Monday, August 4, 2014

Claude Williamson Trio - Keys West

Bitrate: 320K/s
Time: 32:56
Size: 75.4 MB
Styles: Piano jazz
Year: 1955/2010
Art: Front

[2:30] 1. Get Happy
[3:25] 2. On The Atchison
[3:23] 3. Spring Is Here
[4:44] 4. Like Someone In Love
[2:48] 5. My Heart Stood Still
[2:23] 6. Of Thee I Sing
[3:01] 7. Don't Get Around Much Anymore
[5:20] 8. Yesterdays
[1:57] 9. The Kerry Dance
[3:21] 10. Between The Devil And The Deep Blue Sea

In the very early 1950s, Los Angeles was awash in jazz pianists who could play with ferocious speed and delicate grace. The names that spring to mind include Russ Freeman, Marty Paich, Hampton Hawes, Dodo Marmarosa, Carl Perkins, Pete Jolly, Lorraine Geller, Victor Feldman, Sonny Clark and Jimmy Rowles. But perhaps the most overlooked member of this silky-swinger set is Claude Williamson. Back in 1954 and '55, Williamson recorded two perfect trio albums for Capitol when Stan Kenton briefly headed the Stan Kenton Presents imprint, which showcased West Coast talent.Williamson was born in Brattleboro, Vt., and his father was a drummer and leader of a local territory band. Williamson studied piano and soon joined his father's band from 1940 to 1944—an invaluable experience while in high school. After graduation, Williamson studied at Boston's New England Conservatory of Music. But his exposure to an Al Haig record began to lure him regularly to New York. Before long, though, Williamson came under the influence of bop pianist Bud Powell.

Keys West

Sonia V - I Wish You Love

Bitrate: 320K/s
Time: 61:23
Size: 140.5 MB
Styles: Jazz vocals
Year: 2004
Art: Front

[4:56] 1. A Day In The Life Of A Fool
[4:35] 2. Autumn Leaves
[5:28] 3. The Nearness Of You
[3:58] 4. Fly Me To The Moon
[7:14] 5. The Look Of Love
[4:20] 6. I Wish You Love
[5:18] 7. You Don't Know What Love Is
[5:57] 8. Dindi
[3:23] 9. Bye Bye Blackbird
[5:31] 10. The Girl From Ipanema
[7:09] 11. Am I Blue
[3:29] 12. Watch What Happens

sonia v. is for die hard romantics only. her voice is as fragile as a birds wing, but when she sings about the familiar heart-bursting feeling of being helplessly in love, the romantics in the audience can only feel a genuine empathy. sonia's singing makes you feel like you've been invited into her living room for a private concert. if her version of "you don't know what love is" doesn't induce a bit of wistfulness then "tear up your donor card," as british author richard cook would say "they can't transplant hearts of stone". sonia is not a musical careerist and doesn't desire commercial success, but to hear sonia v in full stride at a public appearance is to glimpse the rarest of life's experiences.........she wishes you love. (written by ray grunnert / intelligencer journal correspondent)

I Wish You Love

Antigua Jazz Band - Old Friends

Bitrate: 320K/s
Time: 37:17
Size: 85.4 MB
Styles: Ragtime, New Orleans jazz
Year: 2013
Art: Front

[4:53] 1. I've Got Rhythm
[4:40] 2. Don't Get Around Much Anymore
[4:17] 3. Antigua Stomp
[4:25] 4. Gaston Blues
[3:21] 5. Hot Loving
[3:39] 6. Ain't Misbehavin'
[3:15] 7. It Don't Mean A Thing Ain't Got That Swing
[3:36] 8. Old Friends
[5:07] 9. Big Butter And Egg Man

Pablo Scenna (music director, banjo, guitar), Juan Alejandro Lacruz (baritone saxophone), Luis Sirimarco (piano), Julio Juan (alto saxophone), Juan Manuel Klappenbach (alto saxophone, clarinet), Rolando Vismara (trumpet), Claudio Marcelo Cagegi (trumpet), Osvaldo H. Ricci, Hernán Avella (drums, washboard), Orlando Merli (tenor saxophone), Juan Carlos Scenna (double bass), Hugo Bornia (trombone), Mauro Montes de Oca (trumpet)

Old Friends

Sarah Ellen Hughes - The Story So Far

Styles: Vocal Jazz
Year: 2011
File: MP3@320K/s
Time: 55:08
Size: 126,5 MB
Art: Front

(4:04)  1. The Story So Far
(3:13)  2. My Favourite Things
(4:00)  3. Honeysuckle Rose
(3:43)  4. Gef Out Of Town
(4:33)  5. Take Me Away
(7:39)  6. Corcovado/If You Never Come To Me
(2:46)  7. Busy Bee
(5:01)  8. Close To You
(5:07)  9. It's Alright With Me
(3:50) 10. Oh Lady Be Good
(5:16) 11. Little Wing
(5:53) 12. Spain

Award-winning vocalist Sarah Ellen Hughes has established herself as a notable presence on the London jazz scene and beyond. Sarah began her career with the National Youth Jazz Orchestra (NYJO), with whom she was lead vocalist from 2005-2008. Since then she has earned many accolades including winning the 2010 International Jazz Singing Competition, “Jazz Voices,” held in Lithuania. In 2011, she was selected as a semi-finalist for the Montreux Jazz Festival voice competition where she was lucky enough to perform in front of Quincy Jones. Quincy himself said “Great singing girl, keep doing what you’re doing.” Sarah has appeared at many of the UK’s top jazz venues including Ronnie Scott’s, Pizza on the Park (where she held a residency for 8 months), 606 Club, Wakefield Jazz Club, and Marlborough Jazz Festival. In 2010, she was invited to participate in the London Jazz Festival “Vocal Summit,” where she was selected by Paul Pace -jazz programmer at Ronnie Scott’s - as one of three singers “whom I consider to be the best on the scene in terms of the vocal art, individuality, and the ability to move and entertain the audience.” 

Championed by distinguished vocalists Claire Martin and Ian Shaw, Sarah’s first album “Darning the Dream” was released in 2010, to critical acclaim. The recording features some of the UK’s finest musicians including Jim Hart and Dave O’Higgins, plus two duets with Ian Shaw. It was selected as UK Jazz Radio’s “CD of the month” for a record three months running in early 2010. Sarah’s next album “The Story So Far” will be released in September 2011. As well as singing, Sarah enjoys writing for one of Britain’s best jazz blogs, LondonJazz (www.londonjazz.blogspot.com). Additionally, her years with NYJO prepared her to set up her own big band: The Sarah Ellen Hughes Big Band, featuring an all-star line-up. Sarah is the founder member of Sector7, which has been described by Ian Shaw as “Possibly the most exciting thing to happen to the London Jazz scene.” Sector7 is a sensational septet featuring jazz trio and four singers, and it can be heard here: www.sector7.org.uk. The release of Sarah’s debut album was followed by a 24-date UK tour, and her 2011 release will be promoted with a 31-date UK tour. Sarah’s busy gig calendar indicates her popularity and appeal as a significant British vocalist: “A talent to look out for” ~ Jazz Journal. http://musicians.allaboutjazz.com/sarahellenhughes

Jack Jezzro & Friends - Rio Nights

Styles: Guitar Jazz
Year: 2010
File: MP3@320K/s
Time: 52:45
Size: 122,5 MB
Art: Front

(3:28)  1. You Are The Sunshine Of My Life
(3:48)  2. I've Got A Crush On You (feat. Denis Solee)
(4:31)  3. This Masquerade (feat. Beegie Adair)
(4:19)  4. Makin' Whoopee
(3:40)  5. Blue Bossa (feat. Leif Shires)
(4:37)  6. Can't Take My Eyes Off You (feat. Sam Levine)
(3:37)  7. Sunny
(4:02)  8. You And The Night And The Music (feat. Lori Mechem)
(4:50)  9. A Nightingale Sang In Berkeley Square (feat. Sam Levine)
(3:43) 10. Tea For Two
(4:02) 11. The Shadow Of Your Smile (feat. Beegie Adair)
(3:23) 12. Watch What Happens (feat. Leif Shires)
(4:38) 13. Bossa Nova Nights

An internationally recognized guitarist and composer, Jack Jezzro is a multifaceted and successful studio musician. He has produced over 100 albums, earned a Grammy nomination and five Dove award nominations. Starting out as a member of Rochester Philharmonic Orchestra and attending the Eastman School of Music, Jezzro eventually moved to Nashville where he now resides. Also an accomplished double bassist, Jezzro performs regularly with Nashville String Machine, an in-demand studio group recording with many top artists. As a studio musician, Jezzro's recording credits include work with Faith Hill, Matchbox Twenty, Randy Travis, and many others. His work can also be heard on numerous motion picture soundtracks including Con Air, Pocahontas, and The Green Mile. Bio ~ https://itunes.apple.com/us/artist/jack-jezzro/id200096162

Personnel: Jack Jezzro (guitar); Sam Levine (soprano saxophone); Denis Solee (tenor saxophone); Leif Shires (trumpet); David Huntsinger (piano, keyboards); Lori Mechem, Beegie Adair (piano); Eric Darken (percussion).

Al Jarreau - My Old Friend: Celebrating George Duke

Styles: Vocal Jazz
Year: 2014
File: MP3@VBR ~244K/s
Time: 44:43
Size: 79,2 MB
Art: Front

(4:51)  1. My Old Friend (Feat. Gerald Albright)
(4:08)  2. Someday (Feat. Dianne Reeves)
(4:52)  3. Churchyheart (Backyard Ritual) (Feat. Marcus Miller)
(4:37)  4. Somebossa (Summer Breezin') (Feat. Gerald Albright)
(4:28)  5. Sweet Baby (Feat. Lalah Hathaway)
(3:46)  6. Every Reason to Smile/Wings of Love (Feat. Jeffrey Osborne)
(4:00)  7. No Rhyme, No Reason (Feat. Kelly Price)
(4:32)  8. Bring Me Joy (George Duke, Boney James)
(4:42)  9. Brazilian Love Affair / Up from the Sea / It Arose and Ate Rio in One Swift Bite (Feat. Dianne Reeves)
(4:42) 10. You Touch My Brain (Dr. John)

My Old Friend, Celebrating George Duke (Concord, 2014) is Al Jarreau’s special tribute to his friend and former music collaborator. The multiple Grammy Award-winner is joined by several of George Duke’s many collaborators, including long-time music partner Stanley Clarke. Al Jarreau has invited guest artists Gerald Albright, Dr. John, Lalah Hathaway, Boney James, Marcus Miller, Jeffrey Osborne, Kelly Price, Dianne Reeves and several others to join the celebration and re-interpret some of George Duke’s best known post-bop, jazz, R&B and Brazilian jazz compositions. The album was produced by Stanley Clarke, John Burk, Marcus Miller and Boney James. The 10 songs selected from Duke’s extensive catalogue will lift your spirits and bring back fond memories of George Duke in his heyday. The program opens with the appropriate title track “My Old Friend.” Al Jarreau’s great vocals are supported by an all-star ensemble that not only features his label mate-saxophonist Gerald Albright- but such great artists as Stanley Clarke on bass, Patrice Rushen on piano/keyboards, Paul Jackson, Jr. on guitar, John Robinson on drums and backing vocals by Jeffrey Osborne with several other background vocalists. Although George Duke did not write this song, its selection was certainly on-point because of Al Jarreau’s 50-year friendship with the great musician. Gerald Albright is also featured on “Somebossa (Summer Breezin’)” a song written by Jarreau, Duke, and Patrick Lundquist. This breezy bossa nova-styled song is a gentle reminder of George Duke’s diverse musical abilities and understanding of Brazilian jazz. 

John Burk and Stanley Clarke produced both songs. “Someday” features George Duke’s cousin, the multiple Grammy Award-vocalist Dianne Reeves. She duets with Al on this wonderful George Duke original which also features keyboardist John Beasley and Marcus Miller on bass. Miller also produced the track with John Burk. Dianne Reeves returns later in the program to sing “Brazilian Love Affair/Up from the Sea It Rose and Ate Rio in One Swift Bite.” Her lovely vocals make these songs worth several listens. Marcus Miller is the featured performer on “Churchyheart (Backyard Ritual),” another beautiful song written by Al Jarreau and George Duke. This ballad is sung by Al accompanied by John Beasley on keyboards, Mike Cottone on trumpet, Jubu on guitar, and John Robinson on drums. What makes this song so special is the addition of Miller’s bass clarinet solo that underlines the dynamic vocals of Al Jarreau and adds another great attitude to the hot rhythm section. There is no way to forget the Clarke/Duke monster hit “Sweet Baby” due to its repeated airplay on classic smooth jazz radio stations these days. Vocalist Lalah Hathaway joins Al Jarreau in a remarkable duet. Duke’s writing partner Stanley Clarke plays bass and lends his backing vocals on this lovely reinterpretation of one of their best-loved hits. As a composer/producer/arranger George Duke was behind many artists’ chart-topping hits including Jeffrey Osborne’s. 

Here, Jeffrey sings a medley of the Clarke/Duke hit “Every Reason to Smile” and his own hit "On the Wings of Love.” One of Duke’s major show-stoppers, "No Rhyme, No Reason,” gets a soulful update from Kelly Price with programming by Boney James. Boney James also produced “Bring Me Joy.” This song was recorded by Boney James, Dave Rideau and Seth Presant and mixed by Dave Rideau. It features the original recording of George Duke himself performing on keyboards. James’ haunting saxophonics will surely bring a smile to your face as you remember them playing this amazing song together. The CD closes with Dr. John reinterpreting “You Touch My Brain” a funky, jam that showcases Al Jarreau and Dr. John’s bluesy vocals. Al Jarreau has done a great job with My Old Friend: Celebrating George Duke. With his leadership, vocal expertise and the abundance of great artists gathered for the recording, he has definitely extended George Duke’s exciting legacy as well as his own for years to come. http://www.axs.com/al-jarreau-s-my-old-friend-celebrating-george-duke-features-jazz-great-13060


The Everly Brothers - EB 84

Styles: Pop/Rock
Year: 1984
File: MP3@320K/s
Time: 33:20
Size: 76,4 MB
Art: Front

(2:37)  1. On The Wings Of A Nightingale
(3:29)  2. Danger Danger
(4:11)  3. The Story Of Me
(2:47)  4. I'm Takin' My Time
(3:00)  5. The First In Line
(3:14)  6. Lay, Lady, Lay
(3:33)  7. Following The Sun
(3:14)  8. You Make It Seem So Easy
(3:00)  9. More Than I Can Handle
(4:10) 10. Asleep

After their televised reunion concert, the Everlys made a commercial and artistic comeback with EB 84. With Dave Edmunds producing, Phil and Don brought their sound into the '80s while maintaining their trademark harmonies. Lifted by Paul McCartney's "Wings of a Nightingale" and Jeff Lynne's ethereal "The Story of Me," this record has more to offer than simply nostalgia. ~ J.P.Ollio  http://www.allmusic.com/album/eb-84-mw0000189823

Personnel: Don Everly, Phil Everly (vocals, guitar); Paul McCartney, Albert Lee, Dave Edmunds, Phil Donnelly (guitar); Gerry Hogan (pedal steel guitar); Pete Wingfield, Richard Tandy (keyboards); John Giblin, Jeff Lynne (bass); Terry Williams, Gerry Conway (drums).

Sunday, August 3, 2014

Steve Kuhn Trio - Life's Magic

Bitrate: 320K/s
Time: 65:08
Size: 149.1 MB
Styles: Post bop, Piano jazz
Year: 2012
Art: Front

[ 4:10] 1. Little Old Lady
[ 7:47] 2. Two By Two
[10:06] 3. Jitterbug Waltz
[11:59] 4. Ulla Trance
[ 6:06] 5. Yesterday's Gardenias
[ 6:30] 6. Mr. Calypso Kuhn
[ 4:48] 7. Never Let Me Go
[13:39] 8. Softly, As In A Morning Sunrise

Steve Kuhn leads an all-star trio with bassist Ron Carter and drummer Al Foster in this compilation of 1986 performances recorded over several nights at the Village Vanguard. First issued on Black Hawk and subsequently re-released in 2012 with a new cover, this is one of the many highlights of the pianist's vast discography. Opening with a spry, playful take of "Little Old Lady," Kuhn follows with his loping, bluesy "Two by Two" and Fats Waller's lyrical "Jitterbug Waltz," the latter showcasing Carter's intricate bass and Foster's light touch with brushes. His brisk setting of "Yesterday's Gardenias" (a song recorded by Glenn Miller in the 1940s) takes it far from its roots, turning this ballad into an engaging post-bop vehicle. The pianist's "Mr. Calypso Kuhn" puts the spotlight on Foster, opening with an intense solo, followed by the addition of Carter and, finally, the leader. Kuhn's luxurious, spacious take of "Never Let Me Go" conveys the song's message even without its lyrics. The disc closes with an extended workout of "Softly, as in a Morning Sunrise" that leaves the entranced audience wanting more. ~Ken Dryden

Life's Magic

Graciela López - Jazz Project

Bitrate: 320K/s
Time: 29:58
Size: 68.6 MB
Styles: Jazz vocals
Year: 2010
Art: Front

[5:22] 1. Summertime
[3:11] 2. Just Friends
[4:03] 3. Body And Soul
[2:43] 4. Love For Sale
[2:43] 5. My Funny Valentine
[4:41] 6. Mood Indigo
[4:28] 7. Straight No Chaser
[2:44] 8. What A Difference A Day Made

Graciela López.., cantante y guitarrista (Buenos Aires, Argentina) comienza desde temprana edad sus estudios musicales. En su adolescencia estudia a las grandes cantantes de jazz, Ella Fitzgerald, Sarah Vaughan, Billie Holiday, Anita O'Day, Nina Simone, entre otras. Se dedica al estudio de este género durante más de 10 años, comenzando en Argentina y perfeccionándose en París.

En la capital francesa se presenta en el circuito de jazz parisino Café Charbon, El Blue Note, el Franc Pinot, etc. Paralelamente, crea el Ensemble d'improvisation en Temps Réel, fuertemente interesada en la experimentación vocal y la improvisación libre, elementos que incluye en sus actividades de docencia.....

Instalada en Madrid desde el año 2002, se dedica a la creación de talleres de técnica vocal, al jazz contemporáneo y a la improvisación libre. Cordel 05 .. en dúo con la compositora e improvisadora ..Abril Padilla..). También forma parte de la orquesta ....FOCO...., orquesta de improvisación libre, que cada año tiene su cita en el festival Hurta Cordel de la mano de directores internacionalmente reconocidos (Buth Morris, Walter Thompson, Olivier Benoit, Michael Fischer, etc..)

Graciela López (voz, guitarras); Nacho Reig (guitarra); Alberto Almonacid (bajo); Lorenzo Palomares (batería); Marcos Monge (saxofón tenor).

Jazz Project

Rod Stewart - Soulbook

Bitrate: 320K/s
Time: 46:49
Size: 107.2 MB
Styles: Soul, Adult contemporary
Year: 2009
Art: Front

[4:12] 1. It's The Same Old Song
[3:07] 2. My Cherie Amour
[4:33] 3. You Make Me Feel Brand New
[3:18] 4. (Your Love Keeps Lifting Me) Higher And Higher
[3:34] 5. Tracks Of My Tears
[3:15] 6. Let It Be Me
[4:11] 7. Rainy Night In Georgia
[3:17] 8. What Becomes Of The Broken Hearted
[3:01] 9. Love Train
[3:15] 10. You've Really Got A Hold On Me
[3:31] 11. Wonderful World
[3:57] 12. If You Don't Know Me By Now
[3:31] 13. Just My Imagination

2009 album from the Grammy Award winning Rock 'n' Roll Hall of Famer. SoulBook is a collection of classic '60s and '70s era Soul favorites sung by one of the most interpretive voices in music. Stewart is personally passionate about this project, which is a return to his beginnings when he fronted The Jeff Beck Band and the critically-revered band The Faces, iconic in the history books for fusing American roots music - Rock, Soul and Blues. Soulbook reunites Stewart with his longtime collaborators, producers Steve Tyrell and Steve Jordan, of Rolling Stones/Xpensive Winos fame, who also brought in top musicians Ray Parker Jr., Waddy Watchel, Darrell Jones, Dean Parks and David Paich to join Rod in the studio for the album.

Soulbook

Maggie Green - First Song

Styles: Vocal Jazz, Bossa Nova
Year: 2008
File: MP3@320K/s
Time: 47:52
Size: 110,6 MB
Art: Front

(4:12)  1. Chega De Saudade
(3:20)  2. No Moon At All
(5:54)  3. First Song
(2:48)  4. So Danco Samba
(4:10)  5. Up Jumped Spring
(3:48)  6. A Felicidade
(2:59)  7. I'm Old Fashioned
(6:17)  8. My One And Only Love
(5:40)  9. All Blues
(4:46) 10. But Not For Me
(3:52) 11. Agua De Beber

Vocalist Maggie Green’s self-titled album of Brazilian music conveys a longing for the endless beaches and samba rhythms of Rio de Janeiro. With her soft yet rhythmic interpretations of bossa nova and samba, sung in masterful Portuguese, the brilliant waters seem but a heartbeat away. This may sound like a stretch for a girl who grew up in Michigan’s Upper Peninsula, but for Maggie, it was just a natural progression. During her early years, Maggie sat at the piano and studied the complex harmonies and melodies of Bach, Mozart and Beethoven. However, while pursuing a degree in classical piano at Michigan State University, her ear began to wander toward jazz music, especially the haunting vocals of Billie Holiday and Chet Baker. This proved to be a significant point, for she not only moved from classical music to jazz, but she also strayed from the piano and focused on her voice. Maggie enrolled at the Berklee College of Music in Boston, MA. While at Berklee, Maggie honed her jazz skills and began to delve into Brazilian music. 

Studying with vocalist Mili Bermejo, she became fascinated with the syncopated rhythms of Brazil. After graduating from Berklee in 2000, Maggie moved to Columbus, Ohio and began establishing herself as a vocal artist. Following a string of performances in the region including the Columbus Arts Festival, the Columbus Jazz and Rib Fest, the Columbus Latino Festival as well as many night club dates, Maggie began to make appearances outside of Ohio, performing at festivals and clubs from Massachusetts to California. Continually inspired by Brazilian rhythms, Maggie made her first trip to Rio de Janeiro during the summer of 2005. She immediately struck up a musical friendship with pianist Marcos Ariel. The two collaborated on a show, “Rio - New York Connection” featuring NYC saxophonist Joel Frahm, Brazilian drummer Jurim Moreira and bassist Andre Neiva. They played two sold-out shows in front of enthusiastic Rio crowds a highlight of Maggie’s career. 

Two years later, she returned to Rio and recorded an album of Brazilian music featuring renowned artists Luiz Avellar, Kiko Freitas, Marcos Ariel, Jurim Moreira and others. This recording stands as a testament to her immersion in bossa nova and samba music. During the fall of 2007, Maggie teamed up with Brazilian guitarist Nelson Faria, drummer Kiko Freitas and American bassist Scott Gold for a series of concerts in the US. The group received rave reviews and standing ovations for their performances in spots like Cleveland’s Nighttown and the Jazz Factory in Louisville, KY. The group gave clinics and concerts at several Ohio universities, exposing the students to South American music. 

As an educator, Maggie is currently on the jazz faculty at Otterbein College in Westerville, Ohio. She has also served on the jazz faculty at Capital University. She has also presented vocal workshops at various schools and universities throughout the United States, including the Antonio Adolfo School of Music in Hollywood, Florida. Maggie holds a degree in Professional Music from Berklee College of Music. http://musicians.allaboutjazz.com/maggiegreen

Various Artists - The Vocal Jazz Collective Redefinition

Styles: Vocal Jazz
Year: 2010
File: MP3@320K/s
Time: 71:47
Size: 164,5 MB
Art: Front

(5:16)  1. My Man's Gone Now  (feat. Camille Avery)
(5:24)  2. You Don't Know What Love Is (feat. LeAnne Robinson)
(7:27)  3. Moon River (feat. Georgia Sedlack)
(5:38)  4. Time After Time (feat. Cari Stevens)
(4:34)  5. Nothing Compares (feat. Fara Sumbureru)
(7:47)  6. Much Farther to Go (feat. Karmen Wolf)
(4:59)  7. My Funny Valentine (feat. Georgia Sedlack)
(6:12)  8. Too Late Now (feat. LeAnne Robinson)
(5:43)  9. City Called Heaven (feat. Harris Long)
(4:43) 10. Dienda (feat. Cari Stevens)
(5:21) 11. Both Sides Now (feat. Karmen Wolf)
(8:38) 12. Sparks (feat. Mary Thompson)

Jeff Baker, one of the best male jazz vocalists around today, is also the vocal director at ArtsWest School for Performing Arts in Eagle, Idaho. Working with high school age performers must be a gas, because Baker has produced a very engaging vocal jazz outing, featuring his students backed by an Origin Records all-star band, with pianist Justin Nielsen sitting in the piano/arranger's chair. Redefinition takes a batch of familiar jazz tunes by the likes of George Gershwin, Henry Mancini, and Rodgers and Hart, and mixes in some popular songs from Prince, Joni Mitchell and Coldplay, with one traditional spiritual thrown in for good measure, and redefines them; bending their shapes a bit and giving them fresh spins. Under the guidance of polished professionals Baker and Nielsen, and backed by a roster of versatile top level musicians, the set holds up so well that the ages of the singers becomes simply a matter of interest. 

There is not a half-baked or tentative performance on the set; these young people sing with an uncluttered purity of feeling and remarkable confidence. The Gershwins' "My Man's Gone Now" opens the set. Nielsen's piano sparkles, while Brent Jensen blows a sinewy soprano sax accompaniment to Camille Avery's heartfelt vocal, as the singer tells her story with feeling and a genuine sense of loss, giving way to John McLean's searing guitar. The songs are old familiar tales, leaning on the love or love lost theme. LeAnne Robinson gets deep into a beautiful, weary blues feeling on "You Don't Know What Love Is," while Georgia Sedlack soars in a buoyant take of Mancini's "Moon River." Cyndi Lauper's "Time After Time" (a Miles Davis favorite) is slowed down to a dirge, with a spare arrangement complimenting Cari Stevens' very direct and seemingly world-weary singing. The band brings in a funk feel on Prince's "Nothing Compares," with Fara Sumbureru bouncing into a light groove. "Much Farther to Go," a Rosie Thomas tune, features a Karmen Wolf's pure-toned, horn-like delivery. Harris Long the lone male solo vocalist on the disc possesses a rich baritone similar to Kurt Elling, and gives a fitting reverence to the traditional "City Called Heaven." Coldplay's "Sparks" closes the disc on a modern-leaning note. 

Mary Thompson's vocal exudes a melancholy, drifting-into-the-twilight mood. As the tune winds down she is joined by the choir the other soloists plus Michael Wood, Sekayi Sumbureru and Andrew Koba for a classy, collaborative ending to Redefinition, a fine set of jazz vocal tunes that introduce a bunch of amazing young talent. ~ Dan Mcclenaghan  http://www.allaboutjazz.com/redefinition-oa2-records-review-by-dan-mcclenaghan.php#.U92DaGNryKJ
 
Personnel: Camille Avery: vocals (1, 12) ; LeAnne Robinson: vocals (2, 8, 12); Georgia Sedlack: vocals (3, 7, 12),; Cari Steven: vocals (4, 10, 12); Fara Sumbureru: vocals (5, 12); Karmen Wolf: vocals (6, 11, 12); Harris Long: vocals (9, 12); Mary Thompson: vocals (soloist on 12); Michael Wood: vocal (12); Sekeyi Sumbureru: vocal (12); Andrew Koba: vocal (12); Justin Nielsen: piano; Jeff Johnson: bass; John Bishop: drums; John McLean: guitar; Thomas Marriott: trumpet, flugelhorn; Brent Jensen: saxophone

Frank Rosolino & Carl Fontana - Trombone Heaven, Vancouver, 1978

Styles: Trombone Jazz
Year: 2008
File: MP3@320K/s
Time: 79:10
Size: 181,2 MB
Art: Front

(11:07)  1. Medley: Here's That Rainy Day/
(16:31)  2. Well, You Needn't
(15:33)  3. All Blues
(13:10)  4. Just Friends
( 9:33)  5. Laura/Embraceable You
(13:13)  6. Ow

Truly an unearthed gem, Trombone Heaven is a previously unreleased concert recording from 1978 at the Bayshore Inn in Vancouver, Canada, featuring the late slide legends Frank Rosolino and Carl Fontana. The spirited set is anchored by the swinging rhythm section of pianist Elmer Gill, bassist Torban Oxbol and drummer George Ursan. Given the loose, jam-session nature of the set, the tunes are lengthy, allowing ample room for both Rosolino and Fontana to stretch out and display their unmatchable technique. Disc highlights include the impromptu trombone conversations on Thelonious Monk's "Well You Needn't," Miles Davis' "All Blues" and Dizzy Gillespie's "Ow." The telepathic give-and-take between the co-leaders, especially on the up-tempo numbers is utterly mesmerizing. On the opening ballad medley of "Here's That Rainy Day" and "Stardust," the dynamic duo relies as much on sense of humor and unpredictability of note choice as on virtuosity. The two prod each other on in an uncompetitive way, enjoying each others company and having a swinging good time. By the time of this concert, both Rosolino and Fontana had established their reputations as two of the most innovative trombonists jazz had ever known. This session, chock-full of fiery bop lines, sensual lyricism and eye-popping trombone gymnastics, documents the unbridled passion of two titans of a bygone era. ~ John Barron  http://www.allaboutjazz.com/trombone-heaven-frank-rosolino-uptown-records-review-by-john-barron.php#.U9wls7FryKI
 
Personnel: Frank Rosolino: trombone; Carl Fontana: trombone; Elmer Gill: piano; Torban Oxbol: bass; George Ursan: drums.

Lee Ritenour - Stolen Moments

Styles: Guitar Jazz
Year: 1990
File: MP3@320K/s
Time: 46:39
Size: 106,9 MB
Art: Front

(6:47)  1. Uptown
(6:40)  2. Stolen Moments
(5:26)  3. 24th Street Blues
(4:55)  4. Haunted Heart
(6:25)  5. Waltz for Carmen
(4:09)  6. St. Bart's
(8:04)  7. Blue in Green
(4:10)  8. Sometime Ago

After 15 years of guitarist Lee Ritenour primarily playing crossover music, this set of mostly straight-ahead jazz was a surprise. Ritenour always loved Wes Montgomery's playing and on many of these cuts, that influence dominates his sound and style. Assisted by tenor saxophonist Ernie Watts (who usually takes solo honors), pianist Alan Broadbent, bassist John Patitucci (sticking to acoustic) and drummer Harvey Mason, Ritenour performs such numbers as "Stolen Moments," "Haunted Heart," "Blue In Green" and "Sometime Ago," in addition to four originals (including "Waltz for Carmen"). Although not essential music, this is one of the rare Lee Ritenour rare sets that should interest straight-ahead jazz collectors. ~ Scott Yanow  http://www.allmusic.com/album/stolen-moments-mw0000204562

Personnel: Lee Ritenour (guitar, electric guitar); Mitch Holder (acoustic guitar); Ernie Watts (tenor saxophone); Alan Broadbent (piano); John Patitucci (Fender Rhodes piano, acoustic bass); Harvey Mason, Sr. (drums).

Saturday, August 2, 2014

Dee Alexander - Songs My Mother Loves

Bitrate: 320K/s
Time: 59:17
Size: 135.7 MB
Styles: Vocal jazz
Year: 2014
Art: Front

[6:17] 1. As Long As Your Living
[6:37] 2. Now Or Never
[4:52] 3. Guess Who I Saw Today
[4:19] 4. Peridido
[7:16] 5. Lonesome Lover
[6:25] 6. Nature Boy
[5:58] 7. Letter From Home
[4:47] 8. What A Difference A Day Makes
[3:55] 9. Softly As In A Morning Sunrise
[4:49] 10. Soul Serenade
[3:58] 11. Peridido

Among the premier vocalists and songwriters in American music today, Dee Alexander has delighted audiences and impressed critics with her flawless intonation, her interpretive brilliance, her intrepid improvising, and the range of genres that she commands. Ms. Alexander’s performances span virtually every music genre related to the African diaspora: gospel, blues, neo-soul, rhythm-and-blues, and world music. But her true heart belongs to jazz, the one idiom that can encompass all her influences. From a sultry ballad to a contemporary funk groove, high-flying swing to a romping scat solo, Ms. Alexander delivers every note with a passion and grace that leave her listeners limp.

One Chicago critic has remarked: “I only wish all singers could sing any note as well as Dee sings every note.”

Songs My Mother Loves

Dave Santoro - 2 albums: The Dave Santoro Standards Band I & II

Album: The Dave Santoro Standards Band
Bitrate: 320K/s
Time: 56:47
Size: 130.0 MB
Styles: Neo bop, Standards
Year: 1999
Art: Front

[9:40] 1. Green Dolphin Street
[8:18] 2. Time After Time
[8:33] 3. Autumn Serenade
[8:28] 4. I Love You
[9:23] 5. Stairway To The Stars
[6:58] 6. The More I See You
[5:23] 7. For All We Know

Like Carter, on Standards Band bassist Dave Santoro plays more of a supportive role than a solo role. He does solo, however, showing mind-before-fingers deliberateness on "Stairway to the Stars," "The More I See You" and "For All We Know." He seems equally influenced by the high-note lyricism of Scott LaFaro and the big-toned low register of players such as Paul Chambers and Ray Brown.Tenor saxophonist Jerry Bergonzi and pianist Bruce Barth are the main soloists in this quartet, with drummer Tom Melito completing the group. Throughout the seven standards that comprise the album,

Bergonzi demonstrates that he is one of the best Coltrane-influenced saxophonists; he is supple, swinging, and full of ideas. Barth ranges from clipped, Wynton Kelly-like treble tinkling to more robust accents a la Tyner. For a take on how a skillful, mature post-Trane group approaches standards, check out this album. ~Owen Cordle

The Dave Santoro Standards Band Cd 1

Album: The Dave Santoro Standards Band II
Bitrate: 320K/s
Time: 64:13
Size: 147.0 MB
Styles: Neo bop, Standards
Year: 2000
Art: Front

[ 8:42] 1. This Love Of Mine
[ 8:43] 2. What Is This Thing Called Love
[ 6:38] 3. You'd Be So Nice To Come Home To
[10:23] 4. Tenderly
[ 5:55] 5. The Song Is You
[ 7:49] 6. All Or Nothing At All
[ 8:55] 7. Surrey With A Fringe On Top
[ 7:05] 8. This Is New

Bassist Dave Santoro is a throwback to the not too distant past when cutting-edge small group improvisation was anchored by stalwarts such as Ray Brown, Paul Chambers, Sam Jones and Jimmy Garrison. Thankfully, there are seasoned pros like Santoro to remind us that a strong supple pulse is still the core around which everything else revolves. Indeed, to paraphrase Thelonious Monk, this is music that “lifts the bandstand.”

Recording information: PBS, Westwood, MA (04/16/1999-12/29/1999). Personnel: Dave Santoro (bass); Jerry Bergonzi (tenor saxophone); Renato Chicco (piano); Tom Melito (drums).

The Dave Santoro Standards Band Cd 2

5 De Swing - 5 De Swing

Bitrate: 320K/s
Time: 51:39
Size: 118.3 MB
Styles: Swing
Year: 2005
Art: Front

[5:00] 1. David
[3:20] 2. Belleville
[1:07] 3. Anouman
[3:13] 4. Anouman
[3:52] 5. Take The A Train
[3:45] 6. Charleston
[4:44] 7. Scrapple From The Apple
[4:07] 8. Caravan
[2:23] 9. No Moe
[3:47] 10. Groovin' High
[3:27] 11. Nuits De St. Germain Des Pres
[3:44] 12. La Vie En Rose
[4:47] 13. Swing 48
[4:16] 14. Stompin' At The Savoy

5 De Swing

Nancy Hamilton - Detour Ahead

Styles: Vocal, Bossa Nova
Year: 2008
File: MP3@320K/s
Time: 61:03
Size: 140,5 MB
Art: Front

(4:22)  1. Ill Wind
(6:49)  2. Estate
(3:02)  3. Girl From Ipanema
(5:34)  4. Detour Ahead
(3:08)  5. The Island
(3:25)  6. I Remember Sky
(4:55)  7. Come Rain Or Come Shine
(3:16)  8. Love Me Or Leave Me
(4:48)  9. Whats New
(3:16) 10. Moonglow
(4:58) 11. I'm Glad There Is You
(5:38) 12. Blues In The Night
(4:14) 13. If You Could See Me Now
(3:32) 14. Lush Life

Nancy is a multi-talented professional artist. She was a well-regarded commercial potter in Indiana, establishing a local cooperative and selling her work regionally and nationally. After a debilitating automobile accident and a subsequent move to Oregon, she returned to studying jazz vocals, following in her mother's footsteps and returning to a childhood passion. What makes Nancy stand out among the scores of current jazz vocalists is her heartfelt and intimate embrace of the songs. Eschewing the popular attempt to modernize material with complex arrangements, Nancy instead captures the classic beauty of these songs with a simple emphasis on melody with tastefully minimal accompaniment from her band. The result is a sincere and personal approach to the American Songbook.

Notes about the band:

Nancy met jazz pianist John Crider in 2003 and the two quickly established a professional rapport, which turned into musical collaboration and finally into marriage. John has been a jazz fixture in Eugene, OR, for many years, teaching jazz to students of all ages and being the preferred accompanist to many of the area's singers. Byron Case joins Nancy and John on the bass for this CD. Byron, one of the original members of the 60's pop band The Sunrays, has been one of the most sought-after bass players in the Eugene area for decades. His perfect sense of time and minimalist approach to accompaniment provide the firm foundation for every song. Mark Hurwitt, a Berklee College of Music graduate, provides tasteful and reserved percussion, and adds the spice to the mix. This CD represents a culmination of hundreds of hours of gig dates, rehearsals and jam sessions with the talented musicians in Eugene, and Portland, Oregon. Thanks to each one of them. http://www.cdbaby.com/cd/nancyhamilton

Detour Ahead

Scott Hamilton - Is A Good Wind Who's Blowing Us No Ill

Styles: Saxophone Jazz
Year: 1977
File: MP3@320K/s
Time: 37:05
Size: 86,3 MB
Art: Front

(3:48)  1. That's All
(5:16)  2. Indiana
(4:18)  3. Stuffy
(4:39)  4. Exactly Like You
(4:05)  5. Ill Wind
(4:23)  6. Broadway
(4:07)  7. Blue Room
(6:25)  8. Sometimes I'm Happy

Tenor saxophonist Scott Hamilton's debut for Concord (which has been reissued on CD) alerted the jazz world to the young swing stylist and predated Wynton Marsalis' first record (and the emergence of the Young Lions) by a couple years. Hamilton, who mixed together Zoot Sims and Ben Webster to form his own recognizable tone, already sounded in prime form for this set. Teamed up with trumpeter Bill Berry, pianist Nat Pierce, bassist Monty Budwig, and drummer Jake Hanna, Hamilton essentially launched the revival of mainstream jazz with this record. Highlights include "Indiana," "Stuffy," "Broadway," and "Blue Room," but all eight selections are quite enjoyable.
 ~Scott Yanow
http://www.allmusic.com/album/a-is-a-good-wind-who-is-blowing-us-no-ill-mw0000076119

Personnel: Scott Hamilton (tenor saxophone); Bill Berry (trumpet); Nat Pierce (piano); Jake Hanna (drums); Monty Budwig (bass)

Bobby Shew Quintet With Carl Fontana - Heavyweights

Styles: Trumpet Jazz
Year: 1995
File: MP3@320K/s
Time: 71:59
Size: 165,7 MB
Art: Front

(7:49)  1. The Night Has a Thousand Eyes
(6:33)  2. My Romance
(8:21)  3. Bags' Groove
(8:15)  4. But Not for Me
(8:46)  5. Autumn Serenade
(6:45)  6. The Girl from Ipanema
(6:57)  7. Just in Time
(9:24)  8. While My Lady Sleeps
(9:06)  9. Night and Day

Trumpeter Bobby Shew had been wanting to make an album with the under-recorded trombonist Carl Fontana for 25 years when he finally had the opportunity in 1995. Using swinging arrangements by the recently deceased Herbie Phillips, Shew and Fontana (who are assisted by pianist George Cables, bassist Bob Magnusson, and drummer Joe LaBarbera) perform a bop-oriented program comprised of nine jazz standards. The interplay between the two very fluent horns is consistently delightful, and the highlights include "The Night Has a Thousand Eyes," "My Romance," "The Girl From Ipanema," and "While My Lady Sleeps." Recommended for straight-ahead jazz fans. ~ Scott Yanow  http://www.allmusic.com/album/heavyweights-mw0000180851

Personnel: Bobby Shew (trumpet); Carl Fontana (trombone); George Cables (piano); Joe La Barbera (drums).              

Heavyweights