Monday, July 24, 2023

Alex Mendham and His Orchestra - Puttin' On The Ritz

Styles: Big Band
Year: 2020
File: MP3@320K/s
Time: 41:39
Size: 96,5 MB
Art: Front

(3:41) 1. Puttin' On The Ritz
(3:27) 2. Midnight, the Stars and You
(2:57) 3. Baby
(3:01) 4. Please
(3:29) 5. Not So Hard, Sam!
(3:16) 6. I Only Have Eyes For You
(2:29) 7. Some Of These Days
(3:13) 8. I Guess I'll Have To Change My Plan
(2:15) 9. Let's Fly Away
(3:50) 10. Never In A Million Years
(2:54) 11. Shake That Thing
(2:48) 12. Heartaches
(4:15) 13. Happy Feet

Quite simply, Puttin' On The Ritz is very special - In their brand new album, Alex Mendham and His Orchestra celebrates the Jazz Age in a roaring tribute to the wonderful music of the 1920s and 30s. With 15 dazzling tracks, this is the ultimate CD soundtrack as we enter a new decade of the twenties! Recorded in stunning 24-bit clarity, the Orchestra displays it's virtuosity across a huge range of material from hot rhumbas to faithful recreations of the gorgeous movie musical sound of the 30s. Join Alex Mendham as he leads his famed 11-piece orchestra in Puttin' On The Ritz, croons well-loved classics and unveils a few hidden gems in an album guaranteed to kick-start your 2020s! https://www.alexmendham.com/product-page/puttin-on-the-ritz-new-album

Quite simply, Puttin' On The Ritz is very special. In their brand new album, Alex Mendham and His Orchestra celebrates the Jazz Age in a roaring tribute to the wonderful music of the 1920s and 30s. With 15 dazzling tracks, this is the ultimate CD soundtrack as we enter a new decade of the twenties! Recorded in stunning 24-bit clarity, the Orchestra displays it's virtuosity across a huge range of material from hot rhumbas to faithful recreations of the gorgeous movie musical sound of the 30s. Join Alex Mendham as he leads his famed 11-piece orchestra in Puttin' On The Ritz, croons well-loved classics and unveils a few hidden gems in an album guaranteed to kick-start your 2020s! Opiniones Editoriales https://www.amazon.com/Puttin-Ritz-Alex-Mendham-Orchestra/dp/B08J5CSYT8

Puttin' On The Ritz

Jenna Laurise - Serendipity and All That Jazz

Styles: Vocal
Year: 2023
File: MP3@320K/s
Time: 46:22
Size: 109,2 MB
Art: Front

(3:09) 1. My Favorite Things
(3:17) 2. Come What May
(3:15) 3. Dream a Little Dream
(3:12) 4. Serendipity
(3:16) 5. Corcovado (Quiet Nights of Quiet Stars)
(3:41) 6. Walking on Sunshine
(3:06) 7. Cool Beans
(3:08) 8. You Swayed Me
(4:06) 9. Moonsong
(2:38) 10. I've Got Rhythm
(4:44) 11. My Funny Valentine
(3:30) 12. Recharge
(2:53) 13. That Jumpin' Vibe
(2:19) 14. Be Yourself

Hey there! My name is Jenna and I want to share my musical journey with you. I never ever imagined I would become an artist/songwriter, as my biggest dream growing up was to perform on Broadway. I grew up in Denver, Colorado and was inspired by my father who played guitar and sang. As soon as I was old enough to talk, I began to sing and before you knew it we were harmonizing in three-part harmony- my dad, my sister Rachel, and me. He died at a fairly young age, and now part of my journey is to continue his musical tale.

I began performing professionally in musical theatre by the age of 12 and was dead set on becoming successful on Broadway. I was very lucky to have performed in over 100 productions and worked for equity theatre companies all over the country. One of My favorite roles was playing the Evil Queen at Disneyland. I got married while I was still in college to my college sweetheart Eric who is very supportive of my music. Along the way, we've had two AMAZING boys that are the apple of my eye, Cameron and Connor.

In 2007, I got an itch to go back to grad school and deepen my musical abilities and had the fortunate experience of attending DU's Lamont School of Music. While there, I gained amazing training in jazz and contemporary music, and I began to write. At first it was just in my classes for jazz. Then after graduating with my Master of Music in Vocal Performance in Jazz and Commercial Music, I started writing music that I felt had some depth and hopefully some inspiration. At the same time, I started a Voice and Piano Studio and honest to goodness, God has made it grow into something I never dreamed it would be. I consistently teach 40 students every week. My students are amazing and I love developing and training them to be something great!

In 2011, I wrote and sang vocals on several tracks on the grammy nominated Album Moment Between Eternities with Louis Colaiannia. So much fun! In 2014, I released my second CD, Coming Home and several of the songs have been signed with music libraries for film and TV licensing.

I have really enjoyed performing in the live duo Brightenstar since 2015, and we gig quite frequently in Denver and the surrounding areas. I have been fortunate to perform at such venues as: The Soiled Dove, The Walnut Room, Lila B's, Hapa Sushi, Nonna's Bistro, Dazzle Restaurant, Jazz at Jack's, Platte River Bar and Grill, and many more.

I am so lucky to currently be co-writing songs with some award winning songwriters, including Nitanee Paris and Vince Constantino. Several of our songs have been featured on Women of Substance Radio and signed to music publishing.

In 2018, I have been working with an awesome music producer from the Netherlands, Jan Baars on my third CD, Songbird. It is a pop/EDM crossover album that has some very meaningful songs on it that deal with love, loss, life challenges, and more. Impacting the world and individuals in a positive way through well written music is my goal so I really hope you enjoy my music and share it if you like it! https://jennalaurise.com/bio

Serendipity and All That Jazz

Tony Bennett & Lady Gaga - Cheek To Cheek

Styles: Vocal Jazz
Year: 2014
File: MP3@320K/s
Time: 48:20
Size: 115,0 MB
Art: Front

(2:03)  1. Anything Goes
(2:50)  2. Cheek to Cheek
(2:36)  3. Don't Wait Too Long
(3:13)  4. I Can't Give You Anything But Love
(4:08)  5. Nature Boy
(2:11)  6. Goody Goody
(3:10)  7. Ev'ry Time We Say Goodbye
(1:57)  8. Firefly
(3:56)  9. I Won't Dance
(1:48) 10. They All Laughed
(4:14) 11. Lush Life
(3:49) 12. Sophisticated Lady
(2:06) 13. Let's Face the Music and Dance
(4:04) 14. But Beautiful
(2:23) 15. It Don't Mean a Thing (If It Ain't Got That Swing)
(3:43) 16. Bang Bang (My Baby Shot Me Down) [Live from Frederick P. Rose Hall, New York 2014]

Lady Gaga has flat-out said that recording the jazz standards album Cheek To Cheek with the legendary Tony Bennett saved her from possible artistic death. It’s the culmination of a lifelong love affair with jazz, which Gaga has said she started singing when she was 13 years old. So, how does Gaga rate next to Bennett, who was well into his second (or third) career resurgence when she was born? Despite the 60-year age difference between the “Applause” singer and the vocal legend, on the 11-track album the pair sound like a match made in heaven. They flawlessly merge their unique styles and show off a charming in-studio rapport that totally translates to the collection of jazz and pop vocal standards. ~ Gil Kaufman  http://www.mtv.com/news/1931065/lady-gaga-tony-bennett-cheek-to-cheek-review-breakdown/

Saturday, July 22, 2023

Tony Bennett - Here's To The Ladies

Styles: Vocal
Year: 1995
File: MP3@320K/s
Time: 66:35
Size: 153,2 MB
Art: Front

(4:41) 1. People
(3:50) 2. I'm In Love Again
(3:56) 3. Somewhere Over The Rainbow
(5:10) 4. My Love Went To London
(5:40) 5. Poor Butterfly
(3:27) 6. Sentimental Journey
(4:42) 7. Cloudy Morning
(3:45) 8. Tenderly
(2:09) 9. Down In The Depths
(2:52) 10. Moonlight In Vermont
(4:04) 11. Tangerine
(2:49) 12. God Bless The Child
(3:42) 13. Daybreak
(5:29) 14. You Showed Me The Way
(2:55) 15. Honeysuckle Rose
(3:24) 16. Maybe This Time
(1:58) 17. I Got Rhythm
(1:55) 18. My Ideal

For years, it was rumored that Frank Sinatra was going to record an album called Here's to the Ladies, but the Chairman of the Board never got around to actually making the record. However, Tony Bennett did and his record covers a wider range of artists and styles than Sinatra's scheduled record. Naturally, Bennett turns in a thoroughly entertaining, professional performance. It's a solid contribution to his impressively assured and diverse comeback. By Stephen Thomas Erlewine
https://www.allmusic.com/album/release/heres-to-the-ladies-mr0000372200

Personnel: Tony Bennett – vocals; Ralph Sharon – piano; Clayton Cameron – drums; Doug Richeson – double bass; Lew Soloff – trumpet solos; unidentified session orchestra and big band (except for tracks 8, 10, 12, 16, 17 & 18); Jorge Calandrelli – arranger, conductor of the orchestral charts (tracks 2, 4–7, 13–15); Bill Holman – arranger, conductor of the Big Band charts (tracks 1, 3, 9, 11)

R.I.P.

Born: August 3, 1926, Long Island City, New York, United States
Died: July 21, 2023, New York, New York, United States

Here's To The Ladies

Alex Mendham and His Orchestra - On With the Show

Styles: Big Band
Year: 2017
File: MP3@320K/s
Time: 42:48
Size: 99,0 MB
Art: Front

(2:50) 1. Shall We Dance
(2:25) 2. Let Yourself Go
(3:44) 3. Cheek to Cheek
(2:44) 4. Night and Day
(2:30) 5. Caravan
(2:58) 6. I'm No Angel
(2:32) 7. Jeepers Creepers
(3:20) 8. What Is This Thing Called Love?
(2:54) 9. Anything Goes
(2:54) 10. Nobody Cares If I'm Blue
(3:06) 11. Broken Record
(2:23) 12. Hot Lips
(2:39) 13. The Way You Look Tonight
(3:09) 14. Blue Moments
(2:33) 15. Prelude in C# Minor

Mesmerised from a young age by the music of a forgotten time, Essex-born musician, singer, and lyricist Alex Mendham made a name for himself, having burst onto the scene by forming his own orchestra at the tender age of just 20 (and refusing to slow down ever since!). Alex Mendham spent his youth studying the saxophone and meeting the last surviving dance band musicians from the golden era, living links to the past, including the virtuoso Al Gallodoro, a star of 1920s Paul Whiteman fame. He also spent several years as protégé to Bob Wilber, himself a student of Sidney Bechet. After the initial performances with his Orchestra, Alex soon realised what was needed was an authentic vocalist and frontman. He exchanged the saxophone for a conductor's baton and the rest as they say is history.

Alex Mendham and His Orchestra was founded by the debonair, white-tie-and-tails wearing bandleader, to sweep audiences away with the high style and musical glory of the 20’s and 30’s. He and his Orchestra have turned the music of a golden age into a worldwide concert touring show. Initially, Alex Mendham pitched his wild idea to the owners of London's Savoy Hotel, and the Orchestra embarked a long-standing residency in the hotel's hallowed ballroom. Request performances soon followed at many iconic venues around the capital, including the world-famous Ritz Hotel. This vital early period allowed the Orchestra to hone it’s signature style and sound, playing together each night. Soon, the allure of taking their music to the world-stage became too great for Alex and His Orchestra to resist. Beginning with the now legendary sell out show at the Kursaal Concert Hall in Belgium, Alex Mendham has taken his orchestra to new heights internationally performing everywhere from the lush art-deco Cicada Club of Downtown L.A to open-air concerts in the gothic palaces of Russia, via grand scale events upon the romantic canals of Venice. Outside of their live performances, the Orchestra is a mainstay of BBC Radio, and has lent it's talents to productions for film and television. https://www.alexmendham.com/biography

On With the Show

Champian Fulton - Birdsong

Styles: Vocal, Piano Jazz
Year: 2020
File: MP3@320K/s
Time: 66:39
Size: 152,8 MB
Art: Front

(7:13) 1. Just friends
(6:36) 2. Yardbird suite
(5:32) 3. This is always
(5:40) 4. Star eyes
(5:07) 5. Quasimodo
(4:49) 6. All God's chillun got rhythm
(4:46) 7. Dearly beloved
(5:06) 8. Out of nowhere
(7:21) 9. If I should lose you
(5:00) 10. My old flame
(9:25) 11. Bluebird

Champian Fulton was introduced to alto saxophonist Charlie Parker during her stay in the womb. The New York-based pianist/vocalist's father, Stephen Fulton held a high opinion ("The most beautiful music that ever was") of Charlie Parker With Strings (Verve, 1950), so he made a cassette tape of the recording and played it during his wife Susan's pregnancy: The sound waves of Charlie Parker and Orchestra traversing maternal flesh to burst into the domain of amniotic fluid to find their way to tiny ear canals, the tympanic membranes, to the ultimate destination the pleasure centers of the growing brain, bringing (we can guess) a bright pre-birth smile that hasn't (no guessing here) faded to this day.

There may or may not have been a method to Stephen Fulton's madness. But if there was a strategy, it must have worked. Thirty some years later, Champian Fulton offers Bird Songs, a joyful celebration of Charlie Parker's centennial. Champian and Company open with "Just Friends," a tune that also sat in the introductory cut position on Parker's With Strings session. A better choice couldn't have been made. The Champian Fulton-led ensemble has a relaxed and fluid swing. Fulton's vocals feature syllables stretched like warm bread dough interspersed with interludes of a horn like sassiness. Saxophonist Scott Hamilton blows a supple and swingingly elegant solo. Fulton covers tunes written by Parker "Yardbird Suite," "Quasimodo," "Bluebird" as well as numbers that Parker made his own...

Making them her own something that Fulton is doing here in her own sweet way, whether it's "Star Eyes," its bounce coming out of the understated, old school style rhythm team, with bassist Hide Tanaka and drummer Fukushi Tainaka, or "Dearly Beloved," with Fulton comping straight up behind Hamilton's sax solo, sounding a bit like Jutta Hipp. "Out of Nowhere" features rumba rhythm and gorgeous, soft-around-the-edges flugelhorn solo from Stephen Fulton (the guy with that cassette tape), while "Bluebird" one of Bird's most recognizable melodies, closes the show with an authentic 1940s, early 1950's atmosphere.Marvelous!By Dan McClenaghan https://www.allaboutjazz.com/birdsong-champian-fulton-self-produced

Personnel: Champian Fulton: piano, Vocal; Fukushi Tainaka: drums; Hide Tanaka: bass; Stephen Fulton: flugelhorn; Scott Hamilton: saxophone, tenor.

Birdsong

Queen Latifah - The Dana Owens Album

Bitrate: MP3@320K/s
Time: 45:48
Size: 104.9 MB
Styles: Jazz vocals
Year: 2004
Art: Front

[3:42] 1. Baby, Get Lost
[3:08] 2. I Put A Spell On You
[4:11] 3. Simply Beautiful
[3:52] 4. The Same Love That Made Me Laugh
[3:59] 5. Moody's Mood For Love
[2:55] 6. Close Your Eyes
[3:42] 7. California Dreamin'
[5:21] 8. Hard Times
[3:27] 9. Mercy, Mercy, Mercy
[3:00] 10. Hello Stranger
[4:04] 11. If I Had You
[4:24] 12. Lush Life

Queen Latifah, vocals; Featuring Herbie Hancock, piano on "I Put A Spell On You"; Featuring Al Green, vocals on "Simply Beautiful"; Featuring James Moody, alto sax on "Mood for Love"; Featuring Mervyn Warren, solo vocal on "Close Your Eyes"; Featuring David "Fathead" Newman, alto sax on "If I Had You"; Produced by Ron Fair, co-produced by Tal Herzberg, except for tracks 2, 3, 5, 6, 7 and 11 Produced by Arif Mardin, co-produced by Joe Mardin. Track 12 produced by Mervyn Warren.

With this opus Queen Latifah sets aside her rap "crown" for a jewel-encrusted jazz-pop tiara. Tiara?! Yes, a tiara she deserves for the melodic, nostalgic opus she decided to label with her given name: The Dana Owens Album. The artist is notorious for feminist controversy, but the only thing controversial about this album is Latifah's hard departure from the rap genre. But jazz fans can rejoice. She spans a continuum from standards to R&B to the blues and more, but jazz this is, at heart—all selections are done in her own fresh style. The lush orchestral arrangements behind Latifah don't impose; much as Shirley Horn came alive for listeners in such a magnificent way when backed by an orchestra in Here's To Life, Latifah raises eyebrows by keeping chill and jazzy throughout—not a bit of cheese to be found here!

The most serious eyebrow-raiser is "California Dreamin',"? arranged with a focus on Latifah's beautiful voice. The gorgeous guitar work by Raul Midon works very well to evoke, respectfully, a bit of the era from which the tune comes. Between the castanets and the smooth string backgrounds, "Dreamin'"? is easily the most laid back of all the selections on this eclectic journey through what ostensibly are the favorite musical memories of Newark, New Jersey-born Dana Owens.

Standards are represented here: "If I Had You"? is done sweetly, without cloying—and swings nicely, thank you. Fathead Newman adds excitement with a breezy solo. On "Lush Life"? Latifah's voice strains ever so slightly, violating the admonition she gives earlier in the album (on the cut "Mercy, Mercy, Mercy") that one should "never let 'em see you sweat."? Given, however, the difficulty for any singer to bulls-eye that tune, she comes close. "Moody's Mood for Love,"? featuring the composer on sax, is performed here lovingly, like putting on a favorite cardigan. It's apparently a nod not only to the song but to the source: the late "Chief Rocker"? Frankie Crocker on WBLS radio during the 1970s and '80s in the metro NYC area. Some Arthur Prysock fans may be surprised that credit for the arrangement to "Close Your Eyes,"? performed ever-so-soulfully with a fillip of jazz, thanks to a scat solo from Mervyn Warren, is given to a Peggy Lee recording. "Hello Stranger"? replete with electric organ effects and "shoo-bop"? vocal backgrounds is sung by Latifah in a manner so heartfelt and fresh it prevents the song from becoming a caricature of itself.

Rap fans may be dismayed by this release, but fans of soulful jazz have reason to rejoice and will find themselves playing this very approachable disc over and over again. ~Paul Lewis

The Dana Owens Album

Dave Brubeck & Tony Bennett - The White House Sessions, Live 1962

Styles: Vocal And Piano Jazz
Year: 2013
File: MP3@320K/s
Time: 62:50
Size: 145,3 MB
Art: Front

( 0:52)  1. Introduction Of Dave Brubeck Quartet
( 5:27)  2. Take Five
( 1:19)  3. Band Introduction
(11:09)  4. Nomad
( 8:25)  5. Thank You (Dziekuje)
( 8:49)  6. Castilian Blues
( 0:34)  7. Introduction
( 1:59)  8. Just In Time
( 3:00)  9. Small World
( 2:31) 10. Make Someone Happy
( 1:17) 11. Rags To Riches
( 2:45) 12. One For My Baby (And One More For The Road)
( 3:37) 13. I Left My Heart In San Francisco
( 1:59) 14. Lullaby Of Broadway
( 2:10) 15. Chicago (That Toddlin' Town)
( 3:20) 16. That Old Black Magic
( 3:29) 17. There Will Never Be Another You

Since both were performing their own sets at the White House Seminar American Jazz Concert on the Sylvan Theater grounds on August 28, 1962, Tony Bennett and Dave Brubeck decided to perform an impromptu collaborative set together that day, and although one song from it was eventually released, a version of "That Old Black Magic," the rest of the hour-or-so-long tape ended up lost in the vast Sony catalog vault, filed, as it turned out, with several classical tapes, until it surfaced again shortly after Brubeck's death in 2012. Now finally available, it reveals two master performers at the very top of their respective games. Bennett's signature song, "I Left My Heart in San Francisco," had been released only a couple of weeks before the concert, while Brubeck's "Take Five" had just begun to take on its iconic significance. 

Brubeck and his quartet, Paul Desmond on alto sax, Eugene Wright on bass, and Joe Morello on drums, played a four-song set, followed by a six-song set from Bennett and his band, with Ralph Sharon on piano, Hal Gaylor on bass, and Billy Exiner on drums. Then came an unrehearsed and impromptu four-song set from Bennett and Brubeck, with Wright on bass and Morello on drums (alto saxophonist Desmond sat out) that included versions of "That Old Black Magic" (the only track previously released before this), "Lullaby of Broadway," "Chicago (That Toddlin' Town)," and "There Will Never Be Another You," each of which purveys a loose, fun elegance that makes this archival find a true treasure. Bennett and Brubeck would not perform together again until both appeared and briefly reunited on-stage at the 2009 Newport Jazz Festival. By Steve Leggett  http://www.allmusic.com/album/the-white-house-sessions-live-1962-mw0002529832


Bennett Brubeck: The White House Sessions, Live 1962

Friday, July 21, 2023

Various Artists - The Ultimate Diva Collection

Styles: Vocal
Year: 2003
File: MP3@320K/s
Time: 59:06
Size: 137,5 MB
Art: Front

1. Ella Fitzgerald - How High The Moon (7:03)
2. Sarah Vaughan - Lullaby Of Birdland (3:59)
3. Dinah Washington - Teach Me Tonight (2:46)
4. Billie Holliday - Body And Soul (6:20)
5. Carmen McRae - You Took Advantage Of Me (2:37)
6. Anita O'Day - Peel Me A Grape (3:04)
7. Blossom Dearie - Someone To Watch Over Me (5:58)
8. Nina Simone - Love Me Or Leave Me (4:05)
9. Shirley Horn - Come Dance With Me (2:51)
10. Gloria Lynne - I'm Gonna Laugh You Out Of My Life (2:56)
11. Astrud Gilberto - Fly Me To The Moon (2:20)
12. Peggy Lee - I Don't Know Enough About You (2:58)
13. Etta James - A Sunday Kind Of Love (3:17)
14. Natalie Cole - It's Crazy (2:11)
15. Helen Merrill - You'd Be So Nice To Come Home To (4:19)
16. Ernestine Anderson - It Don't Mean A Thing (If Ain't Got That Swing) (2:15)

Verve's Ultimate Diva Collection: The Diva Series rounds up tracks by 16 of the singers who have recorded for the label (or one of the labels the Verve Group now distributes) at some point in their career. The line-up reads like a who's who of vocal jazz: legends like Dinah Washington, Peggy Lee and Carmen McRae rub shoulders with less-acclaimed yet still diva- worthy singers like Ernestine Anderson, Blossom Dearie, and the always fabulous Shirley Horn.

Throw in a few wild cards like Etta James and Astrud Gilberto, and the results become nearly definitive. There are a plethora of classic songs from the '50s and '60s (and '90s in Shirley Horn's case) here too. Ella Fitzgerald's "How High the Moon," Sarah Vaughan's "Lullaby of Birdland," Helen Merrill's "You'd Be So Nice to Come Home To," and Billie Holiday's "Body and Soul" are just a few of the best. Except for the questionable inclusion of Natalie Cole's 2001 recording of "It's Crazy," every song here is a vocal jazz classic.

Of course all this classicism wouldn't mean much if the artists and songs were just thrown together haphazardly, but Verve has done a fine job of constructing a collection that flows like a cool, clean stream, and can easily be recommended to anyone looking for a swinging introduction to jazz vocals. Fans of the genre will find it quite worthwhile as well. By Tim Sendra
https://www.allmusic.com/album/ultimate-diva-collection-the-diva-series-mw0000030332

The Ultimate Diva Collection

Billy Peterson Band - Threshold Of Surrender

Styles: Jazz, Big Band
Year: 1981
File: MP3@320K/s
Time: 40:26
Size: 93,4 MB
Art: Front

( 6:05) 1. Gun Lap
(10:20) 2. Odin's Oarship
( 4:25) 3. Tracy
( 7:26) 4. California Extremes
(10:46) 5. Threshold Of Surrender
( 1:22) 6. Teresa

Billy Peterson is one of the premier, most celebrated bass players in the world. His uncompromising talents as a performer have brought him widespread recognition, as well as his plenty credits as a composer, arranger and producer. So it is no surprise that the world-renowned bassist is quite often also compared with a chameleon, but not only as he can fill many positions, but also as he is at home in several genres of music weather it be rock, pop, R&B, soul, jazz, folk or country.

Peterson´s contributions to the music scene are inestimable and his imagination and boundless enthusiasm behind the bass are singular and stunning. During his extensive musical career, the permanently in-demand bassist has worked with many internationally famous, acclaimed artists, among them Carlos Santana, Bob Dylan, Neil Young, Prince, Les Paul or Steve Miller, just to name a few.
https://www.petersonbilly.com/index.php/about

Personnel: Bill Berg [Percussion] | Billy Peterson [Drums] | Billy Peterson [string bass] | Bob Rockwell [Tenor Saxophone] | Bobby Peterson [Piano] | Brian A. Grivna [Tenor Saxophone] | Dabba Albada [Percussion] | Dave Graff [Trombone] | Dave Karr [Alto Flute] | Dave Karr [Flute] | Greg Lewis [Trumpet] | Jim Ten Bensel [Trumpet] | Jon Englund [Trombone] | Mike Elliott [2] [Guitar] | Paul Lagos [Drums] | Steve Kimmell [Percussion] | Steve Wright [2] [Flugelhorn]

Threshold Of Surrender

Niels Lan Doky - Yesterday's Future

Styles: Piano Jazz
Year: 2023
File: MP3@320K/s
Time: 77:02
Size: 177,3 MB
Art: Front

(9:11) 1. Medley 1
(8:22) 2. Just Do It
(7:40) 3. Farewell Song
(4:22) 4. Forever Frank
(6:28) 5. Children's Song
(4:43) 6. Misty Dawn
(3:33) 7. Medley 2
(8:01) 8. Are You Coming with Me?
(5:21) 9. Free At Last
(6:09) 10. Rough Edges
(7:03) 11. Yesterday's Future (Maria's Song)
(6:03) 12. Yesterday's Future (Studio Version)

This album was recorded live at the Louisiana Museum of Modern Art in Denmark, on the first day of Spring 2022 and shortly after the end of the final COVID-19 lockdown. Needless to say there was a great need for hope and new beginnings for everyone at that time.

Doing a Spring concert on the actual first day of Spring, at one of Denmark’s most beautiful and most beloved venues seemed like the perfect thing to do for Niels Lan Doky, who also chose to do the concert in the afternoon, in order for the splendor of the museum’s gardens, the spectacular seaview and the coast of Sweden across the Øresund straight to be visible from the concert hall’s panoramic windows, in addition to the large painting entitled “Portugalia” by Per Kirkeby, one of Denmark’s most iconic painters, which serves as the concert hall’s stage backdrop.

Subsequently to the decision to record and release this concert as a full length double LP, the Per Kirkeby Estate generously gave their permission for Portugalia to be used as artwork for the album cover.

The 2 years of pandemic, with all of its repeated lockdowns, social distancing and disruptions of activity, gave Niels Lan Doky an occasion to reflect deeper on the state of the world, on the past present and future, and on the meaning of our existence.

All of those reflections became encapsulated in the program that Niels Lan Doky prepared for this concert which he gave the abstract poetic title “Yesterday’s Future”, which also became the title of his latest new composition that concludes the concert.
https://www.nielslandoky.com/yesterdays-future

Yesterday's Future

Sunna Gunnlaugs - Becoming

Styles: Piano Jazz
Year: 2023
File: MP3@320K/s
Time: 42:13
Size: 98,8 MB
Art: Front

(4:58) 1. Becoming
(6:39) 2. Suddenly Autumn
(4:21) 3. Where the Winds and Waters Call
(5:19) 4. Sound of Summer
(5:15) 5. The Heart May Race
(4:55) 6. Make the Jump
(5:32) 7. Nicotune
(5:11) 8. Becoming (alt take)

Raised on a small peninsula in Iceland and later educated in New York City, Sunna Gunnlaugs, could easily have followed a different musical path if it hadn't been for the gift of a Bill Evans record in her teens. That gift set her on a path that has led to Becoming, the fifth album Gunnlaugs has released with her trio, comprising fellow Icelandic bassist Thorgrimur Jonsson and drummer (and husband) Scott McLemore.

Gunnlaugs reached number two on the Canadian radio charts with her 2010 release, The Dream (Sunny Sky Records). Featuring seven of her own compositions and relying on the interdependence of her partners, built up over ten years of playing together, the album sits neatly between the classic and the improvisational routes common for piano trios. A little of the influence of Bill Evans can still be heard and some of her keyboard combinations may remind you of Kenny Barron.

The gentle title track opens the album with a slow repeating piano pattern as Gunnlaugs reveals her soft touch on the keyboard. Jónsson and McLemore get more involved and pick up the pace with some bluesy hints. "Suddenly Autumn" is a swinging up-tempo tune with a memorable piano melody. A bass solo leads into piano and bass interplay around the theme, followed by fine drumming from McLemore. Jónsson and McLemore both have freedom to solo in "Sound of Summer," whilst Gunnlaugs' piano improvisation is fast and fluid.

The melody arc on "Make the Jump" is slowly revealed as Gunnlaugs' searching piano darts in different directions. Jónsson and McLemore tease by driving the beat with contrasting structures. With a gentle piano lead-in and a great hook, the bluesy and atmospheric "Nicotune," has the trio working with great restraint before upping the intensity. The album ends with an alternate take on the title track.

Memorable melodies, creative compositions and interesting improvisations make this album open, appealing and accessible. The interplay between Gunnlaugs and her colleagues is subtle and cohesive throughout. Whoever bought her that Bill Evans record should be thanked as this album reveals more each time you press the play button, which is something you may find yourself doing frequently. By Neil Duggan https://www.allaboutjazz.com/becoming-sunna-gunnlaugs-sunny-sky

Personnel: Sunna Gunnlaugs: piano; Scott McLemore: drums; Thorgrimur Jonsson: bass, acoustic.

Becoming

Wednesday, July 19, 2023

Sarah Vaughan - The Diva Series

Styles: Vocal
Year: 2003
File: MP3@320K/s
Time: 50:16
Size: 117,4 MB
Art: Front

(2:37) 1. How High The Moon
(5:15) 2. Cheek To Cheek
(2:59) 3. Misty
(2:34) 4. Old Devil Moon
(2:47) 5. Shake Down The Stars
(3:40) 6. A Sinner Kissed An Angel
(2:26) 7. It's Got To Be Love
(2:32) 8. Just One Of Those Things
(2:34) 9. I'll Never Smile Again
(2:40) 10. I Can't Give You Anything But Love
(2:07) 11. What Is This Thing Called Love?
(4:33) 12. Words Can't Describe
(3:26) 13. Shiny Stockings
(2:21) 14. I Want To Be Happy
(3:11) 15. Tenderly
(4:26) 16. Every Day I Have The Blues

Possessor of one of the most wondrous voices of the 20th century, Sarah Vaughan ranked with Ella Fitzgerald and Billie Holiday in the very top echelon of female jazz singers. She often gave the impression that with her wide range, perfectly controlled vibrato, and wide expressive abilities, she could do anything she wanted with her voice. Although not all of her many recordings are essential (give Vaughan a weak song and she might strangle it to death), Sarah Vaughan's legacy as a performer and a recording artist will be very difficult to match in the future.

Vaughan sang in church as a child and had extensive piano lessons from 1931-39; she developed into a capable keyboardist. After she won an amateur contest at the Apollo Theater, she was hired for the Earl Hines big band as a singer and second vocalist. Unfortunately, the musicians' recording strike kept her off record during this period (1943-44). When lifelong friend Billy Eckstine broke away to form his own orchestra, Vaughan joined him, making her recording debut. She loved being with Eckstine's orchestra, where she became influenced by a couple of his sidemen, Charlie Parker and Dizzy Gillespie, both of whom had also been with Hines during her stint. Vaughan was one of the first singers to fully incorporate bop phrasing in her singing, and to have the vocal chops to pull it off on the level of a Parker and Gillespie.

Other than a few months with John Kirby from 1945-46, Sarah Vaughan spent the remainder of her career as a solo star. Although she looked a bit awkward in 1945 (her first husband George Treadwell would greatly assist her with her appearance), there was no denying her incredible voice. She made several early sessions for Continental: a December 31, 1944 date highlighted by her vocal version of "A Night in Tunisia," which was called "Interlude," and a May 25, 1945 session for that label that had Gillespie and Parker as sidemen. However, it was her 1946-48 selections for Musicraft (which included "If You Could See Me Now," "Tenderly" and "It's Magic") that found her rapidly gaining maturity and adding bop-oriented phrasing to popular songs. Signed to Columbia where she recorded during 1949-53, "Sassy" continued to build on her popularity. Although some of those sessions were quite commercial, eight classic selections cut with Jimmy Jones' band during May 18-19, 1950 (an octet including Miles Davis) showed that she could sing jazz with the best.

During the 1950s, Vaughan recorded middle-of-the-road pop material with orchestras for Mercury, and jazz dates (including Sarah Vaughan, a memorable collaboration with Clifford Brown) for the label's subsidiary, EmArcy. Later record label associations included Roulette (1960-64), back with Mercury (1963-67), and after a surprising four years off records, Mainstream (1971-74). Through the years, Vaughan's voice deepened a bit, but never lost its power, flexibility or range. She was a masterful scat singer and was able to out-swing nearly everyone (except for Ella).
Vaughan was with Norman Granz's Pablo label from 1977-82, and only during her last few years did her recording career falter a bit, with only two forgettable efforts after 1982. However, up until near the end, Vaughan remained a world traveler, singing and partying into all hours of the night with her miraculous voice staying in prime form. The majority of her recordings are currently available, including complete sets of the Mercury/Emarcy years, and Sarah Vaughan is as famous today as she was during her most active years.
https://www.allmusic.com/artist/sarah-vaughan-mn0000204901/biography

The Diva Series

Champian Fulton - Meet Me at Birdland

Styles: Vocal And Piano Jazz
Year: 2022
File: MP3@320K/s
Time: 69:11
Size: 159,2 MB
Art: Front

(0:28) 1. Welcome to Birdland
(5:41) 2. Too Marvelous for Words
(7:42) 3. Every Now & Then
(6:27) 4. Evenin'
(5:51) 5. Theme for Basie
(6:42) 6. Happy Camper
(4:14) 7. Just Friends
(3:48) 8. I Didn't Mean a Word I Said
(7:16) 9. I've Got a Crush On You
(9:35) 10. I Don't Care
(4:43) 11. Spring Can Really Hang You Up the Most
(2:45) 12. I Only Have Eyes for You
(3:53) 13. It's Been a Long Long Time

Swing pulses through New York-based jazz vocalist and pianist Champian Fulton’s veins. Since her arrival on the scene in 2003, Fulton has been lauded for her poise and allure. A live Champian Fulton performance ensures a radiant ambiance pronounced by the multi-talent’s clarion vocals and lush keys. Birdland Jazz Club was witness to this glory in September of 2022, when Fulton enjoyed a four-night stint without repeating a single tune, all while documenting what would become her latest live album. Those tapes yielded the polished Meet Me at Birdland, Fulton’s sixteenth album as a leader, due out April 7, 2023.

In 2015, Scott Yanow wrote that Fulton “grows in stature with each recording,” after the release of her prized date, Change Partners. Now a veteran on the scene, this seasoned jazz messenger presents a collection of sophisticated standards sprinkled with one prolific instrumental original on her cultivated new offering. Breathing charm into the turn of each lyrical and instrumental phrase, Fulton soars in the company of bassist Hide Tanaka and drummer Fukushi Tainaka.

Suspending listeners into the simulation of a live show, Meet Me at Birdland opens with an introduction from Birdland club owner Gianni Valenti as he welcomes and thanks the audience for supporting live music. Fulton is bubbling from the beginning on “Too Marvelous for Words,” a melodic route that demands and effectively serves dexterity from an intuitive rhythm section.

Optimism is stamped across Fulton’s repertoire, something she considers essential to her purpose as an artist. This uplifting spirit culminates on the original “Happy Camper,” a scintillating instrumental and deft showcase of rhythmic acuity. Tainaka enjoys a particularly brilliant episode to round off the advancing melodic navigation.

While Fulton is full of cheer and known for it, it’s on heartfelt tunes such as “It’s Been A Long Long Time” where she so earnestly unveils her intimidation factor at once, she narrates two points of view as a singer and pianist, both without sacrifice. The 1935 tune “Every Now and Then” is another example, where Fulton bathes in slower tempos while her piano prowess asserts itself as singular rather than complementary to her voice. “I Didn’t Mean A Word I Said” is yet another prime example of Fulton’s piano ingenuity, and she recognizes it with a humble laugh at the sound of the audience’s applause. Listeners will naturally sympathize with the gradual velocity on her commanding arrangement of “Spring Can Really Hang You Up the Most” considering the timely mid-season delivery of Meet Me at Birdland.

Fulton’s devotion to early jazz tradition is vividly transparent on “Evenin’”. The savory and playful track boasts elongated solos from each band member as they recreate the improvisational bebop style of Kansas City jazz of the 1930s.

Count Basie, Erroll Garner, Fats Waller and Clark Terry are a few of her musical heroes, whom she pays homage to throughout Meet Me at Birdland on her rendition of Phineas Newborn’s instrumental “Theme for Basie,” as well as the blues-infused “I Don’t Care.” In the album liner notes, GRAMMY® Award-winning scholar Ricky Riccardi cites Fulton as one of few living pianists capable of evoking Erroll Garner affectionately.

The savvy performer reinvents the breathtaking standard “I’ve Got a Crush on You” with a fresh intimacy, while the waltz “Just Friends” inevitably swings at times. As she introduces the traditional “I Only Have Eyes For You” at the finale, Fulton is cheeky in her efforts to invite the audience back tomorrow. “Every set is totally different..we never know what’s going to happen,” an ironic forward to a tune with a definitive title, which she dutifully commits every end of her vocal range to. Though at this point, no matter what makes up Fulton’s phrase, we can’t help but to trust her as we continue to listen and bask in the luminosity of a bright star.
https://www.champian.net/shop/meet-me-at-birdland-cd

Personnel: Champian Fulton, piano & voice; Fukushi Tainaka, drums; Hide Tanaka, bass

Meet Me at Birdland

Sant Andreu Jazz Band - Jazzing 11 Vol. 2

Styles: Jazz, Big Band
Year: 2022
File: MP3@320K/s
Time: 63:57
Size: 148,0 MB
Art: Front

(3:50) 1. That Da Da Strain
(4:40) 2. Line For Lyons
(4:27) 3. Nature Boy
(5:46) 4. If I Only Had a Brain
(3:40) 5. Outra Vez
(4:21) 6. Misty
(2:31) 7. Yardvird Suite
(4:38) 8. Polka Dots and Moonbeams
(4:10) 9. Saudade de Itapuã
(3:55) 10. Vierd Blues
(3:14) 11. Honeysuckle Rose
(4:07) 12. Mean to Me
(6:17) 13. Evil Eye
(3:33) 14. People will say we're in love
(4:40) 15. Last Train from Overbrook

And we have reached 15 years of existence. Some of the musicians who are part of this new Jazzing were not even born when the project, with more than 60 musicians between the ages of 6 and 21 years old, was started. None of the musicians who were part of the first recording, Jazzing 1 of 2009, is part of the current Sant Andreu Jazz Band (although in this new work, representation of the year 2020, we can find two musicians who were present that year: the Motis sisters, who in this case appear as special guests).

All these years are reflected on the one hand in 21 cd's (11 jazzings, some of them with several volumes) as well as in the 18 Joan Chamorro presents and in Ramon Tort's film A film about kids and music, from 2011.

In the text of Jazzing 1 I spoke of a dream come true. What can I say now, a few years later? That this dream is still alive. That there is still, on my part, if not more, the same illusion as in the beginning. That young people are leaving, but the orchestra remains and continues to be a motivation and a source of learning and inspiration for those who are entering and also for many other musicians who, seeing our work, are motivated and work in the same line as we do.

I can only say thank you, once again, for having the opportunity to live this dream, and to share it with so many people around the world. Thousands of fans know the names of each and every one of the members who are or have been in the orchestra and, once they leave, follow their individual careers. Those followers know our extensive repertoire, they have all our records, they know the different versions of the songs, they know the details, the ins and outs. They are followers of our history, a history that after 15 years has become the history of thousands of people.

The Sant Andreu Jazz Band, a dream come true and based on the fact that what is really important is the present, the path, and not the goal.

Jazzing 11 Vol. 2

Monday, July 17, 2023

Nina Simone - The Diva Series

Styles: Vocal
Year: 2003
File: MP3@320K/s
Time: 58:38
Size: 136,3 MB
Art: Front

(2:35) 1. I Put A Spell On You
(3:08) 2. He Ain't Comin' Home No More
(2:31) 3. I Loves You, Porgy
(4:56) 4. Mississippi Goddam
(3:10) 5. Tell Me More And More And Then Some
(4:06) 6. Love Me Or Leave Me
(2:37) 7. See-Line Woman
(6:59) 8. Wild Is The Wind
(4:26) 9. Four Women
(3:08) 10. Don't You Pay Them No Mind
(4:15) 11. Lilac Wine
(2:46) 12. Either Way I Lose
(2:45) 13. The Gal From Joe's
(4:21) 14. Don't Explain
(4:03) 15. I Love My Baby
(2:44) 16. Don't Let Me Be Misunderstood

Nina Simone spent time recording with Verve or the associated Philips during the mid-'60s, so her entry in the label's 2003 The Diva Series focuses on that period, when she had an R&B hit with "I Put a Spell on You" and recorded many live albums. Though it is much longer than Verve's previous attempts, it certainly doesn't qualify as a solid compilation of Simone's career.

A few career-defining songs like "I Loves You, Porgy" are presented in live versions which, fine as they are, don't rate with the studio recordings. For what it is, The Diva Series is a solid label wrap-up, including rarer material like "Wild Is the Wind" as well as a few classics like "Mississippi Goddam" and "Don't Let Me Be Misunderstood." By John Bush
https://www.allmusic.com/album/the-diva-series-mw0000027107

The Diva Series

Sant Andreu Jazz Band - Jazzing 11 vol.1

Styles: Jazz, Big Band
Year: 2021
File: MP3@320K/s
Time: 78:14
Size: 184,8 MB
Art: Front

(4:11) 1. Don't Forget This Life Is For You
(4:37) 2. Don't Explaint
(6:01) 3. Construçao
(4:29) 4. Lil Darlin
(4:20) 5. Teardrops From My Eyes
(4:40) 6. Smoke In Your Eyes
(4:38) 7. Let's Call It Love
(4:21) 8. I Only Have Eyes for You
(4:55) 9. You don't know what love is
(4:53) 10. Moten Swing
(5:02) 11. Blame It on My Youth
(5:20) 12. You and the Night and the Music
(5:45) 13. Blues does always win
(5:25) 14. Embraceable You
(4:38) 15. Afrodisia
(4:53) 16. Don't Play That Song

And we have reached 15 years of existence. Some of the musicians who are part of this new Jazzing were not even born when the project, with more than 60 musicians between the ages of 6 and 21 years old, was started. None of the musicians who were part of the first recording, Jazzing 1 of 2009, is part of the current Sant Andreu Jazz Band (although in this new work, representation of the year 2020, we can find two musicians who were present that year: the Motis sisters, who in this case appear as special guests).

All these years are reflected on the one hand in 21 cd's (11 jazzings, some of them with several volumes) as well as in the 18 Joan Chamorro presents and in Ramon Tort's film A film about kids and music, from 2011.

In the text of Jazzing 1 I spoke of a dream come true. What can I say now, a few years later? That this dream is still alive. That there is still, on my part, if not more, the same illusion as in the beginning. That young people are leaving, but the orchestra remains and continues to be a motivation and a source of learning and inspiration for those who are entering and also for many other musicians who, seeing our work, are motivated and work in the same line as we do. I can only say thank you, once again, for having the opportunity to live this dream, and to share it with so many people around the world. Thousands of fans know the names of each and every one of the members who are or have been in the orchestra and, once they leave, follow their individual careers.

Those followers know our extensive repertoire, they have all our records, they know the different versions of the songs, they know the details, the ins and outs. They are followers of our history, a history that after 15 years has become the history of thousands of people. The Sant Andreu Jazz Band, a dream come true and based on the fact that what is really important is the present, the path, and not the goal.

Jazzing 11 vol.1

Harry Allen - 007 Songs

Styles: Stage & Screen
Year: 2010
File: MP3@320K/s
Time: 67:25
Size: 159,5 MB
Art: Front

(0:25) 1. The James Bond Theme
(5:20) 2. Surrender
(5:10) 3. On Her Majesty's Secret Service
(2:53) 4. You Only Live Twice
(7:19) 5. From Russia With Love
(7:24) 6. Nobody Does It Better
(4:11) 7. Goldeneye
(6:18) 8. We Have All The Time In The World
(6:05) 9. Goldfinger
(4:28) 10. All Time High
(5:34) 11. For Your Eyes Only
(7:08) 12. Thunderball
(3:03) 13. Moonraker
(2:00) 14. The James Bond Theme

Gene Lees writes, "Stan Getz was once asked his idea of the perfect tenor saxophone soloist. His answer was, 'My technique, Al Cohn's ideas, and Zoot's time.' The fulfillment of that ideal may well be embodied in thirty-year-old Harry Allen."

BMG recording artist Harry Allen has over twenty recordings to his name. Three of Harry's CDs have won Gold Disc Awards from Japan's Swing Journal Magazine, and his CD Tenors Anyone? won both the Gold Disc Award and the New Star Award. His recordings have made the top ten list for favorite new releases in Swing Journal Magazine's reader's poll and Jazz Journal International's critic's poll for 1997, and Eu Nao Quero Dancar (I Won't Dance), the third Gold Disc Award winner, was voted second for album of the year for 1998 by Swing Journal Magazine‚s reader‚s poll.

Harry has performed at jazz festivals and clubs worldwide, frequently touring the United States, Europe, and the Far East. He has performed with Rosemary Clooney, Ray Brown, Hank Jones, Frank Wess, Flip Phillips, Scott Hamilton, Harry 'Sweets' Edison, Kenny Burrell, Herb Ellis, John Pizzarelli, Bucky Pizzarelli, Gus Johnson, Jeff Hamilton, Terry Gibbs, Warren Vache, and has recorded with Tony Bennett, Johnny Mandel, Ray Brown, Tommy Flanagan, James Taylor, Sheryl Crow, Kenny Barron, Dave McKenna, Dori Caymmi, Larry Goldings, George Mraz, Jake Hanna, and Al Foster, among others.

Harry is featured on many of John Pizzarelli's recordings including the soundtrack and an on-screen cameo in the feature film The Out of Towners starring Steve Martin and Goldie Hawn. He has also done a series of commercials for ESPN starring Robert Goulet.

Harry was born in Washington D.C. in 1966, and was raised in Los Angeles, CA and Burrillville, RI. He received a Bachelor of Arts degree in music in 1988 from Rutgers University in New Jersey, and currently resides in New York City.
https://www.allaboutjazz.com/musicians/harry-allen/

007 Songs

Conte Candoli & Lee Morgan - Double Or Nothin'

Styles: Post Bop, Cool Jazz
Year: 1957
File: MP3@320K/s
Time: 46:56
Size: 108,8 MB
Art: Front

(4:38) 1. Reggie Of Chester
(5:11) 2. Stablemates
(4:43) 3. Celedia
(5:44) 4. Moto
(4:43) 5. The Champ
(7:49) 6. Blues After Dark
(5:55) 7. Wildwood
(4:00) 8. Quicksilver
(4:09) 9. Bye Bye Blues

Rare recordings produced by Howard Rumsey with his incredible Howard Rumsey's Lighthouse All Stars and Charles Persip's Jazz Statesmen.

"There was only a short week in which to record, so we made a date for a double session at Liberty's fabulous new studios... Lee Morgan and Frank Rosolino flipped into some original dance steps at the sound of the playbacks. It was a happy date."
https://www.freshsoundrecords.com/conte-candoli-lee-morgan-albums/2427-double-or-nothin-.html

Personnel: Lee Morgan, Conte Candoli (tp), Frank Rosolino (tb), Benny Golson, Bob Cooper (ts), Wynton Kelly, Dick Shreve (p), Red Mitchell, Wilfred Middlebrooks (b), Charles Persip, Stan Levey (d)

Double Or Nothin'

Sunday, July 16, 2023

Ella Fitzgerald - The Diva Series

Styles: Vocal
Year: 2003
File: MP3@320K/s
Time: 62:21
Size: 144,7 MB
Art: Front

(2:40) 1. A-Tisket, A-Tasket
(3:16) 2. Oh, Lady, Be Good!
(5:10) 3. (You'll Have To Swing It) Mr.Paganini: Part 1 & 2
(3:46) 4. Blue Skies
(4:37) 5. Out Of This World
(3:55) 6. Love Is Here To Stay
(2:22) 7. Just You, Just Me
(4:10) 8. A Night In Tunisia
(3:05) 9. You Leave Me Breathless
(2:34) 10. It's All Right With Me
(3:23) 11. I Can't Give You Anything But Love
(4:04) 12. I Said No
(2:09) 13. Pick Yourself Up
(5:22) 14. Sophisticated Lady
(7:00) 15. How High The Moon
(4:42) 16. Mack The Knife

Ella Fitzgerald's entry in the Verve Diva Series is a 16-track compilation that selects tracks from the first three decades of her recording career. Beginning with 1938's smash hit "A-Tisket, A-Tasket," the disc covers her hot and swinging big-band days in the late '30s and early '40s through her triumphant songbook records of the 1950s.

The tracks compiled here include some of the songs that she made her own, like "Oh, Lady Be Good," "(You'll Have to Swing It) Mr. Paganini, Pts. 1-2," "How High the Moon," and the song she shares with Bobby Darin, "Mack the Knife," as well as lots of other great songs. There is a cornucopia of Ella collections to choose from; this one is not essential, but does serve as a nice introduction to Ella's early years and peak '50s years, too. By Tim Sendra
https://www.allmusic.com/album/the-diva-mw0000026522

The Diva Series