Cat Anderson - Americans Swinging In Paris

Styles: Trumpet Jazz
Year: 1964
File: MP3@320K/s
Time: 57:07
Size: 131,1 MB
Art: Front

(7:59)  1. A "Chat" With Cat
(5:05)  2. Don't Get Around Much Anymore
(2:50)  3. Muskat Ramble
(3:55)  4. A Gathering In A Clearing
(5:13)  5. C Jam Blues
(4:15)  6. Confessin'
(3:28)  7. For Jammers Only
(5:18)  8. Concerto For Cootie
(5:48)  9. Black And Tan Fantasy
(3:55) 10. Blues For Laurence
(6:18) 11. Ain't Misbehavin
(2:58) 12. You're The Cream In My Coffee

Cat Anderson was arguably the greatest high-note trumpeter of all time. His solo on "Satin Doll" from Duke Ellington's 70th Birthday Concert is a perfectly coherent chorus consisting of notes that are so high that it is doubtful if another trumpeter from all of jazz history could hit more than one or two. He first learned trumpet while at the Jenkins Orphanage in Charleston and toured with the Carolina Cotton Pickers, a group in which he made his recording debut. During 1935-1944, Anderson played with many groups including those of Claude Hopkins, Lucky Millinder, Erskine Hawkins, and Lionel Hampton. Hampton loved his high-note mastery, although Hawkins reportedly fired Anderson out of jealousy. In 1944, Cat Anderson was first hired by Duke Ellington and it ended up being the perfect setting for him. Ellington enjoyed writing impossible parts for Cat to play, and Anderson received publicity and a steady income. He was more than just a high-note player, being a master with mutes and having a fine tone in lower registers, but no one could really challenge him in the stratosphere (although Maynard Ferguson, Jon Faddis, and Arturo Sandoval have come close). Anderson was with Ellington during 1944-1947, 1950-1959, and off and on during 1961-1971. Occasionally he would go out to lead his own bands but he always came back. After Ellington's death, Cat Anderson settled on the West Coast where he often played with local big bands, including an exciting one led by Bill Berry. ~ Scott Yanow https://itunes.apple.com/au/album/american-swinging-in-paris/696362646

Americans Swinging In Paris

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Illinois Jacquet & Lester Young - Battle Of The Saxes

Styles: Saxophone Jazz 
Year: 1955
File: MP3@320K/s
Time: 21:45
Size: 51,6 MB
Art: Front

(2:44)  1. Flying Home
(2:42)  2. Blow Illinois Blow
(2:21)  3. Goofin' Off
(2:28)  4. Illinois Blows The Blues
(2:52)  5. D.B. Blues
(2:25)  6. Lester Blows Again
(2:57)  7. On The Sunny Side Of The Street
(3:11)  8. Jumpin' With Symphony Sid

Illinois Jacquet (Jean-Baptiste Illinois Jacquet, October 31, 1922 - July 22, 2004) is an American jazz tenor saxophonist. The brother of the trumpeter Russell Jacquet and the drummer Linton Jacquet.

Illinois began to perform in 1939 in the orchestra of Milton Larkin. In 1942 he participated in the recording of the hit "Flying Home" with the orchestra Lionel Hampton. In 1993 he played the song "C-Jam Blues", on the lawn near the White House, together with President Bill Clinton at the inauguration of the latter. Collaborated with Arnett Cobb, Dexter Gordon, Cab Calloway, Charles Mingus, Lester Young, Count Basie and many others. Lester Young (27.08.1909 - 15.03.1959) is an American jazz tenor saxophonist and clarinetist. His virtuosic improvisations, which were remarkably smoothly phrased, influenced many saxophonists of the second half of the 20th century.

Personnel:  Illinois Jacquet (saxophone), Lester Young (saxophone)

Battle Of The Saxes

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Robbie Williams - The Heavy Entertainment Show

Styles: Vocal
Year: 2016
File: MP3@320K/s
Time: 61:13
Size: 143,0 MB
Art: Front

(3:22)  1. The Heavy Entertainment Show
(3:02)  2. Party Like a Russian
(3:58)  3. Mixed Signals
(3:28)  4. Love My Life
(4:17)  5. Motherfucker
(3:13)  6. Bruce Lee
(3:16)  7. Sensitive
(4:14)  8. David's Song
(2:55)  9. Pretty Woman
(4:25) 10. Hotel Crazy (with Rufus Wainwright)
(3:47) 11. Sensational
(4:20) 12. When You Know
(4:51) 13. Time On Earth
(4:19) 14. I Don't Want to Hurt You (with John Grant)
(3:44) 15. Best Intentions
(3:53) 16. Marry Me

The Heavy Entertainment Show is the eleventh studio album by English recording artist Robbie Williams. It was released on 4 November 2016 through Columbia Records. In May 2016, it was announced that Robbie Williams had signed a recording contract with Sony Music. Robbie Williams said in statement: "They're [Sony Music] inspired, I'm inspired. I'm more ready than I ever have been and I'm totally convinced I'm in the right place. I look forward to working on this album, which is an album I'm immensely proud of, in this exciting new partnership with Sony Music." The track "Mixed Signals" features all four members of the American alternative rock band the Killers performing all the instruments, as well as writing the song. The album was announced on 25 September 2016, and the same day the album's title track "Heavy Entertainment Show" was released on Spotify and as an "instant grat" through iTunes Store. The album's first official single, "Party Like a Russian", was released on 30 September 2016. The second single, "Love My Life", was released on 20 October 2016. 

On 7 November, Williams announced a concert tour titled The Heavy Entertainment Show Tour to promote the album. It began on 2 June 2017 in Manchester, England and is set to end in November 2018 in Mexico City. The Heavy Entertainment Show received a Metacritic score of 59 based on 9 reviews, indicating "mixed or average reviews". Neil Z. Yeung of AllMusic was highly positive in his 4-star review, saying "Aptly titled, Williams is entertaining as ever, a consummate showman until the end. The album is a grab bag of ideas, darting here and there in its pursuit of a hit. However, this isn't too much of a distraction, Mr Entertainment and his bombast do not disappoint. The Heavy Entertainment Show is his most invigorated album in years, a truer return to the pop realm than Take the Crown. Here, Williams dresses up his antics in expert production with plenty of cheekiness to spare." Kitty Empire from The Observer gave a mixed three-star review stating, "Cheek, swagger and schmaltz, the tunes that could only come from Williams make this record entertaining, if a little groan worthy. The could-be-anybody songs just don’t stick in the memory." Tim Jonze from The Guardian gave a negative two-star review and said, "A lurching mess of styles, it lurches from one thing to the next, be that MOR balladry, glam rock or orchestral show tunes." https://en.wikipedia.org/wiki/The_Heavy_Entertainment_Show

The Heavy Entertainment Show (Deluxe)

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Will Boulware - Take Five

Styles: Piano Jazz
Year: 2004
File: MP3@320K/s
Time: 49:47
Size: 147,3 MB
Art: Front

(5:33)  1. Take Five
(3:18)  2. Very Early
(3:09)  3. You Are Too Beautiful
(5:41)  4. Be Ready
(6:38)  5. Body And Soul
(4:02)  6. Jingle
(3:53)  7. Wonder
(5:06)  8. How Deep Is The Ocean
(4:42)  9. Invitation
(7:39) 10. My Foolish Heart

The Boulware family moved to Charlotte, North Carolina then Atlanta, Georgia where Will started playing the piano at age five. Wills father played the guitar and sang cowboy songs along with his mother, Alberta Boulware Connelly, who still sings quite well. At age 10, Will bought a set of drums and formed his first group "Wee Willy & The Winks" in which he played drums doing surf music until 13 when he traded in the drums for his first electric keyboard and started to listen to Jimmy Smith and his father's Erroll Garner and Dave Brubeck records. When he was fourteen, he was already in an R&B group performing. He also played the organ in a trio he formed called the Booger Band  and started performing his own compositions. By 1972, his songs were recorded by B.B. King. At 21 Will moved to New York City where he mainly worked doing recording sessions in commercial field. In the 1980s, Boulware lived in California doing some solo piano gigs and working with guitarists such as Scott Henderson, Phil Upchurch and Ron Eschete. By 1990, Boulware moved back to NYC where he started working with the late Phyllis Hyman. He also started in 1993 a 10-year organ stint with saxophonist Maceo Parker and touring with The Blues Brothers (1998), John Scofield (1999) and Carla Bley (2000). He also performed on Rodney Jones recordings and others. ~ From Wikipedia, the free encyclopedia.

Personnel:  Will Boulware (Piano);  Lonnie Plaxico (Bass); Richard Bona (Bass Electric); Billy Kilson (Drums).

Take Five

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Maggie Herron - A Ton of Trouble

Styles: Vocal And Piano Jazz
Year: 2018
File: MP3@320K/s
Time: 47:50
Size: 111,6 MB
Art: Front

(3:50)  1. A Ton of Trouble
(4:12)  2. Perfect Specimen
(4:48)  3. Scheherazade
(3:04)  4. Salty Wine
(4:18)  5. Dance Me to the End of Love
(3:19)  6. Red Hot Jazz
(3:34)  7. Small Stuff
(4:17)  8. There Is Love
(4:57)  9. Changing Winds
(3:17) 10. Monkishness
(4:12) 11. The Dove & the Bourbon
(3:55) 12. In My Life

Nominated for the 2018 Na Hoku Hanohano Award for Single of the Year, Maggie Herron's rendition of “In My Life” (Lennon/McCartney) features Larry Koonse-Guitar and Dean Taba-Bass with Maggie On vocals. Maggie Herron’s CD, ‘Between the Music and the Moon’ is the winner of the 2017 Na Hoku Hanohano Award for Jazz Album of the Year. Nominated for Female Vocalist of the Year, the CD features 12 original songs with engineering and mastering by Paul Tavenner. The title track features guitarist, Grant Geissman. With 10 original and 2 cover songs, Maggie delivers her rich,contralto vocals over horn driven, guitar laden original bluesy and New Orleans style songs. Contemplative and storytelling songs feature Maggie at piano along with 2 guest jazz piano greats on several tracks: Bill Cunliffe and Geoffrey Keezer. The making of A Ton Of Trouble “was born during a year of flu, a broken arm and the natural lowering of my vocal range,” Herron explains. However, Herron has successfully managed to turn her troubles into lyrical creative fodder, including elements of humor, fun, contemplation and storytelling. Herron relied on some longtime collaborators to help with the album’s eleven other jazz pieces. Bill Cunliffe arranged six of the albums songs as well as accompanies Herron on piano for those tracks. Bassist,Dean Taba, who also regularly performs live with Herron at Lewer’s Lounge in Waikiki, plays on all but one of the album’s tracks. Her daughter, Dawn Herron, co-wrote lyrics for five of the albums original songs. The album was engineered by Paul Tavenner at Big City Recording Studios. Maggie can be seen weekly, performing at Honolulu's premier jazz club, Lewers Lounge.  https://store.cdbaby.com/cd/maggieherron7

A Ton of Trouble

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Woody Herman - Keeper Of The Flame

Styles: Clarinet, Saxophone Jazz
Year: 1992
File: MP3@320K/s
Time: 58:21
Size: 137,2 MB
Art: Front

(3:04)  1. That's Right
(2:52)  2. Lemon Drop
(3:14)  3. I Got It Bad (And That Ain't Good)
(3:07)  4. I Ain't Gettin' Any Younger
(3:12)  5. Early Autumn
(3:05)  6. More Than You Know
(3:03)  7. Keeper Of The Flame
(3:14)  8. The Crickets
(3:13)  9. More Moon
(3:11) 10. Detour Ahead
(3:12) 11. Jamaica Rhumba
(2:53) 12. Not Really The Blues
(2:57) 13. Tenderly
(2:42) 14. Lollipop
(2:37) 15. I'll Be Glad When You're Dead You Rascal You
(3:13) 16. You've Got A Date with The Blues
(3:10) 17. Rhapsody In wood
(2:57) 18. The Great Lie
(3:14) 19. In The Beginning

Subtitled The Complete Capitol Recordings of the Four Brothers Band, this CD contains 19 selections from Herman's Second Herd, including three songs never before released. Top-heavy with major soloists (including trumpeters Red Rodney and Shorty Rogers; trombonist Bill Harris; tenors Al Cohn, Zoot Sims, Stan Getz, and Gene Ammons; and vibraphonist Terry Gibbs; not to mention Herman himself), this boppish band may have cost the leader a small fortune but they created timeless music. Highlights include "Early Autumn" (a ballad performance that made Stan Getz a star), the riotous "Lemon Drop," and Gene Ammons' strong solo on "More Moon." 

~ Scott Yanow https://www.allmusic.com/album/keeper-of-the-flame-the-complete-capitol-recordings-mw0000075785

Personnel:  Clarinet – Woody Herman;  Alto Saxophone – Sam Marowitz, Woody Herman;  Baritone Saxophone – Serge Chaloff;  Bass – Chubby Jackson (tracks: 1 to 7), Joe Mondragon (tracks: 13 to 19), Oscar Pettiford (tracks: 8 to 12);  Drums – Don Lamond (tracks: 1 to 7), Shelly Manne (tracks: 8 to 19);  Piano – Lou Levy;  Tenor Saxophone – Al Cohn (tracks: 1 to 7), Buddy Savitt (tracks: 8 to 19), Gene Ammons (tracks: 8 to 19), Jimmy Giuffre (tracks: 8 to 19), Stan Getz (tracks: 1 to 7), Zoot Sims (tracks: 1 to 7);  Trombone – Bart Varsalona (tracks: 8 to 19), Bill Harris, Bob Swift (tracks: 1 to 7), Earl Swope, Ollie Wilson ; Trumpet – Al Porcino (tracks: 8 to 19), Bernie Glow (tracks: 1 to 7), Charlie Walp (tracks: 8 to 19), Ernie Royal, Red Rodney (tracks: 1 to 7), Shorty Rogers, Stan Fishelson;  Vibraphone – Terry Gibbs (tracks: 1 to 7, 10 to 19);  Vocals – Mary Ann McCall (tracks: 1 to 9), Woody Herman

Keeper Of The Flame

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Ron Jefferson, Tricky Lofton & Carmell Jones - Love Lifted Me & Brass Bag

Styles: Jazz, Post Bop
Year: 2013
File: MP3@320K/s
Time: 79:24
Size: 182,3 MB
Art: Front

( 5:52)  1. Ivy League Blues (Newborn)
( 4:42)  2. Love Lifted Me (Trad.)
(10:26)  3. For Carl Perkins (Vinnegar)
( 5:31)  4. Little One (Jefferson)
( 5:57)  5. Flamingo (Grouya-Anderson)
( 6:53)  6. Georges Dilemma (Powell)
( 5:27)  7. Moten Swing (Moten-Moten)
( 5:21)  8. Mood Indigo (Ellington-Bigard-Mills)
( 4:13)  9. Angel Eyes (Dennis-Brent)
( 5:22) 10. Celery Stacks at Midnight (Bradley-Harris)
( 3:48) 11. Brass Bag (Wilson)
( 6:51) 12. Ow! (Gillespie)
( 3:17) 13. Bluer Than That (Wilson)
( 5:39) 14. Canadian Sunset (Heywood-Gimbel)

Ron Jefferson, the sensitive jazz drummer, was something of a paradox: a jazzman who, for several years, labored just below the level of general public recognition in the East, only to find, as a founding member of pianist Les McCanns successful trio, an enthusiastic audience and wholehearted recognition of his talents on the West Coast jazz scene. And with his album Love Lifted Me he also shone as the fine leader of a persuasively swinging and remarkably consistent quintet in which Bobby Hutcherson plays with a joie de vivre that harks back to a young Milt Jackson. Aside from the driving lines of Wilbur Browns tenor, the most provocative soloist is Tricky Lofton, whose blithe, lusty trombone is a refreshing updating of the earthy style of an earlier jazz day. Tricky is also co-leader, with trumpeter Carmell Jones, of the second album here, Brass Bag, on half of which he features with some fullbodied, four-trombone ensemble support, and in the other half shares solos with Lou Blackburn. Jones adds his consistent and lyrical solo voice, and Frank Strazzeris piano contributions are bright and lively, while Gerald Wilsons deft arrangements make effective use of the trombone choirs rich, dark ensemble sound. https://www.freshsoundrecords.com/ron-jefferson-lawrence-tricky-lofton-albums/5829-love-lifted-me-brass-bag-2-lps-on-1-cd.html

Personnel:  Carmell Jones (tp), Lawrence 'Tricky' Lofton, Bob Edmondson, Wayne Henderson, Frank Strong, Lou Blackburn (tb), Wilbur Brown (ts), Bobby Hutcherson (vib), Frank Strazzeri (p), Leroy Vinnegar (b), Ron Jefferson (d), Gerald Wilson (arr)

Love Lifted Me & Brass Bag

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Franck Avitabile - Short Stories

Styles: Piano Jazz
Year: 2006
File: MP3@320K/s
Time: 58:57
Size: 135,6 MB
Art: Front

(4:24)  1. Arabesque
(4:09)  2. Chilhood Memory
(2:53)  3. Reverso
(2:41)  4. Twisted Nerve
(2:06)  5. Cat Tale
(2:46)  6. The Third Eye
(3:22)  7. French Song
(4:32)  8. Medley
(2:23)  9. Little Monkey
(3:28) 10. Rhapsody
(3:46) 11. Inside Out
(1:28) 12. Rolling
(4:01) 13. There Is No Greater Love
(3:34) 14. Musings
(2:07) 15. Shortly, After Midnight
(2:30) 16. The Twilight Hours
(3:13) 17. On Walking
(5:26) 18. Over the Rainbow

Throughout the 90's, Franck Avitabile garnered numerous awards, honors and prizes at competitions, effectively establishing himself as one of the most promising young pianists in Europe. In 1998, Michel Petrucciani became aware of this incredible young talent and fixed him up with a deal on Dreyfus Jazz. Petrucciani produced the first Franck Avitabile disc for Dreyfus, "In Tradition" (1998, Europe only) which received critical acclaim and impressive sales. On "Short Stories," the well-seasoned Avitabile performs mostly original tunes with delicacy and power, showcasing his unique approach to piano jazz. ~ Editorial Reviews https://www.amazon.com/Short-Stories-Franck-Avitabile/dp/B000I2IQMY

Short Stories

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Dave Bennett - Blood Moon

Styles: Clarinet Jazz
Year: 2017
File: MP3@320K/s
Time: 51:04
Size: 117,8 MB
Art: Front

(5:00)  1. Blood Moon
(5:37)  2. A Long Goodbye
(4:38)  3. Falling Sky
(5:01)  4. Hallelujah
(5:46)  5. Wichita Lineman
(3:55)  6. (Back Home Again In) Indiana
(3:17)  7. 13 Fingers
(5:27)  8. Down In Honky Tonk Town
(4:24)  9. The Good The Bad And The Ugly
(4:17) 10. In My Life
(3:38) 11. Heavy Heart

Clarinetist Dave Bennett’s Mack Avenue debut, 2013’s Don’t Be That Way, showcased an artist capably tackling and updating music associated with Benny Goodman, Artie Shaw, Woody Herman and Pete Fountain. In essence, it positioned him as a next-gen swing king with a penchant for taking playful strolls. This follow-up, while retaining that image and ideal in select places, is something of a toned-down story. Five of the album’s 11 tracks are Bennett originals, written collaboratively with pianist Shelly Berger, and most present with muted lyricism. Half of the covers that make up the balance fall in line with those gentle numbers, furthering the aesthetic of the ruminating artist. The introductory triptych “Blood Moon,” “A Long Goodbye” and “Falling Sky” typifies Bennett’s newfound wistfulness, as do the appropriately sedate takes on Leonard Cohen’s  “Hallelujah” and Jimmy Webb’s “Wichita Lineman” that immediately follow. It’s not until the midpoint a swing and bop-friendly ride through “(Back Home Again In) Indiana” that the Bennett of old comes out to play. From that point on he diversifies his portfolio. The Goodman-esque “13 Fingers” and the swampy “Down in Honky Tonk Town” provide a much-needed double-shot of excitement while easily differentiating themselves; a polished take on “The Good, the Bad and the Ugly” buffs out the rough edges in Ennio Morricone’s spaghetti-western sound; and a relatively direct “In My Life” honors the truth and sincerity endemic to the Lennon-McCartney partnership. Then the album arrives at its end by coming full circle with “Heavy Heart,” a mournful beauty emphasizing Bennett’s purity of tone and spirit. Blood Moon doesn’t blot out the light that previously emanated from Bennett, but it certainly invites darker shadows and deeper shades of thought into the frame with him. ~ Dan Bilawsky https://jazztimes.com/reviews/albums/dave-bennett-blood-moon/

Blood Moon

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Simone Kopmajer - Spotlight on Jazz

Styles: Vocal Jazz
Year: 2018
File: MP3@320K/s
Time: 63:41
Size: 149,4 MB
Art: Front

(3:52)  1. Spotlights
(5:08)  2. Pennies from Heaven
(3:26)  3. You Don't Call Me
(4:15)  4. Mighty Tender Love
(6:46)  5. Poinciana
(3:58)  6. Dig That Riff
(6:58)  7. Remember Jeannie
(4:07)  8. Struttin' with Some Barbecue
(4:40)  9. Exactly Like You
(4:37) 10. A Gift from Buddy
(4:20) 11. Stompin' at the Savoy
(4:28) 12. We're Goin' In
(4:01) 13. Mood Indigo
(3:02) 14. Dig That Riff (Remix)

A cool-toned Austrian jazz vocalist, Simone Kopmajer sings in flawless English. She had classical piano lessons starting at the age of eight and at 12 began playing saxophone. She performed in a youth big band and sang regularly in her father's band as a teenager. At 17 she studied with Sheila Jordan, who encouraged her. Kopmajer also studied with Mark Murphy, Jay Clayton, and Michele Hendricks. Since earning a Masters from the University of Music and Dramatic Arts in Graz, Austria, Kopmajer has toured the Netherlands twice with the Euro Big Band, appeared at European jazz festivals, and recorded three CDs: Moonlight Serenade (for the Japanese Venus label), her best-known set Romance (for Zoho), and her privately released Taking a Chance on Love. Each CD emphasizes her own fresh versions of standards. ~ Scott Yanow https://www.allmusic.com/artist/simone-kopmajer-mn0001897290/biography

Spotlight on Jazz

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Dave Liebman Trio - Monk's Mood

Styles: Saxophone Jazz 
Year: 1999
File: MP3@320K/s
Time: 58:07
Size: 134,0 MB
Art: Front

(2:33)  1. Monk's Mood
(4:39)  2. Teo
(5:40)  3. Pannonica
(7:48)  4. Nutty
(5:14)  5. Reflections
(8:08)  6. Gallop's Gallop
(6:00)  7. Ugly Beauty
(5:46)  8. Monk's Dream
(5:19)  9. Introspection
(4:36) 10. Skippy
(2:18) 11. Monk's Mood II

It’s nice to hear Dave Liebman undo a few buttons and dig in with a trio session. Of late the sax icon has taken to larger ensembles and concept albums. The only concept here is Monk, and Liebman’s only guests are Eddie Gomez on bass and Adam Nussbaum on drums. Seldom played gems such as "Teo," "Gallop’s Gallop," "Introspection," and "Skippy" make this not just another Monk tribute. However, bookending the program with "Monk’s Mood" is not original Danilo Perez did the same on his 1996 Impulse release, Panamonk.  Liebman divides his time between tenor and soprano, playing the larger horn on five of the disc’s eleven tracks. His tenor work on "Nutty" and "Monk’s Dream" is especially hot. Listen for echoes of Sonny Rollins’s 1958 trio with Wilbur Ware and Elvin Jones. "Reflections," another tenor track, is played as a very slow ballad and finds Lieb sounding a bit like Joe Henderson. Nussbaum is at his most subtle on "Pannonica," and gives "Ugly Beauty," "Introspection," and "Teo" an interesting, almost funky twist. The best track award goes to "Skippy." Gomez and Liebman nail the boppish melody together and then Gomez is off and running. Liebman’s soprano foray is pointed and aggressive. When the melody returns, Gomez vocalizes along in his trademark fashion, which somehow turns the excitement up a notch. The disc closes on a mellower note, with Liebman playing not-half-bad piano on "Monk’s Mood" while Gomez handles the melody. In his liner notes Liebman candidly writes about seeing Monk live in the 60s. "I will admit," he says, "that the sameness of presentation, personnel, tempos and repertoire sometimes bored me." It was only later in life that Liebman fully began to appreciate Monk’s music. There’s something quite refreshing about Liebman’s ability to tell it to us straight. Tribute records can come across as impersonal exercises in obligatory reverence. Liebman instead lets us in on his aesthetic experience. He involves his audience in his own musical maturation process. And many of us will no doubt identify. We bullshit ourselves and others by claiming that we emerged from the musical womb already digging Duke and Coltrane and Dolphy and the rest. Much jazz is and should be an acquired taste. Liebman’s love for Monk came with time and effort, and the music on this disc is stronger for it. ~ David Adler https://www.allaboutjazz.com/monks-mood-dave-liebman-double-time-jazz-review-by-david-adler.php

Personnel:   Dave Liebman - tenor saxophone, soprano saxophone, arranger, producer, mixing, mastering;   Eddie Gómez - bass;  Adam Nussbaum - drums

Monk's Mood

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Shelby Lynne & Allison Moorer - Not Dark Yet

Styles: Vocal, Guitar
Year: 2017
File: MP3@320K/s
Time: 37:18
Size: 86,2 MB
Art: Front

(2:52)  1. My List
(2:23)  2. Every Time You Leave
(4:19)  3. Not Dark Yet
(2:57)  4. I'm Looking For Blue Eyes
(2:54)  5. Lungs
(4:03)  6. The Color Of A Cloudy Day
(2:34)  7. Silver Wings
(4:47)  8. Into My Arms
(5:38)  9. Lithium
(4:46) 10. Is It Too Much

Despite singing together since they were old enough to talk, it took a lifetime for sisters Shelby Lynne and Allison Moorer to record together. United by blood, growing up in the backwoods of Alabama and sharing an unspeakable tragedy they witnessed their father take their mother's life and then his own their coming together on Not Dark Yet was perhaps inevitable, but it wasn't easy. The pair did a celebrated tour together in 2010 and tried to write a collective album afterwards. They ended up abandoning that project, but not the desire to collaborate. With empathic producer Teddy Thompson and a cannily chosen cast of studio aces among them guitarist Doug Pettibone, keyboardist Benmont Tench, and steel guitar player Ben Peeler  they deliver nine cover songs chosen from the canons of rock, country, Americana, and pop before closing with a lone original.  Commencing with the Killers' "My List," they deliver a love song as if facing one another, using the blood ties of sibling union as a hymn of commitment. Tench's piano and the twinned guitars of Pettibone and Val McCallum add a lonesome gospel feel to the languid, steely longing in the lyric. Jessi Colter's "I'm Looking for Blue Eyes" and Merle Haggard's "Silver Wings" are delivered with an intimate familiarity, as if the emotional truth these songs carry were part of their shared DNA. Bob Dylan's title track, penned as a metaphorical elegy to humanity, is underscored here. When Lynne follows her sister's lead, the mournful lyric is stretched toward ghost land where mercurial notions of loss and grief wrap around one another and bleed hard truths. 

Townes Van Zandt's "Lungs" is as steely as the original, but is articulated here through the clear lenses of country gospel and blues extending its reach out of death. Nick Cave's "Into My Arms" is a rootsy paean to enduring, committed love, while Nirvana's "Lithium" is not altogether successful because it's delivered with too much reverence. The album's lone original, "Is It Too Much," emerges as a whisper from the ether. Its lyric question addresses the unspeakable plainly, but it's sung as if the sisters are squarely facing one another, each completing the other's thoughts and sentences. They cover each other's grief with grief, and offer shelter and respite from the outside world that cannot hope to understand with the grain in their voices. They acknowledge a pain that can never be assuaged, just accepted as a shared transformative burden as they embrace it and one another. These two walk and stumble through that dark night, leaning together as the lyrics pour down like a river of tears. The song's question may never be answered, but its utterance is enough to guarantee another step for each. Not Dark Yet is a beacon, a glimmer of the possible. It's a stark, beautiful recording that hopefully proves something to both Lynne and Moorer: That what's here is a new beginning and that there is much more to explore. ~ Thom Jurek https://www.allmusic.com/album/not-dark-yet-mw0003066831

Personnel:   Allison Moorer – lead vocals, harmony vocals, acoustic guitar, piano;  Shelby Lynne – lead vocals, harmony vocals, acoustic guitar;  Erik Deutsch – organ, piano;  Don Heffington – drums, percussion;  Michael Jerome – drums, percussion;  Val McCallum – acoustic guitar, electric guitar;   Ben Peeler – electric guitar, pedal steel guitar;   Doug Pettibone – acoustic guitar, electric guitar;  Taras Prodaniuk – bass;  Benmont Tench – keyboard, organ, piano, wurlitzer;  Teddy Thompson – producer, bass, drums, acoustic guitar, background vocals

Not Dark Yet

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Curtis Mayfield - Love Is The Place

Styles: Vocal And Guitar Jazz
Year: 1981
File: MP3@320K/s
Time: 36:17
Size: 84,4 MB
Art: Front

(4:16)  1. She Don't Let Nobody (But Me)
(4:09)  2. Toot An'toot An'toot
(5:32)  3. Babydoll
(5:04)  4. Love Is The Place
(4:28)  5. Just Ease My Mind
(4:50)  6. You Mean Everything To Me
(3:38)  7. You Get All My Love
(4:16)  8. Come Free Your People

A CD reissue of an old Mayfield platter that didn't garner as much interest as some of his other solo releases, and for good reason: Mayfield was experimenting with his sound. After the first three songs nothing else really works until the last cut: "Come Free Your People," one of Mayfield's best albeit little-known message songs. The most engaging of the eight tunes are the reggae-influenced "She Don't Love Nobody Else," "Toot an' Toot an' Toot," and the lilting "Baby Doll."~ Andrew Hamilton https://www.allmusic.com/album/love-is-the-place-mw0000608697

Personnel:  Curtis Mayfield - vocals, guitar;  Fred Tackett, Michael Sembello - guitar;  Dennis Belfield - bass;  David Loeb - keyboards;  Paulinho Da Costa - percussion;  Carlos Vega - drums;  Efrain Toro - marimba, vibraphone;  Sam Small - Theremin;  Julia Tillman Waters, Luther Waters, Maxine Willard Waters, Oren Waters, Dino Fekaris - backing vocals;  Gene Page - string and horn arrangements

Love Is The Place

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Dave Valentin - Tropic Heat

Styles: Flute Jazz
Year: 1994
File: MP3@320K/s
Time: 47:54
Size: 111,3 MB
Art: Front

(4:40)  1. My Favorite Things
(6:12)  2. Sweet Lips
(5:05)  3. Don Q
(6:10)  4. Danzon For My Father
(4:55)  5. Mr. Evil
(4:45)  6. Bello Amanecer
(6:15)  7. Sam's Groove
(4:01)  8. Tasty Mango
(5:48)  9. Sangria

Flutist Dave Valentin's 16th album for GRP is one of his best. His regular group (a quartet with pianist Bill O'Connell, bassist Lincoln Goines, and drummer Robbie Ameen) is augmented by two percussionists and an excellent seven-member horn section that consists of the reeds of Dick Oatts, Mario Rivera, and David Sanchez; trombonist Angel "Papo" Vasquez; and three trumpeters, including Charlie Sepulveda. All of the horns get their opportunities to solo and the result is a particularly strong Latin jazz session. Valentin continues to grow as a player and he cuts loose on several of these tracks. ~ Scott Yanow https://www.allmusic.com/album/tropic-heat-mw0000625229

Personnel: Dave Valentin - flute; Bill O'Connell - piano; Milton Cardona - congas, percussion; Mario Rivera - tenor saxophone, bass clarinet, vocals; Piro Rodriguez - trumpet;  Bernd Schoenhart - acoustic guitar;  David Sanchez - tenor saxophone;  Robby Ameen - drums;  Dick Oatts - alto & tenor saxophones

Tropic Heat

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Steve Turre - The Very Thought Of You

Styles: Trombone Jazz
Year: 2018
File: MP3@320K/s
Time: 58:51
Size: 137,5 MB
Art: Front

(5:17)  1. The Very Thought Of You
(6:15)  2. September In The Rain
(4:31)  3. No Regrets
(6:23)  4. Carolyn (In The Morning)
(6:05)  5. Never Let Me Go
(6:17)  6. Sachiko
(4:13)  7. Freedom Park, Sa
(3:29)  8. The Shadow Of Your Smile
(5:27)  9. Time Will Tell
(6:56) 10. Yardbird Suite
(3:51) 11. Danny Boy

The trombone is not always heard out in front of an ensemble. But in the hands of East Coast player (and longtime Saturday Night Live band member Steve Turre, with his caramel tone and rhythmic assurance, it’s the perfect vehicle for a set of ballads like The Very Thought of You. With a quartet including master pianist Kenny Barron, Turre doesn’t stay in one place stylistically. Some tempos inch upward, like “September in the Rain” and the Charlie Parker classic “Yardbird Suite” (the latter featuring tenor sax great George Coleman), while four tracks have full string accompaniment arranged by Marty Sheller. Turre’s originals include stark duets with guitarist Russell Malone (“No Regrets”) and drummer Willie Jones III (“Freedom Park, SA”). “Carolyn (In the Morning),” by trombone forebear J.J. Johnson, is another inspired choice, and the traditional “Danny Boy” makes for an ideal closer, with Turre’s plunger mute evoking wistful moods. ~ Editors' Notes https://itunes.apple.com/ca/album/the-very-thought-of-you/1401033512

The Very Thought Of You

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Eric Marienthal - Walk Tall: Tribute to Cannonball Adderley

Styles: Saxophone Jazz
Year: 1998
File: MP3@320K/s
Time: 55:19
Size: 127,5 MB
Art: Front

(5:24)  1. Mercy, Mercy, Mercy
(4:23)  2. Work Song
(4:39)  3. Walk Tall
(3:31)  4. Skylark
(4:34)  5. Imagine That
(5:30)  6. The Way You Look Tonight
(4:37)  7. Here In My Heart
(4:23)  8. Sunstone
(3:30)  9. If You Need Me To
(5:28) 10. Country Preacher
(5:01) 11. Unit 7
(4:13) 12. Groove Runner

Contemporary sax whiz and Chick Corea Elektric Band veteran Eric Marienthal has been appearing with impressive frequency on other people's sessions, while occasionally releasing his own CDs. Until now, his more memorable performances have been those he's rendered in service to others. He makes good progress in remedying that situation with his latest,Walk Tall, a tribute to Cannonball Adderley. This program has one foot firmly planted on traditional soil (mostly during the tunes from Adderley's repertoire and a few standards) and the other foot on contemporary turf. Despite the fact that varying amounts of keyboard, bass, and drum programming are added even to the Adderley tunes, it's a pleasing mixture of old and new. The disk opens with a live recording of Cannonball introducing Joe Zawinul's "Mercy Mercy Mercy," with the instrumental track then fading out and the new recording fading in, in a not-too-awkward manner. Marienthal expressively caresses the lead lines while the programming churns in the background. "Work Song" and "Walk Tall" follow, then there's a beautiful ballad rendition of "Skylark." Other highlights include a medium-tempo spirited romp celebrating "The Way You Look Tonight" and the foot-tapping, bass-walking easy swing of "Unit 7." All in all, this is a pretty tasty deal. It's similar in aspirations to theTwist of JobimCD which inaugurated the i.e. music label, that is, placing an artist's work from a previous era in a more modern setting. Some of the contempo luminaries who contribute arrangements, performances, and production to the affair include Harvey Mason, Lee Ritenour, Rob Mullins, Russell Ferrante, Jeff Lorber, and John Beasley. ~ Dave Hughes https://www.allaboutjazz.com/walk-tall-eric-marienthal-ie-music-review-by-dave-hughes.php

Personnel:  Eric Marienthal - alto or soprano saxophone;  Lee Ritenour, Alan Hinds, Michael Thompson, Jeff Lorber - guitar Lee Ritenour, Rob Mullins, Harvey Mason Jr., Jeff Lorber - drum, bass, and keyboard programming;  John Beasley, Russell Ferrante, Ronnie Foster - piano, keyboards Melvin Davis, Reggie Hamilton, Chuck Domanico, Stanley Clarke, Vail Johnson - bass;  Harvey Mason - drums;  Chris Botti, Chuck Findley - trumpet;  Ralph Morrison III - violin;  Luis Conte - percussion;  Kevyn Lettau, Philip Ingram, Heather Mason, Michael Mishaw, Stevie Russell - vocals

Walk Tall: Tribute to Cannonball Adderley

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Sacha Boutros - Sacha Live In Hawaii

Styles: Vocal Jazz
Year: 2011
File: MP3@320K/s
Time: 51:30
Size: 119,4 MB
Art: Front

(4:44)  1. Our Day Will Come
(3:43)  2. I'm Glad There Is You
(3:02)  3. The Glory Of Love
(2:42)  4. Que Rest-T-Il De Nos Amours-I Wish You Love
(6:09)  5. I Thought About You
(6:15)  6. Delirio
(5:15)  7. At Long Last Love
(5:08)  8. Blame It On My Youth
(6:13)  9. Body And Soul
(4:52) 10. The Way You Look Tonight
(3:20) 11. Tres Palabras

Sacha Live in Hawaii Recorded at Hawaii Public Radio on January 28, 2011 with Hawaii's own award winning Honolulu Jazz Quartet leader Bassist John kolivas and Pianist Dan Del Negro and featuring Derek Cannon on the Flugelhorn. https://www.amazon.com/Sacha-Live-Hawaii-Boutros/dp/B005W4S7BI

Sacha Live In Hawaii

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Sonny Criss - Sonny's Dream (Birth of the New Cool)

Styles: Saxophone Jazz
Year: 1968
File: MP3@320K/s
Time: 45:29
Size: 104,3 MB
Art: Front

(7:33)  1. Sonny's Dream
(4:23)  2. Ballad For Samuel
(5:52)  3. The Black Apostles
(5:10)  4. The Golden Pearl
(7:34)  5. Daughter Of Cochise
(5:26)  6. Sandy And Niles
(5:06)  7. The Golden Pearl [#][*][Alternate Take]
(4:21)  8. Sonny's Dream (alternate)

For Sonny Criss this was an unusual date. The altoist is backed for the set by a nonet arranged by the great Los Angeles legend Horace Tapscott. The arrangements are challenging but complementary to Criss' style, and he is in top form on the six Tapscott originals. The CD reissue includes two additional alternate takes, and is highly recommended for both Criss' playing and Tapscott's writing. ~ Scott Yanow https://www.allmusic.com/album/sonnys-dream-birth-of-the-new-cool-mw0000087973

Personnel:  Sonny Criss – alto saxophone, soprano saxophone;  Conte Candoli – trumpet;  Dick Nash – trombone;  Ray Draper – tuba;  David Sherr – alto saxophone;  Teddy Edwards – tenor saxophone;  Pete Christlieb – baritone saxophone;  Tommy Flanagan – piano;  Al McKibbon – bass;  Everett Brown Jr. – drums;  Horace Tapscott – arranger, conductor

Sonny's Dream  (Birth of the New Cool)

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Cat Anderson - Cat Speaks: The Definitive Black & Blue Sessions

Styles: Trumpet Jazz
Year: 1977
File: MP3@320K/s
Time: 69:48
Size: 160,0 MB
Art: Front

(6:24)  1. Good Queen Bess
(6:05)  2. The Cat Hums
(4:14)  3. Stompy Jones
(5:23)  4. The Cat In G Flat
(4:26)  5. The Jeep Is Jumpin'
(5:13)  6. Baby Won't You Please Come Home
(6:13)  7. Black And Tan Fantasy
(4:40)  8. Struttin' With Some Barbecue
(6:14)  9. Cat Speaks
(7:33) 10. What Am I Here For
(5:24) 11. The Cat In G Flat (take 1)
(7:52) 12. Just Squeeze Me

Cat Anderson, 60 at the time of this session, was still at the height of his power at the time. Heading a quintet with fellow former Ellington member Sam Woodyard on drums plus Frenchmen Gerard Badini on tenor and clarinet, pianist Raymond Fol and bassist Michel Gaudry, Cat not only blasts out a few high notes but displays his expertise in the lower registers and with the plunger mute; he even takes a vocal on "The Cat Hums." This small group swing Lp (which has among its more memorable performances spirited renditions of "Stompy Jones" and "The Jeep Is Jumpin'") is one of Cat Anderson's finest and is well worth searching for. ~ Scott Yanow https://www.allmusic.com/album/cat-speaks-mw0000373665

Cat Speaks: The Definitive Black & Blue Sessions

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Jonathan Butler - Close To You

Styles: Vocal And Guitar Jazz
Year: 2018
File: MP3@320K/s
Time: 44:11
Size: 104,0 MB
Art: Front

(3:32)  1. Do You Know the Way to San Jose
(3:34)  2. I'll Never Fall in Love Again
(3:29)  3. This Guy's in Love with You
(4:31)  4. Alfie
(3:29)  5. I Say a Little Prayer
(3:45)  6. Walk on By
(4:28)  7. (They Long to Be) Close to You
(3:46)  8. The Look of Love
(3:45)  9. Cape Town
(4:54) 10. What the World Needs Now is Love
(4:53) 11. A House is Not a Home

Dearly Beloved, Jonathan Butler having loudly even hysterically, you might feel proclaimed to the world that he has fallen in love with Jesus, let us consider his latest album and ponder Verse Two of "I'll Never Fall In Love Again" by Messrs. Hal David and Burt Bacharach:  What do you get when you kiss a girl? You get enough germs to catch pneumonia. Surely anyone who can turn words like that into a smash hit must be blessed with genius, regardless of what you think of the rest of their oeuvre, which includes "Do You Know The Way To San Jose?" and "What The World Needs Now Is Love." South African born singer/guitarist Butler revisits the David-Bacharach songbook for the bulk of Close To You, and also trots out his own "Cape Town," a decidedly ordinary eulogy to the place he calls home. He returns to the David-Bacharach songbook for his final number, "A House Is Not A Home," which oozes sentimentality from every pore and which you might expect to have been rendered obsolete by such modern songs as Stephen Sondheim's "Live Alone And Like It" which laud the benefits of living alone.  Butler has a ready smile and a warm voice which allow him to get away with almost anything, though he wisely treats "I Say A Little Prayer" as an instrumental, apart from a little scatting, which gets him off the hook from singing about putting on his make up. All the same, it can feel strange on occasion hearing a man interpret a song like "Walk On By," which Dionne Warwick so much made her own.  Although in this age of gender bending, as Cole Porter would undoubtedly have said, had he not died in 1964: "Anything Goes." ~ Chris Mosey https://www.allaboutjazz.com/close-to-you-jonathan-butler-jonathan-butler-mack-avenue-records-review-by-chris-mosey.php

Personnel: Jonathan Butler: vocals, guitar, percussion, bass, drum programming; Ramon Islas: percussion; Donald Hayes: saxophones; Cameron Johnson: trumpet; Nadira Kimberly: violin; Dan Lutz: bass; Jodie Butler, Antonio Sol, Francis Benetez, Terry Wood, Sandie Hall Brooks, Francis Livings, Amy Keys, Guy Maeda, Anick Byram, Clydene Jackson, Leyla Hoyle, James Zavaleta, Paulina Aguirre, Aleyna Van Antwerp, Jenny Karr, Sharlotte Gibson, Adrian Brizz, Bianca McClure, Vangie Gunn, Brigette Bryant, Andrea Grossi, Dorian Holley, Fred White, Carlis Murguia, Will Wheaton, Charlean Carmon, Aleta Braxton: background vocals.

Close To You

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