Styles: Trombone Jazz
Year: 2019
File: MP3@320K/s
Time: 75:48
Size: 174,9 MB
Art: Front
(3:19) 1. Just for a Thrill
(2:28) 2. Hearse Ride
(1:55) 3. Python
(3:12) 4. This Could Be the Start of Something
(3:51) 5. Georgia on My Mind
(1:40) 6. Gravy Waltz
(2:08) 7. Warm
(3:35) 8. Alone Together
(2:21) 9. Hero
(3:08) 10. Going, Going, Gone
(1:53) 11. China Nights
(4:03) 12. Theme from "Picnic"
(2:22) 13. Now and Forever
(2:56) 14. Tube Wail
(4:01) 15. I Concentrate on You
(3:54) 16. Soul Surfin'
(3:05) 17. Side by Side
(2:25) 18. Pipeline
(2:15) 19. Comin' Home, Baby
(2:07) 20. Till (Priere Sans Espoir)
(2:20) 21. The Gospel Truth
(5:09) 22. Trixie
(2:30) 23. Sukiyaki Song
(2:08) 24. Spinner
(2:18) 25. Blue Star (Theme from "The Medic")
(2:25) 26. Surf Bird
(2:07) 27. The Struggle
Stay Around
Year: 2019
File: MP3@320K/s
Time: 75:48
Size: 174,9 MB
Art: Front
(3:19) 1. Just for a Thrill
(2:28) 2. Hearse Ride
(1:55) 3. Python
(3:12) 4. This Could Be the Start of Something
(3:51) 5. Georgia on My Mind
(1:40) 6. Gravy Waltz
(2:08) 7. Warm
(3:35) 8. Alone Together
(2:21) 9. Hero
(3:08) 10. Going, Going, Gone
(1:53) 11. China Nights
(4:03) 12. Theme from "Picnic"
(2:22) 13. Now and Forever
(2:56) 14. Tube Wail
(4:01) 15. I Concentrate on You
(3:54) 16. Soul Surfin'
(3:05) 17. Side by Side
(2:25) 18. Pipeline
(2:15) 19. Comin' Home, Baby
(2:07) 20. Till (Priere Sans Espoir)
(2:20) 21. The Gospel Truth
(5:09) 22. Trixie
(2:30) 23. Sukiyaki Song
(2:08) 24. Spinner
(2:18) 25. Blue Star (Theme from "The Medic")
(2:25) 26. Surf Bird
(2:07) 27. The Struggle
One of the finest trombonists to emerge from the bebop era, Kai Winding was always to an extent overshadowed by J.J. Johnson, although they co-led one of the most popular jazz groups of the mid-'50s. Born in Denmark, Winding emigrated to the U.S. with his family when he was 12. He had short stints with the orchestras of Alvino Rey and Sonny Dunham, and played in a service band in the Coast Guard for three years. Winding's first burst of fame occurred during his year with Stan Kenton's Orchestra (1946-1947), during which his phrasing influenced and was adopted by the other trombonists, leading to a permanent change in the Kenton sound. He also participated in some early bop sessions, played with Tadd Dameron (1948-1949), and was on one of the Miles Davis' nonet's famous recording sessions. After playing with the big bands of Charlie Ventura and Benny Goodman, he formed a quintet with J.J. Johnson (1954-1956); the two trombonists (who sounded nearly identical at the time) had occasional reunions after going their separate ways. Winding led a four-trombone septet off and on through the latter half of the 1950s and into the '60s, was music director for the Playboy clubs in New York, and during 1971-1972 worked with the Giants of Jazz (an all-star group with Dizzy Gillespie, Sonny Stitt, and Thelonious Monk).
Stay Around
Lovely - it may be bebop but it's trombone! Thanks for posting, Giullia.
ReplyDeleteThank you George!
DeleteMany thanks Giullia for these swinging sounds.
ReplyDeleteThank you Newlyner!
Delete