Styles: Saxophone Jazz
Year: 1961
File: MP3@320K/s
Time: 40:00
Size: 91,7 MB
Art: Front
(4:15) 1. Two Tees
(4:11) 2. New Keep
(3:54) 3. Nice People
(5:37) 4. Who Needs It?
(4:52) 5. For Minors Only
(5:01) 6. Don't You Know I Care
(4:02) 7. The Thumper
(3:29) 8. I Can Make You Love Me
(4:34) 9. For All We Know
Year: 1961
File: MP3@320K/s
Time: 40:00
Size: 91,7 MB
Art: Front
(4:15) 1. Two Tees
(4:11) 2. New Keep
(3:54) 3. Nice People
(5:37) 4. Who Needs It?
(4:52) 5. For Minors Only
(5:01) 6. Don't You Know I Care
(4:02) 7. The Thumper
(3:29) 8. I Can Make You Love Me
(4:34) 9. For All We Know
The middle of the three Heath Brothers, Jimmy Heath has a distinctive sound on tenor, is a fluid player on soprano and flute, and a very talented arranger/composer whose originals include "C.T.A." and "Gingerbread Boy." He was originally an altoist, playing with Howard McGhee during 1947-1948 and the Dizzy Gillespie big band (1949-1950). Called "Little Bird" because of the similarity in his playing to Charlie Parker, Heath switched to tenor in the early '50s. Although out of action for a few years due to "personal problems," Heath wrote for Chet Baker and Art Blakey during 1956-1957.
Back in action in 1959, he worked with Miles Davis briefly that year, in addition to Kenny Dorham and Gil Evans, and started a string of impressive recordings for Riverside. In the 1960s, Heath frequently teamed up with Milt Jackson and Art Farmer, and he also worked as an educator and a freelance arranger. During 1975-1982, Jimmy Heath teamed up with brothers Percy and Tootie in the Heath Brothers, and since then has remained active as a saxophonist and writer. In addition to his earlier Riverside dates, Jimmy Heath has recorded as a leader for Cobblestone, Muse, Xanadu, Landmark, and Verve. Bio ~ https://itunes.apple.com/us/artist/jimmy-heath/id44740#fullText
Half of the record is so and so, but it's real OK with the other half,
ReplyDeleteThank you Mario B and Mat!
Delete