Time: 49:08
Size: 112.5 MB
Styles: Brazilian jazz
Year: 2018
Art: Front
[4:18] 1. Farjuto
[4:20] 2. Transition
[4:28] 3. Mariá
[5:47] 4. Antes Da Chuva
[3:11] 5. Samba Do Malandrinho
[5:36] 6. Temátrio
[4:31] 7. Gafiera
[4:18] 8. Para Elis
[4:57] 9. Valsa De Esquina
[4:13] 10. Clauditi
[3:24] 11. Meu Fraco é Café Forte
Duduka Da Fonseca - drums; David Feldman - piano; Guto Wirtti - bass.
Duduka Da Fonseca Trio Plays Dom Salvador was born from the leader’s love of Salvador and his music and Fonseca’s effort to make a proper tribute to his friend and mentor. The featured trio was born of a 2000 meeting with pianist David Feldman, who was studying then at the New School in New York, and with whom Fonseca recorded with later in 2009 in Brazil, where he also met the trio’s bassist, Guto Wirtti.
In the efforts to make the best recording and present Salvador’s music in the best light, Fonseca reached out to Salvador for lead sheets for his compositions. Feldman also took time to consult Salvador and learn the repertoire from its source, removing any doubts about structural and interpretive nuances. Many of Salvador’s songs seem simple but have difficult elements, most notably in the rhythmic combinations. Fonseca traveled to Brazil three times: the first to rehearse the music, the second to record over two days, and the third to mix and master. The trio aimed to make the recording as natural as possible, eventually using many first or second takes.
Duduka Da Fonseca Trio Plays Dom Salvador was born from the leader’s love of Salvador and his music and Fonseca’s effort to make a proper tribute to his friend and mentor. The featured trio was born of a 2000 meeting with pianist David Feldman, who was studying then at the New School in New York, and with whom Fonseca recorded with later in 2009 in Brazil, where he also met the trio’s bassist, Guto Wirtti.
In the efforts to make the best recording and present Salvador’s music in the best light, Fonseca reached out to Salvador for lead sheets for his compositions. Feldman also took time to consult Salvador and learn the repertoire from its source, removing any doubts about structural and interpretive nuances. Many of Salvador’s songs seem simple but have difficult elements, most notably in the rhythmic combinations. Fonseca traveled to Brazil three times: the first to rehearse the music, the second to record over two days, and the third to mix and master. The trio aimed to make the recording as natural as possible, eventually using many first or second takes.
Plays Dom Salvador mc
Plays Dom Salvador zippy
Thanks for this post again.
ReplyDeleteobrigado pelo cd abraço
ReplyDelete