Styles: Jazz, vocal
Year: 1994
File: MP3@320K/s
Time: 72:39
Size: 168,5 MB
Art: Front
(5:13) 1. Mas Que Nada
(7:36) 2. Try A Little Tenderness
(6:05) 3. Your Song
(5:21) 4. My Favorite Things (Feat. Kathleen Battle)
(7:39) 5. She's Leaving Home
(6:17) 6. Summertime
(6:04) 7. We Got By (Feat. David Sanborn)
(5:54) 8. Save Your Love For Me
(5:26) 9. You Don't See Me
(5:52) 10. Wait For The Magic
(5:24) 11. Dinosaur
(5:42) 12. Go Away Little Girl
Tenderness
Year: 1994
File: MP3@320K/s
Time: 72:39
Size: 168,5 MB
Art: Front
(5:13) 1. Mas Que Nada
(7:36) 2. Try A Little Tenderness
(6:05) 3. Your Song
(5:21) 4. My Favorite Things (Feat. Kathleen Battle)
(7:39) 5. She's Leaving Home
(6:17) 6. Summertime
(6:04) 7. We Got By (Feat. David Sanborn)
(5:54) 8. Save Your Love For Me
(5:26) 9. You Don't See Me
(5:52) 10. Wait For The Magic
(5:24) 11. Dinosaur
(5:42) 12. Go Away Little Girl
Rather than do a strictly studio or strictly live album next, Jarreau recorded a "live in the studio" affair before an invited audience and this time he would not be bothered with the latest new mediocre R&B tunes. Spreading his net from the Gershwins through Lennon-McCartney to Jorge Ben, Elton John and himself, Jarreau assembled a core band that includes vets like Joe Sample, Steve Gadd, the late Eric Gale, and producer Marcus Miller and turned himself loose on the songs with a freedom that hasn't been heard extensively on his records since the '70s. As then, he transplants standards of whatever school into his own cross-genre idiom, squeezing his tone through the syllables and flashing his speed scatting. He produces some lovingly drawn-out reprises of "She's Leaving Home" and "We Got By," a semi-funk "Summertime" with echoes of Gil Evans in the horns, and fits into the rapid-fire "Mas Que Nada" in the Brazilian manner-born. Opera diva Kathleen Battle's breathless coloratura soprano makes for an odd, unsettling contrast with Jarreau's snake-like wanderings in "My Favorite Things" (the only track recorded at a separate session in New York; the others were cut in L.A.); Michael Brecker's tenor sax adds a third alien voice to the mix. Those who were first drawn to Jarreau from his live and recorded performances of the mid-'70s are going to like this CD and this time, the new material ("Wait for the Magic," "Dinosaur") is not only interesting and thought-provoking, it makes good use of Jarreau's voice. As with Live In London, a home video of the sessions is available, but contains only ten tracks. ~ Richard S.Ginell http://www.allmusic.com/album/tenderness-mw0000624282
Personnel: Alto Saxophone – David Sanborn (tracks: 6; 7), Kenny Garrett (tracks: 8); Backing Vocals – Jeff Ramsey, Sharon Young, Stacy Campbell; Bass – Marcus Miller; Drums – Steve Gadd; Guitar – Eric Gale, Paul Jackson Jr. (tracks: 1); Keyboards – Joe Sample, Neil Larsen; Percussion – Bashiri Johnson (tracks: 4), Don Alias (tracks: 11), Paulinho Da Costa; Producer – Marcus Miller; Synthesizer – Jason Miles (tracks: 4), Philippe Saisse; Tenor Saxophone – Michael Brecker (tracks: 4); Trumpet – Michael "Patches" Stewart; Vocals – Al Jarreau, Kathleen Battle (tracks: 4)
Personnel: Alto Saxophone – David Sanborn (tracks: 6; 7), Kenny Garrett (tracks: 8); Backing Vocals – Jeff Ramsey, Sharon Young, Stacy Campbell; Bass – Marcus Miller; Drums – Steve Gadd; Guitar – Eric Gale, Paul Jackson Jr. (tracks: 1); Keyboards – Joe Sample, Neil Larsen; Percussion – Bashiri Johnson (tracks: 4), Don Alias (tracks: 11), Paulinho Da Costa; Producer – Marcus Miller; Synthesizer – Jason Miles (tracks: 4), Philippe Saisse; Tenor Saxophone – Michael Brecker (tracks: 4); Trumpet – Michael "Patches" Stewart; Vocals – Al Jarreau, Kathleen Battle (tracks: 4)
Tenderness
Giulia, thank you for promptness and quality of care in Al Jarreau Tenderness. Singer in great shape and high performance band
ReplyDeleteThank You too Pelosom!
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