Styles: Jazz Vocals
Year: 2012
File: MP3@320K/s
Time: 50:41
Size: 116,7 MB
Art: Front
(5:19) 1. So It Goes
(3:58) 2. Tell You One Thing
(3:34) 3. Nothing's Really Changed
(3:49) 4. Fairytale Ending
(5:09) 5. Miss You Madly
(3:41) 6. Don't Give Up
(3:12) 7. Walk On By
(4:06) 8. To Love Somebody
(3:42) 9. Change
(4:49) 10. I'm Ready
(4:29) 11. Love's Work
(4:47) 12. I'm A Fool To Want You
Year: 2012
File: MP3@320K/s
Time: 50:41
Size: 116,7 MB
Art: Front
(5:19) 1. So It Goes
(3:58) 2. Tell You One Thing
(3:34) 3. Nothing's Really Changed
(3:49) 4. Fairytale Ending
(5:09) 5. Miss You Madly
(3:41) 6. Don't Give Up
(3:12) 7. Walk On By
(4:06) 8. To Love Somebody
(3:42) 9. Change
(4:49) 10. I'm Ready
(4:29) 11. Love's Work
(4:47) 12. I'm A Fool To Want You
First, Robin McKelle & The Flytones Soul Flower is not neo-soul. Neo-soul is what Amy Winehouse was and Cee Lo Green is (at least on his "Forget You"). Neo-soul is a cheeky attempt to cash in on a classic style while, at the same time, not taking it seriously. Second, Soul Flower might be better termed retro-soul, except that McKelle avoids the pitfall of clinging too tightly to the old style that has plagued other artists trying to put a new spin on the soul canon. A mixture of originals with some clever covers make up Soul Flower. McKelle is a more than capable composer a roll she shares with Sam Barsh (bassist Avishai Cohen's former pianist).
For any Baby Boomer, Soul Flower can be eaten with a spoon. It is more Motown than Memphis by way of Muscle Shoals, and smacks of Bobbie Gentry having a pool party with Gladys Knight and the Pointer Sisters. McKelle possesses a contemporary authenticity that manifests in her assimilation of multiple older styles presented with a freshness that has the fragrance of experience re-imagined. Pianist Beat Kaestli Ben Stivers ' use of the electric piano lends this collection of a dozen songs that sound, which is at once retro and chic. This, coupled with McKelle's honesty, makes this a recording that should encourage a reappraisal of period soul and that being made today. And isn't that what all art is supposed to do? ~ C.Michael Bailey
For any Baby Boomer, Soul Flower can be eaten with a spoon. It is more Motown than Memphis by way of Muscle Shoals, and smacks of Bobbie Gentry having a pool party with Gladys Knight and the Pointer Sisters. McKelle possesses a contemporary authenticity that manifests in her assimilation of multiple older styles presented with a freshness that has the fragrance of experience re-imagined. Pianist Beat Kaestli Ben Stivers ' use of the electric piano lends this collection of a dozen songs that sound, which is at once retro and chic. This, coupled with McKelle's honesty, makes this a recording that should encourage a reappraisal of period soul and that being made today. And isn't that what all art is supposed to do? ~ C.Michael Bailey
http://www.allaboutjazz.com/php/article.php?id=44970#.UjyFKhAkI5c
Personnel: Robin McKelle: vocals; Derek Nievergelt: bass; Adrian Harpham: drums; Ben Stivers: keyboards; Al Street: guitar, Scott Aruda: trumpet; Mike Tucker: saxophone.
Personnel: Robin McKelle: vocals; Derek Nievergelt: bass; Adrian Harpham: drums; Ben Stivers: keyboards; Al Street: guitar, Scott Aruda: trumpet; Mike Tucker: saxophone.
Soul Flower
Hi Giullia G
ReplyDeleteIs it possible to have links renewed on this post ?
Many thanks in advance
Best regards
New link posted!
Delete02-01-2018
Loumy93, Please one request re up at time!! Thank You!
@Giullia G.: Many thanks for the re-up.
ReplyDeleteSoory for the 2 requests, As it was not posted by same person, I didn't know it was only one. I will be careful next time....