Time: 37:48
Size: 86.6 MB
Styles: Vocal jazz
Year: 2016
Art: Front
[2:28] 1. Twisted
[5:02] 2. Li'l Darlin'
[3:30] 3. Doodlin'
[2:17] 4. My Favorite Things
[2:30] 5. Milestones
[4:50] 6. Out Of This World
[3:11] 7. No Tears For Me
[3:49] 8. Spring Can Really Hang You Up The Most
[3:10] 9. Stoppin' The Clock
[3:44] 10. On Green Dolphin Street
[3:13] 11. Angel Eyes
Mark Murphy often seemed to be the only true jazz singer of his generation. A young, hip post-bop vocalist, Murphy spent most of his career sticking to the standards -- and often presented radically reworked versions of those standards while many submitted to the lure of the lounge singer -- during the artistically fallow period of the 1970s and '80s. Marketed as a teen idol by Capitol during the mid-'50s, Murphy deserted the stolid world of commercial pop for a series of exciting dates on independent labels that featured the singer investigating his wide interests: Jack Kerouac, Brazilian music, songbook recordings, vocalese, and hard bop, among others.
He grew up near Syracuse, New York, born into an intensely musical family (both parents sang). Mark began playing piano as a child, and studied both voice and theater while at college. He toured through Canada with a jazz trio for a time and spent a while back home before he moved to New York in early 1954. A few television appearances gained him a contract with Decca Records, and he debuted with 1956's Meet Mark Murphy. He released one more LP for Decca before signing to Capitol in 1959. Though label executives often forced material (and an excessively clean-cut image) on the young singer, he managed to distinguish himself with good sets of standards, musical accompaniment furnished by West Coast jazz regulars, and a distinctive vocal style that often twisted lines and indulged in brief scatting to display his jazz credentials. John Bush
He grew up near Syracuse, New York, born into an intensely musical family (both parents sang). Mark began playing piano as a child, and studied both voice and theater while at college. He toured through Canada with a jazz trio for a time and spent a while back home before he moved to New York in early 1954. A few television appearances gained him a contract with Decca Records, and he debuted with 1956's Meet Mark Murphy. He released one more LP for Decca before signing to Capitol in 1959. Though label executives often forced material (and an excessively clean-cut image) on the young singer, he managed to distinguish himself with good sets of standards, musical accompaniment furnished by West Coast jazz regulars, and a distinctive vocal style that often twisted lines and indulged in brief scatting to display his jazz credentials. John Bush
My Favorite Things
Thanks Mat.
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