Ada Montellanico & Enrico Pieranunzi - Danza Di Una Ninfa

Styles: Vocal
Year: 2005
File: MP3@320K/s
Time: 56:41
Size: 130,4 MB
Art: Front

(7:23)  1. Mi sono innamorato di te
(5:29)  2. Da quando
(6:13)  3. Mia cara amica
(4:51)  4. Quasi sera
(6:24)  5. Danza di una ninfa sotto la luna
(4:12)  6. Che cos'è
(5:39)  7. Ho capito che ti amo
(5:39)  8. Il tempo passò
(5:49)  9. In qualche parte del mondo
(4:59) 10. O me

E ra night of a cold winter, that of 27 January 1967 . A gunshot breaks the silence and the room 219 of the annex Savoy is filled with death: Luigi Tenco , misunderstood genius, commits suicide. Truncate his brief but intense life, not before he left a message of protest: " I love him very much to the Italian public - wrote the son of a farmer - and I have dedicated, unnecessarily, five years of my life. I do this , not because he was tired of life (anything), but as an act of protest against an audience that sends 'Me you and roses' in the final and a committee that selects 'the' revolution. I hope it will help clarify things to someone. Hello. Louis . " That his gesture has clarified the ideas to those who are in the "control room" at the Sanremo Festival, it is not established. But one thing is certain, and Dance of a nymph or confirms, Luigi Tenco he left a message of strong self. Indelible!

L 'album, which also play Paul McCandless (sax, oboe, horn, clarinet and flute), Bebo Ferra (guitar), Luca Bulgarelli (double bass), Michael Anger (drums), Piero Salvatori (cello) and " Arke String Quartet ", opens with" I love you "on introduction of soprano sax dense lyrical and instrumental significance. A mixture, successful, contemporary and harmonies - never banal sounds - that support the voice of Ada Montellanico . Voice and piano, as in the best traditions of jazz, with some assistance from the soprano McCandless . The arrangement is refined, without stylistic exaggerations. Even just Pieranunzi is "leaning" elegantly on harmonic solutions that support the phrasing of sax that follows. Ever since , it becomes bolder from a musical standpoint. But it's "philological" very consistent with the work of Tenco. It 'the first of the four tracks, never engraved by the great songwriter and to whose "musicazione" helped Ada Montellanico . The others are: Dance of a nymph under the moon , O Me and My dear friend . And this is the third track on the album, which lends itself very well to a very jazzy arrangement and if we want, even a little 'unconventional, but only in that regains a more traditional visibility and maybe even more tonal. Improvisations, including that of Enrico Pieranunzi , are particularly rhythmic. Nearly evening respects the "melancholy" of Luigi Tenco, respects their musical poetry and arrangements are subject to the imperative, supreme, to draw in the imagination of the listener shadows and uncertain shapes, flowing before his eyes at nightfall, on a beach, along the sea. The piano is chained to the voice of Montellanico : holding hands, Ada and Henry! Dance of a nymph under the moon is really ethereal! A composition that lies on the equally lyrical Tenco ethereal to get a fine result, cultured. The oboe gives the song a rarefied atmosphere, almost impalpable, on which shows a little 'guitar, returning to the track in soft Mediterranean sounds. 

Certainly the most beautiful song of the album. What is it? has a decidedly jazz dimension, it is a medium where the rhythm section, at least as long as you support the voice, is "two", then running at a "four", only for the Pieranunzi and McCandless . The work produced for the label Egea is a real journey into the poetic and musical world of Luigi Tenco. Also I realized that I love you is not so different. Very "open" as a rhythmic dimension  as if to comply with a stylistic exercise where the singer was a master: take up the guitar and "tell" his poem with the rhythmic freedom of movement is argued on a very studied and refined harmonic frame. The time passed has a nonsochè of classical, is a song timeless, timing. Tenco wrote it with Reverberi telling of a life that seems to have its greatest musical expression in the deep just Pieranunzi . Somewhere in the world just the style signature brings the sixties and only slightly different - even in the harmonic structure developed by Pieranunzi expressive model of Luigi Tenco. 

O continually the scaffolding of ' Arke String Quartet in Somewhere in the world , which goes to support the song, of course, more elaborate and ambitious cd. Or I did swing expressions in the rhythm section that incardinano in the plan, sometimes a bit 'Latin, of Enrico Pieranunzi . The song is an elegant succession of poetry and music: excellent phrases in unison. Translate by google http://www.jazzitalia.net/recensioni/danzadiunaninfa.asp#.WJI801MrKUl

Personnel:  Voice – Ada Montellanico;  Cello – Piero Salvatori;  Double Bass – Luca Bulgarelli;  Drums, Percussion – Michele Rabbia;  Guitar – Bebo Ferra;  Piano, Arranged By – Enrico Pieranunzi;  Soprano Saxophone, Oboe, English Horn, Bass Clarinet, Flute – Paul McCandless

Danza di una ninfa

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