Wednesday, January 13, 2016

Various - Argentine Hot Jazz Vol. 1

Bitrate: MP3@320K/s
Time: 58:16
Size: 133.4 MB
Styles: Latin rhythms, Big band
Year: 2013
Art: Front

[2:39] 1. Feliciano Brunelli Y Su Orquestra - Vitamina B
[2:29] 2. Feliciano Brunelli Y Su Orquestra - Boogie Del Burrito
[3:13] 3. Feliciano Brunelli Y Su Orquestra - Boogie De Los Patitos
[2:54] 4. Feliciano Brunelli Y Su Orquestra - El Expresso A Buguilandia
[2:54] 5. Orquestra Jazz Casino - Boogie Casino
[2:55] 6. Feliciano Brunelli Y Su Orquestra - Guin Guin Gun
[2:46] 7. Barry Moral Y Su Orquestra De Jazz - Cortaron El Viejo Manzano
[2:50] 8. Feliciano Brunelli Y Su Orquestra - Superdixieland
[2:37] 9. Barry Moral Y Su Orquestra De Jazz - Los Muchachos Vuelven
[2:44] 10. Barry Moral Y Su Orquestra De Jazz - Boogie Tropical
[2:34] 11. Feliciano Brunelli Y Su Orquestra - Los Monitos Bailan Boogie
[2:42] 12. Hector - El Boogie Boogie Llego Al Pueblo
[2:54] 13. Mario Cesari Conjunto De Jazz - El Vaquero Smith
[3:00] 14. Eduardo Armani Y Su Orquestra - Mama Lavame Con Ritmo
[3:03] 15. Ahmed Ratip Y Sus Cotton Pickers - Yo Se Que Tu Sabes
[3:16] 16. Orquestra Jazz Casino - El Jazz Me Entristece
[2:38] 17. Washington Bertolin Y Su Sexteto De Jazz - El Tercer Hombre
[2:30] 18. Feliciano Brunelli Y Su Orquestra - Yanquele
[2:35] 19. Feliciano Brunelli Y Su Orquestra - Juancho El Vendedor
[2:21] 20. Feliciano Brunelli Y Su Orquestra - El Boogie Woogie Del Amor
[2:33] 21. Varela-Varelita - Marcianita

Argentine Hot Jazz Vol. 1

Frances Faye - I'm Wild Again

Bitrate: MP3@320K/s
Time: 33:08
Size: 75.9 MB
Styles: Vocal jazz
Year: 1955/2014
Art: Front

[2:30] 1. Toredor
[2:43] 2. They Can't Take That Away From Me
[2:24] 3. He's Funny That Way
[3:06] 4. I've Got You Under My Skin
[1:50] 5. My Heart Sings
[2:23] 6. Somebody Loves Me
[3:02] 7. September In The Rain
[3:12] 8. These Foolish Things Remind Me Of You
[2:44] 9. Love For Sale
[5:39] 10. Medley: Little Girl Blue/Where Or When/Embraceable You/Exactly Like You
[3:30] 11. Out Of This World

Herbie Harper, Tommy Pederson, Maynard Ferguson, Frank Rosolino (Trombones); Al Hendrickson (Guitar); Jerry Wiggins (Piano); Red Mitchell (Bass); & Chico Hamilton (Drums).

In the late 1930s, Faye co-starred in the Bing Crosby and Martha Raye vehicle Double or Nothing; Faye played the sister of Raye, and they perform a nightclub act together. A musical highlight is the performance of "After You," with both gals plus Crosby. As a singer, Faye was considered to be on the level of a Dinah Washington, in terms of power and not at all of the cutesy-cutesy female pop singer variety. When she played her own keyboard accompaniment, club owners sometimes complained that she had pounded the piano so hard that all that remained of parts were sawdust. Faye could do the type of romantic material that more commercial performers such as the bubbly Doris Day were known for, but also included obscure songwriting gems in her repertoire as well as funky, naughty rhythm & blues numbers. ~Excerpt from the bio by Eugene Chadbourne

I'm Wild Again

The Hilltoppers - S/T

Bitrate: MP3@320K/s
Time: 30:23
Size: 69.6 MB
Styles: Vocal group
Year: 2015
Art: Front

[1:56] 1. Maybe You'll Be There
[2:50] 2. Why Baby
[2:14] 3. That Old Feeling
[2:48] 4. I Can't Get Started
[2:45] 5. The Gypsy
[2:39] 6. Whispering Grass
[2:11] 7. With Every Breath I Take
[2:10] 8. I'm Glad For Your Sake
[2:34] 9. Faded Rose
[2:11] 10. Into Each Life Some Rain Must Fall
[2:04] 11. Trouble In Mind
[2:20] 12. So Tired
[1:36] 13. I Can't Give You Anything But Love

Perhaps the greatest male vocal group of the Interlude Era, The Hilltoppers, had a very inauspicious beginning. They began as a vocal trio with the members being Jimmy Sacca, Seymour Spiegelman, and Donald McGuire who were students at Western Kentucky University in the town of Bowling Green. One of Sacca's acquaintances was a pianist in a territory band in the area named Billy Vaughn. A song written by Vaughn was given a run through by the trio, and through various rehearsals Vaughn himself was added to the vocal mix and the trio was now a quartet. As the story goes, the guys gathered around a piano in the corner of the campus auditorium at something like one a.m. on a spring night in 1952 and tape recorded the new song called "Trying". The tape was then given to a local radio deejay who liked the tune and soon got in touch with Randy Wood the head of Dot Records in suburban Nashville, Tennessee. Wood listened to the tape and was duly impressed and signed the quartet to his label. The group then took their name from the Western Kentucky University athletic teams nickname, The Hilltoppers.

The Hilltoppers

Ruby Braff, Dick Hyman - Music From My Fair Lady

Styles: Cornet And Piano Jazz
Year: 1989
File: MP3@320K/s
Time: 53:09
Size: 123,6 MB
Art: Front

(5:54)  1. Wouldn't It Be Loverly
(3:54)  2. With A Little Bit Of Luck (slow)
(2:29)  3. With A Little Bit Of Luck (fast)
(4:11)  4. I'm An Ordinary Man
(6:16)  5. The Rain In Spain
(4:46)  6. I Could Have Danced All Night
(4:06)  7. Ascot Gavotte
(5:06)  8. On The Street Where You Live
(3:53)  9. Show Me
(5:14) 10. Get Me To The Church On Time
(3:14) 11. Without You
(4:00) 12. I've Grown Accustomed To Her Face

The many Lerner & Loewe songs written for the play My Fair Lady have long been rightfully acclaimed. Even with several decades of fine recordings, this duet set by cornetist Ruby Braff and pianist Dick Hyman is one of the finest interpretations of the famous music. Braff and Hyman come up with new ideas during melodic versions of such songs as "Wouldn't It Be Loverly," "I Could Have Danced All Night," "On the Street Where You Live," and "Get Me to the Church on Time," among others. Every Braff-Hyman collaboration is well worth getting, and this set is no exception. ~ Scott Yanow  http://www.allmusic.com/album/music-from-my-fair-lady-mw0000202744

Personnel: Ruby Braff (cornet); Dick Hyman (piano).

Music From My Fair Lady

Jaclyn Guillou - To the City

Styles: Jazz, Vocal
Year: 2011
File: MP3@320K/s
Time: 58:39
Size: 142,8 MB
Art: Front

(4:04)  1. Sunny Sunday
(4:30)  2. To The City
(4:02)  3. Little Red Shoes
(4:47)  4. Hiding Town
(5:15)  5. California
(5:16)  6. All or Nothing at All
(5:16)  7. That's All (Feat. Denzal Sinclaire)
(3:52)  8. Sweethearts In Love
(5:55)  9. Attends
(4:05) 10. Honey Blues
(3:51) 11. O Pato
(3:01) 12. No Moon at All
(4:39) 13. You Are (Bonus Track)

"To The City, the debut studio CD of Jaclyn Guillou is polished and playful. Jaclyn’s voice has rhythm, movement, and unique expression. When you layer this over a cast of players who can sculpt notes with their instruments, you have an album that is so rich with dimension you need a pair of 3D glasses to listen to it. There are a number of standout tracks on this CD one of which is “That’s All”. Guest vocalist Denzal Sinclaire raises the bar high with his impeccable phrasing which is met every step of the way by Guillou and Evan Arntzen’s clarinet. Little Red Shoes is fun song that highlights some of the playfulness of the album. The smooth tinkling of the vibes is a good contrast to the fullness of Chris Davis’s trumpet and Rod Murray on trombone. The title track To the City has a cosmopolitan feel to and when you listen you will hear shades of Guillou’s story in every line. Jaclyn Guillou has surrounded herself with outstanding musicians that support her beautifully without giving up any of their own presence, making this album interesting to listen to. There is a reason she was chosen as a Galaxy Rising Star...Jaclyn Guillou is the whole package." ~ ! Earshot (review by Shelley Gummeson)

"Guillou sings with a purity that keeps this jazz-pop grounded. Piano-based with some savory touches of clarinet and trumpet, To The City sounds playful yet classic. It’s possible to imagine Guillou has a sparkle in her eyes and it’s that kind of joy the album radiates." ~ The Province (review by Tom Harrison)

"BC has produced another rising star, someone perhaps to follow in the footsteps of international jazz artist Diana Krall in the years to come." ~ Review Vancouver

“Guillou’s originals have the brassy, mellow glow of jazz standards as if they were plucked straight out of the vault and given a gently modern spin.” ~ Slocan Valley Current http://www.cdbaby.com/cd/jaclynguillou

Personnel:  Vocals – Jaclyn Guillou;  Piano – Randy Porter;  Vibraphone – Tom Beckham;  Bass – Michael Rush;  Drums – Joe Poole;  Piano (tracks 1, 5) – Bruno Hubert;  Vocals (track 7) – Denzal Sinclaire
Trumpet (tracks 3,4, 8, 10, 13) – Chris Davis;  Tenor Sax (tracks 3, 10) & Clarinet (track 7) – Evan Arntzen;  Trombone (track 3) – Rod Murray;  Percussion (track 8, 9, 11) – Rafael Geronimo

To the City

The Bill Elliott Swing Orchestra - Swingin' The Century

Styles: Jazz, Big Band, Swing
Year: 1999
File: MP3@256K/s
Time: 45:41
Size: 88,4 MB
Art: Front

(3:02)  1. Swingin' The Century
(3:00)  2. The Shim Sham Song
(3:18)  3. Camp Hollywood Special
(3:10)  4. When We Dance
(2:38)  5. I'm Fallin' In Love Again
(3:17)  6. Hep Hop
(3:28)  7. Blues In The Night
(2:38)  8. Somebody Loves Me
(2:35)  9. Lets' Get Married
(3:21) 10. Oh, Lady Be Good
(3:21) 11. Boogie Woogie Rhumba
(2:45) 12. Maze Of Death
(2:16) 13. At The Coconut
(3:50) 14. Come Rain Or Come Shine
(2:53) 15. Jeep Jockey Jump

The Bill Elliott Swing Orchestra is a swing band for today, with its own distinctive songs and sound  light-hearted, energetic, witty, romantic feel good music. Our third Cd Swingin' The Century has been spun with great enthusiasm by DJs and dance teachers in LA, SF, NY, and DC! The band recorded at famed Capitol Studios A and B in Hollywood, using a combination of vintage microphones and modern technology to create a distinctive sound that fits Elliott’s retro-style arrangements. As on the second record, the vocal quartet Bill’s Lucky Stars is featured prominently, and lead singer Cassie Miller steps out on three solos as well. Its 15 tracks include ten of Bill Elliott’s brand-new original songs as well as five classic tunes from the first swing era. Songs include "Swingin' the Century," "Oh Lady Be Good," "Blues in the Night,"Camp Hollywood Special," and "The Shim Sham Song." http://www.cdbaby.com/cd/belliottswing

Personnel: Michael Lescault, Cassie Miller (vocals); Barry Zwieg (guitar); Don Shelton , Bob Reitmeier (clarinet); John Reilly, Gene Burkert, Ray Herrmann (reeds); Jay Mason (alto saxophone); Roger Neumann, Jeff Driskill (tenor saxophone); Chuck Erdahl (baritone saxophone); Darrel Gardner, Donald Clarke, Gary Halopoff, Jeff Bunnell, Wayne Bergeron, John Grab (trumpet); Charlie Morillas, Andy Martin , Bruce Otto (trombone); Brad Dutz (bongos).

Swingin' The Century

Jonathan Butler - Story Of Life

Styles: Vocal, Guitar, Jazz Funk
Year: 1999
File: MP3@320K/s
Time: 44:16
Size: 102,0 MB
Art: Front

(3:47)  1. Story Of Life
(4:01)  2. Let's Stand Together
(5:07)  3. What Would You Do For Love?
(4:53)  4. After All This Time
(4:22)  5. Suite 830
(4:40)  6. Can't Let Go
(4:24)  7. Through It All
(4:59)  8. Following The Light
(3:59)  9. Sunset Ride
(4:00) 10. So In Love

Jonathan Butler's Story of Life focuses on the South African singer/guitarist's vocal and songwriting skills. The album's smooth atmosphere is enhanced by Butler's backing band, which features players like Fourplay bassist Nathan East and pianist George Duke; this silky style is especially evident on romantic tracks like "Through It All," "So in Love," and "Suite 830," which also features saxophonist Candy Dulfer. ~ Heather Phares  http://www.allmusic.com/album/story-of-life-mw0000668803

Personnel: Jonathan Butler (vocals, guitar, keyboards, synthesized bass & strings, programming); Michael Thompson, Michael Landau (guitar); Suzie Katayama (cello); Candy Dulfer (alto saxophone); George Duke (Fender Rhodes piano); Greg Phillinganes (electric piano, keyboards); Gregory Wachter (keyboards, programming); Richard Page (keyboards); Nathan East, Abraham Laboriel, Neil Stebenhaus, Larry Kimpel (bass); Will Kennedy (drums); Paulinho Da Costa (percussion); Peter Mokran (programming); Tracy Nelson, Earl Buffington, Mervyn Warren (background vocals).

Story Of Life

Tuesday, January 12, 2016

Bud Freeman - The Dolphin Has A Message

Bitrate: MP3@320K/s
Time: 43:03
Size: 98.6 MB
Styles: Mainstream jazz, Saxophone jazz
Year: 2001
Art: Front

[3:57] 1. On A Clear Day
[2:24] 2. The Dolphin Has A Message
[2:51] 3. Don't Blame Me
[4:15] 4. I Didn't Know What Time It Was
[3:11] 5. Tangerine
[4:35] 6. Satin Doll
[2:23] 7. Just Past Tea Time
[4:33] 8. I Cover The Waterfront
[4:08] 9. Somebody Stole My Gal
[4:12] 10. Here's That Rainy Day
[3:57] 11. Blues For Brian
[2:32] 12. I Guess I'll Have To Change My Plan

Bud Freeman is joined by an English trio for this magnificent studio session from 1980, one of the last recordings the tenor saxophonist made. Although rooted in traditional jazz, swing, and Chicago-style jazz, the veteran tenor saxophonist was open to exploring new material; his gorgeous tone makes the often banal "On a Clear Day" swing effortlessly, while the obscure "The Dolphin Has a Message" proves to be an interesting feature with the leader backed only by drummer Johnny Richardson. Brian Lemon's jaunty piano is the perfect foil for Freeman in "Just Past Tea Time," while bassist Len Skeat is the leader's duo partner in an imaginatively constructed take of "Don't Blame Me." This English CD is easily one of the best recordings by Bud Freeman during the final decade of his long career. ~Ken Dryden

The Dolphin Has A Message     

Eight To The Bar - Swingin' School

Bitrate: MP3@320K/s
Time: 31:16
Size: 71.6 MB
Styles: Swing, Big band
Year: 1986/2005
Art: Front

[5:13] 1. Jumpin' At The Woodside
[2:17] 2. Swingin' School
[1:49] 3. Nagasaki
[3:51] 4. When Your Baby Don't Love You No More
[3:40] 5. Cold, Cold, Cold
[2:58] 6. Standin' At The Crossroads
[2:46] 7. St. Louis Blues
[3:10] 8. If My Mama Could See Me Now
[2:12] 9. Happy Happy Birthday Baby
[3:15] 10. Lightnin' Strikes

Swingin' School, Eight to the Bar's second record, originally came out on vinyl back in 1986. It's a bright, energetic mix of swing, sixties, doo-wop, and pop, with the band's trademark vocal section being the tie that binds and defines the band's sound. A wonderful period piece!

Swingin' School

Silje Nergaard - Chain Of Days

Bitrate: MP3@320K/s
Time: 44:44
Size: 102.4 MB
Styles: Vocal jazz
Year: 2015
Art: Front

[4:05] 1. Buckle Her Shoe
[4:22] 2. The Dance Floor
[4:43] 3. The Leaving
[3:28] 4. A Crying Shame
[3:29] 5. Come Walk Around
[3:53] 6. Lady Charlotte
[4:36] 7. Those Rainy Nights
[3:49] 8. Two For The Road
[3:28] 9. Cafe De Flore
[3:53] 10. Hunting High And Low
[4:53] 11. Morgenstemning

I can't believe that this is my 15th album … time passes so quickly. But, I'm just as excited as if 'Chain of Days' was my first release. Each song has their own unique personality and little story, and I can now share them with you. I've also chosen to record a cover song, my version of an A-ha song.

The album was recorded here in Oslo with a group of wonderful musicians, all of whom I've known for many years. My two steady guitarists Hallgrim and Håvar are with me and in addition, I have brought my old friends in on bass and drums, trumpet and even a male choir….. yes, many beautiful musical colours. Still, the arrangements contain air and space - "Less is more" remains my musical mantra.

Looking forward to seeing you all, and please - take care. ~Silje

Chain Of Days

Ellis Larkins, Marshall Barer, Barbara Lea - Pousse-Cafe

Bitrate: MP3@320K/s
Time: 51:22
Size: 117.6 MB
Styles: Musicals
Year: 1992
Art: Front

[7:50] 1. Pousse-Cafe Overture
[3:12] 2. Take Love Easy
[3:28] 3. Pousse Cafe
[2:46] 4. Let's
[3:09] 5. C'est Comme Ça
[2:22] 6. Fleugel Street Rag
[2:47] 7. Someone To Care For
[1:47] 8. Thank You, Ma'am
[1:33] 9. Up Your Ante
[1:08] 10. Be A Man
[3:27] 11. The Spider And The Fly
[2:31] 12. The Swivel
[2:17] 13. My Heart Is A Stranger
[2:44] 14. C'est Comme Ça
[2:37] 15. Goodbye, Charlie
[3:03] 16. Settle For Less
[1:49] 17. Follow Me Up The Stairs
[2:43] 18. If I Knew Now (What I Knew Then)

Music from failed Ellington Broadway musical. This one, a New Orleans version of The Blue Angel, closed after three performances in 1966. On this 1990s revival for CD, a small band led by Ellis Larkins is fronted by vocalists Marshall Barer (also the original lyricist) and Barbara Lea. I like the title song. ~Matthew Asprey Gear

Pousse-Cafe

Lou McGarity - No Limits

Bitrate: MP3@320K/s
Time: 63:42
Size: 145.8 MB
Styles: Dixieland
Year: 2014
Art: Front

[2:27] 1. Blue Turning Grey Over You
[3:26] 2. Stairway To The Stars
[2:35] 3. Blue Moon
[2:39] 4. Runnin' Wild
[2:34] 5. Blue Prelude
[2:18] 6. By The Beautiful Sea
[2:56] 7. Some Like It Hot
[3:11] 8. Down Among The Sheltering Palms
[3:54] 9. Born To Be Blue
[1:46] 10. Sweet Sue, Just You
[2:05] 11. Blue (And Brokenhearted)
[1:41] 12. La Cumparsita
[2:54] 13. Blue Champagne
[2:34] 14. Sweet Georgia Brown
[2:07] 15. I Got The Blues When It Rains
[3:45] 16. Blue Again
[1:52] 17. I Wanna Be Loved By You
[2:43] 18. Sugar Blues
[2:33] 19. Blue Skies
[3:54] 20. I'm Thru With Love
[2:50] 21. Blue Lou
[2:28] 22. Under A Blanket Of Blue
[0:57] 23. Some Like It Hotter
[3:20] 24. Black And Blue

A very talented trombone soloist influenced by Jack Teagarden but possessing his own brassier sound, Lou McGarity was a strong asset to many bands and jam sessions. He started out playing violin when he was seven, not switching to trombone until he was 17. McGarity studied at the University of Georgia from 1934-36, gigged locally in the South (including with Kirk DeVore and Nye Mayhew), and toured with Ben Bernie from 1938-40 before hitting the big time with Benny Goodman from 1940-42. McGarity not only played with Benny Goodman's big band but with his smaller groups -- the first trombonist to do so. McGarity, who through the years often teamed up with his friend and fellow trombonist Cutty Cutshall (including with Goodman), worked with Raymond Scott's Orchestra at CBS from 1942-44, spent time in the military and then rejoined Benny Goodman for a time in 1946. Starting in 1947, he worked as a busy studio musician in New York, often appearing nightly with Dixieland-oriented musicians, including the Lawson/Haggart band, and with the many groups of Eddie Condon. He worked with Bob Crosby in the mid-'60s and was a key member of the World's Greatest Jazz Band from 1968-70 before bad health shortened his life. McGarity recorded as a leader for MGM (four selections in 1955), Jubilee in 1959, Argo in 1959 and Fat Cat's Jazz in 1970. ~bio by Scott Yanow

No Limits

Monday, January 11, 2016

Lisa Otey - Trio

Size: 169,7 MB
Time: 73:29
File: MP3 @ 320K/s
Released: 2005
Styles: Jazz/Blues Vocals
Label: Owl's Nest Productions
Art: Front

01. Night And Day (7:16)
02. My Funny Valentine (Euro Version) (3:10)
03. Your True Desire (4:32)
04. Honeysuckle Rose (5:49)
05. Under Paris Skies/Et Maintenant (6:40)
06. Gossip (3:18)
07. Trust Me Baby ( 5:12)
08. Boogie In 3 (Take Me Out To The Ballgame) (4:27)
09. Crazy Harry (Live) (9:48)
10. At Last (Live) (13:01)
11. Night And Day (10:10)

Lisa Otey has been touring in Europe since 2000, when she first appeared at the Cognac Blues Passions festival in France. She has headlined at numerous jazz and blues festivals, concert halls and clubs in Western Europe: i.e., Blues sur Seine and Jazz en Artois festivals, Caveau de la Huchette, Le Bilboquet (F); Banana Peel (B); Gooise and Leiden Jazz Festivals, Boogie & Blues Night theatre tour, Langs de Lijn (NL); Downtown Blues Club, Angie’s (D); Roses Blues, Jazz and Gospel festival, Café Central, Bilborock, Club Altxerri (ES); Hotel Montana (CH).

In the US, Lisa has toured in the West Coast, Southwest and Midwest for the last 20 years. The highlight of her career came in 2004 when she was asked to play for piano legend Pinetop Perkins. An incident with a train would have prevented him from finishing his recording, “Ladies Man”, which went on to receive a Grammy Nomination. Since 1994, Lisa has produced and recorded on her own label, Owl’s Nest Productions, featuring 12 CDs to date.

Lisa also tours with her Owl’s Nest artists (her Trio (Harm van Sleen (NL) and Fabrice Bessouat (F)); Mr. Boogie Woogie (NL); Diane Van Deurzen (US), and Lisa Otey and the Desert Divas (US)). Lisa also produces an annual international Boogie Woogie piano festival in Tucson, Arizona.

Trio

The Lyman Woodard Trio - Live At The 1996 Ford Montreux Detroit Jazz Festival

Size: 129,8 MB
Time: 56:02
File: MP3 @ 320K/s
Released: 2015
Styles: Jazz/Blues, Hammond Organ
Art: Front

01. Disco Tease (Live) (8:03)
02. If I Were A Bell (Live) (6:28)
03. Serenata (Live) (8:53)
04. When Did You Leave Heaven (Live) (5:31)
05. The Breeze And I (Live) (9:44)
06. Medley (Live) (10:34)
07. Ain't That Good News (Live) (6:46)

Lyman Woodard not only established a career as a premier jazz organist, but introduced dance and Latin rhythms to his instrument in a way others in his peer group did not. Born Lyman Elnathan Woodard III in Owosso, MI, on March 3, 1942, his father and grandfather were musicians who passed on the jazz tradition, as he took up the piano and attended local public schools before moving to St. Louis, where he was a student at Principin High School. Woodard returned to Michigan, studying at Flint Northern College, and then headed to Toronto to study at the Advanced School for Contemporary Music, where his mentors were Oscar Peterson and Ray Brown. He was able to play songs by Little Richard note for note, and was influenced by early R&B pioneers Fats Domino and Chuck Berry. In the early '60s, he heard Jimmy Smith on his car radio, and switched to the Hammond B-3 organ.

Woodard worked with various bands in Michigan, particularly in the bands of saxophonist Benny Poole, and moved to Detroit in 1964. His professional experience included stints as music director for Martha & the Vandellas and as a member of soul-fusion bands Undisputed Truth and 8th Day; he was also a leader in the Detroit Artists Workshop and collaborated with jazz trumpeters Marcus Belgrave and Ron Jackson and saxophonist Norma Jean Bell. In the 1970s Woodard formed his own trio, initially with Don Davis and formally with Motown session guitarist Dennis Coffey and drummer Melvin Davis; he then fronted his larger band, the Lyman Woodard Organization, producing the 1975 cult classic Strata label LP Saturday Night Special with Bell, guitarist Ron English, drummer Leonard King, and percussionist Lorenzo Brown, among others, and the Corridor label follow-ups Don't Stop the Groove -- recorded live at the Detroit nightclub Cobb's Corner in 1979, with English and national award-winning guitarist Robert Lowe, Jr., King, Belgrave, and saxophonists Kerry Campbell and Allan Barnes -- and the 1985 EP Dedicacion. These recordings marked Woodard's progression out of mainstream or soul-jazz into a beat-oriented, danceable music that Detroiters related to amidst the disco craze. The Afro-Cuban-oriented Dedicacion also introduced the world to a young violinist, Regina Carter, Lowe, and in subsequent live performances, then fledgling alto saxophonist Kenny Garrett.

Woodard's trio played extensively at Cobb's Corner in the Cass Corridor district of Detroit during the 1970s, but when club owner Henry Normile and jazz singing legend Eddie Jefferson were both murdered in cold blood in 1979, the scene in Detroit took a serious nosedive, though Woodard continued to play there on the weekends. Several years later Woodard rallied with a new trio featuring guitarist Rob Tye and King to keep playing his new music as well as standards, and he was often featured at the Montreux-Detroit Jazz Festival, his 1996 performance issued on CD. Live at J.J.'s Lounge and 74/93 Live: At Last!! were released on independent labels. By 2000 Woodard's presence in the city had diminished, as he played only sporadically. Suffering from emphysema and complications from a broken hip, Woodard passed away where he was born, at Owosso Memorial Hospital, on February 24, 2009, at age 66. Saturday Night Special has been reissued on audiophile vinyl, and as an available download from the Wax Poetic label. ~ by Michael G. Nastos

Live At The 1996 Ford Montreux Detroit Jazz Festival

Ron Williams & Jorg Seidel Trio - Hautnah

Size: 136,3 MB
Time: 58:25
File: MP3 @ 320K/s
Released: 2015
Styles: Jazz/Pop/Soul/Blues Vocals
Art: Front

01. People Get Ready (4:58)
02. Lean On Me (3:24)
03. Georgia In My Mind (5:27)
04. Superman (3:50)
05. Preacherman (3:49)
06. Island In The Sun (4:11)
07. Heidis Choice (4:58)
08. Lady Liberty (3:52)
09. I Left My Heart (6:00)
10. I Can See Clearly Now (5:21)
11. What A Wonderful World (4:16)
12. I Can Move You, Too/The Power Of Love (4:39)
13. Lifting Me Higher (3:35)

Ron Williams, born in Oakland, California, USA. He graduated from Oakland Technical Highschool, turning down a scholarship to study law at Dartmouth University, he joined the Army. After training as a Military Policeman he served in Virginia. Transferred to Germany

he was stationed in Stuttgart where he retrained as an Information Specialist (print-journalist) and as a radio announcer for the Armed Forces Network, AFN. After serving three years he was discharged. He remained in Germany, planning to travel and see more of Europe, before returning home.

Learning the language quickly, even a German dialect or two(!), he took on various jobs:

A sales-driver for Coca-Cola, a private chauffeur, and as a butler, learning more about Germany and its culture.

His first introduction to German show-business was as a soloist with the SDR-Radio Bigband and the Horst Jankowsky Jazz-Chorus in Stuttgart which made him change his mind about returning home. Then followed a FIRST in Germany. He joined the ranks of German satirical performers, being the only American to ever do so, performing two seasons as a member of the ensemble of Stuttgart`s “Kleines Renitenztheater”. His impersonations of legendary German politician and Chancellor Willy Brandt, or Stuttgart`s famous long-time serving Lord-Mayor Arnulf Klett (in the Schwabian dialect!) are unforgettable, making his mark as an impersonator for the first time before German audiences.

Moving from political Satire to numerous stage, tv- and film roles, he`s since become a recognizable face and voice throughout German speaking Europe: For 7 years as the TV-Host for the music-magazine “Musik-Szene” (ARD/WDR/ORF) and as Host and Anchor for the monthly English language TV-magazine “Focus on Europe” which was broadcast worldwide by Deutsche Welle / PBS USA for 7 years. Unforgettable, his parody as the satirical “voice” of President Ronald Reagan in numerous TV- Radio-shows and stage-performances; and on his own Saturday Night TV-Show “Ronabend” (ARD/WDR). He`s had over 800 television appearances including over 300 of his own shows..

He`s also the dubbing-voice for cartoon characters like “Sebastian the Crab” in Disney`s “Arielle the Mermaid”, as “Francisco Flaminco” in the National Geographic`s “GEO KIDS”, as “Howie the Bear” on the CD-Rom “Tuneland”. “Oogie Boogie” in Tim Burtons “Nightmare before Christmas” is just one of his many dubbing roles.

As a singer-entertainer with over 40 years of performances he`s gained a large audience of admirers young and old, singing the Blues, Soul and R & B with different bands, or Swing,

Jazz with numerous Big-Bands. He continues to win new fans doing galas, concerts, club- and festival gigs.

Hautnah

Flo's Jazz Casino - Smokin'

Size: 143,0 MB
Time: 60:31
File: MP3 @ 320K/s
Released: 2016
Styles: Jazz, Swing, Vocals
Art: Front

01. Introduction (0:21)
02. Lonely Boy (Feat. Clemens Ebenbichler) (2:53)
03. Pennies From Heaven (3:42)
04. Put The Blame On Mame (Feat. Heidi Erler Voc) (2:21)
05. Flying Home (2:55)
06. Summerwind (3:39)
07. Look For The Silver Lining (Feat. Anna Widauer Voc) (2:50)
08. Young Romans (4:57)
09. Smile (Feat. Sara Koell Voc) (3:41)
10. C-Jam Blues (2:24)
11. High Society (2:46)
12. Funk In Deep Freeze (Feat. Matthias Legner Vibes) (4:57)
13. Sing Sing Sing (Feat. Florian Bramboeck) (4:10)
14. What Now My Love (Feat. Stefanie Fettner Voc) (3:11)
15. Tu Vuo Fa L Americano (Feat. Florian Bramboeck) (2:56)
16. Californication (Feat. Florian Bramboeck) (3:51)
17. One For My Baby (And One More For The Road) (4:16)
18. Words Of Gratitude (0:27)
19. Muskrat Ramble Mike Tales & The Waz (Remix) (4:05)

Flo's Jazz Casino is a tribute to the American Jazz music from the beginning of the 20th century up to the Swing era. Times when great performers such as Frank Sinatra, Billie Holiday, Ella Fitzgerald, Nat King Cole, Sammy Davis Jr., Bing Crosby, Louis Armstrong, Louis Prima or Dean Martin made music beyond comparison.

Flo Baumgartner's band takes you on a journey to the clubs and casinos of the 20's, 30's, 40's and 50's. Back to an era in which an euphoric young generation braved the prohibition in the speakeasies and jazz clubs, where the energetic swing beat electrified the erotic and smoke penetrated atmosphere.

Smokin'

Jamie Rhind - Barcelona

Size: 107,6 MB
Time: 46:09
File: MP3 @ 320K/s
Released: 2015
Styles: Jazz: Contemporary Jazz, Fusion
Art: Front

01. Smooth To The Touch (2:34)
02. Barcelona (6:50)
03. Misty (5:25)
04. Gospel Blues (3:50)
05. Pythagoras (2:39)
06. My Romance (3:24)
07. That Empty Feeling (7:50)
08. Black Orpheus (5:40)
09. Hammond Eggs (5:43)
10. Taj (2:08)

A grooving, soulful keyboard instrumental album blending jazz, blues, latin, gospel, flamenco and fusion.

“Although Jamie Rhind and I have not met in real life, not yet I should say, I feel I know him for years and years. We are strongly connected when it comes to music and appreciation for the styles we are both playing in. We have done over an album of music together ever since Jamie invited me to play on his track Together, which features 23 musicians from 12 countries. That was 1.5 year ago. Modern digital technology and the world wide web have brought all of us together.

Now with an incredible catalogue of original music Jamie has created this wonderful album, hand picked by Jamie himself. It shows a versatility beyond boundaries. Jamie’s roots are in Blues and Jazz, and Classical music. Starting out as a classically trained pianist and clarinet player Jamie took up the style of improvised music infused with the sounds of Fusion, Latin, Rock, Jazz Rock, Funk, R’n’B, Gospel, and so much of that sweet seventies and eighties music. Playing in bands and at jams trained him in improvising and it shows in the music.

Using his keyboards and the fantastic possibilities of modern digital technology (MIDI) Jamie manages to create the sounds of entire bands on his own. You will be stunned to hear him play with ease and convincingly all the instruments including the right touch and feel for tone and note choice. This album is a great collection of all those qualities in pleasing, heartwarming and engaging music.” ~Dan van den Berg, Rotterdam December 5, 2015

Barcelona

Scott Hamilton & Karin Krog - The Best Things In Life

Size: 119,3 MB
Time: 51:20
File: MP3 @ 320K/s
Released: 2016
Styles: Jazz Vocals
Art: Front

01. Best Things In Life Are Free (3:17)
02. I Must Have That Man (5:18)
03. Will You Still Be Mine (8:06)
04. How Am I To Know (3:04)
05. Don't Get Scared (4:50)
06. Ain't Nobody's Business (4:44)
07. We Will Be Together Again (5:28)
08. Sometimes I'm Happy (5:02)
09. What A Little Moonlight Can Do (4:29)
10. Shake It But Don't Break It (6:58)

Personnel: Karin Krog (voc), Scott Hamilton (ts), Jan Lundgren (p), Hans Backenroth (b), Kristian Leth (d).

It is a common phenomenon to fall in love with a voice. Some even say that for a voice to have integrity in jazz, one must fall in love with it. In the ‘60s and ‘70s many people fell in love with Norwegian vocalist Karin Krog. She introduced young audiences to jazz. They suddenly realized that while Sweden had Monica Zetterlund, Norway had Karin Krog – and Denmark did its best to bring these stars to Copenhagen. Ever since, she has mesmerized crowds with her classic jazz vocals as well as her versatility. For Karin Krog is immune to genre boxes. She collaborates with the finest Scandinavian artists and with international stars in a wide range of styles (including Steve Kuhn, Archie Shepp, John Surman, Dexter Gordon, Kenny Drew and Niels-Henning Ørsted Pedersen). Her phrasing and intonation are easily recognizable, and she seems to have taken Billie Holiday’s statement of “hating straight singing” to heart. Karin is naturally compelled to change a song and make it her own. Her interpretations are always deeply personal while also so obviously right.

When asked by American tenor saxophonist Scott Hamilton to take part in a tribute recording for Billie Holiday’s would-be 100th birthday, Karin was very pleased. But soon Karin and Scott broke the boundaries of the original project. Scott agrees that as long as one has a story to tell, the choice of tune is less important.

Jazz isn’t always about innovation. It is equally important to keep the flame kindled, and no one does this better than Scott Hamilton. Active since the ‘70s, he has kept closer to his initial starting point – swing – than Karin Krog. His love for and knowledge of the music from the ‘30s and ‘40s and the tenor giants of the period are genuine. Emerging at a time when jazz-rock owned the scene, he didn’t follow in the wake of the modernistic masters of the day, preferring a much less trendy path. He has since matured to become the Scott Hamilton we listen to now – a musician all his own: unpretentious, with great musicality and integrity, devoid of enlarged ego, sensitive, and with a genuine joy in playing.

Karin’s voice is as full of vitality as ever, and her approach to the tunes presented here is refreshing and new. And just like Scott’s playing – straight from the heart. They are a fine match and obviously agree that the music is at the center. It is a pleasure to hear these mature artists in great form in close interplay with two Swedes, pianist Jan Lundgren and bassist Hans Backenroth, and Danish drummer Kristian Leth.

On top of a repertoire of standards, this album also features a rare jazz specialty, “vocalese” – the use of recorded jazz solos as basis for a new set of lyrics. Karin tells about Don’t Get Scared, that back in the ‘50s, she started learning a vocalese version based on solos by Stan Getz and Lars Gullin with lyrics by Jon Hendricks. After a gig in Oslo, tenor saxophonist Lucky Thompson hung out at Karin’s home with a few friends. She played King Pleasure’s version and explained that she had a problem understanding some of the words. Lucky sat patiently at the piano writing down the whole story. At the time, she didn’t know that he himself performed on the recording! She also told Scott that she knew a version with lyrics to a Lester Young solo from a recording of Sometimes I’m Happy. He knew the version and suggested a vocalese based on Slam Stewart’s bass solo. Karin has the old 78, and with help from British sax player John Surman, they took it apart and put words to it. A dedicated Slam Stewart fan, bassist Hans Backenroth transcribed the solo and played it to the new lyrics. In her cover notes Karin comments on each tune and also observes that Scott already seems to have recorded everything from the Great American Songbook. However one tune stood out: The Best Things In Life Are Free. “I had always yearned to record it – what better opportunity than now?”

THE BEST THINGS IN LIFE... A song and an album reminding us what is most important in life and what great jazz can do.

The Best Things In Life

Milt Buckner - Rockin' With Milt (2-Disc Set)

Milt Buckner's Hammond organ sound is quite different than others who followed in his footsteps. His choppy two-hand chord approach, thorny and biting sound, and his regular usage of a bass player identified him as a raw industrialist, coming from the Midwest hearths of St. Louis and Detroit. Buckner has largely been ignored as a pioneer of the organ in the '50s, so this reissue of his recordings for the Capitol label -- Rockin' with Milt, Rockin' Hammond, and Send Me Softly, plus five tracks from 7" EPs -- should reinforce why he was an important purveyor of the primordial soul-jazz movement. Buckner came out of the swing era as a pianist and sometimes cocktail lounge performer who was able to straddle the line between popular sounds of the day and more riveting and substantive jazz. The title Rockin' with Milt is apropos, as these tunes establish the rhythm & blues based beat that Elvis Presley, Bill Haley, and Chuck Berry turned into the seminal rock & roll that took over popular and dancehall music. The saxophonists who work with Buckner on these individual sessions are interesting picks, considering where their careers eventually landed. Danny Turner was a New York based alto and tenor saxophonist and a favorite of Sarah Vaughan and Count Basie, ex-Basie sax section stalwart Earle Warren's vibrato flavored alto was favorably compared to Earl Bostic, while tenor saxophone honker "Sam "The Man" Taylor" was well known in blues circles, also accompanying Cab Calloway, Louis Jordan, and Ray Charles, but could swing with the best. Tracks from the Rockin' with Milt sessions feature bassist Wendell Marshall and Duke Ellington drummer Sam Woodyard, including four Buckner originals like the R&B based "Movin' with Mitch," the fleet "Slaughter on 125th Street," and the cute unison organ/sax tune "Little Miss Maudlin." Boppers like the speedy "Bernie's Tune" and the easygoing "Robbins Nest" are hardcore classics. Overdubbing piano and organ, Buckner uses only guitarists and bass/drums rhythm mates for the stomping "Hey Now, Zorina!," and originals like the keyboards calling back and forth to each other on "Count's Basement," the shuffling "Wild Scene" and well after midnight "Mighty Low." Warren enters with pronounced, bent, flatted notes on Ahmad Jamal's "Night Mist" and the lovely, romantic "Dinner Date." Sam "The Man" Taylor and plucky guitarist Skeeter Best drench champagne and chocolate respectively over the bluesy melodies of "Good Time Express" and the jive "Second Section." The sessions from the Send Me Softly LP are distinctly more cocktail or martini induced than ale or stout, with some light calypso, cha cha, nonchalant background music, and themes of regret or loneliness. "All or Nothing at All" is a mysterious and unique Latin treatment of this standard, while Warren's somber reading of "Lullaby of the Leaves" will leave you breathless. "Our Engagement Day" is a sentimental theme that nuptials should discover.

Master bassist Milt Hinton is all over the second CD, and provides a good study in supportive rhythm and swing for those learning the idiom. Aside from the contrasts of tinkling piano as opposed to stabbing organ chords on "One O'Clock Jump," or the slow and slinky "Blue & Sentimental," Buckner is regular and predictable for those who know his work. If you are unfamiliar with Buckner's style, surprises abound, especially considering how his Hammond sound would preclude the more legato Wurlitzer or Farfisa sonic palate that was too slow for jazz improvisation in the '60s. As there are too few Milt Buckner recordings in contemporary catalogs, this is as close to his essential period as is available. ~Michael G. Nastos

Album: Rockin' With Milt (Disc 1)
Bitrate: MP3@320K/s
Time: 50:14
Size: 115.0 MB
Styles: Hammond B3 jazz
Year: 1955/2011

[2:46] 1. Movin' With Mitch
[5:10] 2. Lean Baby
[2:52] 3. Bernie's Tune
[2:16] 4. Easy To Love
[2:56] 5. Rockin' With Milt
[2:47] 6. Blues For Me
[5:34] 7. Robbin's Nest
[2:02] 8. Slaughter On 125th Street
[2:23] 9. Little Miss Maudlin
[2:42] 10. Take The 'A' Train
[2:15] 11. Hey Now, Zorina!
[2:02] 12. Deep Purple
[3:06] 13. Count's Basement
[2:50] 14. Wild Scene
[2:24] 15. We'll Be Together Again
[3:33] 16. The Late, Late Show
[2:28] 17. The Beast

Rockin' With Milt (Disc 1)

Album: Rockin' With Milt (Disc 2)
Bitrate: MP3@320K/s
Time: 55:32
Size: 127.1 MB
Styles: Hammond B3 jazz
Year: 1955/2011
Art: Front

[2:26] 1. Jumpin' At The Woodside
[2:21] 2. Blue And Sentimental
[2:49] 3. Mighty Low
[2:38] 4. One O'clock Jump
[2:23] 5. Jumpin' At The Zanzibar
[2:32] 6. When You Wish Upon A Star
[2:14] 7. Night Mist
[2:38] 8. Good Time Express
[2:21] 9. Dinner Date
[2:11] 10. Second Section
[3:04] 11. Lullaby Of The Leaves
[2:37] 12. Easy Come, Easy Go Lover
[2:06] 13. Turquoise
[2:23] 14. Our Engagement Day
[2:19] 15. Let Me Love You
[2:55] 16. When Sunny Gets Blue
[2:33] 17. All Or Nothing At All
[3:09] 18. You're My Girl
[2:52] 19. Someone Else's Love
[2:07] 20. Irresistible You
[2:37] 21. Idle Gossip
[2:05] 22. You Are My Love

Rockin' With Milt (Disc 2)

Betty Bennett - The Song Is You

Bitrate: MP3@320K/s
Time: 52:38
Size: 120.5 MB
Styles: Jazz vocals
Year: 1990
Art: Front

[3:02] 1. I Thought About You
[3:20] 2. Everytime
[2:25] 3. The Eagle And Me
[4:54] 4. Some Other Spring
[2:37] 5. Wished On The Moon
[2:39] 6. Dusty Springfield
[2:21] 7. Oh You Crazy Moon
[4:29] 8. The Song Is You
[4:14] 9. You Must Believe In Spring
[3:11] 10. No More Blues
[5:38] 11. Humpty Dumpty Heart/Do You Know Why
[2:38] 12. They Say It's Spring
[4:23] 13. Young Folks/Two For The Road
[3:41] 14. Wonder Why
[2:58] 15. Just Because We're Kids

Betty Bennett (vcl), Mundell Lowe (g), Bob Cooper (ts), George Cables (p), Monty Budwig (b), Roy McCurdy (d).

"It's easy to be a fan of Betty Bennett, she sings impeccably in tune, she keeps wonderful time, she invariably chooses good tunes and she is backed by first-rate musicians. On this album, Bob Cooper really gets some steam going in his solos, and Mundell Lowe is not only a fine soloist but as expert and sensitive accompanist as you will find anywhere." ~Andre Previn (From the inside liner-notes).

"On her first album in almost 40 years, Betty Bennett is joined by a sterling, veteran group of musicians (including her husband, guitarist Mundell Lowe). Her voice is a bit huskier than it was when she was singing with Alvino Rey, Charlie Barnet, and Claude Thornhill, and there's a bit of a quiver from time to time, but those minor flaws won't prevent the listener from enjoying this session.

The album starts off with "I Thought About You," which is done in a fast tempo, with the venerable Bob Cooper's tenor featured along with Lowe's guitar. A winsome "Everytime" follows, again with Lowe and Cooper sharing the spotlight. In addition to better-known standards, Bennett includes some rare material, such as the Harold Arlen/Yip Harburg song "The Eagle and Me" (which Dooley Wilson sang in the 1944 movie Bloomer Girl) and "Just Because We're Kids." The title tune, "The Song Is You," is the album's barnburner, featuring an excellent Cooper solo. "Some Other Spring" is done with a quirky but interesting beat. On the other lyrical paeans to spring, "You Must Believe in Spring" and Bob Haymes' "They Say It's Spring," Bennett shows that even after almost 40 years, she has not lost her ability to thoroughly explore and express the emotional value of the songs she sings. If anything, the emotional value has become richer and more mature with time. Nor has she lost her ability to swing, which she does admirably on such uptempo songs as "No More Blues." Big-band days are recalled with a medley of "Humpty Dumpty Heart" and "Do You Know Why," which were Glenn Miller and Tommy Dorsey favorites, respectively.

All in all, a very satisfying outing by a singer who has been away from the recording studio for far too long."

The Song Is You