Engelbert Wrobel's Swing Society - Sophisticated Swing

Size: 156,7 MB
Time: 66:57
File: MP3 @ 320K/s
Released: 2000
Styles: Jazz
Art: Front

01. Coquette (3:47)
02. Rose Room (4:30)
03. El Salon De Gutbucket (5:12)
04. Gilly (4:07)
05. Manoir De Mes Reves (5:14)
06. Shoe Shine Boy (4:46)
07. Hop, Skip And Jump (3:43)
08. Nine O'clock Beer (4:33)
09. Promenade Aux Champs Elysees (5:20)
10. Sophisticated Swing (3:43)
11. Thou Swell (3:27)
12. New Orleans (4:51)
13. 9.20 Special (3:56)
14. Jubilee (3:14)
15. I Love Paris (6:28)

Engelbert Wrobel may be an unknown name in the United States but he has recorded five CDs in Europe with his Swing Society (based in Germany) and can certainly hold his own with any mainstream swing player around today. Wrobel, who sounds equally adept on clarinet, soprano, alto and tenor, is joiend by a strong four-piece rhythm section which includes pianist Chris Hopkins, plus special guest Dan Barrett. Somehow the blend of the two horns often makes the group sound as if it has four. The arranged ensembels (which alternate with solos and jammed passages) are colorful and creative within the genre of prebop. "Coquette" has the group sounding like John Kirby's Sextet, "Gilly" is close to the Benny Goodman Sextet, the ghost of Sidney Bechet emerges during "Promenade Aux Champs Elysees" and other numbers find Wroble ranging in styles from early Coleman Hawkins to Pete Fountain. Barrett, who is equally skilled on cornet and trombone, is a major asset and the rhythm section is both tight and loose. Wonderful and very enjoyable music. ~by Scott Yanow

Sophisticated Swing

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LaVon Hardison - Come Together

Size: 80,9 MB
Time: 34:18
File: MP3 @ 320K/s
Released: 2016
Styles: Jazz/Soul Vocals
Art: Front

01. Tomorrow (3:13)
02. Sunny (4:32)
03. Maybe (2:27)
04. Come Together (2:57)
05. Alfie (5:25)
06. Unchain My Heart (3:54)
07. Better Than Anything (3:45)
08. They Long To Be Close To You (3:31)
09. Some Other Time (4:30)

Personnel:
LaVon Hardison: Vocals
David Joyner: Piano & Organ
Osama Afifi: Bass
Jeff Busch: Drums & Percussion
Brad Schrandt: Flute & Sax

Come Together is Hardison’s third album, but it truly marks a new beginning for the wildly talented singer. Building on the jazz interpretations of Choices (2006) and the inspirational bent of Everyday Gifts (2008), this long-awaited recording finds Hardison using her ineffable presence to tie together a wonderfully diverse selection of tunes with a first-class group of musicians.

“I was really excited to be able to mix jazz standards with other songs,” Hardison says. “Instead of trying to choose songs from a particular genre, I chose songs that have a melody or meaning that tell a story.”
With ease, Hardison erases the boundaries between jazz, funk, and soul, re-inventing well-loved tunes including “(They Long to Be) Close to You,” “Sunny,” and “Tomorrow.” She infuses The Beatles’ “Come Together” with rhythms that would be at home in New Orleans, and you can hardly imagine anything better than her version of the jazz standard “Better Than Anything.”

When Hardison smolderingly implores you to “Unchain My Heart,” you’ll gladly comply, if only because you sense her affection for the 1964 Ray Charles version of the song. “Ray Charles is a huge influence for me,” she enthuses. “He managed to do country, R&B, whatever – and he always understood the song and made it his own.”

What emanates from Hardison is not merely an admixture of those who came before. It’s everything she’s done, heard, seen and felt, plus a huge helping of musicianship, all drawn into her very own musical time machine. The result? An irresistibly distinct take on life and the living of it —from raucous to somber, gleeful to introspective. And there’s joy. Always joy.

Come Together

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Joel Evans & Friends - Just What The Doctor Ordered

Size: 151,9 MB
Time: 64:36
File: MP3 @ 320K/s
Released: 2016
Styles: Jazz/Blues/Pop Vocals
Label: Cinemasters
Art: Front

01. Just What The Doctor Ordered (Feat. Tim Hockenberry) (3:45)
02. Changing My Tune (Feat. Dante Marchi) (3:21)
03. I Still Believe In The Blues (Feat. John Lee Sanders) (4:17)
04. Anytime That I'm With You (Feat. Michael Dees) (3:03)
05. Sunday Morning (Feat. Roberta Donnay) (4:05)
06. The Devil's Daughter (Feat. Patrick Maier) (3:57)
07. Someone's Fav'rite Someone (Feat. Michael Dees) (3:51)
08. Now That You're Gone (Feat. Shanna Carlson) (4:02)
09. Probably The Sunny Day (Feat. Patrick Tuzzolino) (4:02)
10. Jump Right In (Feat. Patrick Maier) (3:12)
11. One Of A Kind, Kind Of Love (Feat. Patrick Tuzzolino) (4:29)
12. I Like The Way (Feat. David Sparkman) (4:31)
13. Out On A Limb (Feat. Adam James) (2:57)
14. Boogie With My Baby (Feat. Tami Damiano) (3:43)
15. Star Bright (Feat. Laurie Gunning Grossman) (3:43)
16. You Made A Believer Out Of Me (Feat. Mark Winkler) (3:42)
17. Do That (Feat. Patrick Maier) (3:47)

With his unique brand of swing and jazz songs, prolific composer Joel Evans delivers a marvelous offering: seventeen new and original tracks in classic and retro styles - Just What The Doctor Ordered!

Tim Hockenberry, semifinalist on NBC's "America's Got Talent" competition, sings the title track. The song was also covered as a duet by Roberta Donnay and Nicolas Bearde on Roberta's 2015 DownBeat Magazine TOP 50 album (4-5 star reviews). The song's co-writer is the marvelous writer/performer Barbara Martin.

Track #8, "Now That You're Gone", was licensed for acclaimed Writer/Director Joss Whedon's indy film, "In Your Eyes", starring Zoe Kazan. Lyric by hit songwriter Andre Pessis.

Track #9, "Probably the Sunny Day", is heard in episode #407 of Showtime's hit series, "Shameless". The song was co-written by Nashville songwriter extraordinaire, Lisa Aschmann.

Track #14, "Boogie with my Baby", is an homage to the Andrews Sisters. Its wonderful lyric is by LA's multi-talented Adryan Russ, writer of lyrics and music for film, television, musical theater and the pop world. It was featured on CBS' "Young & Restless".

Featuring wonderfully talented male and female guest vocal artists, Just What The Doctor Ordered provides an entertaining variety of styles. Songs like the up-tempo 50s-60s Vegas lounge track “Changing My Tune” and the bright, brisk, spirited jazz combo “Anytime That I’m With You” are standouts.

Just What The Doctor Ordered

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Diane Nalini - After Dusk

Styles: Vocal Jazz
Year: 2000
File: MP3@320K/s
Time: 44:26
Size: 102,0 MB
Art: Front

(3:37)  1. Stars Fell On Alabama
(5:24)  2. My Funny Valentine
(4:02)  3. Quand Elle Rit Aux Eclats
(5:49)  4. After Dusk
(4:01)  5. Carolina
(3:36)  6. La Mer
(3:38)  7. The Portrait On The Wall
(5:04)  8. La Maison Sous Les Arbres
(4:21)  9. How Long Has This Been Going On
(4:50) 10. Every Time We Say Goodbye

Diane Nalini’s new album, 'Kiss Me Like That,' is a collection of 13 songs celebrating humanity's fascination with the sky. From the title track's infectious rhythms, to ‘Cuando sale la luna’ - Diane’s sultry ode to the moon, her original compositions on this album are all influenced by the wonders of the sky and stars. Her six original songs are perfectly complemented by classic jazz standards chosen carefully for this project, like “Stardust”, “Skylark”, “They All Laughed”, as well as her intimate interpretations of folk & pop songs such as James Taylor's “Sweet Baby James” and Sting's “Valparaiso.” Songs from Kiss Me Like That have already attracted considerable interest in the media, being previewed nationally on CBC Radio's “The Sunday Edition”, “Fresh Air”, “As It Happens”, “Metro Morning” and CBC Radio Two's documentary programme, “Inside the music.” It has also garnered praise and airplay on Radio-Canada's “Espace Musique.” Maclean’s Magazine, Canada's national news magazine, also did a full-page article on her recently. Singer/songwriter Diane Nalini's previous album put a uniquely modern spin on the words of William Shakespeare. Her latest CD “Songs of Sweet Fire” is a collection of fifteen sonnets and songs from the plays set to her original jazz, funk, and blues music. “It was very important to me to let the phrasing of the words dictate the style of music I wrote for each song. I decided to set only those songs which were in more modern sounding English, to highlight the timelessness of Shakespeare's words,” says the singer of her compositions. “Songs of Sweet Fire” is Diane's third album. In a review of Diane's recent performance at the Guelph River Run Center, the Kitchener-Waterloo Record wrote: “A gifted arranger and vocalist... Nalini made an auspicious Guelph concert debut... the highlights were three passages from literature she set to jazz - “Sigh No More” from Much Ado About Nothing, and “The Lover and His Lass” from As You Like It, as well as Alfred Lord Tennyson's “Cradle Song.”

Diane started singing at the age of three. She was born in Montreal, Canada, and is of Belgian and Goan descent. “She captures jazz at its most sophisticated and joyous level,” writes Elle Magazine Canada. In a recent review of “Tales... My Mama Told Me”, Irwin Block of the Montreal Gazette wrote: “Diane Nalini has the voice, the phrasing, confidence, clarity and control to make a tune her own and turn it into a nuanced thing of beauty.” Her debut album “After dusk” was described by London's Time Out magazine as “a gorgeous collection, sung with quiet enunciated power”. “Her artistry shines through on two wide- ranging albums, After Dusk and the newly released Tales... My Mama Told Me”, writes Canada's Globe and Mail. While breathing new life into jazz standards, she also performs her own compositions, as well as Brazilian songs and French chanson. She has performed for President Bill Clinton, Sir Paul McCartney, the President of Malta, the Canadian High Commissioner to London, and former Australian Prime Minister Bob Hawke, and recently gave concerts at the London, Montreal and Malta Jazz festivals. Diane was nominated for the Grand Prix de Jazz General Motors at the 2002 Montreal International Jazz Festival, and was one of two finalists for the UK's Young Jazz Vocalist of the Year awards for 2001. In October 2005, she opened for legendary 3-time Grammy winning songwriter Jimmy Webb at Guelph's River Run Center. More recently, she had the pleasure to perform with the wonderful David Knopfler (founder of 'Dire Straits') for the North American launch of his new album Ship of Dreams.

Other highlights have included performances at the London Jazz Festival (2001), the Montreal International Jazz Festival (2002, 2001, 1994), the Celebrate Toronto Festival (2005), as well as Montreal’s 350th Anniversary Festival (1992). Her songs have received airplay in the UK (BBC Radio 3), as well as Denmark and Brazil. In Canada, her music has been heard coast- to-coast on the CBC programs 'Jazzbeat', 'After Hours', 'Disc Drive', and 'This Morning' with Shelagh Rogers. She has also been featured on Radio-Canada by radio personalities Dan Behrman, Stanley Péan, Dorothée Berryman and André Vigean, on the Espace Musique channel. Diane was interviewed several times on CBC Radio’s 'Morningside' by the late, great Peter Gzowski. She has taught jazz singing and given jazz workshops at the University of Oxford, and conducted a songwriting workshop at the 3rd annual Millenium Scholarphip “Think Again” conference on Parliament Hill in Ottawa, Canada. 

She was recently invited to chair a pannel discussion at the Guelph International Jazz Festival Colloquium (2005) on “Improvisation: risks and responsibilities.” Earlier in the summer, she was a guest presenter at a one-day conference on “Art and democracy,” hosted by Concordia University's Center for Continuing Education. Diane studied Chinese watercolour painting and caligraphy for 10 years with the late Virginia Chang. She exhibited and sold paintings with the Montreal-based Ting Sung Group. For her new album, Songs Of Sweet Fire, she painted 16 original watercolour paintings inspired by the mood of the songs. They accompany Shakespeare's lyrics in a full-colour, deluxe 20 page booklet. “I wanted to give something extra to all my wonderful, supportive fans. Something connected to the songs in a unique way.” She is also an accomplished dancer, having performed and studied classical ballet, jazz and modern dance for over 15 years. She was a soloist with Les Ballets de la jeunesse in her late teens. She also studied jazz ballet and modern dance for several years, and performed as a soloist in various shows by Montreal choreographers Sheila Lawrence and Claudine Bouchard. Her most recent performance combining dance and singing was as the female lead in GLA Productions’ staging of “Fame - the musical”, at the Old Fire Station Theatre in Oxford in 2000. Diane went to England on a Rhodes Scholarship and obtained a doctorate from the University of Oxford. She has since returned to Canada and has taken up a faculty position at the University of Guelph, Ontario. http://musicians.allaboutjazz.com/dianenalini

Awards:  Nominated, Grand Prix de Jazz, Montreal International Jazz Festival 2002 - Runner-up, Young jazz vocalist of the year award, UK, 2001

After Dusk

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Ruby Braff Feat. Coleman Hawkins - Braff!

Styles: Trumpet And Saxophone Jazz
Year: 1989
File: MP3@320K/s
Time: 40:51
Size: 94,1 MB
Art: Front

(3:08)  1. Stardust
(4:48)  2. Here's Freddie
(4:05)  3. Indian Summer
(2:56)  4. Blue Turning Grey Over You
(3:40)  5. Just One More Chance
(3:24)  6. When My Dreamboat Comes Home
(3:10)  7. You're Lucky To Me
(3:22)  8. Moonglow
(3:12)  9. It's Been So Long
(2:38) 10. Too Marvelous For Words
(3:31) 11. How Long Has This Been Going On?
(2:50) 12. 'S Wonderful

This reissue LP from 1989 in CBS's short-lived Portrait series features the great trumpeter Ruby Braff playing with three very different but equally swinging groups. Four of the best performances, including "Stardust" and "It's Been So Long," showcase Braff with a rhythm section that includes pianist Dave McKenna. 

Braff also meets up with tenor saxophonist Coleman Hawkins, baritonist Ernie Caceres and trombonist Lawrence Brown in an all-star nonet and with vibraphonist Don Elliott in a sextet. The emphasis is on veteran swing standards (Braff does contribute the original "Here's Freddie") and jamming ensembles. This enjoyable program, which is worth searching for, will hopefully be reissued on CD. ~ Scott Yanow  http://www.allmusic.com/album/braff!-mw0000727631

Personnel: Ruby Braff (trumpet);  Coleman Hawkins (tenor saxophone);  Don Elliot (trumpet);  Dave McKenna (piano).

Braff!

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Eddie Harris - Exodus to Jazz

Styles: Saxophone Jazz
Year: 1961
File: MP3@320K/s
Time: 39:45
Size: 91,6 MB
Art: Front

(6:43)  1. Exodus
(3:43)  2. Alicia
(2:53)  3. Gone Home
(5:34)  4. A.T.C.
(2:48)  5. A.M. Blues
(3:24)  6. Little Girl Blue
(5:12)  7. Velocity
(4:34)  8. W.P.
(2:02)  9. Exodus (Single Version)
(2:48) 10. Alicia (Single Version)

One of the biggest hit jazz LPs of the post-rock & roll era, Eddie Harris' Exodus to Jazz seemed to come completely out of left field. It was the debut album by a previously unknown artist from an under-publicized scene in Chicago, and it was released on the primarily R&B-oriented Vee Jay label, which had originally signed Harris as a pianist, not a tenor saxophonist. The impetus for its breakthrough was equally unlikely; Harris adapted Ernest Gold's stately, somber theme from the Biblical film Exodus which had been covered for an easy listening hit by Ferrante & Teicher and made it into a laid-back jazz tune. Edited down to 45-rpm length, it became a smash, reaching the pop Top 40 and pushing the album to the upper reaches of the charts a nearly unprecedented feat for instrumental jazz in 1961. 

Its stunning popularity sent jazz critics into a tizzy after all, if it was that accessible to a mass audience, there just had to be something wrong with it, didn't there? In hindsight, the answer is no. Exodus to Jazz is full of concise, easy-swinging grooves that maintain the appealing quality of the strikingly reimagined title track (particularly Harris' four originals). Far removed from his later, funkier days, Harris plays a cool-toned tenor who owes his biggest debt to Stan Getz's bop recordings, though there are touches of soul-jazz as well. He's no slouch technically, either; he plays so far and so sweetly in the upper register of his horn that some still mistakenly believe he was using an alto sax on parts of the record. Exodus to Jazz paved the way for numerous other crossover successes during the '60s (many in the soul-jazz realm), and while that may not be a credibility-boosting trend to start, the music still speaks for itself. ~ Steve Huey  http://www.allmusic.com/album/exodus-to-jazz-mw0000117010

Personnel: Eddie Harris (tenor saxophone); Joe Diorio (guitar); Willie Pickens (piano); Harold Jones (drums).

Exodus to Jazz

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David Kikoski - Combinations

Styles: Piano Jazz
Year: 2001
File: MP3@320K/s
Time: 52:35
Size: 120,6 MB
Art: Front

(5:50)  1. Improvisations
(6:43)  2. Cecilia
(5:50)  3. Duo, Part I
(1:33)  4. Bass Interlude
(7:51)  5. Tamami
(6:42)  6. Harmonizing Instincts
(8:01)  7. Blues For Us
(5:13)  8. Duo, Part II
(4:47)  9. Trio Improvisation, Part II

The victim of corporate disregard for an artist's work, pianist David Kikoski has recorded many records as a leader over the years, although all but his most recent string of releases for Criss Cross are currently unavailable. This fact, along with his extensive work as a sideman, meant that until 1998's Inner Trust, few were aware of Kiksoki's talents as a leader. 

Reaching a pinnacle on his previous set, Surf's Up, Kikoski has honed a particularly incisive musical relationship with drummer Jeff "Tain" Watts which is no less palpable on Combinations. This time out, we also get to hear Seamus Blake return to the fold on two of the nine pieces, all written by Kikoski. The premise for Combinations is simply stated by the album title, Kikoski engaging in different sized ensemble combinations taken from the pool of musicians on hand. There are two duo tracks with only the pianist and bassist Boris Kozlov as the leads. 

Aside from a brief bass interlude and the pair of quartet tracks with Blake, the remaining cuts feature the trio and it's a potent one, capable of great flights of fancy be it on the blues or more advanced forms. While it might be said that we have somewhat of a mixed bag here taken as a whole, the majority of the individual parts are distinctive enough to merit attention. ~ C.Andrew Hovan  http://www.allaboutjazz.com/combinations-david-kikoski-criss-cross-review-by-c-andrew-hovan.php
 

Personnel: David Kikoski: piano; Boris Kozlov: bass; Jeff "Tain" Watts: drums; Seamus Blake: tenor sax (2, 6).

Combinations

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Slim Gaillard - Slim Gaillard Remastered Collection

Size: 134,3 MB
Time: 57:02
File: MP3 @ 320K/s
Released: 2015
Styles: Jazz Vocals
Art: Front

01. That's A Bringer - That's A Hanger - That's A Drag (Remastered 2015) (2:56)
02. A-Well-A-Take-'em-A-Joe (Crap Shooter's Jive) (Remastered 2015) (2:59)
03. Chicken Rhythm (Remastered 2015) (2:52)
04. Swingin' In The Key Of C (Remastered 2015) (2:41)
05. Boot-Ta-La-Za (Remastered 2015) (3:22)
06. (My Darling) It's You, Only You (Remastered 2015) (3:09)
07. Beatin' The Board (Remastered 2015) (2:57)
08. Look Out (Remastered 2015) (2:51)
09. Matzoh Balls (Remastered 2015) (2:33)
10. Early In The Morning (Remastered 2015) (2:34)
11. Chittlin' Switch Blues (Remastered 2015) (2:48)
12. Huh ! Uh-Huh! (Remastered 2015) (2:49)
13. Windy City Hop (Remastered 2015) (2:41)
14. Baby Be Mine (Remastered 2015) (2:55)
15. Sploghm (Remastered 2015) (2:32)
16. Fitzwater Street (Located In Philadelphia) (Remastered 2015) (2:48)
17. Don't Let Us Say Good-Bye (Remastered 2015) (2:57)
18. Rhythm Mad (Remastered 2015) (2:45)
19. Bongo (Remastered 2015) (2:56)
20. Broadway Jump (Remastered 2015) (2:48)

A cult hero, Slim Gaillard was a frequently hilarious personality whose comedy (inventing his own jive language with a liberal use of the words "vout" and "oreenee") generally overshadowed his music. In the mid-'30s he had a solo act during which he played guitar while tap dancing! In 1936 Gaillard began teaming with bassist Slam Stewart as Slim and Slam. Their very first recording became his biggest hit, "Flat Foot Floogie." Slim and Slam were a popular attraction up to 1942 with such other songs as "Tutti Frutti" and "Laughin' in Rhythm." By 1945 Gaillard had a new bassist, Bam Brown (whose frantic vocals matched well with Slim's cool if nonsensical voice), and "Cement Mixer" and "Poppity Pop" caught on. Gaillard, who played electric guitar influenced by Charlie Christian, fairly basic boogie-woogie piano and vibes, led an unusual date with guests Charlie Parker and Dizzy Gillespie (1945) that was highlighted by "Slim's Jam." Throughout the 1940s in Los Angeles, Gaillard had a strong following, using such sidemen as Zutty Singleton and Dodo Marmarosa, but the popularity of jive singers (which included Harry "The Hipster" Gibson and Leo Watson) ran its course and after 1953 Gaillard only led two other record sessions (in 1958 and 1982). In the 1960s he was largely outside of music, running a motel in San Diego, but by the late '70s Slim Gaillard was back on a part-time basis, still singing "Flat Foot Floogie" and making one wonder why this comic whiz was neglected for nearly three decades. ~Scott Yanow

Slim Gaillard Remastered Collection

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The Charles Owens Trio - A Day With Us

Size: 159,6 MB
Time: 69:02
File: MP3 @ 320K/s
Released: 2015
Styles: Jazz
Art: Front

01. Caravan (10:30)
02. Dutch ( 7:32)
03. Ummg ( 6:26)
04. The Man I Love (10:01)
05. Take Five ( 8:03)
06. Something ( 6:12)
07. No Resolution ( 6:54)
08. On A Slow Boat To China ( 8:14)
09. You Go To My Head ( 5:07)

Even when factoring in the vital contributions of bassist Andrew Randazzo and drummer Devonne Harris, there's no denying Charles Owens' firm hold on the nine tracks of A Day With Us. Throughout a program consisting largely of standards, the music is ruled by the broad, resonant sound of the leader's tenor saxophone and the dogged persistence that characterizes everything he plays. As if building something momentous on the spur of the moment with his wits and the force of his will, the sounds conjure up hard labor, sweat, and grime. In some instances Owens shovels notes out of the bell of his horn; in others, he wields a pneumatic drill.

Most of Owens' solos (not to mention his introductions and post-out head forays) are long, irrepressible and headstrong. Just when you begin to wonder when he'll stop, give up, or bow out, there comes another chorus (or two or three) of smart, brawny invention. For all of the detours and digressions, the architecture of his solos is logical and relatively easy to follow. More often than not, when an improvisation ends, it begs the question: How can Owens sound so earthy, deep-rooted, yet move relentlessly and cover so much territory? And there's something positively addictive about the long way, Owens' preferred, circuitous route to a destination. Upon reaching the conclusion of "You Go To My Head," the disc's last track, an all-too-brief cadenza thwarts the expectation—and the desire—for another elongated, effusive, daring statement.

Owens employs a number of devices that keep any threat of monotony or predictability at bay. He executes the in and out heads of "Caravan," "The Man I Love," and "You Go To My Head" in somewhat different ways, altering the tunes' identities and shifting the music's emotional temperature. A protracted and wildly inventive solo introduction animates "Caravan," the disc's opening track. The leader reinforces the tight-knit character of his working band by playing accompanying figures to Harris' solos on "Caravan," "UMMG," and "Take Five." Owens' puckish sense of humor often appears out of nowhere and disappears just as quickly. For instance, a number of tart, staccato bites flavor an otherwise sober "The Man I Love" solo. In contrast to a forthright take on the rest of the song, he transforms a portion of the bridge of "You Go To My Head" into a jaunty burlesque.

"Something" and "The Man I Love" are two prime examples of Owens ability to fashion familiar material to suit his improvisational character. Dispensing with the customary protracted introduction, the saxophonist executes a straightforward rendition of George Harrison's tune and includes a rather faithful reproduction of Harrison's guitar solo from the Beatles' recording. Owens gradually releases himself from some of the song's constraints and constructs something raw, ragged, and romantic on top of it.

The record's masterpiece is a ten-minute treatment of George Gershwin's iconic "The Man I Love." To Owens' credit, throughout the melody and a good deal of the improv, it's tough to identify what, emotionally speaking, he seeks to convey—hope, guarded optimism, yearning, weariness, resignation? Slowly and painstakingly shaping the line he compels the listener to pay close attention to every note. The melodies Owens finds during his solo are just as purposeful and emotionally amorphous. For a time he opens up a bit, gradually becoming vigorous and terse, among other things cutting loose with one scream, shadowed by a short-lived silence. In contrast to the opening the out head is penetrating, at times almost rubbing the melody raw. The two-minute plus cadenza that follows marks the return of the restless, probing, bold tenor saxophonist. Owens defies the relative caution of the rest of the track in favor of going wherever his imagination takes him, and in doing so, leaves "The Man I Love" behind. ~David A. Orthman

Personnel: Charles Owens: tenor saxophone; Andrew Randazzo: bass; Devonne Harris: drums

A Day With Us

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Jazz At The Movies - Kiss Kiss Bang Bang

Size: 132,5 MB
Time: 56:32
File: MP3 @ 320K/s
Released: 2016
Styles: Jazz Vocals
Art: Front

01. Prelude From Psycho (1:00)
02. Close Enough For Love (4:48)
03. Pure Imagination (3:52)
04. Sooner Or Later (4:19)
05. Mr Kiss Kiss Bang Bang (3:13)
06. It Might Be You (3:28)
07. The Summer Knows (4:15)
08. Put The Blame On Mame (3:48)
09. I'd Rather Have The Blues (4:08)
10. Chovenda Na Roseira (3:31)
11. More Than You Know (4:25)
12. The Man That Got Away (4:35)
13. When I Look In Your Eyes (2:52)
14. South American Getaway (4:48)
15. Love Music From Vertigo (3:22)

Starring Joanna Eden as 'The Singer' and co-starring the Chris Ingham Quartet as 'The Boys in the Band', Jazz At The Movies is a unique jazz group formed specifically to interpret movie themes and soundtrack songs taken from a wide-range of silver screen sources both familiar and obscure.

Their refined dramatic and jazz sensibilities produce sounds that celebrate the meeting point of songcraft and swingcraft. With a reputation for vibrant music, deep repertoire and droll presentation, JATM have become a regular sell-out at Ronnie Scott's, St James Theatre, the Royal Albert Hall's Elgar Room and many jazz clubs, theatres and Arts Centres throughout the UK.

JATM features evocative vocals by acclaimed singer Joanna Eden, bewitching saxophone and clarinet from star reedsman of the John Wilson Orchestra Mark Crooks and atmospheric textures and grooves from Chris Ingham (piano), Rev. Andrew Brown (bass) and George Double (drums).

For their second JATM album 'Kiss Kiss Bang Bang', the band interprets material from movies made between 1946 and 1990. Bookending the record with a sumptuous pair of Bernard Herrmann's Hitchcock themes, JATM allow Ms Eden full reign to explore her diva tendencies on Sondheim's "Sooner Or Later" from Dick Tracy (1990) and the Arlen/Gershwin classic "The Man Who Got Away" from A Star Is Born (1954), along with her multi-lingual skills on Jobim's "Chovenda Na Roseira" from The Adventurers (1970).

"Movie songs like these provide good material for the best jazz singers. Joanna Eden and her first-class band had a ball with them." - Jazz Journal

Kiss Kiss Bang Bang

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Karin Hammar - Imprints

Size: 116,6 MB
Time: 50:27
File: MP3 @ 320K/s
Released: 2016
Styles: Jazz
Art: Front

01. Good Things Are Free (5:14)
02. Imprints (4:40)
03. Sai Fora (4:39)
04. Stationary (5:59)
05. Vera Cruz (5:07)
06. Light Is Your Shadow (4:10)
07. Lifewish (5:50)
08. Man's Best Friend (3:46)
09. Waltz For Restless Souls (6:50)
10. Overjoyed (4:06)

Sophisticated jazz played with virtuosity and at times with hypnotic beats and bass lines. The trombone player Karin Hammar herself convinces with a lush, often lyrical sound. Well arranged, tight and with strong melodies, all songs are written by Karin Hammar, who has developed to one of Sweden´s best trombone players, always with constant variation in her playing.
Karin Hammar's strength is her fluent, singingly melodic playing. It becomes wonderfully elegiac in a kind of controlled melancholy. Her music is light and melodic, with shimmering harmonies and softly driven rhythm. Latin moods mixing with a proud jazzy tone. This is definitely music for everyone who is curious of jazz in a new unique style.

Imprints

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Darby Williams - Me

Size: 101,1 MB
Time: 41:54
File: MP3 @ 320K/s
Released: 2016
Styles: Jazz Vocals
Art: Front

01. No One Knows (Feat. Peabo Bryson) (3:26)
02. Do Nothin' Till You Hear From Me (4:36)
03. Something To Live For (4:03)
04. Prelude To A Kiss (4:48)
05. Mood Indigo (4:36)
06. Daydream (3:47)
07. I Didn't Know About You (4:35)
08. Lush Life (3:56)
09. In A Sentimental Mood (4:08)
10. Sophisticated Lady (3:54)

Tall, blond, bodacious and sensual, newcomer Darby Williams commands the stage just as she commands her dynamic vocal range, with artistic creativity and a personal touch not often found today. Signed personally to Roc Cartel by label founder and President Ray De La Garza, Williams captures the essence and the nuances of perhaps the greatest collaborators in jazz history – Duke Ellington and Billy Strayhorn.

"Darby has such a diverse vocal range that her interpretation of these songs makes them relevant and accessible to everyone. We are looking forward to introducing this work to many who are not yet familiar with this legendary music, as well as, to those who hold a deep appreciation for these timeless classics." -Ray De La Garza.

With her debut album Me, such titles as “Lush Life,” “Mood Indigo,” and “Do Nothin' Till You Hear From Me”, echo the sweltering notes and delicate compositions of this illustrious partnership. Darby’s interpretation of their compositions is both thoughtful and intoxicating. The delicate nature of her phrasing, and obvious feel for American Songbook material is immediately evident. The single, "No One Knows" features Darby with two-time Grammy Award winner Peabo Bryson in a soulful duet, that is sure to keep your foot tapping.

“One splendid example of Darby’s suitability for wider exposure emanates from Me: the simply grand interpretation, the swinging horns, the wonderful drumming, and intoxicating vocals on ‘Do Nothin’ – this track alone is worth the price of the album – and if she can deliver in live performance what she does here in the studio, look out jazz world!” - music critic Brian Miller.

"Darby is a fantastic vocalist with command and range. I've sung with the greats and she's more than holding her own." -Peabo Bryson

Me

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Eddie Daniels - Beautiful Love

Styles: Flute And Clarinet Jazz
Year: 1997
File: MP3@320K/s
Time: 51:13
Size: 118,1 MB
Art: Front

(5:03)  1. Awakening
(5:41)  2. Beautiful Love
(4:43)  3. First Gymnopedie
(5:52)  4. Waltz For Mirabai
(5:37)  5. The Ninth Step
(5:04)  6. We'll Always Be Together
(5:11)  7. A Take On Five
(4:59)  8. Love's Journey
(4:25)  9. Brunete
(4:34) 10. Summer's Gone

A remarkable clarinetist who ranks at the top of his field, Eddie Daniels sounds quite restrained throughout the easy listening set, although he throws in a few complex runs on "Beautiful Love." 

With a tasteful rhythm section (including guitarist Chuck Loeb and pianist Bob James), Daniels mostly sticks to melodic interpretations during a theme apiece by Bach, Erik Satie, and Rachmaninov, four of his own originals, two by Loeb, and the title cut. ~ Scott Yanow  http://www.allmusic.com/album/beautiful-love-mw0000098727

Personnel: Eddie Daniels (alto flute, clarinet); Lawrence Feldman (alto flute); Ron Odrich (bass clarinet); Bob James (piano); Chuck Loeb (guitar); David Finck, Tim LeFebvre (bass); Wolfgang Haffner (drums); David Charles (percussion).

Beautiful Love

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Melissa Stott - The picture

Styles: Jazz, Vocal
Year: 2007
File: MP3@224K/s
Time: 68:22
Size: 110,0 MB
Art: Front

(7:05)  1. Wish it wasn't true
(5:06)  2. You
(5:32)  3. A little contented place
(3:48)  4. Beware of your heart
(5:54)  5. I just can't stop the tears
(5:22)  6. That 'll be us
(4:37)  7. The picture
(4:03)  8. I'm looking at you with new eyes
(5:10)  9. Romance addio
(4:38) 10. Cara
(4:57) 11. Cutch O'Lanza
(6:02) 12. Mexico blue
(6:03) 13. Hindsight

Songwriter and vocalist Melissa Stott learned from a few of the best, such as Porter, Gershwin, Ellington, Strayhorn, Berlin, and more, but she has a more modern appeal to her music. She learned to play the piano at age six and was ear trained by her father. Melissa also took part in various choral activities. She decided to do acting in Italy and slipped into the jazz scene. Her first jazz record was of Ella Fitzgerald with Ellis Larkin at the piano. Melissa has studied with Barry Harris, Stjepko Gut, Dennis Jeter, LaVerne Jackson, Andy Farber and Vince Benedetti. She participated in festivals and coached many students in classical piano and harmony, jazz singing, choral singing and ballet.

Melissa is very talented and has written catchy tunes with interesting harmonies and witty, touching lyrics in this album The Picture. From the up-tempo dismissal of a lover in "Romance Addio," to the haunting Evans-esque "The Picture," or the aching, melancholic "Wish It Wasn’t True," each and every one of Stott’s original songs casts a spell which is hard to forget. As a vocalist, her style is natural and understated, yet "an almost conversational intimacy combines with subtle power" to produce feelings that it’s hard to put your finger on. ~ Alonda Washburn  http://www.jazzreview.com/cd-reviews/jazz-vocals-cd-reviews/the-picture-by-melissa-stott.html

The picture

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Leana Sealy - Undecided

Size: 103,9 MB
Time: 37:31
File: MP3 @ 320K/s
Released: 2009
Styles: Jazz/Pop Vocals
Art: Front

01. Call The Police (3:25)
02. Cheek To Cheek (3:12)
03. So What (3:25)
04. Night In Tunesia (3:19)
05. Love For Sale (3:57)
06. No More Blues (2:14)
07. Seven Steps (2:08)
08. Scrapple From The Apple (3:13)
09. Lush Life (4:01)
10. Man Who Sold The World (5:22)
11. Uninvited (3:10)

Born in Dublin with parents from Barbados and Ireland, Luxembourg based vocalist Leana Sealy infuses jazz standards and contemporary songs with her fresh new style.

The talented singer blends scat, soul and jazz into effortless and passionate interpretations from great songbooks spanning from Frank Sinatra and Ella Fitzgerald to pop songs from James Morrison or Alanis Morissette. A classically trained saxophonist, she merges her unique phrasing and improvisation style with an exceptional and charming soulful voice to produce an acoustic and intimate sound that pays homage to the great jazz tradition whilst giving it a youthful, modern touch.

Having done numerous recordings and live performances with notably Gast Waltzing, Guy Cabay, the Luxembourg Philharmonic Orchestra and her own Leana Sealy Quintet with whom she released her debut album in 2004 (On The Street Where You Live), Sealy has just finished recording her second album to be released later this year (2009) on WPR Jazz with fellow musicians David Laborier on guitar and Rom A Heck on bass and Michel Mootz on drums.

Undecided

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Tony Yazbeck - The Floor Above Me

Size: 125,2 MB
Time: 53:06
File: MP3 @ 320K/s
Released: 2016
Styles: Jazz Vocals, Broadway
Art: Front

01. On The Sunny Side Of The Street (2:23)
02. Let Yourself Go/No Strings (I'm Fancy Free)/Fascinating Rhythm/Can't You See It (4:31)
03. My Mom And I Drove Into New York... (0:48)
04. Pure Imagination (2:54)
05. Flash Forward To 2007... (0:17)
06. All I Need Is The Girl (2:55)
07. I Was Living Out My Dream... (0:36)
08. Moses Supposes (2:58)
09. 'Til Kingdom Come (3:34)
10. Got To Get You Into My Life (1:37)
11. Dance Me To The End Of Love/I Won't Dance (5:06)
12. Cheek To Cheek (1:46)
13. Change Partners/Let's Face The Music And Dance (4:44)
14. Nothing I Do (2:56)
15. Where Did I Go Wrong (4:01)
16. I Was Taught To Be A Fighter... (0:38)
17. Both Sides Now (4:20)
18. I'm Backstage At This Theatre... (0:19)
19. Lucky To Be Me (2:57)
20. Hello, My Old Heart (3:36)

Having conquered Broadway with a string of acclaimed roles – from Gypsy to White Christmas to On the Town – triple-threat Tony Yazbeck sets his sights on reinventing the solo album with his new studio recording, The Floor Above Me, adapted and expanded from his one-man show. Blending song, dance and personal narrative, Yazbeck breathes new life into not only the time-honored tale of the Broadway dreamer but the solo album as well, with ecstatic tap dancing and a moving story that deepens the emotional impact of Yazbeck's carefully curated program. Yazbeck, whose "easy, warm, open-hearted and touchingly real performance" as Gabey in the 2014 Broadway revival of On the Town "provided the show with a firm emotional center" (The New York Times), brings his openness, charm and boundless energy to his own story as a hardworking kid growing up in Pennsylvania who dreamed of making it on Broadway – and did. Comprising an eclectic mix of songs ranging from the classic tunes of Irving Berlin ("Let Yourself Go," "Cheek to Cheek") and the Gershwins ("Fascinating Rhythm," "Slap That Bass") to the more modern pop of Coldplay, Jamie Cullum and Martin Sexton, and featuring guest appearances by Clyde Alves (Yazbeck's co-star in On the Town) and Melinda Sullivan (So You Think You Can Dance), The Floor Above Me gives audiences the chance to join Yazbeck on his journey to Broadway.

The Floor Above Me

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Donatella Luttazzi & Amedeo Tommasi Trio - I Love You Chet

Size: 119,3 MB
Time: 50:42
File: MP3 @ 320K/s
Released: 2016
Styles: Jazz Vocals
Art: Front

01. I Love You Chet (3:16)
02. Donatella Luttazzi Amedeo Tommasi Trio (3:13)
03. All The Thinks You Are (3:59)
04. My Funny Valentine (4:34)
05. Like Someone In Love (3:49)
06. Angel Eyes (3:23)
07. My Romange (3:39)
08. Stella By Starlight (4:33)
09. Just Friends (4:43)
10. In Love Too Easily (3:17)
11. My Foolish Heart (4:41)
12. Alone Togheter (4:04)
13. The Touch Of Your Lips (3:25)

Donatella Luttazzi, singer, singing teacher, composer and arranger.

Jazz Singer, American folk, loving even the Brazilian repertoire, sang with Tony Scott, Francesco Puglisi, Eddie Palermo, Antonello Vannucchi, Irio De Paula, Cinzia Gizzi, Amedeo Tommasi, and many others, and for some months to Barbra's of New York with the quintet of Jeff Hittman.

She has just finished recording a CD with the trio of Amedeo Tommasi, with John Thomas at CB and Marco Valeri on drums, the repertoire of his loved Chet Baker.

I Love You Chet

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Dirk Schaadt Organ Trio - Time To Change

Size: 148,5 MB
Time: 64:06
File: MP3 @ 320K/s
Released: 2016
Styles: Jazz: Hammond Organ
Art: Front

01. Eddie Likes It (5:54)
02. Tristesse Royal (6:33)
03. You Think You Know It (6:37)
04. Seven Dance (6:45)
05. Both Of You (6:31)
06. She's Late (5:57)
07. Keep The Flow (5:53)
08. Time To Change (7:22)
09. Just An Option (6:19)
10. Gut Gelaunt (6:10)

The Cologne music scene has always been a very fertile ground for spectacular projects - international names of many genres make the city as their home and meet local heroes as well as emerging talents. Cultural life, club and concert culture is a pulse of this city. See you on stage and in sessions - and sometimes then meet musicians, which are already "sparks" at the first meeting. This happened when Dirk Schaadt organ trio that now his debut album Time To Change presents.

Dirk Schaadt (Hammond organ), Martin Feske (guitar) and Marcus Möller (drums), all already known quantities of their craft have immediately sensed that they are musically exactly on the same wavelength.

"The high-energy, homogenous trio sound was the first common tone there. And we was all at once a compelling need clear that this is the birth of a new sensational band be m u s s! "Schaadt gives a nod to protocol.

Their concert program of this high-energy trio presented here also an immense variety of styles: Songs of funky soul jazz finely engraved ballads to groovy and swinging jazz compositions combine to create a dynamic, homogeneous and therefore unique, unmistakable trio sound and thus ensure an absolutely authentic and varied musical experience. ~Google translator

Time To Change

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Jeff Beal - Three Graces

Styles: Trumpet Jazz, Jazz Fusion
Year: 1993
File: MP3@320K/s
Time: 51:49
Size: 119,0 MB
Art: Front

(3:43)  1. Jazz Habit
(5:40)  2. Three Graces
(5:41)  3. I Saw Isabella
(5:15)  4. Wrong Number
(6:40)  5. Through A Glass Dimly
(5:19)  6. The Watchers
(3:49)  7. Prayer of St. Francis
(6:22)  8. Dizzy Spells
(6:22)  9. For Miles
(2:54) 10. Waltz for Mary

Trumpeter Jeff Beal's compositions do not contain catchy melodies, but instead set mysterious and often melancholy moods with interesting frameworks, using occasional funk lines creatively. Much of the music builds logically to unexpected heights with surprising turns. Beal's fine trumpet playing is generally quite original (even if he hints strongly at Miles Davis' sound when he is muted) and his sextet (with Steve Tavaglione's tenor, pianist John Beasley, and bassist John Patitucci) is flexible enough to interpret his complex compositions. ~ Scott Yanow  http://www.allmusic.com/album/three-graces-mw0000621319

Personnel: Trumpet – Jeff Beal;  Bass – John Patitucci;  Drums – Dave Weckl, Vinnie Colaiuta;  Guitar – Steve Cárdenas;  Piano – John Beasley;  Saxophone [Tenor] – Steve Tavaglione

Three Graces

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Dave Weckl Band - Multiplicity

Styles: Jazz, Crossover Jazz
Year: 2005
File: MP3@320K/s
Time: 54:11
Size: 125,5 MB
Art: Front

(5:30)  1. Watch your step
(5:40)  2. Elements of Surprise
(5:55)  3. Vuelo
(6:01)  4. Inner vision
(6:25)  5. What it is
(5:34)  6. Chain reaction
(5:33)  7. Cascade
(6:37)  8. Mixed bag
(6:54)  9. Down on the corner

Sometimes it's best to take things on face value. A solid collection of engaging compositions, plenty of infectious grooves, and strong soloing/interplay can go a long way to making an album worthwhile, even if it doesn't demonstrate any kind of specific characteristics that give it a distinctive personality. Sometimes an album is just plain fun, nothing more, nothing less. Over the course of his 25-year career, drummer Dave Weckl has created an almost unparalleled reputation in fusion circles as a player with staggering chops and the ability to navigate the most complex of charts the latter arguably most visible during his tenure with keyboardist Chick Corea's Elektric Band, which reconvened last year for a new record and tour, after a fourteen-year hiatus. But along with his reputation as a virtuosic player was often an undercurrent that his playing always felt somehow cold and sterile. While Weckl has been releasing solo albums since '90's Master Plan, it's really been over the past five years that his Dave Weckl Band has emerged with a combination of deep funk grooves and hints of rhythmic influences from farther afield that lay waste to the claim that Weckl is a skilled but clinical player. Multiplicity is a high-energy but never bombastic session that gives everyone plenty of chance to stretch out, all within the context of some attractive and upbeat compositions, most being collaborations between Weckl, reedman Gary Meek, and keyboardist Steve Weingart, with three tracks by Weingart alone. But, most important, the album feels good. 

The precedents are all there. Weckl's time with Corea can be heard in some of the charts' complicated and unexpected rhythmic twists and turns, but Yellowjackets and Jaco-era Weather Report are the clearest foundations. Weckl and his long-time rhythm section partner, bassist Tom Kennedy, seem joined at the hip on tunes ranging from the bright opener "Watch Your Step, the Latin-informed "Vuelo, and the 7/4 mover, "Mixed Bag. But Weckl is equally connected to bassist Ric Fierabracci, who plays on four of the nine tracks, most notably on the Weather Report-inflected shuffle of "Elements of Surprise and the visceral, behind-the-beat funk of "What It Is. Weingart and Meek are capable soloists, but if there's any criticism, it's that, while everything is delivered with complete commitment, no originality distinguishes the players. The generic nature of the playing, despite its high level, is what stops the record, clearly an enjoyable one, from being great. There's no doubt that, in the area of funkified fusion, Weckl and his band represent some of the better players around. And in that regard, for fans of the genre who want to hear vivid playing that avoids its almost inherent excesses, one could do far worse than check out Multiplicity. Still, if Weckl wants his band to get to the next level, he needs to find a way of giving it a clear identity. ~ John Kelman  http://www.allaboutjazz.com/multiplicity-dave-weckl-stretch-records-review-by-john-kelman.php

Personnel: Dave Weckl (drums, timbales, percussion, programming); Paul Pesco (guitar); Gary Meek (alto flute, bass clarinet, soprano saxophone, tenor saxophone); Steve Weingart (keyboards); Richie Gajate Garcia (congas, percussion).

Multiplicity

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