Saturday, August 23, 2014

Jack Jezzro - Western Swing

Styles: Country, Swing
Year: 1996
File: MP3@320K/s
Time: 41:09
Size: 95,0 MB
Art: Front

(2:51)  1. San Antonio Rose
(2:15)  2. Across The Alley From The Alamo
(3:14)  3. Blues For Dixie
(3:14)  4. Red Wing
(2:46)  5. Westphalia Waltz
(2:42)  6. Oklahoma Hills
(3:40)  7. South Of The Border
(3:35)  8. Deep In The Heart Of Texas
(3:32)  9. Back In The Saddle Again
(2:32) 10. Roly Poly
(3:00) 11. La Golandrina
(2:25) 12. Under The Double Eagle
(5:15) 13. Faded Love/ Maiden's Prayer

Inspired by the timeless music of Bob Wills, this recording highlights the Western Swing genre with musical perfection. Some describe Western Swing as being somewhere between Country-Western and Big Band Swing. Diversity best describes the artistry of guitarist, bassist, and producer Jack Jezzro. His recordings and productions have sold well into the millions, and he surely ranks high in formal education, knowledge of his instrument, and sheer musicality. But even more than that, Jezzro has a style and taste that are all his own qualities that are a breath of fresh air to the music of today and qualities that breathe new life into the music of yesterday. 

The Early Years Jazz is a natural expression for this West Virginia native, who seems to have been born musical. Jack Jezzro grew up in the small town of Rivesville, starting on piano and accordion when he was very young. "I would go to the piano and start banging out tunes when I was four or five," he recalls. His remarkable skill at simultaneously fingering melody and chord changes came naturally to him as a young listener. "I had a stack of Chet Atkins records, and that’s how I learned to play," Jezzro reports. "As a kid, I’d want to play all the parts. I’d listen to a tune by James Taylor, The Doobie Brothers, Simon & Garfunkel, or whomever. 

I’d play the bass part, the piano, the vocal and I’d want to do it all right there on the guitar."  Education For his bass-playing skills, Jezzro earned a scholarship to West Virginia University in nearby Morgantown. "I still kept playing guitar, but they didn't have a guitar program," he says. "I wanted to go to school there because it was close by, so I picked the bass and really got into it." The year was 1976. "That fall, the Pittsburgh Symphony Orchestra came to Morgantown, and I got to meet the principal bass player, Sam Hollingsworth. We immediately hit it off." Hollingsworth took Jezzro under his wings, preparing him for a professional career. More.....http://www.cdbaby.com/cd/jezzrojack

Personnel: Jack Jezzro (guitar); Gregg Galbraith (guitar); Paul Franklin , Buddy Emmons (steel guitar); Buddy Spicher (fiddle); Kristin Wilkinson, Pamela Sixfin, David Davidson (strings); Beegie Adair, Hargus "Pig" Robbins (piano); Larry Paxton (bass instrument); Bob Mater (drums).

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