Styles: Progressive Rock, Fusion
Year: 1975
File: MP3@320K/s
Time: 38:26
Size: 88,3 MB
Art: Front
( 8:57) 1. C'Pas Fin Du Monde
(10:56) 2. Le Kareme D'Eros
( 4:47) 3. J'un Oeil
( 6:34) 4. Algebrique
( 7:11) 5. Potage Aux Herbes Douteuses
Year: 1975
File: MP3@320K/s
Time: 38:26
Size: 88,3 MB
Art: Front
( 8:57) 1. C'Pas Fin Du Monde
(10:56) 2. Le Kareme D'Eros
( 4:47) 3. J'un Oeil
( 6:34) 4. Algebrique
( 7:11) 5. Potage Aux Herbes Douteuses
The upper reaches of the Saguenay River in Quebec Chicoutimi and Jonquiere to our international readers may be about as far away geographically and culturally from the traditional Anglo centres of rock as one can get. And yet in the seventies prog rock flowered in the most unlikely places Italy and Quebec are two obvious examples with bands like Octobre, Et Cetera, Morse Code Transmission, Maneige, and Sloche holding court up here in la belle province. Saguenay prog icons Sloche had been kicking around since 1971, but their line-up solidified when pianist Rejean Yacola, fresh out of the prestigious Conservatoire de Musique du Quebec, hooked up with fellow alumni Martin Murray (organ and synths), Caroll Berard (guitar), Pierre Hebert (bass) and Gilles Chiasson (drums). The band's long-playing debut, the musically complex J'un Oeil, seemingly dropped out of the sky in 1975. J'un Oeil is prog at its most glorious.
The opening salvo 'C'pas la fin du Monde' has it all: spacy synths that segue into funky Rhodes piano that morphs into a trippy interlude before careening back into its groovy finale. In fact, much of this mostly-instrumental disc treads the sort of space-jazz terrain of Hatfield and the North, Gentle Giant (who were huge in Quebec), and especially Stomu Yamashta's Go project. Even the occasional vocal harmonies, like those on the title track, are shimmering delights. Alas, with prog's days just about numbered by the time J'un Oeil reached the shops, it should surprise no one that the record went virtually unnoticed outside its home province. Still, Sloche would go on to add one more disc to their legacy, the somewhat underachieving Stadacone the following year, before seemingly falling off the musical map. ~ Michael Panontin
http://www.canuckistanmusic.com/index.php?maid=155
Personnel: Réjean Yacola - Piano, Vocals; Martin Murray - Organ, Synthesizer, Saxophone, Vocals; Caroll Bérard - Guitar, Vocals; Pierre Hébert - Bass, Vocals; Gilles Chiasson - drums
http://www.canuckistanmusic.com/index.php?maid=155
Personnel: Réjean Yacola - Piano, Vocals; Martin Murray - Organ, Synthesizer, Saxophone, Vocals; Caroll Bérard - Guitar, Vocals; Pierre Hébert - Bass, Vocals; Gilles Chiasson - drums
Never thought you could find one of the two ! I was a huge fan of these albums back then. It's kind of progressive rock meets jazz-rock feelings, with sometimes a little humour in the corners It's creative and the keyboard player is very talented, with acoustic piano & synth's. The title track was a big hit in bars ! Hope you will find Stadaconé one day.
ReplyDeleteAbout the name of the band. It's a kind of argotic word for rain meets the snow. Slush ! It became Sloche.
Mario B, I found the other...
ReplyDeleteThank You!
Wow !
ReplyDelete