level musicianship is still coming out of New York City. To be able to have one of the world’s greatest geniuses, my brother, Kurt Rosenwinkel contributing to this record is a dream within itself. I did my best to assemble some of my favorite voices, and give a pallet which everyone could speak their minds onto.
The goal here was to bring some emotionally powerful music that reminds us each: to enjoy and be grateful. Every day could be your last. And that’s how I’m trying to consistently play and contribute art for the rest of my days. A musical “Memento Mori”, that translates that urgency into song. This Record is dedicated to the memory of my father, Joseph Francis Claffy.
Yours Truly, Alexander Claffy https://alexanderclaffymusic.bandcamp.com/album/memento
Personnel: Alexander Claffy - bass; Kurt Rosenwinkel - guitar; Jimmy Macbride - drums; Matt Chalk - alto sax (tracks 1, 5); Tim Brey - piano (tracks 1, 4-6); Dave Kikoski - piano (tracks 2, 3 & 4); Stacy Dillard - tenor saxophone (tracks 2 & 4); Eric Alexander - tenor saxophone (track 6); Simon Moullier - vibraphone (tracks 1, 2, 4 - 6)
“Memento”, derived from the concept of “Memento Mori” is my 10th leader effort. By the time this album has been released I’ll be 32 years old. In an age where releasing 50 minutes of consecutive music may seem archaic, I’m just doing my best to document a place and time in my growth and development. When the stars align and I see a group of musicians that can come together and document a sign of the times, I jump at the chance. Even if I myself am not in the exact shape I want to be to record, I’ll take that risk.
This document serves as a reminder of what high level musicianship is still coming out of New York City. To be able to have one of the world’s greatest geniuses, my brother, Kurt Rosenwinkel contributing to this record is a dream within itself. I did my best to assemble some of my favorite voices, and give a pallet which everyone could speak their minds onto.
The goal here was to bring some emotionally powerful music that reminds us each: to enjoy and be grateful. Every day could be your last. And that’s how I’m trying to consistently play and contribute art for the rest of my days. A musical “Memento Mori”, that translates that urgency into song. This Record is dedicated to the memory of my father, Joseph Francis Claffy.
Yours Truly, Alexander Claffy https://alexanderclaffymusic.bandcamp.com/album/memento
Personnel: Alexander Claffy - bass; Kurt Rosenwinkel - guitar; Jimmy Macbride - drums; Matt Chalk - alto sax (tracks 1, 5); Tim Brey - piano (tracks 1, 4-6); Dave Kikoski - piano (tracks 2, 3 & 4); Stacy Dillard - tenor saxophone (tracks 2 & 4); Eric Alexander - tenor saxophone (track 6); Simon Moullier - vibraphone (tracks 1, 2, 4 - 6)
Memento
Thursday, November 7, 2024
Nils Lindberg - Sax Appeal & Trisection
Styles: Piano Jazz
Year: 1994
Time: 66:28
File: MP3 @ 320K/s
Size: 153,1 MB
Art: Front
(5:09) 1. Curbits
(4:23) 2. Play For Love
(5:36) 3. Birdland
(3:15) 4. Brand New
(5:29) 5. Just Take
(5:26) 6. Blues For Bill
(4:35) 7. Zodiac
(6:07) 8. Trisection I - Preludium (Visa), Moderato
(5:57) 9. Trisection II - Valse, Moderato
(5:06) 10. Trisection III - Finale, Allegretto-Allegro
(5:34) 11. Day-Dreaming
(4:17) 12. Ars Gratia Artis
(5:28) 13. Joker
Sax Appeal & Trisection
Year: 1994
Time: 66:28
File: MP3 @ 320K/s
Size: 153,1 MB
Art: Front
(5:09) 1. Curbits
(4:23) 2. Play For Love
(5:36) 3. Birdland
(3:15) 4. Brand New
(5:29) 5. Just Take
(5:26) 6. Blues For Bill
(4:35) 7. Zodiac
(6:07) 8. Trisection I - Preludium (Visa), Moderato
(5:57) 9. Trisection II - Valse, Moderato
(5:06) 10. Trisection III - Finale, Allegretto-Allegro
(5:34) 11. Day-Dreaming
(4:17) 12. Ars Gratia Artis
(5:28) 13. Joker
Two obscure records led by pianist-arranger-composer Nils Lindberg are combined on this enjoyable single-CD. The first seven songs feature Lindberg with either a quintet or a septet. Among his sidemen on these cool jazz performances are altoist Rolf Billberg and the great baritonist Nils Lindberg.
The second set, which generally utilizes a 12-piece group, is more advanced, looking both toward the cool and Third Stream works; trumpeters Idrees Sulieman and Jan Allen, trombonist Eje Thelin and altoist Billberg are among the key players. Despite the lack of name recognition, Nils Lindberg's CD is well worth checking out by fans of cool-toned jazz.By Scott Yanow
https://www.allmusic.com/album/sax-appeal-trisection-mw0000764410#review
The second set, which generally utilizes a 12-piece group, is more advanced, looking both toward the cool and Third Stream works; trumpeters Idrees Sulieman and Jan Allen, trombonist Eje Thelin and altoist Billberg are among the key players. Despite the lack of name recognition, Nils Lindberg's CD is well worth checking out by fans of cool-toned jazz.By Scott Yanow
https://www.allmusic.com/album/sax-appeal-trisection-mw0000764410#review
Sax Appeal & Trisection
Tuesday, November 5, 2024
Petula Clark - Ultimate Petula Clark
Bitrate: MP3@320K/s
Time: 62:38
Size: 143.4 MB
Styles: AM Pop, Sunshine pop
Year: 2003
Art: Front
[3:06] 1. Downtown
[2:42] 2. I Know A Place
[2:50] 3. You'd Better Come Home
[2:37] 4. Round Every Corner
[2:25] 5. You're The One
[2:45] 6. Call Me
[2:42] 7. My Love
[2:57] 8. A Sign Of The Times
[2:52] 9. I Couldn't Live Without Your Love
[2:18] 10. Who Am I
[2:52] 11. Colour My World
[3:15] 12. This Is My Song
[2:54] 13. Don't Sleep In The Subway
[1:55] 14. The Cat In The Window (The Bird In The Sky)
[2:51] 15. The Other Man's Grass Is Always Greener
[3:55] 16. Kiss Me Goodbye
[3:04] 17. Don't Give Up
[3:29] 18. Happy Heart
[2:49] 19. Neon Rainbow
[3:55] 20. The Song Is Love
[4:15] 21. I Don't Know How To Love Him
Ultimate Petula Clark
Time: 62:38
Size: 143.4 MB
Styles: AM Pop, Sunshine pop
Year: 2003
Art: Front
[3:06] 1. Downtown
[2:42] 2. I Know A Place
[2:50] 3. You'd Better Come Home
[2:37] 4. Round Every Corner
[2:25] 5. You're The One
[2:45] 6. Call Me
[2:42] 7. My Love
[2:57] 8. A Sign Of The Times
[2:52] 9. I Couldn't Live Without Your Love
[2:18] 10. Who Am I
[2:52] 11. Colour My World
[3:15] 12. This Is My Song
[2:54] 13. Don't Sleep In The Subway
[1:55] 14. The Cat In The Window (The Bird In The Sky)
[2:51] 15. The Other Man's Grass Is Always Greener
[3:55] 16. Kiss Me Goodbye
[3:04] 17. Don't Give Up
[3:29] 18. Happy Heart
[2:49] 19. Neon Rainbow
[3:55] 20. The Song Is Love
[4:15] 21. I Don't Know How To Love Him
Ultimate Petula Clark is a 21-track collection of British songbird Clark's biggest hits and best songs from the early '60s through the early '70s. Her sophisticated and warm voice was the perfect instrument for the songwriting talents of Tony Hatch and Jackie Trent; many of the songs here are written and produced by the underrated Hatch. The collection leads off with her biggest hit, "Downtown," and includes great songs like "I Know a Place," "Call Me," "Sign of the Times," and "Don't Sleep in the Subway." She split with Hatch in the late '60s and some of the songs she recorded after the split are here: "Kiss Me Goodbye," "The Song Is Love," and "Neon Rainbow," a great track from Memphis, the oft-overlooked classic record that she cut with Chips Moman in 1970. Along with the great music and a very generous track listing, the collection boasts remastered sound and extensive liner notes, making Ultimate Petula Clark the best single-disc Petula Clark disc on the market. ~Tim Sendra
Ultimate Petula Clark
Sunday, November 3, 2024
The Syd Lawrence Orchestra - Sentimental Journey
Styles: Jazz, Big Band
Year: 2011
Time: 55:25
File: MP3 @ 320K/s
Size: 128,3 MB
Art: Front
(3:05) 1. Adios
(2:56) 2. April In Paris
(3:24) 3. At The Woodchopper's Ball
(3:09) 4. Begin The Beguine
(2:35) 5. Caribbean Clipper
(4:49) 6. I Can't Get Started
(3:34) 7. In The Mood
(2:58) 8. Memories Of You
(3:03) 9. Opus One
(3:30) 10. Sentimental Journey
(3:53) 11. Serenade In Blue
(4:23) 12. Sing Sing Sing
(4:30) 13. Skyliner
(3:38) 14. St. Louis Blues
(2:34) 15. Sun Valley Jump
(3:16) 16. Take The A Train
Sentimental Journey
Year: 2011
Time: 55:25
File: MP3 @ 320K/s
Size: 128,3 MB
Art: Front
(3:05) 1. Adios
(2:56) 2. April In Paris
(3:24) 3. At The Woodchopper's Ball
(3:09) 4. Begin The Beguine
(2:35) 5. Caribbean Clipper
(4:49) 6. I Can't Get Started
(3:34) 7. In The Mood
(2:58) 8. Memories Of You
(3:03) 9. Opus One
(3:30) 10. Sentimental Journey
(3:53) 11. Serenade In Blue
(4:23) 12. Sing Sing Sing
(4:30) 13. Skyliner
(3:38) 14. St. Louis Blues
(2:34) 15. Sun Valley Jump
(3:16) 16. Take The A Train
Founded in 1967 by trumpeter and arranger Syd Lawrence, The fabulous Syd Lawrence Orchestra has been thrilling audiences in Concert Halls, Theatres, TV Shows and Music Festivals all over Great Britain and Continental Europe for over 50 years.
Renowned for it’s exciting blend of high octane Big Band Swing and Classic Dance Music, the Orchestra’s repertoire ranges from the wartime million sellers of the legendary Glenn Miller through the era of the great Count Basie Orchestra to the hit songs of Frank Sinatra and Ella Fitzgerald. Count Basie himself described the Syd Lawrence Orchestra as “So good it should be BANNED!”.
The Orchestra, directed since Syd’s retirement in 1996 by Chris Dean, has a repertoire of over 2,000 classic Big Band arrangements including; Glenn Miller’s “Moonlight Serenade” and “In the Mood”, Tommy Dorsey’s “I’m Getting Sentimental Over You” and “Opus One”, Benny Goodman’s “Sing, Sing, Sing”, Artie Shaw’s “Begin The Beguine”, Woody Herman’s “Blues on Parade”, Ray Anthony’s “Mr Anthony’s Boogie” , Duke Ellington’s “Satin Doll”, Bert Ambrose’s “Night Ride”, Count Basie’s “April in Paris” and “Splanky”, Charlie Barnet’s “Skyliner”, Stan Kenton’s “Peanut Vendor”, the “Trumpet Blues” of Harry James, “I’ve Got My Love To Keep Me Warm” of Les Brown, the hits of Billy May and Ted Heath’s “Hot Toddy”. More......https://syd-lawrence-orchestra.com/about/
Renowned for it’s exciting blend of high octane Big Band Swing and Classic Dance Music, the Orchestra’s repertoire ranges from the wartime million sellers of the legendary Glenn Miller through the era of the great Count Basie Orchestra to the hit songs of Frank Sinatra and Ella Fitzgerald. Count Basie himself described the Syd Lawrence Orchestra as “So good it should be BANNED!”.
The Orchestra, directed since Syd’s retirement in 1996 by Chris Dean, has a repertoire of over 2,000 classic Big Band arrangements including; Glenn Miller’s “Moonlight Serenade” and “In the Mood”, Tommy Dorsey’s “I’m Getting Sentimental Over You” and “Opus One”, Benny Goodman’s “Sing, Sing, Sing”, Artie Shaw’s “Begin The Beguine”, Woody Herman’s “Blues on Parade”, Ray Anthony’s “Mr Anthony’s Boogie” , Duke Ellington’s “Satin Doll”, Bert Ambrose’s “Night Ride”, Count Basie’s “April in Paris” and “Splanky”, Charlie Barnet’s “Skyliner”, Stan Kenton’s “Peanut Vendor”, the “Trumpet Blues” of Harry James, “I’ve Got My Love To Keep Me Warm” of Les Brown, the hits of Billy May and Ted Heath’s “Hot Toddy”. More......https://syd-lawrence-orchestra.com/about/
Sentimental Journey
Saturday, November 2, 2024
Rebecca Kilgore - I Saw Stars
Styles: Jazz, Vocal
Year: 1994
File: MP3@320K/s
Time: 61:03
Size: 140,9 MB
Art: Front
(2:15) 1. Happy as the Day Is Long
(5:12) 2. Sweet Substitute
(3:16) 3. I Saw Stars
(4:11) 4. For Heaven's Sake
(4:29) 5. Say It Isn't So
(4:07) 6. He Needs Me
(3:12) 7. Jeepers Creepers
(4:13) 8. No Love, No Nothing
(3:37) 9. Everything I Have Is Yours
(2:29) 10. Exactly Like You
(3:27) 11. A LonelLonely Co-Ed
(3:04) 12. This Is No Laughing Matter
(3:01) 13. A Fine Romance
(3:50) 14. I'll Be Around
(4:39) 15. You Can't Lose a Broken Heart
(2:45) 16. Symphony
(3:08) 17. Princess
I Saw Stars
Year: 1994
File: MP3@320K/s
Time: 61:03
Size: 140,9 MB
Art: Front
(2:15) 1. Happy as the Day Is Long
(5:12) 2. Sweet Substitute
(3:16) 3. I Saw Stars
(4:11) 4. For Heaven's Sake
(4:29) 5. Say It Isn't So
(4:07) 6. He Needs Me
(3:12) 7. Jeepers Creepers
(4:13) 8. No Love, No Nothing
(3:37) 9. Everything I Have Is Yours
(2:29) 10. Exactly Like You
(3:27) 11. A LonelLonely Co-Ed
(3:04) 12. This Is No Laughing Matter
(3:01) 13. A Fine Romance
(3:50) 14. I'll Be Around
(4:39) 15. You Can't Lose a Broken Heart
(2:45) 16. Symphony
(3:08) 17. Princess
Becky Kilgore, a singer based in the Pacific Northwest, is a longtime associate of pianist Dave Frishberg. Frishberg is part of the impressive supporting cast (along with trombonist Dan Barrett, altoist Chuck Wilson, Scott Robinson on tenor, bass sax and clarinet, guitarist Bucky Pizzarelli and bassist Michael Moore) for her solo debut. Kilgore has a nice swing to her style and clearly enjoys reviving such songs as "Happy as the Day Is Long," "A Lonely Coed" and "You Can't Lose a Broken Heart." She has a pleasing voice, gives a liberal amount of space to the soloists (the ensembles often sound a bit like the John Kirby Sextet), and constructs a set of enjoyable music that is heartily recommended to fans of small-group swing. ~ Scott Yanow http://www.allmusic.com/album/i-saw-stars-mw0000026865
Personnel: Rebecca Kilgore (vocals, guitar); Bucky Pizzarelli (guitar); Scott Robinson (clarinet, tenor saxophone, bass saxophone); Chuck Wilson (alto saxophone); Dan Barrett (trumpet, trombone); Dave Frishberg (piano).
Personnel: Rebecca Kilgore (vocals, guitar); Bucky Pizzarelli (guitar); Scott Robinson (clarinet, tenor saxophone, bass saxophone); Chuck Wilson (alto saxophone); Dan Barrett (trumpet, trombone); Dave Frishberg (piano).
I Saw Stars
Marie So - City Of Lights
Size: 100,8 MB
Time: 42:45
File: MP3 @ 320K/s
Released: 2015
Styles: Jazz Vocals, Brazilian Jazz
Art: Front
01. Levres De Pluie (4:18)
02. The City Of Lights (4:16)
03. One Night In Paris (5:01)
04. Ce Que Le Puit Dit A La Source (4:32)
05. Le Masque Le Plus Beau (3:46)
06. A French Girl In California (5:14)
07. Cry Me A River (4:44)
08. Cuivre Noir Et Blanc (3:17)
09. Impression Soleil Levant (3:53)
10. Solea (3:40)
Tangerine Rhapsody
Time: 42:45
File: MP3 @ 320K/s
Released: 2015
Styles: Jazz Vocals, Brazilian Jazz
Art: Front
01. Levres De Pluie (4:18)
02. The City Of Lights (4:16)
03. One Night In Paris (5:01)
04. Ce Que Le Puit Dit A La Source (4:32)
05. Le Masque Le Plus Beau (3:46)
06. A French Girl In California (5:14)
07. Cry Me A River (4:44)
08. Cuivre Noir Et Blanc (3:17)
09. Impression Soleil Levant (3:53)
10. Solea (3:40)
Marie So: Vocals
Christophe Trottet: Guitar
Emmanuel Garrouste: Piano
Philippe Gallet: Bass
Luca Scalambrino: Drums
Nicolas Dolce: Percussion
Rounding off series of musical trip, Marie So has just released a new album "Dans le coeur des gens".You can listen to three of Marie So's songs on the Ladies’ Jazz Compilation album (Warner), where she figures amongst a number of big names including Diana Krall, Norah Jones, Stacey Kent, Liz Wright.She is accompanied by a quintet composed of piano, bass, drums, percussion and guitar. On stage, she performs songs from her first album, all composed by her guitarist and song writer Christophe Trottet, as well as several songs from her second album, to be released this year.
Charismatic, sincere, sensitive, intimate, Marie So began her international career in 2006 when she released her first album “Chaque Jour ” (Nocturne) recorded in Brazil with Joao Bosco and musicians who play regularly with Sting and Gilberto Gil. The Marie So recipe : a mixture of bossa nova and samba rythms blended with a decidedly jazz swing and a large dose of spontaneity, simplicity and generosity all sung in French.Henri Salvador may no longer be with us, but Marie So plays tribute to his musical heritage with her original French-bossa nova touch. Marie So, the new French voice of Brazil. Not to be missed.
Christophe Trottet: Guitar
Emmanuel Garrouste: Piano
Philippe Gallet: Bass
Luca Scalambrino: Drums
Nicolas Dolce: Percussion
Rounding off series of musical trip, Marie So has just released a new album "Dans le coeur des gens".You can listen to three of Marie So's songs on the Ladies’ Jazz Compilation album (Warner), where she figures amongst a number of big names including Diana Krall, Norah Jones, Stacey Kent, Liz Wright.She is accompanied by a quintet composed of piano, bass, drums, percussion and guitar. On stage, she performs songs from her first album, all composed by her guitarist and song writer Christophe Trottet, as well as several songs from her second album, to be released this year.
Charismatic, sincere, sensitive, intimate, Marie So began her international career in 2006 when she released her first album “Chaque Jour ” (Nocturne) recorded in Brazil with Joao Bosco and musicians who play regularly with Sting and Gilberto Gil. The Marie So recipe : a mixture of bossa nova and samba rythms blended with a decidedly jazz swing and a large dose of spontaneity, simplicity and generosity all sung in French.Henri Salvador may no longer be with us, but Marie So plays tribute to his musical heritage with her original French-bossa nova touch. Marie So, the new French voice of Brazil. Not to be missed.
Tangerine Rhapsody
Snorre Kirk Quartet & Stephen Riley - Tangerine Rhapsody
Styles: Bop, Saxophone Jazz
Year: 2019
File: MP3@320K/s
Time: 42:12
Size: 96,8 MB
Art: Front
(7:45) 1. Unsentimental
(6:50) 2. Tangerine Rhapsody
(3:55) 3. Blues Jump
(4:51) 4. West Indian Flower
(3:50) 5. The Nightingale & The Lake
(5:30) 6. Uptown Swing Theme
(5:18) 7. Festival Grease
(4:09) 8. Nocturne
Tangerine Rhapsody
Year: 2019
File: MP3@320K/s
Time: 42:12
Size: 96,8 MB
Art: Front
(7:45) 1. Unsentimental
(6:50) 2. Tangerine Rhapsody
(3:55) 3. Blues Jump
(4:51) 4. West Indian Flower
(3:50) 5. The Nightingale & The Lake
(5:30) 6. Uptown Swing Theme
(5:18) 7. Festival Grease
(4:09) 8. Nocturne
Stephen Riley, Jan Harbeck (ts); Magnus Hjorth (p); Anders Fjeldsted (b);Snorre Kirk (d)
This quartet is solidly locked in the swing era but that is where drummer leader, Snorre and, presumably, his musicians, want to stay. He has recruited American tenor sax soloist, Riley who plays on all tracks and uses his regular sax man, Harbeck on tracks 2 and 3. Both tenor men play in the swing style and admire Paul Gonsalves which will give you an advance idea of their sounds. Riley favours a heavy, breathy vibrato and is obviously also enamoured of the music of Ben Webster and Johnny Hodges. Drummer leader Snorre is unusual in that he takes no solos and says he ‘does not make a big deal of them on records.’ He does though support vigorously throughout and with tasteful playing. His heroes are Jo Jones and Ed Thigpen and he says that Elvin Jones and Tony Williams are ‘probably a bit too much for me.’ This again will indicate to potential purchasers what to expect.
As to the music it is rooted in the past, but the style is valid, it swings easily under Snorre’s driving drums and Fjelsted’s solid bass. If you are into heavy, shaking vibrato on the tenor sax you will enjoy both soloist’s contributions. Festival Grease is a good, slow, funky blues and Uptown Swing Theme does swing, easily and effectively. West Indian Theme is an attractive calypso that features the bassist’s only solo of the set. Well, at least he gets more than the leader. The music is relaxed and melodic throughout and will go down well with enthusiasts of Ellington, Basie and the like. And what’s not to like about that?
~Derek Ansell https://www.jazzviews.net/snorre-kirk-quartet-with-stephen-riley---tangerine-rhapsody.html
This quartet is solidly locked in the swing era but that is where drummer leader, Snorre and, presumably, his musicians, want to stay. He has recruited American tenor sax soloist, Riley who plays on all tracks and uses his regular sax man, Harbeck on tracks 2 and 3. Both tenor men play in the swing style and admire Paul Gonsalves which will give you an advance idea of their sounds. Riley favours a heavy, breathy vibrato and is obviously also enamoured of the music of Ben Webster and Johnny Hodges. Drummer leader Snorre is unusual in that he takes no solos and says he ‘does not make a big deal of them on records.’ He does though support vigorously throughout and with tasteful playing. His heroes are Jo Jones and Ed Thigpen and he says that Elvin Jones and Tony Williams are ‘probably a bit too much for me.’ This again will indicate to potential purchasers what to expect.
As to the music it is rooted in the past, but the style is valid, it swings easily under Snorre’s driving drums and Fjelsted’s solid bass. If you are into heavy, shaking vibrato on the tenor sax you will enjoy both soloist’s contributions. Festival Grease is a good, slow, funky blues and Uptown Swing Theme does swing, easily and effectively. West Indian Theme is an attractive calypso that features the bassist’s only solo of the set. Well, at least he gets more than the leader. The music is relaxed and melodic throughout and will go down well with enthusiasts of Ellington, Basie and the like. And what’s not to like about that?
~Derek Ansell https://www.jazzviews.net/snorre-kirk-quartet-with-stephen-riley---tangerine-rhapsody.html
Tangerine Rhapsody
Friday, November 1, 2024
Christian Jacob - New Jazz Standards Vol 5 • the Music of Carl Saunders
Year: 2022
Time: 59:01
File: MP3 @ 320K/s
Size: 135,8 MB
Art: Front
(4:19) 1. August in New York
(6:42) 2. A Ballad for Pete Candoli
(4:58) 3. Zig Zag Waltz
(4:33) 4. The Hipper They Are The Harder They Fall
(5:42) 5. Complex Simplicity
(5:16) 6. A Ballad for Now
(3:04) 7. A Pill for Bill
(5:28) 8. Silver Ambience
(4:26) 9. Dark Blanket
(4:48) 10. Sweetness
(4:20) 11. Admired
(5:19) 12. Encore
New Jazz Standards Vol 5 • the Music of Carl Saunders
Time: 59:01
File: MP3 @ 320K/s
Size: 135,8 MB
Art: Front
(4:19) 1. August in New York
(6:42) 2. A Ballad for Pete Candoli
(4:58) 3. Zig Zag Waltz
(4:33) 4. The Hipper They Are The Harder They Fall
(5:42) 5. Complex Simplicity
(5:16) 6. A Ballad for Now
(3:04) 7. A Pill for Bill
(5:28) 8. Silver Ambience
(4:26) 9. Dark Blanket
(4:48) 10. Sweetness
(4:20) 11. Admired
(5:19) 12. Encore
Featuring 12 of Carl Saunders' finest songs and the consistently brilliant playing of Christian Jacob, New Jazz Standards delivers in a special way!
Carl Saunders is one of the world's great jazz trumpeters, a super technician who is a masterful improviser with his own sound. In his career he has performed with a countless number of jazz greats.
This recording (and Series) feature Saunders' originals taken from his New Jazz Standards book. "I have been writing tunes all of my life," says the trumpeter-composer. "I had many of them sitting by the piano, unorganized and looking like a bit of a mess. I finally decided to print them out and organize them in a folder and finally publishing them into a book which I called New Jazz Standards which has over 300 songs."
"I let the artists pick whatever tunes they want to do from the book and interpret them in their own style." The rewarding series has thus far showcased quite an array of talent, starting with flutist Sam Most and continuing with sets starring trombonist Scott Whitfield, pianist Roger Kellaway, and guitarist Larry Koonse.
For Vol. 5, Carl Saunders wanted to feature pianist Christian Jacob. "He's one of the very best, a complete classical musician who has mastered jazz."
Multi-Grammy nominated Christian Jacob, who was born in France, studied classical music from the age of four and was considered a child prodigy but became attracted to jazz and improvisation by the time he was ten. He not only attended the Berklee College of Music but won a series of awards as a student and for a time taught at the college. He gained his initial fame in the jazz world when he played and arranged for some of the great.
The pianist suggested that bassist Darek Oles be part of this project. Oles has made many recordings including sets with Brad Mehldau and Charles Lloyd.
Saunders says "Christian and I decided on the great Joe LaBarbera for the drum duties who is one of the most musical drummers on the scene. When you listen to him play music comes out of his drums.
https://www.summitrecords.com/release/new-jazz-standards-vol-5-the-music-of-carl-saunders-christian-jacob/
Personel:
Christian Jacob, piano
Darek Oles, bass
Joe LaBarbera, drums
Thursday, October 31, 2024
Diana Panton - Pink
Styles: Vocal
Year: 2010
File: MP3@320K/s
Time: 61:55
Size: 143,4 MB
Art: Front
(3:52) 1. Wouldn't It Be Loverly
(3:57) 2. My Ideal
(4:05) 3. I Walk A Little Faster
(4:21) 4. My Future Just Passed
(2:44) 5. Wonder Why
(2:34) 6. Me Myself And I
(4:03) 7. What Is There To Say?
(4:23) 8. Tea For Two
(3:46) 9. Please Be Kind
(6:02) 10. Fly By Night
(4:50) 11. I Wish I Knew
(3:36) 12. They Didn't Believe Me
(4:36) 13. Love-wise
(3:24) 14. Hold Me Hold Me Hold Me
(3:43) 15. Five Minutes More
(1:51) 16. Wait Till You See Him
Pink
Year: 2010
File: MP3@320K/s
Time: 61:55
Size: 143,4 MB
Art: Front
(3:52) 1. Wouldn't It Be Loverly
(3:57) 2. My Ideal
(4:05) 3. I Walk A Little Faster
(4:21) 4. My Future Just Passed
(2:44) 5. Wonder Why
(2:34) 6. Me Myself And I
(4:03) 7. What Is There To Say?
(4:23) 8. Tea For Two
(3:46) 9. Please Be Kind
(6:02) 10. Fly By Night
(4:50) 11. I Wish I Knew
(3:36) 12. They Didn't Believe Me
(4:36) 13. Love-wise
(3:24) 14. Hold Me Hold Me Hold Me
(3:43) 15. Five Minutes More
(1:51) 16. Wait Till You See Him
Diana Panton's 3rd release 'Pink' stays the course she plotted with her first two well-received albums. She's working once again with a small group, although when one of the band members is genius multi-instrumentalist Don Thompson you get a lot of bang for your musician buck. Reg Schwager is also back, accompanying with his customary artful and sensitive playing. A new addition, and a completely fitting one given Panton's languid style, is trumpet and flugelhorn player, Guido Basso. His fills and solos add rich warmth to the mix, like honey drizzled over an English muffin, filling in all the nooks and crannies. For this new album Diana has carefully chosen a collection of well-crafted songs that she can mine for lyrical gold. She is foremost a story teller - not a flashy or emotionally overwrought singer - Diana simply and deftly presents the songs so the listener can take them in without being distracted by vocal pyrotechnics. ~ Editorial Reviews https://www.amazon.com/Pink-Diana-Panton-Trio-1/dp/B002UMF1FU
Personnel: Vocals – Diana Panton; Bass, Piano, Vibraphone – Don Thompson ; Cornet, Flugelhorn, Trumpet – Guido Basso; Guitar – Reg Schwager
Personnel: Vocals – Diana Panton; Bass, Piano, Vibraphone – Don Thompson ; Cornet, Flugelhorn, Trumpet – Guido Basso; Guitar – Reg Schwager
Pink
Benny Carter - Montreux '77
Styles: Saxophone And Trumpet Jazz
Year: 1977Time: 45:58
File: MP3 @ 320K/s
Size: 106,0 MB
Art: Front
(5:46) 1. Three Little Words
(8:34) 2. In A Mellow Tone
(6:20) 3. Wave
(5:42) 4. Undecided
(7:04) 5. Body And Soul
(6:28) 6. On Green Dolphin Street
(6:03) 7. Here's That Rainy Day
For this concert at the 1977 Montreux Jazz Festival, Benny Carter was in his musical prime, a condition he has thus far stayed at for over 65 years. Joined by the Ray Bryant Trio, the altoist romps through seven standards and plays some tasteful trumpet on "Body and Soul," proving once again that he is really is ageless; Carter was nearly 70 years old at the time. By Scott Yanow https://www.allmusic.com/album/benny-carter-4-montreux-1977-mw0000902087#review
Personnel: Benny Carter – alto saxophone, trumpet; Ray Bryant – piano; Niels Pedersen – bass; Jimmie Smith – drums
Personnel: Benny Carter – alto saxophone, trumpet; Ray Bryant – piano; Niels Pedersen – bass; Jimmie Smith – drums
Montreux '77
Tuesday, October 29, 2024
Herbie Hancock - Head Hunters
Styles: Jazz
Year: 1973
Time: 41:47
File: MP3 @ 320K/s
Size: 95,6 MB
Art: Front
(15:44) 1. Chameleon
( 6:31) 2. Watermelon Man
(10:20) 3. Sly
( 9:10) 4. Vein Melter
Head Hunters
Year: 1973
Time: 41:47
File: MP3 @ 320K/s
Size: 95,6 MB
Art: Front
(15:44) 1. Chameleon
( 6:31) 2. Watermelon Man
(10:20) 3. Sly
( 9:10) 4. Vein Melter
Head Hunters was a pivotal point in Herbie Hancock's career, bringing him into the vanguard of jazz fusion. Hancock had pushed avant-garde boundaries on his own albums and with Miles Davis, but he had never devoted himself to the groove as he did on Head Hunters.
Drawing heavily from Sly Stone, Curtis Mayfield, and James Brown, Hancock developed deeply funky, even gritty, rhythms over which he soloed on electric synthesizers, bringing the instrument to the forefront in jazz. It had all of the sensibilities of jazz, particularly in the way it wound off into long improvisations, but its rhythms were firmly planted in funk, soul, and R&B, giving it a mass appeal that made it the biggest-selling jazz album of all time (a record which was later broken).
Jazz purists, of course, decried the experiments at the time, but Head Hunters still sounds fresh and vital decades after its initial release, and its genre-bending proved vastly influential on not only jazz, but funk, soul, and hip-hop. By Stephen Thomas Erlewine
https://www.allmusic.com/album/head-hunters-mw0000649551#review
Personnel: Herbie Hancock – Fender Rhodes electric piano, Hohner D6 Clavinet, ARP Odyssey & ARP Pro Soloist synthesizers; Bennie Maupin – tenor saxophone, soprano saxophone, saxello, bass clarinet, alto flute; Paul Jackson – bass guitar, marímbula; Harvey Mason – drums, arrangement on "Watermelon Man"; ill Summers – agogô, balafon, cabasa, congas, gankogui, log drum, shekere, surdo, tambourine, beer bottle on "Watermelon Man"
Drawing heavily from Sly Stone, Curtis Mayfield, and James Brown, Hancock developed deeply funky, even gritty, rhythms over which he soloed on electric synthesizers, bringing the instrument to the forefront in jazz. It had all of the sensibilities of jazz, particularly in the way it wound off into long improvisations, but its rhythms were firmly planted in funk, soul, and R&B, giving it a mass appeal that made it the biggest-selling jazz album of all time (a record which was later broken).
Jazz purists, of course, decried the experiments at the time, but Head Hunters still sounds fresh and vital decades after its initial release, and its genre-bending proved vastly influential on not only jazz, but funk, soul, and hip-hop. By Stephen Thomas Erlewine
https://www.allmusic.com/album/head-hunters-mw0000649551#review
Personnel: Herbie Hancock – Fender Rhodes electric piano, Hohner D6 Clavinet, ARP Odyssey & ARP Pro Soloist synthesizers; Bennie Maupin – tenor saxophone, soprano saxophone, saxello, bass clarinet, alto flute; Paul Jackson – bass guitar, marímbula; Harvey Mason – drums, arrangement on "Watermelon Man"; ill Summers – agogô, balafon, cabasa, congas, gankogui, log drum, shekere, surdo, tambourine, beer bottle on "Watermelon Man"
Head Hunters
Sunday, October 27, 2024
Joel Lyssarides - Stay Now
Styles: Piano Jazz
Year: 2022
Time: 42:31
File: MP3 @ 320K/s
Size: 98,5 MB
Art: Front
(1:32) 1. As Night Let Down Its Curtain
(2:06) 2. Sommarsnö
(4:36) 3. Cloudberry Hill
(4:05) 4. Is There a Way
(3:12) 5. Gowns of Dark
(4:30) 6. Procession
(5:08) 7. Chimera
(2:49) 8. Stay Now
(2:11) 9. Echoes
(3:10) 10. Down and Out
(5:04) 11. St. Joseph
(4:01) 12. The Last Verse
Stay Now
Year: 2022
Time: 42:31
File: MP3 @ 320K/s
Size: 98,5 MB
Art: Front
(1:32) 1. As Night Let Down Its Curtain
(2:06) 2. Sommarsnö
(4:36) 3. Cloudberry Hill
(4:05) 4. Is There a Way
(3:12) 5. Gowns of Dark
(4:30) 6. Procession
(5:08) 7. Chimera
(2:49) 8. Stay Now
(2:11) 9. Echoes
(3:10) 10. Down and Out
(5:04) 11. St. Joseph
(4:01) 12. The Last Verse
Joel Lyssarides is a young Swedish pianist who is rapidly gaining renown, not just in Europe, where he was building a live performance career before the COVID-19 pandemic began, but on streaming music services, where his compositions are perfect for playlists with titles like “Peaceful Piano,” “Chilled Jazz” and “Jazz For Study.” His playing is technically flawless, reflecting his classical training at both the Södra Latin College of Music and the Royal Academy of Music in his home country, and his simple, melodic compositions fit well into the subgenre of Nordic piano jazz. You could play them alongside the work of the Esbjorn Svensson Trio, Iro Haarla or any number of other artists.
Lyssarides seems like a romantic at heart, if the early track titles on Stay Now (“As Night Let Down Its Curtain,” “Sommarsnow,” “Cloudberry Hill”) are any indication. But there’s also a spiritual aspect, as evidenced by titles like “Gowns Of Dark,” “Procession” and “St. Joseph.” This isn’t really reflected in the music, though. There’s a gradual rise in energy level over the course of the first two or three tracks, but they all blend together into what feels like a single performance. This is an album that sets a mood and sustains it. Lyssarides’ playing always focuses on the same qualities: rippling, repetitive patterns that land somewhere between Bill Evans and Philip Glass, supported with unobtrusive patience by bassist Niklas Fernqvist and drummer Rasmus Blixt. It’s nice while it’s on, but quickly forgotten when it’s over.
By Philip Freeman https://downbeat.com/reviews/detail/stay-now
Personel: Joel Lyssarides, piano; Niklas Fernqvist, bass; Rasmus Blixt, drums.
Lyssarides seems like a romantic at heart, if the early track titles on Stay Now (“As Night Let Down Its Curtain,” “Sommarsnow,” “Cloudberry Hill”) are any indication. But there’s also a spiritual aspect, as evidenced by titles like “Gowns Of Dark,” “Procession” and “St. Joseph.” This isn’t really reflected in the music, though. There’s a gradual rise in energy level over the course of the first two or three tracks, but they all blend together into what feels like a single performance. This is an album that sets a mood and sustains it. Lyssarides’ playing always focuses on the same qualities: rippling, repetitive patterns that land somewhere between Bill Evans and Philip Glass, supported with unobtrusive patience by bassist Niklas Fernqvist and drummer Rasmus Blixt. It’s nice while it’s on, but quickly forgotten when it’s over.
By Philip Freeman https://downbeat.com/reviews/detail/stay-now
Personel: Joel Lyssarides, piano; Niklas Fernqvist, bass; Rasmus Blixt, drums.
Stay Now
Friday, October 25, 2024
Magdalena Chovancova - Moving Up Quickly
Size: 156,7 MB
Time: 67:40
File: MP3 @ 320K/s
Released: 2012
Styles: Jazz: Smooth Jazz
Art: Front
01. Easily In Love (5:30)
02. The Smoothness Of Your Skin (6:13)
03. Moving Up Quickly (6:42)
04. Six Weeks And Eight Days (6:28)
05. What A Dub (5:01)
06. Sax Com Mar El Sol (5:59)
07. Polar Rain (5:47)
08. Andalusia Lounge (7:20)
09. Mountain Vibe (4:27)
10. Slap Man (4:26)
11. Spring At The Bosphorus (5:03)
12. El Carino Loco (4:39)
Moving Up Quickly
Time: 67:40
File: MP3 @ 320K/s
Released: 2012
Styles: Jazz: Smooth Jazz
Art: Front
01. Easily In Love (5:30)
02. The Smoothness Of Your Skin (6:13)
03. Moving Up Quickly (6:42)
04. Six Weeks And Eight Days (6:28)
05. What A Dub (5:01)
06. Sax Com Mar El Sol (5:59)
07. Polar Rain (5:47)
08. Andalusia Lounge (7:20)
09. Mountain Vibe (4:27)
10. Slap Man (4:26)
11. Spring At The Bosphorus (5:03)
12. El Carino Loco (4:39)
Saxophonist Magdalena Chovancova is a member of the Bavarian group Threestyle together with Robert Fertl (guitars, bass trumpet, flugelhorn) and her sister Gabriela Chovancova (drums and vibraphone).
Her releases are presented by the German label Welovemusic Records. Her newest album is entitled Moving Up Quickly (2012), certainly a motto for her solo career. This project was performed by the above mentioned group members and in addition Thomas Tiefenbacher (drums), Manfred Feneberg (percussion and drums), Markus Wohner (drums and percussion) and Tormenta Jobarteh (kora) on selected tracks.
The market for smooth jazz is strongly held among female saxophonists with Candy Dulfer, Mindi Abair, Jessy J or Pamela Williams. As a newcomer, it's hard to claim here. With Moving Up Quickly Magdalena seems to succeed.
My new sound card I have inaugurated with Easily In Love and it was worth every cent. The sound melts away as acoustic honey. On The Smoothness Of Your Skin pushes Magdalena siren calls. If you are fond of a particular melody sequence, it must be good to support it as theme song. Thanks to the perfectionism of the involved musicians Moving Up Quickly has this special format.
Six Weeks And Eight Days drifts into the realm of romance. In the middle of the song Tormenta Jobarteh contributes with the Kora an exotic sound and turns the song character h to world music. Even with What A Dub she is not looking for conformity. A popular rhythm mates esoteric contemporary jazz. Also the pairing of saxophone and harmonica with Tablas on Sax Com Mar E Sol is unusual and gives the song a southern charm.
Coming from North falls the cool Polar Rain. Pure contemporary jazz with a crystal clear soprano sax sound. As counterpart follows Andalusia Lounge featuring Fertl's warm acoustic guitar and Magdalena's smooth flute. With elitist cjazz demand also appears Mountain Vibe.
Slap Man is a tribute to the funky side of jazz. The Bosporus (or Bosphorus) divides the European part (Rumelia) of Turkey from its Asian part (Anatolia). Spring At The Bosporus describes musically the warm season and the awakening of nature at this mystical place. With El Carino Loco the album picks up pace for the last time.
With Moving Up Quickly goes Magdalena Chovancova her own way apart fashionable trends of smooth jazz. A bold undertaking in the face of strong competition.
Her releases are presented by the German label Welovemusic Records. Her newest album is entitled Moving Up Quickly (2012), certainly a motto for her solo career. This project was performed by the above mentioned group members and in addition Thomas Tiefenbacher (drums), Manfred Feneberg (percussion and drums), Markus Wohner (drums and percussion) and Tormenta Jobarteh (kora) on selected tracks.
The market for smooth jazz is strongly held among female saxophonists with Candy Dulfer, Mindi Abair, Jessy J or Pamela Williams. As a newcomer, it's hard to claim here. With Moving Up Quickly Magdalena seems to succeed.
My new sound card I have inaugurated with Easily In Love and it was worth every cent. The sound melts away as acoustic honey. On The Smoothness Of Your Skin pushes Magdalena siren calls. If you are fond of a particular melody sequence, it must be good to support it as theme song. Thanks to the perfectionism of the involved musicians Moving Up Quickly has this special format.
Six Weeks And Eight Days drifts into the realm of romance. In the middle of the song Tormenta Jobarteh contributes with the Kora an exotic sound and turns the song character h to world music. Even with What A Dub she is not looking for conformity. A popular rhythm mates esoteric contemporary jazz. Also the pairing of saxophone and harmonica with Tablas on Sax Com Mar E Sol is unusual and gives the song a southern charm.
Coming from North falls the cool Polar Rain. Pure contemporary jazz with a crystal clear soprano sax sound. As counterpart follows Andalusia Lounge featuring Fertl's warm acoustic guitar and Magdalena's smooth flute. With elitist cjazz demand also appears Mountain Vibe.
Slap Man is a tribute to the funky side of jazz. The Bosporus (or Bosphorus) divides the European part (Rumelia) of Turkey from its Asian part (Anatolia). Spring At The Bosporus describes musically the warm season and the awakening of nature at this mystical place. With El Carino Loco the album picks up pace for the last time.
With Moving Up Quickly goes Magdalena Chovancova her own way apart fashionable trends of smooth jazz. A bold undertaking in the face of strong competition.
Moving Up Quickly
Thursday, October 24, 2024
Jerry Vale - And This Is My Beloved: The Great Hit Sounds Of Jerry Vale
Size: 179,3+181,4 MB
Time: 75:43+76:37
File: MP3 @ 320K/s
Released: 2017
Styles: Pop
Art: Front
CD 1:
01. You Don’t Know Me (2:32)
02. Because Of You (2:59)
03. No One Will Ever Know (2:31)
04. All Dressed Up With A Broken Heart (3:08)
05. The Dawn Of Love (2:47)
06. Unchained Melody (2:26)
07. Linda (2:55)
08. For Me (2:41)
09. If (2:39)
10. Why Don’t You Believe Me (2:22)
11. Go Chase A Moonbeam (2:07)
12. Mona Lisa (2:45)
13. Another Time, Another Place (3:11)
14. Thirteen Girls Too Much (3:05)
15. Where Love Has Gone (2:45)
16. Pretend You Don’t See Her (2:18)
17. Love Is A Many-Splendored Thing (3:23)
18. There Goes My Heart (2:34)
19. Too Young (2:32)
20. Paradise (2:25)
21. Go (3:12)
22. From The Bottom Of My Heart (2:34)
23. As Sure As Night Must Fall (2:38)
24. How Are Things In Glocca Morra (2:23)
25. Prima Donna (2:21)
26. One More Blessing (3:38)
27. Theme For Young Lovers (Where Is My Someone) (2:27)
28. Vaya Con Dios (2:11)
CD 2:
01. Camelot (3:56)
02. Old Cape Cod (2:53)
03. You Got Me Doin’ What I Said I’d Never Do (3:01)
04. And This Is My Beloved (2:20)
05. Because You’re Mine (2:49)
06. I Can’t Help It (2:29)
07. Call Me Darling (2:09)
08. Innamorata (2:57)
09. Enchanted (2:20)
10. I Understand (2:58)
11. Secret Love (2:24)
12. It Looks Like Love (3:04)
13. The Lights Of Roma (2:41)
14. To Belong (2:58)
15. The Very Thought Of You (2:11)
16. Tired Of Dreaming (3:00)
17. Two Purple Shadows (2:31)
18. If He Leaves You (3:25)
19. Just Friends (1:59)
20. Without Saying A Word (2:40)
21. And No One Knows (2:07)
22. All Dressed Up With A Broken Heart (Alternate Version) (2:35)
23. Here’s To Us (2:43)
24. Be My Love (3:25)
25. Ti Adoro (2:53)
26. Solitude (3:02)
27. You Try Somebody Else (2:24)
28. Auf Wiedersehen, My Dear (2:27)
And This Is My Beloved:The Great Hit Sounds Of Jerry Vale CD1,CD 2
Time: 75:43+76:37
File: MP3 @ 320K/s
Released: 2017
Styles: Pop
Art: Front
CD 1:
01. You Don’t Know Me (2:32)
02. Because Of You (2:59)
03. No One Will Ever Know (2:31)
04. All Dressed Up With A Broken Heart (3:08)
05. The Dawn Of Love (2:47)
06. Unchained Melody (2:26)
07. Linda (2:55)
08. For Me (2:41)
09. If (2:39)
10. Why Don’t You Believe Me (2:22)
11. Go Chase A Moonbeam (2:07)
12. Mona Lisa (2:45)
13. Another Time, Another Place (3:11)
14. Thirteen Girls Too Much (3:05)
15. Where Love Has Gone (2:45)
16. Pretend You Don’t See Her (2:18)
17. Love Is A Many-Splendored Thing (3:23)
18. There Goes My Heart (2:34)
19. Too Young (2:32)
20. Paradise (2:25)
21. Go (3:12)
22. From The Bottom Of My Heart (2:34)
23. As Sure As Night Must Fall (2:38)
24. How Are Things In Glocca Morra (2:23)
25. Prima Donna (2:21)
26. One More Blessing (3:38)
27. Theme For Young Lovers (Where Is My Someone) (2:27)
28. Vaya Con Dios (2:11)
CD 2:
01. Camelot (3:56)
02. Old Cape Cod (2:53)
03. You Got Me Doin’ What I Said I’d Never Do (3:01)
04. And This Is My Beloved (2:20)
05. Because You’re Mine (2:49)
06. I Can’t Help It (2:29)
07. Call Me Darling (2:09)
08. Innamorata (2:57)
09. Enchanted (2:20)
10. I Understand (2:58)
11. Secret Love (2:24)
12. It Looks Like Love (3:04)
13. The Lights Of Roma (2:41)
14. To Belong (2:58)
15. The Very Thought Of You (2:11)
16. Tired Of Dreaming (3:00)
17. Two Purple Shadows (2:31)
18. If He Leaves You (3:25)
19. Just Friends (1:59)
20. Without Saying A Word (2:40)
21. And No One Knows (2:07)
22. All Dressed Up With A Broken Heart (Alternate Version) (2:35)
23. Here’s To Us (2:43)
24. Be My Love (3:25)
25. Ti Adoro (2:53)
26. Solitude (3:02)
27. You Try Somebody Else (2:24)
28. Auf Wiedersehen, My Dear (2:27)
Jerry Vale was one of the great voices of the 1950s and 1960s and collaborated with the brilliant conductors Percy Faith, Glen Osser, Marty Manning, Robert Mersey and Jimmy Carroll. "You Don't Know Me", "Innamorata", "Camelot", "Pretend You Don't See Her" and "Go Chase A Moonbeam". Also included are many other classics, such as "Unchained Melody", "Because Of You", "Mona Lisa", "Too Young" and "Old Cape Cod". This Incredible 56 track compilation is a must have for Jerry Vale fans!
And This Is My Beloved:The Great Hit Sounds Of Jerry Vale CD1,CD 2
Tuesday, October 22, 2024
The Carla Bley Band - Carla Bley live!
Styles: Jazz
Year: 1982
Time: 41:39
File: MP3 @ 320K/s
Size: 95,3 MB
Art: Front
(5:10) 1. Blunt Object
(7:24) 2. The Lord is Listenin to Ya Hal
(7:59) 3. Time And Us
(9:06) 4. Still in The Room
(4:26) 5. Real Life Hits
(7:30) 6. Song Sung Long
Carla Bley live!
Year: 1982
Time: 41:39
File: MP3 @ 320K/s
Size: 95,3 MB
Art: Front
(5:10) 1. Blunt Object
(7:24) 2. The Lord is Listenin to Ya Hal
(7:59) 3. Time And Us
(9:06) 4. Still in The Room
(4:26) 5. Real Life Hits
(7:30) 6. Song Sung Long
Around 1980, Carla Bley seemed to find herself torn between several possible avenues of expression. On the one hand, you had her wild (and wildly successful) projects like Escalator Over the Hill and Tropic Appetites, where styles and musicians were combined with inspired abandon. Then there was the romantic classical aspect as shown in her composition "3/4" and, with jazz influences, her fine, ambitious Social Studies release.
But, always lurking beneath the surface was her itching desire to have essentially a jazz-rock band, drawing heavily from funk and demonstrating a loose and bawdy humor. Unfortunately, this last impulse was responsible for some of her weaker efforts though, in fairness, it brought her a level of popularity hitherto unreached. Live! demonstrates the pitfalls of this approach.
Though the ten-piece ensemble features some very capable musicians (including altoist Steve Slagle, French horn virtuoso Vincent Chauncey, and electric bassist extraordinaire Steve Swallow), the compositions tend to plod toward their goal and the soloing doesn't rise very far above what one might expect from a David Sanborn session (how one yearns for a youthful Gato Barbieri, a Perry Robinson, or a Don Cherry to inject some life!).
Bley's themes here, once so ravishingly, bitterly gorgeous, are relatively dull or awkward in turn; when she tries her hand at gospel, as on the embarrassingly titled "The Lord is Listenin' to Ya, Hallelujah!," the results are cringe-inducing. Swallow has a nice introduction to "Still in the Room" and Earl McIntyre on tuba and trombonist Gary Valente do their best to get things rolling, but the lackluster compositions and leaden drumming (by D. Sharpe) never allow the project to take off. Listeners looking for prime Carla Bley would do better to search out her earlier, far more adventurous and creative work.
By Brian Olewnick https://www.allmusic.com/album/carla-bley-live%21-mw0000191553#review
Personnel: Carla Bley - organ, glockenspiel, piano (track 3); Michael Mantler - trumpet; Steve Slagle - alto saxophone, soprano saxophone, flute; Tony Dagradi - tenor saxophone; Vincent Chancey - French horn; Gary Valente - trombone; Earl McIntyre - tuba, bass trombone; Arturo O'Farrill - piano, organ (track 3); Steve Swallow - bass guitar; D. Sharpe - drums
But, always lurking beneath the surface was her itching desire to have essentially a jazz-rock band, drawing heavily from funk and demonstrating a loose and bawdy humor. Unfortunately, this last impulse was responsible for some of her weaker efforts though, in fairness, it brought her a level of popularity hitherto unreached. Live! demonstrates the pitfalls of this approach.
Though the ten-piece ensemble features some very capable musicians (including altoist Steve Slagle, French horn virtuoso Vincent Chauncey, and electric bassist extraordinaire Steve Swallow), the compositions tend to plod toward their goal and the soloing doesn't rise very far above what one might expect from a David Sanborn session (how one yearns for a youthful Gato Barbieri, a Perry Robinson, or a Don Cherry to inject some life!).
Bley's themes here, once so ravishingly, bitterly gorgeous, are relatively dull or awkward in turn; when she tries her hand at gospel, as on the embarrassingly titled "The Lord is Listenin' to Ya, Hallelujah!," the results are cringe-inducing. Swallow has a nice introduction to "Still in the Room" and Earl McIntyre on tuba and trombonist Gary Valente do their best to get things rolling, but the lackluster compositions and leaden drumming (by D. Sharpe) never allow the project to take off. Listeners looking for prime Carla Bley would do better to search out her earlier, far more adventurous and creative work.
By Brian Olewnick https://www.allmusic.com/album/carla-bley-live%21-mw0000191553#review
Personnel: Carla Bley - organ, glockenspiel, piano (track 3); Michael Mantler - trumpet; Steve Slagle - alto saxophone, soprano saxophone, flute; Tony Dagradi - tenor saxophone; Vincent Chancey - French horn; Gary Valente - trombone; Earl McIntyre - tuba, bass trombone; Arturo O'Farrill - piano, organ (track 3); Steve Swallow - bass guitar; D. Sharpe - drums
Carla Bley live!
Labels:
Arturo O'Farrill,
Carla Bley,
Steve Slagle,
Steve Swallow
Monday, October 21, 2024
Roy Eldridge - Happy Time
Styles: Swing
Year: 1975
Time: 48:36
File: MP3 @ 320K/s
Size: 112,5 MB
Art: Front
(4:20) 1. Sweethearts On Parade
(7:02) 2. Willow Weep For Me
(4:43) 3. Makin' Whoopee
(3:33) 4. Gee Baby Ain't I Good To You
(4:45) 5. All Of Me
(4:10) 6. I Want A Little Girl
(6:55) 7. On The Sunny Side Of The Street
(4:43) 8. I Can't Get Started
(5:18) 9. Stormy Monday
(3:04) 10. Let Me Off Uptown
Happy Time
Year: 1975
Time: 48:36
File: MP3 @ 320K/s
Size: 112,5 MB
Art: Front
(4:20) 1. Sweethearts On Parade
(7:02) 2. Willow Weep For Me
(4:43) 3. Makin' Whoopee
(3:33) 4. Gee Baby Ain't I Good To You
(4:45) 5. All Of Me
(4:10) 6. I Want A Little Girl
(6:55) 7. On The Sunny Side Of The Street
(4:43) 8. I Can't Get Started
(5:18) 9. Stormy Monday
(3:04) 10. Let Me Off Uptown
Roy Eldridge actually spends as much time singing as playing during the ten standards here, but the solos he takes (although concise) have their explosive moments. With pianist Oscar Peterson, guitarist Joe Pass, bassist Ray Brown, and drummer Eddie Locke providing the support, the music always swings in an exuberant fashion. This CD reissue, although not essential, is worth acquiring.
By Scott Yanow https://www.allmusic.com/album/happy-time-mw0000674713
Personnel: Roy Eldridge - trumpet, vocals; Oscar Peterson – piano; Joe Pass – guitar; Ray Brown – double bass; Eddie Locke – drums.
By Scott Yanow https://www.allmusic.com/album/happy-time-mw0000674713
Personnel: Roy Eldridge - trumpet, vocals; Oscar Peterson – piano; Joe Pass – guitar; Ray Brown – double bass; Eddie Locke – drums.
Happy Time
Jeanne Newhall - E'Sensual
Styles: Jazz
Year: 2001
File: MP3@320K/s
Time: 68:18
Size: 156,7 MB
Art: Front
(4:48) 1. The Chase
(4:37) 2. Grey Mist At Dawn
(4:45) 3. Animal Attraction
(5:09) 4. Workin' on a Groovy Thing
(4:33) 5. Taboo You
(3:47) 6. Bunco Man
(4:07) 7. Grevy's Waltz
(4:32) 8. The Hissing Of Summer Lawns
(4:46) 9. Race Thru The Clouds
(4:20) 10. Rascalette
(3:46) 11. Oh, Heaven
(4:46) 12. Neptune's Beach
(4:31) 13. Surrender, My Heart
(4:49) 14. Inspire Me
(4:54) 15. Duende
Year: 2001
File: MP3@320K/s
Time: 68:18
Size: 156,7 MB
Art: Front
(4:48) 1. The Chase
(4:37) 2. Grey Mist At Dawn
(4:45) 3. Animal Attraction
(5:09) 4. Workin' on a Groovy Thing
(4:33) 5. Taboo You
(3:47) 6. Bunco Man
(4:07) 7. Grevy's Waltz
(4:32) 8. The Hissing Of Summer Lawns
(4:46) 9. Race Thru The Clouds
(4:20) 10. Rascalette
(3:46) 11. Oh, Heaven
(4:46) 12. Neptune's Beach
(4:31) 13. Surrender, My Heart
(4:49) 14. Inspire Me
(4:54) 15. Duende
E'Sensual
The Don Cherry & George Gruntz Group - Maghreb Cantata, Live 1969
Styles: Jazz, Folk, World
Year: 2023
Time: 73:42
File: MP3 @ 128K/s
Size: 68,8 MB
Art: Front
( 0:47) 1. Intro
( 5:25) 2. Buanuara
( 3:45) 3. Alaji
( 1:39) 4. Salhe
( 5:07) 5. Nemeit
( 5:00) 6. Fazani
(11:26) 7. Is Tikhbar/Ghitta/Alaji
(22:21) 8. Djerbi/M‘rabaa/Buanuara
(18:08) 9. Nemeit/Hayadanumuyama/Fazani
Maghreb Cantata, Live 1969
Year: 2023
Time: 73:42
File: MP3 @ 128K/s
Size: 68,8 MB
Art: Front
( 0:47) 1. Intro
( 5:25) 2. Buanuara
( 3:45) 3. Alaji
( 1:39) 4. Salhe
( 5:07) 5. Nemeit
( 5:00) 6. Fazani
(11:26) 7. Is Tikhbar/Ghitta/Alaji
(22:21) 8. Djerbi/M‘rabaa/Buanuara
(18:08) 9. Nemeit/Hayadanumuyama/Fazani
A marvelous double album as document of the historical collaboration between Don Cherry and Swiss pianist, composer George Gruntz, a central figure in European jazz who always showed a special interest in extending his solid post bop skills through other languages such as ethnic or even baroque music. This is North-African, deep-flavored jazz recorded live in Tunisia and Germany in May and September 1969, with Cherry (cornet, flute) and Gruntz (piano, celeste) leading a highly mixed line-up featuring multi reeds player Sahib Shihab, bassists Henry Texier and Eberhard Weber, and Swiss drummer extraordinaire Daniel Humair, plus four North African musicians on traditional instruments like bendir, ney, bagpipes, tabla and darbouka. A trance-inducing jazz ritual.
Line-up: George Gruntz - piano, celeste; Don Cherry - cornet, flute; Sahib Shihab - flute, alto flute, soprano saxophone; Henri Texier - bass; Daniel Humair - drums; Salah El Mehdi - ney, flute; Moktar Slama - bendire, bagpipe, mezuette, soukra; Jelloud Osman - ney, bendire, mezzuette, bagpipe; Hattab Jouini - tabla, darbouka, bendire; Eberhard Weber - bass (tracks 7-9).
Tracks 1-6 Recorded in Tunisia, May 1969; tracks 7-9 Recorded in Stuttgart, Germany at Beethovensaal der Linderhalle, September 5, 1969.
Maghreb Cantata, Live 1969
Lucky Thompson, Barney Wilen - Four Brothers
Bitrate: MP3@320K/s
Time: 76:15
Size: 174.5 MB
Styles: Bop, Contemporary jazz
Year: 2015
Art: Front
[6:17] 1. This Here
[3:46] 2. Why Weep
[4:05] 3. Have A Light
[3:16] 4. Oleo
[4:44] 5. I Want To Be Happy
[6:56] 6. Jahrgang'37
[4:20] 7. Autumn Leaves
[4:49] 8. One Last Goodbye
[5:23] 9. Take The A Train
[4:26] 10. Düsseldorf Süd Wuppertal West
[4:13] 11. Iris
[3:49] 12. I Surrender Dear
[6:12] 13. Easy
[5:11] 14. The Mysterioso Mr. X
[4:05] 15. Edith
[4:35] 16. Einsames Mädchen Am Meer
Four Brothers mc
Time: 76:15
Size: 174.5 MB
Styles: Bop, Contemporary jazz
Year: 2015
Art: Front
[6:17] 1. This Here
[3:46] 2. Why Weep
[4:05] 3. Have A Light
[3:16] 4. Oleo
[4:44] 5. I Want To Be Happy
[6:56] 6. Jahrgang'37
[4:20] 7. Autumn Leaves
[4:49] 8. One Last Goodbye
[5:23] 9. Take The A Train
[4:26] 10. Düsseldorf Süd Wuppertal West
[4:13] 11. Iris
[3:49] 12. I Surrender Dear
[6:12] 13. Easy
[5:11] 14. The Mysterioso Mr. X
[4:05] 15. Edith
[4:35] 16. Einsames Mädchen Am Meer
Baritone Saxophone – Helmut Brandt (tracks: 1 to 6, 8 to 14, 16); Bass – Jürgen Ehlers; Drums – Rudy Pronk; Guitar – Larry Atwell (tracks: 1 to 14, 16); Piano – Roland Kovac (tracks: 1 to 7, 9 to 16); Soprano Saxophone, Tenor Saxophone – Barney Wilen (tracks: 1 to 6, 8 to 14, 16), Lucky Thompson (tracks: 1 to 6, 8 to 14, 16); Tenor Saxophone – Bent Jaedig (tracks: 1 to 6, 8 to 14, 16). Recorded November 25, 1960 at Funkhaus Hamburg .
Previously unreleased studio concert from Hamburg in 1960, featuring four jazz saxophone legends: Lucky Thompson (ss/ ts), Barney Wilen (ss/ ts), Helmut Brandt (bars) and Bent Jaedig (ts), recorded with the quartet of Dr. Roland Kovac (p) in a unique workshop. Excellent blend of Modern, Bebop, Cool and Progressive: Full ensemble pieces in a sound made famous by Giuffre's Four Brothers, from original material to standards, plus musical essays in small groups.
Previously unreleased studio concert from Hamburg in 1960, featuring four jazz saxophone legends: Lucky Thompson (ss/ ts), Barney Wilen (ss/ ts), Helmut Brandt (bars) and Bent Jaedig (ts), recorded with the quartet of Dr. Roland Kovac (p) in a unique workshop. Excellent blend of Modern, Bebop, Cool and Progressive: Full ensemble pieces in a sound made famous by Giuffre's Four Brothers, from original material to standards, plus musical essays in small groups.
Four Brothers mc
Subscribe to:
Posts (Atom)