Styles: Trumpet Jazz
Year: 1960
File: MP3@320K/s
Time: 37:17 (Disc 1)
Size: 86,1 MB (Disc 1)
Time: 65:35 (Disc 2)
Size: 151,4 MB (Disc 2)
Art: Front
Disc 1
(5:17) 1. Terrible ''T''
(7:42) 2. Mogie
(5:36) 3. I'm A Fool To Want You
(6:03) 4. Running Brook
(6:13) 5. Off Spring
(6:23) 6. Bess
Disc 2
(5:42) 1. Terrible ''T'' (take 7)
(6:53) 2. Terrible ''T'' (take 6)
(7:25) 3. Mogie (take 2)
(7:31) 4. Mogie (take 1 mono)
(5:54) 5. I'm A Fool To Want You (take 1)
(5:43) 6. I'm A Fool To Want You (take 2)
(6:16) 7. Running Brook (take 9)
(6:50) 8. Running Brook (take 4)
(6:39) 9. Off Spring (take 7)
(6:38) 10. Bess (take 3)
Year: 1960
File: MP3@320K/s
Time: 37:17 (Disc 1)
Size: 86,1 MB (Disc 1)
Time: 65:35 (Disc 2)
Size: 151,4 MB (Disc 2)
Art: Front
Disc 1
(5:17) 1. Terrible ''T''
(7:42) 2. Mogie
(5:36) 3. I'm A Fool To Want You
(6:03) 4. Running Brook
(6:13) 5. Off Spring
(6:23) 6. Bess
This CD reissue has its original six songs expanded to 11 with the inclusion of five alternate takes. The music is good solid hard bop that finds Lee Morgan (already a veteran at age 21) coming out of the Clifford Brown tradition to display his own rapidly developing style. Matched with Clifford Jordan on tenor, pianist Wynton Kelly, bassist Paul Chambers and drummer Art Blakey, Morgan's album could pass for a Jazz Messengers set. ~ Scott Yanow http://www.allmusic.com/album/heres-lee-morgan-mw0000188579
Personnel: Lee Morgan (trumpet, flugelhorn); Clifford Jordan (tenor saxophone); Wynton Kelly (piano); Paul Chambers (bass); Art Blakey (drums).
Personnel: Lee Morgan (trumpet, flugelhorn); Clifford Jordan (tenor saxophone); Wynton Kelly (piano); Paul Chambers (bass); Art Blakey (drums).
Disc 2
(5:42) 1. Terrible ''T'' (take 7)
(6:53) 2. Terrible ''T'' (take 6)
(7:25) 3. Mogie (take 2)
(7:31) 4. Mogie (take 1 mono)
(5:54) 5. I'm A Fool To Want You (take 1)
(5:43) 6. I'm A Fool To Want You (take 2)
(6:16) 7. Running Brook (take 9)
(6:50) 8. Running Brook (take 4)
(6:39) 9. Off Spring (take 7)
(6:38) 10. Bess (take 3)
Thanks, it's a pleasure to listen to all the different takes.
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