Tuesday, March 31, 2015

Yvonne Roome - Roome For All (With Trio Balula Cid)

Size: 145,0 MB
Time: 62:21
File: MP3 @ 320K/s
Released: 2010
Styles: Jazz Vocals
Art: Front

01. Manha De Carnaval (Trio Balula Cid) (4:19)
02. Berimbau (Trio Balula Cid) (4:18)
03. I've Got A Crush On You (3:17)
04. Where Or When (4:05)
05. Don't Get Around Much Anymore (3:40)
06. Bewitched (4:51)
07. Mean To Me (4:37)
08. Am I Blue (5:33)
09. All Of Me (5:50)
10. Den Kan Segla Forutan Vind (4:53)
11. What Is This Thing Called Love (4:24)
12. Insensatez (4:51)
13. Les Feuilles Mortes (7:37)

Whether the subject is escaping a revolution in Portugal, her serendipitous meeting with singer Helen Merrill, or her early experience as a New York nightclub performer in her mother’s borrowed gowns (let’s say a FEW items got pinched, including her cab fare home,) enchanting songstress Yvonne Roome is a treasure trove of unique experiences which she recounts with lusty amusement. A vivacious New York character who blends a contemporary lifestyle with the manners and sophistication of a gentler time, the Swedish born entertainer radiates worldliness and taste. As an artist, she values discovering musicians, producers and writers who will bring a fresh, timeless quality to her recordings and performances.

Yvonne Hammond was the poised child of a Stockholm couturier. When her mother divorced and remarried an American she sang regularly on her mother’s fashion program on WEVD radio in New York at the age of 9. At 14 she began formal voice training with Sano Marco, a popular teacher whose Carnegie Hall Studio was adorned with dozens of photos by Bruno Of Hollywood. Waiting for her lessons, Yvonne was mesmerized by photos of Clark Gable, Marilyn Monroe, and other stars. One day out walked Dorothy Lamour!

She ‘debuted’ into New York society at 18 and attended Finch College where she majored in Radio and TV. She married for the first time right out of college for what Yvonne describes as a typical reason in those days. “We were in love, of course and you know what that means! I was a good girl, so we married.” Yvonne slyly describes her husband as an ‘entrepreneur’ who wanted to have a family and live in New Jersey For anyone who knows Yvonne, it was a hilarious, implausible prospect, and the marriage was not to last. After their divorce, Yvonne sensibly financed a trip back to Stockholm by selling her wedding gifts! Thus began a wanderlust which saw her through two more husbands (a Portuguese she met on a blind date in Lisbon and a Swede 25 years her senior), a five year romance with the world renowned band leader (Lester Lanin) and a revolution, before settled down with her beloved No. 4, the late Dr. Norman Roome.

Marriage No. 2 was an interesting affair, with Yvonne living mostly in New York and her husband living mostly in his native Portugal. In Manhattan she worked for Conde Nast and enthusiastically pursued singing engagements. Her early show biz stories span from “mom and apple pie” (USO shows) to once opening for pioneer transsexual Christine Jorgensen in a Village nightclub. She met Lester Lanin, a showman who was known for his elegance as much as his talent on the bandstand. Statuesque 5’10” Yvonne and Lester were smitten the night they met, although they seemed an unlikely pair given their age difference, and Lester’s modest stature. During their romance Yvonne performed on many occasions with Lester’s orchestra and Lester introduced her to pianist Jimmy Lyons who coached and accompanied her. Lester didn’t seem interested in marriage (never mind the fact that Yvonne was still married to husband No. 2). Eventually Yvonne returned to Europe where she worked for Radio Free Europe in Stockholm. Her job was to translate news and information into English and send the material to Munich for broadcast behind the Iron Curtain. Among many interesting assignments Yvonne interviews film director Ingmar Bergman. Still missing Lester, she married again. Yvonne and the bandleader never re-ignited their romance, however their friendship endured. Lester became pals with soon to be husband No. 4 and Lester along with Henny Youngman and Gary Stevens helped engineer Yvonne’s invitation for membership to the New York Friars Club making her one of the first women members.
After settling in with Norman, Yvonne was very active in charity work, particularly with the Creative Arts Rehabilitation Center whose president was Celeste Holm. One afternoon, hosting an afternoon meeting in her upper East Side apartment complete with tea, little sandwiches and sherry, Yvonne was impressed with Celeste arriving in a cowboy outfit on her way to Texas to perform her signature song from Oklahoma. She only stayed a few minutes and this turned out to be Yvonne’s ‘ah hah’ moment. She made up her mind to pursue a career as a performer. She began studying and landed roles in several Todd Solondz films, industrials, commercials, voiceovers and print work. Within a few years Yvonne’s singing engagements in many New York spots such as Danny’s Skylight Roome, Panache, Mr. Sam’s, Shutter’s, Eighty Eights, Tavern on the Green were building a following. In the late nineties Henny Youngman featured Yvonne in his show at Lincoln Center.
Yvonne has another strong champion in jazz singer and friend Helen Merrill whom she met on a flight to Stockholm. Yvonne, Norman , Helen and her husband – the brilliant arranger Torrie Zito – became good friends and Helen urged Yvonne to make a recording, offering to produce it. She enlisted husband Torrie to do the arrangements. That mutual effort SOMETHING COOL established Yvonne as a first rate recording artist. It featured Toots Thielemans, a good friend and neighbor in Montauk. Something Cool was widely and favorably reviewed and Yvonne fell in love with the process of recording. Over the next decade Yvonne recorded Quiet Nights, Jazzmine, La Vie En Roome, New In New York (original songs by composer Brian Gari) The Best of Yvonne Roome, Roome for Love, and the newly released Roome For Romance. Her recording of “You’re Too Dangerous Cherie” from La Vie EnRoome earned her a spot on the Grammy ballot in 1997. Toots Thielemans has been featured on five Yvonne Roome CDs in all which are distinguished by a natural relaxed style, a beautiful, versatile voice and high production values.

Yvonne is busy promoting the release of Roome for Romance which is on Original Cast Records. She is looking forward to seeing you at her live appearances though she doesn’t care for all the dressing up she has to do. It won’t take much to make Yvonne look good. In fact, she’s simply gorgeous, she sings great and she has eyes, cheekbones and a knowing smile that won’t quit.

Roome For All

Steve Hooks & John Paiva - Live In Furth

Size: 262,7 MB
Time: 113:20
File: MP3 @ 320K/s
Released: 2015
Styles: Jazz, Easy Listening
Art: Front

01. Call Me (7:48)
02. Georgia On My Mind (6:29)
03. Love Is Here To Stay (6:55)
04. Night And Day (7:29)
05. Take The 'A' Train (6:01)
06. Somewhere Over The Rainbow (7:36)
07. St. Thomas (4:30)
08. You Are The Sunshine Of My Life (6:22)
09. Hold It (4:21)
10. Sonny Moon For Two (5:04)
11. Have You Met Miss Jones (6:47)
12. Meditation (6:27)
13. You Don't Know Me (7:46)
14. Back To The Chicken Shack (5:58)
15. Scrapple From The Apple (6:06)
16. Take Five (5:45)
17. Moondance (6:26)
18. Satisfaction (5:23)

Steve Hooks: Saxophones (Tenor, Alto, Soprano), Double Sax, Flute, Songwriter/Composer

Born: March 25, 1946 in Ottumwa, Iowa (USA)
Schooling: Music scholarship to Memphis State University
1965:
Began playing professionally in Memphis, Tennessee
Hung out with some of the Memphis Horns during the 60's Memphis "Scene"
1966:
Made first recording for HI Records, Memphis, Tennessee(Al Greene's label).
1966-1968:
U.S. Army Band, Fort Leonard Wood, Missouri
1969 - 1974:
St. Louis, Dallas, Los Angeles, Nashville, etc. - playing soul, rock, country and jazz with various artists.
1975 - 1995:
Los Angeles, California - working as a sideman for many artists and band leader of a popular jazz band, "The Steve Hooks Band". Recorded for many TV and film projects and was a staff songwiter for Warner Brothers Music & Hitzgalore in the early 80's.
1995 - now:
Munich, Germany - working with many artists and studio work for records and film. Toured with the Weather Girls for over 3 years & Charly Antolini for 4 years... Released a maxi-single CD on Club U-Nite Records, formed a new jazz band "Too Cold", CD released on KDC Records in Munich. Currently touring throughout Europe with "Too Cold", Max Greger Jr., and many all-star bands while working on new CD to come out sometime in Spring of 2007. Released 3 CDs for download on many internet portals with Ability Records in 2007.

John Paiva, guitar; b. Bristol, Rhode Island, 25 January 1943. In 1946, his family moved to Glen Cove, Long Island. His father John Mederios (Jack) Paiva (b. Saint Michaels in the Azores, 1910, died in Bristol, RI, June 1968) played country mandolin in "The Harmony Rangers", featuring Nick Dileo. They played gigs and had a weekly Sunday performance on a local radio station. His mother was Roseann G. Paiva (born 1920 in Glen Cove Long Island, NY, died November 2000 in De Funiak Springs, Florida)

John started playing trombone at age 10 and switched to guitar at age 14. John learned while on the job. After leaving the Navy in 1964 he started gigging in the Boston area where he had the good fortune to work with many of the hit artists of the day. He also worked as guitarist with rock singers Jimmy Clanton, Bobby Rydel and Freddy Cannon. He also performed with Chuck Berry, The Drifters, The Four Tops, Bo Diddley, The Ronettes, and other blues and rock groups. He was bandleader for Herb Reed And The Original Platters. In 1970 he became guitarist/bandleader/singer with vocal group "The Happenings," where he enjoyed two #1 hits: "I Got Rhythm" and "Mame. In 1973 he became a member of "Frankie Valli and The Four Seasons." As a Season, he received two gold singles, one platinum and two gold albums. They toured Canada/ Europe/ Australia and New Zealand.

Live In Furth

Candice Hoyes - On A Turquoise Cloud

Size: 156,6 MB
Time: 67:33
File: MP3 @ 320K/s
Released: 2015
Styles: Jazz Vocals, Jazz Classical Fusion
Art: Front

01. On A Turquoise Cloud (4:13)
02. Heaven (3:32)
03. Come Sunday (5:10)
04. Baby (3:50)
05. Transblucency (3:26)
06. Brown Penny (5:58)
07. Far Away Star (8:23)
08. Creole Love Call (5:57)
09. Single Petal Of A Rose (Feat. Joe Temperley) (6:19)
10. Violet Blue (4:36)
11. Blues I Love To Sing (3:42)
12. Almighty God (Feat. Wycliffe Gordon) (5:03)
13. Thank You For Everything (7:17)

American vocalist Candice Hoyes makes her album debut with On a Turquoise Cloud, collaborating with an octet of jazz luminaries. This rare song collection has gone virtually unrecorded since Duke Ellington’s performances over 70 years ago. The manuscripts sat for decades in obscurity on the shelves of the Smithsonian until Hoyes began her research. She was captivated on sight, knowing only a jazz interpreter with classical training could perform these soaring melodies.

On a Turquoise Cloud brings a stunning chapter of the Ellington songbook to light. “These songs are more lyrical and wider in vocal range than the Ellington standards we already love,” Hoyes remarks. “I’d say they signify a blueprint for today’s musical theater, soul, and contemporary vocal music. And they are made especially to be sung by a woman.”

Produced by two-time GRAMMY® winner, Ulysses Owens Jr., On a Turquoise Cloud features numerous dynamic collaborations. The album includes a vocal rendition of “Single Petal of a Rose” that features the venerable Joe Temperley, a member of the Ellington band before joining the Jazz at Lincoln Center Orchestra, and Hoyes, who sings her original lyrics.

Candice Hoyes, vocalist | Alphonso Horne, trumpet | Lynn Gruewald, alto saxophone, alto flute, and clarinet | Dan Bloch, tenor saxophone, soprano saxophone, flute | Coleman Hughes, trombone |Lauren Sevian, bass clarinet and baritone saxophone | Adam Birnbaum, piano | Yasushi Nakamura, bass | Ulysses Owens Jr., drums | Music Director: Ulysses Owens Jr.

On A Turquoise Cloud

Uppsala University Jazz Orchestra - Bongo Universe: 10th Anniversary Celebration

Size: 152,8 MB
Time: 65:41
File: MP3 @ 320K/s
Released: 2015
Styles: Jazz: Big Band
Art: Front

01. Bongo Universe (6:07)
02. Taking A Chance On Love (3:15)
03. Autumn Leaves (4:23)
04. Lady Be Good (3:36)
05. Summertime (5:10)
06. Blue Martin (5:07)
07. Danny's Dream (4:07)
08. My Funny Valentine (5:27)
09. Boogie For Charlie (6:20)
10. Underbart Ar Kort (3:41)
11. Molekyl (5:53)
12. The Man I Love (3:13)
13. Joy Spring (4:29)
14. Happy Children Will Dance (4:46)

The University Town of Uppsala in Sweden boasts its own University-connected jazz orchestra, enabling students to fully immerse themselves into the riches of improvisational big band jazz. Under the guidance of supreme jazz maestro Ulf Johansson Werre, the band has since its inception in 2004 evolved into a hard-swinging ensemble. today touring internationally as well as giving regular performances nationally. For their 10th Anniversary the group presents a cross-section of their 10-year-old repertoire, a mix of well-arranged vocal jazz standards and Ulf Johansson Werre's enticing original music. This is a feast for fans of jazz and big band.

Vocals:
Erika Larsson
Hannah Nilsson
Rickard Arnberg
Simona Holmström Escanilla
Morgan Babbs
Anna Moberg

Trumpets:
Alexander Larsson
Arne Andersson
Arne Lingestrand
Erik Tengholm
Jonas Mindemark

Saxophones:
Amanda Fehler Vallgårda
Anders Öman
David Miranda
Eric Fjärstedt
Joakim Wiljelöf
Malin Ståhlberg

Trombones:
Herman Ferner
Johannes Ferner
Krister Lindé
Oscar Sterte
Per-Olof Flodin
Ylva Bäcklund

Rhythm:
Jacob Eriksson, bass
Mattias Karlsson, piano
Mikael Björnström, piano
Petri Laukka, drums
Robin Englund, guitar
Sylvain Glemin, bass

Bongo Universe

Carol Sloane - Out Of The Blue / Live At 30th Street

Album: Out Of The Blue (Remastered)
Size: 72,8 MB
Time: 31:01
File: MP3 @ 320K/s
Released: 1962/2015
Styles: Jazz Vocals
Art: Front

01. Prelude To A Kiss (4:18)
02. Aren't You Glad (2:00)
03. Little Girl Blue (3:52)
04. Who Cares (2:31)
05. My Ship (2:57)
06. Will You Still Be Mine (2:13)
07. The More I See You (2:33)
08. Deep Purple (3:10)
09. Life Is Just A Bowl Of Cherries (1:55)
10. My Silent Love (3:29)
11. Night And Day (1:58)

Carol Sloane, who made a strong impression with her performance at the 1961 Newport Jazz Festival, shortly after recorded her first album (originally on Columbia) which has been reissued on this Koch CD along with a previously unreleased "April in My Heart" and Sloane's 45 version of "I Want You to Be the First to Know." At the time, her voice sounded a little like Ella Fitzgerald's in spots, but Sloane's own personality frequently pops through. She mostly sticks to ballads, along with an occasional swinger, on this set, and the only partly identified band is mostly confined to a quiet supporting role by arrangers Bill Finegan and Bob Brookmeyer. After recording a second album for Columbia, Sloane would slip into obscurity until her rediscovery (at first by the Japanese) in the late '70s but, as this reissue shows, Carol Sloane was a highly appealing singer from the start. ~Review by Scott Yanow

Out Of The Blue

Album: Live At 30th Street (Remastered)
Size: 77,8 MB
Time: 32:59
File: MP3 @ 320K/s
Released: 1962/2015
Styles: Jazz Vocals
Art: Front

01. Chicago (2:28)
02. Love Walked In (2:37)
03. Spring Is Here (3:45)
04. Taking A Chance On Love (2:01)
05. My Melancholy Baby (2:29)
06. On The Street Where You Live (2:40)
07. Basin Street Blues (3:09)
08. In A Sentimental Mood (3:42)
09. Don't Get Around Much Anymore (2:16)
10. Never Never Land (2:51)
11. Stars Fell On Alabama (2:01)
12. It Never Entered My Mind (2:54)

Personnel:
Bass – George Duvivier
Drums – Sol Gubin
Guitar – Bucky Pizzarelli
Piano – Bill Rubenstein
Producer – Mike Berniker
Vocals – Carol Sloane

Singer Carol Sloane started singing professionally when she was 14 and at 18 she toured Germany in a musical comedy. She was with the Les and Larry Elgart orchestra during 1958-1960 and, after appearing at a jazz festival in 1960, she was heard by Jon Hendricks who later sent for her to sub for Annie Ross with Lambert, Hendricks and Ross. Sloane made a big impression at the 1961 Newport Jazz Festival and soon cut two records for Columbia. Unfortunately, her career never got going and, except for a live set from 1964 released on Honey Dew, Sloane would not record again until 1977, working as a secretary in North Carolina and singing just now and then locally.

However, in the mid-'70s she became more active again, caught on in Japan (where she began to record frequently), and her career finally got on more solid footing. Sloane's releases for Audiophile, Choice, Progressive, Contemporary, and later Concord feature a mature bop-based singer with a sound of her own. ~by Scott Yanow

Live At 30th Street

The Swing Ninjas - Do Ya Hallelujah?

Size: 99,5 MB
Time: 35:54
File: MP3 @ 320K/s
Released: 2015
Styles: Jazz: New Orleans Swing, Jive
Art: Front

01. Salad Days (2:50)
02. The Devil In Despair (2:56)
03. Nancy (3:52)
04. Sausage Tree (3:35)
05. My Belle (3:17)
06. The Day I Go (3:20)
07. Mummy's Finger (3:08)
08. Hunger (3:05)
09. Louis Armstrong's Telephone (3:32)
10. Animal Soul (3:01)
11. This Time I'm Right (3:14)

SWING NINJAS evolved from a paired-down 3 piece busking band (the highest paid canapé trio on the South Coast!), via 2 self-released (and swiftly super-ceded) cover version CDs (selling literally thousands of on the streets), to their current fully-formed incarnation as a New Orleans style big-band just signed to hip dance-based imprint FRESHLY SQUEEZED.

This album is their first of original material and features a 7-piece line-up of superb jazz talent plus assorted guests and backing singers. From such inauspicious beginnings,DO YA HALLELUJAH? comes as a revelation. A mongrel cross between Squirrel Nut Zippers, True Detective, Pokey LaFarge and Graham Green.It’s a blackly humorous and distinctly wry British gumbo of songs about life, lust & penitence. We love its quirky world-view.

The superb song writing and musicianship speak for themselves, but like a Louisianafuneral procession marching past the daytime juke-joint, DO YA HALLELUJAH? is an open door to a subterranean jazz cellar; a clarion call to the alley in Brighton’s labyrinthine Lanes. A place that lives in the imagination of the world. It’s early Dr John, loose living, late night bars, ‘resting’ thespians, a slipper-clad octogenarian land-lady, dusty parlour palms, clock menders and card sharps. This is the SWING NINJAS.

Do Ya Hallelujah?

Stephan Abel - The Windmills Of Your Mind

Size: 102,6 MB
Time: 42:15
File: MP3 @ 320K/s
Released: 2015
Styles: Jazz Vocals
Art: Front

CD 1:
01. Chelsea Bridge (7:42)
02. Estate (9:26)
03. It Might As Well Be Spring (8:41)
04. Olhos De Gato (9:07)
05. Never Let Me Go (7:16)

CD 2:
01. The Peacocks (6:45)
02. The Windmills Of Your Mind (8:16)
03. Everything Happens To Me (4:41)
04. Soul Eyes (8:05)
05. Spring Is Here (9:06)
06. The Party Is Over (7:21)

Notes by Stephan Abel:
Ballads are always the highlight in every show for me, regardless if I am one of the musicians or one of the magnetized people in the audience. In these slow, fragile pieces where every note, every shade and each quiet moment has a meaning, an artist can tell and share a real story. It is in the ballad, where the musician communicates intuitively with his audience.
I always thought of recording an album of ballads, but believed that you need a certain amount of maturity and should not do it under the age of 50. Now the time has come. Never before there was somebody looking forward to his 50th birthday with such an excitement. To cut a long story short: It is a special thing with being mature. During the Easter holidays in April 2014 we met in Buggy Braune and Inga Rumpf’s rehearsal studios in Hamburg situated one floor above a garage, to record some of our favourite songs.
We deliberately decided against the aseptic atmosphere of a professional recording studio knowing that we would only be successful in an intimate, intensive mood rather than having a 100% separation of sound signals behind a glass wall. „We“, that means Buggy Braune, Olaf Casimir, Heinz Lichius and the wonderful Ken Norris, our special guest. Except for my long time companion Olaf these were all musicians who I knew and appreciated, but rarely had a chance to work with.
The key event with this rhythm section was a gig at the Jazzclub Hannover when we were playing an exclusive set of Miles Davis tunes. The sound of this band and their relaxed, but still highly focussed conception kept spinning in my head. I prepared myself in a very special way during the weeks before the recording, concentrating almost solely on my own sound and all its facets as well as the compositions and their interpretation. In this period there was not one technical exercise, quirky bebop phrasing or loud sound escaping my rehearsal room.
I had a clear vision installed in my head how the album should sound like. It only took a few attempts in our „studio“ and we knew: This is it! It seemed like the musicians all pulled together and knew exactly how to play this music without any need to talk about it. And, when the evening set in, we had the first „magic moment“ in which everything seemed to feel totally natural and flowing. This is when „Olhos de Gato“ and „The Peacocks“ were put to tape. For me „jazz“ and „the night“ are just one thing and I would love to publicly dispute the guy who first started a „jazz brunch“. I am so happy and really glad that we could keep up the focus and intimacy over the following two recording days!
The album opens with „Chelsea Bridge“, a composition by Billy Strayhorn which I already recorded a couple of years ago with bass player Jimmy Woode. He died shortly before the release, still tragically despite his high age. I cherish the photo of him playing his last note and smiling into the camera: „Was it any good?“ That was a big shock for me at the time and I would love to remind us of this great and warm-hearted musician with my version. Then there is the first song with Ken Norris, who picked three wonderful tunes. „Estate“ was one of my choices as well, serving as homage to the great Shirley Horn, whose version I virtually listen to every day and will continue to do so in the future! I love this kind of extremely slow bossa nova, and Heinz Lichius lays down an expert rhythm to it. „Never Let Me Go“ is a ballad I haven’t touched for years but always loved. I am very happy that Ken Norris put it back into my memory. Buggy Braune adds one of his ingenious piano intros to this tune and sets
the mood straight away. „Everything Happens To Me“ is the only occasionally uptempo track on the album, we had a lot of fun recording it. Dear Ken, I will never listen to this tune like I did before, and you know why…
Carla Bley’s composition „Olhos de Gato“ has been with me my whole lifetime. This tune already was a highlight in the set of my very first band. Olaf Casimir played bass (at the tender age of 17) even then. He now adds a wonderful solo, which hopefully lifts his spirits as his instrument was stolen a few weeks after the sessions during a concert tour. „Spring Is Here“ is a composition I first learned to love being on stage with Dr. Lonnie Smith. He had a tremendous time while I struggled through this work, quite unprepared for its complex chords. Now, at last, I wanted to play it properly!
I am really happy that this collection has been titled after a song I did not intend to include in the first place and which I did not play instrumentally before. „The Windmills Of Your Mind“ was added to our set spontaneously, because we really wanted to have a „chanson“ in our repertoire. After the first few bars from Buggy and Olaf it was obvious that this was going to be a fascinating take, and another one of those „magic moments.” The album closes with a not too serious ballad. For „The Party Is Over“ I thought of one of those numerous Frank Sinatra copyists who, with a loosely knot tie, a good dose of self-pity and a glass of whiskey in one hand singing about their own aging…!
The album ended up exactly how I wanted it to be. We had four wonderful days in Hamburg, which I will definitely never forget. I want to thank all the musicians and our sound engineer Ingo Schmidt that they all participated in the project with such inspiration and intensity. A very special thanks goes out to Ken Norris with his distinctive, soulful voice refining the album in a very special way.
I am very fortunate that the photographer Ire`ne Zandel was present in the studio during the whole production and captured the mood of the sessions in her impressively sensitive photos. Many thanks, Ire`ne. I would publish a whole book with your pictures, if I only could.
A similarly big thanks goes out to Andreas Barkhoff, who put a lot of love and patience in a video shot over the four days, which I am looking so much forward to. Plus – last but not least – a massive thank you to Ralf Zitzmann from Agogo Records, without whom this album never would have happened!

Notes for “The Windmills Of Your Mind” by Mike Hennessey
This double album by the well-integrated Stephan Abel Quintet is a stimulating example of the true art of jazz improvisation. It is not just a question of playing phrases that fit the chord sequence. You can create lines which are true to the chord sequence, but which have no connection with the mood of the original.
The true art of jazz improvisation is a matter of playing improvised lines which are compatible with the spirit and mood of the original melody.
With an impressive combination of standards written by Billy Strayhorn, Rodgers & Hart, Michel Legrand, Jule Styne and Bruno Martino and inspired originals by Carla Bley, Mal Waldron and Jimmy Rowles – Stephan impressively demonstrates his mastery of the true art.

The Windmills Of Your Mind CD 1
The Windmills Of Your Mind CD 2

Rachael MacFarlane - Hayley Sings

Bitrate: MP3@320K/s
Time: 56:13
Size: 128.7 MB
Styles: Jazz vocals
Year: 2012
Art: Front

[4:09] 1. Makin' Whoopee
[2:57] 2. Feelin' Groovy (The 59th Street Bridge Song)
[3:33] 3. Sooner Or Later
[4:51] 4. Someone To Watch Over Me
[4:18] 5. One Fine Day
[5:07] 6. Out Of This World
[3:21] 7. Loneliness
[3:56] 8. Never Never Land
[3:44] 9. Do You Want To Dance
[2:10] 10. I'm Glad There Is You
[3:40] 11. Up On The Roof
[3:40] 12. Since You've Asked
[3:45] 13. Time In A Bottle
[3:38] 14. All My Loving
[3:17] 15. Secret Agent Man

Rachael MacFarlane is best known as the voice of teenaged rebel Hayley Smith on the animated primetime hit American Dad, created by Seth MacFarlane. She and Seth grew-up in a music-filled household with parents who appreciated everything from Sinatra to Steely Dan. However, Rachael had shelved her long-ago dreams of singing professionally: “I’d resigned myself to thinking it wasn’t in the cards for me; that I’d have a nice career in animation and singing would be something I did just for fun.”

Then fate, in the form of an unexpected encounter, stepped in. Seth MacFarlane, a lifelong fan of the Great American Songbook, had begun work on his own debut album in early 2011. Rachael attended many of the recording sessions inside Capitol’s fabled Studio A for what would become his Grammy-nominated Music Is Better Than Words. During one of those recording sessions, MacFarlane was introduced to [legendary producer] Allen Sviridoff. During their conversation, MacFarlane mentioned her love of music and her all-time favorite singer, Rosemary Clooney. Ironically, Sviridoff managed Rosemary for decades. MacFarlane sent Sviridoff her demo and one year later, she found herself back in Studio A, this time behind the microphone.

Hayley Sings

Al Di Meola - The Best Of Al Di Meola: The Manhattan Years

Bitrate: MP3@320K/s
Time: 55:08
Size: 126.2 MB
Styles: Guitar jazz, Fusion
Year: 1992/2011
Art: Front

[5:18] 1. July
[7:53] 2. Traces Of A Tear
[5:20] 3. Maraba
[8:45] 4. Song To The Pharoah Kings
[7:00] 5. Etude
[4:56] 6. Rhapsody Of Fire
[3:17] 7. Coral
[6:21] 8. Beijing Demons
[6:14] 9. Ballad

This is the best of Al di Meola's years with the Manhattan label, which only included three releases: Cielo e Terra, Soaring Through a Dream, and Tirami Su. The selections here are an adequate representation of his output during this three-session stint, so this is fine for the casual fan. Those with more interest are encouraged to check out all three of the aforementioned releases, as they are all excellent. ~Robert Taylor

The Manhattan Years 

Roy Brown - Good Rockin' Tonight: Live In San Francisco

Bitrate: MP3@320K/s
Time: 36:23
Size: 83.6 MB
Styles: Jump blues. R&B
Year: 2005
Art: Full

[ 3:54] 1. Hard Luck Blues
[ 2:01] 2. Let The Four Winds Blow
[ 5:09] 3. Love For Sale
[ 5:44] 4. Boogie Woogie Blues
[ 3:47] 5. Good Rocking Tonight
[12:33] 6. Losing Hand/Tin Pan Alley
[ 3:13] 7. Boogie At Midnight/Love Don't Love Nobody

Roy Brown (vocals); Pee Wee Crayton (vocals, guitar); Ron Thompson (guitar); Mark Naftalin (piano).

Rare live performance from one of the greatest of all Blues singers of the late 1940's and early 50's. Roy Brown had returned to performing and recording in the early 80's when this recording was made thanks to reissues of his hits by a record label in Sweden. He was a huge influence over emerging soul artists especially James Brown who recorded several of his songs. Blues guitarist Pee Wee Crayton guests.

thank you kempen.
Good Rockin' Tonight: Live In San Francisco

Ivan Lins, Chucho Valdes E Irakere - Ao Vivo Em Cuba

Bitrate: MP3@320K/s
Time: 59:58
Size: 137.3 MB
Styles: Latin jazz
Year: 2014
Art: Front

[9:48] 1. Lua Soberana
[4:11] 2. Somos Todos Iguais Nesta Noite
[5:59] 3. Comecar De Novo
[3:16] 4. Dinorah, Dinorah
[8:33] 5. La Explosion
[4:03] 6. Lembra De Mim
[2:52] 7. Iluminados
[7:10] 8. Garota De Ipanema
[4:18] 9. Vitoriosa
[9:44] 10. Al, Al, Al, Al, Al

The combination of Chucho Valdés’ Afro-Cuban fusion jazz with Ivan Lins’ elaborate songwriting has produced a truly world-class recording. For Ivan Lins music lovers, Ao Vivo em Cuba is more than a collection of greatest hits. The new arrangements and totally new Caribbean flavor in Lins’ songs are unforgettable and just sound well together.

Ivan Lins is not new to the world market. Since Quincy Jones’s Grammy winner arrangement of “Velas” hit the air waves in 1981, Ivan Lins’s music is being recorded by artists such as George Benson, Manhattan Transfer, Mark Murphy, Diane Schuur, Sting, Nancy Wilson and a fantastic array of renowned names. Also, the encounter of Brazil and Cuba is not new. This Brazilian-Cuban romance has survived governments and geographical distances. Pablo Milanés, for example, has sung some of his songs with Chico Buarque and Simone. This new flame with Ivan Lins is the result of the work of Julio Ballester Guzmán and Vítor Martins (Ivan Lins’s most regular songwriting partner).

As indicated in the liner notes, Ao Vivo em Cuba was recorded in La Casa de la Música (Havana, Cuba) before a live audience exclusively comprised of Cuban artists and musicians. Irakere’s Latin percussion and, especially, Chucho Valdés’s piano accompaniment carry most of the songs in this release. To give the audience a breathing moment, Ivan Lins sings a few songs only with piano accompaniment. It is during this segment of the show that we hear a medley of “Garota de Ipanema” and “Aos Nossos Filhos.” Though a rather unusual medley, the ending result is quite pleasing. However, from the opening track of “Lua Soberana/Confins,” the listener has no alternative but agree with Franklin Valverde’s statement that this CD is a “cocktail to be enjoyed slowly.” “Somos Todos Iguais Nesta Noite,” “Dinorah” or the closing track “Ai, Ai, Ai, Ai, Ai” will be anything and everything that encompass Cuban and Brazilian flavors. ~Egídio Leitão

Ao Vivo Em Cuba

Ben Paterson - Blues For Oscar

Bitrate: MP3@320K/s
Time: 49:24
Size: 113.1 MB
Styles: Piano jazz
Year: 2012
Art: Front

[4:41] 1. My Shining Hour
[3:16] 2. You Don't Know What Love Is
[3:55] 3. Isn't She Lovely
[3:18] 4. Dolphin Dance
[4:02] 5. On The Move
[4:53] 6. I Got It Bad And That Ain't Good
[3:45] 7. Near Miss
[3:35] 8. Blues For Oscar
[5:54] 9. Emily
[3:33] 10. Nitty Gritty
[3:05] 11. Kojo No Tsuki
[5:20] 12. It Could Happen To You

A tribute to the work of Oscar Peterson and Ray Brown, this disc features 8 tracks of duo playing with bassist Jake Vinsel, along with several solo piano tracks.

Originally from Philadelphia, Ben spent his younger years studying both classical and jazz music before moving to the great city of Chicago. There he spent years performing and working with the best musicians in town, absorbing the unique blend of Jazz and Blues that can only be found in the Windy City. Now re-located to New York, Ben is poised to bring his unique talents and style to a wider audience, combining hard-swinging grooves and melodic improvisation with an impeccable touch.

Starting in 2005, Ben was honored to work as pianist for NEA jazz master Von Freeman, performing with him regularly until Von’s passing in August 2012. Other notable collaborations include work with Bobby Broom, Johnny O’Neal, Red Holloway, Eldee young, Jerry Weldon, Peter Bernstein, Guy King, Ed Cherry, Brianna Thomas, Gregory Generet, Dave Specter, Henry Johnson, Marianne Solivan, Kimberly Gordon, Martina DaSilva, Vanessa Perea, and many others.

Blues For Oscar  

Sammy Davis, Jr. - The Definitive Collection

Bitrate: MP3@320K/s
Time: 63:34
Size: 145.5 MB
Styles: Vocal
Year: 2006
Art: Front

[2:46] 1. Hey There
[3:16] 2. Birth Of The Blues
[2:04] 3. Something's Gotta Give
[2:56] 4. Love Me Or Leave Me
[3:17] 5. That Old Black Magic
[2:20] 6. Too Close For Comfort
[3:59] 7. There's A Boat Dat's Leavin' Soon For New York
[4:20] 8. The Lady Is A Tramp
[3:21] 9. What Kind Of Fool Am I
[2:21] 10. Gonna Build A Mountain
[2:49] 11. The Shelter Of Your Arms
[4:03] 12. Night Song
[2:09] 13. My Shining Hour
[3:11] 14. Lonely Is The Name
[2:53] 15. I've Gotta Be Me
[3:52] 16. The Rhythm Of Life
[3:10] 17. The Candy Man
[5:43] 18. Mr. Bojangles
[2:29] 19. The People Tree
[2:24] 20. Keep Your Eye On The Sparrow (Baretta's Theme)

Sammy Davis, Jr. was an outsized talent. Whether dancing or singing or acting (or drumming, or doing impersonations), he spent more energy, carried more emotion, and involved himself more deeply in his performances than any other artist of his caliber. His earliest hit material -- "Something's Gotta Give," "Love Me or Leave Me," "That Old Black Magic" -- signalled the advent of a show-biz vocalist who could blow the roof off the joint like a blues shouter, and though Davis was impeccably refined, he was obviously channeling Broadway figures like Ethel Merman or Al Jolson rather than the mellowed, mellifluous sound of swing-influenced vocalists. (As such, he earned more fans in the showrooms of Las Vegas than the nightclubs of New York.) Hip-O's Definitive Collection is not only a fine compilation of Sammy Davis, Jr. highlights, it's the best single-disc overview of his career, beginning with his '50s Decca material and ending in the mid-'70s, when his hits petered out after a late chart-topper ("The Candy Man").

It features all of his hits and it's the first single-disc compilation to include songs from every one of his movie or Broadway hits -- "Too Close for Comfort" (Mr. Wonderful), "There's a Boat Dat's Leavin' Soon for New York" (Porgy and Bess), "Night Song" (Golden Boy), "The Rhythm of Life" (Sweet Charity), "The Candy Man" (Willy Wonka and the Chocolate Factory), even "Keep Your Eye on the Sparrow (Baretta's Theme)." It also includes a pair of well-chosen album tracks, "My Shining Hour" from his collaboration with the Count Basie Orchestra, and "Lonely Is the Name," the title song from a very good mid-'60s LP. ~John Bush

The Definitive Collection 

Jimmy Rowles & George Mraz - Music's the Only Thing That's on My Mind

Styles: Vocal And Piano Jazz
Year: 1976
File: MP3@320K/s
Time: 47:26
Size: 109,3 MB
Art: Front

(4:15)  1. Music's The Only That's Thing On My Mind
(6:08)  2. Miyako
(5:06)  3. The Lady In The Corner
(3:27)  4. Pretty Eyes
(5:36)  5. Tom Thumb
(6:46)  6. Tell It Like It Is
(3:52)  7. Medley: You Started Something/ I Never Loved Anyone
(6:09)  8. Remember When
(6:03)  9. Running Brook

Originally released on Progressive and reissued in 1997 as an Audiophile CD (with one additional selection) pianist Jimmy Rowles is heard in a set of duets with bassist George Mraz. As usual, Rowles' playing is harmonically sophisticated. He performs a few standards, two of his compositions, and four by Wayne Shorter. Rowles takes three unique vocals, including one on the memorable and whimsical title track. The pianist recorded a lot during the late 1970s, making one definitive statement after another in relaxed fashion. Recommended. ~ Scott Yanow  http://www.allmusic.com/album/musics-the-only-thing-thats-on-my-mind-mw0000240284

Personnel: Jimmy Rowles (vocals, piano).

Jamie Cullum - Interlude

Styles: Vocal Jazz
Year: 2014
File: MP3@320K/s
Time: 43:45
Size: 100,9 MB
Art: Front

(3:27)  1. Interlude
(2:57)  2. Don't You Know
(3:55)  3. The Seer's Tower
(2:43)  4. Walkin'
(3:32)  5. Good Morning Heartache [feat. Laura Mvula]
(3:45)  6. Sack O' Woe
(2:58)  7. Don't Let Me Be Misunderstood [feat. Gregory Porter]
(4:32)  8. My One And Only Love
(3:07)  9. Lovesick Blues
(3:24) 10. Losing You
(5:51) 11. Out Of This World
(3:28) 12. Make Someone Happy

The intent behind Jamie Cullum's seventh album, Interlude released in the U.K. in 2014, with a U.S. release in 2015 is to strongly reconnect the singer/pianist with his jazz roots. Gone are the flirtations with electronics, along with original material: Cullum is playing live with a jazz orchestra, singing standards that are familiar but not shopworn. He expands the songbook so there's room for Hank Williams' "Lovesick Blues" and the Animals' "Don't Let Me Be Misunderstood," but his playbook is straight out of Ray Charles. He's growling and crooning as he alternately pounds and tinkles his piano, giving plenty of space for the orchestra to surge but not allowing a lot of room for improvisation. Most of the songs here clock in somewhere between three and four minutes, which is a strong indication that this album lies toward the pop end of the jazz spectrum. This is by no means a bad thing. By devoting himself to a strong book of standards and recording with a live big band, Cullum seems reinvigorated. He's enjoying tearing into these old tunes and that excitement isn't merely palpable, it's contagious. 
~ Stephen Thomas Erlewine  http://www.allmusic.com/album/interlude-mw0002750782

Interlude

Angélique - Around The World In A Groove

Styles: R&B
Year: 2006
File: MP3@320K/s
Time: 45:21
Size: 104,4 MB
Art: Front

(2:56)  1. When You Gave Your World to Me
(4:21)  2. Cornbread, Beans & Rice
(3:16)  3. What Is Hip
(4:15)  4. Loved & Left Again
(3:37)  5. What Would You Do (If You Had My Family)
(3:33)  6. Bird of Beauty
(3:32)  7. Sherockafella
(5:26)  8. You Said
(3:53)  9. I'll Remember
(3:11) 10. Fais Soliel
(4:11) 11. True Colors
(3:04) 12. Here to Stay

On the heels of her very successful independently released debut “Angélique”, Around the World in a Groove is the sophmore effort for multi-lingual (French, Spanish, English) neo soul singer-songwriter Angélique. Accompanied by stellar background singers and musicians, Angélique’s Around the World in a Groove is a musically diverse, infectiously rhythmic groove album that will strike a chord with countless audiences."When You Gave Your Word" is a funky, hip hop groove with driving bass and clavinet riffs that address “blah blah television playas” who lie, beg and cheat. It features Alabama rapper TJ showcasing his “dirrty south” skills with singer-actor Michael Kostroff (The Producers, The Wire) on backing vocals.Perfect for Urban Adult Contemporary Markets, "Cornbread, Beans & Rice" is a laid back, summer in the park track with Angélique reminiscing about a lazy Saturday with her “boo” English/Spanish Soca flavored “What is Hip?” questions whether smoking “ganja” and video looks are required to be acceptable or hip.A long time fan favorite in Angélique’s live show, “Loved and Left Again” is R&B at its best; searing vocals, lush harmonies and a smoking rhythm section. Clavinet driven “What Would You Do” (If You Had My Family) drops a heavy dose of true-to-life reality on the effects of verbal abuse and neglect to an innocent child.

“Bird of Beauty” is a Zouk inspired version of the English/Portuguese Stevie Wonder classic. First single “Sherockafella" with a decidedly multi-formatted oriental slant, explains how a confident girl with “hips like butter and thighs like cream” can have a man panting like a dawg!  “You Said” is a Latin-tinged mellow groove that probes the hopes and disappointments of loving man just not that into you. Performed in French and English, reggae groove “I’ll Remember is the aftermath of the soul-wrenching joys and sad nostalgia of a lost love. Written by Belgian chanteuse Maurane, “Fais Soleil” is performed entirely in French, with a happy Latin Jazz twist. Destined to be a classic, “True Colors has the right elements of a timeless ballad: emotionally riveting and deeply personal, the haunting lyrics and sweet harmonies echo the heartbreak in her voice.  “Here To Stay” finishes the set with a rock-flavored dance declaration that Angélique is Here To Stay!!!  http://www.cdbaby.com/cd/angeliquemusic2

Monday, March 30, 2015

Louis Smith Quintet - Silvering

Bitrate: MP3@320K/s
Time: 67:55
Size: 155.5 MB
Styles: Trumpet jazz
Year: 1994
Art: Front

[ 9:10] 1. I'll Remember April
[ 7:17] 2. Au Privave
[10:18] 3. Roadies
[ 4:45] 4. What Is This Thing Called Love
[10:04] 5. Body And Soul
[ 7:44] 6. Silvering
[11:35] 7. Stella By Starlight
[ 7:00] 8. Blues For Alice

Even after the re-entry to the recording scene with his first SteepleChase recording SCCD 31096 “Just Friends” in 1978 ending his two decades’ silence since his Blue Note recording days, trumpeter Louis Smith has been hard to catch on the band stand. He chose to leave Horace Silver’s group in 1958 in favour of full time teaching job. However, this situation is now changed for good. Louis retiring from his job as a music teacher, resumed his career as musician with this new recording which took place in Chicago October 1993. With the Windy City’s legendary tenorman Von Freeman in the backing group, Louis the hard bopper tells his story in his warm, beautiful tone with unflagging intensity and impeccable technique.

Silvering

Various - Modern Sounds From California: Historic Recordings 1954-1957 (2-Disc Set)

In January 1952, Capitol released the Rogers album with the title "Modern Sounds by Shorty Rogers and His Giants". The album demonstrates the harmonic progress being made in Modern Sounds and soon attracted much favorable attention to Rogers, Giuffre and Manne, all of whom were regular members of Rumsey's Lighthouse All Stars Maynard Ferguson, Art Pepper and Milt Bernhart also shared the Sunday stints, when the club was the scene of marathon jam sessions. Thereafter, the Lighthouse became the showcase for West Coast Jazz. In the mid-Fifties modern jazz enjoyed tremendous popularity in California, and these two volumes contain a collection of interesting sessions -most of them never before on CD- made during this prolific and creative period.

Album: Modern Sounds From California: Historic Recordings 1954-1957 (Disc 1)
Bitrate: MP3@320K/s
Time: 72:55
Size: 166.9 MB
Styles: West Coast jazz
Year: 2012

[3:31] 1. Shorty Rogers - Scarf Dance
[2:43] 2. Shorty Rogers - Ballade
[3:09] 3. Shorty Rogers - Lover Man
[2:25] 4. Shorty Rogers - Safari
[4:22] 5. Harry 'Sweets' Edison - Arcadia
[3:27] 6. Harry 'Sweets' Edison - Hooray For Hollywood
[4:24] 7. Harry 'Sweets' Edison - Santa Anita
[3:23] 8. Harry 'Sweets' Edison - The Blindfold Test No 1
[3:56] 9. Conte Candoli - Here's Pete
[4:40] 10. Conte Candoli - Santa Monica
[3:52] 11. Conte Candoli - No Love, No Nothin'
[4:00] 12. Conte Candoli - The Blindfold Test No 2
[3:49] 13. Conte Candoli - Burbank Bounce
[2:49] 14. Conte Candoli - Van Nuys Indeed
[3:36] 15. Conte Candoli - Culver City
[4:23] 16. Conte Candoli - The Blindfold Test No 3
[3:29] 17. Conte Candoli - Tempo De Sylva
[3:58] 18. Conte Candoli - Tomjean
[3:42] 19. Conte Candoli - Stranger In The Rain
[3:10] 20. Conte Candoli - Kentucky Blue Grass

Modern Sounds From California: Historic Recordings 1954-1957 (Disc 1)

Album: Modern Sounds From California: Historic Recordings 1954-1957 (Disc 2)
Bitrate: MP3@320K/s
Time: 75:18
Size: 172.4 MB
Styles: West Coast jazz
Year: 2012
Art: Front

[2:44] 1. Stu Williamson - Skip To Me Loot
[6:31] 2. Stu Williamson - Speak Easy
[2:50] 3. Stu Williamson - I'm Forever Counting Geigers
[5:40] 4. Stu Williamson - Id
[5:58] 5. Don Gagerquist - The Goof
[4:46] 6. Don Gagerquist - Here;s Pete
[4:01] 7. Don Gagerquist - Beverly Hills
[3:17] 8. Don Gagerquist - The Sidewalks Of New York
[2:43] 9. Bud Shanrk - Blue Moon
[5:04] 10. Bud Shanrk - I May Be Wrong
[5:36] 11. Bud Shanrk - Smog A La Mode
[2:58] 12. Bob Cooper - California Zephyr
[3:53] 13. Bob Cooper - Lady Like
[3:01] 14. Bob Cooper - Midnight Sun
[3:43] 15. Bob Cooper - Two Part Contention
[4:28] 16. Conte Candoli - I'll Never Say 'never Again' Goodbye
[4:04] 17. Conte Candoli - Larrisa
[3:52] 18. Conte Candoli - Jazz For Gene

Modern Sounds From California: Historic Recordings 1954-1957 (Disc 2)

Pearl Django - New Metropolitan Swing

Bitrate: MP3@320K/s
Time: 60:14
Size: 137.9 MB
Styles: Gypsy jazz, Retro swing
Year: 1999
Art: Front

[3:41] 1. Boheme Auberge
[2:25] 2. Montagne Ste Genevieve
[4:27] 3. Stompin' At Decca
[4:59] 4. Bella Savoy
[3:27] 5. Stardust
[2:10] 6. Moonlight In Vermont
[4:18] 7. Tangerine
[4:42] 8. Oh, Lady Be Good
[4:40] 9. 9:20 Special
[4:42] 10. A Foggy Day
[1:44] 11. Modern Hot
[2:06] 12. At Sundown
[4:47] 13. Djangology
[4:20] 14. Bedtime For Bix
[4:52] 15. Stompin' At The Savoy
[2:45] 16. It's What Curley Said To Moe

Neil Andersson, Kyle (Gypsy Jazz mode), Park Harlequin, Maccaferri (Plastic Acoustic); Dudley Hill, 1947 Gibson L-5, 30s Gibson ES 150 (Charlie Christian model); Shelley D. Park, Park Maccaferri replica; Michael Gray, Violin; David "Pope" Firman, String Bass. Special guests: Lance Buller, Trumpet; Stephanie Porter, Vocal.

Gypsy jazz (also known as gypsy swing or hot club jazz) is a style of jazz music started by guitarist Jean "Django" Reinhardt in the 1930s. Because its origins are largely in France it is often called by the French name, "Jazz manouche," or alternatively, "manouche jazz".

Although the name Pearl Django seems tongue-in-cheek, guitarist Neil Andersson and company are serious about Gypsy swing. Originally a rocker, Northwest native Andersson found that jazz was his real love. “Playing Django-style guitar has totally renewed my interest in guitar playing,” he says. “It’s so intriguing to figure out how Django played, and how he developed his melodies. A lot of Django’s playing is classically influenced—such as his vibrato and his romantic approach to melody. It’s not just blues based.”

The seeds of Pearl Django were sown when Andersson started playing standards with guitarist Dudley Hill. At a workshop in Vancouver (led by Britain’s Ian Cruickshank—a guitarist, author, and producer of the video Gypsy Guitar: The Legacy of Django Reinhardt), Andersson met an apprentice luthier, Shelley Park, who played some of the most authentic Gypsy rhythm guitar on the continent. Asking her to join the group was a given, and, after adding Rick Leppanen on bass and Michael Gray on violin, Pearl Django was born.

New Metropolitan Swing

Dakota Staton - Congratulations To Someone

Bitrate: MP3@320K/s
Time: 48:33
Size: 111.2 MB
Styles: Vocal jazz
Year: 2005
Art: Front

[4:01] 1. Country Man
[6:24] 2. I Love You More Than You'll Ever Know
[3:26] 3. Girl Talk
[4:05] 4. Cry Me A River
[4:25] 5. Heartbreak
[4:59] 6. It's The Talk Of The Town
[4:26] 7. Make It Easy On Yourself
[4:15] 8. How Did He Look
[4:47] 9. Congratulations To Someone
[4:06] 10. Blues For Tasty
[3:36] 11. A Losing Battle

Dakota Staton (vocals); Cornell Dupree, Lloyd Davis (guitar); Eddie Daniels, Frank Wess (tenor saxophone); Pepper Adams (baritone saxophone); Joe Newman , Lew Soloff, Marvin Stamm, Burt Collins, Cecil Bridgewater (trumpet); Eddie Bert, Garnett Brown, Bill Watrous (trombone); Horace Ott (electric piano); Richard "Groove" Holmes (organ); Bernard "Pretty" Purdie (drums); Kwasi Jayourba (congas, bongos).

Dakota Staton was born in Pittsburgh, Pennsylvania on June 3, 1931. Although hers was not a musical family, Dakota claims to have known from early on that performing was her destiny. “When I was four years old, I started singing and dancing like Shirley Temple,” she recalled in an interview. Staton further developed these budding abilities at Pittsburgh’s Filion School of Music. “When I was sixteen, I was in a stage show called Fantastic Rhythm. From that show, I was chosen to be a vocalist with the top band in the Pittsburgh area, Joe Wespray and his orchestra. "I sang with him for two years. Then I went to Detroit, Michigan, and worked in all the show bars there…” While in Detroit, Staton made a particularly strong impression at The Flame Show Bar. From there, she followed a nightclub circuit that led as far afield as Toronto and Montreal in Canada before returning stateside and passing through Indianapolis; Minneapolis; Cleveland and St. Louis before eventually winding it’s way to New York. It was while singing in a Harlem nightclub called the Baby Grand that Staton was discovered by Capitol producer Dave Cavanaugh and signed to the label.

Congratulations To Someone 

Buddha's Gamblers - Blue And Sentimental

Bitrate: MP3@320K/s
Time: 62:33
Size: 143.2 MB
Styles: Swing, Contemporary jazz
Year: 1987/2008
Art: Front

[4:23] 1. Royal Garden Blues
[4:46] 2. You Can Depend On Me
[6:35] 3. I Found A New Baby
[5:42] 4. When It's Sleepy Time Down South
[5:04] 5. Sweet Georgia Brown
[4:16] 6. Don't Get Around Much Anymore
[5:11] 7. Blue And Sentimental
[4:03] 8. Chex Max Boogie
[4:17] 9. Margie
[4:39] 10. Just A Closer Walk
[4:04] 11. Stompin At The Savoy
[5:20] 12. Pee Wee Memories
[4:07] 13. Some Of These Days

Buddha Scheidegger (piano); Werner "Wieni" Keller (clarinet); Hans Meier (trombone); Fredy Rhyner (trumpet); Peter Schmidli (guitar); Carlo Capello (drums); Hans Schläpfer (e-bass).

Blue And Sentimental

Pat La Barbera - Deep In A Dream

Bitrate: MP3@320K/s
Time: 70:46
Size: 162.0 MB
Styles: Saxophone jazz
Year: 2003
Art: Front

[6:33] 1. Deep In A Dream
[3:52] 2. Something To Live For
[6:49] 3. There's A Lull In My Life
[5:38] 4. It Shouldn't Happen To A Dream
[4:54] 5. Maybe You'll Be There
[4:12] 6. Here's To My Lady
[9:11] 7. Moon And Sand
[5:57] 8. What Good Would The Moon Be
[5:36] 9. Why Try To Change Me Now
[5:38] 10. Some Other Spring
[7:18] 11. I Heard You Cried Last Night
[5:01] 12. As Long As I'm Dreaming

Last September (1999) tenor/soprano saxophonist Pat LaBarbera appeared at the Forest City Jazz Festival with the same rhythm section featured on this CD. At the time, he alluded to the fact that he had always wanted to record an all-ballads album. Thanks to Bill King and Greg Sutherland of RadioLand Jazz, Pat's dream has become a reality. Deep In A Dream is a 12-track collection of lovely, slow burners that is perfect for late-night listening. While some of the tunes are well-known standards (Something To Live For and There's A Lull In My Life), a number of Pat's hand-picked favourites are more obscure. Indeed, Pat states in the liner notes that master balladeer Frank Sinatra's early recordings, Maybe You'll Be There, Why Try To Change Me Now and Deep In A Dream, were the source for these song choices. Although Pat has always been known for his up-tempo, Coltrane-influenced screamers, Deep In A Dream shows that Stan Getz and Lester Young have also inspired him. Brother Joe LaBarbera's brush work is light and feathery, Neil Swainson pulls deep, rich tones from his bass and pianist Don Thompson's occasional solo spots are suitably restrained. Break out the candles and wine and enjoy! ~John Sharpe

Deep In A Dream

Walter Wanderley - Now Playing Walter Wanderley

Size: 232,1 MB
Time: 97:03
File: MP3 @ 320K/s
Released: 2015
Styles: Brazilian Jazz & Rhythms
Art: Front

01. Summer Samba (Samba De Verao) (3:04)
02. The Girl From Ipanema (2:35)
03. So Nice (2:36)
04. Goodbye Sadness (Tristeza) (Astrud Gilberto) (3:33)
05. The Great Love (3:01)
06. Song Of The Jet (2:40)
07. Soulful Strut (3:06)
08. Beach Samba (3:51)
09. Taste Of Sadness (2:50)
10. Batucada (2:06)
11. Penha (2:45)
12. Call Me (2:25)
13. Who Needs Forever (Astrud Gilberto) (2:48)
14. Voce Ja Foi Bahia (Astrud Gilberto) (2:13)
15. Nega Do Cabelo Duro (Astrud Gilberto) (2:17)
16. The Sadness Of After (Astrud Gilberto) (2:27)
17. Portuguese Washerwoman (Astrud Gilberto) (1:29)
18. Tu Mi Delirio (Astrud Gilberto) (3:39)
19. It's Easy To Say Goodbye (2:00)
20. Moondreams (2:28)
21. One Of The Nicer Things (3:07)
22. Proton, Electron, Neutron (2:44)
23. Rain (3:46)
24. Jackie, All (3:30)
25. L'amore Dice Ciao (2:39)
26. Cry Out Your Sadness (2:44)
27. Mirror Of Love (2:43)
28. It's A Lovely Day Today (Astrud Gilberto) (2:40)
29. Cried, Cried (2:22)
30. Here's That Rainy Day (Astrud Gilberto) (2:44)
31. Beloved Melancholy (2:39)
32. A Certain Sadness (Astrud Gilberto) (3:07)
33. Asa Branca (4:29)
34. 5-30 Plane (3:40)

Walter Wanderley was a talented and gifted organist with an acute ear for new harmonies. With 46 recorded solo albums in his entire career, both in Brazil and the U.S., he reached number 26 on the Billboard pop charts in September 1966, opening a large pathway of success only menaced by himself and his complex character. Ten years after his death from cancer, with a new fad coming, he was repackaged by the entertainment industry as a mere lounge player, carrying his record sales even further and sending the cost of his out-of-print albums to the stratosphere, but all at the cost of minimizing his significance. It is forgotten that the time lag worked against him and what today is lounge music was then innovative and revolutionary. With all those fans of samba-canção divas feeling personally insulted by those percussive rhythms reminiscent of a Brazilian black tradition that was not dear to the average Brazilian, it has to be stressed that the bossa nova movement, and Wanderley within it, had the role of affirming Brazilian identity in a broader cultural industry which was developed out of the folkloric redoubts. In fact, he also has an upbeat production full of that energy provided by his distinctive staccato stuttering style, immediately reminiscent of authentic Brazilian rhythmic and percussive impetus. He also improvised extended melodic solos without reheated licks, but that was obviously also left out of his most popular albums.

At five, he was already playing the piano. At 12, he attended the Licee of Arts for a year of theory classes, later studying harmony and arranging. Beginning his professional career while still in Recife, a most lively city with a vibrant cultural life, he worked every night either at the piano or at the organ. At 26, in 1958, he moved to São Paulo and immediately became an active player in nightclubs such as the Claridge, the Captain's Bar, and Oásis. Wanderley's first recording was in August 1959 for Odeon, with Carlos Lyra's "Lobo Bobo." Backing his wife, Brazilian singer Isaurinha Garcia (with whom he had a daughter, Monica), he recorded for the second time one month later. At that time, he was Garcia's accompanist and arranger. He would record another six LPs accompanying Garcia and another 19 solo albums in Brazil for several labels; he was left out of some of the credits because of his contract with Philips. Wanderley became known on the artistic scene for recording young artists, like Marcos Valle, Tom Jobim, João Donato, and others, until then with no expression out of the little nightclubs in which they performed on a nightly basis. But as the tunes and arrangements were fun to dance to, the albums sold very well. João Gilberto's João Gilberto (later reissued as O Mito in Brazil and as The Legendary João Gilberto in the U.S. in 1990 by World Pacific) from 1961 also had Walter in it. An impatient Wanderley then bent under Gilberto's oppressive, meticulous direction on March 10. That was the third album Gilberto was recording for Odeon and would be the last. Until then, Gilberto had Tom Jobim as pianist and Aluísio de Oliveira as producer. In spite of his frequent discussions with de Oliveira, the producer was the person who mediated Gilberto's hard relationship with Jobim. But de Oliveira had left Odeon the previous September, and Jobim didn't want to be scheduled for that recording. Gilberto, not knowing how to write music, insisted on expressing his musical vision of overall arrangements by singing, and that not only included the tones themselves, but the expression, timbre, and articulation. This drove Wanderley mad, especially with a certain sound effect of a boat's siren for "O Barquinho" ("Little Boat"), which was never good enough for Gilberto. The next day, Gilberto interrupted the recording of that album, only resuming it five months later with Jobim as musical director. Wanderley went on with his career and life, beginning an association with singer Claudette Soares in 1963, as an arranger and accompanist. His marriage was broken at this period. He also recorded for several renowned Brazilian singers in that time, among them Dóris Monteiro and Geraldo Vandré. It was when Tony Bennett saw Wanderley during a Brazilian tour and was taken by his playing. He urged Wanderley to move to the U.S. and, he himself talked about him to Verve Records producer Creed Taylor, also giving Taylor some of Wanderley's albums. After some insistence, Taylor sent contracts for Wanderley and his trio to record a single. So in 1966, they recorded brothers Marcos and Paulo Sérgio Valle's "Samba de Verão" ("Summer Samba"). It was an instant success, with radio stations playing it four or five times per hour. In that same year, the LP Rain Forest came out, also selling very well and was certified platinum (one million units sold) in two years. The trio accompanied Astrud Gilberto on her A Certain Smile, a Certain Sadness album, also in 1966. He would record six more solo LPs or singles for Verve until the next year, and ten more in his career in the U.S. He always sold well and had a full performing schedule, in which local presentations at the San Francisco area were interspersed with some tours to Mexico. He never did return to Brazil after moving to the U.S. and he went on with his life until death caught up with him. ~by Alvaro Neder

Now Playing Walter Wanderley

Barb Jungr & Michael Parker - Blue Devils

Size: 108,0 MB
Time: 46:36
File: MP3 @ 320K/s
Released: 1987/2015
Styles: Jazz/Blues Vocals
Art: Front

01. Launderette Song (4:16)
02. What's The Point (5:25)
03. Same Old Groove (3:25)
04. Happy Go Lucky (4:40)
05. Chance To Cheat (2:08)
06. Made Up My Mind (4:47)
07. If She Leaves Me (4:10)
08. You've Changed (4:09)
09. Right Out Of The Blue (2:54)
10. If It Rains Again Tomorrow (7:30)
11. We Stayed In (3:09)

Legendary cult duo Jungr and Parker's Blue Devils has been mastered for iTunes. Jungr and Parker worked all over the world, and toured with Julian Clary, Arnold Brown and Alexei Sayle, appearing with Julian on Sticky Moments and Terry and Julia.

Barb Jungr (born 9 May 1954) is an English singer-songwriter, composer and writer, of Czech and German parentage. She is known as a chansonnière, or singer of chansons—in the sense of classic, lyric-driven French songs; in the broader sense of European songs in the cabaret style; and in the even broader sense of a diverse range of songs interpreted in this style. She has become best known for her work with, or "interpretations" of, the songs of Bob Dylan. A song-stylist incorporating jazz and blues, her approach often includes radical re-readings of known writers as well as original material.

Blue Devils

Motis Chamorro Big Band - Live

Size: 175,2 MB
Time: 75:10
File: MP3 @ 320K/s
Released: 2015
Styles: Jazz: Big Band, Vocals
Art: Front

01. Bebop (Live) (5:12)
02. You're Not The Kind (Live) (4:57)
03. It Never Entered My Mind (Live) (6:27)
04. Reunion (Live) (4:48)
05. Old Folks (Live) (6:12)
06. My Favorite Things (Live) (6:21)
07. Viena (Live) (4:00)
08. Lover Come Back To Me (Live) (5:47)
09. Don't Cha Go Way Mad (Live) (3:51)
10. Skylark (Live) (5:48)
11. Don't Explain (Live) (5:28)
12. Baritone Rhapsody (Live) (5:26)
13. It's Magic (Live) (5:59)
14. Just Friends (Live) (4:49)

Andrea Motis and Joan Chamorro bring here their first album as a big band, with the original arrangements of masters Alfons Carrascosa, Joan Monné, Sergi Vergés and Fredrik Carlquist. Andrea’s voice, superb, shifts and mixes sweetness and intensity, energy and sensibility.

There’s also a place for the instrumental arrangements as well as for each and every soloist of this band to show the best of themselves.

Live

Hirofumi Asaba - Easy Like

Size: 105,3 MB
Time: 45:10
File: MP3 @ 320K/s
Released: 2015
Styles: Jazz: Guitar Jazz
Art: Front

01. Jumpin' Asaba Blues (3:59)
02. Easy Like (4:00)
03. North Of The Border (3:18)
04. Angel Eyes (5:35)
05. Crazy Rhythm (4:18)
06. Blues For The Poll Winners (3:03)
07. Mean To Me (4:42)
08. Willow Weep For Me (4:00)
09. Give Me The Simple Life (4:35)
10. You Are The One For Me (4:13)
11. A Night At The Soultrane (3:23)

Jazz Guitarist in Tokyo, Japan.

His playing is a blend of modern and swing styles of jazz, and is strongly inspired by Barney Kessel and Charlie Christian.

His upbeat, swinging guitar playing and beautiful chord solos entertain music lovers of all genres and truly stands alone in today’s jazz scene.

Hirofumi was born in Tokyo. In 1986, he started playing piano at age five, and he has been playing the guitar since he was fourteen years old.

His playing has spanned genres, including punk, rockabilly, rock and roll,ska, and reggae music.

He has traveled with his guitar to New Orleans, Cuba, Jamaica, Australia, and Southeast Asia, jamming with many people along the way.

In Japan, he worked in a jazz bar, where he met many great jazz musicians, including Yoshiaki Okayasu, one of the greatest jazz guitarists in Japan. Hirofumi studied jazz under Okayasu for four years.

In April 2015 , Okayasu will produce Hirofumi’s first album.

In 2013, Hirofumi received a special judgement award at Asakusa Jazz Contest in Tokyo, Japan.

Easy Like

Ponte Aerea - Ponte Aerea

Size: 99,9 MB
Time: 40:16
File: MP3 @ 320K/s
Released: 2015
Styles: Brazilian Jazz
Art: Front

01. One For Victor (4:56)
02. Milky & Mellow (3:55)
03. Forro Da Dede (6:41)
04. Go For It (6:55)
05. Um Novo Dia (4:38)
06. Pro Tom (5:14)
07. Zaw (3:36)
08. Leve Turbulencia (4:17)

This quartet musicians joint effort of two of the most important cultural centers of Brazil, Rio de Janeiro and Sao Paulo. Integrated by AC (saxophones), Marcelo Elias (keyboards), André Rodrigues (bass) and Giba Favery (drums), the group's music stands out for jazz approach elements of Brazilian music. Experienced musicians with great performance in Rio instrumental music ( AC and Andre Rodrigues ) and São Paulo (Giba Favery and Marcelo Elias), they recorded the CD Shuttle to near where the musicality of the two cities into a vibrant music, creative , full of improvisation .

Ponte Aerea

Mary Nelson - The Meadows Of My Heart (Feat. Julien Kohler)

Size: 77,7 MB
Time: 33:06
File: MP3 @ 320K/s
Released: 2015
Styles: Jazz Vocals
Art: Front

01. Stardust (4:01)
02. You're The Top (5:50)
03. Love For Sale (5:08)
04. You Don't Know What Love Is (4:22)
05. Time After Time (4:20)
06. Nature Boy (4:16)
07. I Will Wait For You (5:06)

Swedish-American jazz singer Mary Nelson releases her second album featuring French pianist Julien Kohler. She presents an exciting and well-conceived repertoire of carefully picked evergreens from the American songbook, joined by Kohler, bassist Pal Johnson and reed player Peter Fredman. She teams up with guest vocalist Jesper M Sjöberg for the lovely duet "You're The Top" by Cole Porter. Vocal jazz of the highest calibre.

Mary Nelson, vocals
Julien Kohler, grand piano
Pal Johnson, double bass
Peter Fredman, tenor saxophone & clarinet

Guest vocals: Jesper M Sjöberg

Recorded live at SMI in June 2013 by Gert Palmcrantz with additional recordings at Foxling Studios and Hacienda Studios in 2013 and 2014.

The Meadows Of My Heart

Ella Fitzgerald - Like Someone In Love

Styles: Vocal Jazz
Year: 1957
File: MP3@320K/s
Time: 68:28
Size: 157,3 MB
Art: Front

(3:23)  1. There's a Lull in My Life
(3:13)  2. More Than You Know
(3:27)  3. What Will I Tell My Heart?
(2:43)  4. I Never Had a Chance
(2:53)  5. Close Your Eyes
(3:17)  6. We'll Be Together Again
(3:10)  7. Then I'll Be Tired of You
(3:06)  8. Like Someone in Love
(3:54)  9. Midnight
(2:51) 10. I Thought About You
(3:55) 11. You're Blasé
(3:15) 12. Night Wind
(3:03) 13. What's New?
(4:37) 14. Hurry Home
(5:48) 15. How Long Has This Been Going On
(4:23) 16. I'll Never Be the Same
(3:59) 17. Lost in a Fog
(3:51) 18. Everything Happens to Me
(3:34) 19. So Rare

Ella Fitzgerald was accompanied by an orchestra arranged by Frank DeVol for this fine studio session; the CD reissue has been augmented by four selections recorded a month later. Most of the songs are veteran standards, Stan Getz's warm tenor helps out on four tunes, and although this is not an essential release  her voice was so strong and appealing during this era that all of her recordings from the mid- to late '50s are enjoyable and easily recommended. ~ Scott Yanow  http://www.allmusic.com/album/like-someone-in-love-mw0000272518

Personnel: Ella Fitzgerald (vocals); Ted Nash (alto saxophone); Stan Getz (tenor saxophone); Frank DeVol and his Orchestra.

Miles Davis - Someday My Prince Will Come

Styles: Trumpet Jazz
Year: 1961
File: MP3@320K/s
Time: 41:57
Size: 96,4 MB
Art: Front

(9:05)  1. Someday My Prince Will Come
(5:17)  2. Old Folks
(8:33)  3. Pfrancing
(4:31)  4. Drad-Dog
(9:35)  5. Teo
(4:53)  6. I Thought About You

After John Coltrane and Cannonball Adderly left the 'quintet', Miles Davis was forced to search for new qualified musicians. He found them in Hank Mobley, Wynton Kelly, Jimmy Cobb and Paul Chambers. In 1961, just two years after recording Kind Of Blue, Miles and his new line up started recording energetically and finished Someday My Prince Will Come after only three days. This album is a cross-over from Kind Of Blue (MOVLP019), which is known for the typical Miles Davis-tunes, to traditional pop-standards such as the eponymous title track from "Snow White And The Seven Dwarfs". Music On Vinyl turned this classic album, including glaring solo's from John Coltrane (joining Miles on two tracks on this album) and Hank Mobley, into a true gem! This record is re-mastered on 180 gram audiophile vinyl. http://www.musiconvinyl.com/catalog/miles-davis/someday-my-prince-will-come#more

Personnel: Miles Davis: trumpet;  John Coltrane: tenor saxophone;  Hank Mobley: tenor saxophone;  Wynton Kelly: piano;  Paul Chambers: bass;  Jimmy Cobb: drums;  Philly Joe Jones: drums.

Shelly Manne And His Men - At The Manne-Hole Vol. 1 And Vol. 2

Styles: Jazz, Hard Bop
Year: 1961
File: MP3@320K/s
Time: 38:00
Size: 87,2 MB
Art: Front

(10:37)  1. Love For Sale
( 7:00)  2. How Could It Happen To A Dream
( 9:16)  3. Softly, As In A Morning Sunrise
(11:06)  4. The Champ

On the first of two albums, Shelly Manne & His Men are heard in prime form performing live at their home base, Shelly's Manne-Hole. Trumpeter Conte Candoli was in particularly strong form throughout the stint, showing self-restraint yet playing with power. Tenor saxophonist Richie Kamuca made for a complementary partner, while pianist Russ Freeman and bassist Chuck Berghofer formed an excellent rhythm section with the leader/drummer. For Vol. 1 they play "Love for Sale," Duke Ellington's fairly obscure "How Could It Happen to a Dream," "Softly as in a Morning Sunrise," and Dizzy Gillespie's uptempo blues "The Champ." This classic music falls between cool jazz and hard bop. ~ Scott Yanow  http://www.allmusic.com/album/at-the-manne-hole-vol-1-mw0000087788

Personnel: Shelly Manne (Drums), Conte Candoli (Trumpet), Richie Kamuca (Saxophone), Russ Freeman (Piano), Chuck Berghofer (Bass)

At The Manne-Hole Vol. 1


Shelly Manne And His Men - At The Manne-Hole Vol 2

Styles: Jazz, Hard Bop
Year: 1961
File: MP3@320K/s
Time: 40:10
Size: 92,2 MB
Art: Front

(13:11)  1. On Green Dolphin Street
( 6:56)  2. What's New
(12:31)  3. If I Were A Bell
( 4:29)  4. Ev'ry Time We Say Goodbye
( 3:01)  5. A Gem From Tiffany

At the Manne-Hole, Vol. 2 is the second of two CDs featuring Shelly Manne Quintet in superior form at the legendary Shelly's Manne-Hole club in Hollywood. Trumpeter Conte Candoli (in top form) and the cool-toned tenor Richie Kamuca work together very well, while the contributions of the rhythm section (pianist Russ Freeman, bassist Chuck Berghofer and the drummer/leader) should not be overlooked. 

Together they perform four standards (highlighted by "On Green Dolphin Street" and "If I Were a Bell") plus their closing theme "A Gem from Tiffany." Both of the volumes are easily recommended. ~ Scott Yanow  http://www.allmusic.com/album/at-the-manne-hole-vol-2-mw0000087789

Personnel: Shelly Manne (drums); Richie Kamuca (tenor saxophone); Conte Candoli (trumpet); Russ Freeman (piano); Chuck Berghofer (bass).

At The Manne-Hole Vol 2