Time: 25:39
Size: 58.7 MB
Styles: Latin
Year: 2011
Art: Front
[2:41] 1. In The Mood
[2:23] 2. Twelfth Street-Rag-Cha-Cha
[1:51] 3. The Poor People Of Paris
[2:29] 4. Flyin' Home
[1:55] 5. Bijou-Cha-Cha
[2:20] 6. In A Mellow Tone
[2:40] 7. Tuxedo Junction
[1:56] 8. Leap Frog-Cha-Cha
[2:20] 9. Snowfall Cha Cha
[1:44] 10. Artistry In Rhythm
[1:48] 11. I Remember
[1:27] 12. Goodbye-Cha-Cha
If you are among the millions who have been captivated by that exciting Latin rhythm called the cha-cha-cha, then music-master Billy May has designed this album especially for you. Here, in the tantalizing tempo of this South of the Border dance sensation, is a collection of all-time instrumental favorites, brought up-to-date with delicate cha-cha-rrangements that offer a refreshing contrast to the spectacular big-band orchestrations so often associated with Latin dance music.
Well known swing standards like Flyin’ Home, Tuxedo Junction, and In The Mood are magically transformed into light and nimble cha-chas by "El Gran Maestro," who features here a wondrous assortment of flutes, employing them with great imagination and a good deal of subtle humor to duplicate familiar ensemble and solo passages. The brilliant trumpet and rhythm sections are manned by a fine group of Latin musicians, whose distinctive phrasing and enthusiasm give this album an excitingly genuine Afro-Cuban sound, while the mellow tones of an agile marimba provide additional authentic effects.
Senor May also brings out the cha-cha-characteristics of such unlikely selections as Twelfth Street Rag, Snowfall, The Poor People of Paris, and several other wonderfully outrageous cha-cha-daptations of famous hits in which the flavor of the original arrangements has been retained. Only the beat has been changed to protect the innocent.
Well known swing standards like Flyin’ Home, Tuxedo Junction, and In The Mood are magically transformed into light and nimble cha-chas by "El Gran Maestro," who features here a wondrous assortment of flutes, employing them with great imagination and a good deal of subtle humor to duplicate familiar ensemble and solo passages. The brilliant trumpet and rhythm sections are manned by a fine group of Latin musicians, whose distinctive phrasing and enthusiasm give this album an excitingly genuine Afro-Cuban sound, while the mellow tones of an agile marimba provide additional authentic effects.
Senor May also brings out the cha-cha-characteristics of such unlikely selections as Twelfth Street Rag, Snowfall, The Poor People of Paris, and several other wonderfully outrageous cha-cha-daptations of famous hits in which the flavor of the original arrangements has been retained. Only the beat has been changed to protect the innocent.
Cha-cha
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