Styles: Vocal And Piano Jazz
Year: 1992
File: MP3@320K/s
Time: 66:09
Size: 155,1 MB
Art: Front
(6:08) 1. I'm Special
(5:39) 2. Welcome To My Love
(6:02) 3. Waiting
(4:41) 4. It Only Took A Minute
(6:23) 5. With Open Arms
(6:16) 6. 'Til You Come Back To Me
(3:46) 7. You Can't Get (Until You Learn To Start Giving)
(6:26) 8. Nothing Has Ever Felt Like This
(3:56) 9. I Know You Love Me
(3:39) 10. Sentimental
(4:38) 11. Could've Fooled Me
(4:11) 12. Too Late
(4:19) 13. Peace On Earth
Year: 1992
File: MP3@320K/s
Time: 66:09
Size: 155,1 MB
Art: Front
(6:08) 1. I'm Special
(5:39) 2. Welcome To My Love
(6:02) 3. Waiting
(4:41) 4. It Only Took A Minute
(6:23) 5. With Open Arms
(6:16) 6. 'Til You Come Back To Me
(3:46) 7. You Can't Get (Until You Learn To Start Giving)
(6:26) 8. Nothing Has Ever Felt Like This
(3:56) 9. I Know You Love Me
(3:39) 10. Sentimental
(4:38) 11. Could've Fooled Me
(4:11) 12. Too Late
(4:19) 13. Peace On Earth
Rachelle Ferrell wore two hats in the 1990s: straight-ahead jazz singer and commercial R&B/pop singer along the lines of Anita Baker, Miki Howard, and Angela Bofill. Produced mostly by George Duke, this self-titled album is an example of her R&B/pop side. With this smooth, classy effort, Manhattan/Capitol was obviously intent on appealing to the more adult-oriented tastes in the urban contemporary market. While artists like Mary J. Blige, Bell Biv DeVoe, Babyface, and Janet Jackson were making R&B relevant to hip-hoppers, Ferrell opted for maximum quiet storm appeal with this album.
If you were buying a lot of Baker, Luther Vandross, and Freddie Jackson albums in the early '90s (along with some Grover Washington, Jr. and Joe Sample, perhaps), you were exactly the type of listener Manhattan/Capitol had in mind with sophisticated numbers like "It Only Took a Minute," "'Til You Come Back to Me," and "Sentimental." Most of the songs are appropriate vehicles for the Philadelphian's big, rich voice, but while this collection of mood music isn't bad, it isn't the gem that Ferrell had the ability to deliver. As pleasant and likable as much of the material is, one got the impression that she was capable of a lot more. ~ Alex Henderson
http://www.allmusic.com/album/rachelle-ferrell-mw0000084207
Personnel: Rachelle Ferrell (vocals, piano, keyboards, horns, strings, organ); Will Downing (vocals); Michael J. Powell (guitar, percussion); Paul Jackson, Jr., Kevin Eubanks, Mike Campbell, Carlos Rios (guitar); Oscar Brashear (trumpet); George Bohannon (trombone); Barry Eastmond, Vernon Fails, Brian Simpson (keyboards); George Duke (keyboards, strings, percussion, background vocals); Freddie Washington, Al Turner, Larry Kimpel, Anthony Jackson (bass); Ricky Lawson, Buddy Williams, Doug Nally (drums, cymbals); Paulinho Da Costa (congas); Steve Thornton (percussion); David I. Ward II, Paul D. Allen (programming); Jim Gilstrap, Carolyn Perry, Lori Perry, Darlene Perry, Sharon Perry, Lynn Fidmont-Linsey, Josie Jones, Alex Brown (background vocals).
Personnel: Rachelle Ferrell (vocals, piano, keyboards, horns, strings, organ); Will Downing (vocals); Michael J. Powell (guitar, percussion); Paul Jackson, Jr., Kevin Eubanks, Mike Campbell, Carlos Rios (guitar); Oscar Brashear (trumpet); George Bohannon (trombone); Barry Eastmond, Vernon Fails, Brian Simpson (keyboards); George Duke (keyboards, strings, percussion, background vocals); Freddie Washington, Al Turner, Larry Kimpel, Anthony Jackson (bass); Ricky Lawson, Buddy Williams, Doug Nally (drums, cymbals); Paulinho Da Costa (congas); Steve Thornton (percussion); David I. Ward II, Paul D. Allen (programming); Jim Gilstrap, Carolyn Perry, Lori Perry, Darlene Perry, Sharon Perry, Lynn Fidmont-Linsey, Josie Jones, Alex Brown (background vocals).
What a service. 12 hours from request to upload.
ReplyDeleteMany thanks Giullia.
If you can find anything else by this lady would be much appreciated.
Hey Newlyner, I have others albums of this singer. I add here spacing a little, OK? Thank You!
DeleteHope you're not too disappointed by this CD. I think it was due to Lundval's insistence on signing her to two labels as two different concepts - and I certainly was much less excited by the soft-rock incarnation. But then, even Live in Montreux is a let-down for a performer of such brilliance and constantly imminent potential. Only 'First Instrument' and 'Individuality (Can I Be Me)' really stand up to the test of time. But nothing can prevent her being one of the best ever.
ReplyDeleteThank you for your feedback, Lazz!
DeleteAs you say Lazz, this is not in the same league as First Instrument but she remains an incredible singer.
ReplyDeleteThank You again Newlyner!
DeleteDriven back to listen again by the posting, I am hearing it more clearly now on its own terms, free of the maybe inappropriate First Instrument comparison, and am finding a great deal of pleasure and integrity.
ReplyDeleteNot so bad, after all.
What a lovely unexpected surprise.
Thanks to Newlyner and Giullia.