Styles: Jazz, Vocal
Year: 2008
File: MP3@320K/s
Time: 39:56
Size: 92,2 MB
Art: Front
(4:42) 1. Qu'est-Çe Qu'on Est Bien Ici
(4:21) 2. Femme D'Ebène
(4:17) 3. Jardin D'Hiver
(3:09) 4. L'Inexplicable
(3:53) 5. Fin De Septembre
(5:27) 6. Les Nuages
(4:17) 7. Pulsé
(4:42) 8. What The Senses Know
(5:04) 9. Scènes De Ménage
L'Inexplicable
Year: 2008
File: MP3@320K/s
Time: 39:56
Size: 92,2 MB
Art: Front
(4:42) 1. Qu'est-Çe Qu'on Est Bien Ici
(4:21) 2. Femme D'Ebène
(4:17) 3. Jardin D'Hiver
(3:09) 4. L'Inexplicable
(3:53) 5. Fin De Septembre
(5:27) 6. Les Nuages
(4:17) 7. Pulsé
(4:42) 8. What The Senses Know
(5:04) 9. Scènes De Ménage
Aimée Allen’s intimate connection with music began as a child. Her childhood was quite literally scored with classic jazz, because of her mother’s intense love of the music. The influence of the jazz tradition can be heard in Aimée’s musical style and interpretation choices. But Aimée’s listeners can also hear her individual voice, nuanced and sparkling with soul and sensuality. Singing came early for Aimée. But she first began to sing professionally as a college student. At Yale University Aimée was an active member and soloist with two a cappella singing groups performing a jazz repertoire. After graduation, Aimée lived in Paris and performed regularly in clubs and at music festivals. There, her understanding of the place of jazz in the world deepened and her interpretive style began to flourish.
The intense relationship between the francophone audience in Paris and Brazilian bossa nova, long one of Aimée’s musical loves, led Aimée to form a group dedicated to bossa and jazz: Les Bossa Novices. Aimée performed frequently in and outside of Paris with Les Bossa Novices. As part of New York’s jazz community for the past few years, Aimée has continued to navigate traditional and modern jazz, infusing her craft with a personal and intimate style. In addition to selections from the great American songbook, Aimée sings some not-so-standards, pays homage to Brazilian bossa, and frequently includes a French lyric. Her touch is always sincere and her sound authentic. Her singular voice and soul has garnered the love of many of the city’s best young musicians. Aimée's latest release, l'Inexplicable, is the fruit her trans-continental experiences in music and her talents as a writer. A jazz-pop fusion of Brazilian, African, and Latin rhythms, this solo album consists mostly of original songs written by Aimée, and sung in sexy, sonorous French. http://www.cdbaby.com/cd/aimeeallen2
The intense relationship between the francophone audience in Paris and Brazilian bossa nova, long one of Aimée’s musical loves, led Aimée to form a group dedicated to bossa and jazz: Les Bossa Novices. Aimée performed frequently in and outside of Paris with Les Bossa Novices. As part of New York’s jazz community for the past few years, Aimée has continued to navigate traditional and modern jazz, infusing her craft with a personal and intimate style. In addition to selections from the great American songbook, Aimée sings some not-so-standards, pays homage to Brazilian bossa, and frequently includes a French lyric. Her touch is always sincere and her sound authentic. Her singular voice and soul has garnered the love of many of the city’s best young musicians. Aimée's latest release, l'Inexplicable, is the fruit her trans-continental experiences in music and her talents as a writer. A jazz-pop fusion of Brazilian, African, and Latin rhythms, this solo album consists mostly of original songs written by Aimée, and sung in sexy, sonorous French. http://www.cdbaby.com/cd/aimeeallen2
L'Inexplicable
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