Bitrate: MP3@320K/s
Time: 50:59
Size: 116.7 MB
Styles: Blues/jazz vocals
Year: 2006
Art: Front
[4:58] 1. Love The One You're With
[2:51] 2. I Can Laugh About It Now
[3:20] 3. No Particular Place To Go
[3:27] 4. I'm Confessin'
[2:43] 5. Gotcha
[5:29] 6. That Lucky Old Sun
[3:43] 7. Mercy, Mercy, Mercy
[5:22] 8. A Change Is Gonna Come
[4:35] 9. Carefree
[3:49] 10. Work Song
[4:50] 11. Love Hurts
[5:46] 12. Harlem Nocturne
No less than Ike Turner and Charlie Daniels have raving quotes in the packaging of the famed R&B/soul/jazz belter's rip-roaring, funky, and swinging mix of originals and standards from the worlds of rock and jazz -- but the former Ikette could have had numerous other legends chime in. She's worked with 'em all, singing with Eric Clapton, Joe Cocker, George Harrison, Leon Russell, and Carly Simon and having tunes recorded by everyone from the Staple Singers to Hank Williams, Jr. Although she returned from a long musical hiatus with 2002's Nashville date I'm Still the Same, this collection signals her full-scale return to the soul sounds that inspired her jazz fame in St. Louis and rock notoriety in L.A. The way she bursts from the gate, rockin' on "Love the One You're With" and jamming on her edgy original blues number "I Can Laugh About It Now," the listener is prepared for a fiery party -- but then she pulls a low-key seductive jazz rabbit out of her hat. And not just on standards, either, though she pays homage to greats like Cannonball Adderley and classic dates like "Harlem Nocturne." She cleverly turns Chuck Berry's "No Particular Place to Go" into a cool, organic meditation, and lets "I'm Confessin'" simmer in a dreamy jazz blues stew. There's a sweet balance throughout between graceful reflections like "That Lucky Old Sun" and swinging barnburners like her own "Gotcha," with blistering twists on Sam Cooke and "Love Hurts" thrown in for good measure. Providing full support is her Nashville-based ensemble, Mr. Groove, which is more than up to every rhythmic and harmonic task her stylistic diversity demands. It's almost like she can't decide if she wants to be a jazz singer or a blues-rocker who loves R&B. So she does it all. ~Jonathan Widran
Roots, Blues & Jazz
Bitrate: MP3@320K/s
Time: 41:28
Size: 94.9 MB
Styles: Blues/jazz vocals
Year: 2008
Art: Front
[3:07] 1. Sure Got A Way With My Heart
[3:54] 2. Witness For Love
[4:00] 3. Strongest Weakness
[3:44] 4. Beautiful
[4:09] 5. For What It's Worth
[3:57] 6. Some Of My Best Friends
[3:21] 7. I Do Believe
[3:48] 8. Shake Somethin' Loose
[3:56] 9. Bless 'em All
[4:21] 10. It's Gonna Rain
[3:06] 11. He'll Take Care Of You
Bonnie Bramlett looks you straight in the eye. Then she lays it out. "I don't do 'famous,'" she says, her voice as wise and true as a Saturday night slow-drag or a Sunday morning sermon. "I don't have an entourage. I don't ride in limos. I don't call cars. It takes a lot of work to be famous..." And here she leans back, her eyes dancing playfully. "...and I'm just a lazy girl." Laughter follows, as infectious and beckoning as the rhythm in her speech. Even so, it only hints at how Bramlett communicates through songs - and that case is made clear on Beautiful, the latest and certainly one of the greatest albums this peerless singer has ever tracked.
Bramlett has followed just about every path through the landscape of American music. Go back beyond her previous release, the title-says-it-all Roots, Blues & Jazz, back through the phenomenon of Delaney & Bonnie, whose electrifying shows inspired Eric Clapton to give up his superstar spotlight and woodshed as a member of their band, earlier even than her apprenticeship as the only white Ikette ever welcomed into the Ike & Tina Turner Revue, all the way to the days when she used to sneak as a teen from her steel-town neighborhood into black blues bars of St. Louis, to hear and then to sing with the likes of Little Milton and Albert King.
All of these experiences come together on Beautiful, an album that's elegant in its simplicity and profound in its depth. It was recorded with the best of the Muscle Shoals rhythm section joined by roots-rock veterans, members of Little Richard's and Delbert McClinton's bands, and others gathered by Johnny Sandlin, whose artist-centric productions defined the Southern rock movement and gave Bramlett the inspiration she needed to record two of her best solo albums, It's Time (1975) and Lady's Choice (1976).
Bramlett has followed just about every path through the landscape of American music. Go back beyond her previous release, the title-says-it-all Roots, Blues & Jazz, back through the phenomenon of Delaney & Bonnie, whose electrifying shows inspired Eric Clapton to give up his superstar spotlight and woodshed as a member of their band, earlier even than her apprenticeship as the only white Ikette ever welcomed into the Ike & Tina Turner Revue, all the way to the days when she used to sneak as a teen from her steel-town neighborhood into black blues bars of St. Louis, to hear and then to sing with the likes of Little Milton and Albert King.
All of these experiences come together on Beautiful, an album that's elegant in its simplicity and profound in its depth. It was recorded with the best of the Muscle Shoals rhythm section joined by roots-rock veterans, members of Little Richard's and Delbert McClinton's bands, and others gathered by Johnny Sandlin, whose artist-centric productions defined the Southern rock movement and gave Bramlett the inspiration she needed to record two of her best solo albums, It's Time (1975) and Lady's Choice (1976).
Beautiful
