Oridano Gypsy Jazz Band - Swing 14

Size: 108,6 MB
Time: 46:47
File: MP3 @ 320K/s
Released: 2014
Styles: Gipsy Jazz
Art: Front

01. Beautiful Love (2:39)
02. Lullaby Of Birdland (5:06)
03. Caravan (4:25)
04. I Wanna Be Like You (2:55)
05. Fly Me To The Moon (3:49)
06. All Of Me (2:37)
07. Bei Mir Bist Du Schon (2:24)
08. I Can't Give You Anything But Love (2:03)
09. Nature Boy (4:28)
10. I Wish You Love (2:45)
11. It Don't Mean A Thing (If It Ain't Got That Swing) (2:08)
12. It's All Right With Me (3:32)
13. Undecided (3:57)
14. Dream A Little Dream Of Me (3:53)

Members: Orjen Ridanovic (lead guitar), Aldo Fosko (clarinet/piano), Tomi Novak (ac.bass/double bass/ac.guitar), Marko First (violin), Juraj Birin (rhythm guitar)

The band was set up in the spring of 2010, after meeting at jazz workshop in Groznjan, Croatia.

Fascination with Django Reinhardt's opus as well as love for jazz manouche brought them together which resulted in forming a quintette.

Ever since, they have been playing Django Reinhardt's music, performing in jazz clubs and festivals in Croatia.

In July 2011, Oridano Gypsy Jazz Band won the first prize of First International Jazz Band contest at Liburnia Jazz Festival in Opatija (CRO).

They performed at the Springtime Jazz Session 2011 in Vatroslav Lisinski Concert Hall in Zagreb where they were presented as new faces of Croatian Jazz.

The band participated in live recording for the 500th episode of the "Time for Jazz" show broadcasted on Croatian National Television in 2011.

Their performance was also noticed at the „PSSST! Silent Film Festival“ 2012/2013 in Zagreb, where they were playing background music for silent movies.

In June 2013 the band released their debut album in association with Hot Club Records (NOR).

Swing 14

---

Janice DeRosa - La Vie En DeRosa..

Size: 109,6 MB
Time: 47:17
File: MP3 @ 320K/s
Released: 2014
Styles: Jazz Vocals, Blues, Soul
Art: Front

01. Cry Me A River (4:43)
02. Everything Happens To Me (5:23)
03. Our Love Is Here To Stay (2:55)
04. Loverman (4:44)
05. The Way You Look Tonight (4:58)
06. Que Reste T-Il De Nos Amours (3:52)
07. Can't Buy Me Love (3:37)
08. You Go To My Head (7:02)
09. I'm Gonna Tear Your Playhouse Down (3:25)
10. You Don't Know What Love Is (6:37)

This native Harlem girl gone Parisian diva is a woman who has defined her own way in this city and on the international music scene. She moved to Paris in 1990, playing clubs ever since and working her way up to a sort of fame not only in Paris, but Europe as well. She's produced five records, two of those with Warner Bros. Last year her recording of "Groovin" was at the top of French radio charts for weeks. Her latest CD "deRosa" is a blues-flavored concoction that triggers Janis Joplin flashbacks with a graceful pace reminiscent of a Tom Waits album.

La Vie En DeRosa..

---

Sue Tucker - Meant for You

Styles: Vocal Jazz
Year: 2000
File: MP3@320K/s
Time: 49:04
Size: 114,7 MB
Art: Front

(4:02)  1. A Foggy Day
(3:45)  2. You'd Be So Nice to Come Home To
(4:01)  3. Sugar
(4:32)  4. Easy Street
(5:34)  5. I've Got The World On A String
(5:11)  6. The Very Thought Of You
(4:06)  7. Too Close For Comfort
(6:18)  8. Undecided
(5:21)  9. Blame It On My Youth
(3:41) 10. Waltz For Debbie
(2:27) 11. Meant For You

I have to admit that, for very superficial reasons, I did not have high expectations for Sue Tucker's Meant for You. An unknown Minnesota-based singer performing standards on a CD produced, engineered, manufactured and distributed by the singer and her husband. It had the feel of a housewife's vanity project. The CD packaging is not exactly eye-catching, and I recognize that this is ridiculous, but even her name sounded boring. However, I'm pleased to report that there is nothing boring about the music on Meant for You. Sue Tucker is a wonderful singer. Not just better than expected or good for an unknown singer, but straight out wonderful. As with every good jazz singer, Ms. Tucker has the fundamentals down - she sings in tune and she swings hard. Her voice has a light, unforced, attractive tone. Stylistically, she falls into the traditional jazz singing school. The standards are not in 12/8 time and you won't find any rock tunes in her repertoire. There are no radical reinterpretations of standards or bold expansions of the art of jazz singing. She doesn't vocalize instrumental solos or even scat. 

Rather than sounding like Ella or Sarah or Anita, Ms. Tucker's style is more reminiscent of great classic jazz singers like Mildred Bailey and Connee Boswell. She improvises within the words adhering closely to the melody at first and then building on and expanding her variations as the tune progresses. Her relaxed, understated phrasing breathes new life into "You'd Be So Nice To Come Home To" and "I've Got the World on a String." Ms. Tucker builds genuine excitement on "Too Close for Comfort" and "Undecided" without resorting to overheated theatrics. Her sensitive, thoughtful interpretations of "The Very Thought of You" and "Blame It On My Youth" demonstrate a deep appreciation for the meaning of lyrics. The album's highpoint comes in a sexy, swinging, unmissable version of "Sugar" (the Stanley Turrentine tune not the Maceo Pinkard tune associated with Lee Wiley). Sue Tucker is a singer who shouldn't have to make her own records. She deserves the support of a good record label and the opportunity to be heard by the national jazz audience. ~ Mathew Bahl  http://www.allaboutjazz.com/meant-for-you-sue-oatts-tucker-review-by-mathew-bahl.php#.U73KUrFrzIs
 

Personnel: Sue Tucker: vocals; Jim Oatts: trumpet/fugelhorn; Doug Haining: alto saxophone, baritone saxophone, clarinet; Kent Saunders: guitar; Rick Carlson: piano; Gordy Johnson: bass; Steve Pikal: bass; Gordy Knudtson: drums; Brett Forberg: drums; Ricky Peterson: piano.

Meant for You

---

Marsha Heydt & The Project Of love - Diggin' The Day

Styles: Saxophone Jazz
Year: 2013
File: MP3@320K/s
Time: 62:57
Size: 144,6 MB
Art: Front

(3:26)  1. Twistin' Baby
(5:09)  2. Diggin' The Day
(4:07)  3. Fredi's Cha Cha
(5:48)  4. Blue Asharam
(4:40)  5. Spirit
(4:13)  6. Bliss
(4:46)  7. Shine
(4:25)  8. Baby Blue
(4:58)  9. Fields Of Love
(4:35) 10. Gold
(3:46) 11. Tootin'
(5:03) 12. Groovin'
(3:43) 13. The Bull
(4:13) 14. Shram Splat

On this new recording, Marsha Heydt explores all possibilities, full of fantasy, inventiveness, passion and love. Her connected musical expressions can’t miss here, and her sound empathy avoids any classifications. The music is created, listened to and speaks in real time and nothing is taken for granted no already heard. From my vantage point as a saxophonist and educator, I am fortunate to see many up and coming talents as soon as they start to get noticed. But in this gifted player’s life, (I’ve known Marsha since she emerged on the scene back in the Pennsylvania daze) she always had a very important agenda as a player. It is a very rare occasion when a truly dedicated player and writer emerges from the crowd where you can hear the commitment and serious agenda from note one. Music these days needs much more of this, and here is the woman to do it. 

Do it she does- just listen! The very first time I met Marsha, I know she was her own person. She made an appointment to see me and presented a demo recording of her arrangement of the standard tune “Laura” with strings. One listen sold me. To this day, I couldn’t imagine where she had gotten all these ideas. I never for that. I don’t think I have ever met a person who has more exuberance and joy in their music and personality. Her music is always so new and fresh. I am really pleased that Marsha has recorded a CD with a powerful concept that will appeal to all. She has produced a fascinating fusion of traditions that not only are great listening but have a personal approach that is very special. Every piece is captivating; and when I listen to the whole recording I quickly get lost in the music and it’s like time stops. Marsha is truly a gift to this art form, and a player I feel very fortunate to have gotten to know.  http://www.cdbaby.com/cd/marshaheydtandtheproject.

Musicians:Alto Saxophone: Marsha Heydt (1, 3, 5, 6, 7, 9,10, 12, 14)Soprano Saxophone: Marsha Heydt (4, 13)Flute: Marsha Heydt (2, 8, 11)Piano/ Keyboard: Norman PorsTrumpet / Flugelhorn: James Zollar (1, 3, 5, 8, 10, 12, 14)Guitar: Sheryl Bailey (1, 4, 7, 12)Upright and Electric Bass: Carlo De RosaPercussion: Daniel SadownickDrums: Rossen NedelchevVocal: Carla Cook (6)Violin: Sam Bardfeld (2, 6, 9, 11)Viola: Judith Insell (2, 6, 9)Cello: Tomas Ulrich (2, 6, 9)

Diggin' The Day

---

Harry Allen & Scott Hamilton - 'Round Midnight

Styles: Saxophone Jazz
Year: 2012
File: MP3@320K/s
Time: 75:13
Size: 178,7 MB
Art: Front

( 6:03)  1. My Melancholy Baby
( 8:01)  2. Great Scott
(11:29)  3. How Am I To Know
( 6:26)  4. The Opener
(11:50)  5. Baubles, Bangles and Beads
(10:23)  6. Hey Lock!
( 8:10)  7. Lover
( 6:06)  8. Flight Of The Foo Birds
( 6:40)  9. 'Round Midnight

Johannes Brahms was called "the keeper of the flame" for Beethoven. Tenor saxophonist Harry Allen and Scott Hamilton are the same keepers for a tenor tradition that existed from the swing era through hard bop. The pair champions a sound and method established by Coleman Hawkins, Ben Webster and Lester Young: a broad, dense tone, both confident and hesitant. Allen and Hamilton highlight a stylistic history that ended in 1956 when Sonny Rollins and John Coltrane recorded "Tenor Madness." This music is romantic, balladic and, when played up-tempo, swinging.  'Round Midnight is a predictable recording, which is exactly perfect because one knows just what to expect from these two and their many recordings for Nagel-Heyer, Arbors Records, Concord and various other labels. It is a collection of nine standards, all having great empathy for one another and a brilliant rhythm section smoothing them out before these two saxophonists. Pianist Rossano Sportiello must be singled out for attention for his certain and sure guidance of the music. Bassist Joel Forbes and drummer Chuck Riggs are solid throughout. 

Each was afforded solo space that was well used. No matter the age of the composition, whether 1912's "My Melancholy Baby" or 1958's "Great Scott," Allen and Hamilton swing them with a personal touch and professional ability. The sympatico shared between the two saxophonists is impressive. At once, they are very similar players with very different sounds even within the constraints of the material. Allen's tone is full-bodied and sure, while Hamilton's is a bit breathier, somewhere between Zoot Sims and Dexter Gordon. 'Round Midnight is not another Tenor Madness (Prestige, 1956). It is Tenor Elegance. ~ C.Michael Bailey  http://www.allaboutjazz.com/round-midnight-harry-allen-challenge-records-review-by-c-michael-bailey.php#.U77ydrFryM0
 

Personnel: Harry Allen: tenor saxophone; Scott Hamilton: tenor saxophone; Rossano Sportiello: piano; Joel Forbes: bass; Chuck Riggs: drums.

'Round Midnight

---

Charlie Haden Quartet West - The Art Of The Song

Styles:  Jazz
Year: 1999
File: MP3@320K/s
Time: 70:26
Size: 161,7 MB
Art: Front

(5:30)  1. Lonely Town
(7:23)  2. Why Did I Choose You
(5:36)  3. Moment Musicale Opus 16 No. 3 In B Minor
(5:04)  4. In Love In Vain
(4:14)  5. Ruth's Waltz
(6:23)  6. Scenes From A Silver Screen [Instrumental]
(6:15)  7. I'm Gonna Laugh You Right Out Of My Life
(4:23)  8. You My Love
(5:13)  9. Prelude En La Mineur
(6:55) 10. The Folks Who Live On The Hill
(4:54) 11. Easy On The Heart
(4:06) 12. Theme For Charlie
(4:23) 13. Wayfaring Stranger

Increasingly mired in nostalgia, Charlie Haden's Quartet West plunges further into the dream world of old movies and postwar domesticity in this down-tempo album of ballads, this time with the vocal help of Shirley Horn and Bill Henderson on four numbers apiece. But if you must find a focal point, this album is mainly a showcase for the string chamber orchestra arrangements of Haden's pianist Alan Broadbent, who has turned in far more imaginative charts for this group than the velvety muzak heard here. Even classical piano pieces are fair game as Broadbent produces mournful orchestrations of Rachmaninoff's Moment Musical Op. 16, No. 3 in B Minor and Ravel's Prelude in A Minor. In a rare latter-day visit to the recording studio, Henderson is frequently off-key and shaky, though his distinctive blues timbre is intact. 

But the subtle, conversational Horn is right at home in this late-night lounge idiom, particularly when she revives an obscure Nat Cole single, Cy Coleman's "I'm Gonna Laugh You Right Out Of My Life." Tenor saxophonist Ernie Watts sounds fairly listless and bland in tone most of the time, Larance Marable is limited mostly to brushes, and Haden confines his robust tone mostly to simple basic accompaniment. And if you want real nostalgia, Haden reaches all the way back to his Midwestern childhood by singing the folk song "Wayfarin' Stranger" in a lost-sounding, threadbare voice. Frankly, this sounds like the work of a weary musician. ~ Richard S. Ginell  http://www.allmusic.com/album/the-art-of-the-song-mw0000668250

Personnel: Charlie Haden (vocals, bass); Shirley Horn, Bill Henderson (vocals); Don Palmer, Marcy Vaj, Russ Cantor, Robert Sanov, Ezra Kliger, Robert Brosseau, Tibor Zelig, Murray Adler, Kathleen Robinson, Gina Kronstadt, Rachel Sokolow, Francine Walsh, Israel Baker, Robert Peterson, Paul Shure, Bobby Bruce, Charlie Bisharat (violin); Mimi Granat, Paolo Gozzetti, Carol Mukagawa, Suzanna Giordono, Steve Gordon, Harry Shirinian (viola); Jerry Kessler, Ray Kelley, Earl Madison, Suzie Katayama, Larry Corbett (cello); Ernie Watts (tenor saxophone); Alan Broadbent (piano); Larance Marable (drums).
 

R.I.P.
(August 6, 1937 – July 11, 2014)

The Art Of The Song

---

Wycliffe Gordon - The Intimate Ellington: Ballads & Blues

Bitrate: 320K/s

Time: 71:57

Size: 164.7 MB

Styles: Trombone jazz

Year: 2013

Art: Front

[6:35] 1. Pie Eye's Blues

[6:06] 2. Jeep's Blues

[6:59] 3. I Got It Bad And That Ain't Good

[7:59] 4. Creole Love Call

[7:28] 5. Stevie

[6:56] 6. The Intimacy Of The Blues

[5:13] 7. Lotus Blossom

[7:59] 8. Something Sexual

[8:20] 9. Sophisticated Lady

[8:16] 10. Caravan

On his eighth Criss Cross leader date, Wycliffe Gordon distills his exhaustive knowledge of the oeuvre of Duke Ellington and Billy Strayhorn on a well crafted, ten-piece program spanning a timeline from 1927 (Creole Love Call) to 1967 (The Intimacy Of The Blues). Throughout the proceedings, which explore a broad array of flavors, Gordon – spurred by a killer rhythm section of pianist Aaron Diehl, bassist Yasushi Nakamura, and drummer Alvin Atkinson – plays with characteristic effervescence and tonal creativity, matched by Adrian Cunningham on saxophones and woodwinds and, on several selections, the soulful violin virtuoso Zach Brock and vocalist Dee Daniels.”

The Intimate Ellington: Ballads & Blues

---

Sambosseros - Gabiroba

Bitrate: 320K/s
Time: 50:09
Size: 114.8 MB
Styles: Latin jazz
Year: 2006
Art: Front

[3:02] 1. A Rã
[2:51] 2. Lobo Bobo
[2:16] 3. Só Danço Samba
[3:40] 4. Gabiroba
[3:07] 5. A Rita
[3:20] 6. Fotografia
[4:37] 7. Sambossero
[4:52] 8. Brigas Nunca Mais Discussão
[3:58] 9. Bonita
[2:58] 10. Forrosnazzy
[5:04] 11. Meditação
[3:31] 12. A Violeira
[3:30] 13. Doralice
[3:16] 14. Coração Vagabundo

The Argentine-born guitarist/composer/painter/engineer grew up with in the era of progressive rock, but was strongly influenced by Brazilian music as a teenager. After moving to the Los Angeles area, he studied harmony. He later moved to the Bay Area and focused on electronic music composition, but returned to his beloved guitar in 2001, when he became a founding member of Sambosseros. Pablo has since been continuing his research into Brazilian music and playing with the group for Bay Area audiences.

Bill Cawthorne came from Southern California. His parents, both musicians, immersed him in jazz, classical & even Brazilian music pretty early. Piano lessons began at 6. At 13 he discovered the trumpet, which took him from there through college, playing in every music performance class available. He studied music theory, synthesis and composition, while gigging regularly with various local “soul”, R&B, and rock groups.

Jesse Van Hiller, drums: A relative newcomer to the Brazilian scene, Jesse draws from a wide variety of styles in his performance. From jazz to country, pop and rock, funk and groove, his work with the Sambosseros blends jazz sensibilities with backbeat roots and in-the-pocket grooves. He relies on listening to the performance, responding to collaborators as they emote, anticipating changes as they arrive and allowing the music to create itself. “I try to let the music speak through me. I am a conduit.” Jesse lives in the San Francisco Bay Area.

Carl Herder is a musical chameleon who inhabits a broad swath of the musical style spectrum. He first joined the Bay Area Brazilian music scene in the late 1970s with Aguamarinha. But his love of the music was really cemented through his participation in the first San Franciso Carnaval celebrations as part of Culebra. In addition to samba, jazz, funk and rock bands, Carl has performed the full range of Caribbean music, including salsa, soka and reggae. Before joining Sambosseros, Carl performed brazillian music with Anna Estrada and Almas Feras.

Additional musicians: Bebel Delgado on voice, Kirk Abe on drums, and Jim Shearer on bass.

Gabiroba

---

Chet Baker & Art Pepper - Complete Playboy Sessions

Bitrate: 320K/s

Time: 67:01

Size: 153.4 MB

Styles: West Coast jazz

Year: 2007/2011

Art: Front

[6:16] 1. Tynan Time

[4:14] 2. Little Girl

[7:12] 3. Minor Yours

[3:55] 4. Sonny Boy

[5:05] 5. The Route

[3:59] 6. For Minors Only

[6:42] 7. Minor Yours

[5:41] 8. Resonant Emotions

[5:32] 9. Tynan Time

[6:42] 10. Picture Of Heath

[6:26] 11. For Miles And Miles

[5:11] 12. C.T. A

This 2007 disc gathers all known sides cut during a July 26, 1956 confab led by West Coast cool purveyors Chet Baker (trumpet) and Art Pepper (alto sax). Keen-eyed enthusiasts will note that this particular date occurred during a remarkable week -- July 23 through July 31 -- of sessions held at the behest of Pacific Jazz label owner and producer Dick Bock at the Forum Theater in Los Angeles. Recordings made during this week not only inform The Route, but three other long-players as well: Let's Get Lost, Chet Baker & Crew, and At the Forum Theater. These were likewise the first sides cut by Baker since returning from his triumphant and extended stay in Europe. The Route compiles all 11 tracks by the sextet featuring Richie Kamuca (tenor sax), Pete Jolly (piano), Leroy Vinnegar (bass), and Stan Levey (drums) in support of Baker and Pepper. Bock had no immediate plans to use these recordings for any one album, that is to say he incorporated the titles throughout various compiles released on Pacific Jazz. Three months later, however, Baker and Pepper did record with a completely different personnel for the expressed purpose of creating what would become known as Playboys and alternately Picture of Heath. Perhaps encouraged by the swinging interaction on Pepper's "Tynan Time" and "Minor Yours," both cuts were featured at this get-together as well as during the Picture of Heath collaboration. There are a few unexpected moments of sheer brilliance spread throughout, such as the Baker penned title composition, which contains supple and nicely contrasting solos from Kamuca and Vinnegar -- whose solid pendulum accurately swings all through this collection. Complete Playboys Sessions 1956 is recommended for completists as well as curious consumers wishing to expand their knowledge of the light and airy rhythms that typify the cool West Coast jazz scene of the mid-'50s. ~Liondsay Planer

Complete Playboy Sessions

---

Lars Erstrand & Rebecca Kilgore - Lars Erstrand Meets Rebecca Kilgore

Styles: Vocal And Vibraphone Jazz
Year: 2003
File: MP3@320K/s
Time: 67:39
Size: 167,9 MB
Art: Front

(5:28)  1. I Want To Be Happy
(5:02)  2. I'm Confessin'
(5:09)  3. The Lady's In Love With You
(4:37)  4. Boogie Blues / Drum Boogie
(4:56)  5. Wrap Your Troubles In Dreams
(5:31)  6. Sometimes I'm Happy
(4:37)  7. Cherokee
(2:28)  8. All Too Soon
(2:18)  9. Satin Doll
(2:40) 10. In A Mellow Tone
(6:14) 11. 'Deed I Do
(4:21) 12. Laverne Walk
(4:33) 13. Perdido
(5:54) 14. Them There Eyes
(3:44) 15. Blue Moon

Rebecca Kilgore, born in 1949, since 1979 American singer and guitarist, cultivate the great American songs from the 30 - 40 (The Great American Songbook) about thirty solo recordings, withThe Rebecca Kilgore Quartet or other renowned artists are cited ( the most notable accompanied by the piano of Dave Frishberg).

Lars Erstrand (born September 27, 1936, died March 11, 2009) Swedish vibraphonist School Benny Goodman, with whom he played in Paris in 1972. During the 60's duet form with clarinetist Ove Lind, who establish collaboration for nearly forty years. In 1991 recorded Two Generations Together with Lionel Hampton, who is considered a follower in style.

Lars Erstrand Meets Rebecca Kilgore

---

Byron Stripling - Byron, Get One Free...

Styles: Vocal And Trumpet Jazz
Year: 2001
File: MP3@320K/s
Time: 59:41
Size: 137,1 MB
Art: Front

(4:02)  1. Indiana
(7:14)  2. Con Alma
(2:39)  3. Gee Baby, Ain't I Good To You
(6:34)  4. Frank's Magic
(5:41)  5. Lover Man
(5:41)  6. Sometimes I'm Happy
(7:02)  7. I Can't Give You Anything But Love
(9:31)  8. Byron, Get One Free...
(4:47)  9. I'm Old Fashioned
(6:26) 10. Woody 'N' You

Byron Stripling is a confident trumpeter who is unafraid of being compared to earlier greats on his instrument; he delves into time-tested standards of the swing era as well as the music of Dizzy Gillespie, yet produces a fresh approach in every case. With pianist Bill Charlap, drummer Dennis Mackrel, either Peter Washington or Ira Coleman on bass, trombonist Wycliffe Gordon, and tenor saxophonist Frank Wess joining him, Stripling's lively playing is a delight throughout the sessions. His spirited interplay with Gordon on the strutting opener, "(Back Home Again In) Indiana," and a bluesy exchange of solos with Wess in "Lover Man" are both gems. Fellow trumpeter Michael P. Mossman arranged both Gillespie's "Con Alma" and "Woody 'n You," and Stripling makes the most of his good friend's imaginative charts. The trumpeter also contributes two potent originals, the Basie-like swinger "Frank's Magic" (with a wide-ranging solo by Wess) and the low-key "Byron, Get One Free," which focuses on his tasty muted horn. Highly recommended.    ~ Ken Dryden  http://www.allmusic.com/album/byron-get-one-free-mw0000015845.

Personnel: Byron Stripling (vocals, trumpet); Frank Wess (tenor saxophone); Wycliffe Gordon (trombone); Bill Charlap (piano); Dennis Mackrel (drums).

Byron, Get One Free...

---

Cosa Nostra Jazz Band - Cosa Nostra Jazz Band

Styles: Big Band
Year: 2004
File: MP3@320K/s
Time: 58:38
Size: 134,7 MB
Art: Front

(6:56)  1. I've Found A New Baby
(6:12)  2. On The Sunny Side Of The Street
(5:45)  3. That's A Plenty
(5:01)  4. Rose De Picardie
(4:55)  5. It Don't Mean A Thing
(4:20)  6. Big City Blues
(5:38)  7. All Of Me
(4:25)  8. Tiger Rag
(5:05)  9. Si Tu Vois Ma Mère
(4:43) 10. Royal Garden Blues
(5:33) 11. The Sheik Of Araby

Cosa Nostra is one of Japan's '70s retro bands with a modern taste for samples and loops, while keeping their sound as organic as possible. With ties to United Future Organization, Pizzicato Five, and Spank Happy, the band, led by Momoko Suzuki and Reiko Oda, follow in the good-vibes feel of early Sly and the Family Stone, Stevie Wonder, and various Philly soul acts, while borrowing from modern house music, trip-hop, and turntablism. Their earlier work was mostly in English, which left them with few fans initially, some seeing the band as trying to pander to the West (more likely they were trying to be as authentic as possible in their experiment). Their main founder, Tetsutaro Sakurai, came from the Tokyo music scene, first coming to fame with the Girl! Girl! Girl! radio show on FM Yokohama, where he shared songwriting duties with Pizzicato Five's Yasuharu Konishi and guitarist Haruo Kubota. Like Konishi, he brought an encyclopedic knowledge of Western pop to his group, and throughout the '90s produced many other acts. 

They debuted in 1991 with Cosa Nostra. Though self-titled, it was actually a shared album with United Future Organization and various groups, the former of which went on to considerable success. The remaining groups, if one examines the credits, contain the members of Cosa Nostra in various guises. A follow-up album, Cosa Nostra II, continued the theme. The band was finding their footing, trying out various genres and styles. With Medicated Soul, their first album in 1993, Cosa Nostra first introduced Momoko Suzuki and Reiko Oda as their main vocalists, but the true coalescence of the group came with a label switch the next year from Sony to Bellissima! Toy's Factory records, and their second album, 1994's Mind Songs. Cosa Nostra's sound reached an apex in 1995, with World Peace, featuring: funk, soul, hip-hop, a mix of vintage instruments, and new sounds. 

By 1997's Trip Magic, the group was moving toward a hard rock sound, as well as singing in Japanese. 1998's Our Thing turned out to be a turning point for the group. After its release, founding member Jun Sasaki left the band, and Cosa Nostra left Bellissima! Records. The obligatory compilation album was released soon after. Fears that Cosa Nostra were finished as well were unfounded the group resurfaced on 1999's Yippee! on Sony once again, with a companion remix album surfacing a year later.  Bio ~ Ted Mills  http://www.allmusic.com/artist/cosa-nostra-mn0000780601/biography

Cosa Nostra Jazz Band

---

Dirindi - Cantar Do Jobim

Bitrate: 320K/s
Time: 50:08
Size: 114.8 MB
Styles: Brazilian jazz
Year: 2007
Art: Front

[3:35] 1. A Violeira
[5:03] 2. Este Seu Olhar
[3:03] 3. Chora Coracão
[5:29] 4. Brigas Nunca Mais
[2:52] 5. Cancão Em Modo Menor
[5:13] 6. Vivo Sonhando
[1:54] 7. Por Toda A Minha Vida
[3:08] 8. Derradeira Primavera
[3:03] 9. Modinha
[5:42] 10. Sucedeu Assim
[3:09] 11. Luiza
[3:02] 12. Sabiá
[2:52] 13. Chovendo Na Roseira
[1:56] 14. Dindi (Verse Only) / Dirindi

This is the first album of the group ‘Dirindi’ with lady singer Marzieh Reyhani, recorded in June, 2004. As the title suggests, it is an exclusive tribute to Jobim, commemorating the 10th anniversary of his death. This album contains songs that are at least as beautiful as his biggest hits. The band is named after a small forest located in one of the states of Rio, Poço Fundo, where Jobim used to come as a child. He liked the sound of the word Dirindi. Later he based the title of his song Dindi upon it.

Cantar Do Jobim

---

Gianni Basso - Stardust

Bitrate: 320K/s
Time: 96:46
Size: 221.5 MB
Styles: Saxophone jazz
Year: 2011
Art: Front

[3:42] 1. Old Folks
[3:43] 2. Like Someone In Love
[4:51] 3. Lil' baby
[4:09] 4. Don't Blame Me
[3:05] 5. Stardust
[3:58] 6. My Sister
[5:40] 7. My Foolish Heart
[2:35] 8. You Stepped Out Of A Dream
[4:34] 9. Framing Charlie
[3:59] 10. There's No You
[3:59] 11. Nature Boy
[5:14] 12. Sweet And Slowly
[4:22] 13. Groovin High
[6:09] 14. Miss Bo
[4:19] 15. Ricorda Me
[5:00] 16. Solitude
[3:06] 17. Is That You
[5:59] 18. Blues Band
[6:42] 19. Nella
[5:10] 20. All The Things You Are
[2:28] 21. Reason
[3:52] 22. Summertime

Gianni Basso was one of the lights who began shining on the European jazz scene following the end of World War II. He began as a clarinetist and first played professionally in Germany and Belgium in the late '40s with the Raoul Falsan Big Band. By the beginning of the next decade, he was established as a commercial "GB" or "general business" player in Milan, but one with a steady presence at jazz events, including some of the early Italian attempts at post-fascist festivals. From about 1954, a collaboration with trumpeter and composer Oscar Valdambrini began that resembled the relationship between Duke Ellington and Billy Strayhorn, minus the former man's household-name status. Basso studied music in the busy northern city of Turin, where Valdambrini was a homeboy. It was more than just two Italian lads growing up with a fascination for American jazz -- this was a case of a tenor saxophone and trumpet finding each other. This led to all manner of musical possibilities, most notably the easy-to-maneuver-and-feed small combo (not that feeding anyone in Italy is a problem, ever).

The partners' group was without a doubt the most popular jazz band in Italy in the '50s, accompanying many touring stars such as Billie Holiday, Lionel Hampton, Gerry Mulligan, Slide Hampton, and Chet Baker. The engaging style of tenor saxophonist Stan Getz was the primary goal Basso set for himself in terms of having a main man on the saxophone. His many subsequent recordings provide documentation of how he discovered Sonny Rollins and developed his own style from these sources to the point where the Verve label signed him and a top-notch singer such as Sarah Vaughan wanted a Basso baste as sauce on her 1984 serving entitled Mystery of Man.

In the late '70s he founded the band Saxes Machine and subsequently fronted the Gianni Basso Big Band. In his senior years he settled into the comfort of the Rome studio scene, still playing in clubs and enjoying his growing historical stature on the European jazz scene. Even free jazz fans like him now. ~bio by Eugene Chadbourne

Stardust

---

Rhoda Scott Lady Quartet - Live In Paris At The Sunset

Bitrate: 320K/s
Time: 64:05
Size: 146.7 MB
Styles: Organ jazz
Year: 2008
Art: Front

[ 8:19] 1. Nova
[ 7:53] 2. Tom Thumb
[ 5:31] 3. Nizza
[ 6:41] 4. Do What' Cha Gotta Do
[ 5:13] 5. I'm Just Your Fool
[ 7:28] 6. Alligator Boogaloo
[ 6:58] 7. Hymne à L'amour
[ 5:57] 8. Mach 2
[10:01] 9. Pistaccio

Rhoda is so talented she is comfortable in classical music, jazz, gospel or the blues. Gifted with an exceptional musical memory, she knows more than a thousand songs by heart. She never needs an evening program; she plays by the inspiration of the moment and especially by the public reaction.

At the Vienna Festival 2004, she formed "Lady Quartet with Sophie Alour (tenor saxophone), Bilberry Besson (flugelhorn), Lisa Cat-Berro (alto saxophone) and Julie Saury (drums). They recorded this album on January 21, 2008 at "Sunset" (60 rue des Lombards, Paris).

Live In Paris At The Sunset

---

The Jon Sheckler Trio - Cable Street

Bitrate: 320K/s
Time: 57:09
Size: 130.8 MB
Styles: Bop, Straight ahead
Year: 2014
Art: Front

[7:00] 1. Same Old Same Old
[4:57] 2. Mayer Jones
[6:30] 3. Shoreline Drive
[7:02] 4. Cmb
[5:18] 5. Cable Street
[8:06] 6. Cormac's Dream
[6:18] 7. Pensive Matters
[5:50] 8. A Song For Redheads
[6:05] 9. Zeek's Peak

As the first jazz record released by the Seattle based company, Critical Sun Recordings, “Cable Street" is a bold, fresh and energynic take on jazz in today's world. Featuring nine original compositions from award-winning drummer and composer Jon Sheckler, “Cable Street" covers the full spectrum of the modern jazz world, from the hard swinging pop-bop “Same Old Same Old," to the high energy drum and bass inspired “Pensive Matters," to the mysterious and open “Cormac's Dream."

Free jazz, bebop, blues, and straight ahead music is opened up in this original introduction to a new young voice in jazz.

Cable Street

---

Deborah J. Carter - Round Moonlight

Styles: Vocal Jazz
Year: 2001
File: MP3@320K/s
Time: 69:42
Size: 159,6 MB
Art: Front + Back

(5:08)  1. Moonlight
(4:58)  2. Round Moonlight
(4:51)  3. Monks' New Tune
(6:26)  4. Moonflower
(6:21)  5. The Lamp Is Low (My Tribute to
(3:28)  6. Feels Like Summer (Summer Noct
(5:24)  7. Autumn Nocturne
(3:53)  8. Wintertime
(5:35)  9. Sister Moon
(4:26) 10. La Luna (Moonriver) (Moon Rive
(4:45) 11. Moondance
(6:58) 12. Where Is Love / Body and Soul
(3:21) 13. The Late, Late Show
(4:02) 14. Lovers' Hushaby

Deborah J. Carter is a nomad whose international singing career lies beyond her native North America. Bluesy inflections, jazzy phrasing, and a mid-range earthy tone keep her busy in vocal jazz circuits from Spain into Central Europe.  Carter's interpretive framework in her second release is the trio format, although various guest musicians fortify the recording. The welcoming sense of intimacy afforded by Carter's singing is never lost, nonetheless. Her tribute to Carmen Lundy in "The Lamp Is Low" illustrates the latter point rather well. After a straight up piano-vocal duo head, the trio cascades into action for Carter's bouncy scatting and ensuing rhythmic happy-go-lucky choruses. Indeed, Carter's style and delivery could very well be compared with Lundy's. Both, however, remain distinctive and enjoyable entities in spite of their commonalities. 

"The Late Late Show" is a swinging boppish vehicle for the trio's musical versatility. Although remaining within mainstream jazz territories, the musicians also outsorce Brazilian motifs. 'Round Moonlight is a rather generous recording in length, tempos, hints and steady jazz vocals from a woman in her vocal and intellectual prime. Her arranging and writing is as fine as the players that accompany her, who know how to support a vocalist in enriched and unobtrusive ways.~ Javier Antonio Quiñones Ortiz (http://www.deborahjcarter.com/reviews.htm)

Round Moonlight

---

Jane Harvey - I've Been There

Styles: Jazz, Vocal
Year: 2011
File: MP3@320K/s
Time: 41:50
Size: 97,7 MB
Art: Front

(3:33)  1. It Never Entered My Mind
(3:50)  2. God Bless The Child
(3:25)  3. The Music That Makes Me Dance
(3:15)  4. I'll Never Go There Anymore
(3:46)  5. Ev'ry Time
(3:26)  6. Guess I'll Hang My Tears Out To Dry
(3:32)  7. Bye Bye Blues
(3:34)  8. How Long Has This Been Going On?
(4:01)  9. My Ship
(3:18) 10. Here's That Rainy Day
(2:55) 11. The Glory Of Love
(3:10) 12. Look At That Face

Jane Harvey (January 6, 1925, Jersey City, New Jersey – August 15, 2013) was an American jazz singer, known for recording many tracks with famous musicians Duke Ellington and Benny Goodman during the 1940s. Harvey began her musical career at Barney Josephson's nightclub, occasionally performing there. In 1946, she joined Desi Arnaz's Orchestra, until she left in 1958 to raise her son, Bob Thiele Jr. During the late 1950s, she joined Duke Ellington's Orchestra. Around the time of her death, she performed locally, all over the Los Angeles area.Harvey died of cancer, at the age of 88, in her home. She is survived by her son, husband, and grandson. ~ Bio http://en.wikipedia.org/wiki/Jane_Harvey

I've Been There

---

Lars Erstrand - Everything Is Fine / Disc 1 And Disc 2

Styles: Vibraphone Jazz
Year: 2009
File: MP3@320K/s
Time: 52:13 (Disc 1)
Size: 120,0 MB (Disc 1)
Time: 48:27 (Disc 2)
Size: 111,5 MB (Disc 2)
Art: Front + Back

Disc 1

(6:07)  1. Stopin' At The Savoy
(8:01)  2. Confessin'
(4:38)  3. Beautiful Friendship
(5:59)  4. It Might As Well Be Spring
(4:30)  5. Sweet Georgia Brown
(3:43)  6. S' Wonderful!
(6:28)  7. It's The Talk Of The Town
(6:02)  8. Memories Of You
(6:41)  9. Everything Is Fine

---

Disc 2

(1:59)  1. Do You Know What It Means To Miss New Orleans
(6:09)  2. You're Driving Me Crazy
(4:21)  3. I've Got A Heartful Of Music
(5:01)  4. Old Folks
(4:10)  5. Don't Take Your Love from Me
(4:59)  6. London By Night
(3:27)  7. Wall Street Rag
(6:35)  8. Stars Fell on Alabama
(6:45)  9. Stardust
(4:56) 10. Flying Home

Lars Erstrand (27 September 1936  11 March 2009) was a Swedish vibraphonist. Being rooted in the golden Swing era, Erstrand's playing is much influenced by the style of Lionel Hampton. During the 1960s Erstrand met clarinetist Ove Lind, with whom he enjoyed a forty-year collaboration. Erstrand played with Benny Goodman in Paris 1972, who also joined Erstrand when playing at Michael's Pub in New York on several occasions. In 1991 the Swedish vibraphonist recorded an album Two Generations together with Lionel Hampton. Other musicians Erstrand has played with include Alice Babs, Svend Asmussen, Arne Domnérus, Bob Wilbur, Scott Hamilton, the Swedish Swing Society and Antti Sarpila. Many contemporary musicians have worked with Erstrand when visiting Sweden, such as clarinetist and tenor saxophonist Ken Peplowski and guitarist Frank Vignolia. ~ Bio http://en.wikipedia.org/wiki/Lars_Erstrand

Everything Is Fine Disc 1

Everything Is Fine Disc 2

---

Sonny Rollins - Road Shows, Vol.3

Styles: Saxophone Jazz
Year: 2014
File: MP3@320K/s
Time: 72:53
Size: 166,8 MB
Art: Front

( 8:32)  1. Biji
(15:19)  2. Someday I'll Find You
(12:27)  3. Patanjali
( 8:31)  4. Solo Sonny
(23:39)  5. Why Was I Born?
( 4:22)  6. Don't Stop the Carnival

Legendary tenor saxophonist Sonny Rollins has proven himself to be one of the most durable, consistently strong musicians of any era and genre. He started playing tenor saxophone in the 1940s, came into his own as a recognized player in the 1950s, and, except for short interruptions has been working and recording ever since. The reason he has been so steadily successful and productive is that he has unswervingly pursued his own exciting and highly inventive style that incorporates the bebop and hard bop idioms in a timeless way. His live performances and recordings therefore have remained fresh and vital across six decades. He keeps it that way by maintaining his physical and spiritual well-being and preserving his embouchure and lungs so well that he still sounds youthful at the age of 83. His other "secret" is that he is able to select, nurture, and discipline his ensembles so that they perfectly complement his playing. This album, like the previous two "Road Show" volumes, consists of live concert recordings, in this case selected from performances given between 2001 and 2012 in Saitama, Japan; Toulouse, Marseille, and Marciac, France; and St. Louis, MO. It consists of two Rollins originals that have become standards: "Biji," and "Don't Stop the Carnival;" a new composition: the mantra-like "Patanjali" (Rollins has practiced yoga for many years; Patanjali was an ancient yoga master); an untitled solo quoting many familiar tunes; and two standards: "Someday I'll Find You" and "Why Was I Born." 

He is surrounded by outstanding musicians, of whom trombonist Clifton Anderson and bassist Bob Cranshaw are Rollins "regulars," and the others have joined him on multiple occasions. Especially for live performances in large venues, the recording quality is excellent: crisp, clear, and balanced. The result is a carefully selected collection of "one take" tracks that are as good as or better than a well-crafted studio session. Everything comes together beautifully to make for a tight, unwaveringly interesting listening experience. The track "Someday I'll Find You" is notable for Rollins' exemplary interpretation of Noel Coward's standard from the 1930 play, "Private Lives." It is classic Rollins in the way he sustains interest over recurring choruses. In a subtle way, he captures some of the stylings of Coleman Hawkins, Lester Young, and Ben Webster as he explores a variety of intervals and motifs as only a jazz master can do. What is even more striking is the coherence of Rollins' improvisation from beginning to end. He weaves a complex fabric that is all of one piece and even captures some of Cowards' own sense of irony.

"Solo Sonny" is a long, rolling cadenza of the kind that Rollins often inserts into his performances, perhaps as a way of giving his sidemen a recess. It consists of a gallimaufry (stew) of brief quotes from many standards woven together in a way that has just enough consistency that it sticks together. Rollins keeps your attention as you try to identify the tunes that appear in rapid sequence, not unlike the TV quiz show, "Jeopardy." This is sheer fun, while the other tracks have musical interest and value. The backup groups, with some variations in personnel, support Rollins well. Mainstays, trombonist Clifton Anderson and bassist Bob Cranshaw are unobtrusive and provide a perfect foil for Rollins. Guitarist Bobby Broom takes a laidback blues-oriented solo in "Someday I'll Find You," and Peter Bernstein interpolates his distinctively modern guitar turns in "Patanjali." The various iconic drummers and percussionists display controlled energy and momentum throughout. This album shows without question that, if a jazz musician keeps working at what he's good at, and has the support of outstanding and well-coordinated sidemen, the possibilities of personal expression are unending. Not at all a nostalgic look back, the music in this album is fresh and new. ~ Victor L.Schermer  http://www.allaboutjazz.com/sonny-rollins-road-shows-vol-3-2014-by-victor-l-schermer.php#.U8AOPbFryM0
 

Personnel: Sonny Rollins: tenor saxophone; Clifton Anderson: trombone; Stephen Scott: piano (1); Bobby Broom: guitar (2, 4, 5); Peter Bernstein: guitar (3); Bob Cranshaw: bass; Kobie Watkins: drums (3. 4, 6); Perry Wilson: drums (1); Steve Jordan: drums (5); Victor Lewis: drums (2); Kimati Dinizulu: percussion (1, 2, 5); Sammy Figueroa: percussion (3, 4, 6).

Road Shows, Vol.3

---