Styles: Piano And Saxophone Jazz
Year: 1999
File: MP3@320K/s
Time: 65:54
Size: 151,2 MB
Art: Front
(5:34) 1. Sleep
(7:50) 2. Farewell Blues
(7:33) 3. Sweet And Slow
(6:05) 4. Blue Skies
(4:54) 5. I've Got a Pocket Full of Dreams
(7:01) 6. You've Changed
(5:59) 7. Baby Won't You Please Come Home
(7:12) 8. Poor Butterfly
(6:49) 9. If Dreams Come True
(6:51) 10. She's Funny That Way
Year: 1999
File: MP3@320K/s
Time: 65:54
Size: 151,2 MB
Art: Front
(5:34) 1. Sleep
(7:50) 2. Farewell Blues
(7:33) 3. Sweet And Slow
(6:05) 4. Blue Skies
(4:54) 5. I've Got a Pocket Full of Dreams
(7:01) 6. You've Changed
(5:59) 7. Baby Won't You Please Come Home
(7:12) 8. Poor Butterfly
(6:49) 9. If Dreams Come True
(6:51) 10. She's Funny That Way
Ralph Sutton was the greatest stride pianist to emerge since World War II, with his only close competitors being the late Dick Wellstood and the very versatile Dick Hyman. Nearly alone in his generation, Sutton kept alive the piano styles of Fats Waller and James P. Johnson, not as mere museum pieces but as devices for exciting improvisations. Although sticking within the boundaries of his predecessors, Sutton infused the music with his own personality; few could match his powerful left hand. Ralph Sutton played with Jack Teagarden's big band briefly in 1942 before serving in the Army. After World War II he appeared regularly on Rudi Blesh's This Is Jazz radio show and spent eight years as the intermission pianist at Eddie Condon's club, recording frequently. He spent time playing in San Francisco, worked for Bob Scobey, moved to Aspen in the mid-'60s, and became an original member of the World's Greatest Jazz Band with Yank Lawson, Bob Haggart, and Bud Freeman.
In the 1970s, he recorded many exciting albums for the Chaz label and then cut albums for quite a few labels. Despite suffering a stroke in the early '90s, Sutton kept a busy schedule through the mid-'90s, playing at jazz parties and festivals. He died suddenly on December 29, 2001, in his car outside a restaurant in Evergreen, CO. Although he would have received much greater fame if he had been born 20 years earlier and come to maturity during the 1930s rather than the 1950s, at the time of his death it was obvious that Ralph Sutton had earned his place among the top classic jazz pianists of all time. ~ Bio https://itunes.apple.com/us/artist/ralph-sutton/id1579569#fullText
An excellent swing soprano player with a lighter tone than Sidney Bechet, Jim Galloway has made many recordings with like-minded veterans. He played locally in Scotland on clarinet and alto before emigrating to Canada in 1965. He soon began specializing on soprano, led the Metro Stompers (1968), put together the Wee Big Band (1978), and hosted the weekly jazz radio program Toronto Alive! (1981-1987). Galloway, who has appeared at many jazz festivals and jazz parties, has recorded for Sackville, Hep, and Music & Arts along with several smaller Canadian labels with such pianists as Dick Wellstood, Art Hodes, and most often with Jay McShann. ~ Bio https://itunes.apple.com/ca/artist/jim-galloway/id110727063
Personnel: Ralph Sutton (piano); Jim Galloway (soprano saxophone); Don Vickery (drums).
An excellent swing soprano player with a lighter tone than Sidney Bechet, Jim Galloway has made many recordings with like-minded veterans. He played locally in Scotland on clarinet and alto before emigrating to Canada in 1965. He soon began specializing on soprano, led the Metro Stompers (1968), put together the Wee Big Band (1978), and hosted the weekly jazz radio program Toronto Alive! (1981-1987). Galloway, who has appeared at many jazz festivals and jazz parties, has recorded for Sackville, Hep, and Music & Arts along with several smaller Canadian labels with such pianists as Dick Wellstood, Art Hodes, and most often with Jay McShann. ~ Bio https://itunes.apple.com/ca/artist/jim-galloway/id110727063
Personnel: Ralph Sutton (piano); Jim Galloway (soprano saxophone); Don Vickery (drums).
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