Monday, February 29, 2016

Artistry Jazz Group - We Like Previn

Styles: Vocal and Piano Jazz
Year: 2012
File: MP3@320K/s
Time: 63:44
Size: 146,6 MB
Art: Front

(3:03)  1. Blues for Georgia
(4:33)  2. I Like Myself
(5:28)  3. Second Chance
(4:16)  4. Like Young
(4:12)  5. Coco
(3:59)  6. Saturday
(4:25)  7. You're Gonna Hear From Me
(4:29)  8. Hi Blondie
(4:36)  9. Far Away Part Of Town
(4:31) 10. The Pleasure Of Your Compagny
(4:04) 11. Theme From Valley Of The Dolls
(4:02) 12. If I Should Find You
(3:43) 13. Why Are You Afraid?
(4:12) 14. More In Love With You
(4:05) 15. Guiding Light

Previn was just 17 when he wrote the opener, "Blues for Georgia." Lundgren's arrangement provides short solo opportunities for himself, guitarist Jacob Fischer and Hans Backenroth on bass, and the number serves as an excellent introduction for what's to come, starting with "I Like Myself" from the 1955 musical It's Always Fair Weather.  Unlike the brilliant and innovative Porter, Previn until he escaped to the world of classical music was very much a Hollywood hack, adapting other people's music and writing scores for a string of undistinguished movies. He penned "A Second Chance" for the 1962 film Two For The Seesaw, summed up on Rotten Tomatoes as "one for the cinematic dustbin." There follows what is still probably Previn's best known jazz composition, "Like Young," with vocalist Vivian Buczek bravely tackling the dated lyrics like a true hep cat. Then comes the number that Previn should be remembered for: his hauntingly lovely "Coco," the title track of the 1969 musical based on the life of French fashion designer Coco Chanel. An adventurous arrangement by Lundgren allows bassist Backenroth to state the theme.

"Saturday" is a 44-bar Previn salute to his first influence, Art Tatum. Like Tatum, in jazz Previn often made the mistake of valuing technique over feeling. There follow a mix of film songs and numbers written by Previn for his jazz trio before we come to "Why Are We Afraid?" written for the movie The Subterraneans, based on a Jack Kerouac novella. Today it's best remembered for appearances by horn players Gerry Mulligan, Art Farmer and Art Pepper, bassist Red Mitchell, drummer Shelly Manne and would you believe? André Previn.  The album concludes with a novelty, Torgil Rosenberg's own composition, "Guiding Light," dedicated to Previn and featuring a scat vocal by Buczek. ~ Chris Mosey  http://www.allaboutjazz.com/jan-lundgren-celebrates-andre-previn-and-cole-porter-by-chris-mosey.php

Personnel: Jan Lundgren: piano; Jacob Fischer: piano; Hans Backenroth: bass; Johan Löfcrantz Ramsay: drums; Vivian Buczek: vocals.

We Like Previn

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