Time: 53:44
Size: 123.0 MB
Styles: Latin jazz
Year: 2008
Art: Front
[ 8:41] 1. To Brenda With Love
[ 9:06] 2. Blues For Astor
[ 6:14] 3. Sons Do Brasil
[ 9:08] 4. Yelele Candombe
[ 9:59] 5. I Remember Dizzy
[10:34] 6. Who's Smoking
Paquito D'Rivera (alto sax, clarinet), Diego Sassetti (piano), Perico Sambeat (sax, flute), Bob Sands (tenor sax, flute), Mario Rossy (bass), Jordy Rossy (drums), José Salguiro (percussion).
Cuba-born and New York-based saxophonist and clarinet player Paquito D'Rivera has balanced a career in Latin jazz with commissions as a classical composer and appearances with symphony orchestras. Classical New Jersey wrote, "Whether playing Bach or post-bop, D'Rivera's mastery of the instruments and [his] expressive capability is unquestionable."
D'Rivera inherited his understanding of music from his father, Tito, a classical saxophonist and conductor. At the age of five, he began being tutored in musical theory by his father. Within a year, he was playing well enough to be paid as a musician. By the age of seven, he became the youngest musician to endorse a musical instrument (Selmer saxophones). Three years later, he performed with the National Theater Orchestra of Havana. Although he initially played soprano saxophone, D'Rivera switched to the alto after teaching himself to play via the book Jimmy Dorsey Saxophone Method: A School of Rhythmic Saxophone Playing. Strengthening his knowledge of music and playing techniques, D'Rivera began studying at the Havana Conservatory of Music in 1960. In 1965, he became a featured soloist with the Cuban National Symphony Orchestra. After playing with the Cuban Army Band, he joined pianist Chu Chu Valdez to found the Orchestra Cubana de Musica Moderna, and served as the band's conductor for two years.
Cuba-born and New York-based saxophonist and clarinet player Paquito D'Rivera has balanced a career in Latin jazz with commissions as a classical composer and appearances with symphony orchestras. Classical New Jersey wrote, "Whether playing Bach or post-bop, D'Rivera's mastery of the instruments and [his] expressive capability is unquestionable."
D'Rivera inherited his understanding of music from his father, Tito, a classical saxophonist and conductor. At the age of five, he began being tutored in musical theory by his father. Within a year, he was playing well enough to be paid as a musician. By the age of seven, he became the youngest musician to endorse a musical instrument (Selmer saxophones). Three years later, he performed with the National Theater Orchestra of Havana. Although he initially played soprano saxophone, D'Rivera switched to the alto after teaching himself to play via the book Jimmy Dorsey Saxophone Method: A School of Rhythmic Saxophone Playing. Strengthening his knowledge of music and playing techniques, D'Rivera began studying at the Havana Conservatory of Music in 1960. In 1965, he became a featured soloist with the Cuban National Symphony Orchestra. After playing with the Cuban Army Band, he joined pianist Chu Chu Valdez to found the Orchestra Cubana de Musica Moderna, and served as the band's conductor for two years.
Sons Do Brasil mc
Sons Do Brasil zippy
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