Sunday, November 30, 2014

DR Big Band (Feat. Sinne Eeg & Bobo Moreno) - Merry Christmas Baby

Bitrate: 320K/s
Time: 54:29
Size: 124.7 MB
Styles: Holiday
Year: 2010
Art: Front

[3:23] 1. Merry Christmas, Baby
[5:01] 2. Sleigh Ride
[3:45] 3. White Christmas
[4:15] 4. Let It Snow
[3:02] 5. Winter Wonderland
[4:03] 6. Baby It's Cold Outside
[4:12] 7. Rocking Around The Christmas Tree
[4:20] 8. Last Christmas
[6:09] 9. The Christmas Song
[4:01] 10. Rudolph The Red Nosed Reindeer
[2:58] 11. Jingle Bell Rock
[6:00] 12. Santa Claus Is Coming To Town
[3:12] 13. Have Yourself A Merry Little Christmas

What a better way to have the sound of Christmas, than to listen to the great American Christmas song book? On 'Merry Christmas, Baby', the famous DR Big Band with jazz stars Sinne Eeg and Bobo Moreno swings through big band renditions of songs such as Rudolph The Rednosed Reindeer, White Christmas, Let it Snow and many more. An album that you will love to listen to every Christmas for many years to come.

Merry Christmas Baby

Frank Vignola & Vinny Raniolo - Beloved Earth Songs

Bitrate: 320K/s
Time: 45:57
Size: 105.2 MB
Styles: Guitar jazz
Year: 2013
Art: Front

[3:20] 1. Apache
[3:30] 2. You'd Be So Nice To Come Home To
[4:32] 3. Concerto De Aranguez
[2:57] 4. Carolina In The Morning
[2:55] 5. Killing Me Softly
[3:09] 6. Malaguena
[3:27] 7. Under Paris Skies
[3:07] 8. Brazil
[3:57] 9. Willow Weep For Me
[2:19] 10. April Showers
[3:01] 11. La Strada Nel Bosco
[3:06] 12. Smoke Gets In Your Eyes
[3:32] 13. Anitra's Dance
[2:59] 14. Mozart's Symphony No. 40

Another deliciously eclectic set from these two jazz guitar monsters: "Apache" to Grieg, Mozart to "Killing Me Softly," time-tested standards and fresh surprises, all on two acoustic guitars!

Frank Vignola and Vinny Raniolo have played over 1,000 duo guitar concerts all over the planet and have played along side the world's finest musicians. Their playing together as a duo is infectiously fun, melodic and will keep your foot tapping for as long as their guitars make sound.

Beloved Earth Songs

Stolle & Svare Jazz Quintet - S/T

Bitrate: 320K/s
Time: 61:47
Size: 141.5 MB
Styles: Contemporary jazz
Year: 2013
Art: Front

[2:13] 1. Session at Riverside
[6:11] 2. Creole Love Call
[5:33] 3. A Porter's Lovesong
[5:02] 4. Apex Blues
[5:20] 5. How Long Has This Been Going On
[3:37] 6. Limehouse Blues
[5:35] 7. Just a Gigolo
[5:08] 8. Doggin' Around
[6:53] 9. Nancy with the Laughin' Face
[4:02] 10. St. James Infirmary
[6:49] 11. I Cover the Waterfront
[5:20] 12. Topsy

Jørgen Svare, Ken Peplowski, Lennart Ginman, Leif Johansson, Ole Stolle, Søren Kristiansen. Recorded 1995-05-14

Stolle & Svare Jazz Quintet

Musica Paradiso - Songs & Stories From The Silver Screen

Styles: Vocal
Year: 2013
File: MP3@320K/s
Time: 40:35
Size: 93,7 MB
Art: Front

(3:14)  1. Folies Bergeres
(4:33)  2. I'm Through With Love
(3:43)  3. I Get a Kick Out of You
(3:28)  4. Tú Mi Delirio
(4:37)  5. Smile
(4:04)  6. The Man That Got Away
(3:08)  7. Vatapa
(3:41)  8. Que Reste't'Il de Nos Amours
(2:54)  9. Watch What Happens
(3:41) 10. Volver
(3:26) 11. Piensa en Mí

Musica Paradiso – ‘Songs and Stories of the 'Silver Screen'
A night celebrating some of the most seductive, alluring and captivating music of  the 20th century; the music and the movie stars that carried us away to a place where dreams came true right before our eyes!In a pastiche of songs, themes and scenes that moved us all, we remember the great stars like Marilyn Monroe and the songs from movies like “Some Like it Hot”, Audrey Hepburn in “Breakfast at Tiffany’s” and the huge hit “Moon River”, and other classic songs like “I Will Wait for You” from the film "Les Parapluies de Cherbourg"”. We take you to Cuban High Society of the 50’s and to Mexico and then to the Europe of Fellini, Michel Legrand and Almodovar. Through these magical themes and songs we re-live moments and feelings, and recapture the essence of a place or a past era. http://www.globalmusicfoundation.org/concerts/musica-paradiso-songs-and-stories-of-the-silver-screen-starring-tina-m/

Performers: Tina May, Vocals; Guillermo Rozenthuler, Vocals; Fred Thomas, Bass & Percussion; John Turville, Piano & Percussion; Stephen Keogh, Drums & Percussion

Edu Lobo & Tom Jobim - Tom & Edu

Styles: Brazilian Jazz, Bossa Nova
Year: 1981
File: MP3@320K/s
Time: 36:02
Size: 84,4 MB
Art: Front

(2:10)  1. Ai Quem Me Dera
(4:38)  2. Pra Dizer Adeus
(3:21)  3. Chovendo Na Roseira
(3:26)  4. Moto Contínuo
(3:07)  5. Angela
(2:58)  6. Luiza
(4:05)  7. Canção Do Amanhecer
(4:13)  8. Vento Bravo
(4:16)  9. É Preciso Dizer Adeus
(3:42) 10. Canto Triste

A driving force behind the rise of the MPB (Musica Popular Brasileira) sound, singer/composer Edu Lobo was born in Rio de Janeiro in 1943; at 18 he formed his first trio with Dori Caymmi and the great Marcos Valle, and in 1962 forged a long-term writing partnership with renowned lyricist Vinicius de Moraes. Drawing influence from bossa nova masters including Antonio Carlos Jobim, João Gilberto, and Baden Powell, Lobo released his debut LP, A Musica de Edú Lobo por Edú Lobo in 1963; that same year he also authored the music for Oduvaldo Vianna Filho's play Os Azerados Mais Os Benvidos, the first of many stage collaborations. The album Cinco Na Bossa, recorded with Nara Leão and the Tamba Trio, followed in 1965, the same year Lobo took top honors at the First Annual Brazilian Popular Musical Festival with his composition "Arrastão," a major hit for singer Elis Regina. (In 1967, he repeated the feat with "Ponteio.")

Albums including 1968's Edú followed before Lobo met Sergio Mendes in 1969, resulting in a contract with A&M Records for From the Hot Afternoon, which featured saxophonist Paul Desmond; by now a resident of Los Angeles, he toured with Mendes and Brasil 66 before resurfacing in 1971 with Sergio Mendes Presents Lobo, followed later that same year by Cantiga de Longe. Upon returning to Brazil, Lobo focused his energies on composing for films before returning to the studio for 1973's Missa Breve; he then spent the mid-'70s writing music for Globo, the world's fourth-largest television network, including work on the hit series Caso Especial. 1976 saw the release of the LP Limite Das Aguas, with the widely acclaimed Camaleão appearing two years later; in 1979, Lobo's score to the feature Barra Pesada earned "Best Soundtrack" honors at the Gramado Film Festival.

Lobo inaugurated the '80s with a flurry of activity, following the LP Tempo Presente with the 1981 soundtrack Jogos de Danca (a work composed for the Ballet Guaira) as well as Tom e Edu, a collaboration with Antonio Carlos Jobim. In the wake of two more ballet scores, O Grande Circo Mistico and Gabriela, Lobo worked on a series of stage musicals Vargas, O Corsario do Rei, and Danca da Meia-Lua  before finally returning to the studio in 1990 for the LP Serie Personalidade. Corrupião followed in 1993, and two years later he returned with Meia Noite. The score to the 1997 film Guerra de Canudos preceded Lobo's next project, a planned adaptation of Jo Soares' book A Samba for Sherlock. Bio ~ https://itunes.apple.com/br/artist/edu-lobo/id10485

Antônio "Tom" Carlos Brasileiro de Almeida Jobim (January 25, 1927 – December 8, 1994), also known as Tom Jobim, was a Brazilian songwriter, composer, arranger, singer, and pianist/guitarist. He was a primary force behind the creation of the bossa nova style, and his songs have been performed by many singers and instrumentalists within Brazil and internationally.

Widely known as the composer of "Garota de Ipanema" (The Girl from Ipanema), one of the most recorded songs of all time, Jobim has left a large number of songs that are now included in jazz and pop standard repertoires. The song Garota de Ipanema was recorded 240 times in another version for several artists. More Bio ~ http://en.wikipedia.org/wiki/Ant%C3%B4nio_Carlos_Jobim

Tom & Edu

Benny Carter - Easy Money

Styles: Saxophone Jazz
Year: 2014
File: MP3@320K/s
Time: 92:39
Size: 213,2 MB
Art: Front

(2:54)  1. I Got It Bad (And That Ain't Good)
(3:26)  2. Angel Eyes
(4:56)  3. The Moon Is Low
(5:55)  4. Blues in My Heart
(2:21)  5. Who's Sorry Now
(4:09)  6. Body and Soul
(3:47)  7. Little Girl Blue
(5:56)  8. A Walkin' Thing
(3:36)  9. Jeepers Creepers
(4:59) 10. Sweet Lorraine
(3:08) 11. A Monday Date
(5:18) 12. My Blue Star
(7:39) 13. Laura
(3:49) 14. Honeysuckle Rose
(6:44) 15. That Old Black Magic
(4:13) 16. June in January
(4:42) 17. When Lights Are Low
(2:50) 18. I Get a Kick Out of You
(3:18) 19. I've Got the World On a String
(4:52) 20. Cherry
(3:56) 21. The Midnight Sun Will Never Set

Benny Carter was and continues to be a jazz legend. Active from the twenties until his death, he was a true pioneer as a saxophonist, trumpet player and composer/arranger. Perhaps because Carter spent many years as a composer for film and television in Los Angeles and out of the jazz scene, he is not as well known as others who were present and influential during jazz's formative years, such as Duke Ellington, Earl Hines and Count Basie. It was Carter who advised a young Robert Farnon how to create a full score, and Benny also mentored trombonist J.J. Johnson. Carter's considerable catalog is now being properly published by Jazz Lines Publications. Because Carter is not as well known as Ellington or Basie, it is possible that many band directors are passing up the opportunity to play and expose young people to this wonderful and classic music. While the many scores that we publish by Gil Evans, Mary Lou Williams and others may be too difficult, there are several titles by Benny that your band can play. Even though it was written for professionals, much of his music is playable by middle-school bands. The melodies are infectious and the chord changes interesting to study and jam on. This is the perfect teaching material that is also solid musically and has delighted audiences for years. ~ Jeff Sultanof   http://www.ejazzlines.com/Carter-Benny-c494.html

Easy Money

Eddy Palermo - Bossa Jam Session

Styles: Brazilian Jazz, Bossa Nova
Year: 2013
File: MP3@320K/s
Time: 53:13
Size: 122,7 MB
Art: Front

(3:52)  1. O Barquinho
(4:22)  2. Eu Sei Que Vou Te Amar
(3:51)  3. Wave
(3:44)  4. A Rã
(3:19)  5. Bye Bye Brasil
(3:42)  6. Batida Diferente
(3:12)  7. Só Danço Samba
(4:30)  8. Agarradinhos
(4:14)  9. P'ruzé
(4:24) 10. Samba da Creuza
(4:33) 11. Preciso Aprender a Ser Só
(4:52) 12. Vagamente
(4:31) 13. Samba de Verão

Nato a Roma il 10 giugno 1956, ha cominciato a suonare la chitarra all’età di dieci anni come autodidatta ed é considerato uno dei più importanti riferimenti per la chitarra jazz in italia. Nel 1979 entra a far parte del ” Centro Jazz St. Louis” come insegnante di chitarra jazz e da quel momento inizia la sua attività di professionista nei club della capitale accanto ad alcuni dei jazzisti più in vista. Nel 1980 partecipa alla rassegna internazionale “Ischia ‘80” con un concerto per chitarra sola. Nel 1981 incide il suo primo LP dal titolo “The Way ISee”. Mentre si intensifica la sua attività a livello nazionale, inizia in questo periodo anche una collaborazione concertistica con musicisti d’oltre oceano come Chet Baker e Billy Smith. Nel 1982 partercipa ad “Umbria Jazz” con il suo trio ed il “Festival Internazionale di Jazz” di Istambul con Romano Mussolini. Nello stesso anno incide il suo secondo disco dal titolo “Ganimede”. Nel 1983 entra a far parte del gruppo di Nunzio Rotondo, con il quale partecipa ad alcune trasmissioni televisive. 

Sempre nel 1983 si verificano due collaborazioni molto importanti con Jim Hall e con il sassofonista David Samborn. Nel 1984 partecipa a “Umbria Jazz” con la propria formazione alla quale si aggiunge come ospite il percussionista Ray Mantilla. Le sue esperienze si allargano stilisticamente al campo della musica brasiliana, mentre si accentua la sua predisposizione alla composizione. Nel 1985 è di nuovo ad “Umbria Jazz” con Nunzio Rotondo ed incide il suo trezo LP dal titolo “Jazz Fusion Mood”. Nello stesso anno partecipa al Festival Jazz di Messina. Nel 1987, le collaborazioni con il tenorista George Garzone ed il trombettista Jimmy Owens. Ma l’incontro più significativo è quello che avrà nel 1988 con Joe Pass che lo chiama a suonare come ospite nel corso di alcuni concerti in un club romano. Traendo ispirazione da questo grande virtuoso della chitarra jazz, il talento di Eddy Palermo si orienta sempre più verso il “solo guitar”. Insegna per alcuni anni all’Università della Musica di Roma. Nel 1990 inizia una collaborazione con Augusto Martelli, con il quale partecipa ad alcune trasmissioni televisive e ad alcuni concerti. Nel 1992 incide un CD intitolato “The song is you”. Nel 1995 partecipa a “Jazz Image”, la nota rassegna Jazz a Romana, con il gruppo di George Coleman. Anche nel 1996 partecipa a “Jazz Image” suonando con il chitarrista Bucky Pizzarelli. 

Nella stagione 96-97 collabora per la RAI ad una serie di trasmissioni condotte da Antonio Lubrano. Nel 1997 incide per la Panasstudio “Eddy Palermo Trio”. Dal 98 la sua attività si allarga in brasile dove oltre ad una serie di concerti per chitarra solo ha occasione di collaborare con musicisti affermati come Nico Assum‚âo Sizâo Machado, Jesè Roberto Bertrami (Azimut) Mauricio Einhor (Batita Diferente, Estamos Ai) ed altri. Il suo nome figura alla pagina 1096 della grande Enciclopedia del Jazz, Ed. Curcio, 1982. Nel 2002 partecipa ad un piccolo tour negli USA che lo porta a suonare al “Festival del Jazz in Huston”. Sempre nello stesso anno prtecipa a “Jazz Image in Roma…nel 2004 incontra Toninho Horta con il quale oltre a registare il CD “BRINCANDO”e` al suo fianco in un concerto al teatro SESIMINAS di Belo Horizonte in Brasile. Dal 2004 insieme a Stefano Di Battista nel gruppo di Niki Nicolai. All’inizio del 2005 esce il Cd “Il portiere di riserva” di Rosybyndy, nel quale Eddy è artefice di tutte le chitarre. Marzo 2005 esce “meu brasil brasileiro” il nuovo CD di Eddy Palermo. http://www.last.fm/music/Eddy+Palermo/+wiki

Saturday, November 29, 2014

Harry Roy & His Band - S/T

Bitrate: 320K/s
Time: 37:41
Size: 86.3 MB
Styles: Big band
Year: 2009
Art: Front

[2:54] 1. Bugle Call Rag
[3:13] 2. Casa Loma Stomp
[3:25] 3. The Roy Rag
[2:55] 4. Alexander's Ragtime Band
[3:03] 5. Canadian Capers
[3:01] 6. She Had To Go And Lose It At The Astor
[2:52] 7. Tiger Rag
[3:22] 8. Somebody Stole My Gal
[3:31] 9. Twelfth Street Rag
[3:21] 10. Nobody's Sweetheart
[2:50] 11. Porcupine Rag
[3:08] 12. Temptation Rag

Alf Horton, Arthur Calkin, Basil Kirchin, Bert Wilton, Dave Kaye, Dick Boothroyd, Harry Goss, Harry Roy, Ivor Moreton, Jack Collins, Joe Arbiter, Maurice Sterndale, Norman White, Tommy Porter, Tommy Venn.

Harry Roy is best remembered for having led a popular swing band in England and throughout portions of the British Empire during the 1930s. Roy was born Harry Lipman in London, England, on January 12, 1900, and as a teenager he worked in his father's carton manufactory, studying various musical instruments during his free time. In 1919, when the Original Dixieland Jazz Band wowed the crowds in London, young Harry was dazzled by Larry Shields and took up the clarinet. In 1921, he formed a band with his brother, pianist Syd Lipman. They called their group the Darmswells, but when the O.D.J.B. ended their run at the Hammersmith Palais de Danse the Roy Brothers Original Lyrical Five took their place. This was a variation on yet another of their various titles, the Original Crichton Lyrical Orchestra. The now Anglicized "Roys" waxed a test pressing for Columbia in 1922 and made their first issued recordings for Vocalion in 1927 as the Crichton Lyricals. Over the next few years their music became available to the public on the Guardsman, Coliseum, Aco, Scala, Crown, Beltona, Imperial, and Crystalate record labels. The Lyricals played all of the best halls and clubs in London, visited Paris, then toured Australia, Tasmania, and South Africa in 1928. They cut two sides for the Broadcast label in 1929 and visited Berlin in 1930, providing live entertainment and making a few more phonograph records. Harry was a born showman, comedian, and vocalist who specialized in songs like "I Wonder How I Look When I'm Asleep?"

Harry became the leader of a new enlarged version of the band in 1931, with Syd assuming managerial duties. The Harry Roy Orchestra spent half a year serenading patrons before and betwixt motion picture screenings at RKO's Leicester Square Theatre, opened at the London Pavillion in 1932, and broadcast over BBC radio from the Café Anglais in 1933. Their theme song was now established as the "Bugle Call Rag." Roy's band distinguished itself at the Mayfair Hotel in 1934 and remained there until 1936. In 1935, Harry married "Princess Pearl" Eliza Vyner Brooke, daughter of Charles Vyner Brooke, the last white Rajah of the state of Sarawak in Northwestern Borneo. The Harry Roy Orchestra even appeared in motion pictures: "Everything in Heaven" was released in 1935, starring vocalists Princess Pearl and Mabel Mercer, and "Rhythm Racketeers" followed in 1936.

Harry Roy's Orchestra enjoyed a successful tour of South America in 1938 and toured consistently throughout England and the Middle East during the Second World War, after which Roy attempted to perform in the United States of America but was unable to obtain a work permit. His band resumed playing the Café Anglais in 1949. Soon afterward he dissolved his band and opened a restaurant. His last-known public appearance was with a quartet in 1969. Roy fell ill and passed away in London on February 2, 1971. ~bio by arwulf arwulf

Harry Roy & His Band

Marcos Valle & Stacey Kent - Ao Vivo: Comemorando Os 50 Anos De Marcos Valle

Bitrate: 320K/s
Time: 68:00
Size: 155.7 MB
Styles: Bossa Nova, Brazilian jazz
Year: 2013
Art: Front

[4:40] 1. The White Puma (Puma Branco)
[5:55] 2. Look Who's Mine (Dia De Vitória)
[4:22] 3. The Face I Love (Seu Encanto)
[3:33] 4. The Answer (A Resposta)
[4:33] 5. Drift Away
[5:14] 6. Summer Samba (Samba De Verão)
[3:23] 7. Gente
[4:21] 8. Passa Por Mim
[4:12] 9. Batucada Surgiu
[4:52] 10. La Petite Valse
[6:27] 11. If You Went Away (Preciso Aprender A Ser Só)
[3:59] 12. Pigmalião 70
[4:37] 13. The Crickets (Os Grilos)
[2:47] 14. She Told Me, She Told Me (Sonho De Lugar)
[4:58] 15. My Nightingale

A really wonderful collaboration – completely unexpected, and a fresh chapter in the career of both artists too! The set was done in celebration of Marcos Valle's 50 years in music – and features Marcos himself on acoustic piano and a bit of vocals, Stacey Kent on lead vocals, and some guest tenor sax from Jim Tomlinson! The setting is lean, mostly small group backing, but full of feeling – thanks partly to Stacey's expressive vocal performance, but also to Valle's still-great sense of timing and tone – which makes the arrangements very different than Kent's usual bag. Stacey really takes the vocal lead on most of the record – and the bossa setting is a great one for her style – and arrangements are by Valle and Jesse Sadoc, who leads the combo on trumpet.

Ao Vivo: Comemorando Os 50 Anos De Marcos Valle  

Art Hodes - I Remember Bessie

Bitrate: 320K/s
Time: 59:35
Size: 136.4 MB
Styles: Piano jazz
Year: 2013
Art: Front

[4:17] 1. Baby Won't You Please Come Home
[3:38] 2. Alexander's Ragtime Band
[3:37] 3. You've Got To Give Me Some
[3:28] 4. Yonder Comes The Blues
[3:37] 5. Cake Walkin' Babies From Home
[4:31] 6. Back Water Blues
[3:29] 7. Nobody Knows You When You're Down And Out
[3:31] 8. At A Georgia Camp Meeting
[4:08] 9. You've Been A Good Ole Wagon
[4:10] 10. Slow And Easy Man
[3:39] 11. Yellow Dog Blues
[3:34] 12. A Good Man Is Hard To Find
[3:44] 13. St. Louis Blues
[0:19] 14. Mayor Calling
[3:33] 15. After You've Gone
[2:22] 16. Cake Walkin' Babies From Home (Alt)
[3:51] 17. Gee, Baby, Ain't I Good To You

The end of World War II remains the most profound demarcation in jazz history. Jazz changed so radically and abruptly after 1945 that fans of the music split into two bickering camps. Pre-war jazz fans argued that their music had structure, charm and romanticism that post-war jazz lacked. Post-war jazz fans countered that their music was about individualism, advocacy and daring—viewing pre-war jazz as archaic, formulaic and dull.

Pianist Art Hodes [pronounced HOE-deeze] was considered a pre-war pianist and often expressed bewilderment and exasperation with modern forms like bebop. But in retrospect, his approach in the decades following the war seemed to be routinely updated, particularly in his voicings. Yet Hodes' name is all but forgotten today, disregarded by decades of post-war jazz fans deaf to the music of the '20s and '30s. Hodes deserves better.

In September 1976, Hodes recorded at a Santa Monica, Calif., bungalow of a friend. There was a Yamaha grand there along with superb engineering by Cecil Spiller. The theme Hodes chose for the session was songs made famous by singer Bessie Smith. One by one, Hodes applies his deliberate, textured style to songs like You've Got to Give Me Some, Yonder Come the Blues and Cake Walkin' Babies From Home.

Now Art Hodes: I Remember Bessie (Delmark) is out for the first time on CD with previously unreleased tracks. This is a thrilling album for many reasons. First, the sound is fantastic—Hodes is practically in your room. Second, Hodes is a positively glorious soloist—rekindling the joy and excitement of pre-war jazz. But even more important, Hodes performs as if singing through his hands, growing soft and loud in different places and tossing in a mini solo here and there with the most unusual fingering.

What I find particularly miraculous is how he offers something completely different in each bar. It's almost impossible to conceive how one person could be playing. In Hodes' hands, you hear the blues, Bessie's bossy voice and the early architecture of R&B piano, with its snap and stride. Hodes would probably insist that what you're hearing is just pre-war jazz—over easy. ~Marc Myers

I Remember Bessie

Tom Graf - Smokin'

Bitrate: 320K/s
Time: 34:51
Size: 79.8 MB
Styles: Crossover jazz
Year: 2014
Art: Front

[4:45] 1. Smokin'
[3:35] 2. Samba 60
[4:20] 3. Gela
[5:05] 4. Changes
[4:23] 5. Set Your Soul Free
[4:17] 6. On The Way
[3:56] 7. I'm In Love
[4:26] 8. Voyage

Tom Graf's melodies and underlying harmonic structure are a focus of this CD. The talented musicians making the music come alive are familiar faces on recordings across the spectrum of jazz, latin, and rhythm and blues. David K. Mathews (currently with Santana) arranged the compositions with help from, and overall production by, Ray Obiedo. This is the way smooth jazz used to sound when played by the likes of Freddy Hubbard, Milt Jackson, and Wes Montgomery. Just sit down and get ready to take a journey through latin, samba, straight-ahead, tango, and blues moods.

Ray Obiedo, David K. Mathews, Amikaeyla, Mike Olmos, Marc Russo, Michael Spiro, Harvey Wainaple, Norbert Stachel. Released 07 November 2014

Smokin'

Melora Hardin - All The Way To Mars

Styles: Vocal Jazz
Year: 2010
File: MP3@320K/s
Time: 62:59
Size: 145,0 MB
Art: Front

(2:45)  1. Raise The Roof
(4:28)  2. You (Once Tomorrow Now Yesterday)
(4:06)  3. All Messed Up
(2:09)  4. Everybody Says Don't
(4:44)  5. Close To You
(3:15)  6. A Boy And His Cat
(3:06)  7. I Never Meant To Hurt You
(3:09)  8. Fading Away
(2:03)  9. He's So Married
(4:29) 10. Makin' Love
(2:56) 11. Ride Your Rocket
(4:15) 12. Girl Talk
(3:58) 13. Teenager
(3:21) 14. Everything Must Change
(3:59) 15. I Dreamed A Dream
(6:55) 16. Roxie
(3:13) 17. Come Home With Me For Christmas

"Hardin displays a distinct dexterity with comedic material too rarely represented on recordings of singer/actors and cabaret artists of her ilk." ~ Pat Cerasaro, BroadwayWorld.com, January 2010

"Hardin has proved with this album that she is equally at home on the screen, the stage and the recording studio." ~ Pat Cerasaro, BroadwayWorld.com, January 2010

"Melora Hardin's new album  All The Way To Mars traverses the galaxy in a madcap manner most immediately reminiscent of a `60s cocktail hour album and for that frivolous and fun factor alone it deserves high praise..." ~ Pat Cerasaro, BroadwayWorld.com, January 2010

In February of 2010, Melora Hardin will add another jewel to her crown of achievements: Recording Artist. Having been a successful Hollywood actress since a very young age, music has always been a passion that she simply did not have the time to pursue. She landed Director Richard Jay-Alexander (who has worked with stars like Barbra Streisand, Bette Midler, Ricky Martin, Bernadette Peters, and Johnny Mathis) to build an act with her. It debuted in Los Angeles with stellar reviews, deeming it "a hit". She then continued acting, filming box office hits "17 Again" and "Hannah Montana: The Movie", all the while continuing to star in "The Office". 

Additionally, Hardin just made her directorial debut with the feature film entitled, "You," currently available on DVD and online at Amazon.Then along came an opportunity on Broadway and a stunning debut as `Roxie Hart' in the smash long-running hit, Chicago. Writing and performing songs since the age of 8, she has sung in many productions including the Disney feature "The Rocketeer" where she was honored to work with the legendary arranger Billy May. She also played the chanteuse ghost in the Disney TV movie "Tower of Terror" and a crazy cabaret singer in the short-lived series "Man & Machine" where she was produced by Mark Mothersbaugh of Devo fame. Hardin has previously self-released two albums of her original songs called "The Meloradrama" and "Purr" both of which have a large cult following.

While in production working in New Orleans this year on a new film called, "Knucklehead," due out April of 2010, in which she stars, she simultaneously recorded a live album titled, "All the Way to Mars" making this Hardin's first nationally distributed album. December 1st of this year Melora will also release a beautiful, original Christmas single titled, "Come Home with Me for Christmas" which people can download exclusively on iTun! es. With all that she's been doing it's a wonder how she still found the time to go in and record a full studio album. "All The Way To Mars" features songs from Broadway, standards, Pop, and a few that she wrote herself. People who have heard advances of the upcoming album are amazed by the versatility and range that Hardin exhibits. The album will be released on the LML Music Label February 9, 2010 and will be available in stores nationwide and online at Amazon & iTunes. Hardin currently resides in Los Angeles with her husband actor/writer, Gildart Jackson, and their two young daughters. ~ Editorial Reviews http://www.amazon.com/All-The-Way-To-Mars/dp/B002WHT168

Francesco Cafiso Quartet - Seven Steps To Heaven

Styles: Jazz, Neo-Bop
Year: 2006
File: MP3@320K/s
Time: 57:32
Size: 132,6 MB
Art: Front

(6:49)  1. Seven Steps To Heaven
(7:16)  2. Green Chimneys
(7:07)  3. Yesterdays
(9:44)  4. On The Trail
(8:08)  5. My Funny Valentine
(6:51)  6. Milestones
(5:33)  7. Crazeology
(6:00)  8. Skylark

Francesco Cafiso surprised the jazz world with his blazing chops in his early teens during a stunning duo concert with veteran pianist Franco D'Andrea. Several years afterward, he is working on developing a distinctive style of his own, which is a challenge for any young musician. These 2006 sessions mix well-known jazz compositions of the 1940s and 1950s with timeless standards, with the alto saxophonist backed by a solid rhythm section consisting of pianist Andrea Pozza, bassist Aldo Zunino, and drummer Nicola Angelucci. He shows off a bit in a wild treatment of Thelonious Monk's "Green Chimneys" that starts in a funky manner, shifts to an aggressive hard bop mood, and also has an unaccompanied solo section. Cafiso's spry take of "Yesterdays" proves convincing, while the exotic rhythm setting of "My Funny Valentine" takes this chestnut into somewhat new territory. There are times where Cafiso reveals his youth by forcing in odd quotes that prove to be more of a distraction than help to his improvisations. But this CD indicates that Francesco Cafiso is serious about a career in jazz and not merely a young flash in the pan who will flame out after a brief foray into the limelight. ~ Ken Dryden  http://www.allmusic.com/album/seven-steps-to-heaven-mw0000772797

Personnel: Andrea Pozza (piano); Nicola Angelucci (drums).

Maxine Sullivan With Scott Hamilton - Swingin' Sweet

Styles: Vocal And Saxophone Jazz
Year: 1988
File: MP3@320K/s
Time: 50:04
Size: 115,4 MB
Art: Front

(7:01)  1. Sweet Georgia Brown
(2:11)  2. As Long As I live
(3:15)  3. I Got A Right To Sing the Blues
(4:03)  4. Something To Remember You By
(2:58)  5. Wrap Your Troubles In Dreams (And Dream Your Troubles Away)
(3:43)  6. Georgia On My Mind
(3:12)  7. You Were Ment For Me
(3:48)  8. A Hundred Years From Today
(3:14)  9. Just One Of Those Things
(3:22) 10. I'm Crazy 'Bout My Baby
(3:19) 11. I Hadn't Anyone Till You
(3:59) 12. Cheatin' On Me
(2:26) 13. You're Driving Me Crazy
(3:25) 14. Loch Lomond

Maxine Sullivan's final concert (although she would record part of her Jule Styne tribute studio album for Atlantic a few months later) is an excellent retrospective of her career. Joined by tenor saxophonist Scott Hamilton's quintet (with pianist John Bunch and guitarist Chris Flory), Sullivan performs for the final time some of her favorite numbers, including nostalgic and near-classic renditions of "As Long as I Live," "I Got a Right to Sing the Blues," "A Hundred Years From Today" and "You're Driving Me Crazy." Ironically, the final song that Maxine Sullivan sang was also the same tune that she had used to start her recording career back in 1937, "Loch Lomond." Recommended. ~ Scott Yanow  http://www.allmusic.com/album/swingin-sweet-mw0000197117

Personnel: Maxine Sullivan (vocals), Scott Hamilton (tenor sax), John Bunch (piano), Chris Flory (guitar), Phil Flanigan (bass), Chuck Riggs (drums).

Swingin' Sweet

Andre Charlier & Benoit Sourisse - Heritage

Styles: Jazz
Year: 2010
File: MP3@320K/s
Time: 58:12
Size: 134,4 MB
Art: Front

(1:16)  1. Shabada Roots
(6:02)  2. At the Juke Joint
(3:36)  3. Worksong
(5:17)  4. L'Improbable Afrobeat
(4:01)  5. Ragtime Ragoût
(7:01)  6. Le Langage des Sages
(1:19)  7. Last Griot
(5:32)  8. Trio
(4:58)  9. Edge of Dream
(6:30) 10. Gravé Dans La Cire
(1:15) 11. Trompe-Oreilles
(4:27) 12. Sleepwalkers
(6:52) 13. Heritage

André Charlier - Born in Verviers (Belgium) on June 13th, 1962. André began the battery in 1978. He has study in Musician Institute of Los Angeles in 1985-1986. In 1988-1989, he began a series of tours with the singer Maurane (Belgian singer). At the end of this year of 1989 he was Prize-winner of the competition of the Defense. In 1991, he sees itself awarded the Price of the best soloist to the international competition of French-speaking jazz. André Charlier turns since 1993 on the stages of the whole world beside Didier Lockwood (quintet, quartet and trio), accompanies the harmonica player Jean-Jacques Milteau within various training courses (quartet, quintet, seven), drummer of the group of rhythm' blues Captain Mercier, Pierre-Jean Gaucher (Zappa project), Marc-Michel Le Bévillon seven, Romane Quartet. He notably played beside John Scofield, Michel Petrucciani, Scott Henderson, Michel Portal, Toots Thielemans, Mike Stern on the occasion of exceptional concerts. For some years, he develops his own music within the duet " CHARLIER-SOURISSE ". With which he recorded four CD with in guest Jerry Bergonzi (saxophone), Kenny Garrett (saxophone), Kurt Rosenwinkel (guitar) and Alex Sipiagin (Trumpet). André Charlier is co-director and responsible for the department battery (drum kit) in the CMDL (center of the music Didier Lockwood). Sponsored by batteries TAMA and cymbals PAISTE.

Benoît Sourisse - Born in 1964, this French pianist / organist has already revealed his improviser's talents as soloist, but also beside inescapable personality of the jazz. In 1994, Didier Lockwood suggests him participating in his various projects: in the piano, quintet and quartet (" Round About Silence ", on 1998) as well as in the organ Hammond (D. Lockwood Trio and " New Quartet " on 2003). Didier also confides him the musical direction of his albums: "Storyboard" recorded in 1996 in New York (Steve Gadd, James Genius, J.Di Francesco) - " Newspaper of a User of the Space 2 " (in 1999, Opera of D. Lockwood and Charlotte Nessi on a notebook of G.Perec). Sanctimonious realize orchestrations. "Tribute to Stéphane Grappelli" (in 2000 with Bireli Lagrène and N.H.O.P). These numerous tours give him the occasion to share the stage with Michel Petrucciani, Martial Solal, John Scofield, Michel Portal, Mike Stern, Toots Thielemans... And this mostly with his "alter ego"; André Charlier (to the battery) with whom he works for more than fifteen years. They dedicate both a big energy to their duet " Charlier / Sourisse ". Their album " Gemini " (where Sanctimonious mix the tones of the organ Hammond to those of the piano) taken out in April, 2001 presents, besides talented guests of the new French generation such as Stéphane Guillaume (soprano sax) and Olivier Ker Ourio (harmonica), one of the most appreciated of the saxophonists current tenors, Jerry Bergonzi. Big passionate person of Blues, co-founder in 1989 of the group " CAPTAIN haberdasher "; with which he gave more than 900 concerts, Sanctimonious also work today on Jean - Jacques Milteau's highly-rated within his various training courses (of the duet in seven). Fascinated by pedagogy, Benoît Sourisse teaches the improvisation to the Superior National Music academy of Lyon since 1988, as well as through of numerous "Masterclass" in all France. ~ Bio  http://charliersourisse.free.fr/biographies_en.html

With their third opus "Heritage", Andre Charlier and Benoit Sourisse invite us to travel through the paths of their musical roots, nursed by the organic and original elements of jazz: African rhythms (poetry of sounds and percussions) and European harmony light blend by the virgin soil of Louisiana. The album presents an encounter with American guitarist Kurt Rosenwinkel (accompanist with Brad Mehldau, Mark Turner etc) whose unusual lyricism and phrasing pull him up to the rank of the biggest musicians today. Two high standing French musicians are also present: Stephane Guillaume (saxophone, clarinet) and Pierre Perchaud (guitar, banjo).  http://charliersourisse.free.fr/discographie_en.html

Friday, November 28, 2014

Jakki Ford - A Jakki Ford Christmas: Her Favorite Things

Bitrate: 320K/s
Time: 49:30
Size: 114.6 MB
Styles: Holiday
Year: 2011
Art: Front

[3:38] 1. My Favorite Things
[3:04] 2. Christmas Blues
[3:46] 3. The Christmas Song
[4:26] 4. Grown Up Christmas List
[3:04] 5. Santa Baby
[5:36] 6. Little Drummer Boy / Do You Hear (Medley)
[3:53] 7. What Child Is This
[5:40] 8. We Three Kings / God Rest Ye (Medley)
[6:38] 9. Breath Of Heaven
[6:01] 10. White Christmas Medley
[3:40] 11. My Favorite Things (Instrumental)

Jakki Ford is an accomplished and versatile performing artist. She enjoys a growing reputation, nationally and internationally, as an outstanding vocalist with a 4-octave vocal range. As a professional actress and talented dancer, she is widely recognized for her artistic sensitivity, gracefulness and extraordinary magnetism on stage, television and film.

Jakki holds a Bachelor of Fine Arts degree from Wayne State University, Detroit, Michigan, majoring in Speech and Theater, and has completed many post-graduate courses in Vocal, Music and Drama at the University of Nevada, Reno, learning from acclaimed Master Artists. She has sung with the University Choral and Symphonic Choirs, toured the United States singing back-up for a major recording artist and joined the Nevada Opera Company as First Soprano in Verdi's Italian opera, Macbeth. Jakki will perform in the season's upcoming French production, Samson and Delilah.

Jakki commands a dynamic versatility of vocal styles that inspire, dazzle and delight audiences. She offers an exciting freshness to her interpretations of the many musical styles she presents, including popular music, Bosa Nova, Jazz, Motown, Gospel, Rock & Roll and Broadway, among others. Audiences become entranced with her exquisitely unique and totally delightful renditions of these often sung lyrics, which she seems to weave into her own personal tapestry of sound that reaches into the soul of each listener. And then, when the audience catches its breath, the applause begins and the encores are given. Then as she leaves, she turns and smiles her lovely smile, and the audience roars again.

Her favorites - the audiences, too - include compositions by Cole Porter, Gershwin, Loesser and Mercer, which she sings in coffee shops and cabarets. She has been the back-up singer for Rosemary Clooney at Carnegie Hall in New York, and has been featured in multi-million dollar spectaculars at the MGM GRAND in Las Vegas, in addition to singing Rock & Roll with Chubby Checker at the Nugget.

A Jakki Ford Christmas: Her Favorite Things

Ray Anderson - Old Bottles New Wine

Bitrate: 320K/s
Time: 39:08
Size: 89.6 MB
Styles: Post bop, Trombone jazz
Year: 1985/2010
Art: Front

[4:48] 1. Love Me Or Leave Me
[5:15] 2. Bohemia After Dark
[6:29] 3. La Rosita
[3:35] 4. Ow!
[6:25] 5. In A Mellotone
[5:41] 6. Laird Baird
[6:51] 7. Wine

Trombonist Ray Anderson, best-known for his avant-garde recordings, surprised many with these explorations of standards. His high-note outbursts are often hilarious, yet on this program he really digs into the material. "Love Me or Love Me," "La Rosita" and "In a Mellotone" are among the highpoints and Anderson takes an interesting vocal on "Wine." The all-star rhythm section (pianist Kenny Barron, bassist Cecil McBee and drummer Dannie Richmond) is also a strong asset to this memorable date. ~Scott Yanow

Old Bottles New Wine

Diknu Schneeberger Trio - Rubina

Bitrate: 320K/s
Time: 47:04
Size: 107.8 MB
Styles: Gypsy jazz
Year: 2007
Art: Front

[3:23] 1. Made In France
[2:38] 2. Some Of These Days
[2:40] 3. Rhythme Futur
[5:24] 4. Autumn Leaves
[3:57] 5. Caravan
[2:51] 6. Rubina
[2:15] 7. Hungaria
[4:34] 8. Sandys Bolero
[3:19] 9. Rose Room
[4:00] 10. Moonflower
[1:41] 11. Valse A Rosenthal
[2:54] 12. Les Yeux Noirs
[4:57] 13. For Sephora
[2:25] 14. Sweet Georgia Brown

Diknu Schneeberger is an exceptional talent, a rising star in guitar heaven. This very young musician has this typical virtuosity and rhythmic precision of the Gipsy Jazz in his playing, and a distinctive feeling for melody and sound.

In February of the year 2004 he was starting to have rhythm guitar lessons with Striglo Stöger, in June of the same year he already had the first public performance and October he was making the first recordings for a CD with the Joschi Schneeberger Quintet. From 2005 Diknu attended classes with the well-known Vienna Jazz guitarist Martin Spitzer. Soon they developed a tight friendship and found they both had the dream of playing music with the esprit of Django Reinhardts. 2006 they founded the Diknu Schneeberger Trio with Diknu’s father Joschi Schneeberger on bass! The trio plays rapid Gipsy Swing, carefully arranged standards, interesting originals and Django's finest compositions, but also those of his follower like Stochelo Rosenberg or Bireli Lagrene, who enriched the Gipsy Jazz with some modern elements.

Rubina

Terry Gibbs - More Vibes On Velvet

Bitrate: 320K/s
Time: 39:09
Size: 91.2 MB
Styles: Bop, Vibraphone jazz
Year: 1959/2011
Art: Front

[3:01] 1. Moonlight Serenade
[4:10] 2. Blues In The Night
[3:12] 3. Impossible
[2:58] 4. What Is There To Say
[2:46] 5. I Remember
[3:17] 6. The Things We Did Last Summer
[2:44] 7. You Make Me Feel So Young
[2:49] 8. At Last
[3:58] 9. Lazy Sunday
[2:45] 10. Every Day Is Spring With You
[3:24] 11. With All My Love To You
[4:00] 12. Don't Cry

More Vibes on Velvet, Terry Gibbs' sequel to his 1956 album Vibes on Velvet, pairs cheesecake cover art with Gibbs' economical, melodic vibes work on a dozen pop and jazz tunes, as well as a few originals. Gibbs' "Velvet" albums, as the titles suggest, are intended to showcase his soft and sentimental side, and his playing is accordingly restrained and subdued. The selections are all slow to midtempo ballads, from "Moonlight Serenade" and "Blues in the Night" to Gibbs' own "Lazy Sunday." In place of the sweet strings one might expect on a project such as this, Gibbs' vibraharp hovers over horn arrangements that feature Joe Maini and Charlie Kennedy, along with a piano and rhythm section that combine to create more of a jazz feel than an easy listening one. Gibbs' vibes virtuosity is on display elsewhere in his catalog -- More Vibes on Velvet is for those who enjoy soft instrumental music and the warm sound of the vibraharp. ~Greg Adams

More Vibes On Velvet

Kate Hammett-Vaughan - Devil May Care

Styles: Jazz, Vocal
Year: 2003
File: MP3@320K/s
Time: 59:49
Size: 137,6 MB
Art: Front

(6:07)  1. All Of You
(5:03)  2. I Remember You
(5:00)  3. Prelude To A Kiss
(5:51)  4. You Know Who ( I Mean You)
(4:36)  5. Strange Weather
(9:10)  6. Poor Boy
(5:11)  7. Throw It Away
(5:27)  8. Devil May Care
(6:13)  9. Weird Nightmare
(7:05) 10. Show Me

Many contemporary singers who want to get to wear a jazz mantle but at the same time wish to attract a younger set of fans more accustomed to rock and adult pop cut CDs with a mix of songs covering several popular music genres. That's fine, as long as intelligence and discretion are used in shaping the agenda. That Kate Hammett-Vaughan took the time to do just that separates her album from many other contemporary jazz vocalists who were not as discerning in putting together their play list. Hammett-Vaughan has reached back to the 1970s and before to include Tom Waits' "Strange Weather," which she delivers in a nocturnal, moving manner, and Nick Drake's "Poor Boy." This cut sets aside plenty of room for the bass of André Lachance and the drums of Tom Foster. Somewhere along the musical spectrum comes "Show Me" from My Fair Lady. 

This latter track is not only used to display the singer's vocal virtues, but allows for solos and give and take by Jim Pinchin on soprano sax and Chris Gestrin on piano. Then there's a little vocalese with an arrangement of Thelonious Monk's "I Mean You" refigured to come out as "You Know Who." The obligatory piece by Abbey Lincoln is here as "Throw It Away." (It's either Lincoln or something by Joni Mitchell that predictably shows up on these albums.) But the real point is that whatever Hammett-Vaughan and her quintet chooses to perform, it's done with verve, élan, and a flawless sense of what they are supposed to do with the music. This is a fine album providing both an entertaining vocal and instrumental experience, and is recommended. https://itunes.apple.com/us/album/devil-may-care/id210449993

Herb Ellis & Ray Brown - Soft Shoe

Styles: Guitar Jazz
Year: 1974
File: MP3@320K/s
Time: 32:33
Size: 75,6 MB
Art: Front + Back

(4:53)  1. Inka-Dinka-Doo
(5:22)  2. Soft Shoe
(6:11)  3. Edison Lights
(4:56)  4. Easter Parade
(2:31)  5. Green Dolphin Street
(2:36)  6. Ellis Original
(6:02)  7. The Flintstones Theme

This early Concord recording is unusual in a couple of ways. Guitarist Herb Ellis and bassist Ray Brown (who are the co-leaders) are joined not only by trumpeter Harry "Sweets" Edison (who is in colorful form) and drummer Jake Hanna but pianist George Duke in one of his very few mainstream records. Their repertoire includes jazz versions of such unlikely tunes as "Inka-Dinka-Doo," "Easter Parade" and "The Flintstones Theme"; the latter version (which is based on the familiar "I Got Rhythm" chord changes) was the first of many to turn that cartoon melody into jazz. In addition Brown ("Soft Shoe"), Edison and Ellis contribute a song apiece plus there is a brief rendition of "Green Dolphin Street" that is taken as a Brown-Ellis duet. Recommended. ~ Scott Yanow  
http://www.allmusic.com/album/soft-shoe-mw0000201107

Personnel: Herb Ellis (guitar), Ray Brown (bass), Harry "Sweets" Edison (trumpet), Jake Hanna (drums), George Duke (piano).

Threestyle - Get It (feat. Magdalena Chovancova)

Styles: Saxophone Jazz, Smooth Jazz
Year: 2014
File: MP3@320K/s
Time: 46:20
Size: 107,3 MB
Art: Front

(3:30)  1. Just for Fun
(3:59)  2. Straight Ahead
(4:06)  3. Stories from the Reef
(4:39)  4. Vintage One
(3:55)  5. Get It
(4:37)  6. While On the Beach
(4:13)  7. Soul Candy
(4:30)  8. Red Squirrel
(3:52)  9. Singapore Nights
(4:30) 10. Droppin the Box
(4:23) 11. Funky Lights

Europe's Threestyle, is founded by German guitarist Robert Fertl and his partner, Czech Republic's Magdalena Chovancova who plays saxophone, piano and flute for the ensemble. The project, currently based in Germany, also features Magdalena's twin sister, Gabriela Chovancova on drums, along with an assortment of European A-Listers! Threestyle truly personifies Smooth Jazz with killer originals and a sophisticated, modern spin with their blend of smooth, nu, funk, soul and chill jazz! Threestyle has collaborated with Paul Brown, Gail Jhonson (Jazz in Pink) , Katja Rieckermann (Rod Stewart) James L. Manning , Chaka Khan, Marcus Anderson (Prince), Julian Vaughn, Jackiem Joyner, Matt Marshak, Latonya Black and many more. 

The band continues to tour the world on a regular basis, from the U.S. (Palm Springs, Las Vegas, Seal Beach-Spaghettini ) to South Africa (Shiraz Jazz Festival, China (Expo), Indonesia, Brazil, Australia to the Caribbean and throughout Europe. All releases are available on WeLoveMusic Recording Label Top 40 smooth jazz hits and 5 albums. The prolific collaboration keeps an ambitious recording schedule and releases new music every month. http://smoothjazz.com/jazzblast/Feature/threestyle_magdalena.htm

Ken Peplowski & Jesper Thilo - Happy Together

Styles: Clarinet And Saxophone Jazz
Year: 2009
File: MP3@320K/s
Time: 52:35
Size: 120,6 MB
Art: Front

( 7:56)  1. Vignette
( 9:02)  2. I Want To Be Happy
( 6:20)  3. Gee Baby, Ain't I Good To You
( 7:06)  4. The World Is Waiting For The Sunrise
( 5:03)  5. Polka Dots And Moonbeams
( 6:40)  6. In Your Own Sweet Way
(10:26)  7. Centerpiece

Ken Peplowski and Jesper Thilo have much more in common than the solid expertise of each on both tenor saxophone and clarinet as demonstrated here. The two effortlessly and authentically bring the Swing Era to vibrant life anew. With "Peps," who began his professional career with the Tommy Dorsey Orchestra, one has only to hear the first few notes from his clarinet on "I Want to Be Happy" to appreciate how great an influence Benny Goodman had on him. Thilo's thrilling trilling, as he races up and down the scales on "The World is Waiting for the Sunrise," is more straight-tahead and euphoric Swing Era jazz. This number is also an opportunity for some friendly dueling of clarinets that understandably evokes excited roars from the audience on this live set. Don't misunderstand. This is no mere nostalgic or imitative nod to a bygone era. 

On the '40s classic, "Polka Dots and Moonbeams," Peplowski weaves an alluring spell that is as intricate as it is delicately dreamy. On this tune and throughout the set, Thilo Wagner's piano offers accompaniment that is subtle and quiet so that at times it almost seems on the verge of disappearing. Yet somehow it doesn't and the effect is to lend a constant underpinning of melodic strength.  Everyone gets time to swing easy on the wrap-up number, an extended take on Edison/Hendricks' "Centerpiece." Both Peplowski and Thilo give out with unhurried tenor sax sweetness on this one, Thilo especially, with a warmth that for this listener recalled shades of the great Ben Webster. ~ Andrew Velez  http://www.allaboutjazz.com/happy-together-live-at-birdland-volume-one-ken-peplowski-nagel-heyer-records-review-by-andrew-velez.php#.VHKEZcmHmtg

Personnel: Ken Pelowski: tenor saxophone (1, 7), clarinet (1, 4, 5); Jesper Thilo: tenor saxophone (1, 2, 3, 7), clarinet (4) and vocals; Thilo Wagner: piano; Isla Eckinger: bass; Gregor Beck: drums.

Thursday, November 27, 2014

Bryan Shaw & The Hot Shots - The Bluebird Of Happiness

Size: 159,8 MB
Time: 68:30
File: MP3 @ 320K/s
Released: 2013
Styles: Jazz
Art: Front

01. Love Me Or Leave Me (5:06)
02. All My Life (4:20)
03. Wang Wang Blues (4:12)
04. Vignette (4:20)
05. Papa De Da Da (4:32)
06. Song Of Dreams (3:12)
07. Lucky So And So (5:25)
08. Old Man Bowers (5:29)
09. Bloomin' Blue (5:05)
10. I Lost My Gal From Memphis (4:23)
11. Ellie (4:20)
12. Blue Room (4:15)
13. Chloe (4:02)
14. Strange Blues (5:11)
15. The Bluebird Of Happiness (4:33)

Personnel:
Bryan Shaw: trumpet
Dan Barrett: trombone
Evan Arntzen: reeds
Ehud Asherie: piano
John Dominguez: bass
Brad Roth: guitar, banjo
Jeff Hamilton: drums

Bryan Shaw performs wondrously on trumpet, the way pre-jazz players in the South were called singing horns before the word jazz was in vogue. After winning a national Dixieland contest, Bryan has been performing internationally and the music is instantly recognizable as his unique jazz sound.

Features jazz all-stars Ehud Asherie on piano and Dan Barrett on trombone. Nat Hentoff wrote the liner notes, and declared in the Wall Street Journal that Bryan Shaw is a torchbearer for timeless swing.

The Bluebird Of Happiness

Fabio Sartori, Marco Colonna, Cristiano Calcagnile - (In)Obediens

Size: 89,7 MB
Time: 38:39
File: MP3 @ 320K/s
Released: 2014
Styles: Jazz: Mainstream Jazz
Art: Front

01. Frame (5:33)
02. Frenetic Dance (4:24)
03. (In)Obediens (8:53)
04. Flex Frame (4:12)
05. Impro#1 (5:18)
06. Celebra(L)Tion Day (3:33)
07. Arlequin (6:44)

Personnel:
Marco Colonna - bass clarinet, clarinet, tenor sax
Fabio Sartori - piano
Cristiano Calcagnile - drums, percussions

The rich, wide-ranging sound produced by Marco Colonna’s reeds makes for an intense counterpoint to the elegant notes of Fabio Sartori’s piano and the bounty of Cristian Calcagnile’s masterful percussion. The trio’s music, clearly identifiable with the strengths of a jazz that possesses both the awareness and the willingness to embrace adventure, explores a natural sequence of alternating moments. Broad, reflective stretches are interspersed with vigorous clusters of notes, as the three players consistently bring to their music an intriguing clarity of form, an unflagging feel for the lyrical and a remarkable gift for collective interplay.

"(In)Obediens is a play on words that signifies deep listening. There, where the creative thrust arises, often in contrast to what lays outwards. That means a disobedience, the refusal of established and preconstituded models. Improvisation is the way. The opening and ending themes are written, as the parentheses in the title. The rest is a discovery within every instant shared among the musicians. The title track represents this work at its best." Fabio Sartori

(In)Obediens

Deb Silver - In Spring

Size: 102,2 MB
Time: 43:57
File: MP3 @ 320K/s
Released: 2014
Styles: Jazz: Vocals, Smooth Jazz
Art: Front

01. 90 In The Shade (5:19)
02. What's New (4:56)
03. Love Song #9 (3:46)
04. Miho (4:20)
05. You Must Believe In Spring (3:02)
06. Permission For The Blues (Feat. Lew Soloff) (4:35)
07. Poor You (4:05)
08. The Emperor (4:16)
09. Love Asylum (4:59)
10. Permission For The Blues (Feat. Jeff Lee Johnson) (4:35)

On her album In Spring, Deb Silver delivers a striking collection of original songs mixed with unique interpretations of her favourite standards, producing a jazzy journey woven through with Deb’s smooth vocal dexterity.

A published songwriter with a lengthy career as a live performer in New York City–including a 12-year residency at Manhattan’s Zinc Bar–Deb has steadily established herself as a swinging jazz vocalist, recognized as both a sensual and witty musical interpreter and a highly accessible composer in her own right.

Whether delivering her own take on the classics or contributing songs of her own, Deb’s focus remains on telling her musical stories with her core group of downtown NYC jazz musicians, their many years of playing together infusing each track with the textured contours and lived-in familiarity that only the best long-term musical partnerships can provide.

In Spring

Artie Shaw - Both Feet In The Groove

Size: 88,2 MB
Time: 38:03
File: MP3 @ 320K/s
Released: 1956/2014
Styles: Jazz: Vocals, Big Band, Swing
Art: Front

01. One Foot In The Groove (3:41)
02. Rockin' Chair (3:07)
03. Jungle Drums (3:29)
04. Solid Sam (3:15)
05. Just Kiddin' Around (3:20)
06. Octoroon (2:55)
07. Prosschai (3:09)
08. What Is This Thing Called Love (3:11)
09. Lazy Day (3:03)
10. Little Jazz (3:00)
11. Comin' On (2:44)
12. One Night Stand (3:03)

Born in New York City in 1910 and raised in New Haven, Connecticut, Artie Shaw worked for several years as a saxophonist and clarinetist in name bands, and as a free-lance studio musician in Manhattan radio and recording work, before his career as a bandleader began, almost by accident, in 1935. In the spring of 1937 Artie started a new band with the regular saxes-brass-rhythm instrumentation. This was the band that catapulted him to fame a year later when he recorded Begin the Beguine. Some of the numbers in this album go back to that era; in fact one tune, Comin' On, was recorded on the same day at the same session as the historic Beguine-July 24, 1938. This Shaw panorama should convince you that, in truth, Artie Shaw at all times has had both feet in the groove.

Both Feet In The Groove

James Weidman - October Feeling

Size: 144,3 MB
Time: 62:08
File: MP3 @ 320K/s
Released: 2014
Styles: Jazz: Piano Jazz
Art: Front

01. I Hear A Rhapsody (5:34)
02. Three Questions (4:33)
03. The Wanderer (7:00)
04. The Mind Is The Universe (6:15)
05. Upper Manhattan Medical Group (5:11)
06. Straight Ahead (7:30)
07. Spring Is Here (6:57)
08. It's There For You To See (7:38)
09. October Feeling (5:50)
10. The Best Thing For You (Would Be Me ) (5:37)

Really nice solo piano set from Weidman, who mixes things up with tunes from the GAS, a few from jazz giants and some of his own originals. He gets an intimate, warm sound from his instrument, which is why the songs reveal a depth and substance even when he’s playing it straight and casual. For this session, Weidman set out to use a Fazioli rather than a typical Steinway piano. The Fazioli is made from the same wood as the Stradivarius, and notes tend to sustain a bit longer. Between that and his smart play, it’s why this album resonates as strongly as it does. ~Dave Sumner

October Feeling

Valerie MacCarthy & Jean Chaudron Trio - Color Play

Size: 136,6 MB
Time: 58:36
File: MP3 @ 320K/s
Released: 2014
Styles: Jazz Vocals
Art: Front

01. I Put A Spell On You (4:03)
02. Chain Of Fools (3:30)
03. Round Midnight (6:37)
04. Couleur Orange (3:48)
05. White Room (4:16)
06. Tender Moment (4:54)
07. Use Me (4:42)
08. The Letter (2:14)
09. Summertime (4:13)
10. Well You Needn't (3:03)
11. Nights In White Satin (5:01)
12. Zana (3:18)
13. Black Coffee (5:49)
14. Blues For Ed (3:01)

Personnel:
Valérie MacCarthy: Vocals
Bernard Désormières: Piano
Jean Chaudron: Double Bass
Alain Bouchaux: Drums

The versatile Franco-American singer Valérie MacCarthy has always been musically adventurous and has never sought to limited herself to the classical world. Though opera remains her touchstone, she has continued to explore other musical genres – including jazz and pop – throughout her career. Indeed, her love of jazz goes back to her college days at Northwestern.

These days, she is happily collaborating with the Jean Chaudron Trio, performing both traditional jazz favorites and original songs by Jean Chaudron, lending her classical training and multifaceted soprano to this musically complex and rich music. Recently, she produced music videos for several original pop songs that she co-wrote; the official music videos, in which she performs, are available on this site as well as on You Tube. Even in opera, Ms. MacCarthy has pushed boundaries in exciting ways. She appeared on Broadway in Baz Luhrman’s acclaimed production of La bohème, and, in 2003, she created her own one-woman show around her personalized interpretations of Poulenc’s La Voix humaine and Menotti’s The Telephone.

She has a particular affinity for modern works: in 2008, she starred in the world premiere of Lost Highway, an opera based on the David Lynch film of the same name (with libretto by Nobel Prize-winning writer Elfriede Jelinek), and recent and upcoming engagements include Mrs. Maurrant in Kurt Weill’s Street Scene and Magda Sorel in Menotti’s The Consul. Ms. MacCarthy has performed throughout the United States and Europe, appearing at many prestigious houses and festivals, including the Ravinia Festival (Chicago) and Holland Park Festival (London).

Color Play

Boyd Lee Dunlop - Boyd's Blues

Bitrate: 320K/s
Time: 58:57
Size: 135.0 MB
Styles: Piano jazz/blues
Year: 2011
Art: Front

[ 7:40] 1. Boyd's Mellow Blues
[ 3:30] 2. Boyd's Bowed Blues
[ 4:51] 3. Boyd's Swinging Blues
[ 5:04] 4. Boyd's Solo Flight
[ 5:45] 5. Boyd's Place
[ 7:34] 6. St. James Infirmary Blues
[ 6:01] 7. Boyd's Funky Blues
[13:33] 8. Boyd's Epic Journey
[ 4:55] 9. Boyd's End Of The Day Blues

For nearly eighty years, Boyd Lee Dunlop has been a live musician. Then, at age eighty-five, he stepped into a recording studio in Buffalo, NY with Sabu Adeyola on bass and Virgil Day on drums and, finally, recorded an album of his own. Now, at age eighty-six, he’s recorded his second.

When you hear Dunlop play, you know there’s a lot to his story, and a lot of it is missing. And that great mystery comes out in the music presented here, and forces us to wonder about all those notes that Dunlop played, live, unrecorded, over eight decades. A smidgen of Art Tatum here, and a dash of Bud Powell there, hints of Jaki Byard sprinkled on top, sometimes in the space of one song. But where Tatum and Powell often spearheaded their songs with lightning fills and the elaborate technical prowess youth will cling to, Dunlop lays back in a pocket of blues, deftly knowing when to slow the pace, shifting from standards to improvised embellishment. Dunlop’s passion and inventiveness are finally captured, and these notes will continue to ring out, over and over, as many times as we play his records.

Boyd's Blues

Poncho Sanchez - Latin Spirits

Bitrate: 320K/s
Time: 62:10
Size: 142.3 MB
Styles: Afro-Cuban jazz
Year: 2001
Art: Front

[6:14] 1. Sambia
[4:29] 2. Next Exit
[4:53] 3. Latin Spirits
[6:16] 4. Quieres Volver
[4:41] 5. Going Back To New Orleans
[4:25] 6. On Time
[7:06] 7. Ju Ju
[6:34] 8. Batiri Cha Cha
[6:27] 9. The Things We Did Last Summer
[4:27] 10. Tito In The City
[6:34] 11. Early In The Mornin'

Much marketing ado will no doubt be made over the wonderful dream-come-true nature of the legendary conguero's pairing with jazz piano great Chick Corea, in a setting which brings the latter back to his roots playing with Mongo Santamaria in the '60s. And the two Corea-touched tracks are definite highlights. He wrote the jumpy, heavy-chorded jam title track, which finds him doing call and response with feisty horns as Sanchez pitter patters fancifully in the background; the piano improvisations between these interactions are characteristically mind-boggling, as Corea switches off from bebop to hardcore Latin ivory sweeps. He also tackles the frisky Wayne Shorter piece "Juju," dipping and swooping over and under the horns as, once again, Sanchez works up a frenzy all around him. But Sanchez' vision extends way beyond just the Corea songs, as he creates an exciting travelogue through various styles that go beyond just Latin jazz. "Sambia" is sassy Havana salsa all the way, but the bluesy "Next Exit" -- featuring David Torres on piano -- is what might happen if Ramsey Lewis found himself at a Latin jazz party. The fun part of being a percussionist is surrounding yourself with brilliant soloists, and Sanchez picks a true winner in saxman Scott Martin, whose rich baritone drives "Next Exit." "Going Back to New Orleans" is all party blues with shouting voices and a Dr. John-like vocal by Dale Spalding. "Quieres Volver" is a dreamy romance set firmly in San Juan, with strings and Sanchez' own raspy vocals. Tucked deep into the disc are two other can't-miss spots on the itinerary: the festive Manhattan-styled jaunt "Tito in the City" (an obvious tribute to the mastery of Tito Puente) and the funky, struttin' "Early in the Morning," which recalls Louis Jordan's Calypso jive circa the mid-'40s (also featuring Spalding on lead vocals). Just when you think this disc can't get any better, Sanchez delights in making every next note and tour stop a surprise. ~Jonathan Widran

Poncho Sanchez congas, percussion, lead vocals on tracks 1, 4, 8; David Torres piano, Hammond B-3 Organ; Bruce Malament piano (tracks 5 & 11); Tony Banda bass, background vocals; Tom Gargano bass (tracks 5 & 11); Ramon Banda timbales; Tiki Pasillas timbales (tracks 5 & 11); Jose "Papo" Rodriguez bongos, percussion, background vocals; James Gadson drums (tracks 5 & 11); Sal Cracchiolo trumpet, flugelhorn; Scott Martin tenor, soprano, alto saxophones; Lon Price tenor, soprano, alto saxophones (tracks 5 & 11); Francisco Torres trombone, background vocals; Randy Waldman strings (track 4).

Latin Spirits

Judy Kuhn - Serious Playground: The Songs Of Laura Nyro

Bitrate: 320K/s
Time: 51:00
Size: 116.8 MB
Styles: Pop-jazz vocals
Year: 2007
Art: Front

[3:23] 1. Blackpatch
[4:04] 2. Sweet Blindness
[3:23] 3. Stoney End
[3:23] 4. To A Child
[2:18] 5. California Shoeshine Boys
[3:20] 6. Stoned Soul Picnic
[4:39] 7. Lonely Woman
[5:07] 8. Been On A Train
[3:42] 9. Mother's Spiritual
[2:46] 10. Luckie
[3:40] 11. Capt. St. Lucifer
[3:30] 12. Upstairs By A Chinese Lamp
[3:52] 13. Buy And Sell
[3:45] 14. Save The Country

As a singer and songwriter, Laura Nyro was the equal of Carole King and Joni Mitchell. Yet, while we discovered King and Mitchell’s compositions from their own albums, most of us learned Nyro’s songs through hit covers from the likes of the 5th Dimension, Barbra Streisand and Three Dog Night. So, though most of Nyro’s albums are available on CD, her work (or, at least, a small slice of it) survives largely as fodder for Golden Oldies stations. Fortunately, venerable music theater performer Judy Kuhn has opted to dig deeper, mixing the familiar with the comparatively obscure to salute the remarkable depth and breadth of the Nyro songbook.

Interestingly, Kuhn sounds akin to the Tapestry-era King as she examines the many facets of a richly versatile writer who was equally skilled at exploring the giddiness of communal tipsiness (“Sweet Blindness”) and the darkness of fatal drug abuse (“Been On a Train”), the joy of motherhood (“To a Child,” “Mother’s Spiritual”) and the temptation of demons (“Captain Saint Lucifer”), the cacophonous underbelly of her native New York (“Buy and Sell”) and the social unrest of her generation (“Save the Country”). Listening to Nyro filtered through Kuhn, it’s hard not to be reminded of composer Jonathan Larson’s Rent. And the parallel seems apt, party because of Kuhn’s innate theatricality, but more because Nyro and Larson, though separated by several decades, embraced many of the same themes—New York as a creative melting pot, sexual freedom, the incomparable value of friendship, the lights at the end of dark tunnels, internal and external quests for peace, love and understanding—in their passionately-woven songs. And both died far too young. ~Thomas Conrad

Serious Playground: The Songs Of Laura Nyro

Simone Zanchini & Frank Marocco - Bebop Buffet

Bitrate: 320K/s
Time: 41:49
Size: 95.7 MB
Styles: Accordion jazz
Year: 2008
Art: Front

[4:05] 1. Yardbird Suite
[5:34] 2. Yesterdays
[3:27] 3. Home Again
[7:49] 4. Spanish Song
[4:20] 5. Green Dolphin St
[4:27] 6. Jitterbug Waltz
[4:29] 7. There Will Never Be Another You
[4:17] 8. Peace
[3:16] 9. The Flinstones

Simone Zanchini; accordion Frank Marocco, accordion.

When I was a boy I had a tape I had worn down because of continuos listening; you could listen to a kind of jazz , played with the accordion that in those years, it wasn’t able to find. That was Frank Marocco and I spent many days of my life listening to him, and now, it seems incredible to me, I had the chance, after twenty years, to live this DUO experience with Frank. This meeting led me to develop a feeling, a style the be-bop that I’ll be always thankful to and gave birth to a deeply-felt work Be-bop buffet. ~Simone Zanchini

Frank Marocco was born in Joliet, Illinois USA 1/2/1931 - passed away in Los Angeles on 3/3/2012 He studied classical Accordion for 9 years in The Chicago area. Frank Marocco also studied clarinet, Piano, Harmony & Theory. His passion is Jazz and in recent years has been playing concerts in Europe, Japan, Brazil and China.

Bebop Buffet

Lisa Wahlandt - Stay A While

Styles: Vocal Jazz
Year: 2010
File: MP3@320K/s
Time: 44:19
Size: 103,0 MB
Art: Front

(5:00)  1. Kiss
(3:48)  2. Light My Fire
(4:29)  3. Stay A While
(4:02)  4. My Funny Valentine
(3:15)  5. Here There And Everywhere
(3:45)  6. As Tears Go By
(5:17)  7. Enjoy The Silence
(5:26)  8. Gute Nacht
(3:31)  9. I Will Survive
(5:41) 10. Inner City Blues

With this CD Lisa Wahlandt has discovered the song cycle for the Jazz again. "Stay a while" is a love log in songs, quiet, intense and ever so slightly blue.
With its fascinating hot cold, sensual voice staged Lisa Wahlandt a very personal, almost private Chamber match, meet in the Beatles and Doors on Broadway and Prince and Franz Schubert stands next to Gloria Gaynor. An emotional journey through all the feelings that offers love, touching and long echoing.

Decelerating, enjoyable moments of life. Great cinema for the ears. Lisa Wahlandt band and create a warm atmosphere, striding across borders without offending. Playful, leidenschaftich, sovereign. ~ Rainer Molz, monstersandcritics   
http://www.lisa-wahlandt.com/en/shop/stay-a-while

Personnel:  Lisa Wahlandt (vocals) Walter Lang (piano) Sven Faller (bass) Gerwin Eisenhauer (drums)