Styles: Vocal Jazz
Year: 2006
File: MP3@320K/s
Time: 67:10
Size: 154,8 MB
Art: Front
(3:41) 1. A Good Man Is Hard to Find
(2:50) 2. Guess Who's in Town
(3:27) 3. Rockin' Chair
(3:49) 4. A Hundred Years From Today
(3:05) 5. It Don't Mean A Thing
(3:20) 6. Lullaby Of The Leaves
(2:25) 7. Goody Goody
(2:25) 8. All Of Me
(2:52) 9. What Is This Thing Called Love
(3:40) 10. Moments Like This
(2:42) 11. Take The 'A' Train
(3:47) 12. Million Dollar Secret
(4:47) 13. Day Dream
(2:21) 14. I Cried For You
(2:53) 15. Maybe
(4:18) 16. Too Late Now
(2:35) 17. Peel Me A Grape
(4:46) 18. Blue Gardenia
(3:57) 19. Street Of Dreams
(3:23) 20. All That Jazz
Thrush Hour: A Study Of The Great Ladies Of Jazz
Year: 2006
File: MP3@320K/s
Time: 67:10
Size: 154,8 MB
Art: Front
(3:41) 1. A Good Man Is Hard to Find
(2:50) 2. Guess Who's in Town
(3:27) 3. Rockin' Chair
(3:49) 4. A Hundred Years From Today
(3:05) 5. It Don't Mean A Thing
(3:20) 6. Lullaby Of The Leaves
(2:25) 7. Goody Goody
(2:25) 8. All Of Me
(2:52) 9. What Is This Thing Called Love
(3:40) 10. Moments Like This
(2:42) 11. Take The 'A' Train
(3:47) 12. Million Dollar Secret
(4:47) 13. Day Dream
(2:21) 14. I Cried For You
(2:53) 15. Maybe
(4:18) 16. Too Late Now
(2:35) 17. Peel Me A Grape
(4:46) 18. Blue Gardenia
(3:57) 19. Street Of Dreams
(3:23) 20. All That Jazz
Stephanie Nakasian is a great gift to jazz buffs and especially to those who love singers. Not just for her exuberant performances but for her ability to articulate in layman's terms what it is to be a jazz singer. Her latest recording on V.S.O.P. Records, Thrush Hour, combines masterful singing, top-notch musicianship, and an educator's expertise to deliver a comprehensive "study of the great ladies of jazz, as the subtitle reads. On this release Nakasian approaches a generous number of vocal jazz classics in the style of the original recording artist, from Bessie Smith and Ethel Waters to Abbey Lincoln and Ella Fitzgerald. Along with each track is an informative biographical sketch of the original artist that places the music in its era and details its significance in jazz history. Few singers can tell you as much about where their sound comes from.
Without resorting to imitation Nakasian synthesizes each of these singers' unique vocal abilities with her own estimable talent, and the result is both educational and entertaining. Nakasian shifts from one color and feel to the next quite deftly, moving from Connee Boswell's throaty version of "Lullaby of the Leaves , say, to Helen Ward's light and swinging up-tempo "Goody Goody, to Billie Holiday's high, subtly back-phrased "All of Me, to Anita O'Day's fast-paced, scatting bop in "What Is This Thing Called Love. These tunes are just a small sample of the stylistic leaps Nakasian displays on this 20-track CD. (You will be left to figure out how Nakasian can sound so convincing on a rendering of a Sarah Vaughn tune and then on one by Blossom Dearie, but there it is.) The CD, recorded in two days (that's ten tunes a day), shows off the considerable chops of Nakasian's rhythm section: her husband Hod O'Brien on piano, Steve Gillmore on bass, Bill Goodwin on drums, and Howie Collins on rhythm guitar; and of her horn players, Randy Sandke (trumpet), Tod Hamilton (tenor sax), and John Jensen (trombone). The team borrows the arrangements from the original recordings, one assumes from reading the liner notes, but the presentation is fresh. ~ Suzanne Lorge http://www.allaboutjazz.com/thrush-hour-stephanie-nakasian-vsop-records-review-by-suzanne-lorge.php
Personnel: Stephanie Nakasian: vocals; Hod O’Brien: piano; Steve Gillmore: bass; Bill Goodwin: drums; Howie Collins: rhythm guitar; Randy Sandke: trumpet; Tod Hamilton: tenor sax; John Jensen: trombone.
Without resorting to imitation Nakasian synthesizes each of these singers' unique vocal abilities with her own estimable talent, and the result is both educational and entertaining. Nakasian shifts from one color and feel to the next quite deftly, moving from Connee Boswell's throaty version of "Lullaby of the Leaves , say, to Helen Ward's light and swinging up-tempo "Goody Goody, to Billie Holiday's high, subtly back-phrased "All of Me, to Anita O'Day's fast-paced, scatting bop in "What Is This Thing Called Love. These tunes are just a small sample of the stylistic leaps Nakasian displays on this 20-track CD. (You will be left to figure out how Nakasian can sound so convincing on a rendering of a Sarah Vaughn tune and then on one by Blossom Dearie, but there it is.) The CD, recorded in two days (that's ten tunes a day), shows off the considerable chops of Nakasian's rhythm section: her husband Hod O'Brien on piano, Steve Gillmore on bass, Bill Goodwin on drums, and Howie Collins on rhythm guitar; and of her horn players, Randy Sandke (trumpet), Tod Hamilton (tenor sax), and John Jensen (trombone). The team borrows the arrangements from the original recordings, one assumes from reading the liner notes, but the presentation is fresh. ~ Suzanne Lorge http://www.allaboutjazz.com/thrush-hour-stephanie-nakasian-vsop-records-review-by-suzanne-lorge.php
Personnel: Stephanie Nakasian: vocals; Hod O’Brien: piano; Steve Gillmore: bass; Bill Goodwin: drums; Howie Collins: rhythm guitar; Randy Sandke: trumpet; Tod Hamilton: tenor sax; John Jensen: trombone.
Thrush Hour: A Study Of The Great Ladies Of Jazz
It's entertaining, but so and so on the slow numbers. Too much crooning, but I dig the uptempo tunes.
ReplyDeleteMerci, Mario B!
DeleteThank you Scoredaddy!
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