Thursday, September 3, 2015

Various - Kenton Portraits: A Loving Salute (2-Disc Set)

The word breathtaking is over-used these days, so I must beg your indulgence as I use it to describe Kenton Portraits - A Loving Salute, which is indeed a loving and, yes, often breathtaking salute to one of the most admired and innovative bandleaders who ever lived, Stanley Newcomb Kenton. True, all of the material on the first disc in this two-disc set, and some on the second, has been released elsewhere, but hearing these splendid themes played consecutively on one marvelous anthology is simply—for lack of a better word—breathtaking. If you're an admirer of Kenton and his music, and this album doesn't move you to tears, perhaps nothing will.

Ten ensembles of various shapes and sizes are represented, all but two from North America. The exceptions are Kenton alumnus Bobby Lamb's Trinity Big Band from the UK and composer/pianist Francois Glorieux's Orchestra from Belgium. Even though Glorieux's three memorable tracks were included on his Tribute To Stan Kenton, that album isn't widely known or available, and they will be new to many listeners. Trinity's lone selection, "Stone Canyon, can be heard on its album Trinity Big Band Salute Stan Kenton, and on another of Tantara Productions' anthologies, Horns Of Plenty (Vol.3).

Four of the fourteen selections were recorded in concert, including the Chicago Metropolitan Jazz Orchestra's eloquent opener, "I Remember Stan. The composition is arguably one of the finest big band works ever written by Lennie Niehaus, who played saxophone and arranged for Kenton from 1951-52 and again from 1954-60. Other numbers recorded live are Bob Florence's expansive "Appearing In Cleveland, Herb Harrison's fast-moving "Bus To Nowhere and Bill Holman's "The Tall Guy." The first of these is from the Mike Vax Orchestra's album Next Stop, Live . . . On the Road, the second from Herb's Book by Vaughn Wiester's Famous Jazz Orchestra, and the last was recorded more than a dozen years ago by the Stan Kenton Alumni Band during a Bud Shank Jazz workshop in Port Townsend, WA. The soloists on that one include pianist Dave Barduhn, trumpeter Conte Candoli, soprano Bill Perkins and drummer Frank Capp.

The first disc closes with two dazzling selections by the U.S. Army Jazz Ambassadors: Hank Levy's lively swinger, "With The Old Man In Mind, and a medley of Kenton favorites smartly arranged by Ken McCoy, both of which are included on the AJA's The Legacy Of Stan Kenton. The second disc opens with a pair of gems by Galen Jeter and Dallas' Original Jazz Orchestra: the standard "My Foolish Heart (arranged Kenton-style by Dave Bowman) and another evocative composition by Niehaus, the buoyant "Tribute To Kenton. Trinity's picturesque "Stone Canyon, written and arranged by Lamb, uses French horns to good advantage, as do five other groups—the Glorieux, Wiester and Dallas orchestras, Kenton Alumni Band and Canadian Brass Jazz All-Stars, who close the second disc with Kenton alumnus Don Sebesky's powerful arrangement of Kenton's theme song, "Artistry In Rhythm.

Perhaps the most touching moments on the album are provided by the Paul Cacia Studio Orchestra's "Kenton In Portrait, wherein can be heard spoken tributes to Kenton by several of those who knew him best: Bob Gioga, Lee Konitz, Carl Fontana, Laurindo Almeida, Bob Cooper, Shorty Rogers, June Christy, Pete Rugolo, Milt Bernhart, Buddy Childers and Dick Shearer. The homage, we're told, was cobbled together in a hurry when a recording of Halls Of Brass (using classical musicians) proved unsatisfactory. Cacia and Rugolo fleshed out the idea in about four early-morning hours, Rugolo quickly wrote the chart, and the rest, as they say, is history. Cacia's closing remarks, preceding the wistful "Auld Lang Syne, were written by satirist Mort Sahl. Of course, there's no way to follow that except with "Artistry In Rhythm, which the Canadian Brass All-Stars perform brilliantly.

In seeking to describe accurately this remarkable series of tributes to the incomparable Stan Kenton, I can think of no better words than those used on the album's jacket: "A vivid canvas that captures the elegance, power, color, drama, thrill and awesome beauty of [Kenton's] orchestras. That about sums it up, but I would add one more word. It really is...breathtaking. ~Jack Bowers

Album: Kenton Portraits: A Loving Salute (Disc 1)
Bitrate: MP3@320K/s
Time: 63:36
Size: 145.6 MB
Styles: Big band
Year: 2006
Art: Front

[ 6:18] 1. Chicago Metropolitan Jazz Orchestra - I Remember Stan
[14:22] 2. Mike Vax - Appearing In Cleveland
[ 2:47] 3. Francois Glorieux Orchestra - Artistry In Trombones
[10:15] 4. Francois Glorieux Orchestra - Tribute To Stan Kenton
[ 5:30] 5. Francois Glorieux Orchestra - In Memoriam Stan Kenton
[ 7:09] 6. Vaughn Wiester Famous Jazz Orchestra - Bus To Nowhere
[ 8:38] 7. U.S. Army Jazz Ambassadors - With The Old Man In Mind
[ 8:35] 8. U.S. Army Jazz Ambassadors - Stan Kenton Medley

Kenton Portraits: A Loving Salute (Disc 1)

Album: Kenton Portraits: A Loving Salute (Disc 2)
Bitrate: MP3@320K/s
Time: 56:53
Size: 130.2 MB
Styles: Big band
Year: 2006
Art: Front

[ 5:09] 1. Dallas' Original Jazz Orchestra - My Foolish Heart
[ 5:39] 2. Dallas' Original Jazz Orchestra - Tribute To Kenton
[17:44] 3. The Stan Kenton Alumni Band - The Tall Guy
[ 9:09] 4. Trinity Big Band - Stone Canyon
[14:07] 5. Paul Cacia - Kenton Portrait Artistry In Rhythm Minor Riff Painted Rhythm Interlude
[ 5:03] 6. Canadian Brass - Artistry In Rhythm

Kenton Portraits: A Loving Salute (Disc 2)

Sammy Davis Jr. - Laughing Out Loud

Bitrate: MP3@320K/s
Time: 75:05
Size: 171.9 MB
Styles: Vocal
Year: 2013
Art: Front

[2:14] 1. Easy To Love
[2:21] 2. I'm Sorry Dear
[3:16] 3. That Old Black Magic
[2:55] 4. My Funny Valentine
[3:16] 5. Frankie And Johnny
[2:17] 6. Too Close For Comfort
[3:20] 7. Hey Won't You Play (Another Somebody Done Somebody Wrong Song)
[2:37] 8. Hey There
[2:52] 9. Glad To Be Unhappy
[2:00] 10. Lonesome Road
[2:41] 11. And This Is My Beloved
[3:11] 12. You're Gonna Love Yourself (In The Morning)
[2:41] 13. All Of You
[2:44] 14. Spoken For
[2:56] 15. Love Me Or Leave Me
[3:13] 16. We Could Have Been The Closest Of Friends
[2:44] 17. Be Bop The Beguine
[2:21] 18. Got A Great Big Shovel
[2:21] 19. Oh, Lonesome Me
[2:40] 20. September Song
[3:00] 21. Smoke! Smoke! Smoke! (That Cigarette)
[2:44] 22. What I've Got In Mind
[2:03] 23. Something's Gotta Give
[3:15] 24. Birth Of The Blues
[2:41] 25. The River's Too Wide
[3:06] 26. What Can I Do
[3:23] 27. Please Don't Tell Me How The Story Ends

Sammy Davis Jr. was an actor, comedian, singer and dancer, and part of the Rat Pack with Frank Sinatra and Dean Martin, with whom he starred in several films.

Born on December 8, 1925, in New York City, Sammy Davis Jr. overcame prevailing racism to become an entertaining legend. He was a successful comedian, actor, dancer and singer. As part of the Rat Pack, with Frank Sinatra and Dean Martin, Davis was known for his films and his partying ways. As his fame grew, his refusal to appear in any clubs that practiced racial segregation led to the integration of several venues in Miami Beach and Las Vegas. Davis died of throat cancer on May 16, 1990.

Laughing Out Loud

Junior Mance - I Believe To My Soul

Bitrate: MP3@320K/s
Time: 36:45
Size: 84.1 MB
Styles: Soul-jazz
Year: 1966/2005
Art: Front

[3:09] 1. I Believe To My Soul
[5:03] 2. A Time And A Place
[5:39] 3. Sweet Georgia Brown
[5:08] 4. Golden Spur
[5:03] 5. Don't Worry 'bout It
[3:47] 6. Home On The Range
[2:05] 7. Sweets For My Sweet
[6:47] 8. My Romance

Recorded in New York over three recording sessions from September of 1966 to August of 1967, the soul/blues-inflected pianist Junior Mance finds himself in a variety of instrumental combinations with a variety of musical stablemates. In the first he is in the company of top players, including David "Fathead" Newman, Frank Wess, Joe Newman, Haywood Henry, and Hubert Laws. This larger group is responsible for three of the tracks. Then Mance steps back into a trio mode with Richard Davis and Freddie Waits on bass and drums, respectively. They also do two tracks, including one of the more impressive ones on the album, an Erroll Garner-like "My Romance." This same group gets together once again, but backed by strings, for a different arrangement of "Home on the Range." Mance also combines with Bob Cunningham and Alan Dawson for two tracks. Vocalist Sylvia Shemwell joins in on the title tune, "I Believe to My Soul." Regardless of the setting and the company, Mance's piano dominates with its immediately recognizable rhythmically discerning style, which was strictly Mance's pianistic domain. Even on the Latin-cadenced "Sweets for My Sweet" with Ray Barretto doing his conga thing, Mance never ventures far from that jazzy soulfulness which characterized his playing. This is a good representative recording by an artist who was never able to raise himself to the top tier of jazz pianists. This album has been reissued on CD by the Collectables label in combination with Mance's Harlem Lullaby. ~Dave Nathan

I Believe To My Soul

Laura Theodore - Tonight's The Night

Styles: Vocal Jazz
Year: 1994
File: MP3@320K/s
Time: 29:35
Size: 68,0 MB
Art: Front

(4:49)  1. Better Days
(5:36)  2. I'll Never Get Over You
(4:09)  3. Tonight's the Night
(5:10)  4. Shooby Do
(5:34)  5. Where Did the Love Go?
(4:15)  6. You Got the Love

Laura Theodore's debut CD was co-written with jazz pianist Don Rebic, and features Big Band charts arranged by Alan Foust. This recording contains six originals and three cover tunes, and features some of New York’s finest musicians, including Randy Brecker on trumpet, Joe Beck on guitar, Chip Jackson on bass, Michael Berkowitz on drums, Andy Snitzer and Lou Marini on sax.

"I am so proud to finally be releasing "Tonight's the Night," on CD Baby. This CD has to be my favorite over all because it is an extension of me, my life, and my music in all forms. It started one spring afternoon when I got a call from my musical director and long time friend Don Rebic: “I was thinking”he hesitated “let’s write and produce our own jazz record. Let’s record our own music, the music we enjoy playing.” Thus, Tonight’s the Night was born. For the following year we wrote, recorded, edited, wrote again, mixed, recorded, edited again, recorded again, mastered, and finally finished our “labor of love” project. I am so grateful to Don, Alan Foust, and all of the incredible, virtuoso musicians who lent their talents to this recording to make it so special. The lyrics come from the bottom of my heart, and the music speaks my story." ~ Laura Theodore

"Laura Theodore’s powerful voice is lined with velvet and versatility. The New Yorker’s fantastic four-octave range is showcased on six originals co-written with polished pianist Don Rebic." ~ Patricia Myers, Jazz Times

"For the last few weeks I have had the pleasure of playing Laura Theodore - Tonight's The Night  on my radio show, ‘Nite Owl Jazz,’ WWCD-101-FM, Columbus, Ohio. Listener response has been terrific and I’ll be using many tracks from the CD for months to come. She is the most dynamic, exciting, and versatile singer I’ve heard in a long time and I’ve been a professional DJ since 1959. Voice, feeling, style, drama she has it all. Count me in as one of her most enthusiastic fans." ~ Fritz the Nite Owl, Smooth Jazz Radio, Columbus, Ohio

"Tonight’s the Night (digital version) is co-written by Laura Theodore and keyboard player Don Rebic. The Theodore-Rebic compositions include “I’ll Never Get Over You,” a smoky torch song that shows off Theodore’s range and versatility, with notes dipping to throaty growls, then climbing to Sarah Vaughan-like soprano." ~ Dianne Zuckerman, Denver Daily Camera http://www.cdbaby.com/cd/theodore3

Personnel: Laura Theodore (vocals); Don Rebic (piano, synthesizer); Andy Snitzer (alto saxophone); Lou Marini (tenor saxophone); Bob Milikan, Randy Brecker (trumpet); Jim Pugh (trombone); Alan Faust (synthesizer); Joe Beck (guitar); Chip Jackson (bass); Michael Berkowitz, Graham Hawthorne (drums); Sue Evans (percussion); Norma Garbo, Maria Bartolotta (background vocals).

Tonight's The Night

Peter Fesperanto Fessler - Lovers, Fools And Dreams

Styles: Vocal
Year: 2004
File: MP3@320K/s
Time: 48:25
Size: 111,0 MB
Art: Front

(3:25)  1. If You Never Come To Me
(5:02)  2. Strangers In The Night
(4:07)  3. Blue Moon
(4:56)  4. Memories of Moments
(5:21)  5. Hello
(4:15)  6. Smoke Gets In Your Eyes
(4:13)  7. Agua De Beber
(4:51)  8. I Remember You
(4:10)  9. My Romance
(4:35) 10. Poinciana
(3:25) 11. I Wish You Love

Born in Cologne, Germany, and at the age of twelve, he began studying jazz guitar with his supporter and mentor Rick Abao. At the age of 20 he crossed the Atlantic for the first time, embarking on a musical journey that would take him into the world of sessions. Upon his return to Europe, Fessler began a concentrated shortstudy of jazz vocal technique at the renowned Cologne Music Conservatory. Soon after, Fessler became the front man and voice of the succesfull TRIO RIO - group (New York-Rio-Tokyo). Since his return to Europe he has continued to tour, performing live on the concert stage and logging numerous television and radio productions along the way. Fessler's voice can be heard by children all over Germany in the title role of the Walt Disney film "Aladdin", the German version. Following the release of his recording "Don't Tell Me", Fessler dedicated his next album-recordings to jazz and latin-jazz repertoire while simultaneously exploring the territory covered by his own compositions. Since his spectacular duet performance with Al Jarreau at the Montreux Jazz Festival, Peter Fessler has been considered the premiere jazz voice of Germany.

Randy Crawford, Bobby Mc Ferrin, Toots Thielemanns, and many other stars also recognize his unique talent and singular ability. As one of the next generation's jazz stars, he has earned his place on the international stage untill today. Fessler's recent recording and his performance as a "solophonic" musician is a breathtaking fusion of voice and classical guitar. He has found the perfect sound asthetic: High emotional, fascinating and virtuoso.

It all started for German-Canadian Peter Fessler in 1987 with the Top 10 hit "New York, Rio, Tokyo" and the band Trio Rio. Even then many of his breezy pop miniatures bore the influence of Bossa Nova legend Antonio Carlos Jobim. Today Fessler is regarded without a doubt as the most competent interpreter of modern Brazilian sounds in our European climes. A relocation to San Francisco made a decisive mark on him, promptly expressed in songs with a quintessential California "easy feeling".These years of artistic self-searching in the realms of Latin pop, jazz standards, Bach vocalizing or just the barest guitar accompanying his song miniatures have made him a sound to be reckoned with. Nowadays making his home near Cologne, Germany, the inimitably personal style of multi-voice FESSLER is ranked as the European counterpart to such grand masters as Jon Hendricks, Al Jarreau or Bobby McFerrin. Bio ~ http://www.mymusicbase.ru/PPB/ppb35/Bio_3548.htm

Lovers, Fools And Dreams

Randy Brecker - Hangin' In The City

Styles: Trumpet Jazz
Year: 2001
File: MP3@320K/s
Time: 61:46
Size: 141,9 MB
Art: Front

(5:07)  1. Overture
(4:26)  2. Wayne Out
(5:43)  3. Hangin' in the City
(7:18)  4. I Talk to the Trees
(4:38)  5. Down For the Count
(7:09)  6. Pastoral (to Jaco)
(5:25)  7. Then I Came 2 My Senses
(5:21)  8. Seattle
(4:56)  9. Never Tell Her U Love Her (Less She's 3000 Miles Away)
(5:55) 10. I Been Through This Before
(5:43) 11. One Thing Led to Another

This album is not at all representative of Randy Brecker's "normal" output as a jazz trumpeter. Subtitled "Songs of Rhyme, Reason, Romance & Raunch," it marks the debut of "Randroid," a sort of alter-ego fashioned from a nickname given to Brecker some years before by alto saxophonist Gary Bartz. Taking on this shady, decadent persona, Brecker sings and raps about sexual exploits, partying, and other aspects of the musician lifestyle. Musically, the result is somewhere between Frank Zappa and Donald Fagen. Lyrically, it's really kind of bizarre, at times downright embarrassing. But once you get over the shock, you find that the tracks are actually pretty hip. Producer George Whitty handles keyboards and drum programming throughout, giving the disc a contemporary urban funk feel.

Brecker blows a mean trumpet and flügelhorn and is joined by brother Michael Brecker on tenor sax, bassists Chris Minh Doky, Richard Bona, and Will Lee, guitarists Adam Rogers, Dean Brown, and Hiram Bullock, and more. Four of the 11 tracks are instrumental. The cheesy sexual double entendre of "Then I Came 2 My Senses" and the Lolita fantasy of "One Thing Led to Another" are pretty near unforgivable, but the hip beats, involved harmonies, and searing Adam Rogers guitar solos on "Wayne Out" and "Seattle" are redeeming. George Whitty's Rhodes solo on "Never Tell Her You Love Her ('Less She's 3000 Miles Away)" is also one of the hotter moments. ~ David R.Adler http://www.allmusic.com/album/hanging-in-the-city-mw0000006440

Personnel: Trumpet/Flugelhorn & Pre-Production Programming by Randy Becker; all lead vocals by Randroid. Randy Brecker: trumpet, flugelhorn; Michael Brecker: tenor saxophone; George Whitty: keyboards and programming; Hiram Bullock: guitar, background vocals; Adam Rogers: guitar; Dean Brown: guitar; Joe Caro: guitar; Chris Minh Doky: acoustic and electric bass; Will Lee: electric bass, background vocals; Richard Bona: electric bass; Joe Locke: vibraphone; Don Alias: percussion; Mike Harvey: background vocals; Katreese Barnes: background vocals; and Randroid!

Hangin' In The City

Cornell Dupree - Mr 2500 - Live at Birdland

Styles: Guitar Jazz
Year: 2003
File: MP3@256K/s
Time: 75:34
Size: 138,8 MB
Art: Front

( 8:07)  1. Them Changes
(17:00)  2. The Ghetto
( 6:43)  3. Pick Up the Pieces
(11:00)  4. What's Going On?
( 7:25)  5. Something
( 6:29)  6. Bass Instinct
( 6:32)  7. Spirit in the Dark
( 5:52)  8. Memphis Soul Stew
( 6:21)  9. Watching the River Flow

A veteran of over 2,500 recording sessions, guitarist Cornell Dupree worked most prolifically in R&B and blues, but he was equally at home in jazz, particularly funky fusion and soul-jazz. Dupree was born in Fort Worth, TX, in 1942, and by the age of 20 was playing in King Curtis' R&B group. He became a session musician soon after, playing on Brook Benton's "Rainy Night in Georgia," as well as records by stars like Lou Rawls, Paul Simon, Barbra Streisand, Harry Belafonte, Lena Horne, Roberta Flack, Joe Cocker, Michael Bolton, Mariah Carey, and countless others. 

Dupree was also a member of Aretha Franklin's touring band from 1967-1976, and during that time also became a presence on many jazz-funk recordings, the sort that would find favor with rare groove and acid jazz fans in the years to come. Dupree's first jazz session as a leader was 1974's Teasin', which was followed by Saturday Night Fever in 1977, and Shadow Dancing in 1978. During the same period, Dupree was a member of the studio-musician fusion supergroup Stuff, which signed with Warner Bros. in 1975 and recorded four albums. 

They also reunited periodically in the '80s and spawned a mid-'80s spin-off group called the Gadd Gang, which Dupree also belonged to. Some of Dupree's most rewarding jazz albums came in the late '80s and early '90s; 1988's Coast to Coast was nominated for a Grammy, and funky sessions like 1991's Can't Get Through, 1992's live Uncle Funky, and 1993's Child's Play received positive reviews. 1994's Bop 'n' Blues was his most straight-ahead jazz album, also ranking as one of his best. Bio ~ Steve Huey  http://www.allmusic.com/artist/cornell-dupree-mn0000118597/biography

Live at Birdland

Mike Mainieri - Wanderlust

Styles: Vibraphone Jazz
Year: 1992
File: MP3@320K/s
Time: 48:52
Size: 112,5 MB
Art: Front

(4:47)  1. Bullet Train
(8:20)  2. Bamboo
(4:32)  3. Flying Colours
(7:59)  4. L' Image
(5:50)  5. Pep's
(6:38)  6. Crossed Wires
(7:31)  7. Sara's Touch
(3:11)  8. Wanderlust

A real killer from vibesman Mike Mainieri a set that's got a darker edge than some of his previous work, while still hanging onto all the warm touches of his own instrument in the lead! Backings are full, but never uptight and there's a loosness to the record that really works well with the vibes an electric mode that's warm and often a bit spontaneous – served up with help from Warren Bernhardt and Don Grolnick on keyboards, Jeremy Steig on flute, and Kazuo Watanabe on guitar! Tunes are pretty darn fresh some really inventive writing that pushes the edges, but not in a jamming fusion way and titles include "Crossed Wires", "Bullet Train", "L'Image", "Flying Colours", "Wanderlust", and "Bamboo". https://www.dustygroove.com/item/766346

Personnel: Mike Mainieri (vibraphone, marimba, percussion); Kazumi Watanabe, Steve Khan (guitar); Manolo Badrena (berimbau, percussion); Jeremy Steig (flute); Michael Brecker (saxophone, soprano saxophone, tenor saxophone, trumpet); Randy Brecker (trumpet); Warren Bernhardt (piano, synthesizer); Don Grolnick (keyboards); Ed Walsh (synthesizer); Peter Erskine (drums); Roger Squitero, Sammy Figueroa (percussion).

Wanderlust

Richard 'Groove' Holmes - Comin' On Home

Styles: Soul Jazz, Jazz Funk
Year: 2002
File: MP3@320K/s
Time: 35:35
Size: 81,7 MB
Art: Front

(4:09)  1. Groovin' For Mr. G
(3:34)  2. Theme From "Love Story"
(5:00)  3. Mr. Clean
(5:17)  4. Down Home Funk
(6:42)  5. Don't Mess With Me
(5:45)  6. Wave
(5:04)  7. This Here

Revered in soul-jazz circles, Richard "Groove" Holmes was an unapologetically swinging Jimmy Smith admirer who could effortlessly move from the grittiest of blues to the most sentimental of ballads. Holmes, a very accessible, straightforward and warm player who was especially popular in the black community, had been well respected on the Philadelphia/Southern New Jersey circuit by the time he signed with Pacific Jazz in the early '60s and started receiving national attention by recording with such greats as Ben Webster and Gene Ammons. Holmes, best known for his hit 1965 version of "Misty," engaged in some inspired organ battles with Jimmy McGriff in the early '70s before turning to electric keyboards and fusion-ish material a few years later. The organ was Holmes' priority in the mid- to late '80s, when he recorded for Muse (he also had stints throughout his career with Prestige Records and Groove Merchant) . Holmes was still delivering high-quality soul-jazz for Muse (often featuring tenor titan Houston Person) when a heart attack claimed his life at the age of 60 in 1991 after a long struggle with prostrate cancer. He was a musician to the end, playing his last shows in a wheelchair. ~ Alex Henderson & Steve Leggett https://itunes.apple.com/gb/artist/richard-groove-holmes/id65745449#fullText

Personnel:  Bass [Electric] – Jerry Jemmott;  Congas – Ray Armando;  Drums – Darryh Washington;  Electric Piano – Weldon Irvine;  Guitar – Gerald Hubbard;  Organ – Richard Groove Holmes

Comin' On Home

Wednesday, September 2, 2015

Maria Bethânia - My Backyard

Bitrate: MP3@320K/s
Time: 41:33
Size: 95.1 MB
Styles: Brazilian jazz vocals
Year: 2014
Art: Front

[4:26] 1. Alguma Voz [any Voice]
[2:20] 2. Xavante
[4:03] 3. Casa De Caboclo [caboclo's House]
[2:00] 4. Lua Bonita [beautiful Moon]
[2:27] 5. Candeeiro Velho [old Candeleer]
[4:39] 6. Imbelezô Eu Vento De Lá [embellished Me Wind From There]
[2:24] 7. Mãe Maria [mother Maria]
[4:12] 8. Uma Lara Uma Perigosa Yara [a Lara A Dangerous Yara]
[1:51] 9. Moda Da Onça
[3:03] 10. Povos Do Brasil [people Of Brazil]
[3:07] 11. Arco Da Velha Índia [bow Of Old India]
[3:43] 12. Folia De Reis [folly Of Kings]
[3:11] 13. Dindi

This disc, recorded, according to the liner notes, as a way of relieving the emotional turmoil after the death of her mother at 105, focuses attention on her national heritage, "voices of the past that formed part of the creation of Brazil. personified in Bethania's artistic life." It also contains, as a bonus track the one song that may be recognizable to American audiences unfamiliar with Brazilian music, Tom Jobim and Aloysio de Oliveria's "Dindi."

While there is no denying that a knowledge of Portuguese would significantly add to the appreciation of Bethania's music, it is equally undeniable that the emotional honesty of her vocals comes through in spite of any language gap. She has a beautiful voice that exudes passionate intensity. There is a reason she has made all those albums, whatever the language. This is a woman who can sing.

My Backyard

The Rascals - The Essentials

Bitrate: MP3@320K/s
Time: 34:32
Size: 79.1 MB
Styles: AM pop/rock, Blue eyed soul
Year: 2002
Art: Front

[2:39] 1. I Ain't Gonna Eat Out My Heart Anymore
[2:27] 2. Good Lovin'
[2:24] 3. You Better Run
[2:04] 4. I've Been Lonely Too Long
[2:27] 5. Groovin'
[2:44] 6. A Girl Like You
[2:51] 7. How Can I Be Sure
[2:41] 8. It's Wonderful
[2:32] 9. A Beautiful Morning
[2:57] 10. People Got To Be Free
[3:39] 11. Ray Of Hope
[5:00] 12. See

Shifting from psychedelic pop to blue-eyed soul with only the passionate wail of Felix Cavaliere reminding you that the same band was capable of all this, The Essentials is a nice little combination of the Rascals' many different phases. Smooth and sexy one moment, tense and discordant the next, this does an excellent job of displaying their talents as well as including several of their most recognizable songs. Released on the heels of the superior All I Really Need compilation, this is still a nice grouping of songs that isn't as detailed as it could be, but would work well for fans of their radio work. ~Bradley Torreano

The Essentials

Mike Mainieri - Northern Lights

Styles: Vibraphone Jazz
Year: 2006
File: MP3@320K/s
Time: 60:19
Size: 138,5 MB
Art: Front

(7:55)  1. Nature Boy
(7:38)  2. Poochie Pie
(7:44)  3. I've Seen It All
(8:14)  4. Vertigo
(6:55)  5. Flamenco Sketches
(6:06)  6. Naima
(5:08)  7. Dance of Ran
(5:55)  8. Bang
(4:39)  9. Remembrance

Vibraphonist Mike Mainieri has never garnered the same attention as Gary Burton, five years his junior, despite being equally cutting edge. Mainieri was one of fusion's early progenitors: Journey Through an Electric Tube (Solid State, 1968) and White Elephant (Solid State, 1969) explored new ways to incorporate a rock aesthetic with jazz. But while Burton has settled into a more mainstream comfort zone in recent years, Mainieri continues to test new waters. Northern Lights teams him with the "Norwegian Posse" a veritable who's who of the contemporary Norwegian scene. The result blends the groove and ambience of nu jazz with a somewhat more emphatic approach to soloing.  Northern Lights features four-fifths of trumpeter Nils Petter Molvaer's group including Molvaer, guitar soundscapist Eyvind Aarset, live sampler/beat programmer Jan Bang and turntablist DJ Strangefruit so it's no surprise that the disc leans heavily toward atmosphere and a generally more selfless approach emphasizing the collective rather than any individual. Drummer Anders Engen (a regular collaborator with the also-present keyboardist Bugge Wesseltoft) and Swedish bassist Lars Danielsson form a rhythm section that's more straightforward than typically found in nu jazz. Still, while the program includes a trio of standards alongside Mainieri's compositions and a Bjork song, the treatments are anything but conventional.

"Nature Boy," which opens the disc with a gentle reggae groove, is a strong feature for both Molvaer and Mainieri's lyrical, less-is-more approach. Miles Davis' "Flamenco Sketches" is propelled by a gentle backbeat, while John Coltrane's "Naima" is given an Afro-centric reading, thanks to Paolo Vinacchia's hand drums and Mainieri's marimba. The vibe is cool, but not the Nordic cool that's more a stereotypical misconception these days. Relaxed in approach, Mainieri is surrounded by a group of musicians whose command of electronics and processing is so well-integrated that it feels completely organic and, in the case of those playing "conventional" instruments, a thoroughly natural extension. Mainieri's writing ranges from the techno-centric "Poochie Pie" to the Latin-esque "Vertigo" and the snaky groove of "Dance of Ran." "Bang" is dancefloor-ready; saxophonist Bendik Hofseth's solo sound like a funky and energetic extension of Jan Garbarek's earlier years. One could imagine Mainieri playing the balladic "Remembrance" with his Steps Ahead group, but here the added string quartet and atmospherics provided by Bang, Strangefruit and Aarset take it to a more ethereal place. While the cross-pollination of artists from around the world is becoming more common, too few recorded documents exist. The ever-adaptable Mainieri fits perfectly within the sphere of nu jazz's equally malleable improvisational take on electronica. Hopefully Northern Lights will bring well-deserved North American attention to the "Norwegian Posse" and, by extension, the entire vibrant and forward-thinking Scandinavian scene. ~ John Kelman http://www.allaboutjazz.com/northern-lights-mike-mainieri-nyc-records-review-by-john-kelman.php

Personnel: Mike Mainieri: vibraphone, marimba; Nils Petter Molvaer: trumpet; Bendik Hofseth: saxophones; Bugge Wesseltoft: keyboards, synths, acoustic and prepared piano; Eyvind Aarset: electric guitar; Lars Danielsson: bass; Anders Engen: drums; Paolo Vinaccia: percussion; Jan Bang: live sampling, beat programming; DJ Strangefruit: turntables.

Northern Lights

Peter Fesperanto Fessler & NDR Big Band - I Concentrate On You

Styles: Vocal
Year: 2007
File: MP3@320K/s
Time: 54:09
Size: 124,6 MB
Art: Front

(4:57)  1. My One and Only Love
(4:46)  2. You Go to My Head
(5:12)  3. Triste
(5:44)  4. I Concentrate On You
(7:11)  5. Here's to Life
(5:29)  6. My Foolish Heart
(5:21)  7. The Gentle Rain
(4:54)  8. Voices On the Stair
(7:24)  9. Dindi
(3:07) 10. Not Like This

Fessler received with 12 years of his discoverer and mentor Rick Abao the first guitar lessons in jazz and Brazilian music. After leaving school, followed by a longer stay in the USA, where he continued dedicated to the music. The singer with Canadian - Polish - German roots played sessions in clubs, bars and hotels in New York and San Francisco. During this period also first own compositions. Back in Germany began Fessler, whose voice four octaves includes, studying for vocal jazz seminar of the Musikhochschule in Cologne and was from 1983 to 1987 the singer of Trio Rio, a Latin jazz band, in 1986 by the hit New York-Rio Tokyo became known. Then Fessler worked with a trio consisting of Berthold Matschat at the piano, Gunnar Plümer on bass and drummer Matthias hull. In order to realize his own musical ideas further, it drew Fessler for some time back in the United States, where he devoted himself to writing songs and, inter alia, with Sheila E. and Chaka Khan worked.

The renewed return to Germany followed in 1991, the first solo album My songs and various concerts and radio and TV productions. Fessler was the German voice of Aladdin in the same Walt Disney production. Here, the song was created by a True Story, a duet with Sabine Hettlich. After publication of the 1993 album Do not Tell Me is Fessler dedicated mainly a jazz and Latin jazz repertoire and composed his own pieces. On the 2000 album Signatures exclusively own compositions were. Al Jarreau took him at the Montreux Jazz Festival with his guitar as a duet partner on stage.Moreover Fessler Special Guest was with Randy Crawford's 1999's tour. He joined the end of 2003 in Tokyo. With its fusion of voice and classical guitar he has since found a new sound aesthetic. On his album The with you (2010) he interprets German poetry by Miriam Frances, Erich Kastner and Alexander Bragao. On the album Spirit of Christmas (2013) from Pee Wee Ellis, he interpreted the pop classic Last Christmas. Translate by google https://de.wikipedia.org/wiki/Peter_Fessler

I Concentrate On You

Nils Landgren - Redhorn Collection Part I And II

Album: Nils Landgren - Redhorn Collection Part I
Styles: Trombone Jazz
Year: 2014
File: MP3@320K/s
Time: 65:29
Size: 150,3 MB
Art: Front

(5:15)  1. Traci (Live)
(3:52)  2. Simple Life
(6:15)  3. You Dig
(4:50)  4. Da Fonk
(5:40)  5. Six Beauties On a Rooftop
(5:06)  6. Riders On the Storm
(4:27)  7. Knowing Me, Knowing You
(5:05)  8. House Party
(5:39)  9. Stuff Like That
(1:19) 10. Kibera Sunrise
(5:34) 11. Mag Runs the Voodoo Down
(4:54) 12. Get Serious Get a Job
(3:42) 13. Ain't Nobody (Live)
(3:43) 14. Ack Waermland Due Skoena (Live)


Album: Nils Landgren - Redhorn Collection Part II
Styles: Trombone Jazz
Year: 2014
File: MP3@320K/s
Time: 56:09
Size: 128,8 MB
Art: Front

(3:35)  1. Song from the Valley
(2:51)  2. Love of My Life (feat. Michael Wollny, Lars Danielsson, Johan Norberg & Rasmus Kihlberg)
(4:07)  3. This Masquerade
(4:45)  4. The Moon's a Harsh Mistress
(4:40)  5. Silent Way (feat. Nils Landgren, Lars Danielsson, Sebastian Studnitzky & Frank Kuruc)
(4:02)  6. Fire and Rain (feat. Nils Landgren)
(6:51)  7. Fragile
(3:50)  8. Imagine (Live)
(6:05)  9. You Stole My Heart (feat. Esbjorn Svensson Trio)
(6:23) 10. The Brightest Smile in Town
(4:31) 11. I Will Survive
(4:22) 12. Get Here

Swedish funk and jazz trombone player Nils Landgren spent his formative years at the music college in Karlstad and at the university in Arvika studying classical trombone. He discovered improvisation after a meeting with jazz legends Bengt-Arne Wallin and Eje Thelin and moved to Stockholm, after which he toured with Swedish pop phenomena Björn Skifs ("Hooked on a Feeling"). 

Since then, Landgren has appeared on some 500 albums, including collections from artists as diverse as Herbie Hancock, ABBA, the Crusaders, and Wyclef Jean. He released his debut solo album (Planet Rock ) in 1983, followed by a string of successful titles including Streetfighter, You Are My Nr 1, Miles from Duke, Chapter 2, and Follow Your Heart. In 1992 he formed the Nils Landgren Funk Unit, which has released numerous recordings including Live in Stockholm, Fonk da World, 5,000 Miles, and Funky ABBA. ~ James Christopher Monger https://itunes.apple.com/us/artist/nils-landgren/id252465524#fullText

Redhorn Collection Part I, Part II

The Australian Jazz Quintet - At The Varsity Drag

Styles: Jazz, Swing
Year: 2015
File: MP3@320K/s
Time: 35:18
Size: 81,6 MB
Art: Front

(2:06)  1. Alone Together
(3:07)  2. Koala
(3:09)  3. That Old Feeling
(3:05)  4. Affaire D'amour
(3:05)  5. The Lady Is A Tramp
(3:50)  6. Lover Man
(2:42)  7. The Thrill Is Gone
(2:42)  8. New South Wail
(2:57)  9. Few Get It
(3:06) 10. So Nice
(2:43) 11. Varsity Drag
(2:40) 12. It Might As Well Be Spring

In the mid-'50s, the Australian Jazz Quartet were considered an unusual group since, in addition to piano, bass, and drums, their instrumentation had alto or flute, tenor or bassoon, and vibes. The band featured their own sly wit, which is often in evidence on this collection of tunes, particularly on "Varsity Drag." In addition to seven standards (including "Alone Together," "The Lady Is a Tramp," and "It Might As Well Be Spring"), the Aussies play three songs by Bill Holman, one from Med Flory, and an obscurity. 

The blend of bassoon, flute, and vibes in some sections is quite memorable even if the music overall was not all that innovative. Although a touch lightweight (with each of the selections clocking in around three minutes apiece), the results are enjoyable. 
~ Scott Yanow  http://www.allmusic.com/album/the-australian-jazz-quintet-at-the-varsity-drag-mw0000050371

Personnel: Dick Healey (alto saxophone, flute); Erroll Buddle (tenor saxophone, bassoon); Jack Brokensha (vibraphone); Bryce Rohde (piano); Jimmy Gannon (bass); Frankie Capp (drums).
Thank You my friend!

At The Varsity Drag

Tuesday, September 1, 2015

Gerry Mulligan - Jazz Masters 36

Bitrate: MP3@320K/s
Time: 68:55
Size: 157.8 MB
Styles: West Coast jazz, Saxophone jazz
Year: 1994
Art: Front

[ 4:37] 1. You Took Advantage Of Me
[ 3:47] 2. Manoir De Mes Reves Django's Castle
[ 6:08] 3. Lady Chatterley's Mother
[ 5:28] 4. Barbara's Theme
[10:54] 5. Blueport
[ 5:59] 6. Weep
[ 9:42] 7. All About Rosie
[ 4:43] 8. Chuggin'
[ 4:32] 9. Summer's Over
[ 3:07] 10. Israel
[ 4:12] 11. Ballad
[ 5:40] 12. Big City Blues

Gerry Mulligan's Concert Jazz Band was one of the great bands of the early 1960s--of all time, really. Mulligan, whose big band (and small big band) experience went back to Gene Krupa and the Miles Davis Birth of the Cool recordings, expanded and enlarged on the sound of his quartet, sextet, and tentets in the Concert Jazz Band. This album contains a dozen cuts from the four albums the band made for Verve between 1960 and late 1962. (There are several other excellent CDs currently available, from the band's European tour in late 1960 and from an appearance at the Newport Jazz Festival earlier that year.)

Highlights of this collection include Al Cohn's wonderful sax section writing on "Lady Chatterley's Mother," the interplay between Mulligan and Clark Terry on the definitive "Blueport," and George Russell's arrangement of "All About Rosie." In addition to Mulligan (who plays piano on "Chuggin'"--he's a wonderful piano player--and clarinet on "Big City Blues") and Terry, soloists include Bob Brookmeyer (valve trombone and piano), Don Ferrara on trumpet, and Jim Reider on tenor. Mel Lewis is the drummer who makes it all happen, on all but the final recording date. That one, released as "Gerry Mulligan 1963" (although recorded in December 1962), presents a band with a somewhat different, perhaps more arranged, sound, but it includes Jim Hall on guitar. If you can find a copy of the now-discontinued Verve Compact Jazz CD of the Concert Jazz Band, you'll have a pretty complete representation of the band's official recordings. The older collection includes three cuts that are sadly missing from this one: Zoot Sims' great solos on "Come Rain or Come Shine" and "Apple Core," and Mulligan's delightful piano outing on "Let My People Be." This is a great band. Savor what's available. ~Amazon

Jazz Masters 36

Catherine Russell - Bring It Back

Bitrate: MP3@320K/s
Time: 47:21
Size: 108.4 MB
Styles: Jazz vocals
Year: 2014
Art: Front

[3:51] 1. Bring It Back
[2:28] 2. I'm Shooting High
[4:05] 3. I Let A Song Go Out Of My Heart
[3:07] 4. You Got To Swing And Sway
[4:38] 5. Aged And Mellow
[2:37] 6. The Darktown Strutter's Ball
[3:52] 7. Lucille
[2:36] 8. You've Got Me Under Your Thumb
[5:20] 9. After The Lights Go Down Low
[3:04] 10. I'm Sticking With You Baby
[3:28] 11. Strange As It Seems
[3:10] 12. Public Melody Number One
[4:59] 13. I Cover The Waterfront

Catherine Russell is a native New Yorker, born into musical royalty. Her father, the late Luis Russell, was born in Panama, emigrated to New Orleans and then New York City, becoming a legendary pianist/bandleader/arranger/composer, and Louis Armstrong’s long-time collaborator and musical director. Her mother, Carline Ray, was a pioneering bassist/guitarist/vocalist and holder of advanced degrees from Juilliard and Manhattan School of Music, who performed with International Sweethearts of Rhythm, Mary Lou Williams, and Ruth Brown. Not surprisingly considering her pedigree, Catherine Russell is a one of a kind musician and vocalist. A graduate of American Academy of Dramatic Arts, Catherine has toured the world, performing and recording with David Bowie, Steely Dan, Cyndi Lauper, Jackson Browne, Michael Feinstein, Levon Helm, Paul Simon, Rosanne Cash, Carrie Smith, and many others.

Catherine's 5th album, Bring It Back hit the streets in February 2014 on the Jazz Village label, and received a rave Five Star review in Downbeat Magazine. With her new album, Catherine Russell digs deeper into a rich vein of musical treasures. Mining collaborations between her legendary father, Luis Russell, and the great Louis Armstrong, Catherine brings along the same team from her two previous chart-topping albums. Gems from the Jazz Age and Swing Era performed with new arrangements for 10 piece orchestra, blend seamlessly with reinventions sourced from Blues icons Esther Phillips, Al Hibbler, Wynonie Harris, and Little Willie John.

Catherine Russell is that rarest of entities – a genuine jazz and blues singer – who can sing virtually anything. Her voice is full blown feminity incarnate; a dusky, stalwart and soulful instrument that radiates interpretive power yet remains touchingly vulnerable. She launches fearlessly into each tune, getting inside the melody and capturing every emotion. Her repertoire features a selection of gems from the 1920's through the Present; vital interpretations, bursting with soul and humor. With an off-the beaten-path song selection, sparkling acoustic swing, and a stunning vocal approach, Catherine Russell joins the ranks of the greatest interpreters and performers of American Popular Song.

Bring It Back

Marshall Royal - Gordon Jenkins Presents Marshall Royal

Bitrate: MP3@320K/s
Time: 41:41
Size: 95.4 MB
Styles: Saxophone jazz
Year: 1960/2007
Art: Front

[2:13] 1. Caravan
[3:18] 2. Ain't Misbehavin'
[3:26] 3. Birth Of The Blues
[4:52] 4. Take The A Train
[3:23] 5. When I Grow Too Old To Dream
[4:27] 6. Intermezzo
[3:24] 7. Blue Prelude
[2:43] 8. Battle Royal
[3:28] 9. Goodbye
[2:46] 10. Pagan Love Song
[3:30] 11. Black Coffee
[4:05] 12. Blues For Beverly

Altoist Marshall Royal led relatively few sessions in his career, just three full albums of his own, with the second one not released until 1978. For this project from 1960, Royal, who was still with Count Basie's big band, is backed by a string section, an occasional choral group (which sometimes gets in the way), and a rhythm section (partly from Basie's orchestra) on arrangements by Gordon Jenkins. Jenkins was best known for his lush charts for commercial settings, and the music on this CD reissue is not that much of a stretch for him. He essentially frames Royal's alto as if it was a voice. Royal, who sounds a lot like Johnny Hodges, plays well on the concise performances although much of the time he sticks near the melody. There are a few medium-tempo numbers included but this is mostly a ballad set. The overall results are nice if not particularly challenging. ~Scott Yanow

Gordon Jenkins Presents Marshall Royal

Sanford Hinderlie - Solo Flight

Bitrate: MP3@320K/s
Time: 56:07
Size: 128.5 MB
Styles: Piano jazz
Year: 1995
Art: Front

[4:54] 1. Isle Of Paradise
[7:48] 2. Willow Weep For Me
[6:08] 3. Your Song
[5:13] 4. Phase Dance
[4:16] 5. Don't Get Around Much Anymore
[5:02] 6. Greensleeves
[6:05] 7. In Flight
[6:05] 8. Summer Haze
[5:02] 9. Killer Joe
[5:30] 10. Amazing Grace

Hinderlie appears regularly in New Orleans and has performed at the New Orleans Jazz and Heritage Festival. He is known as a performer of MIDI/synthesizer music, and composed music for television, radio and films. Hinderlie has performed in the former Soviet Union, Japan, the Middle East and Europe. This recording represents his first solo venture on acoustic piano.

Solo Flight

Mark Winkler - Jazz Life

Styles: Vocal
Year: 2012
File: MP3@320K/s
Time: 36:29
Size: 84,5 MB
Art: Front

(4:44)  1. Jazz Life
(3:50)  2. In a Minor Key
(2:13)  3. Be-Bop
(4:03)  4. Coolcats
(4:09)  5. Keely
(4:58)  6. Hip To Your Tricks
(3:47)  7. Struttin'
(4:14)  8. Scattin' in the Moonlight
(4:26)  9. Play To Win

Known for his smooth, relaxed, laid-back sense of swing, Mark Winkler is a flexible vocalist/songwriter whose influences (direct or indirect) include Dave Frishberg, Mose Allison, Kenny Rankin, and Michael Franks (among others). The Los Angeles resident is comfortable in either jazz or pop settings; he has done his share of traditional pop and crossover jazz/smooth jazz work, but he can also handle straight-ahead jazz and bop. Whether a Winkler recording has a jazz improviser's perspective or more of a pop/crossover perspective has depended on different factors, including the label and the producer. Some of Winkler's work has leaned toward the Mose Allison/Dave Frishberg side of things; other times, his approach has been closer to Michael Franks or Kenny Rankin. And either way, Winkler generally maintains his smoothness; he has never been known as a forceful, overly aggressive, or in-your-face type of singer.

Born and raised in the L.A. area, Winkler launched his recorded career in the mid-'80s. After recording some albums for the independent, L.A.-based Chase Music Group (including Color of Love, Ebony Rain, and Hottest Night of the Year), the Southern Californian freelanced for various indie labels in the '90s (including Countdown and Chartmaker). Winkler didn't build a huge catalog in the '80s or '90s; when the early 2000s arrived, his catalog added up to about six albums. But he has kept busy doing a variety of other things, which have ranged from writing songs for other vocalists to theatrical projects. Winkler whose songs have been recorded by Liza Minnelli, Randy Crawford, Dianne Reeves, and others wrote the off-Broadway musical Naked Boys Singing! (which debuted in New York in 1999 and went on to play in a few others cities as well). In 2003, the Rhombus label released Mark Winkler Sings Bobby Troup, which found him paying tribute to the songwriter who gave us gems like "Route 66," "You're Looking at Me," and "Baby, Baby All the Time." ~ Bio https://itunes.apple.com/gb/artist/mark-winkler/id48811931#fullText

Jazz Life