Time: 66:37
Size: 152.5 MB
Styles: Saxophone jazz
Year: 2011
Art: Front
[3:28] 1. In A Sentimental Mood
[4:36] 2. The Devil And The Deep Blue Sea
[4:30] 3. Easy Living
[4:32] 4. Minor Meeting
[3:40] 5. Airtight
[4:46] 6. Willow Weep For Me
[4:27] 7. Three Fingers North
[4:12] 8. Lover Man
[4:16] 9. Marbles
[2:41] 10. It's Allright With Me
[5:29] 11. Scrapple From The Apple
[6:15] 12. Out Of The Blue
[5:31] 13. Sandu
[8:07] 14. Cheek To Cheek
James Clay (ts), Bobby Timmons (p), Jimmy Bond (b), Peter Littman (d), Lorraine Geller (p), Red Mitchell (b), Sonny Clark (p), Lawrence Marable (d).
In the summer of 1956 James Clay was a 20-year-old tenor saxophonist from Dallas, who had been living and playing in Los Angeles since mid-1955. At that time his colleagues were all young and independent experimentalists, completely outside of the flourishing West Coast jazz movement – players like trumpeter Don Cherry, bassist Billy Higgins, and altoist Ornette Coleman – and though he said he was not an outside player, he worked easily within the unconventional settings of Coleman’s compositions.
Paradoxically, however, his only recordings were straight ahead, not at all in line with Ornette’s controversial music. On them his ideas flow melodically, especially in ballads and mid-tempos. On faster tunes, his blowing statements come from the strong swinging style and hot tone that characterized other Texas tenors such as Illinois Jacquet and Arnett Cobb, with a hard-bop approach clearly influenced by his idol Sonny Rollins. This CD contains all James Clay studio performances on tenor sax while the young kid from Dallas was living in Los Angeles in the mid Fifties.
In the summer of 1956 James Clay was a 20-year-old tenor saxophonist from Dallas, who had been living and playing in Los Angeles since mid-1955. At that time his colleagues were all young and independent experimentalists, completely outside of the flourishing West Coast jazz movement – players like trumpeter Don Cherry, bassist Billy Higgins, and altoist Ornette Coleman – and though he said he was not an outside player, he worked easily within the unconventional settings of Coleman’s compositions.
Paradoxically, however, his only recordings were straight ahead, not at all in line with Ornette’s controversial music. On them his ideas flow melodically, especially in ballads and mid-tempos. On faster tunes, his blowing statements come from the strong swinging style and hot tone that characterized other Texas tenors such as Illinois Jacquet and Arnett Cobb, with a hard-bop approach clearly influenced by his idol Sonny Rollins. This CD contains all James Clay studio performances on tenor sax while the young kid from Dallas was living in Los Angeles in the mid Fifties.
Tenorman: The Kid From Dallas
Hi Mat. Any chance of re-listing this one please ?
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ReplyDeleteGrateful for a reup, if possible. Thanks
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DeleteHi Giullia, think reup of this link is possible now? Cheers
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DeleteThank you so much for the re-post!
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I think I missed this. Thanks.
Thank you Doctorsientetebien!
DeleteThank you Giullia. Much obliged.
ReplyDeleteThank you Rum!
DeleteLooks pretty good, I'll join the crowd. Thank you once again, Roger.
ReplyDeleteEnjoy Roger.Charman!
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