Monday, October 26, 2015

Kenny Barron - Other Places

Styles: Piano Jazz
Year: 1994
File: MP3@320K/s
Time: 66:42
Size: 152,8 MB
Art: Front

( 5:24)  1. Anywhere
( 6:48)  2. Other Places
( 7:53)  3. Mythology
( 7:59)  4. For Heaven's Sake
( 5:15)  5. Ambrosia
( 6:42)  6. Wildlife
(10:48)  7. I Should Care
( 8:25)  8. Nikara's Song
( 7:25)  9. Hey, It's Me You're Talkin' To

In the 1990s, Kenny Barron was finally recognized as one of jazz's top pianists, recording a series of top-notch and consistently inventive releases. This CD has seven of Barron's originals in which he is teamed with Ralph Moore (tenor and soprano), vibraphonist Bobby Hutcherson, bassist Rufus Reid, drummer Victor Lewis, and sometimes percussionist Mino Cinelu. These fine performances help to define the modern mainstream of the period. In addition, there are a pair of standards ("For Heaven's Sake" and a lengthy version of "I Should Care") that are played as sensitive duets with Reid. Excellent and often exquisite music. ~ Scott Yanow  http://www.allmusic.com/album/other-places-mw0000623067

Personnel: Kenny Barron (piano); Ralph Moore (soprano & tenor saxophones); Bobby Hutchinson (vibraphone); Rufus Reid (acoustic bass); Victor Lewis (drums); Mino Cinelu (percussion).

Other Places

Lou Watson - Taking A Chance On Love

Styles: Vocal Jazz
Year: 2007
File: MP3@320K/s
Time: 42:01
Size: 96,7 MB
Art: Front

(4:06)  1. I Just Found Out About Love
(4:43)  2. Girl Talk
(5:22)  3. Taking A Chance On Love
(5:07)  4. My Romance
(3:32)  5. Just The Two Of Us
(4:05)  6. The Days Of Wine And Roses
(4:22)  7. Send One Your Love
(3:31)  8. Fools Rush In
(2:31)  9. Time After Time
(4:37) 10. My Girl

Vocalist Lou Watson has completed his new CD, “Taking a Chance on Love” for release on the Village Notz Record Label, produced by Grammy-winning producer Jack Kreisberg, and recorded by Grammy-winning engineer Ben Elliott. The CD was arranged by Onaje Allan Gumbs and feature such notables as Bob DeVos on guitar, Marcus McLaurine and Wayne Batchelor on bass, Vince Ector on drums, Roger Byam on saxophones and Emedin Rivera on percussion. The project features many familiar straight-ahead jazz, Brazilian standards and ballads that showcase Lou's very recognizable baritone sound. On this project, Lou does his take on many well known tunes and brings a warm familiarity in the process. Listen and enjoy! http://www.cdbaby.com/cd/louwatson2

Personnel:  Lou Watson (vocal);  Bob DeVos (guitar); Roger Byam (alto saxophone, tenor saxophone); Onaje Allan Gumbs (piano); Emedin Rivera (percussion).

Taking A Chance On Love

Sunday, October 25, 2015

The Lucky Duckies - Glamour & Nostalgia: Part One

Size: 116,7 MB
Time: 49:24
File: MP3 @ 320K/s
Released: 2010
Styles: Swing, Rock & Roll
Art: Front

01. Tao Bom (2:06)
02. Exactly Like Mario (2:01)
03. Somebody New (1:56)
04. Bill Bailey, Won't You Please Come Home (1:47)
05. Tell Me Lord Up Above (4:24)
06. The Way You Look Tonight (4:15)
07. Mr. Trump (2:24)
08. Hurt (4:35)
09. Uncle Paul Anka (3:13)
10. My Baby Just Cares For Me (2:28)
11. Pretty Baby (1:58)
12. Mr. Valentino (2:38)
13. Cartas De Amor (3:16)
14. Who Put The Bomp (2:41)
15. Hushabey (3:20)
16. C'mom Everybody (1:56)
17. My Blue Heaven (1:39)
18. Sh-Boom (2:40)

The Lucky Duckies are a revival band "cut" from some Las Vegas Casino in the Fifties or the early Sixties. The band includes "crooner" Marco Antonio, female singer Cláudia Faria, piano player, upright bass player, guitar player and drummer. Together they offer us joy and entertainment in the style of Dean Martin or Dinah Shore, and they don't forget Elvis, Sinatra, or Nat King Cole. Their spirit is jokey and very interactive, and more than good music, they give us pure entertainment! They promise us lots of Swing Jazz, Country Music, Boleros and Rock'n'Roll. The quality of this band has been recognized by the Media that divulged this project with "glamour and nostalgia" worldwide. They released 2 albums, one in 2010 and another in 2013. These records includes original songs and classics with new arrangements. They have toured the five continents.

Glamour & Nostalgia: Part One

Georgie Fame, Uschi Bruning & Alan Skidmore - A Declaration Of Love

Size: 125,1 MB
Time: 53:46
File: MP3 @ 320K/s
Released: 2015
Styles: Jazz Vocals
Art: Front

01. Rockin' Chair (Georgie Fame) (3:59)
02. Mr. PC (Alan Skidmore Quartet) (6:12)
03. Jumping With Symphony Sid (Georgie Fame) (5:57)
04. On A Misty Night (Georgie Fame) (7:22)
05. A Declaration Of Love (Georgie Fame) (5:21)
06. Yeh Yeh (Georgie Fame) (5:47)
07. Black Coffee (Uschi Bruning) (6:52)
08. Anthropology (Uschi Bruning) (2:42)
09. God Shall Wipe All Tears Away (Uschi Bruning) (3:50)
10. Stormy Monday (Georgie Fame & Uschi Bruning) (5:40)

Personnel: Uschi Brüning (vocals); Georgie Fame (vocals, piano); Alan Skidmore Quartet (tenor saxophone); Steve Melling (piano); Ian Palmer (drums).

Recorded at Kammermusiksaal der Berliner Philharmonie, September 19, 2008.

The Jazzwerkstatt was just launched when my good English friend (saxophonist) Alan Skidmore and his quartet gave a concert dedicated to the music of John Coltrane. Later we talked about Georgie Fame whom I had seen just recently in a Van Morrison BBC feature. Some days before Id heard Georgie's CD with the Danish Radio Big Band and, anyway, I knew him well for a long time. Moreover, I had to arrange a concert with (German jazz/soul singer and songwriter) Uschi Brüning. That is how it was decided to stage a concert at the (Berliner Philharmonie) Kammermusiksaal the way we hear it on this CD. (Ulli Blobel)

A Declaration Of Love

Joey 'G-Clef' Cavaseno - Live With Bobby Forrester

Size: 186,3 MB
Time: 80:18
File: MP3 @ 320K/s
Released: 2014
Styles: Jazz: Swing, Bop
Art: Front

01. Robbin’s Nest (Live) ( 9:18)
02. Candy (Live) ( 9:02)
03. Little Suede Shoes (Live) (10:08)
04. Turfer’s Blues (Live) (11:05)
05. You Are Too Beautiful (Live) ( 4:21)
06. Honeysuckle Rose (Live) ( 8:26)
07. Battle Royal (Live) (10:30)
08. Night In Tunisia (Live) (14:48)
09. Jumpin’ With Symphony Sid (Live) ( 2:35)

Personnel:
Alto Saxophone – Joseph Cavaseno
Drums – Tootsie Bean
Electric Guitar – William Ash
Layout – Jesse Scherr
Organ – Bobby Forrester
Percussion – Daniel Sadownick

Grooving, hard-swinging Bebop with the last of the great organists, the now late, great Bobby Forester, recorded live in 1994 in Brookhaven Jazz Festival, in Long Island, NY. Alto Saxist Joey "G-Clef" Cavaseno, of Illinois Jacquet and Panama Francis fame, was becoming one of the top straight ahead, hard-swinging alto saxophonists. Also featured, are guitar great William Ash, and legendary drummer of Ruth Brown fame, Tootsie Bean. This set swings ridiculously hard from top to bottom, and the group's enthusiasm is contagious. A Rare Gem!

Live With Bobby Forrester

Benny Goodman - The Essential Benny Goodman (2-Disc Set)

One of at least seven entirely different compilations that brandish the word "Essential" in their titles, this double-disc anthology of 40 classic swing performances actually does convey the essence of Benny Goodman, and is therefore highly recommended. The recordings, most of them cut in the Victor and Columbia studios between 1934 and 1945, are laid out in four exacting categories of ten tracks apiece. A tribute to Goodman's big-band arrangers pays homage to Fletcher and Horace Henderson, Edgar Sampson, Jimmy Mundy, George Bassman, Deane Kincaide, Spud Murphy, Eddie Sauter and Mel Powell. A "Visit to Tin Pan Alley" salutes songwriters George & Ira Gershwin, Richard Rodgers and Lorenz Hart, Richard Whiting, Johnny Mercer, Cole Porter and Vernon Duke. The superb lineup of vocalists includes Helen Ward, Martha Tilton, Mildred Bailey, Helen Forrest and Peggy Lee. Goodman's small groups, from trios to septets, are well represented here.

Starting with the cardinal players Teddy Wilson, Gene Krupa and Lionel Hampton, the potent third segment of the album gradually ushers in such brilliant improvisers as Charlie Christian, Red Norvo, Cootie Williams, Georgie Auld, Johnny Guarnieri and Count Basie. This marvelous double album closes with ten examples of Goodman performing in front of live audiences. These radio broadcast airchecks document the manner in which most people in North America heard Goodman on a regular basis. Perhaps the best of these is the final track; an exciting five-and-a-half minute version of Fats Waller's "Stealin' Apples" performed on the roof of the Hotel Astor in New York City. This swinging performance demonstrates exactly why Benny Goodman was so popular before, during and after the Second World War. ~arwulf arwulf

Album: The Essential Benny Goodman (Disc 1)
Bitrate: MP3@320K/s
Time: 70:40
Size: 161.8 MB
Styles: Clarinet jazz, Big band
Year: 2007
Art: Front

[2:32] 1. Let's Dance
[2:56] 2. Bugle Call Rag
[3:08] 3. King Porter Stomp
[3:21] 4. Don't Be That Way
[3:09] 5. When Buddha Smiles
[8:39] 6. Sing, Sing, Sing (With A Swing)
[3:05] 7. Big John's Special
[3:06] 8. Get Happy
[4:31] 9. Stealin' Apples
[8:43] 10. Oh! Baby
[2:29] 11. Goody Goody
[2:28] 12. There's A Small Hotel
[2:48] 13. You Turned The Tables On Me
[3:02] 14. Can't Teach My Old Heart New Tricks
[2:45] 15. This Can't Be Love
[2:31] 16. I Love You More And More Each Day
[2:57] 17. It Never Entered My Mind
[3:07] 18. Taking A Chance On Love
[2:00] 19. Let's Do It (Let's Fall In Love)
[3:14] 20. How Long Has This Been Going On


Album: The Essential Benny Goodman (Disc 2)
Bitrate: MP3@320K/s
Time: 63:48
Size: 146.1 MB
Styles: Carinet jazz, Big band
Year: 2007
Art: Front

[2:46] 1. After You've Gone
[2:37] 2. Runnin' Wild
[3:25] 3. The Man I Love
[3:10] 4. Moonglow
[3:11] 5. Flying Home
[2:46] 6. Rose Room
[2:52] 7. Good Enough To Keep (Air Mail Special)
[2:41] 8. The World Is Waiting For The Sunrise
[3:02] 9. Wholly Cats
[2:52] 10. Rachel's Dream
[2:36] 11. Ridin' High
[2:08] 12. Sunny Disposish
[3:22] 13. Body And Soul
[2:12] 14. Sweet Leilani
[4:15] 15. Roll 'em
[3:41] 16. Life Goes To A Party
[4:11] 17. Avalon
[2:29] 18. Swingtime In The Rockies
[3:53] 19. My Gal Sal
[5:30] 20. Stealin' Apples


Frank Wess - Pin Up

Bitrate: MP3@320K/s
Time: 78:59
Size: 180.8 MB
Styles: Saxophone jazz
Year: 2014
Art: Front

[4:02] 1. Pin Up
[5:22] 2. Playboy
[5:43] 3. Gone With The Wind
[3:55] 4. You'd Be So Nice To Come Home To
[4:19] 5. Yesterdays
[8:22] 6. Rainy Afternoon
[6:15] 7. Bohemia After Dark
[6:05] 8. I See Your Face Before Me
[8:23] 9. Things Ain't What They Used To Be
[8:29] 10. Kansas City Side
[9:24] 11. Steamin'
[4:09] 12. Baubles, Bangles And Beads
[4:24] 13. Wanting You

One of the first major jazz flutists, Frank Wess was also a top Lester Young-influenced tenor man, an expert first altoist, and an occasional composer/arranger -- certainly a valuable man to have around. Early on he toured with Blanche Calloway, served in the military, and had stints with the Billy Eckstine Orchestra (1946), Eddie Heywood, Lucky Millinder, and R&B star Bull Moose Jackson. That was all just a prelude to Wess' important period with Count Basie's big band, from 1953-1964. His flute playing, so expertly utilized in Neal Hefti's arrangements, gave the Basie Orchestra a fresh new sound, and his cool-toned tenor contrasted well with the more passionate sound of fellow tenor Frank Foster; Wess also had opportunities to play alto with the classic big band. Wess subsequently freelanced in countless settings, playing with Clark Terry's big band, the New York Jazz Quartet (with Roland Hanna) during the second half of the 1970s, Dameronia (1981-1985), and Toshiko Akiyoshi's big band, and also had occasional reunions with Frank Foster. Frank Wess led sessions for Commodore (1954), Savoy, Prestige, Moodsville, Pablo (with Foster), Progressive, Uptown, Concord, and Town Crier. He died of a heart attack at the age of 91 in Manhattan on October 30, 2013. ~bio by Scott Yanow

Pin Up

Jeff Hamilton - Dynavibes

Bitrate: MP3@320K/s
Time: 51:43
Size: 118.4 MB
Styles: Bop, Vibraphone jazz
Year: 2007
Art: Front

[5:26] 1. Killer Joe
[4:00] 2. Just Like Sd
[6:15] 3. Cherokee
[6:33] 4. Long Ago And Far Away
[6:19] 5. Sweet Lorraine
[4:41] 6. Close Enough For Love
[5:07] 7. Happy Kick
[4:16] 8. Midnight Sun
[3:33] 9. Todo
[5:28] 10. Blues For Milt

Although vibraphonist Frits Landesbergen had recorded a couple of dates as a leader for Timeless prior to appearing as a guest with the Jeff Hamilton Trio on the 1996 studio session Dynavibes, the Mons CD should introduce him to a wider audience. With Hamilton's first-rate drumming and solid accompaniment from pianist Larry Fuller and bassist Lynn Seaton, the trio turns over the spotlight to Landesbergen, who acquits himself rather well with his four-mallet technique playing a mix of standards like "Cherokee" and "Sweet Lorraine," bop classics ("Killer Joe"), and a quartet of intriguing originals, including the funky "Happy Kick" and a smoking tribute to a legendary vibraphonist, "Blue for Milt." Overall, this is a very rewarding session. ~Ken Dryden

Dynavibes

Maureen McGovern - The Best Of Maureen McGovern

Bitrate: MP3@320K/s
Time: 35:46
Size: 81.9 MB
Styles: Easy Listening
Year: 2005
Art: Front

[2:20] 1. The Morning After
[3:24] 2. Where Did We Go Wrong
[2:09] 3. We May Never Love Like This Again
[2:50] 4. Everybody Wants To Call You Sweetheart
[2:29] 5. Nice To Be Around
[2:58] 6. Put A Little Love Away
[2:54] 7. Love Songs Are Getting Harder To Sing
[3:20] 8. Even Better Than I Know Myself
[2:45] 9. Give Me A Reason To Be Gone
[3:29] 10. Love Knots
[3:51] 11. I Won't Last A Day Without You
[3:12] 12. Like A Sunday Morning

The Best Of Maureen Mcgovern: 20th Century Masters is the first collection to showcase McGovern's treasure of pop and adult contemporary fare, recorded between 1973 and 1975 for the 20th Century Records label. Featured in the collection is her Oscarr winning #1 hit 'The Morning After (Theme From The Poseidon Adventure)' as well as radio and fan favorites 'I Won't Last A Day Without You', 'Nice To Be Around' and 'Give Me A Reason'. Each selection has been newly remastered for superior sound.

The Best Of Maureen McGovern

Allen Toussaint - Songbook (Deluxe Edition)

Styles: Vocal And Piano Jazz
Year: 2013
File: MP3@320K/s
Time: 78:36
Size: 181,2 MB
Art: Front

( 0:54)  1. Introduction
( 3:57)  2. It's Raining
( 2:05)  3. Lipstick Traces
( 0:39)  4. Introduction To Brickyard Blues
( 3:29)  5. Brickyard Blues
( 3:31)  6. With You In Mind
( 4:09)  7. Who's Gonna Help Brother Get Further
( 1:58)  8. Sweet Touch Of Love
( 3:02)  9. Holy Cow
( 0:12) 10. Introduction To Get Out Of My Life, Woman
( 3:01) 11. Get Out Of My Life, Woman
( 4:11) 12. Freedom For The Stallion
( 2:23) 13. St. James Infirmary
( 0:12) 14. Introduction To Shrimp Po-Boy, Dressed
( 3:17) 15. Shrimp Po-Boy, Dressed
( 2:41) 16. Soul Sister
( 3:42) 17. All These Things
( 4:06) 18. We Are Americayes We Can
( 2:51) 19. The Optimism Blues
( 3:38) 20. Old Records
( 3:15) 21. Certain Girl Medley Certain Girlmother-In-Lawfortune Tellerworking In The Coal Mine
( 3:07) 22. It's A New Orleans Thing
( 2:37) 23. I Could Eat Crawfish Everyday
( 2:26) 24. There's No Place Like New York
(13:00) 25. Southern Nights

New Orleans musicians laid the cornerstone for a large swath of American music, and Allen Toussaint is among the city s most gifted players. As a composer, arranger, producer, pianist and singer, Allen has created an enduring body of work that includes local hits by Irma Thomas and Lee Dorsey; songs covered by Glen Campbell, the Rolling Stones and Robert Plant & Alison Krauss; national hits by Ernie K-Doe and LaBelle; and collaborations with Paul McCartney and Elvis Costello, all in addition to his own recording career. He was inducted into the Rock and Roll Hall of Fame in 1998, and was awarded the National Medal of Arts by President Obama in July, 2013.

Songbook presents Allen Toussaint as many of his fans have longed to hear him, in an intimate solo setting, performing many of his best-loved songs. His piano playing is a marvel, with its orchestral conception and effortless New Orleans syncopation. But what comes across most strongly is the warmth of Allen s performance. The gentle Creole lilt in his voice brings a resonance and a smile to his songs, rivaling the versions he produced for others. Recorded live at Joe s Pub in New York, the deluxe edition of Songbook includes a DVD with backstage and studio interviews. ~ Editorial Reviews  http://www.amazon.com/Songbook-DVD-Combo-Deluxe-Edition/dp/B00BHWG1OO

Songbook (Deluxe Edition)

John Vance - It's All Right With Me

Styles: Jazz, Vocal
Year: 2003
File: MP3@320K/s
Time: 44:26
Size: 102,2 MB
Art: Front

(2:00)  1. I'll Take Romance
(2:25)  2. Haven't We Met
(5:49)  3. Isn't It Romantic
(2:38)  4. One Note Samba
(4:39)  5. The Nearness of You
(4:11)  6. Wave
(5:08)  7. When Sunny Gets Blue
(3:34)  8. The Best is Yet to Come
(5:23)  9. Easy Living
(2:52) 10. There Will Never Be Another You
(2:23) 11. It's All Right With Me
(3:18) 12. Two for the Road

Another day dawns and another new male vocalist interpreting the Great American Songbook appears... but here's one who does it right. John Vance, with acting credentials from television, commercials and film, wanted to pursue his muse in becoming a jazz singer in 2001 and has co-produced this collection of twelve tracks. He is a resident in the L.A. area and also appears in local clubs there. This album is a winner on several levels. Mr.Vance has a pleasant voice, not a significant one, and I would compare it somewhat to a Chet Baker presentation, on at least a portion of these songs. Baker was lambasted for not being a "good singer," which only acted in stimulating both the public and his own incentive to do more. Let's compare John Vance to the most popular male jazz vocalists to come along in the past year.


Peter Cincotti has the public convinced that he's the next Harry Connick Jr. I'm convinced that he's got a great public relations machine behind him and that he's the next supermodel for The Gap or Old Navy. He's a pretty good pianist but sings without any soul. Michael Buble, a young Canadian vocalist, with a good stage presence, has a pleasant delivery on pop songs with a trace of Mel Torme. He is not a jazz vocalist. Although I've never seen or heard John Vance other than this album, I'd put him ahead of either of these folks. He has a jazz sensibility that sets him apart from the others. The choice of material here is just right. Whether it's timing or good planning, several of these songs are ready for rediscovery, having been performed ad nauseum in the past. Good examples are the opening Oscar Hammerstein piece "I'll Take Romance," Kenny Rankin's "Haven't We Met," and the Warren-Gordon "There Will Never Be Another You" all staples of a typical 1960s bistro set list. Others like the Ned Washington-Hoagy Carmichael "The Nearness of You" and Mancini's film music "Two For The Road" never got enough attention along the way. Sure, there are some songs here that we could do without, like the title tune and even the Jobim classic "Wave," that have grown tired. Vance and his trio, Jeff Colella, Randy Landas and Rod Harbour succeed in conveying a sensitive and swinging piano trio sound that is perfect accompaniment to the singer. Mr. Vance shows a "cabaret" affinity in selecting the right songs for the right occasion. We are indeed advised that this album, released late last year, won a "Best Cabaret CD of 2003" by the Beverly Hills Outlook. ~ Michael P.Gladstone  http://www.allaboutjazz.com/its-all-right-with-me-john-vance-erawan-records-review-by-michael-p-gladstone.php

Personnel: John Vance, vocals;  Jeff Colella, piano;  Randy Landas, bass;  Rod Harbour, drums.

It's All Right With Me

Lulu - The Atco Sessions 1969-1972(Disc 1) And (Disc 2)

Dusty Springfield thrived when she traveled to Memphis and recorded with producers Jerry Wexler, Tom Dowd and Arif Mardin and a bunch of Muscle Shoals pros, cutting music that was soulful and successful, so it made sense for Atco/Atlantic to put Lulu, another British pop-soul singer, through the same drill. At least it did on paper, but as Rhino UK's The Atco Sessions: 1969-1972 a deluxe double-disc reissue of the 1970 albums New Routes and Melody Fair, buttressed with almost a full album's worth of unreleased material cut with Dowd in 1970, the 1972 single "It Takes a Real Man (To Bring Out the Woman in Me)"/"You Ain't Wrong You Just Ain't Right," some alternate takes and other stray tracks the results weren't nearly as compelling as the classic Dusty southern sessions, even if almost every element from those records was replicated here. Lulu is supported by a cast of all-stars the Dixie Flyers featuring Jim Dickinson, the Memphis Horns, the Sweet Inspirations do backing vocals, Felix Cavaliere lays down percussion, even Duane Allman shows up on New Routes the production is sharp and soulful, and she sings with considerable spunk and sass...and that may be the problem, actually. Whereas Springfield was a nuanced deep soul singer, Lulu's appeal almost always relied on her energy, and while she leans hard on that here, it's not enough to give these records some spark because the setting is too smooth and soulful to be swayed by her relentless good cheer. Even if these recordings are strangely, slightly off, with Lulu's strengths not fitting well with that of the pros, this is hardly bad music: Lulu gives it her all and the productions are impeccable, even if they're not quite engaging, so this is worth a listen for those who value either the singer or the players here. ~ Stephen Thomas Erlewine  http://www.allmusic.com/album/the-atco-sessions-1969-1972-mw0001163629

Disc 1
Styles: Pop/Rock
Year: 2008
File: MP3@320K/s
Time: 68:14
Size: 156,6 MB
Art: Front

(3:21)  1. Marley Purt Drive
(3:30)  2. In the Morning
(2:43)  3. People in Love
(3:17)  4. After All (I Live My Life)
(2:59)  5. Feelin Alright
(2:22)  6. Dirty Old Man
(2:42)  7. Oh Me Oh My (I m a Fool for You Baby)
(2:41)  8. Is That You Love
(3:08)  9. Mr. Bojangles
(3:05) 10. Where's Eddie
(2:42) 11. Sweep Around Your Own Back Door Melody Fair
(2:36) 12. Good Day Sunshine
(2:48) 13. After the Feeling Is Gone
(3:12) 14. I Don't Care Anymore
(2:50) 15. (Don't Go) Please Stay
(2:48) 16. Melody Fair
(2:52) 17. Take Good Care of Yourself
(2:45) 18. Vine Street
(2:58) 19. Move to My Rhythm
(3:21) 20. To the Other Woman (I'm the Other Woman)
(2:43) 21. Hum a Song (from Your Heart)
(3:33) 22. Sweet Memories
(3:09) 23. Saved

The Atco Sessions  1969-1972 (Disc 1)

Disc 2
Time: 44:09
Size: 101,3 MB
Art: Front

(3:25)  1. Bury Me Down by the River
(2:11)  2. Got to Believe in Love
(2:19)  3. Jokers Wild
(3:27)  4. Come Down in Time
(2:23)  5. Everybody s Got to Clap
(2:22)  6. Back Home
(2:44)  7. Things Are Getting Better
(2:44)  8. Love Song
(3:00)  9. Goodbye My Love, Goodbye with the Dixie Flyers
(2:57) 10. It Takes a Real Man (to Bring Out the Woman in Me)
(2:20) 11. You Ain't Wrong You Just Ain't Right
(2:58) 12. Even If I Could Change
(3:02) 13. Hum a Song (from Your Heart)
(3:27) 14. I Don't Care Anymore (Early Mix)
(2:14) 15. I Got to Believe in Love (Early Version)
(2:29) 16. Povera Me (Oh Me Oh My)

The Atco Sessions  1969-1972 (Disc 2)

John Proulx - The Best Thing For You

Styles: Vocal and Piano Jazz
Year: 2012
File: MP3@320K/s
Time: 71:27
Size: 164,1 MB
Art: Front

(5:56)  1. The Best Thing For You (Would Be Me)
(5:36)  2. Sing
(4:31)  3. Jogger Chronicles
(5:17)  4. Love Is For Dreamers
(4:50)  5. I Can't Give You Anything But Love
(5:56)  6. Angel
(5:24)  7. Wabash
(5:33)  8. Before We Say Goodnight
(4:38)  9. Push Hands Anna
(5:29) 10. And So It Goes
(4:12) 11. Two of a Kind
(5:04) 12. In the Days of Our Love
(3:46) 13. Here's to the "Chuckster"
(5:07) 14. Proulx's Blues

While female jazz vocalists outnumber male jazz vocalists five to one, it would be a fallacy to believe there is not a wealth of talent among the men singers. With Louis Armstrong and Chet Baker now memories, and Mark Murphy and Jon Hendricks in twilight, as Kurt Elling ascends their throne, there exists a vocal diaspora of the most refined and sonically appealing voices singing, and they are all men. Andy Bey, Beat Kaestli, Henry Darragh and John Proulx all have beautifully sweet and slightly androgynous voices that are able to flatter a broad range of song types. Proulx, who has previously released the uniformly excellent Moon and Sand (2006) and Baker's Dozen: Remembering Chet Baker on Maxjazz, proves again, on The Best Thing For You, that he is the leader of this pack.

The Best Thing For You weighs heavier with Proulx originals than standards and the entire assembly hangs as if born together. Proulx has great empathy with Irving Berlin, spinning his title tune into a tale that can only be described as delightful. Proulx channels Berlin's stage spirit in his own tunes, like the "Push Hands Anna," which is almost a throwback to the wartime Andrews Sisters, but sings perfectly now. Proulx programs the McHugh/Fields chestnut "I Can't Give You Anything But Love" with his own "Love Is For Dreamers," which he duets with Sara Gazarek. His excellent vocals and piano smooth the two rather different songs together into a homogenous whole, making perfect sense.

Proulx's core trio includes bassist Chuck Berghofer and drummer Joe LaBarbera, who also supported the singer on his two previous outings. Guitarist Larry Koonse, trumpeter Ron Stout and reed multi-instrumentalist Bob Sheppard all appear in different contexts. Pianist Bill Cunliffe shares production and song arrangement services with Proulx, while playing piano on Marian McPartland's "In The Days of Our Love." Proulx sings Peggy Lee's lyrics like they were penned yesterday. The duet between Cunliffe and Proulx is very effective. He also duets with the Berghofer on "Here's to The Chuckster," a song Proulx penned in honor of the bassist. Proulx is not a blues singer per se, but does demonstrate his affinity for the style on the piano, rendering a swinging "Proulx's Blues," which closes this most excellent recital. ~ C.Michael Bailey  http://www.allaboutjazz.com/the-best-thing-for-you-john-proulx-maxjazz-review-by-c-michael-bailey.php

Personnel: John Proulx: vocals. piano; Chuck Berghofer: bass; Joe La Barbera: drums; Sara Gazarek: vocals (4, 6, 8); Michael Feinstein: vocals (11); Bill Cunliffe: piano (12); Bob Shepphard: soprano, tenor saxophone & flute (1, 3, 5, 8, 10, 11); Larry Koonse: guitar (2, 4, 7-9); Ron Stout: trumpet (1, 3, 7, 11); Jeremy Boersma: cello (6).


The Best Thing For You

Saturday, October 24, 2015

Johnny Griffin & Steve Grossman Quintet - Take The D Train

Bitrate: MP3@320K/s
Time: 55:46
Size: 127.7 MB
Styles: Post bop, Saxophone jazz
Year: 2001
Art: Front

[8:06] 1. Take The D Train
[4:47] 2. Waltzswing
[6:07] 3. Don't Say Goodbye (Just Leave)
[6:18] 4. Nica's Tempo
[7:04] 5. Power Station
[5:07] 6. Little Pugie
[6:12] 7. You've Never Been There!
[6:00] 8. This Time The Dream's On Me
[6:01] 9. Taurus People

Johnny Griffin & Steve Grossman Quintet is a co-led, jamming collection of nine songs that projects the legendary hard bop style of tenor saxophonist Johnny Griffin and the ability of Steve Grossman to fuse his brand of tenor and soprano saxophone excellence, forming a cohesive, impressive set. While each player has developed a reputation for his "blowing sessions," this self-titled CD retains its complementary nature in much the same manner as those that featured Griffin with Hank Mobley or, more recently, with the highly talented tenor saxophonist Ron Blake on Up Front & Personal. Drummer Alvin Queen opens with commanding hard bop responses to the saxophonists on "Take the D Train," before launching into a great solo that is anything but recycled. The duo swings into "Waltzswing," the bop anthem penned by Griffin, and offers a very entertaining improvisation of Griffin's best-known tune. His ballad "Don't Say Good-Bye (Just Leave)" spotlights Griffin's mellow side, while "Power Station," written by pianist Michael Weiss, offers the two-horn approach a tandem concept with more improvisational variety than expected. The quintet does an excellent cover written by former Jazz Lab Quintet altoist Gigi Gryce titled "Nica's Tempo," with superb solos from both Pierre Michelot and Weiss. The mellow bass voicing by Michelot underscores this team very well and, overall, this hard bop set has its strong moments. Despite the trade-offs being more relaxed than many of Griffin's more powerful blowouts, this quintet still plays a great set! ~Paula Edelstein

Take The D Train

Matthew Sweet & Susanna Hoffs - Under The Covers Vols. 1 & 2

Album: Under The Covers Vol 1
Bitrate: MP3@320K/s
Time: 48:54
Size: 112.0 MB
Styles: Rock
Year: 2006
Art: Front

[3:42] 1. I See The Rain
[2:05] 2. And Your Bird Can Sing
[3:42] 3. It's All Over Now, Baby Blue
[5:49] 4. Who Knows Where The Time Goes
[2:43] 5. Cinnamon Girl
[3:33] 6. Alone Again Or
[3:06] 7. The Warmth Of The Sun
[2:49] 8. Different Drum
[2:47] 9. The Kids Are Alright
[3:24] 10. Sunday Morning
[2:24] 11. Everybody Knows This Is Nowhere
[3:53] 12. Care Of Cell #44
[3:23] 13. Monday, Monday
[2:21] 14. She May Call You Up Tonight
[3:06] 15. Run To Me

What do alt-rock/power pop heroes like Susanna Hoffs (The Bangles) and Mattew Sweet do on their time off? They get together in Matthew's comfy home studio and record a stunning album of their fovorite '60s pop hits ans rarities,of course! ~Amazon.com

Sid (Matthew Sweet, after his character's name in the Austin Powers band Ming Tea) and Susie (Susanna Hoffs, who joined him and Mike Myers in belting out "BBC" on the soundtrack) are in as fine voice as ever on Under the Covers, Vol. 1, a 15-song collection of tunes first made famous by the likes of the Beatles, the Beach Boys, the Mamas and the Papas, and the Who. And man, were they born to sing this stuff. Both the Bangles and Sweet discographies are derivative--in the best possible sense--of late-'60s pop-rock, and who didn't love the Merry-Go-Round, Grass Roots, Simon & Garfunkel, and Big Star covers Hoffs and company scattered among their originals? Recorded at Sweet's home studio in the Hollywood Hills, the album opens strong with "I See the Rain," a Marmalade song from 1967 that Jimi Hendrix called the year's best British single but was a hit only in the Netherlands. Maybe Sweet's stinging, ringing fretwork (he plays most of the non-percussion instruments on this disc) and Hoffs's throwback vocals will rectify that, nearly 40 years later. The two proceed to nail the Beatles' "And Your Bird Can Sing," one of the high points on Revolver, and score similarly with Fairport Convention's "Who Knows Where the Time Goes?" (Hoffs in full ballad mode), the Stone Poneys' "Different Drum," the Who's "The Kids Are Alright," Love's "Alone Again Or," and a pair of Neil Young numbers, "Cinnamon Girl" and "Everybody Knows This Is Nowhere." Some of the selections do miss the mark--Hoffs's smoky-sweet backing vocals seem a little misplaced on Dylan's "It's All Over Now, Baby Blue," and "The Warmth of the Sun" was probably the wrong Beach Boys track for Sweet to attempt (Brian Wilson himself strains at those high notes nowadays). But by and large this is a delightful power-pop excursion. Van Dyke Parks's liner notes, keyboards, and string arrangements make it that much better, as do Sweet collaborator Ric Menck's drums, Ed Fotheringham's illustrations, and Henry Diltz's photographs (Hoffs looks as stunning today as she did when laying down All Over the Place). ~Benjamin Lukoff

Under The Covers Vol 1

Album: Under The Covers Vol 2
Bitrate: MP3@320K/s
Time: 63:37
Size: 145.6 MB
Styles: Rock
Year: 2009
Art: Front

[3:31] 1. Sugar Magnolia
[3:29] 2. Go All The Way
[3:11] 3. Second Hand News
[5:01] 4. Bell Bottom Blues
[3:49] 5. All The Young Dudes
[4:19] 6. You're So Vain
[4:20] 7. Here Comes My Girl
[7:26] 8. I've Seen All Good People/Your Move/All Good People
[3:48] 9. Hello It's Me
[2:58] 10. Willin'
[2:32] 11. Back Of A Car
[3:26] 12. Couldn't I Just Tell You
[3:25] 13. Gimme Some Truth
[5:31] 14. Maggie May
[3:09] 15. Everything I Own
[3:34] 16. Beware Of Darkness

Power-pop sensation Matthew Sweet and Bangles vocalist Susanna Hoffs, otherwise known as “Sid & Susie,” unveiled their last project in 2009 on Shout! Factory, titled Under The Covers Vol. 2. This delightful collection features 16 of the duo’s favorite tunes from the 1970s, and is the much anticipated follow up to the highly-praised 60’s compilation Under The Covers Vol. 1, released in 2006.

Produced and recorded by Sweet and Hoffs in Sweet’s Lolina Green Studios in Los Angeles, Sweet and Hoffs treat the songs with reverence, showing their appreciation for this captivating decade of music. Under The Covers Vol. 2 features the pair’s perfectly harmonized voices on favorites from the genres of power-pop, glam, classic rock and even prog-rock. The pair get a little help from Lindsey Buckingham on their cover of Fleetwood Mac’s “Second Hand News,” Dhani Harrison playd on George Harrison’s “Beware of Darkness,” and Steve Howe guests on their version of the Yes song “I’ve Seen All Good People: Your Move/All Good People.”

Under The Covers Vol 2

George Shearing - The Best Of George Shearing (1955-1960)

Bitrate: MP3@320K/s
Time: 57:16
Size: 131.1 MB
Styles: Bop, Piano jazz
Year: 1985/1995
Art: Front

[2:28] 1. Midnight In The Air
[2:10] 2. Have You Met Miss Jones
[5:26] 3. Dancing On The Ceiling
[2:49] 4. Cuban Love Song
[4:33] 5. The Folks Who Live On The Hill
[4:37] 6. Nothing Ever Changes My Love For You
[2:51] 7. Friendly Persuasion (Thee I Love)
[2:21] 8. Later
[2:44] 9. Cheek To Cheek
[2:09] 10. Sand In My Shoes
[2:56] 11. Kinda Cute
[3:17] 12. September In The Rain
[3:22] 13. East Of The Sun (And West Of The Moon)
[2:58] 14. Estampa Cubano
[2:50] 15. A Ship Without A Sail
[3:01] 16. Laura
[3:36] 17. Bernie's Tune
[2:59] 18. Canadian Sunset

Blind British pianist Shearing got his start in recording way back in 1949, first on MGM, then settling in for a decades-long stay and mass popularity with Capitol records. He has played solo, and as a quartet, a quintet, with full orchestras, with great female jazz singers, and with Latin percussionists. He has made his mark with straight versions of the best standards as well as with pure jazz. He's good live (I saw him in 1965) and in the studio as well. This is a fine 18-song collection recorded as a quintet over six years and an amazing 15 separate LP's. Shearing is great as background sound for reading or a party, but he also rewards attentive listening via earphones. He had a zillion albums on vinyl and quite a few have made it to CD now. You really can't get cheated with any of them. What I like best on here are "Have You Met Miss Jones?" and "Dancing on the Ceiling" and "The Folks Who Live on the Hill" and "Cheek to Cheek". He also reprises his first record hit, "September in the Rain" and offers enjoyable versions of "East of the Sun" and "Canadian Sunset". While this kind of stuff is extremely pleasant listening, Shearing reached that goal by using a determined intelligence and great sidemen. If you like "piano jazz" as a category, you already own some George, don't you? If you lack Shearing, this is a worthy introduction. ~ William E. Adams

The Best Of George Shearing (1955-1960)

John Proulx - Moon And Sand

Styles: Vocal And Piano Jazz
Year: 2006
File: MP3@320K/s
Time: 54:11
Size: 124,4 MB
Art: Front

(2:47)  1. I've Never Been In Love Before
(4:58)  2. Moon and Sand
(3:59)  3. Alice in Wonderland
(4:23)  4. My Love For You
(4:15)  5. Do Nothin' Til You Hear From Me
(3:38)  6. What A Difference A Day Makes
(4:51)  7. Stuck In a Dream With Me
(2:55)  8. There Is No Greater Love
(4:09)  9. I Should Care
(5:00) 10. So In Love
(3:59) 11. East of the Sun
(4:50) 12. You'd Be So Nice to Come Home To
(4:22) 13. I Can't Make You Love Me

Los Angeles-native pianist/singer/composer John Proulx possesses the most thrillingly androgynous voice since Chet Baker whispered "My Funny Valentine. The comparison cannot stop there. Both Baker and Proulx nominally hail from the Midwest (Baker from Oklahoma, Proulx from Michigan). Both men sing with a vibrato-less high tenor; and both men gravitated to the same corner of the American musical canon. But there is where the similarities end. To dispense with the necessary Chet Baker comparisons from the get go, John Proulx is light years ahead of Baker as an expressive singer, and his classically trained pianism permits him to be a superior musician and composer. Proulx's debut recording, Moon and Sand, is part of MaxJazz's vocal piano series, whose previous releases have included Dena DeRose's A Walk in the Park (2005) and Patti Wicks' Love Locked Out (2003). Veteran bassist Chuck Berghofer and drummer Joe LaBarbera join Proulx for this recital.

What's most striking up front is the overt expressiveness of Proulx's voice. It is a pretty instrument, in the same way as the late Bobby Short's and Jimmy Scott's voices. It is a purely distilled spirit able to convey all emotions in the same way that stem cells convey all subsequent cell types, fundamental and basic. This element is best expressed on the disc's slower ballads, such as "Moon and Sand, "Alice in Wonderland, and the Proulx compositions "My Love for You and "Stuck in a Dream with Me (the ostensible redux for Baker's "Deep in a Dream ). 

Proulx's pianism is best heard on up-tempo pieces like "I've Never Been In Love Before and "You'd be so Nice To come Home to. His playing shines on these faster pieces, particularly during the bright solo sections. A superb recital by any name. 
~ C.Michael Bailey  http://www.allaboutjazz.com/moon-and-sand-john-proulx-maxjazz-review-by-c-michael-bailey.php

Personnel: John Proulx: piano, voice; Chuck Berghofer: bass, Joe LaBarbera: drums.

Moon And Sand

Lou Watson - It Doesn't Matter

Styles: Vocal Jazz
Year: 2003
File: MP3@320K/s
Time: 44:48
Size: 102,9 MB
Art: Front

(4:10)  1. Chance of a Lifetime
(4:57)  2. You Can't Hurry Love
(2:45)  3. Emily
(4:20)  4. Against All Odds (Take a Look At Me Now)
(4:41)  5. Like a Lover
(5:10)  6. So Many Stars
(4:42)  7. It Doesn't Matter
(5:01)  8. Diary of a Fool
(4:15)  9. Every Little Thing About Her
(3:17) 10. That's All
(1:24) 11. Like a Lover (Reprise)

"Lou's got class and an intoxicating vocal style."  That's what audiences are saying about Jazz vocalist and pianist/composer Lou Watson. He blends his deep, warm, sonorous baritone together with songs of his own creation, in the classic Jazz/R&B tradition, to produce sensuous, romantic, and truly timeless musical creations. Lou has that special kind of magic that comes with musical maturity. It's an inherent ease, an innate knowing. Unquestionably in his prime, Lou Watson's consummate artistry is on full display on It Doesn't Matter, his debut album, scheduled for release on the Village Notzâ?¢ Music label. The album will be available in e-Stores on December 11, 2003, and in stores January 12, 2004.  Effortlessly blending jazz and R&B with his ever-soulful approach, Lou brings new life to a selection of songs he carefully picked with acclaimed jazz pianist/composer/ arranger Onaje Allan Gumbs - the album producer. With Lou's superb lyrical interpretations, Onaje Allan Gumbs' masterful production and arrangements, and a cadre of top-flight musicians, the album shines a light on songs that speak to various aspects of love. In addition to the yeoman performances of Kenny Davis (bass), Camille Gainer (drums), and Dennis Davis (drums) among others, the album feature superb solos by Romero Lubambo (guitar), Gregoire Maret (harmonica), Abdul Zuhri (guitar) and Roger Byam (tenor saxophone).

Lou has a flair for infusing the familiar and the 'gold standards' of music's enduring songs with a fresh, original and utterly unique style entirely his own. Lou reinforces the notion that "You Can't Hurry Love" with his contemplative reconstruction of the Holland, Dozier, Holland composition. Softly strong, and reminiscent of the wonderful arrangements of the heyday of 70's cool, Gumbs' deliberately artful piano intro launches Lou into his reverie of the classic "Like A Lover" (D. Caymmi/A. Bergman/M. Bergman/N. Motta). Then, Lou pensively emerges from behind the flowing lace curtain of Romero Lubambo's solo guitar with his reflections of "So Many Stars" (Sergio Mendes/A. Bergman/M. Bergman), polished even brighter by the colorful styling of Gregoire Maret's harmonica. Lou brings sensitivity and soul to every cut.

For several years, Lou has been performing in nightclubs in the New York metropolitan area, as well as private affairs both as a solo pianist and with his jazz trio serving up stylish renditions of traditional jazz standards. He has also performed with countless concert tours and road productions. Different stylistic genres, and artists such as Johnny Hartman, Nat King Cole, Louis Armstrong, Patti Austin, Kurt Elling and Dianne Reeves influence Lou's vocal style. His R&B musical heritage, united with jazz, funk, pop and gospel, combine to form his highly personal, distinctive vocal style. All of these influences helped inform Lou's own musical choices.  It Doesn't Matter says much about his approach as he begins the next phase of his musical journey. It Doesn't Matter finds Lou Watson continuing his exploration of new avenues for expression. A singer of ballads and standards so adept at establishing and sustaining a pervasive mood, he often makes everything outside the musical moment seem trivial. Easing into a situation, and working toward an emotional tone so deep that once established it seems medicinal, Lou's voice warms the body and soothes the soul like an intoxicating tonic.  http://www.cdbaby.com/cd/louwatson

Personnel: Lou Watson (vocals); Roger Byam (saxophone); Onaje Allan Gumbs (piano, keyboards); Romero Lubambo (guitar); Kenny Davis (bass); Camille Gainer (drums).Abdulhameed Zuhri (guitar, electric guitar); Lenny Argese, Grégoire Maret (harmonica).

It Doesn't Matter

Kenny Drew, Jr. - This One's for Bill

Styles: Piano Jazz
Year: 1999
File: MP3@320K/s
Time: 55:40
Size: 127,8 MB
Art: Front

(7:23)  1. This One's for Bill
(6:23)  2. Remembering the Rain
(5:41)  3. Theme from M*A*S*H (Suicide Is Painless)
(5:49)  4. It's Love It's Christmas
(6:20)  5. On Green Golphin Street
(6:59)  6. The Two Lonely People
(7:24)  7. Days of Wine and Roses
(9:38)  8. Nardis

It is not difficult to measure how much influence the late Bill Evans has exerted over the young pianists of today. The impact of his playing can be heard, in varying degrees, in virtually every pianist that followed him. That's because he changed the way piano players approach the instrument, moving away from a strict bebop vocabulary, and bringing to fore the piano's inherent orchestral abilities through dense harmonies and sweeping melodic lines. Evans employed an introspective approach, gracefully caressing the keyboard with an uncommon subtlety not found in the bop pianists of the fifties. He used chord voicings that were at times ambiguous; he left it up to the to bassist to define the tonic. Evans' level of concentration at the keyboard could be mesmerizing. He would often be in a trance-like state as he allowed the piano to consume both his mind and his body. And although Bill Evans will be sorely missed, his spirit and his influence will be felt for decades to come, thanks in part to Kenny Drew Jr., a gifted and sensitive young pianist who has released this wonderful CD on the TCB Label, entitled This One's For Bill.

No stranger to jazz fans, Kenny Drew Jr. has released a dozen CD's under his own name, and is on countless others as a sideman. Well versed in the classical repertoire, Kenny has immense technique on his instrument, yet there is also a sensitivity and beauty that he exudes in his music. Kenny is quite capable of introspection and contemplation; it is for this very reason that this solo piano outing is so successful. Only in the hands of a master, can the orchestral capabilities of this instrument be fully realized. In this most intimate setting, Kenny clearly orchestrates for his instrument, embellishing each measure of each tune, with an wide array of tonal hues. And if a carefully built phrase, sweeping arpeggio, or mellow cascade of chords puts you in mind of Bill Evans, it's not necessarily your imagination.

Aside from the title cut, which is Kenny's personal tribute to the late Evans, the set of songs on this disc were either penned by Evans, or closely associated with him. Included is a beautiful rendition of "Nardis," a tune Bill played for many years. Although the actual composer of this song has been the subject of much controversy, the piece, with it's exotic melody line and quiet chords, has Bill Evans written all over it. Other highlights from the disc are the song "Suicide Is Painless"(which many will remember as the theme-song from the T.V. show M.A.S.H. ), and a crisp offering of Henry Mancini's "The Day Of Wine And Roses." This latest effort by Kenny Drew is a consistently rewarding CD to listen to, further documenting his continuous growth as a player, and serving to fortify his position as one of the premiere jazz pianists of the 21 century. 
~ AAJ Staff  http://www.allaboutjazz.com/this-ones-for-bill-kenny-drew-jr-tcb-music-review-by-aaj-staff.php

Personnel: Kenny Drew (piano)

This One's for Bill

Beverly Bremers - Don't Say You Don't Remember

Styles: Vocal, Pop/Rock
Year: 2005
File: MP3@320K/s
Time: 57:15
Size: 131,7 MB
Art: Front

(2:56)  1. Dream City
(3:21)  2. Don't Say You Don't Remember
(3:13)  3. I Love Her More
(3:23)  4. Hold On
(4:10)  5. Morning Music
(5:10)  6. Dancin' with the Devil
(5:51)  7. Blues In St. Louis
(4:17)  8. I'm Comin' Back
(4:32)  9. Rockin' Bird
(4:36) 10. Midnight Strangers
(3:54) 11. Haven't I Seen You Somewhere Before?
(3:47) 12. Jezebel
(4:12) 13. Oldie But a Goodie
(3:48) 14. Aiming Far Too High

70's pop/rock diva, Beverly Bremers, is back with a new digitally re-mastered version of her Top-40 hit "Don't Say You Don't Remember" along with 13 self-penned new original recordings. Tracks range from infectious rock and r&b groove-tunes to heart-wrenching ballads, with a taste of disco and a little bit of country to round it all out. The inside insert features a message from Bev and some cool vintage pictures.~ Editorial Reviews  http://www.amazon.com/Dont-Say-Remember-Beverly-Bremers/dp/B000CEXTHU

Don't Say You Don't Remember