Thursday, February 16, 2017

Herb Ellis - Ellis In Wonderland

Bitrate: MP3@320K/s
Time: 36:18
Size: 83.1 MB
Styles: Bop, Guitar jazz
Year: 1956/2006
Art: Front

[4:44] 1. Sweetheart Blues
[4:51] 2. Somebody Loves Me
[3:43] 3. It Could Happen To You
[4:43] 4. Pogo
[4:00] 5. Detour Ahead
[3:48] 6. Ellis In Wonderland
[6:17] 7. Have You Met Miss Jones
[4:09] 8. A Simple Tune

Alto Saxophone – Charlie Mariano; Bass – Ray Brown; Drums – Alvin Stoller; Guitar – Herb Ellis; Piano – Oscar Peterson; Tenor Saxophone, Baritone Saxophone, Clarinet – Jimmy Giuffre; Trumpet – Harry Edison. Recorded December 1955 and January 1956 in Hollywood.

In the midst of his tenure with the Oscar Peterson Trio, Herb Ellis had the chance to turn the tables on his boss and employ him as a sideman, though the keyboard virtuoso strangely reigns in his chops and pretty much stays in the background. This pair of sessions was first issued on a Norgran LP and finally reissued as a Verve CD in early 2006. The first four tracks add Jimmy Giuffre (alternating between baritone sax, tenor sax, and clarinet) and trumpeter Harry "Sweets" Edison, along with fellow Peterson sideman Ray Brown and drummer Alvin Stoller. Ellis' originals include the easygoing "Sweetheart Blues" and the cooking bop vehicle "Pogo," where both the leader and Edison eclipse Giuffre's efforts on sax. "It Could Happen to You" focuses exclusively on Ellis, with Peterson and Edison sitting out and Giuffre adding some background color on clarinet. Alto saxophonist Charlie Mariano is added for the latter date. The well-known "Detour Ahead" (jointly credited to Ellis and his former Soft Winds bandmates Lou Carter and Johnny Frigo, though Frigo has long maintained that it was his composition alone) has a chamber-like setting, with the band primarily providing background for Ellis, though Ray Brown gets in a snappy solo toward the end. The session picks up with the bubbly "Ellis in Wonderland" and a snappy rendition of "Have You Met Miss Jones?" Giuffre's loping "A Simple Tune" reflects Ellis' Texas roots in a bluesy setting, with Peterson finally getting a chance to stretch out for a chorus. This early album by Herb Ellis is well worth acquiring. ~Ken Dryden

Ellis In Wonderland

Claudia Acuna - In These Shoes

Bitrate: MP3@320K/s
Time: 49:01
Size: 112.2 MB
Styles: Latin jazz
Year: 2008
Art: Front

[3:36] 1. In These Shoes
[3:46] 2. Vida Sin Miel
[4:30] 3. Paciencia
[4:14] 4. Cuando Cuando
[3:55] 5. Agua
[3:37] 6. Comos Dos Amantes
[3:55] 7. Moondance
[4:29] 8. Willow Weep For Me
[3:15] 9. California
[4:18] 10. Jibarito
[4:52] 11. Dime
[4:28] 12. La Piye

Claudia Acuna: lead vocals; Arturo O'Farrill: piano, arrangements; Adam Rogers: guitar; Michael Mossman: trumpet; Reynaldo Jorge: trombone; Yosvany Terry: alto and tenor sax; Ruben Rodrigues: bass; Dafnis Prieto: drums; Pedrito Martinez: percussion, vocals.

Friends sometimes make the best partners. It's a good formula for Arturo O'Farrill and Claudia Acuna, who collaborated for In These Shoes. O'Farrill, a 2006 Grammy nominee as a pianist, composer and arranger, has put his mark on Latin and jazz styles, often mixing both. Acuna, a singer from Chile, also fuses Latin and jazz and counts among her influences, Sarah Vaughan and Celia Cruz. Together, O'Farrill and Acuna combine the best of their respective worlds. The sassy "Vida Sin Miel" fuses some Latin vibes with some funk. Ruben Rodrigues lays down the bass track, and guitarist Adam Rogers delivers a bluesy solo. Pedrito Martinez on percussion and background vocals offers an assist.

Acuna's ethereal voice gives the Spanish lyrics of "Paciencia" an elegant quality. This charming ballad features a subtle underscore by the supporting cast. O'Farrill's piano is little more than a bit player here, but the beauty is in the lead and the arrangement. The piano does get more involved on "Cuando Cuando," a straightforward Latin arrangement. The percussion, bass, drums and piano are the stars, although Acuna's lead is also a key element. The ensemble takes on more of an Afro-Cuban sound with "Agua," which has heavy emphasis on bass and percussion. The voices add a certain charm to it.

The goal of the recording is to bring the world together, showing that various cultures can, and often do, mingle. The formula works, as O'Farrill and Acuna present different styles of music, and merge them, such as with the Latin take on Van Morrison's "Moondance." In These Shoes is a pleasant listen throughout. ~Woodrow Wilkins

In These Shoes

Heath Jones - Nice And Easy

Bitrate: MP3@320K/s
Time: 68:11
Size: 156.1 MB
Styles: Bop, Saxophone jazz
Year: 2015
Art: Front

[6:20] 1. Nice And Easy
[7:37] 2. Bathsheba
[5:48] 3. Kalahari Cavalcade
[5:26] 4. All Of Me
[5:22] 5. I'm Struck Nostalgic
[7:42] 6. So What
[7:03] 7. As In A Setting Moon
[6:22] 8. 9 Pin No Tap
[4:35] 9. Parker's Mood
[6:40] 10. A Night In Tunisia
[5:12] 11. Southern Sweet

This album is in the style of traditional jazz with Hammond Organ. It features Heath Jones on saxophones, Tony Monaco on Hammond Organ, Lee Rucker on trumpet, Harry Tonchev on guitar, Jeremy Thomas on drums, and Justin Echols on vocals. A bonus track includes Mark Galloway on guitar and Cleve Warren on drums. There are arrangements by Vince Norman and an original tune by Zac Lee. The title track "Nice and Easy" is written for my daughter Heather Jones in the style of Lou Donaldson's "Funky Mama." The tune "I'm Struck Nostalgic" is dedicated to my wife Elizabeth Jones of 25 years. The tune "9 Pin No Tap" is written for my son Eric Jones who is also my bowling partner. It was a true pleasure performing with all the musicians on this album.

Nice And Easy

Charles Mingus - Mingus Plays Piano

Bitrate: MP3@320K/s
Time: 50:14
Size: 115.0 MB
Styles: Bop, Piano jazz
Year: 1963/2012
Art: Front

[7:38] 1. Myself When I Am Real
[3:40] 2. I Can't Get Started
[4:31] 3. Body And Soul
[2:40] 4. Roland Kirk's Message
[4:34] 5. Memories Of You
[3:12] 6. She's Just Miss Popular Hybrid
[4:13] 7. Orange Was The Color Of Her Dress, Then Silk Blues
[3:38] 8. Meditations For Moses
[3:44] 9. Old Portrait
[3:43] 10. I'm Getting Sentimental Over You
[8:34] 11. Compositional Theme Story, Medleys, Anthems And Folklore

This album is unique in Mingus' enormous catalog. As the title indicates, the famous bassist takes to the ivories solo to give life to his dazzling improvisational art. At first it seems odd to hear Mingus without one of his trademark interactive and exploratory ensembles. But the sensibility that he brings to this collection of piano pieces bears all the signs of the composer's genius.

In the first piece, "Myself When I Am Real," turbulence and aching beauty merge in Mingus' spontaneous unfolding of phrases. Such standards as "Body and Soul" and "Memories of You" are given personal, harmonically intriguing readings that blend in seamlessly with a Mingus original like "Old Portrait." In many ways, it is a treat to hear the artist working in this pared-down, quieter atmosphere, as it allows one to concentrate more intently upon the range and compositional brilliance of this incomparable figure. ~AllMusic

Mingus Plays Piano

Gerry Mulligan - Idol Gossip

Styles: Saxophone Jazz
Year: 1976
File: MP3@320K/s
Time: 36:19
Size: 99,7 MB
Art: Front

(4:29)  1. Idol Gossip
(4:08)  2. Strayhorn 2
(3:33)  3. Walk On The Water
(4:30)  4. Waltzing Mathilda
(7:35)  5. Out Back Of The Barn
(5:37)  6. North Atlantic Run
(6:24)  7. Taurus Moon

This somewhat forgotten studio session finds Gerry Mulligan, 25 years after he first acheived fame with his quartet, playing six of his fairly recent compositions along with a version of "Waltzing Mathilda." With vibraphonist Dave Samuels and a four-piece rhythm section accompanying him, Mulligan performs such songs as "Walk on the Water," "Idol Gossip" and "Strayhorn 2;" the latter a reworking of his "Song for Strayhorn." Jeru proves to still be in prime form and plays a bit of soprano sax on this date along with his distinctive baritone. ~ Scott Yanow http://www.allmusic.com/album/idol-gossip-mw0000627325

Personnel: Gerry Mulligan (soprano saxophone, baritone saxophone); Mike Santiago, Bucky Pizzarelli (guitar); Hank Jones , Tom Fay (piano); Lionel Hampton, Dave Samuels (vibraphone); Grady Tate, Bobby Rosengarden (drums); Candido Camero (congas).

Idol Gossip

Rachel Lauren - If Ever

Styles: Jazz, Vocal
Year: 2013
File: MP3@320K/s
Time: 51:44
Size: 120,1 MB
Art: Front

(4:27)  1. Stars Fell On Alabama
(4:07)  2. If Ever
(3:51)  3. Come Rain or Come Shine
(6:07)  4. In the Wee Small Hours of the Morning
(4:08)  5. The Way You Look Tonight
(5:20)  6. Corcovado
(4:27)  7. True Love
(4:01)  8. Between the Bars
(4:42)  9. I'm Old Fashioned
(3:52) 10. I'll Be Seeing You
(6:35) 11. All Or Nothing At All

A great mix of modern meets vintage. Rachel has a rich sound that continues the lineage of great jazz vocalists, and the arrangements are as fresh and modern as the players who perform them. Put this album on, open a bottle of wine, relax and enjoy. Rachel Lauren was born to sing. After making her stage debut in musical theater at the age of five, she excitedly exclaimed to her mother, “Do you mean I can do this for the rest of my life?” At the age of 15, Rachel discovered Jazz. In 2009 she graduated with honors from the USC Thornton School of Music as a Music Industry and Jazz major. Rachel was also the recipient of the prestigious Lamont Dozier Scholar award her Junior year. In addition to performing all over the world, Rachel has also been seen on the David Letterman show, featured at Grammys, major USC events and David Fosters Starry Night. Her voice can also be heard on the feature song in the award winning documentary "SOMM"(2013). Rachel has shared the stage with greats such as Randy Newman, Mike Garson, Tierney Sutton, Peter Erskine , Big Bad Voo Doo Daddy, Chris Botti and Dave Koz. In 2006, Rachel paired up with producer, arranger and drummer, Brian Carmody, to release her first album Away From the Crowd. After working together for seven years the two are now releasing the highly anticipated follow up album "If Ever". https://www.cdbaby.com/cd/rachellauren4

If Ever

Michael Cochrane - Right Now

Styles: Piano Jazz
Year: 2007
File: MP3@320K/s
Time: 65:28
Size: 150,2 MB
Art: Front

(7:09)  1. Sit & Wait
(9:42)  2. The Seeker
(5:43)  3. Convergence
(7:24)  4. New Samba
(6:52)  5. Blues On The Dark Side
(8:07)  6. Ballad For Old Times Sake
(6:47)  7. Early Bird
(8:09)  8. Revelation
(5:31)  9. Right Now

Michael Cochrane is one of many American jazz musicians who has had far greater exposure working for European-based labels than he has in his homeland. This trio date with bassist Calvin Hill and drummer Jeff Hirschfield is an enjoyable session, focusing exclusively on nine originals by the leader. "Sit and Wait" is a fine opener, in the mold of Bud Powell and Duke Jordan. "The Seeker" begins in a pensive mood before transforming into a lively mid-tempo waltz with an infectious vamp. The breezy "New Samba" showcases Hill's fluid bass, in addition to the leader. The brisk "Ballad for Old Times Sake" blends elements of hard bop and Latin rhythm into an infectious groove, while "Early Bird" sounds as if it could have been written during the '50s heyday of bop. ~ Ken Dryden http://www.allmusic.com/album/right-now-mw0000581185

Personnel:  Bass – Calvin Hill;  Drums – Jeff Hirshfield;  Piano, Composed By – Michael Cochrane

Right Now

Rick Braun - Night Walk

Styles: Trumpet Jazz 
Year: 1994
File: MP3@320K/s
Time: 48:26
Size: 111,8 MB
Art: Front

(5:19)  1. Night Walk
(5:06)  2. The Doctor
(4:34)  3. Madrid
(3:56)  4. Things Change
(4:40)  5. Fat Jack & Domino
(5:31)  6. Children Of The Night
(5:16)  7. Desire
(4:53)  8. Neon Dream
(4:03)  9. We'll Be Laughing
(5:03) 10. Indians

A native of Allentown, Pennsylvania, trumpeter Rick Braun first surfaced as a member of the jazz-fusion outfit Auracle, formed while he was a student at the prestigious Eastman School of Music. After two LPs the group disbanded, and Braun turned to songwriting, scoring a hit with REO Speedwagon's "Here with Me"; in time he directed his focus to contemporary jazz, issuing his solo debut, Intimate Secrets, in 1993. After touring with Sade, he returned in 1994 with Night Walk as well as the seasonal release Christmas Present. With 1995's Beat Street, Braun's popularity continued to snowball, with 1996's smash Body and Soul launching the NAC chart-topper "Notorious." A two-time winner of the Gavin Report's Smooth Jazz Artist of the Year award, he returned in 1998 with Full Stride. He also collaborated with Boney James on the 2000 release Shake It Up. Kisses in the Rain followed a year later, and Braun continued issuing albums throughout the decade of the 2000s, including Esperanto in 2003, Sessions, Vol. 1 in 2004, Yours Truly in 2005, RnR (a duo set co-led by saxophonist Richard Elliot) in 2007, and All It Takes in 2009. Braun offered up a change-of-pace recording in 2011 with the self-explanatory Sings with Strings, an album of standards featuring string charts by Philippe Saisse. In 2104, Braun returned to the groove-oriented instrumental smooth jazz of his early work with Can You Feel It. ~ Jason Ankeny https://itunes.apple.com/us/artist/rick-braun/id151194#fullText

Personnel: Rick Braun (vocals, guitar, trumpet, flugelhorn, keyboards, programming); Leroy Osbourne (vocals); Todd Sharp (acoustic & electric guitar); Jeff Golub, Carl Verheyen, Vinny D'Onofrio (guitar);, Larry Klimas (soprano saxophone); Sam Purkin (piano); Curtis Brengle (piano, keyboards, synthesizer); Paul Spencer Denman, Cliff Hugo, Russ Landau (bass), Dave Karasony (drums).

Night Walk

Wednesday, February 15, 2017

Martin Lechner - Gentlemen Are Hard To Find: The Music Of Nat King Cole

Size: 145,3 MB
Time: 61:37
File: MP3 @ 320K/s
Released: 2011
Styles: Jazz/Soul Vocals
Art: Front

01. Sweet Lorraine (3:27)
02. Satchel Mouth Baby (3:23)
03. Don't Blame Me (3:42)
04. Walkin' My Baby Back Home (2:32)
05. That Ain't Right (3:14)
06. I'm Through With Love (4:22)
07. That's My Girl (1:41)
08. Nature Boy (4:59)
09. That's The Beginning Of The End (3:47)
10. Straighten Up And Fly Right (3:30)
11. Too Marvelous (3:55)
12. Little Girl (2:21)
13. But She's My Buddy' Chick (2:55)
14. The Best Man (2:58)
15. Lush Wife (5:34)
16. When I Take My Sugar To Tea (2:30)
17. I'm Lost (3:13)
18. Gentlemen Are Hard To Find (3:26)

Martin Lechner is literally a natural talent. Without having ever completed a single singing session, he interprets jazz classics with his characteristic voice and thus gives the songs a convincing independence. His sympathetic appearance, the warm timbre of his voice, the excellent rhythmic feeling as well as his sovereign phrasing, make Martin Lechner an exceptional release. And only a few years ago did he begin singing for his own pleasure. Following "open mic" appearances in 2006, Martin Lechner founds his own band with Swiss musicians. In the meantime, a project has been set up, which has achieved a great deal in a very short time. After his successful debut album "Gentlemen Are Hard To Find", his second litter is "Somethin 'Old & Somethin' New - Somethin 'Else!". ~Google translation

Gentlemen Are Hard To Find

Angie Wells & Raphael Lemonnier - Love And Mischief

Size: 131,2 MB
Time: 46:01
File: MP3 @ 320K/s
Released: 2017
Styles: Jazz/Blues Vocals
Art: Front

01. Peel Me A Grape (3:59)
02. The Moon Is Swinging On A Line (5:37)
03. She Ain't The Kinda' Girl (4:47)
04. You're My Thrill (5:36)
05. Come Rain Or Come Shine (2:26)
06. Nature Boy (3:58)
07. Ain't Misbehavin (3:39)
08. I'm In Moody's Mood For Love (5:24)
09. Nice Girls Don't Stay For Breakfast (4:45)
10. Baby It's Cold Outside (2:35)
11. One Mint Julep (Bonus Track) (3:11)

Angie Wells has a smokey well rounded voice that can give listeners goosebumps on a ballad and then turn around to get them tapping their feet when she swings. She has the ability to entertain her audience in a way that is truly captivating. She gives a show in the true sense of the word with glamorous costume changes, humorous banter and a voice that keeps her audience hanging on to every note. She truly believes a performance is a symbiotic exchange of energy between herself and her audience and gives her all at every moment.

Her performance as part of the 24th annual Jazz at LACMA series earned her a standing ovation and a wonderful critique by jazz journalist Scott Yanow in LA Jazz Weekly.

Angie began her singing career in an intimate little supper club in St. Germain des Pres in Paris when she joined the trio playing that night for a few tunes. Since then she has returned to France to tour with French pianist Raphael Lemonnier and has played and recorded at home with some of America's best jazz musicians including John Belzaguy,
Peter Buck, Carl Burnett, Bill Cunliffe, Quentin Dennard, Kenny Elliot,
Tim Emmons, Henry Franklin, Jim Hughart, Joe LaBarbera, Harry Kim, Paul Kreibich, James Leary, Jack Lecompte, Tom Warrington and Doug Webb. She has performed as guest vocalist with
Jeff Goldblum and The Mildred Snitzer Orchestra and with New Orleans' own Kermit Ruffins and The Barbecue Swingers at The Telluride Jazz Festival and The San Jose Summer Jazz Fest.

Love And Mischief

The Dixie Giants - Dressed And Ready To Go

Size: 105,0 MB
Time: 44:31
File: MP3 @ 320K/s
Released: 2017
Styles: Jazz, Dixieland
Art: Front

01. The Fifth Light Down (2:59)
02. One Hatchet, One Pitchfork (3:55)
03. Moopin' & Boopin' (2:43)
04. It Is Still (4:49)
05. Loophole (3:32)
06. Shutdown Stomp (2:30)
07. Three On The Tree (4:25)
08. Silver & Coal (5:06)
09. My Glasses (3:47)
10. How Neat Is That (3:45)
11. Mr. & Mrs. J (3:48)
12. Olympia (3:06)

Personnel:
Casey Jones - Clarinet/Tenor Sax
Jesse Shantor - Alto Sax
Jason Thor - Trombone
Nick Pulley - Sousaphone
Dan Charles - Banjo
Ricky Lomeli - Drums
Taylor Cuffie - Drums

“California Trad Jazz & more. No trumpet required.” For the past 4 years the Sonoma County-based group, The Dixie Giants, have brought their own special version of New Orleans music to the Bay Area. Whether they’re playing in clubs or on the streets, The Dixie Giants are infamous for radiating an infectious energy and always having a blast. While continuing to play the music of their heroes (Louis Armstrong & The All Stars, Preservation Hall Jazz Band, Thelonious Monk, Jackson 5), they have also been writing original music in an effort to continue to evolve the idiom of Traditional New Orleans Jazz.

The Dixie Giants have shared the stage with such acts as Bonnie Raitt, Galactic, Rebirth Brass Band, The Wood Brothers, Charlie Musselwhite, New Orleans Suspects, Tuba Skinny, Dustbowl Revival, and many more. Their sounds have been heard at Strawberry Music Festival, Petaluma Music Festival, San Jose Jazz Fest, Healdsburg Jazz Fest, Sausalito Arts Festival, Lagunitas Beer Circus and Honk Fest West, and have appeared at events and in commercials for the San Francisco Giants. Winners of the North Bay Bohemian's "North Bay's Best Jazz Band" award in 2014.

Dressed And Ready To Go

Judith Nijland - A Jazz Tribute To Abba

Size: 110,8 MB
Time: 47:05
File: MP3 @ 320K/s
Released: 2016
Styles: Jazz Vocals
Art: Front

01. I Do, I Do, I Do, I Do, I Do (3:01)
02. I Have A Dream (4:00)
03. Waterloo (4:30)
04. Lay All Your Love On Me (3:37)
05. Head Over Heels (3:02)
06. Dancing Queen (4:41)
07. Thank You For The Music (4:02)
08. One Of Us (4:25)
09. Gimme! Gimme! Gimme! (4:18)
10. Summer Night City (3:41)
11. Voulez-Vous (4:10)
12. Money, Money, Money (3:32)

“It has taken me 40 years to appreciate ABBA. Coming of age in the 1970s, I was opposed to Disco and Disco-related music. The music, of course, didn’t give the least damn what I though and still permeated my delicate musical psyche to the point that it became an integral part of my young adulthood. How ABBA would translate into the language of jazz might be best not considered. However, Dutch vocalist Judith Nijland had no such compunction, arranging a dozen of ABBAs songs into this tidy, well-programmed package. Using a standard acoustic jazz ensemble, Nijland ably transforms the ABBA songbook. This could have been one of those ambitious projects that so often go so wrong. But Nijland pulls it off, making “Waterloo,” “Head Over Heels,” and “Dancing Queen” sound fresh and new. Danny van Kessel proves the ideal catalyst to Nijland overt musicality. His playing is sparkling and sharp, directing the course for Nijland. Those of you, who are of a “certain age” enjoy this! ~All About Jazz, C. Michael Bailey

A Jazz Tribute To Abba

Enrique Haneine - Instants Of Time

Size: 156,1 MB
Time: 67:02
File: MP3 @ 320K/s
Released: 2016
Styles: Contemporary Jazz, Latin Jazz
Art: Front

01. Angularity Within (5:06)
02. If You Know What I Mean (5:47)
03. Houston (4:14)
04. Esperanza (4:19)
05. Slippery When Dry (4:06)
06. Inside The Journey (6:29)
07. Color And Space (6:06)
08. By Choice (6:58)
09. The East Side Of Lloyd (5:22)
10. The Tear And Smile Of An Angel (6:05)
11. Let The Cedar Tell The Story (6:22)
12. Who's Willing (6:01)

New York based multi-instrumentalist Enrique Haneine dazzled the music world with superb pianism on the 2005 collaborative release At the End of the Day (Foxhaven, 2005). Ten years later, he leads his sextet on the gripping and spirited Instants Of Time this time from the drummer seat.

Haneine is a native of Mexico of Lebanese ancestry so he peppers his intricately designed compositions with a vibrant Latin groove and Levantine lyricism. Some pieces lean in one direction or another, most, however, are a deft blend of his many heritages.

The cinematic "Let The Cedar Tell The Story" has a definite Middle Eastern folk motif at its core. Haneine propels the tune forward with his commanding drumming, embellished with chiming, tambourine beats. Saxophonist Catherine Sikora blends east and west in an expressive and pastoral soprano improvisation as the band performs an exuberant chorus laced with melancholy.

Sikora opens the sensual "Esperanza," the most distinctly Spanish song on the disc, with her unaccompanied, thick and wistful tenor lines. Vocalist Lori Cotler steals the spotlight with her delightfully haunting wordless singing that undulates over trumpeter Lex Samu's clear burnished tones.

Samu's warm, languid phrases meander between Sikora's poetic tenor solo and trombonist Michael Rörby's pensive growl on the mystical "By Choice." The amalgam of rolling Afro Cuban flavored rhythms and lilting, Arabesque harmonies brings forth an Andalusian style romanticism to the richly textured music.

Rörby's expressive horn opens the simultaneously intimate and tense "The Tear And Smile Of An Angel." Over Haneine's percolating thuds and thrums the frontline blows a serpentine and soulful melody. Bassist Carlo De Rosa thrills with his virtuosity as he handles his instrument with breathtaking agility and vibrant spontaneity. His and Haneine's sharper, more angular refrains complement perfectly the horns' fluid interwoven vamps giving the track its dramatic edge.

Intriguingly inventive Haneine's first release under his own name showcases his many talents and skills. His evocative, richly colored works are sublimely balanced to allow for individual extemporizations without sacrificing their thematic essence. His brilliant percussion rivals his elegant and superlative piano playing heard on earlier albums and his leadership underscores synergistic individualism of his side musicians. Hopefully it won't be another 10 years before Haneine records again.

Personnel: Lori Cotler -voice (1,5 & 7); Lex Samu: trumpet; Catherine Sikora:tenor and soprano saxophones; Michael Rorby: trombone; Carlo de Rosa: acoustic bass; Enrique Haneine: drums, cymbals, Udu drum & tambourine.

Instants Of Time

Oleta Adams - Third Set

Size: 140,4 MB
Time: 60:31
File: MP3 @ 320K/s
Released: 2017
Styles: Jazz/Soul Vocals
Art: Front

01. It's Alright With Me (8:58)
02. Only The Lonely (7:20)
03. Don't Interrupt The Sorrow (4:58)
04. River (6:35)
05. Do I Move You (6:04)
06. Evolution (Acoustic) (5:57)
07. Rhythm Of Life (Acoustic) (3:41)
08. Blowin' In The Wind (6:16)
09. Wilted Roses (6:54)
10. His Loving Eyes (3:44)

Still singing her song...Oleta Adams releases “Third Set” ...Her first new album in eight years
“At this point in my life it’s kind of cool that I don’t have to ask anybody’s permission anymore about what I want to sing.” – Oleta Adams

Iconic, Grammy-award nominated vocalist Oleta Adams celebrates her 45th year in the music industry with a new collection of classic songs entitled Third Set. Inspired by the early days of her career, when she played multiple shows nightly in lounges and piano bars across the globe, Third Set highlights the music that Adams and her band always loved to play during that halcyon hour when the evening’s final set arrived.

“Before my break, I was playing in the clubs for 17 years,” Adams recalls. “I played a lot of hotel gigs where we would have to cater to all kinds of people. In the first two sets of the night, we didn’t know who we were catering to, so we had to do the songs that were the most familiar. But then, after a while, the third set became the one I designated as my set or the musician’s set. It was when we played what we wanted to play. I grew very fond of that set because it was in that third set that the greatest amount of creativity happened – when the crowds were smaller and we were under less pressure to do what the crowd wanted.”

Though Third Set may be comprised of the music that Adams and her band revel in playing for themselves, it is likewise filled with stunning arrangements of all-time favorite songs that music lovers will also no doubt stand up and applaud in much the same way that audiences have done as the velvety-voiced songstress has worked out the songs on the road over the last year.

Included on Third Set are “Oleta-fied’ versions of everything from jazz standards like Frank Sinatra’s, “Only The Lonely”, a haunting and desolate meditation on the despair of loneliness, and Cole Porter’s “It’s Alright With Me”, which Adams refreshingly interprets with sassy, sultry resolve, to an anthemic new take on Bob Dylan’s “Blowin’ in the Wind” and a soul-stirring reimagining of Joni Mitchell’s folk rock masterpiece “Don’t Interrupt the Sorrow”, which becomes a soaring musical deliberation on the eternal war between the sexes in Adams’ capable hands.

Of her song choices, Adams explains that, “These are not necessarily songs that people would have thought I would choose but I chose songs that have meaning.”

“At this point in my life, it’s kind of cool that I don’t have to ask anybody’s permission anymore about what I want to sing,” she continues.

An elegant remake of Joni Mitchell’s “River’, a bluesy revision of Nina Simone’s “Do I Move You”, acoustic revisitations of her own recordings, “Evolution” and “Rhythm of Life”, as well as two new uplifting contemporary gospel tracks “Wilted Roses” and “His Loving Eyes”, round out Adams’ latest offering.

“It needs to have a great lyric and I have to relate to it in some way,” the songbird says of the songs that attract her. “I’ve found that pain is pain, it doesn’t matter who’s feeling it. When people are lonely and hurt or even when they’re happy I can’t imagine that it is any different for one than it is for another. Whether it’s me or somebody I know and I’m speaking for them, there has to be something in a song that I feel enough people can relate to. “

And relate they undoubtedly shall.

Third Set

Paul Bley - My Standard

Bitrate: MP3@320K/s
Time: 65:53
Size: 150.8 MB
Styles: Piano jazz
Year: 1987/1994
Art: Front

[2:55] 1. I'm Glad There's You
[3:06] 2. Santa Claus Is Coming To Town
[5:30] 3. Lover Man
[2:59] 4. All The Things You Are
[4:26] 5. Long Ago And Far Away
[4:44] 6. Black And Blue
[2:27] 7. How Long Has This Been Going On
[6:18] 8. A.R.B
[3:08] 9. Blues Waltz
[3:44] 10. I Wish I Knew
[3:06] 11. If I'm Lucky
[4:57] 12. You'd Be So Nice To Come Home To
[4:04] 13. I Can't Get Started
[4:42] 14. The Theme
[5:08] 15. Becky
[2:15] 16. Bolivar Blues
[2:14] 17. Goodbye

Double Bass – Jesper Lundgaard; Drums – Billy Hart; Piano – Paul Bley. Recorded in Sound Track Studio, Copenhagen, December 8, 1985.

When one considers that Paul Bley is a constant improviser, the repertoire he chose for this set (ten standards, most of which are from the '40s and '50s) is rather surprising. But even on tunes such as "Santa Claus Is Coming to Town," "Long Ago and Far Away" and "I Can't Get Started," pianist Bley (accompanied by bassist Jesper Lundgaard and drummer Billy Hart) avoids the obvious and comes up with something new to say. ~Scott Yanow

My Standard

Roy Orbison - The Ultimate Collection

Bitrate: MP3@320K/s
Time: 76:17
Size: 174.7 MB
Styles: Pop/Rock, Rockabilly, AM Pop
Year: 2016
Art: Front

[2:56] 1. Oh, Pretty Woman
[3:45] 2. I Drove All Night
[3:29] 3. You Got It
[2:45] 4. Crying
[2:24] 5. Only The Lonely (Know The Way I Feel)
[2:48] 6. In Dreams
[2:26] 7. Love Hurts
[3:03] 8. Claudette
[2:28] 9. Blue Bayou
[2:31] 10. Dream Baby (How Long Must I Dream)
[2:53] 11. Walk On
[2:20] 12. Falling
[2:11] 13. Running Scared
[3:56] 14. California Blue
[2:39] 15. Leah
[2:23] 16. Mean Woman Blues
[3:14] 17. Crawling Back
[3:26] 18. Ride Away
[2:47] 19. Too Soon To Know
[4:14] 20. She's A Mystery To Me
[2:50] 21. Blue Angel
[2:46] 22. It's Over
[2:12] 23. Ooby Dooby
[2:57] 24. Heartbreak Radio
[3:23] 25. Traveling Wilburys - Not Alone Anymore
[3:18] 26. Traveling Wilburys - Handle With Care

Roy Orbison The Ultimate Collection is the most definitive career-spanning collection of hits by Rock & Roll legend Roy Orbison and for the first time ever, includes tracks from the Sun, Monument and MGM years, plus songs from Roy s incredible late-career works, both solo and with The Traveling Wilburys all on one collection. The Ultimate Collection is comprised of singles from Roy s Monument, MGM, & Sun Records catalog and the track listing has been lovingly compiled by Roy's son Alex Orbison. The collection features the hits "Pretty Woman", "You Got It", "Crying", "Only The Lonely" and "In Dreams" plus more. This collection also features The Traveling Wilburys tracks "Not Alone Anymore" and "Handle With Care".

The Ultimate Collection

Leny Andrade - Bossas Novas

Bitrate: MP3@320K/s
Time: 45:43
Size: 104.7 MB
Styles: Bossa Nova, Brazilian jazz
Year: 1998/2013
Art: Front

[2:33] 1. E Nada Mais
[4:17] 2. Canto Livre
[3:22] 3. Pode Ir
[2:57] 4. Ao Amigo Tom
[4:57] 5. Dois Corações
[2:44] 6. Nas Quebradas Da Vida
[3:18] 7. Esperança Perdida
[2:23] 8. O Chinês E A Bicicleta
[3:13] 9. Pássaro Imortal
[2:48] 10. Pra Que Chorar
[3:51] 11. Alegria Para Cantar
[2:39] 12. Samba Da Pergunta
[2:59] 13. Abajur Lilás
[3:35] 14. I'll See You In Rio

Andrade, considered by many the greatest singer of Brazilian jazz, has never had great commercial success, but is a well-respected jazz artist. She has been described by Tony Bennett as the "Ella Fitzgerald of Brazil". In Europe where she toured, she was the Brazilian First Lady of Jazz, building a huge fan base in the Netherlands and Italy.

New York Times critic Stephen Holden wrote of Andrade's performance at Birdland on August 27, 2008, "To describe Ms. Andrade as both the Sarah Vaughan and Ella Fitzgerald of bossa nova only goes so far in evoking a performer whose voice seems to contain the body and soul of Brazil."

Bossas Novas

Bob Curnow's L.A. Big Band - Music Of Pat Metheny & Lyle Mays

Bitrate: MP3@320K/s
Time: 72:29
Size: 165.9 MB
Styles: Big band
Year: 1994
Art: Front

[7:23] 1. It's Just-Talk
[5:22] 2. Always And Forever
[8:50] 3. The First Circle
[2:50] 4. Letter From Home
[4:53] 5. Are We There Yet
[8:38] 6. If I Could
[4:35] 7. See The World
[8:06] 8. Minuano
[5:20] 9. Dream Of The Return
[7:00] 10. Every Summer Night
[3:19] 11. In Her Family
[6:07] 12. Have You Heard

Alto Saxophone – Bob Sheppard, Danny House; Baritone Saxophone – Tom Peterson; Bass – Tom Warrington; Bass Clarinet – Tom Peterson; Bass Trombone – Dana HughesClarinet – Bob Sheppard, Danny House, Jerry Pinter, Rob Lockart, Tom Peterson; Drums – Steve Houghton; Flugelhorn – Bobby Shew, Buddy Childers, Don Rader, Ron Stout, Wayne Bergeron; Flute – Bob Sheppard, Danny House, Jerry Pinter, Rob Lockart, Tom Peterson; Guitar – Paul Viapiano; Percussion – Brian Kilgore; Soprano Saxophone – Bob Sheppard; Tenor Saxophone – Jerry Pinter, Rob Lockart; Trombone – Alex Iles, Andy Martin, Chuck Hughes, Rick Culver; Trumpet – Bobby Shew, Buddy Childers, Don Rader, Ron Stout, Wayne Bergeron.

Arranger Bob Curnow transcribed a dozen compositions by Pat Metheny and/or Lyle Mays (originally recorded by the Pat Metheny Group) and adapted them for his Stan Kenton-influenced big band. The instrumentation differs drastically from Metheny's quartet and some of the pieces were originally very electric, but somehow these new renditions make the songs sound as if they were originally designed for this orchestra. The 20-piece big band is full of some of the cream of L.A.'s jazz scene and includes such soloists as trombonists Andy Martin and Rick Culver; saxophonists Bob Sheppard, Rob Lockart, and Danny House; pianist Bill Cunliffe; and a mighty trumpet section. This is an unusual concept that somehow works perfectly and with surprising logic. ~Scott Yanow

Music Of Pat Metheny & Lyle Mays

David Hazeltine Trio - Pearls

Bitrate: MP3@320K/s
Time: 48:47
Size: 111.7 MB
Styles: Bop, Straight ahead jazz
Year: 2001
Art: Front

[5:36] 1. What Kind Of Fool Am I
[4:05] 2. My Old Flame
[8:02] 3. The Masquerade Is Over
[7:17] 4. His Lordship (For Cedar Walton)
[5:40] 5. Somewhere
[6:06] 6. Darn That Dream
[5:02] 7. Pearls
[6:56] 8. Close Enough For Love

Bass – Peter Washington; Drums – Joe Farnsworth; Piano – David Hazeltine. Recorded at Studio in New York on November 18 and 19, 2000.

"A player and writer with great respect for the melody, Hazeltine can be surprisingly inventive with the harmonic and rhythmic possibilities in a tune. Unobtrusive yet frequently exciting, Hazeltine always sounds as if he is digging what he's playing, and his approach makes well-known tunes sound fresh...." ~Aaron Steinberg,

Pearls

Ann Hampton Callaway - After Ours

Bitrate: MP3@320K/s
Time: 59:30
Size: 136.2 MB
Styles: Vocal jazz
Year: 1997/2009
Art: Front

[5:12] 1. Time After Time
[3:25] 2. Teach Me Tonight
[6:40] 3. My Funny Valentine
[4:07] 4. Old Devil Moon
[4:44] 5. The First Time Ever I Saw Your Face
[4:57] 6. All Blues
[4:30] 7. They Can't Take That Away From Me
[6:03] 8. The Music You Leave Inside My Mind
[4:53] 9. You Are My Sunshine
[6:57] 10. It Never Entered My Mind
[3:33] 11. Fallin In Love Again
[4:22] 12. Untitled Track

Ann Hampton Callaway is one of the top cabaret singers of the past decade. She has always been influenced a bit by jazz, and this 1997 release was her first full jazz recording. Callaway has a haunting voice and, as with most cabaret singers, a great respect for the lyrics she interprets; her singing on "The First Time Ever I Saw Your Face" is a bit eerie. Pianist Kenny Barron, Bob Mintzer on tenor and soprano, and trumpeter Randy Brecker all get a generous amount of solo space, while bassist Jay Leonhart and percussionist George Jinda are fine in support; considering the high quality of her sidemen, it is a major compliment to the singer to say that her vocals do not cause the set to sag or the listener to lose his interest. On "All Blues" and "Old Devil Moon" in particular, she shows the potential of becoming a significant jazz singer in the future if she sticks to this path. Strangely enough, an intriguing original blues (clocking in around four-and-a-half minutes) is included at the end of the program, but not mentioned on the back cover or in the liners. Recommended. ~Scott Yanow

After Ours