Monday, October 26, 2015

Ben Paterson - For Once In My Life

Size: 138,9 MB
Time: 59:52
File: MP3 @ 320K/s
Released: 2015
Styles: Jazz: Hammond Organ
Art: Front

01. Cuban Chant (5:56)
02. I'll Close My Eyes (6:35)
03. 50 Ways To Leave Your Lover (4:13)
04. Cry Me A River (6:01)
05. For Once In My Life (7:47)
06. Decision (3:51)
07. Nutville (4:23)
08. Blues For C.F (4:47)
09. Near Miss (4:59)
10. We'll Be Together Again (4:47)
11. I've Never Been In Love Before (6:27)

For Once in My Life is Ben Paterson's fourth album as a leader but first as an organist. In his native Philadelphia—home to such giants of the Hammond as Jimmy Smith, Shirley Scott, Charles Earland and Joey DeFrancesco—Paterson was known as a pianist. He began doubling on organ while living in Chicago, and by the time he moved to New York City in 2013 was gigging regularly on organ and piano all over Manhattan, from Harlem in the north to Greenwich Village in the south. One of the reasons he made the move to organ, Paterson says, is "I get to be the bassist."

That he does. On the other hand, that doesn't mean Paterson is shy of any rhythmic support on this agreeable session, as his teammates in the trio are the splendid guitarist Peter Bernstein and drummer George Fludas, long a mainstay on the Chicago scene and someone who keeps unerring time while giving Paterson and Bernstein ample space in which to flex their creative muscles. As an organist (as he was as a pianist), Paterson eschews flash for substance, preferring for the most part to let the music speak for itself. Even though the technique is sound, there is little in the way of bombast or running the scales for swaggering's sake. Instead, Paterson shapes his solos with care, using a nimble right hand to underscore his purpose while adding expansive chords when needed.

Fludas has the first word on Ray Bryant's rhythmic "Cubano Chant," the opening theme in a program that encompasses five standards, original compositions by Paul Simon ("50 Ways to Leave Your Lover"), Sonny Rollins ("Decision") and Horace Silver ("Nutville"), and Paterson's "Blues for C.F." and "Near Miss." Besides the title selection, the standards are Billy Reid's "I'll Close My Eyes," Arthur Hamilton's "Cry Me a River," Carl Fischer / Frankie Laine's "We'll Be Together Again" and Frank Loesser's "I've Never Been in Love Before." The trio plays each one close to the vest, drawing out the harmonious assets before plumbing its more innovative depths.

Paterson imparts the melody on every number save "We'll Be Together Again," a showcase for Bernstein's burnished guitar. While he and Paterson are front and center most often, Fludas makes the most of the occasional chance to unveil his chops. The three work well as a team, and For Once in My Life marks an impressive debut for "organist" Ben Paterson. ~by Jack Bowers

Personnel: Ben Paterson: organ; Peter Bernstein: guitar; George Fludas: drums.

For Once In My Life

Elsie Bianchi Trio - The Sweetest Sound

Size: 106,3 MB
Time: 45:26
File: MP3 @ 320K/s
Released: 1965/2015
Styles: Jazz: Swing, Cool Jazz, Vocals
Art: Front

01. Teach Me Tonight (3:11)
02. Fallin' In Love With Love (4:02)
03. Little Bird (3:06)
04. A Sleepin' Bee (3:51)
05. The Shadows Of Paris (4:08)
06. Fiddler On The Roof (3:33)
07. The Sweetest Sound (2:48)
08. Spring Can Really Hang You Up The Most (4:22)
09. Meditation (3:46)
10. Why Did I Choose You (3:50)
11. Little Blues (3:38)
12. Guess Who I Saw Today (5:07)

Swiss singer-pianist Elsie Bianchi may not be a household name, but from the early 1950s through the 60’s she was one of the best jazz singers in Europe. Her sensuous voice and hip phrasing has shades of Anita O’Day. Elsie first gained fame through her appearances at the Zurich Jazz Festival in the early 50’s. Elsie and husband bassist Siro Bianchi toured the USA in 1958-59, playing at the legendary Lighthouse jazz club south of LA. She and Siro then began playing winters in Europe and summers in America before permanently moving to the States. Siro and MPS ‘house drummer’ Charly Antolini make it a tight trio. The standards Teach Me Tonight and Falling in Love show off Bianchi’s sophisticated voice and relaxed piano play, along with some impressive scatting. Elsie sticks to piano on the up tempo Latin Little Bird. There’s the comfortable swing of A Sleepin’ Bee, Mancini’s atmospheric waltz the Shadows of Paris, a jazzy instrumental on Fiddler On The Roof, and the title tune, an up-tempo piece of hopeful love. Spring Can Really Hang You Up The Most is an evocative instrumental ballad. Jobim’s Meditation brings on the bossa groove, and Elsie croons the heart-felt ballad Why Did I Choose You. Little Blues features the composer on piano and the trio in a shuffle groove. The ballad Guess Who I Saw Today tells the story of love betrayed.

The Sweetest Sound

Scott Hamilton & Jeff Hamilton Trio - Hamilton & Hamilton: Live In Bern

Size: 156,7 MB
Time: 67:50
File: MP3 @ 320K/s
Released: 2015
Styles: Jazz: Mainstream Jazz
Art: Front

01. September In The Rain (Live) (4:50)
02. All Through The Night (Live) (5:39)
03. Watch What Happens (Live) (5:11)
04. Soul Eyes (Live) (4:40)
05. This Can't Be Love (Live) (5:05)
06. There'll Be Some Changes Made (Live) (3:44)
07. Sybille's Day (Live) (5:23)
08. Key Largo (Live) (6:16)
09. Woody 'n' You (Live) (7:11)
10. The Champ (Live) (4:14)
11. Ballad For Very Tired And Very Sad Lotus Eaters (Live) (3:52)
12. You And The Night And The Music (Live) (5:16)
13. Centerpiece (Live) (6:24)

Saxophone master Scott Hamilton and drum maestro Jeff Hamilton have over four decades of experience each in the world of mainstream, swinging, jazz. Despite those many years on the scene Live In Bern is their first release together. It's been a long wait, but it's been worth it.

Before the important discussion—about the music—a word about the band and the album title. This isn't an album by the "Scott Hamilton & Jeff Hamilton Trio"—to be accurate, it's Scott Hamilton with the Jeff Hamilton Trio. Neither, despite the title, does it sound like a live album. It was recorded in Bern—in Marians Jazzroom, during a single session lasting less than eight hours—but while the venue is certainly a club, there's no sense of an audience being present. So "as live" might tell it more like it is.

The sound quality is excellent, from bassist Christof Luty's lower register to Jeff Hamilton's hi-hat, with Scott Hamilton's tenor and Tamir Hendelman's piano coming across with exceptional clarity and warmth. So while the Hamilton brothers (no, they're not, only joking) get name-checked on the CD cover, pianist Hendelman and bassist Luty deserve honorable mentions for their own contributions, which do much to give the tunes a full, rich and above all swinging feel.

There are plenty of familiar standards here—the cool and relaxed swing of "September In The Rain," a slow and dreamy "Key Largo"—but there's also one or two lesser-known (or at least less frequently recorded) tunes. Billy Strayhorn's "Ballad For Very Tired And Very Sad Lotus Eaters" stands out in this exalted company, the melodic and evocative tenor sax floating over an understated accompaniment from the remaining players.

There's just one original number, Jeff Hamilton's "Sybille's Day": a joyful mid-tempo tune driven by the composer's shuffle beat. However, the mix of familiar and not-so-familiar old tunes never sounds tired or hackneyed. This is a wily quartet of musicians whose flair and vivacity jumps out of the speakers, ensuring that this collection of straight-ahead gems sparkles from start to finish. ~by Bruce Lindsay

Personnel: Scott Hamilton: tenor saxophone; Tamir Hendelman: piano; Christof Luty: bass; Jeff Hamilton: drums.

Hamilton & Hamilton Live In Bern

Ann Hampton Callaway - Hope Of Christmas

Size: 121,2 MB
Time: 51:49
File: MP3 @ 320K/s
Released: 2015
Styles: Jazz Vocals, Holidays
Art: Front

01. On Union Street (A Christmas Toast) (4:10)
02. The Hope Of Christmas (4:07)
03. One Star (4:31)
04. Discovery (5:08)
05. I Believe (3:46)
06. I Saw A Sparrow (3:15)
07. Santa Doesn't Like Me (3:36)
08. Christmas Isn't Christmas At All (4:41)
09. I Want To Play Santa (4:27)
10. What Good Is Being Cranky (When It's Christmas Time) (4:02)
11. My Gift Of Thanks (4:18)
12. Fly With The Angels (5:44)

HE HOPE OF CHRISTMAS is a new collection of Christmas songs interpreted by multiplatinum-selling singer, Tony nominated actress, pianist and leading champion of the American songbook, Ann Hampton Callaway, with lyrics by two-time Emmy® Award winner William Schermerhorn, and featuring twenty-nine of the world's best jazz musicians, including Five Play, New York Voices, Hubert Laws, Claudio Roditi, Gerald Albright, The Ted Rosenthal Trio and more.

Hope Of Christmas

Lilly B. Gardner & Daniel Kobialka - Dancing And Romancing With George Gershwin

Size: 127,1 MB
Time: 54:17
File: MP3 @ 320K/s
Released: 2015
Styles: Jazz
Art: Front & Back

01. Our Love Is Here To Stay (4:05)
02. Fascinating Rhythm (4:56)
03. Somebody Loves Me (2:57)
04. Embraceable You (5:11)
05. Love Walked In (4:53)
06. But Not For Me (4:41)
07. They Can't Take That Away From Me (2:19)
08. Shall We Dance (2:40)
09. I've Got A Crush On You (3:09)
10. The Man I Love (5:15)
11. How Long Has This Been Going On (5:13)
12. S'wonderful (4:17)
13. Someone To Watch Over Me (4:36)

Among the many highlights in this album are the atmospheric arrangement given 'Our Love Is Here To Stay,' the seldom heard verse of 'Embraceable You,' the swinging pace of 'Somebody Loves Me,' and the very pretty violin lead on 'Someone To Watch Over Me.' Also noteworthy is the revival of the lesser-known Gershwin song 'Shall We Dance' which is a real delight.

Daniel Kobialka and Lilly Gardner often think as one during these performances, taking turns playing the themes and harmonizing with each other.

Mason Macias is felt, as much as heard on drums and percussion. ~Scott Yanow

Dancing And Romancing With George Gershwin

Terry Blaine with Mark Shane - With Thee I Swing

Bitrate: MP3@320K/s
Time: 78:50
Size: 180.5 MB
Styles: Standards, Vocal jazz, Piano jazz
Year: 1997/2004
Art: Front

[ 9:21] 1. I Never Knew
[ 8:39] 2. It's A Wonderful World
[ 4:02] 3. What A Little Moonlight Can Do
[ 3:48] 4. They Say That Falling In Love Is Wonderful
[ 5:28] 5. Why Don't You Do Right
[ 3:55] 6. Carolina Shout
[ 6:41] 7. St. Louis Blues
[ 2:17] 8. With Thee I Swing!
[ 3:43] 9. Oh, Daddy
[ 4:43] 10. What Is This Thing Called Love
[10:02] 11. I Would Do Most Anything For You
[ 5:46] 12. Medley Dream Dream A Little Dream Of Me
[ 3:31] 13. Getting Some Fun Out Of Life
[ 6:47] 14. Mama Don't Allow It

This live set (recorded at Hamburg, Germany) matches together pianist Mark Shane and vocalist Terry Blaine (who are the co-leaders) with the hot cornetist Ed Polcer, trombonist Tom Artin, clarinetist Allan Vache (who doubles a little on tenor), bassist Phil Flanigan and drummer Ed Metz, Jr. Although Blaine's husky vocals are musical and swinging (best are "What a Little Moonlight Can Do," "St. Louis Blues" and "Mama Don't Allow"), the instrumentals are most memorable. The renditions of "I Never Knew" (which is nearly nine minutes long), the ten-minute version of "I Would Do Most Anything for You," and a speedy "What Is This Thing Called Love" are among the highlights. Polcer in particular is heard throughout in top form, making this a worthwhile acquisition for trad collectors. ~Scott Yanow

With Thee I Swing

Oscar Brown, Jr. - In A New Mood

Bitrate: MP3@320K/s
Time: 34:06
Size: 78.1 MB
Styles: Jazz, Funk, Soul
Year: 1962/1988
Art: Front

[2:38] 1. Where Or When
[2:42] 2. Nobody Knows You When You're Down And Out
[3:41] 3. Mood Indigo
[2:47] 4. Please Send Me Someone To Love
[2:32] 5. Hey There
[3:45] 6. One For My Baby (And One More For The Road)
[2:19] 7. Sixteen Tons
[3:32] 8. God Bless The Child
[2:38] 9. Work Song
[3:12] 10. Go Down Moses
[2:27] 11. It Ain't Necessarily So
[1:49] 12. Straighten Up And Fly Right

Oscar Brown, Jr.'s third recording features the brilliant lyricist/singer performing a dozen standards. Surprisingly, his only writing contribution is the words to "Work Song," easily the most notable performance on this otherwise so-so date. Brown is backed by an unidentified orchestra (only trumpeter Joe Newman, who pops up briefly a few times, is distinctive) on tunes mostly arranged in somewhat anonymous fashion by Ralph Burns. Brown's voice is fine on such numbers as "Where or When," "Mood Indigo," "One for My Baby" and "Straighten Up and Fly Right," but he adds little fresh and new to the material. This is one of his lesser efforts. ~Scott Yanow

In A New Mood

Bill Evans - His Last Concert In Germany

Bitrate: MP3@320K/s
Time: 62:52
Size: 143.9 MB
Styles: Piano jazz, Post bop
Year: 2003
Art: Front

[7:20] 1. Letter To Evan
[6:25] 2. Yet Ne'er Broken
[5:32] 3. Laurie
[7:21] 4. Bill's Hit Tune
[6:19] 5. Knit For Mary F
[8:01] 6. Days Of Wine And Roses
[4:35] 7. Your Story
[4:17] 8. But Beautiful
[5:45] 9. If You Could See Me Now
[7:12] 10. Waltz For Debby

Something musically very significant happened to Bill Evans in the period before he tragically passed away in 1980....his playing moved to another level entirely...and as if to emphasise this, his performance on this recording is simply wonderful....jazz piano really doesn't get any better than this recording.

You can talk as much as you want about all the amazing piano players that have dominated jazz since Bill Evans departed this planet, but I have to say that there really isn't anyone else that I have heard that can capture the true essence of jazz in the way he could. It swings, it's emotional, it's entirely individual, it's without comparison. You know that you are simply listening to real genius...and this album amply demonstrates that we should avidly cherish musicians like this..as they really are few and far between. In a world which celebrates mediocrity as worthy of praise...enjoy a real and true master of his art. A genuine jazz legend...doing what he loved most. Magnificent. ~Peter Sklaroff

His Last Concert In Germany

Gerry & The Pacemakers - The EMI Years: The Best Of Gerry & The Pacemakers

Bitrate: MP3@320K/s
Time: 71:03
Size: 162.7 MB
Styles: AM pop, Merseybeat
Year: 1992
Art: Front

[1:52] 1. How Do You Do It
[2:03] 2. Maybellene
[2:12] 3. I Like It
[1:57] 4. Chills
[2:24] 5. Pretend
[2:35] 6. Jambalaya (On The Bayou)
[2:16] 7. You're The Reason
[1:51] 8. Hello Little Girl
[2:38] 9. You'll Never Walk Alone
[2:08] 10. A Shot Of Rhythm And Blues
[2:26] 11. Slow Down
[2:00] 12. It's All Right
[2:15] 13. I'm The One
[2:33] 14. Don't Let The Sun Catch You Crying
[2:06] 15. You've Got What I Like
[2:14] 16. It's Just Because
[2:02] 17. You You You
[2:22] 18. It's Gonna Be Alright
[2:22] 19. Ferry Cross The Mersey
[2:08] 20. I'll Wait For You
[2:44] 21. Hallelujah, I Love Her So
[2:24] 22. Reelin' And Rockin'
[1:45] 23. Why Oh Why
[2:32] 24. Baby You're So Good To Me
[2:25] 25. Walk Hand In Hand
[2:19] 26. Dreams
[2:34] 27. Give All Your Love To Me
[3:11] 28. I'll Be There
[2:34] 29. La La La
[1:54] 30. Fool To Myself
[2:04] 31. Girl On A Swing

As unfathomable as it seems from the distance of over 40 years, for a few months, Gerry & the Pacemakers were the Beatles' nearest competitors in Britain. Managed (like the Beatles) by Brian Epstein, Gerry Marsden and his band burst out of the gate with three consecutive number one U.K. hits in 1963, "How Do You Do It," "I Like It," and "You'll Never Walk Alone." If the Beatles defined Merseybeat at its best in early 1963, Gerry & the Pacemakers defined the form at its most innocuous, performing bouncy, catchy, and utterly lightweight tunes driven by rhythm guitar and Marsden's chipper vocals. Compared to the Beatles and other British Invasion heavies, they sound quaint indeed. That's not to say the group was trivial; its hits were certainly likable and energetic and are fondly remembered today, even if the musicians lacked the acumen (or earthy image) to develop their style from its relentlessly upbeat and poppy base.

Marsden formed the group in the late '50s featuring himself on guitar and lead vocals, his brother Fred on drums, Les Chadwick on bass, and Arthur Mack on piano (to be replaced in 1961 by Les Maguire). They worked the same Liverpool/Hamburg circuit as the Beatles, and ran neck and neck with their rivals in local popularity. They were signed by Epstein in mid-1962 (the first band to do so besides the Beatles), and began recording for the EMI/Columbia label in early 1963, under the direction of producer George Martin. Their first single was a Mitch Murray tune that Martin had wanted the Beatles to record for their debut, "How Do You Do It?" the Beatles did record a version (found on the Anthology 1 release), but objected to its release, finding it too sappy, and in any case were more interested in recording their own, gutsier original compositions. It suited Marsden's grinning, peppy style well, though, and went to number one before it was displaced from the top spot by the Beatles' third 45, "From Me to You."

The Pacemakers would never vary much from the clattering guitar-dominated pop of their first singles, turning again to Mitch Murray for the follow-up, "I Like It," and remaking an old pop standard for their next effort, "You'll Never Walk Alone." It's not universally known that Gerry Marsden actually wrote much of the band's material, and he penned most of their subsequent hits, including "It's All Right" (their gutsiest and best performance) and "I'm the One." He also wrote "Don't Let the Sun Catch You Cryin'" (sharing credits with the rest of the group) and "Ferry Cross the Mersey," ballads that Martin embellished with light string arrangements, which may (or may not) have helped prepare the producer for deploying strings on Beatles tracks starting in 1965. ~Richie Unterberger

The EMI Years: The Best Of Gerry & The Pacemakers

Marcus Printup - Desire

Styles: Trumpet Jazz
Year: 2013
File: MP3@320K/s
Time: 70:49
Size: 162,4 MB
Art: Front

(8:02)  1. Along the Way
(9:58)  2. El Gato Travieso
(7:51)  3. Desire
(5:46)  4. One Note Samba
(7:29)  5. Visions
(2:33)  6. Melancholia
(7:16)  7. I Can't Help It
(6:13)  8. Bee Dub Blues
(7:37)  9. Rebirth
(7:59) 10. You've Got a Friend

Few husbands relish the sound of their wives harping on in the background but not, I suspect, Mr Marcus Printup, an ace trumpet player, whose wife is an equally accomplished musician in her own right, a classically trained harpist endowed with a virtuoso talent. At first sight the idea of teaming jazz trumpet with harp might seem like something of a novelty. It certainly isn’t common but utilising the harp in a jazz context isn’t without precedent ; one remembers the `Les Jazz Modes` group fronted by French horn player, Julius Watkins and tenor saxist , Charlie Rouse, which intelligently employed the talent of harpist Janet Putman to add ensemble colour. Then there were the recordings made by Dorothy Ashby in which the harp took a front line role in the exposition of both melody and improvisational development.  Notwithstanding these pioneering efforts the harp will never be a mainline jazz instrument, unlike other stringed instruments namely the violin and cello it appears to lack the ability to effect chordal dissonances which are so importance in the tension building process of jazz improvisation. Nevertheless, Mrs Printup makes a convincing case for the harp’s utilisation in this context for no other reason than the smouldering intensity she brings to the deliverance of the seductive themes presented in this superb recording.

Most of the tunes have a Latin-American ambience which benefit from the flamenco like cascades of sound initiated by the harp as well as the lute like harmonies which back the forthright sound of Mr Printup’s trumpet which comes over with the subtlety and power of a latter day Roy Eldridge, in both open and muted formats. Some of these are compositions by Mr and Mrs  but there is also a delicious and memorable version on that familiar Jobim classic, `One Note Samba`. My personal favourites are covers of two Stevie Wonder favourites: `Visions` and `I Can’t Help It` and a wonderful rendition of Carol King’s `You’ve Got a Friend`. Having extolled the virtues of Mrs Printup’s contribution I’m slightly ashamed to say that the track that most arrested my attention is a duet between Marcus and his bassist, Ben Williams, which is a blues of timeless integrity that links all the verities of jazz expression from Armstrong to the young giants of the contemporary pantheon in which Marcus Printup deserves a prominent place.
~ Euan Dixon  http://www.jazzviews.net/marcus-printup---desire.html

Personnel:  Marcus Printup (trumpet);  Riza Printup (harp);  Ben Williams (bass);  E.J. Strickland (drums)

Desire

Kenny Barron - Other Places

Styles: Piano Jazz
Year: 1994
File: MP3@320K/s
Time: 66:42
Size: 152,8 MB
Art: Front

( 5:24)  1. Anywhere
( 6:48)  2. Other Places
( 7:53)  3. Mythology
( 7:59)  4. For Heaven's Sake
( 5:15)  5. Ambrosia
( 6:42)  6. Wildlife
(10:48)  7. I Should Care
( 8:25)  8. Nikara's Song
( 7:25)  9. Hey, It's Me You're Talkin' To

In the 1990s, Kenny Barron was finally recognized as one of jazz's top pianists, recording a series of top-notch and consistently inventive releases. This CD has seven of Barron's originals in which he is teamed with Ralph Moore (tenor and soprano), vibraphonist Bobby Hutcherson, bassist Rufus Reid, drummer Victor Lewis, and sometimes percussionist Mino Cinelu. These fine performances help to define the modern mainstream of the period. In addition, there are a pair of standards ("For Heaven's Sake" and a lengthy version of "I Should Care") that are played as sensitive duets with Reid. Excellent and often exquisite music. ~ Scott Yanow  http://www.allmusic.com/album/other-places-mw0000623067

Personnel: Kenny Barron (piano); Ralph Moore (soprano & tenor saxophones); Bobby Hutchinson (vibraphone); Rufus Reid (acoustic bass); Victor Lewis (drums); Mino Cinelu (percussion).

Other Places

Lou Watson - Taking A Chance On Love

Styles: Vocal Jazz
Year: 2007
File: MP3@320K/s
Time: 42:01
Size: 96,7 MB
Art: Front

(4:06)  1. I Just Found Out About Love
(4:43)  2. Girl Talk
(5:22)  3. Taking A Chance On Love
(5:07)  4. My Romance
(3:32)  5. Just The Two Of Us
(4:05)  6. The Days Of Wine And Roses
(4:22)  7. Send One Your Love
(3:31)  8. Fools Rush In
(2:31)  9. Time After Time
(4:37) 10. My Girl

Vocalist Lou Watson has completed his new CD, “Taking a Chance on Love” for release on the Village Notz Record Label, produced by Grammy-winning producer Jack Kreisberg, and recorded by Grammy-winning engineer Ben Elliott. The CD was arranged by Onaje Allan Gumbs and feature such notables as Bob DeVos on guitar, Marcus McLaurine and Wayne Batchelor on bass, Vince Ector on drums, Roger Byam on saxophones and Emedin Rivera on percussion. The project features many familiar straight-ahead jazz, Brazilian standards and ballads that showcase Lou's very recognizable baritone sound. On this project, Lou does his take on many well known tunes and brings a warm familiarity in the process. Listen and enjoy! http://www.cdbaby.com/cd/louwatson2

Personnel:  Lou Watson (vocal);  Bob DeVos (guitar); Roger Byam (alto saxophone, tenor saxophone); Onaje Allan Gumbs (piano); Emedin Rivera (percussion).

Taking A Chance On Love

Sunday, October 25, 2015

The Lucky Duckies - Glamour & Nostalgia: Part One

Size: 116,7 MB
Time: 49:24
File: MP3 @ 320K/s
Released: 2010
Styles: Swing, Rock & Roll
Art: Front

01. Tao Bom (2:06)
02. Exactly Like Mario (2:01)
03. Somebody New (1:56)
04. Bill Bailey, Won't You Please Come Home (1:47)
05. Tell Me Lord Up Above (4:24)
06. The Way You Look Tonight (4:15)
07. Mr. Trump (2:24)
08. Hurt (4:35)
09. Uncle Paul Anka (3:13)
10. My Baby Just Cares For Me (2:28)
11. Pretty Baby (1:58)
12. Mr. Valentino (2:38)
13. Cartas De Amor (3:16)
14. Who Put The Bomp (2:41)
15. Hushabey (3:20)
16. C'mom Everybody (1:56)
17. My Blue Heaven (1:39)
18. Sh-Boom (2:40)

The Lucky Duckies are a revival band "cut" from some Las Vegas Casino in the Fifties or the early Sixties. The band includes "crooner" Marco Antonio, female singer Cláudia Faria, piano player, upright bass player, guitar player and drummer. Together they offer us joy and entertainment in the style of Dean Martin or Dinah Shore, and they don't forget Elvis, Sinatra, or Nat King Cole. Their spirit is jokey and very interactive, and more than good music, they give us pure entertainment! They promise us lots of Swing Jazz, Country Music, Boleros and Rock'n'Roll. The quality of this band has been recognized by the Media that divulged this project with "glamour and nostalgia" worldwide. They released 2 albums, one in 2010 and another in 2013. These records includes original songs and classics with new arrangements. They have toured the five continents.

Glamour & Nostalgia: Part One

Georgie Fame, Uschi Bruning & Alan Skidmore - A Declaration Of Love

Size: 125,1 MB
Time: 53:46
File: MP3 @ 320K/s
Released: 2015
Styles: Jazz Vocals
Art: Front

01. Rockin' Chair (Georgie Fame) (3:59)
02. Mr. PC (Alan Skidmore Quartet) (6:12)
03. Jumping With Symphony Sid (Georgie Fame) (5:57)
04. On A Misty Night (Georgie Fame) (7:22)
05. A Declaration Of Love (Georgie Fame) (5:21)
06. Yeh Yeh (Georgie Fame) (5:47)
07. Black Coffee (Uschi Bruning) (6:52)
08. Anthropology (Uschi Bruning) (2:42)
09. God Shall Wipe All Tears Away (Uschi Bruning) (3:50)
10. Stormy Monday (Georgie Fame & Uschi Bruning) (5:40)

Personnel: Uschi Brüning (vocals); Georgie Fame (vocals, piano); Alan Skidmore Quartet (tenor saxophone); Steve Melling (piano); Ian Palmer (drums).

Recorded at Kammermusiksaal der Berliner Philharmonie, September 19, 2008.

The Jazzwerkstatt was just launched when my good English friend (saxophonist) Alan Skidmore and his quartet gave a concert dedicated to the music of John Coltrane. Later we talked about Georgie Fame whom I had seen just recently in a Van Morrison BBC feature. Some days before Id heard Georgie's CD with the Danish Radio Big Band and, anyway, I knew him well for a long time. Moreover, I had to arrange a concert with (German jazz/soul singer and songwriter) Uschi Brüning. That is how it was decided to stage a concert at the (Berliner Philharmonie) Kammermusiksaal the way we hear it on this CD. (Ulli Blobel)

A Declaration Of Love

Joey 'G-Clef' Cavaseno - Live With Bobby Forrester

Size: 186,3 MB
Time: 80:18
File: MP3 @ 320K/s
Released: 2014
Styles: Jazz: Swing, Bop
Art: Front

01. Robbin’s Nest (Live) ( 9:18)
02. Candy (Live) ( 9:02)
03. Little Suede Shoes (Live) (10:08)
04. Turfer’s Blues (Live) (11:05)
05. You Are Too Beautiful (Live) ( 4:21)
06. Honeysuckle Rose (Live) ( 8:26)
07. Battle Royal (Live) (10:30)
08. Night In Tunisia (Live) (14:48)
09. Jumpin’ With Symphony Sid (Live) ( 2:35)

Personnel:
Alto Saxophone – Joseph Cavaseno
Drums – Tootsie Bean
Electric Guitar – William Ash
Layout – Jesse Scherr
Organ – Bobby Forrester
Percussion – Daniel Sadownick

Grooving, hard-swinging Bebop with the last of the great organists, the now late, great Bobby Forester, recorded live in 1994 in Brookhaven Jazz Festival, in Long Island, NY. Alto Saxist Joey "G-Clef" Cavaseno, of Illinois Jacquet and Panama Francis fame, was becoming one of the top straight ahead, hard-swinging alto saxophonists. Also featured, are guitar great William Ash, and legendary drummer of Ruth Brown fame, Tootsie Bean. This set swings ridiculously hard from top to bottom, and the group's enthusiasm is contagious. A Rare Gem!

Live With Bobby Forrester

Benny Goodman - The Essential Benny Goodman (2-Disc Set)

One of at least seven entirely different compilations that brandish the word "Essential" in their titles, this double-disc anthology of 40 classic swing performances actually does convey the essence of Benny Goodman, and is therefore highly recommended. The recordings, most of them cut in the Victor and Columbia studios between 1934 and 1945, are laid out in four exacting categories of ten tracks apiece. A tribute to Goodman's big-band arrangers pays homage to Fletcher and Horace Henderson, Edgar Sampson, Jimmy Mundy, George Bassman, Deane Kincaide, Spud Murphy, Eddie Sauter and Mel Powell. A "Visit to Tin Pan Alley" salutes songwriters George & Ira Gershwin, Richard Rodgers and Lorenz Hart, Richard Whiting, Johnny Mercer, Cole Porter and Vernon Duke. The superb lineup of vocalists includes Helen Ward, Martha Tilton, Mildred Bailey, Helen Forrest and Peggy Lee. Goodman's small groups, from trios to septets, are well represented here.

Starting with the cardinal players Teddy Wilson, Gene Krupa and Lionel Hampton, the potent third segment of the album gradually ushers in such brilliant improvisers as Charlie Christian, Red Norvo, Cootie Williams, Georgie Auld, Johnny Guarnieri and Count Basie. This marvelous double album closes with ten examples of Goodman performing in front of live audiences. These radio broadcast airchecks document the manner in which most people in North America heard Goodman on a regular basis. Perhaps the best of these is the final track; an exciting five-and-a-half minute version of Fats Waller's "Stealin' Apples" performed on the roof of the Hotel Astor in New York City. This swinging performance demonstrates exactly why Benny Goodman was so popular before, during and after the Second World War. ~arwulf arwulf

Album: The Essential Benny Goodman (Disc 1)
Bitrate: MP3@320K/s
Time: 70:40
Size: 161.8 MB
Styles: Clarinet jazz, Big band
Year: 2007
Art: Front

[2:32] 1. Let's Dance
[2:56] 2. Bugle Call Rag
[3:08] 3. King Porter Stomp
[3:21] 4. Don't Be That Way
[3:09] 5. When Buddha Smiles
[8:39] 6. Sing, Sing, Sing (With A Swing)
[3:05] 7. Big John's Special
[3:06] 8. Get Happy
[4:31] 9. Stealin' Apples
[8:43] 10. Oh! Baby
[2:29] 11. Goody Goody
[2:28] 12. There's A Small Hotel
[2:48] 13. You Turned The Tables On Me
[3:02] 14. Can't Teach My Old Heart New Tricks
[2:45] 15. This Can't Be Love
[2:31] 16. I Love You More And More Each Day
[2:57] 17. It Never Entered My Mind
[3:07] 18. Taking A Chance On Love
[2:00] 19. Let's Do It (Let's Fall In Love)
[3:14] 20. How Long Has This Been Going On


Album: The Essential Benny Goodman (Disc 2)
Bitrate: MP3@320K/s
Time: 63:48
Size: 146.1 MB
Styles: Carinet jazz, Big band
Year: 2007
Art: Front

[2:46] 1. After You've Gone
[2:37] 2. Runnin' Wild
[3:25] 3. The Man I Love
[3:10] 4. Moonglow
[3:11] 5. Flying Home
[2:46] 6. Rose Room
[2:52] 7. Good Enough To Keep (Air Mail Special)
[2:41] 8. The World Is Waiting For The Sunrise
[3:02] 9. Wholly Cats
[2:52] 10. Rachel's Dream
[2:36] 11. Ridin' High
[2:08] 12. Sunny Disposish
[3:22] 13. Body And Soul
[2:12] 14. Sweet Leilani
[4:15] 15. Roll 'em
[3:41] 16. Life Goes To A Party
[4:11] 17. Avalon
[2:29] 18. Swingtime In The Rockies
[3:53] 19. My Gal Sal
[5:30] 20. Stealin' Apples


Frank Wess - Pin Up

Bitrate: MP3@320K/s
Time: 78:59
Size: 180.8 MB
Styles: Saxophone jazz
Year: 2014
Art: Front

[4:02] 1. Pin Up
[5:22] 2. Playboy
[5:43] 3. Gone With The Wind
[3:55] 4. You'd Be So Nice To Come Home To
[4:19] 5. Yesterdays
[8:22] 6. Rainy Afternoon
[6:15] 7. Bohemia After Dark
[6:05] 8. I See Your Face Before Me
[8:23] 9. Things Ain't What They Used To Be
[8:29] 10. Kansas City Side
[9:24] 11. Steamin'
[4:09] 12. Baubles, Bangles And Beads
[4:24] 13. Wanting You

One of the first major jazz flutists, Frank Wess was also a top Lester Young-influenced tenor man, an expert first altoist, and an occasional composer/arranger -- certainly a valuable man to have around. Early on he toured with Blanche Calloway, served in the military, and had stints with the Billy Eckstine Orchestra (1946), Eddie Heywood, Lucky Millinder, and R&B star Bull Moose Jackson. That was all just a prelude to Wess' important period with Count Basie's big band, from 1953-1964. His flute playing, so expertly utilized in Neal Hefti's arrangements, gave the Basie Orchestra a fresh new sound, and his cool-toned tenor contrasted well with the more passionate sound of fellow tenor Frank Foster; Wess also had opportunities to play alto with the classic big band. Wess subsequently freelanced in countless settings, playing with Clark Terry's big band, the New York Jazz Quartet (with Roland Hanna) during the second half of the 1970s, Dameronia (1981-1985), and Toshiko Akiyoshi's big band, and also had occasional reunions with Frank Foster. Frank Wess led sessions for Commodore (1954), Savoy, Prestige, Moodsville, Pablo (with Foster), Progressive, Uptown, Concord, and Town Crier. He died of a heart attack at the age of 91 in Manhattan on October 30, 2013. ~bio by Scott Yanow

Pin Up

Jeff Hamilton - Dynavibes

Bitrate: MP3@320K/s
Time: 51:43
Size: 118.4 MB
Styles: Bop, Vibraphone jazz
Year: 2007
Art: Front

[5:26] 1. Killer Joe
[4:00] 2. Just Like Sd
[6:15] 3. Cherokee
[6:33] 4. Long Ago And Far Away
[6:19] 5. Sweet Lorraine
[4:41] 6. Close Enough For Love
[5:07] 7. Happy Kick
[4:16] 8. Midnight Sun
[3:33] 9. Todo
[5:28] 10. Blues For Milt

Although vibraphonist Frits Landesbergen had recorded a couple of dates as a leader for Timeless prior to appearing as a guest with the Jeff Hamilton Trio on the 1996 studio session Dynavibes, the Mons CD should introduce him to a wider audience. With Hamilton's first-rate drumming and solid accompaniment from pianist Larry Fuller and bassist Lynn Seaton, the trio turns over the spotlight to Landesbergen, who acquits himself rather well with his four-mallet technique playing a mix of standards like "Cherokee" and "Sweet Lorraine," bop classics ("Killer Joe"), and a quartet of intriguing originals, including the funky "Happy Kick" and a smoking tribute to a legendary vibraphonist, "Blue for Milt." Overall, this is a very rewarding session. ~Ken Dryden

Dynavibes

Maureen McGovern - The Best Of Maureen McGovern

Bitrate: MP3@320K/s
Time: 35:46
Size: 81.9 MB
Styles: Easy Listening
Year: 2005
Art: Front

[2:20] 1. The Morning After
[3:24] 2. Where Did We Go Wrong
[2:09] 3. We May Never Love Like This Again
[2:50] 4. Everybody Wants To Call You Sweetheart
[2:29] 5. Nice To Be Around
[2:58] 6. Put A Little Love Away
[2:54] 7. Love Songs Are Getting Harder To Sing
[3:20] 8. Even Better Than I Know Myself
[2:45] 9. Give Me A Reason To Be Gone
[3:29] 10. Love Knots
[3:51] 11. I Won't Last A Day Without You
[3:12] 12. Like A Sunday Morning

The Best Of Maureen Mcgovern: 20th Century Masters is the first collection to showcase McGovern's treasure of pop and adult contemporary fare, recorded between 1973 and 1975 for the 20th Century Records label. Featured in the collection is her Oscarr winning #1 hit 'The Morning After (Theme From The Poseidon Adventure)' as well as radio and fan favorites 'I Won't Last A Day Without You', 'Nice To Be Around' and 'Give Me A Reason'. Each selection has been newly remastered for superior sound.

The Best Of Maureen McGovern

Allen Toussaint - Songbook (Deluxe Edition)

Styles: Vocal And Piano Jazz
Year: 2013
File: MP3@320K/s
Time: 78:36
Size: 181,2 MB
Art: Front

( 0:54)  1. Introduction
( 3:57)  2. It's Raining
( 2:05)  3. Lipstick Traces
( 0:39)  4. Introduction To Brickyard Blues
( 3:29)  5. Brickyard Blues
( 3:31)  6. With You In Mind
( 4:09)  7. Who's Gonna Help Brother Get Further
( 1:58)  8. Sweet Touch Of Love
( 3:02)  9. Holy Cow
( 0:12) 10. Introduction To Get Out Of My Life, Woman
( 3:01) 11. Get Out Of My Life, Woman
( 4:11) 12. Freedom For The Stallion
( 2:23) 13. St. James Infirmary
( 0:12) 14. Introduction To Shrimp Po-Boy, Dressed
( 3:17) 15. Shrimp Po-Boy, Dressed
( 2:41) 16. Soul Sister
( 3:42) 17. All These Things
( 4:06) 18. We Are Americayes We Can
( 2:51) 19. The Optimism Blues
( 3:38) 20. Old Records
( 3:15) 21. Certain Girl Medley Certain Girlmother-In-Lawfortune Tellerworking In The Coal Mine
( 3:07) 22. It's A New Orleans Thing
( 2:37) 23. I Could Eat Crawfish Everyday
( 2:26) 24. There's No Place Like New York
(13:00) 25. Southern Nights

New Orleans musicians laid the cornerstone for a large swath of American music, and Allen Toussaint is among the city s most gifted players. As a composer, arranger, producer, pianist and singer, Allen has created an enduring body of work that includes local hits by Irma Thomas and Lee Dorsey; songs covered by Glen Campbell, the Rolling Stones and Robert Plant & Alison Krauss; national hits by Ernie K-Doe and LaBelle; and collaborations with Paul McCartney and Elvis Costello, all in addition to his own recording career. He was inducted into the Rock and Roll Hall of Fame in 1998, and was awarded the National Medal of Arts by President Obama in July, 2013.

Songbook presents Allen Toussaint as many of his fans have longed to hear him, in an intimate solo setting, performing many of his best-loved songs. His piano playing is a marvel, with its orchestral conception and effortless New Orleans syncopation. But what comes across most strongly is the warmth of Allen s performance. The gentle Creole lilt in his voice brings a resonance and a smile to his songs, rivaling the versions he produced for others. Recorded live at Joe s Pub in New York, the deluxe edition of Songbook includes a DVD with backstage and studio interviews. ~ Editorial Reviews  http://www.amazon.com/Songbook-DVD-Combo-Deluxe-Edition/dp/B00BHWG1OO

Songbook (Deluxe Edition)