Styles: Saxophone Jazz
Year: 2007
File: MP3@320K/s
Time: 60:29
Size: 142,7 MB
Art: Front
(6:44) 1. Friendlee
(4:30) 2. I Can't Remember
(4:53) 3. Dixie's Dilemna
(6:58) 4. Backgroud Music
(4:38) 5. It's You
(6:18) 6. 317 E. 32nd Street
(5:52) 7. Marshmallow
(5:41) 8. Kary's Trance
(7:14) 9. Every Breath
(7:37) 10. Wow
Although he was far too young to have studied with Lennie Tristano, alto saxophonist Eric Rasmussen is a firm believer in the late pianist and teacher's approach to jazz, especially playing intricate reworkings of familiar chord changes. Guitarist Nate Radley is equally drenched in Tristano-school arrangements, so together with bassist Dave Ambrosio and in-demand drummer Matt Wilson (who seems like he takes part in hundreds of recording sessions every year), the group plays eight works created by Tristano and two of his earliest followers, Lee Konitz and Warne Marsh.
But the quartet takes the original recordings as a launching pad for improvisation, relishing the tricky unison lines and counterpoint of the creators while also putting their own stamp on them in the process. So attentive listeners are still able to pick out the songs which inspired each of these pieces, including Tristano's challenging "317 E. 32nd Street" (based on "Out of Nowhere"), Marsh's furious "Background Music" ("All of Me") and a spacy treatment of Konitz's "Kary's Trance" ("Angel Eyes"). Rasmussen reworked "I Remember You" into a new composition "I Can't Remember," while Bailey transforms rocker Sting's hit "Every Breath You Take" into a Tristano-flavored piece ("Every Breath") with great success.
While far too many people label Tristano's approach to jazz as "cold" and "unemotional" Rasmussen's quartet proves otherwise throughout this rewarding session, reviving the idea that musicians attentively listening to one another can produce more compelling results than simply playing it safe. By Ken Dryden
https://www.allmusic.com/album/school-of-tristano-mw0001906494
Personnel: Alto Saxophone – Eric Rasmussen; Bass – Dave Ambrosio; Drums – Matt Wilson; Guitar – Nate Radley
But the quartet takes the original recordings as a launching pad for improvisation, relishing the tricky unison lines and counterpoint of the creators while also putting their own stamp on them in the process. So attentive listeners are still able to pick out the songs which inspired each of these pieces, including Tristano's challenging "317 E. 32nd Street" (based on "Out of Nowhere"), Marsh's furious "Background Music" ("All of Me") and a spacy treatment of Konitz's "Kary's Trance" ("Angel Eyes"). Rasmussen reworked "I Remember You" into a new composition "I Can't Remember," while Bailey transforms rocker Sting's hit "Every Breath You Take" into a Tristano-flavored piece ("Every Breath") with great success.
While far too many people label Tristano's approach to jazz as "cold" and "unemotional" Rasmussen's quartet proves otherwise throughout this rewarding session, reviving the idea that musicians attentively listening to one another can produce more compelling results than simply playing it safe. By Ken Dryden
https://www.allmusic.com/album/school-of-tristano-mw0001906494
Personnel: Alto Saxophone – Eric Rasmussen; Bass – Dave Ambrosio; Drums – Matt Wilson; Guitar – Nate Radley
Time: 57:49
Size: 133,3 MB
(4:06) 1. Earful
(6:00) 2. Sound Lee
(3:03) 3. Progression
(3:35) 4. Line Up
(5:27) 5. Victory Ball
(3:35) 6. April
(4:35) 7. Marionette
(6:02) 8. April Fool
(3:23) 9. Hi Beck
(5:04) 10. Tautology
(6:44) 11. Leave Me Alone
(6:07) 12. Smog Eyes
Alto saxophonist Eric Rasmussen recorded his first volume of compositions by Lennie Tristano and some of his most famous students in 2006. When producer Nils Winther discovered that this only represented a fraction of Rasmussen's repertoire of songs by Tristano and his disciples, he quickly suggested additional record dates. This volume, taped around the same time as volume three, features the same quartet with guitarist Nate Radley, bassist Dave Ambrosio, and the in-demand drummer Matt Wilson, all of whom excel in facing the challenges of the intricate reworking of familiar songs as envisioned by Tristano, Lee Konitz, Ronnie Ball, Billy Bauer, and Ted Brown.
Rasmussen avoided listening to the available recordings of the pieces the quartet performed, in order to guarantee fresh approaches to each song. As on the earlier session, the quartet dives headfirst into each of these demanding compositions, constantly challenging themselves as improvisers building upon the framework by their predecessors. Two of Tristano's pieces are based upon "I'll Remember April," "April," and "April Fool," though they are very different works. Rasmussen's unison playing with Radley in Konitz's fiendishly difficult "Sound Lee" is superb. Tristano fans will enjoy digging out the original recordings by the pianist, Konitz, Ball, Bauer, and Brown to compare them with the stunning interpretations on this highly recommended disc. By Ken Dryden
https://www.allmusic.com/album/school-of-tristano-2-mw0000793976
Personnel: Alto Saxophone – Eric Rasmussen; Bass – Dave Ambrosio; Drums – Matt Wilson; Guitar – Nate Radley
Rasmussen avoided listening to the available recordings of the pieces the quartet performed, in order to guarantee fresh approaches to each song. As on the earlier session, the quartet dives headfirst into each of these demanding compositions, constantly challenging themselves as improvisers building upon the framework by their predecessors. Two of Tristano's pieces are based upon "I'll Remember April," "April," and "April Fool," though they are very different works. Rasmussen's unison playing with Radley in Konitz's fiendishly difficult "Sound Lee" is superb. Tristano fans will enjoy digging out the original recordings by the pianist, Konitz, Ball, Bauer, and Brown to compare them with the stunning interpretations on this highly recommended disc. By Ken Dryden
https://www.allmusic.com/album/school-of-tristano-2-mw0000793976
Personnel: Alto Saxophone – Eric Rasmussen; Bass – Dave Ambrosio; Drums – Matt Wilson; Guitar – Nate Radley
Time: 57:13
Size: 132,1 MB
(4:02) 1. Sax Of A Kind
(9:15) 2. Leave Me Alone
(6:01) 3. Playa Del Ray
(7:34) 4. Requiem
(5:06) 5. Lennie-Bird
(4:14) 6. Just Way There You Are
(5:56) 7. Palo Alto
(2:27) 8. Lennie's Pennies
(5:20) 9. Sop Goes The Leasel
(3:35) 10. April (take1)
(3:39) 11. Line Up (take1)
Saxophonist/Composer Eric Rasmussen relocated to the Phoenix area in the summer of 2007. The California native spent the last ten years playing and teaching in New York City where he was a staple of the jazz community, performing regularly on the East Coast as well as throughout Europe. While in New York, he performed regularly with some of the most respected names in jazz and was the Director of Jazz Studies at the Center for Preparatory Studies in Music at Queens College.
Earning his Masters of Music degree in Jazz Performance at the New England Conservatory in Boston, Eric studied with Jerry Bergonzi, George Garzone, Danilo Perez and Paul Bley. He received his BFA in Jazz Performance from California Institute of the Arts in Los Angeles, where he studied with Charlie Haden, Joe Labarbera and Roscoe Mitchell. Eric leads the groups Guaranteed Swahili and the Eric Rasmussen Tristano Band, both of which have toured the United States on numerous occasions. Eric is an experienced educator and guest clinician with clinics at the University of Iowa, California Institute of the Arts, Wellesley College, Saddleback College, Arizona State University, Hartnell College, Portsmouth Music and Arts Center, as well as numerous high schools throughout the country and in the Phoenix area.
With his own groups, Eric has recorded for internationally acclaimed jazz labels Steeplechase and Fresh Sound Records. As a sideman, Eric has also recorded with Paul Bley, Danilo Perez, Billy Hart, Christophe Schweizer and the Jazz Composers Alliance Saxophone Quartet. He has played at some of the most prestigious venues in the Country including the Kennedy Center and a 2007 performance with the Lee Konitz Big Band as part of the JVC Jazz Festival at Carnegie Hall. Eric has served as adjunct faculty for Mesa Community College, Paradise Valley Community College and was the Music Director for Young Sounds of Arizona from 2010 – 2011. Currently, Eric is the Director of Instrumental Music at Scottsdale Community College. https://directory.scottsdalecc.edu/rasmussen-eric
Earning his Masters of Music degree in Jazz Performance at the New England Conservatory in Boston, Eric studied with Jerry Bergonzi, George Garzone, Danilo Perez and Paul Bley. He received his BFA in Jazz Performance from California Institute of the Arts in Los Angeles, where he studied with Charlie Haden, Joe Labarbera and Roscoe Mitchell. Eric leads the groups Guaranteed Swahili and the Eric Rasmussen Tristano Band, both of which have toured the United States on numerous occasions. Eric is an experienced educator and guest clinician with clinics at the University of Iowa, California Institute of the Arts, Wellesley College, Saddleback College, Arizona State University, Hartnell College, Portsmouth Music and Arts Center, as well as numerous high schools throughout the country and in the Phoenix area.
With his own groups, Eric has recorded for internationally acclaimed jazz labels Steeplechase and Fresh Sound Records. As a sideman, Eric has also recorded with Paul Bley, Danilo Perez, Billy Hart, Christophe Schweizer and the Jazz Composers Alliance Saxophone Quartet. He has played at some of the most prestigious venues in the Country including the Kennedy Center and a 2007 performance with the Lee Konitz Big Band as part of the JVC Jazz Festival at Carnegie Hall. Eric has served as adjunct faculty for Mesa Community College, Paradise Valley Community College and was the Music Director for Young Sounds of Arizona from 2010 – 2011. Currently, Eric is the Director of Instrumental Music at Scottsdale Community College. https://directory.scottsdalecc.edu/rasmussen-eric
School Of Tristano 1,2,3
